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#So they've clearly thought about it a LITTLE
Alrightyy saw Challengers for numero uno tonight and these are some thoughts/things that really got me the second time round!
*Thess are just my opinions the film can be read however anyone else wants
Okay so hear me out.. Tashi is such a dom, Art is such a sub and Patrick is such a switch and oooh it got me how at the beginning it felt like he was Arts dom, then he finds this girl he thinks is fantastic and maybe he thinks she could be the glue to bring him and Art and her all together BUT then it totally fricken backfires and instead he loses both. Art the little puppy he is starts wagging his tail in Zendayas direction and next thing ya know he's got a new owner and Patricks a thing of the past much to his palable distress. I mean christ boyos living in his car and starving, boys a mess since his lost his dom and sub poor boyo, so now various things I noticed some of which I feel back up my argument haha
Gosh theres so many little moments, Patricks thing for Art seems so obvious yet Art seems totally clueless.
1) Patrick is defos bi, not just because he just so is but also cause he matches with a guy on his dating app during his swiping.
2) The doubles match they play in the past? Gosh they're all over eachother! And Pats clearly in charge of that relationship and Art seems totally cool with that (for then anyways..)
3) When him and Art are watching Tashis game at the vert beginning Patrick grabs Arts leg in exhilaration. I mean he always seems to be touching or in the space of his boy for christs sake.
4) When Tashi mentions the fact Arts going to Stamford Patrick noticeably makes a face, you could say its because shes paying attention to Art instead of him or that hes upset because shes going to college instead of going profesh BUT I really didnt read it that way. To me it looked like he was upset Art was going to college, they've been together for years after all and now their splitting up, poor boyo.
5) When Zendaya asks if theres anything going on between then, Art laughs and says no BUT Patrick??? Science and he looks down, hell he wishes there was summat.
6) He taught Art to jerk off. Fucking hell.
7) There kiss man, all three of then and then just Art and Pat, just soo much chemistry.
8) When he reveals he slwpt with Zendaya to Art, and Arts smile drops. I think he's heartbroke at him sleeping with the girl he likes but I also see it as pain at being left out. These two people he's entwined with and now he's outside looking in. I also think If Patrick had seen that reaction he'd have seen a looot sooner that his relationship with Tashi might backfire greatly.
9) Patrick vsiting Stamford, first person he goes to see, his girlfriend maybe..? NOPE hes too busy chasing Art around the tennis court 😭
10) There's a ton of hot moments in this film. And the hottest? To me? That bloody stool grab with his foot. He wants Art close, he always bloody does! And the churros christ! And once again showing Art who's top so to speak, eating his churro, and telling him hes proud of his snakey behaviour. And that it makes his relationship with Zendaya hotter (I bloody bet it does) He never ever seems to show jealousy about Arts feelings for Zendaya, he points out thay he doesn't see him as competition to her not long after and I BET his doesn't. Cause I think he'd love it if Art was with him and Zendaya.
11) My God this bit gets be cause it gets echoed later. Him and Zendaya are making out and this girl who he's with and cares about is just talking bout his tennis game. And tbf what does he say?? "Weren't you gonna tell me bout Art" hells bells could you be more obvious?? And then the fight, he asks her if she's talking about tennis and her reply "I'm always talking about tennis" and I mention this cause it's gonna be relevant later.
12) The injury happens and everyone loses something. Zendaya has lost her career and ability to play tennis to her full potential. Art loses his best friend and Poor pathetic Patrick lost his bestfriend(and secret love) and his actual girlfriend all in one day!
From here on I cant guarantee my numbered points are in timeline order as the timline stated getting more out of sequence🤣
13) Zendaya and Art in the diner and after hearing Art and Pat dont talk no more saying she's a homewrecker after all. And what does Art say?? Zip. Nada. No denial just silence.
14) Okay lets talk that sauna scene. It was gloriously tragic. Patrick is clearly unaware why Art is THAT hostile towards him. I mean thinking of it from his point of view he'd have more reason to be angry considering the snakey girlfriend behaviour. But he never is angry at Art, not once no matter what he did. Of course we then discover Art is SO pissed cause he knows about Atlanta. Christ I bet pur stupid idiot boy Patrick thinks hes just being cleverly smug with that "when we were teenagers" line but idiot boyo your rubbing salt in the wounds 😭
15) still about the sauna, the naked trying to be top dog like old times but no no no, not anymore. Arts not his to be in charge of anymore. And the camera shows Art as higher while Patrick slouches nearby. Patrick asks him when he's so mad but doesn't get an answer. This scene was tragic to me, Patrick just seems hurt by Arts attitude. Art points out that they're no longer peers and I love this because thats the difference between the Zendaya/boys relationship and Arts and Pats. Pat may have been the dom so to speak with Art but he still saw them as peers. Zendaya doesn't. Thats the main difference in their relationships. Respect.
16) One of my fave damn parts of dialogue in the movie. (I really can't remember exact phrasing but this is how I rememeber it) Art is so sus of Pat, Pat asks him if he misses it, Art says he doesnt. And when Pat says he wasn't talking about tennis, Art says "Your always talking to me about tennis" and oof the punch to my gut that was. And it seemed to Patricks too! His face, this poor boy has twice been talking to the people he cares about, abou their relationship and they just say their talking about tennis, he cant catch a break😭
17) Pats reaction to Zendaya asking him to throw the game, is he offended for himself? Nopeee he's mad that she'd do that to Art. He says something along the lines of fucking him was one thing but to have Arts victory be a lie?? Gross, too far, too much of a betrayal.
18) For the third time, having just fucked Zendaya in the car and she just immediately brings up him throwing the match, like crimeny man this boy is probs sick of this game getting in the way of his relationships haha
19) Ooh that match point is glorious glorious cinema my friends. Patrick is so interesting in this whole match. Him deliberating on if he's gonna tell Art? So juicy and the way he did was fucking hilarious. That unspoken signal? Beauty.
20) Arts reaction? Wow oh wowww. The lad went through the five fricken stages of grief! The denial "fuck off!" the rage, throwing his racket, the bargaining, looking at Zendaya as if to say its not true (when she has no fucking clue what just happened). The depression, those sad sweaty tears 🥲 and then? That gorgeous smile, that acceptance. I think he felt catharsis, his marraige was clearly dysfunctional at this point and maybe knowing she cheated, knowing she'd threatened to leave if he lost, maybe that helped him let go of it. Ripped off the bandage, turned off life support, finally shake the pedestal he'd put his wife on( he compared her to jesus for christs sake). He made it through to the otherside and Patrick was there waiting for him with open arms ()iterally lol)
21) When Pat sees Arts smile? His own blossoms, clearly in relief and exaltation. I truly think he told him not to throw his game but to spur Art on. To finally unlock his potential. And to get the old Art he knew back and it bloody worked. That final back and forth, the pure energy, those sexual grunts all building up to a crescendo of a climax. Hooo boy
22) That goddamn brilliant leap in the air. Art is freed and flying, and Patrick doesn't hesitate he flings his racket to the floor because the thing that mattered to him most was never tennis. And he catches his boy with arms wide and then that embrace. They have finally come back together. It was beautiful. What does losing the match matter to Pat when he finally has his arms all over Art again just like he did in the beginning. We have come full circle.
Hahaha this is purely my own read into the movie and obvs mostly about the Patrick character and how I saw his actions. Now a few little bonus notes I noticed.
Nearly everything the boys eat/drink seems phallic, hotdogs, bananas, churros, even those drink bottles and cigarettes. Boyos are obsessed!
Zendaya on the rock at the beach was very little mermaid. Also in that scene when she said she wouldn't wanna get between em. Art said they didn't love together but Pat says "It's an open relationship" hecks you too obvious boy.
This movies so chock full of foreshadowing too, the story about Cat who got injured a week later. Patrick at Tashis party saying she'd have deals and a foundation which she does but via her relationship with Art instead just really cool script tbh
(Will probs add more when I remember em/see it for third time cause I am planning on that🤣🤣)
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rainyfirecollection2 · 15 hours
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out of curiosity what's the moment being a hardcore Ruben stan really clicked for you
Really good question, thank you for asking.
I enjoyed when he was onscreen, even on first watch, but that's not exceptional. Brennan does great voices etc, he's a very funny presence, but all this can apply to Gertie, or a billion other NPCs. His art is so huggable, but that wouldn't be it on its own.
He kept growing on me slowly every time I went back through scenes to fact check and he was there. Even when we actually had the episode where we found out about Jace's involvement in his life and the confrontation with Henry, I got more engaged with his character but I wouldn't say I reached my full tipping point quite yet.
But what happened was, there were a couple posts where people thought it might be a trick, and that Henry was being inappropriate. Jace snapped because he was under stress, but ultimately he wasn't wrong in telling Henry to butt out, kind of thing.
I don't want to shame anyone for having that idea, it's a mystery season and I think it's normal and fine to reach for possibilities that stretch what's likely sometimes. But ya know, I went back through the scene to double-check my memories, and get the quote about Jace saying that he didn't even read all of Henry's concerns. (Which I feel like made Jace pretty clearly Wrong in that scene, even if he had turned out to just be a shitty teacher/administrator and not Ankarna-connected.)
And as I was again going back through his scenes and he kept growing on me, I was making more posts about him and realizing how few other people were posting about him in the tag. I got to thinking about it, like
"well hang on, we have this character with a great design. he's presented a lot like the emo equivalent of Zayn's caricature of gothness in season one. they've already investigated and found out he doesn't have a history of being toxic to anyone even though he's famous now and has the opportunities. and we just got huge evidence that the 'maybe some of the RGs are being manipulated and actually fine' that people wanted for Oisin in particular might actually be true for him."
and my first instinct was to check myself and go like "well remember just bc you're super invested in small NPCs doesn't mean anyone else would be, he's actually very minor and has little screentime-HANG ON A MINUTE. he's had more screentime than any other Rat Grinder! So then why-ohhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhh" And idk something about this kid who had more people going "maybe his uncle is evil for trying to protect him" than "oh damn we just found out he needs to be protected" made me go you know what. if nobody else is gonna take this corner of fandom than somebody gotta
And I rolled up my sleeves.
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wedding-shemp · 4 months
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In the 2014 Ms Marvel run they showed Kamala writing fanfic about superheroes presumably to make her relatable to the target audience of teen girls who also wrote fanfic about Marvel characters. But Kamala LIVES in the Marvel universe where those are just real people. So we have to imagine that Kamala got into some very tedious RPF discourse on the 616 equivalent of Tumblr
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q-nihachu · 3 months
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I've been thinking about what it is so specifically about Minecraft roleplay that involves so much sharing of interpretation between creator and audience. And what I've landed on is that the crux of it is something entirely separate from either. There is a third party providing interpretation—that of the "world" (the video game) the characters occupy.
See, there are a lot of different game worlds used for storytelling. For example, The Sims. When a creator tells a story using The Sims, the actions are provided by the game. There's very little that is vague in terms of what the characters are doing. The creator may still provide the characters' thought processes and link everything together for you, but the game is doing the heavy lifting of the storytelling.
Take an opposite example. D&D provides quite a lot in terms of worldbuilding, but most of the story is told via an entirely separate medium: speech. If one character stabs another, the game provides, perhaps, two minis colliding. That doesn't tell you much. So, the creators narrate every aspect of the what's happening, from the characters' thought processes to the sensory impact of what they've done. The actions themselves still leave little up to interpretation because you've heard them directly from the creators' mouths.
Finally, take Minecraft. In contrast to the other two, the actions characters take are often ambiguous. We know if one character hits another, but we don't know what that means. It could be nothing, or it could be a deep betrayal. The same action is used by a QSMP egg to say "hey, I have a sign for you to read" that c!Wilbur uses to violently and righteously beat c!Dream to death in his fantasy. So, in the ambiguity of the action lies a tricky situation. The game doesn't detail what the action is (a tap on the shoulder or a punch to the face), but the creator can't either. It would be a betrayal of their medium to do so. They have only the tools of context and reaction to indicate what an action means. And these are very useful tools! It's clear that when Wilbur beats Dream, it's to be taken with the gravity of a real-world beating.
But because of this unwritten rule that actions can't be clearly stated, Minecraft roleplay creates a story that requires the audience to interpret themselves what, exactly, is happening. They can choose not to engage with this. If two players bump into each other, the audience doesn't have to say what that means. The creator can also choose to state things outright at times. Perhaps when those players collided, it was a hug. But the gift of the medium is when neither of those things happen, and the audience gets to say, "They did that on purpose to be hostile!" Maybe that wasn't what the creator intended with the action, but they kept to the rule—so the story now, uniquely, belongs to the audience to create.
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luveline · 9 months
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If you have any interest, how about a Spencer blurb where he's off on a case and gets or misses a late night call from the reader and is super worried, only to call them back and find them drunk and missing him. And of course the team rags on him after.
thank u for ur request! fem!reader
Spencer looks down at his phone and goes ghostly white. 
"What?" Emily asks. "They had a sale at Waterstones and you missed it?" 
Spencer clicks a bunch of buttons on his phone and brings it to his ear, crushing limp hair to his neck. "Seventeen missed calls," he says. 
Derek comes to the rescue, though the lightness in his voice is slightly forced, "Don't panic, wonderboy. Who wouldn't be eager to talk to you at… two AM?" 
"Is that the time difference?" Emily asks, leaning forward in concern. 
Even Hotch puts down his pen. The team listens to the phone ring. It loops, loops, loops, and everybody breathes a sigh of relief when you finally answer. If something happened to you Spencer wouldn't survive it. Nor after everything he's already been through. 
"Hey?" he says. There's a gap of silence. "Y/N, are you there?" 
"Spencer!" 
Spencer turns away from the table they've congregated at and looks through the open window at the parking lot, police cars roaming in and out of spaces. "What's wrong?" 
"I miss you so much." 
Spencer's nose wrinkles of its own accord. "Yeah? You sound odd. Are you– are you drunk?" 
Derek laughs. Like marionettes held tight with strings suddenly cut, the team stop their stressing and send each other knowing, amused looks. 
"Just a little bit!" you promise, clearly lying. Your voice catches on the syllables like they're coated in sticky honey, the slightest slurring tripping you up at the end. "We went for– to Chilli's. I had a blooming onion and seven margaritas!" 
"I can tell." 
"I'm really sorry, Spence, I know I'm not s'posed to call when you're away," you begin. 
Spencer glances back. Rossi and JJ have returned with coffee and a late dinner, neither of them bothering to act as though they aren't listening to the conversation. 
"No," Spencer says, turning back around and hunching inward, "that's the opposite of what we talked about, isn't it? You can call whenever you want to, but I can't, you know, always answer. I thought something bad happened. Maybe next time you could text me?" Rather than call almost twenty times and give him a heart attack.
Laughter echoes from behind. They team act like a teasing family sometimes, Spencer their teenage son who's never dated. 
He would fluster if you weren't talking to him in loud but loving tones, "I can barely walk, texting wasn't happening. I'm para-spelgic." 
"You're not," he says, firmly at first. "Are you? Who's with you? Is Rebecca there?" Rebecca being your best friend. Spencer trusts her to take care of you.
"She was, but she said that I– uh… She said I talked about you too much and made her nauseous. I feel kinda sick, too, but I just needed to talk to you, Spence. I miss you. I miss you, are you home soon?" 
"Is Rebecca really not there?" he asks. He thinks about the room full of special agents he's standing in and drops his voice to a murmur. "I miss you too." 
"She's making toast or something." 
"That's good. It'll soak up the margaritas." 
"I don't want toast, I want you! Please come home safe, angel. I really wish you were here to do that thing with my ear." 
Spencer has to give in. You're speaking so loudly it's impossible the team hadn't heard it, but he can't find the will to be embarrassed any longer. You're drunk and ridiculous and all you can think about is him.
"I wish I was home, too. Do I need to worry about you? Make sure you're drinking water, okay? Alcohol makes you dehydrated, you'll get a bad headache." 
"It makes me miss you," you whine. 
He smiles fondly. "There's no cure for that." A door opens over the line. "Is that Rebecca?" 
"Yeah." Murmurings. "She says sorry for letting me get so drunk, but she didn't let me do anything. It's like you always say, Spence, I can do whatever I set my mind to." 
"And you set your mind to getting drunk at Chili's." 
"Exactly!" 
You talk a little more before he hangs up. He knows you're getting taken care of. 
A gaggle of smiling faces greet him as he turns around. "Everything okay, 'angel'?" Derek asks. 
Spencer puts his phone in his pocket. You'll text him in the morning with a hankering for Tylenol and sore eyes, but you'll be fine. "Everything's great." 
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blue-ink-pearls · 24 days
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Fig Isn't Meant to Be Cassandra's Paladin, Bucky Applebees Is
As most of us have realized since Ankarna's original domain was revealed, Fig is clearly supposed to be her paladin. The archdevil of rebellion united with the goddess of conviction and justice would be an incredible force for fighting wrongs, for inspiring revolutions, and creating true positive change.
But Fig wasn't wrong that Cassandra would be immensely helped by having a paladin swear themselves to her. Even though Kristen is an extraordinary cleric, she's only one person.
When we first meet Bucky Applebees in Junior Year, he is filled with doubt and uncertainty. He's a paladin of Helio, the same religion (cult) that Kristen fled from and he has been forced to take on the role of protector to his younger brothers that Kristen once held as the eldest daughter. He hasn't told his parents about the gold Kristen gave them, he thinks he's going to hell for lying, he misses his sister but thinks she's living in sin (maybe?), and he's curious about what beer tastes like (but never mind, he doesn't want to know. He bets it would be great. For sinners, would love it.).
When Cassandra dies/is kidnapped, Kristen first feels a connection to her goddess again when she thinks of how her doubt and uncertainty led to her escaping that life and finding freedom from Helio and her parents.
Ally: "I think she spent so much time trapped and feeling, like, super wrong, that doubt and mystery actually feel like a really beautiful escape, and more true." Brennan: "The concept of escape hits you. And for a moment you hear (clicking). And all of the locks on the windows and all of the locks on the doors of this room just open slightly. A little bit of divine magic flows through you....[W]hen you thought of escape, you thought of, yeah, embracing the unknown gives you the strength to leave a bad situation. Escape."
Bucky, Bricker, and Cork are still trapped and now that Brennan's brought Bucky back into the story, I don't think the season is going to end with Kristen leaving her little brothers in an abusive home life when there's every possibility for them to find safety and acceptance at Morded Manor.
I believe that if Kristen is able to help her brothers get away from their parents and the Church of Helio*, then Bucky is going to need a new god to follow. Why wouldn't Bucky, a scared, uncertain 14 year-old kid, not follow a goddess in the image of his older sister, whose very essence is that "whenever you're in the dark, I'm here holding your hand."
Kristen has always had a hard time doing the work of growing her church, of telling people about Cassandra. I think she'd find it easy to tell her siblings all about Cassandra when she's trying to help them find enough doubt and uncertainty in what they've known all their lives, that they'll have the courage to escape too.
*Also, there's definitely going to be further exploration of the Church of Sol, and by extension the Church of Helio, as they were 100% involved in what happened to Ankarna and Kristen is probably going to try to keep Bobby Dawn away from Bucky, just as she absolutely rejected Buddy Dawn becoming her brother's mentor.
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vivwritesfics · 3 months
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(Oh My God) They Were Roommates
Chapter Eight - She Breaks Her Own Rules
Lando Norris and Y/N L/N were teammates. Tension had been between from the minute they started driving together and, when it only got worse, McLaren CEO Zac Brown decides there's only one solution: Have them live together.
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Warnings: Smut, unprotected sex (wrap before you tap)
okay so im skipping ahead in the timeline but, by this point, they've done a lot and slept together a lot. If you guys want to, you can send in asks (like we've done with nnta) about it
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The Spanish Grand Prix. It was their first grand prix since they started fucking and it felt like they'd done nothing but that. They'd spent almost every night together since that first time they slept together on the couch.
At first, Lando did what he had done that first time. He left her as soon as they had both finished, or he rolled away and let her leave.
But there was one time, one time where Y/N just laid there, too fucked out to move. Lando still got up. But this time he walked to the bathroom and started running the water.
As it ran, he made his way back to his bedroom, where Y/N was still laying. "Hey," he said, crouching down beside her and brushing the hair away from her forehead. "I've got the bath running for you."
Lando stood up straight. He brought her into his arms, picking her up and walking her into the bathroom. Gently, he placed her down in the water. He grabbed the loofa and the soap and began scrubbing at her skin. "Feeling better?" He asked, gently cleaning between her legs.
She hissed and Lando pulled away, cleaning the sweat from her thighs instead. "Thank you, Lan," she said softly, eyes closed as she leaned back against the tub.
He smiled, smoothed down her hair, and left the room.
Y/N closed her eyes. She just laid there, enjoying the feeling of the water against her skin. But then the door opened again and Lando returned, holding a clean pair of her pyjama shorts and one of his hoodies.
After climbing out of the tub and drying off her body. Y/N pulled on the shorts and Lando's hoodie. She followed him out of the bathroom and made her way back to her own bedroom, falling asleep alone.
But now they were at the Spanish Grand Prix. It was incredibly warm, but Y/N was still wearing a hoodie. She had thought nothing of it, of the hoodie she was wearing as she walked through the paddock on the Friday, orange hat on her head.
She thought nothing of it as she walked into the garage to prepare for free practice. She went into her drivers room and got changed into her fire proofs and racing overalls. Before she left her drivers room, she checked her phone and took a sip of her energy drink.
If this was a movie, the scenes would have cut between Y/N racing around the track and her phone notifications blowing up. It seemed like the only things the fans cared about wasn't the free practice, at this particular moment, but it was Y/N's attire as she arrived at the track. Or, who's clothes she was wearing.
It was no secret in the Formula One community that Lando liked to wear his hoodies. His fans knew all of his hoodies, knew how easily recognisable they were. So, when Y/N L/N, his teammate, came walking into the paddock wearing his hoodie, nobody could believe it.
F1 social media was blowing up, and she was none the wiser.
She and Lando didn't have much interaction that day. He didn't seem to notice what she was wearing, having gotten used to it, gotten used to seeing her in his clothes.
On the Saturday, things were a lot hotter. Y/N wore her McLaren top as she walked around the paddock, saying hello to her friends and doing a little bit of media with her teammate.
Interviewers loved to ask them how their living situation was going. Y/N and Lando loved to watch the excitement drain from their faces when they said that things were going well and that they enjoyed living together. Clearly, interviewers wanted gossip, tea, to hear how much they hated living together. But that wasn't what they had to say.
Qualifying was insanely good for Y/N. It was the best qualifying of her F1 career, starting second on the grid. Max qualified just ahead of her, but there was no way she was going to be able to overtake him. Second place would be good, if she could hold onto it, but she was hungry for the win.
If she had qualified ahead of Max Verstappen, she would have wanted to celebrate, to pull Lando into her bedroom for a sleepless night. But she hadn't qualified on pole and she needed to be able to concentrate, needed sleep before the race tomorrow.
On Sunday she was anxious. Of course she was, it was race day. She woke up, so much earlier than she needed to, and got dressed.
When it was time, she and Lando headed to the track together. It wasn't suspicious, they told themselves, they were roommates and friends and it was perfectly normal for them to go places together.
(When fans noticed this, they couldn't believe it. They had to be dating. First the hoodie and now this? Dating was the only explanation, they thought).
Before the race began, the drivers stood on track as the race day opening ceremonies happened. She was between her teammate and Ferrari's own Charles Leclerc as the national anthem was played.
Since they got to the track, Y/N and Lando hadn't had a moment alone. They hadn't had a moment to wish each other good luck. Were they even supposed to do that now? Just because they were having sex, did that mean they should say good luck to each other?
They didn't get much time to worry about it. Before they knew it, they were on the starting grid, waiting for the lights to go green.
***
Y/N was on the podium. She wasn't just on the podium, she had won. She stood proud as her countries national anthem played behind her. Her first win in F1 and she got to share the podium with her friend Max and the living legend that was Lewis Hamilton.
She sprayed champagne over them as they ran around the podium, the crowd staring up at them. The feeling of her first win was incredible, addictive, and she wanted to celebrate.
Max invited her on a night out, to go clubbing and celebrate his win. But Y/N turned him down, she had other plans.
Getting back to her drivers room, she did things quickly, got changed out of her fire proofs quickly. She then snuck her way out of her own drivers room and made her way over to Lando's driver room. She knocked gently and pushed the door open.
"Congratulations," said Lando as she walked in and shut the door behind her, he was incredibly proud of her.
Y/N was silent as she walked over to him, her hips swaying from side to side. Lando was still as he watched her walk over to him. As she threw her arms around his neck, Lando's hands settled on her waist. Still saying nothing, she pressed her lips to his.
The rules they had set out played in the back of his mind as Y/N pushed him back towards the white couch in his drivers room. She sat on his lap, immediately grinding against him.
Lando continued to kiss her as he pulled off his shirt. He pulled his own over his head and dropped it onto the couch beside them. Y/N continued to kiss him as she opened his jeans and pushed them down his legs, doing the same to her own.
Lando unclasped her bra as she freed him from the confines of his boxers. She pushed her panties down and sat back on his lap, his cock stiff and proud between them.
Y/N grabbed him and pumped her hand up and down. She kept her fingers wrapped around him as she placed herself above him, and sank down, throwing her head back as she filled him.
Fuck, she'd never get used to this. She never wanted to.
Lando held onto her ass as she bounced on his lap, riding him. He continued to kiss her, unwilling to pull his lips away as he began thrusting up into her, helping her to move. His hands gripped her skin, leaving bruises.
The way he held her, the feeling of his skin against hers, was addictive, almost as addictive as winning. "Lan," she whispered against his bruised lips.
"I've got you, baby," he whispered, continuing to fuck up into her.
Her eyes closed as she let out a weak cry.
Her orgasm was close, but still just out of reach. But then the door to Lando's driver room flew open and Max walked in. "Hey ma-"
Every in the room froze, just staring at each other. Lando tightened his grip on her before his brain kicked into gear and he grabbed his shirt from the couch and pulled it over her body.
He pulled out of her and pulled his boxers up, pushing Y/N behind him to shield her from Max's view. "It's not what it looks like," the McLaren drivers said at the same time.
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plutoswritingplanet · 8 months
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could you do a request of Buggy (opla) falling for Luffy’s older sister? (Adopted or blood relation, doesn’t matter) like he takes her hostage but she doesn’t seem to mind. She know she can escape at any time, but keep annoying buggy to a point where… he doesn’t see her as a hostage anymore, more like treasure? And she starts to maybe feel something for the clown?
You Started It (Buggy The Clown x Reader)
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a/n: how did i know the first request will be about the clown lmao. i took some liberties when writing this but i hope you still like it <3
Warnings: Buggy Being Kind Of An Asshole, Captivity, Some Suggestive Themes
Summary: Poking the bear isn't the wisest things you could be doing in your particular situation.
Part 2.
You've memorized every nook and cranny of your shoes. The time you've spent in containment has really opened your eyes, when it comes to how little you actually knew about the clothes you were wearing. For example, your right shoe was slightly bigger, molded by your foot. You must be putting more weight onto your right leg, when standing. The hem of your shorts is made with a very close cross stitch, making them slightly sturdier and thicker. Right where the material folds, just above your knee, you've managed to pick out a small hole, the strings of abused material hung sadly and tickled your skin.
There wasn't really much to do, while being kept in a cage, in the backstage of a circus which belonged to the infamous Buggy the Clown. Well, except studying the stains on your shoes and waiting for the Captain to visit you, which he did quite frequently.
"Entertainment purposes" is the reason he declared, when you've asked him why on earth is he keeping you locked up in a hanging cage. But you weren't so easily fooled. You knew from the start, that the role he has envisioned for you to play, was that of a Hostage and Bait. So, inevitably, when your younger brother and his merry band of misfits come to save you, he'd be able to even out the score. Which was a shitty plan, in your opinion.
They've kicked his ass before, they can do it once again.
So, that's why you're here, feet dangling above the floor, as you hum to yourself. Anything to pass the time. That is, until you hear the door to the backstage open, and a familiar tone of voice calls out.
"Hostage!"
Really, how did he even expect you to stay in the dark about his plan, while calling you like this? The man was clearly insane.
Buggy the Clown stands before you, makeup disheveled as always, with his Captain's hat abandoned in favor of a striped bandana. He's excited, which is evident, by the way he can't seem to stop moving, jumping from one leg to the other, hands fidgeting at his sides.
"How are you feeling, my dear Hostage?" he asks with fake concern, and just as your mouth opens to answer, he interrupts "Ah, never mind that, I don't care."
You don't even try to hide the annoyed expression on your face.
"You can sing" he states matter-of-factly, pointing a finger right at you.
"Barely."
"Can you dance though?"
"Barely as well."
He hums in thought, pacing the floor in front of your cage. Finally, he stops, looking at you with his head tilted to the side. His eyes rake over your body, and it brings a sudden wave of discomfort to your bones.
"You'll be performing in our next act."
Again, his tone leaves no space for an argument. Still, you were never an agreeable person, smiles were more of your brother's thing. So, you straighten out as much as the cage allows you and cross your arms in front of your chest.
"Do whatever you like, my brother will get me out of here before you can say Welcome to my big show".
"Welcome to my big show" he says immediately, then, raises his finger, as if he's waiting for the entire crew of Strawhats to fall from the sky.
They don't, obviously, and he gives you a pointed look, to which you respond with a roll of your eyes.
"Besides" he turns around and opens one of the chests laid out on the table "Aren't you a bit old to dote on your younger brother so much?"
The question genuinely offends you, and as he pulls out another bandana, this one red, covered entirely with big white polka dots, your eyes glimmer with venom.
"Aren't you a bit old to play dress up?"
He turns in a blink of an eye, and with terror mixed with disgust you watch his hands detach from his body, slamming into the cage. The force of impact sends it flying right into the nearby wall, the back of your head smacks against the metal bars. The swinging of the cage coupled with the stars erupting before your eyelids from the impact make you feel dizzy.
Then, Buggy takes a step towards the cage, connecting his hands with the rest of his body, and your prison stops swinging in an instant.
"I should kill you for that" he says lowly, his blue eyes bearing into your face.
"You started it" you choke out an accusation, trying very hard not to vomit.
He stays completely quiet, just watching you for a long while, his hands slowly loose tension. Then, as if his rage has entirely dissolved, he smiles, teeth completely exposed, as his cheeks crease. God, you'd do such a better job at his make-up, given the chance.
"You're funny, Hostage" he shakes his head, and suddenly, for some unknown reason, it downs upon you, just how close to you, he's standing.
"Sing for me some more" he says.
And then, his hands push back with sufficient force to send your cage flying again. You groan at the movement, another wave of nausea almost making you loose your breakfast. When you finally have the perfect, biting comeback, he's already gone, the door slamming after him. You're alone again.
A sigh escapes your lips, as you press your forehead to the cold metal of the cage. You've already memorized all the details of your own clothes, and the room was too dark to see anything more. So, you start observing the cage. The way the light shifts up and down on the bars, the way the brown paint seems to peel away under your thighs. Then, you look up, towards the place where all the bars have been stuck together.
And then your eyebrows furrow. Because just above the ceiling of the cage, you can see something poking out. Something roughly the size of a fist and colored a pale, fleshy color. You raise yourself slightly in your seat, to get a better look, and immediately regret doing so.
It's an ear. His ear. Detached and placed right on top of the cage. That's how he knows about your singing, the bastard.
An idea brews in your brain, mischief spilling out of your growing smirk. You pull yourself up, until you can reach the top of the cage. Your arm is just slender enough to slip past the bars, and your fingers brush against the cold flesh of the ear. Before Buggy, wherever he is, can react, you snatch the ear from the top of the cage, keeping a tight grip, as it starts to jump in your hand.
Then, you take a deep breath, place the ear close to your lips… And give the most blood-curling, shrill scream you could muster.
Immediately, you hear a string of curses coming your way, and a second later Buggy bursts into the room, a murderous expression on his face. You open your hand, and the ear nearly bursts out of your fingers, flying back to it's owner like some sort of deformed beetle. The sight, for some reason, is so incredibly funny, you can't help but choke out a little giggle. Which soon becomes a quite big giggle, which in turn morphs into a full blown laughter.
You can't see the Captain through the tears of laughter forming in your eyes, so when he knocks on the metal bars of your cage, you nearly choke from surprise. He's looking at you strangely. Not quite as angry as before, but there is something else lurking behind his eyes. As if he's enveloped deeply in his thoughts, but at the same time completely present and focused on you. Your laughter dies down in an instantly, and you reach up to wipe your tears, clearing your throat awkwardly.
"I've captured myself a comedian, huh?" the man leans closer to the bars of the cage, placing his forehead against them and looking at you from below "You trying to take my place as the funniest person in the circus? Hm, Hostage?"
You risk a smirk, leaning down towards him. He watches your movements with a curious expression, eyes darting all over your face.
"Yeah" you whisper "So, you better watch your back."
At that, he smiles one of his brilliantly wide smiles. This one however, seems the most honest out of every one you've seen up to this point. You try not to linger too much at the way his eyes seem to shine in the dimly lit room. Or how the stubble on his face makes his features sharper. Or even on the way his arms flex as he leans against the cage. And definitely, without a shadow of a doubt, you're not focusing on the fact, that he's standing nestled right between your dangling legs.
So, before your brain conjures up any unwanted ideas, you clear your throat again and straighten up. Buggy notices the shift in your posture, but doesn't move, instead it seems as if a lightbulb has literally appeared beside his head. Desperate to change the subject, which hasn't been even brought up yet, you wave your hand in the general direction of his ear.
"Your ability is pretty useful" you try to sound as neutral, as humanly possible.
"Oh?" he tilts his head back and gives you a suspicious look.
"Yeah, that eavesdropping thing was really cool… And slightly disgusting" your nose scrunches "But mostly cool."
He hums low in his throat, his hands slowly letting go of your cage. Still, he remains standing between your legs, your knee brushing against his prominent hip bones.
"Are there" you swallow "Any limits to this ability?"
Now, his eyebrows jump straight under his bandana, and you definitely do not like the slow smirk filling his features.
"I mean, like, can you detach your nose? Or um… I don't know, your fingernails?"
Finally he steps back, stretching his arms to the side, as if he's giving you a show, and in a way, he does. There are muscles, hidden under those circus clothes. His exposed forearms are nicely shaped, with thick veins running the length of them. You really don't mean to ogle the man, but fuck, he is handsome. In an "insane-sadistic-clown-who-is-also-a-pirate-for-some-reason" way.
"I can detach every single part of my body with no effort" he says, his smile growing.
Before you could really think about your actions, your gaze falls downward, right to his belt keeping his trousers up. Mortified, that your brain would even go there, you tear your eyes up, and with a horrified expression, look upon a face full of excitement.
Then, Buggy raises his hands to his heart, feigning a scandalized expression, which would've been funny, if you weren't currently blushing in the lovely shade of a ripe beetroot.
"I'm sorry… that's not… I didn't" your words come out a jumbled mess, and Buggy wheezes out a laugh.
"Oh would you look at that" he puts his hands behind his back, as he slowly starts to stalk towards your confinement "You know, with how sheltered your little brother is, I didn't expect you to be such a dirty pervert."
You choke on air, arms flailing inside the cage, as you genuinely are at a loss for words, You can feel your face grow impossibly hot, the heat spreading all the way to the tops of your ears. The Clown still advances, until his face is pushed right between the bars of the cage, a smile on his lips and a glint in his eye. You don't know what to do with yourself, as the man continues to laugh at your outrage.
Finally, his right hand flies from behind his back and stops right above his head. Then, as if making a show specially for you out of his unusual abilities, he lets his pointer finger remove itself from the hand. Involuntarily, you make a face, and try to push yourself as far into the cage, as humanly possible. Which, given the size of your prison, does practically nothing. The finger aims straight at your nose and presses it with slightly more force, than a friendly "boop" would.
"You started it" he throws your own words back at you, and watches your dumbfounded expression with a smile and a giggle.
Finally, he steps back, all his body parts in place, and you can breathe again at last. Then, with a flourish, he bows down before the cage, before giving you a slightly unbalanced twirl. At that, you can't help but smile, almost fondly. He's not so bad, when he isn't actively trying to murder you and your friends.
"Anyways, get ready, your grand performance is in a week" he concludes, and you sigh deeply.
So he hasn't let this one go.
No matter. A week from now, you'll be out of this place. The thought fills you with joy, and strangely, with some sort of melancholy, which you have to jot down as nausea, just to protect your own mental health.
"Hostage" the man says, as a goodbye, bowing once again, this time with fewer theatrics, and begins to walk back towards the door. "Captain" you respond in kind, inclining your head slightly.
He stops in his tracks, back turned to you, before slowly, twisting his body, to look you in the face. He wants to say something, his mouth opens and closes, and anticipation floods your stomach. But then, his lips pull back into one more smile, more reserved, more private. Now, in this rare moment of tranquility, he looks truly handsome, and your heart jumps to your throat at the realization. He gives you one last look, shakes his head at the floor, and exits with a soft click of the door.
You're, once again, left alone with your mismatched shoes and the hole in your shorts. This time, however, your head is filled with tender thoughts, one that could keep you company, until another visit befalls you.
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woso-dreamzzz · 16 days
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Jealous
Hardersson x Child!Reader
Part of The Big Adventures Universe
Summary: Pernille's a little jealous
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Pernille wouldn't call herself a jealous person. She's never really wanted what others had. She's never looked at something someone has had and desperately wanted it for herself.
Similarly, she's never had a problem with people looking at Magda. She's never had a problem with fans fawning over her or some girl trying to dance with her at a club.
Pernille knows Magda loves her. She knows that Magda would never stray. They have you together. They've built a family together.
Pernille knows that you and her are the most important things in Magda's life.
Which is why it's strange that she's feeling jealous right now.
She'd just come in from training, hair slightly damp from the sudden rain shower that appeared and feeling glad she had sent you inside with Magda earlier.
Magda had cut her own session short after feeling a twinge in her ankle so went in to get it taped as a precaution.
The physio's office is where Pernille finds you and her now.
Magda's sitting in one of the beds, leg stretched outwards as one of the new physios massages her leg despite it being an ankle injury that sent her indoors.
You're in her lap and Magda's desperately trying to braid your hair back from where it's escaped from your hair tie.
She's not doing very well. Usually, she'll just throw it up into a ponytail and call it a day but Pernille thinks it's nice that Magda's trying so hard to give you a hairstyle that you'll really like.
It's a brief thought though as Pernille's eyes focus on the young physio.
She's talking to you in particular, nodding along as you babble about what you did last night and how Magda read your bedtime story and how you slept in her newest Sweden jersey.
The physio smiles at you before glancing up at Magda. "You're feeling really tight there, Mags. Really having to use all my strength here."
It's a blatant attempt at flirting as the physio bats her eyes a few times before letting out a groan of effort that could easily be sexual.
It makes Pernille's blood boil. One, because it's very obvious that she and Magda are together and two, that this new physio is using you to try and worm her way into Magda's heart.
She's fawning and cooing over you and Magda (poor, sweet, oblivious Magda) can't even tell.
That's the other annoying bit. Magda has no clue she's being flirted with and that really pisses Pernille off. It's not the first time something like this has happened before either.
Magda never knew when a girl was flirting with her. She never knew until they attempted to kiss her and Pernille had hoped that the years would have made Magda more aware of it happening but clearly not.
The physio giggles again and it takes everything in Pernille not to snap at her.
Instead, she plucks you off Magda's lap without saying anything, adjusting you so you're on her hip.
"I'm taking her home," She says, trying not to lose her temper as the physio inches her hands further up Magda's leg," The rain isn't going to let up anytime soon. Practice is postponed."
"Give me a few minutes," Magda says," We're nearly done here."
The physio pouts and it sends another bolt of anger down Pernille's spine. She doesn't like the way her hand it still on Magda's leg. It's inappropriate for work.
If Magda needs her leg massaged then Pernille would be happy to do it herself at home.
"I need to grab my bag." She says instead," If you're not by the car in five minutes then I'm leaving without you."
Momma walks off without Morsa, who scrambles away from the weird lady who was touching her.
You frown.
Momma doesn't talk to Morsa like that, all angry and annoyed. It's strange.
"Momma," You say as Momma grabs her bag and makes her way out to the car," Why's Morsa not coming with?"
Momma's jaw is clenched. You can tell.
"That's your Morsa's choice," Momma tells you as she straps you into your seat.
She slides into her chair just as Morsa comes running out the building.
She tries to open the passenger door but can't.
Momma's locked it.
"Pernille!" Magda bangs on the window. "Pernille, come on! I'm here!"
"You're late."
"I was just talking to Elizab-"
"Elizabeth!" Pernille snaps and your head ping pongs between them," Well, why don't you go back to talking to Elizabeth while you wait for your taxi to turn up!"
"Pernille! Really? Are we really going to argue right now? I don't even know what I've done wrong!"
"Then you've got lots of time on the trip home to work it out!"
Magda is silent for a while before it all seems to dawn on her. "Is this really about Elizabeth? Pernille-"
"You better not be about to tell me that it's all in my head! Her hands were way too high up to be a massage. In front of Princesse as well! In front of our child!"
"Let me in!" Magda says," I promise that I didn't realise! I thought she was just being helpful."
Pernille draws in a long breath. She knows that she's being irrational but sometimes these things just creep up on her.
She unlocks the car and Magda slips in.
"Hi, Morsa!" you chirp and she looks back to look at you.
"Hi, Princesse."
"Why'd Momma lock you out?"
Magda almost laughs as Pernille's hands clench around the steering wheel, pulling out of the parking spot and beginning to drive home.
"Well, I'm a little silly sometimes. Do you know what flirting is?"
You nod. "Like how Sam's girlfriend makes her feel all giggly and silly by talking to her."
"Exactly like that," Magda laughs," Well, Elizabeth was trying to flirt with me but I'm silly so I didn't notice."
"Oh," You say," That's bad because you're with Momma."
"That's right so that upset Momma a little bit," Magda continues," And when I didn't react to her flirting, she tried touching me to see if I was interested."
You frown. "Is that why she offered you the massage even though you hurt your ankle and not your knee?"
"That's-"
"She asked about it in front of Princesse?!" Pernille demands before this whole situation becomes a bit too funny for her liking. "And you didn't realise, Magda? God, how oblivious are you?"
Magda's cheeks go red with embarrassment. "Well," She says," I know you like me hot and oblivious. That way no one can take me from you."
Pernille full on laughs. "As if you would let yourself be taken."
"And Momma didn't like her touching you either?" You ask, your mind still trying to work out what has just happened.
"I didn't like it at all," Pernille says," And I was very annoyed that your Morsa let it happen."
The car is silent for a few minutes as you turn it over in your head before calling for Magda's attention again.
"You should tell Elizabeth that Momma will beat her up if she tries it again!"
599 notes · View notes
landograndprix · 7 months
Text
「Feel the magic ๛ l.n」
part v
✧.* you come to realise that your relationship with lando might just be the most serious and mature relationship you've ever had and while that confuses you more and more each day, your taking it all because some people just love to watch the world burn.
✧.* introducing some people, making babes suffer a little less, hating Alpine, you know the drill, its a chill one really 🥰 this is a psa for the people who wanted to be on my taglist but never got tagged, i didn't forget or ignore you, I simply am unable to tag you and therefore removed you from the list feel free to ask me again so I can take a look at it. Taglist is open Love ya ❤️
✧.* prev part - next part
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cecilemoulin posted to their story
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y/nusername
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liked by maxfewtrell, landonorris and 431,657 others
y/nusername oh my days ✨️
tagged: landonorris, maxfewtrell, dashthebeagle
view all 892 comments
f1gurls we've reached peak dog mom, Dash got an Instagram 😭
norrizz waaaaaait y/n's finally gone insta official with lando?!
mclarenbabies it was about time, lando did it nearly two weeks ago 😂
fewtrelllando good to see they've adopted max 🥰
landonorris disgusting
y/nusername you've clearly never looked in a mirror before
landonorris I was talking about the sushi
y/nusername oh..
y/nnorris I love them your honor 😭
landoscar why's dash looking at me like that, why is he judging me? 😭
mrsnorris 🤮 🤮 🤮
landonorris exactly, who would eat sushi?
chilisainz lmfao girl thought she did something
hamilt44n hey girlie, you got lando's attention, speak up 👏
charlie_leclerc I'm changing my mind, they are actually cute together
thomasgoms 😍
y/nloveee we either have a supportive ex-boyfriend or mans completely missed the picture of y/n and lando 💀
norry4 Arianna what are you doing here?
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cecilemoulin
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liked by y/nusername, landonorris and 198,763 others
cecilemoulin spending the 28th with the funniest, prettiest and dumbest ones. ❤️
tagged: y/nusername, landonorris, maxfewtrell
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girlsofthegird happy birthday Cecile! 😍
carlandooo lmfao milou watching the stories and seeing this post: 🧍‍♀️
george63russell I mean she's been a lil' bitch lately so are we really surprised? 👀
miloubabess she's with her family on a holiday, guess she couldn't make it 🙄
fewtrelllando I don't known about y'all but this smells like a double date!
norrizz HOWLING THE CAKE 😭
y/nlandooo peak y/n behaviour 😭
chilisainz loving this new friend dynamic, always thought Cecile and y/n would be a better match than y/n and milou..
maxfewtrell well..great picture..
cecilemoulin max, don't worry, you are the prettiest!
y/nusername the prettiest princess of them all 🎀
landonorizzzz goddammit, those muppets really do be in love huh
thomasgoms happy birthday Cecile!
y/nluv boy get out of here..🤨
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Everything taglist; @thomaslefteyebrow @hopefulinlove @smoothopz @softboystarkey @honethatty12 @cixrosie @parkersmjs @ireadthensuetheauthors @celestialams @be-your-coffee-pot @heli991113 @kodzuvk @reality-is-a-con @80sloverry @bibissparkles @myescapefromthislife @lanando4 @elliegrey2803
Feel the magic taglist: @celesteblack08 @mrsmaybank13 @cha-hot @judesgfirl @roseseraj @kissesandmartinis @jpg3 @amulhermaisfelizdomundo @marialovesf1 @silkenthusiasts @luvrrish @laneyspaulding19 @emily-b @formula1bby @judespoisons @buckybarnessweetheart @strawberrychita @iifloweringnightsii @buendiabebeta @jjsprobablywrong @babyvinnie
Lando taglist: @beatricemiruna @simp-for-fictional-people @landossainz @christianpulisic10
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ireneaesthetic · 23 days
Text
Pointing out little moments and details of scenes that need to be remembered.
"i can show you" scene • episode 1
the first wille’s smile of the season and simon is the one and only reason for it to happen *act surprised*.
he has no rush but takes his time to enjoy simon’s presence, looking from afar first and then approaching him. just having him there is enough to make him This happy.
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the casual gestures of fixing the jacket or bumping into the shoulder make me melt - just typical boyfriends things and we absolutely praise them in this house!
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wille's flirtatious mood in this whole sequence is the best thing that could've happened to me - to simon too! the "i can show you", the whispering, the head's nod. he's still my fav loser but oh how much he has learned and stepped up the game.
also, i genuinely think not showing them holding hands here with a wider shot is a crime.
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such a perfect parallel of the fish scene and they're probably reminded of that too: this time it's wilhelm's bedroom and a foreign place for simon, so he's the curious one - looking around and taking the space in - while wille simply waits for him.
simon's "mysigt" to describe the room, just like wilhelm did. it is another special moment for both of them.
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this. this. this!!! claim a s3 moment as your own - this is mine.
to me it is the most seductive and romantic one they've ever shared hands down. it comes straight out of a fanfic.
the tension, the longing, the chemistry, the flirting. there's so much to unpack here: wille's breath is literally vibrating and simon's presence is so intense, he builds up the tension and keeps wilhelm waiting for his next move in the most endearing way - wille is also leaning into his hand at the end. there's no talking, they're barely touching but still filling the room with all the passion and attraction they feel for one another - this is actually insanely scripted and portrayed.
no thoughts head empty just simon's tongue and his hands through wille's hair (he's obsessed, excuse him!).
and it kinda seems like simon is getting pulled closer by the waist or he's pushing himself closer - either way it's hot soo
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simon's little leg lift and him pinning wille down on the bed by the wrist right before the cut - they're comfortable and open and so playful with each other. wilhelm's hand that caresses simon's back is very much important too.
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simon caressing wille's cheek (he has to return the favor ig) and wilhelm leaning up again when they interrupt the kiss.
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these brief moments are the cutest. i love how they stay so close and can't stop tracing each other's features.
the nose rub. the mirrored smiles. they've missed and wanted this for so long and they're taking the most of it.
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this whole scene is so passionate and they're both so touchy bc they were clearly waiting for this to happen - during a meeting at the palace might not be the greatest scenario, but the thrill that comes with it is definitely something.
i like the role play throughout the scene sm: wille initiates the first kiss, simon is the one taking the lead next and then it all comes back to wille rolling them over and taking initiative. the neck action is a serious thing for him and idk where his hand would've ended up if they hadn't been interrupted - and we do! love! all of it!
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they're laughing over the fact that they were not caring about anything at all but spending quality time with each other. and they deserve it so freaking much.
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look at them!!! this is not a subtle look bc they simply do not care anymore. i adore them your honor.
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jd07201990 · 3 months
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I shouldn't have opened my mouth. All I had to do was just walk away, and I'd have been fine. Now, It takes 3 showers a day, and a can of Axe a week, just to control the apocalyptic funk of athlete that pours from my pits... and feet... ok, ok I just stink, ok?! And its all because I tried to stop Pops, a local Gym Owner, from bullying one of his regulars.
The massive man was absolutely raging, as he berated a Jock for skipping sessions, despite the young man explaining desperately that he couldn't miss any more assignments or he'd lose his scholarship. It didn't seem to quell Pops's anger, as I watched the man drag the boy to a bench, and force him to lift rep after rep, until the Jock was panting, begging for a break, promising not to miss any more sessions. 
I'd been walking on the treadmill the whole time, and decided to get involved. My first mistake. Walking up to Pops, I cleared my throat, and told him to lay off, that clearly the Jock was exhausted. Pops grabbed my collar and hoisted me up off the ground, before I could react, his face nearly against mine as he went off, first about my nosing about, then about how ridiculously thin I am. I stammered, my legs dangling, until Pops put me down, and smirked.
"You know, a little meat on those bones wouldn't hurt. Maybe with a few pounds, those big, sweaty dawgs you've got wouldn't look so clownish!"
My jaw dropped, a squirmed under his gaze, as a shiver went down my spine, and a dull, warm itch began in my feet. I don't know where he'd gotten the idea that my feet were clownish, I'm 5'7" with size 9.5s! But suddenly, my sneakers felt cramped, warm, with a dull humid dampness making it feel as if I'd stuffed my foot into a wet towel.
Then, I groaned, as a sharp pain shot down my ankles, and my sneakers burst open, revealing wide, reeking Jock-feet, at least size 13. A dense funk rose, and I gagged, the intense reek of Athlete poured from my torn shoes. Pops laughed heartily, then sneered. 
"And those pits! You'd think with hairy, sweaty pits like those, you'd be top of the roster! Not even Big Billy has pits as bad as yours! There's a bull inside you, just waiting to come out!"
Again, that cold shiver ran down my back, and my armpits felt as if fire ants were biting them. Hundreds of itchy bumps formed, then, hair sprouted, filling in and dampening until the stink of the locker room oozed out from them. I whimpered as I caught the scent. Looking up at Pops, I begged.
"Please! Don't do this! You gotta undo this! I'm not a Jock!"
Pops laughed, taking both my shoulders in his massive rough hands, and pushed me down onto a bench, taking my arms and forcing them up onto the bar. My pits were fully on display as he growled.
"Lift. Don't stop until I come back, or those pits and feet will be the least of your worries."
I believed him, and tried to pull the bar down, barely moving the weights. Pops facepalmed, moved to a backpack next to a mountainous young brute lifting what had to be the weight of a small car. He fished out a protein shake, pressed the nozzle to my lips, and forced me to guzzle a few mouthfuls, pulling it away as I heard my stomach gurgle. 
I hiccuped, then burped, as my body seemed to warm, sweat forming, soaking down my shirt. Then, muscle began to swell under my skin, not huge, round bulk, but enough to look as if I'd been hitting the gym for several months, not days. When it settled, I must've gained 10 lbs, all of it hard muscle. When I pulled the bar down this time, it wasn't easy, but I wasn't lifted off the seat this time. Again and again I tested my new size, and Pops grinned. giving my thicker shoulder a punch. 
"I'll make an athlete out of you yet. Like it or not, you're gonna be one of Pops's boys! No one mouth's off to pop, unless they've earned it here at my gym! got it!"
I wanted to be defiant, to insult him, or run, but the look in his eye told me if I so much as thought about leaving, I'd be waddling out of here, sideways through the door, looking like the Behemoth that Pops had taken the shake from! I gulped, looked down, and forced myself to lift. Maybe if Pops is happy, he'll at least tone down the absolute fog of stink that screams, "Big Dumb Jock" from a mile away!
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thankskenpenders · 4 months
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Sonic Prime Season 3: Final episodes, final thoughts
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Well, here we are. The final seven episodes of Sonic Prime are out on Netflix, concluding the story of Sonic's adventures in the Shatterverse. I've previously shared my thoughts on the first and second seasons, which I was pretty mixed on, but there were still glimmers of hope. The fluid animation, Shadow being fun in all his appearances, Nine being fairly interesting as a jaded alternate version of Tails, etc. There was enough to make me believe that after some highs and lows there was still the possibility that this show could end on a high note - or at least a decent note.
This did not happen.
Sonic Prime's final season sucks. The ending sucks, and the road to get there sucks. It's left me wondering what the point of all this even was. There are still moments I like that I'll try to highlight, and the animators and voice cast are still clearly giving it their all, but these efforts sadly don't outweigh the overwhelming mediocrity of the story. I would barely even recommend other Sonic fans who are on the fence go out of their way to finish it. I won't begrudge people who got more out of this show than I did, but I think overall I just really, really dislike Sonic Prime.
...The problem, of course, is that all other discussion of the show has been overshadowed by needlessly hostile arguments over its place in Sonic's canon. So we've gotta talk about that, too.
(This post will contain full spoilers for Sonic Prime.)
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The show's out of ideas but they've gotta stretch that shit out to hit the 23 episode mark somehow
Season 2 ended with the big twist that Nine decided to betray Sonic and Shadow, taking the Paradox Prism for himself so that he could go turn the empty world of the Grim into his own little paradise, since he doesn't believe he'll fit anywhere else. Nine has made himself the true big bad of the show.
The main impact this has is that now, instead of fighting endless identical Eggforcer bots and members of the Chaos Council over and over, the good guys and the Chaos Council have to fight endless Chaos Sonic-style robots sent by Nine while he goes "grrrrr I need Sonic's energy to stabilize the Paradox Prism." This continues for six whole episodes until the series finale, when the show decides it's time for Sonic and Nine to quickly make amends, fix everything, and send Sonic and Shadow home.
That's pretty much the whole season.
I cannot emphasize enough just how much of this final season is just fight after fight after fight against Nine's bots, and how fucking boring that gets. The season feels like one long, drawn out final battle that did not need to be nearly this long, but Nine had his big heel turn 2/3 of the way through the show and we've gotta fill up the rest of the time somehow. The novelty of the bots being based off of Sonic's friends (including the Chocobo-sized Birdie from the jungle world) really wears off quickly when they're just used as generic, silent mooks that the good guys have to fight by the dozen like it's the climax of an MCU movie. The first episode of the season with Sonic and Shadow fighting the new bots is pretty good, especially because Sonic and Shadow's dynamic is one of the few redeeming aspects of this show's writing, but after that it just gets boring. Three full episodes in a row are spent showing all the characters fighting robots in an empty wasteland while Nine scowls next to a big beam of energy. I found myself missing the in-your-face attitude of Chaos Sonic so much. He truly was one of the best parts of this show.
While the cast is busy fighting all these robots for what feels like an eternity, various things of varying levels of interest happen. There's a halfhearted attempt to have some kind of rivalry between Shadow and the main Grim Sonic throughout the final battle, but it completely falls flat because Grim Sonic has no personality whatsoever. It's like Shadow beefing with an above-average Egg Pawn. (Actually, no, that would be funny.) There's also a death fakeout with the two other versions of Tails, where they make a makeshift bomb and throw it a little too close to themselves on the battlefield and seem to get vaporized. If they had actually died there they would have had the funniest, most pointless deaths in the entire franchise.
I also realized at one point that they were trying to do the Avengers girl power fight thing with the three versions of Amy fighting a bunch of Rouge bots. This was very funny to me. Actually, so much of this is just following the tired MCU formula to the letter. Fighting over a macguffin, two armies just kind of running at each other and clashing in a big empty field, constant one-liner quips instead of actual jokes, the need to take out key targets to make the whole enemy army disappear, a villain who has a point but has to randomly hurt people so that there's an excuse for the heroes to fight him. When combined with how shit the multiverse stuff is, this whole show really is just Man of Action tackling some of the most played out storytelling tropes in modern pop culture in the most bland way possible. What a bunch of hacks.
By far, the one truly fun thing that happens in this protracted final battle is when a giant robot based on Big appears. It doesn't have arms or legs, but it can swing itself around to use its tail like a giant mace, and it can also shoot Froggy-shaped missiles out of its mouth. I wish the rest of the show was even half as fun as this. Again, Sonic Prime has just enough good moments to make you mad that the rest of the show isn't better.
The thing is, all this repetitive (but well-animated) action and the thin excuse plot would be totally serviceable if I just gave a shit about the characters involved. But I don't. I don't care what happens to the pirate version of Amy who goes "arrr." I don't care about what happens to Hipster Eggman. And unfortunately, by the end, I didn't really care about Nine, either.
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Nine as a villain
It's hard to criticize the story here without it coming off as a broad condemnation of the tropes at play. The thing is, I like many stories that try to do similar things. I love clashes between heroes and villains that are really just fantastical exaggerations of more personal conflicts. I love stories where a tragic, sympathetic villain lashes out at the world as an expression of the pain they feel, and a compassionate hero just has to get through to them. I eat that shit right up. Undertale is my favorite game ever made. Shit, I love other Sonic stories that do these exact things. And Sonic having to fight an alternate timeline version of Tails also has so much potential for drama!
So I can very easily imagine a version of the show where all this works for me. That just isn't the version we got.
Like I said last time, Nine's motivation is just too sympathetic and understandable for his sudden turn to supervillainy to make any sense. He just wanted to start over somewhere where he can be happy after a childhood filled with bullying and loneliness. Nine betraying Sonic and stealing the Paradox Prism to go make his own world? That tracks! Especially since we don't even know if Nine will still exist if Sonic goes through with his plan to restore his original world! But trying to kill everyone in New Yolk City by tilting the world 90 degrees, intentionally targeting the civilian population because it'll get to Sonic? Nope! Sorry, that's a bridge too far. I don't buy it. He's jaded and antisocial, but he doesn't strike me as cruel. Writing in an excuse about him needing Sonic's energy to fix the Prism does not make this make more sense.
This was really just one of those conflicts where it felt like everyone should stop and talk it out. Instead we got six episodes of fighting before one of Sonic's many, MANY attempts at reasoning with Nine throughout the season finally works. This isn't me pulling some Cinema Sins bullshit where I complain about characters in a work of fiction not always behaving rationally - the real problem is that it's just so damn repetitive waiting for this conflict to resolve. This could have been wrapped up in two or three episodes and instead it takes seven.
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A brief aside about that weird Dorkly-ass Sonic Advance 3 flashback scene hacked together with mismatched sprites where Gemerl happens to be present, presumably just because he's a part of the sprite for the Sunset Hill boss, and seeing him briefly makes me remember the extended cast from the games and how much I wish they had just made a cartoon about them instead of a bunch of stock characters wearing the skin of Sonic's friends, but then Gemerl just explodes with the boss machine at the end while Eggman is shown to get away so I guess Gemerl just dies in this flashback
Yeah that sure happened huh
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The ending
Despite having a final battle that felt like an eternity, Sonic Prime is a show that just kind of... ends. And that ending is weird and haphazard.
The understanding I had was that Sonic's normal world had "shattered" when the Paradox Prism was destroyed, and from those remnants these new worlds were created. This is why they use terms like "Shatterverse" and "Shatterspaces" and why there's shattered glass/crystal/whatever imagery everywhere. This is a broken, fragmented version of the real universe. Right? Right?? Isn't that the entire premise of the show? And therefore, if the universe has been shattered, then fixing it means putting all the shattered pieces back together. Which I would assume means that the Shatterspaces cease to exist.
So, in the ending... Sonic's world seems to just exist as another Shatterspace. Restoring the Paradox Prism doesn't seem to combine the worlds or anything, it just fixes the broken portal to Sonic's world that exists alongside all the others. So... what exactly was the point of all the shattered glass symbolism?
Things only get more confusing as the ending progresses. Shadow brings Sonic through the portal before the draining of Sonic's whatever energy makes him disappear, and they're transported back in time to right before Sonic broke the Paradox Prism. Only Sonic seems to remember what happened (Shadow might remember, but he doesn't say anything), and with the Paradox Prism never shattered, it's unclear if the Shatterspaces exist now.
I'm not particularly hung up on the time loop ending. It's very much in line with all sorts of classic morality tales like A Christmas Carol or It's a Wonderful Life, where the flawed protagonist goes through some kind of magical experience and then returns home with a new appreciation for the people in their life. It's always been pretty obvious that was the type of story they were telling. I'm more bothered by the fact that there's no time whatsoever spent on whether or not the other worlds and the characters in them continue to exist. Sonic seems to act like the worlds will go on without him before he leaves, but it's not like we get an ending scene that shows how the other worlds are doing, so they really truly might as well not exist anymore. Sonic just wraps up the adventure from the first episode when he gets home, and before he can explain what happened from his perspective he's interrupted by a mysterious energy wave from off-screen and it's off to the next adventure.
(Despite this odd cliffhanger ending, the show is extremely over and not coming back. I have to imagine this is just a "the adventures never end" type ending and not a hint that more shit is going on with the Paradox Prism.)
This ending is also a terrible resolution to Nine's whole arc, despite him being the driving force of so much of the show. The way I see it, there are are three possible fates for him:
The Shatterspaces continue existing, and things go as Sonic expects them to go. Nine is allowed to make the Grim into his own little utopia, and everyone else leaves him alone instead of punishing him for all the trouble he caused. Instead of finding love and acceptance so he can heal from a lifetime of bullying and loneliness, Nine is allowed to run away, isolating himself from every other living being in the multiverse, and live alone as the god of an empty world with only his own creations as company. Sonic was his only friend, and he's gone forever now.
The Shatterspaces continue existing, but because of the time travel ending, most of the events of the show never happened. Sonic never helped defeat the Chaos Council, so they still control New Yolk City. Nine is back to living in this dystopian city with no friends. He never met Sonic.
The Shatterspaces have been erased. After fighting so hard for his right to exist as his own person and not just a "wrong" version of Tails, when the timeline is altered, he just... stops existing. Along with almost every other character in the show.
Do I even need to explain why these are all unsatisfying?
Misc. thoughts
I skimmed over this, but a lot of the final season is just spent seeing Sonic's friends bicker with the Chaos Council and then Sonic has to beg them to get along to save the universe. It gets old.
We also never really got an explanation for why the Chaos Council exists. They can't have come from other Shatterspaces because there ARE no other Shatterspaces. If the original Eggman was just split into five guys or time travel was involved or whatever, it never comes up. I can live with this, but it seems like an odd omission for a children's show that's constantly bogged down in technobabble explaining the mechanics of its extremely small and finite multiverse.
I have no idea where Shadow was for the first part of the final battle. I figured Nine must have captured him off-screen after Sonic first left the Grim, but Shadow was just... hanging around until his cue in the script, I guess?
Sonic saying "help a brother up" to Shadow was funny
Hipster Eggman pointing to one of the few nameless extras who tagged along for the final battle and going "Who are you? Seriously, does anyone know who this is?" was the only funny thing he did in the entire show
Mangy Tails randomly pressing buttons on the Chaos Council's generator like a curious animal and managing to improve its output was cute
Rusty Rose randomly realizes that the Birdie in her chest actually isn't being used as a power source, and that the Chaos Council was just... using that to manipulate her, somehow? I don't really know how that works but whatever
The Sonic Advance 3 flashback uses the actual boss music from the game, but they can't use the real Sunset Hill theme because they didn't wanna pay Masato Nakamura for using the Green Hill motif, I guess
To my fellow fans of bad games: did you know that Man of Action wrote the story for the bizarre Square Enix game The Quiet Man? The one where the lengthy FMV cutscenes play out with muffled audio and no subtitles because the protagonist is deaf, so you can't tell what's going on? And you had to do a New Game+ playthrough to actually hear the audio and understand what's going on? The worst-reviewed game of 2018? That one? I only learned that recently and it blew me away
So yeah, that's the end of the show. I didn't like it, and I don't think I liked the show much as a whole. I am far from alone in this sentiment, but the reasons why people dislike the show... those vary a bit.
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The canon conundrum
More than anything else, it seems like most other discourse surrounding this show has been consumed by one talking point:
How can this be canon? Why is it canon?
I want to state very clearly up front that I, too, am a person who's noticed and complained about the inconsistencies with the games in Sonic Prime. Some of the characters are a bit off - or, you know, completely unrecognizable when discussing the writing of some of the AU counterparts. I think it's lame to say Sonic and friends all live in Green Hill and act like that's the entirety of their world. That sort of thing. But if Sega says it's canon to everything else? Sure. Fine. There's weirder shit in the canon.
Really, most of this can be explained away pretty easily. The show was written at a time when Sega was still figuring shit out and there were looser restrictions. Why does Sonic act a little more immature? Probably just because Prime is aiming for a slightly younger audience than the games or the IDW comics. (And also it's, y'know, written by Man of Action, who people have accused of only knowing how to write one kind of protagonist for years.) Why do Sonic and friends live in Green Hill? Because that's the most recognizable location from the games, and the game world doesn't get enough screentime to justify modeling multiple different environments, so they just focus on Green Hill. Why is this considered canon to the games? Because this is the first Sonic cartoon that outright references events from the games as things that have happened to Sonic in the past.
But announcing early on that Prime would be canon certainly let fans' imaginations wander. It was one of the few things we knew about the show before it premiered. People wondered if characters from the games and comics who had never made any appearances in Sonic cartoons might get their time in the spotlight. We wondered if it would tie into the lore or any existing storylines in interesting ways, like the IDW comics do. But above all else, we hoped that its canon status would mean that Sonic Prime would finally be the Sonic cartoon that was faithful to the source material with no catches. We've literally never seen the actual world of the games brought to life in a TV show. Sonic X came the closest, but that still took its liberties. And so hype built for this Canon Sonic Cartoon.
And then it actually came out, and after a brief intro in Green Hill based loosely on the games, it spent most of its running time focusing on things like "what if there was a version of Eggman who was a bratty teen who just wanted to play video games?" The disappointment among fans is understandable. I am disappointed. Look at how much I've bitched about this aggressively mid cartoon.
Some fans, however, came up with an elaborate theory about the series. You see, when asked about the show's place in the game timeline during a live Q&A, Ian Flynn (who only served as a consultant on Sonic Prime and did not write any of it) said this:
"I cannot answer because I know the answer, and you haven't finished watching the show yet."
A couple days later, when answering another question about Prime's place in the timeline and also about a writing discrepancy, he said this:
"As to where it fits on the timeline, I can't speak to it because that would spoil the show to a degree. So you're just gonna have to wait 'til it's done. Towards the other point, I don't know how much I can say, so it's probably better that I not comment. That's a really dissatisfying answer, I know, I'm sorry, but my hands are kinda tied on that one."
I feel the need to quote Ian directly here, because these very basic statements about how he can't talk about behind the scenes shit or anything from unreleased episodes was GREATLY misinterpreted by the fandom. People clung onto Ian's claim that we had to keep watching like a life preserver. Some took it as Ian saying that the ending would explain everything. Finally, we'd have a definitive answer for every little discrepancy and the apparent differences in worldbuilding. An explanation for why Sega and the producers repeatedly insist this show HAS to be canon.
And to these fans, the only explanation that made any sense... would be if the ending of Sonic Prime pulled a Flashpoint.
As this theory explained, the Sonic we were following in Sonic Prime wasn't the Sonic we know from the games and the IDW comics, and likewise the world he comes from isn't really the game world. This is a different Sonic who fights a different Eggman in a world that's literally just Green Hill. It was a hint that something was off all along! But in the end of the series, this Sonic would sacrifice himself to merge all of the Shatter Spaces together and form a brand new world, and that would be the more visually diverse world of the games and comics. According to this theory, Sonic Prime was canon because it was a new origin story for the entire franchise.
I want you to really stop and think about how asinine of an origin story this would be. Really drink this in. The idea that there was another, slightly different version of Sonic who went on a kinda shitty multiverse adventure and then sacrificed himself to create the real Sonic that we've known since 1991. People convinced themselves this made more sense than the simple explanation that a different team of writers got some stuff wrong and Sega didn't make them change it. Interviews where producers talked about drawing on Sonic's "mythology" (ie: they reference the games in the show) were taken very literally - they must be saying that Prime's story is mythological in nature, and that this show would be integral to the games' mythology. Why bother making a show that's canon if it's not going to be crucial to that canon, after all?
The final episodes dropped, and none of this happened. Because of course it didn't. It was all Sherlock fandom-level copium. But fans were left confused by the lack of a grand reveal of where Sonic Prime fits in the timeline, believing they had been promised this, and they turned to Ian for an explanation. Ian's answer:
It doesn't matter, b/c Prime wipes itself out. It's sometime after Advance 3*, but otherwise, it's moot. I didn't want to sour anyone's expectations or investment by spoiling how Prime resolves, that's all. If you enjoyed it, awesome. Savor it. If you didn't, then you can safely ignore it. Simple as that.
* About a trillion people have um, actually'd Ian to point out Orbot and Cubot briefly appear in the show, but if we're really being pedantic here we don't actually know how long before Colors Eggman built Orbot and Cubot, so it wouldn't be fully accurate to say a story featuring Orbot and Cubot couldn't be set before Colors. Either way, a story set anywhere around Colors, or at any point later than that, could still be described as "sometime after Advance 3." Advance 3 is just the most recent game that has specific in-game events referenced in the show. Yes I can feel myself morphing into the nerd emoji before your very eyes
Anyway, this is the latest reason Ian is getting death threats on Twitter. This time it's over a show he barely even had any input on!
I'll cut to the chase. It is truly wild to me that people are getting this heated over canonical inconsistencies in a series as historically inconsistent as Sonic, to the point that they think threatening Ian is justified. The aesthetics of the entire world Sonic inhabits change every other game. Sonic Chronicles may no longer be canon due to the Penders lawsuits, but it was canon at one point, and it took huge liberties with Sonic's world, moving Green Hill off of South Island and reinterpreting Station Square as a tiny outpost in a snowy alpine forest region. Characters' personalities change from writer to writer and based on what Sega wants at the time, with some being WILDLY different across different games. One game Sonic will be stoic and cool, the next he thinks "Baldy McNosehair" is the funniest thing ever. Sega's STILL trying to figure out what Amy's personality is supposed to be. We still don't have the explanation for how the two seemingly contradictory backstories for Blaze can fit together. There have been multiple huge, sweeping retcons, and retcons to those retcons. Sonic Forces claims that Classic Sonic is from an entirely different universe than Modern Sonic, and the plot only makes any sense if that's true - otherwise, Modern Sonic would have already known Eggman was going to beat him and take over the world when he did, because his younger self had already lived through that war. All of that makes no sense in the newly reunified timeline, but Forces is very much still canon.
For fuck's sake, we're talking about the series where Eggman blew up half the moon and then it looked completely normal in every other game after, explained away as "the moon just rotated so we can't see the destroyed side from Earth." This has never, ever, ever been a franchise where everything lines up perfectly with no issues. It's not that serious.
The real core problem with Prime isn't that things don't line up 100% with our current understanding of canon, or that Sonic's characterization means this can't be the real Sonic, or anything like that. The problem, as I've been saying this whole time, is that the story is bad. None of these discrepancies would truly matter if the story was better. They'd just be nitpicks. The fact that Sonic and friends live in Green Hill would be the farthest thing from my mind if the drama was more engaging, if the villains were better, if the jokes were actually funny, if more of the alternate universe counterparts of Sonic's friends had more than one generic character trait each, if the multiverse was more creative and varied, if the final seven episodes of this show didn't devolve into the third act of an MCU movie and then just arbitrarily end, if Nine's character arc actually had a satisfying conclusion instead of ending with either isolation or nonexistence. Maybe we'd be seeing people talk about more than just whether or not it should be considered canon if the writing was any good.
"Canon" is not real, and it sure as hell isn't worth sending people death threats over. It's a storytelling tool. Real human beings decide what does and doesn't go into that canon, or how much they do or don't want to draw on past stories, when creating a new story. Serving that canon is secondary to creating a story where the emotional truth resonates with the audience. And Sonic Prime failed to do that. That is its true failing.
And finally, to close out...
Since people will ask, here are my current ranking of the Sonic TV shows, now that Prime is finished.
Sonic Boom
Sonic SatAM
Sonic X
The Adventures of Sonic the Hedgehog
Sonic Prime
Sonic Underground
Yes, I'd say Boom is my favorite. It's far from my ideal Sonic cartoon, but it gets a lot of points for being as funny as it is. But the top four are all shows I'd say I like, more or less. They all have their pros and cons.
So now, uh... I guess let's hope the live action Knuckles show coming to Paramount+ is better than the underwhelming synopsis of "Knuckles helps deputy sheriff Wade train in the ways of the echidna warrior" would imply? Maybe we'll get lucky?
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nariism · 5 months
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ink to paper — k. ayato
mutual/oblivious pining + "don't look at me that way."
synopsis. yes, he thinks. what would he do without you? well, his schedule would be a mess, for one. and he wouldn't know how to cut bunny ears into his apples, either.
wc. ~1.2k
— for @kruinka and @ph-xntasy / @yuellii 🫶 | event masterlist ✉️
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You've cut his apples into petit rabbits today.
The ink at the end of Ayato's brush has soaked through his page at least three times since he started scribing, big globs of black ruining what could have been a beautiful sequence. And the culprits for distracting him taunt him with their little red ears.
In fact, they've been sitting for so long that the flesh of the fruit is starting to brown. How long has he been unproductively glancing up and down between his paper and his breakfast? 
He had told you that they were in season as a passing comment the last time he saw you—nothing more than a throwaway line to make conversation. Yet here you are, showing up at his table with a tray of his usual breakfast and something extra. Something hand-crafted and too cute for him to even fathom putting into his mouth.
It seemed that you had a special place in your memory for him. He could bring up the smallest wish and it would show up on his desk the next day.
It was your job to know him inside and out, after all. Your sole duty as his scheduler. Even so, you made time to do things outside of your job description if only to please him. You always looked so happy to see him, too. He's starting to wonder if you have a crush on him.
He glances at his clock. While he is busy with work, what harm would a few minutes do if he were to be a little distracted?
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Kamisato Ayato cannot cook.
He remembers fondly the only time he had ever demonstrated his kitchen skills to you. After unpacking his favourite tempura from Uyuu restaurant, he proceeded to line the shrimp up on a plate and decorate it.
You found humour in his apparent lack of expertise in the kitchen, chalking it up to his spoiled upbringing. He hadn't believed you then, thinking that you were being too harsh as well as too distracted by the melody of your laugh to bother dwelling on it. But now he's here, trying to do something as simple as cutting apples and failing miserably.
What spurred him on to do this in the first place is beyond him. Maybe he thought that the smile on your face when you saw his efforts would be worth all the trouble, or perhaps he was seeking your approval since he admired your ever-growing list of skills.
From servant to sparring partner to cook to personal scheduler, you were quickly making yourself a regular part of his day. He envied your adaptability, having little opportunity as a noble to try.
He figured this would be a chance to start. To learn, if it were to make you happy or proud.
Oh dear. Who knew cutting apples was such a daunting task?
Ayato thought this would be simple—cut some apples into cute shapes, make you smile, perhaps keep you around a bit longer to discuss it than you would usually stay. (Lately, he's been craving to hear your voice more and more.)
But this blade is tiny, unlike his hefty sword. It's too nimble for his fingers, and he's sure he has nicked himself at least a dozen times by now.
If you were here, you'd probably scold him for being so careless. And you'd set aside time in your busy day to help him, he's sure. It's in your nature to be kind which makes him miss you all the more.
Just as he's about to give up and call it quits, the door slides open.
Archons. He's been so engrossed in his woes that he had forgotten it was almost time for your scheduled meeting to go over his other plans for the week.
The scraps of peel and sloppily shaped apple slices are so incriminating that he doesn't even bother hiding it. You both stare at each other from across the table, completely unblinking and still.
"Um..." You strain out, clearly attempting to hide your amusement. "Hello."
He coughs awkwardly, placing down the paring knife and trying to uphold as much dignity as he possibly can.
"Hello," he greets, unable to meet your gaze anymore. "My apologies. Our meeting slipped my mind."
You gently pluck a rabbit from the plate, rotating it around in your fingers to get a better look. They're sloppy, for sure, with jagged edges and tiny slits where you know his knife slipped. And they don't even resemble anything remotely close to rabbits in the first place, more like blocky V-shaped thingamabobs.
You glance up and down between the rabbit and the man behind it, who looks strangely flustered considering his usually calm temperament.
"Don't look at me that way," he says quietly, wooden end of the blade gently knocking against the table as he deflates.
"Are these... bunnies?" You ask him in bewilderment.
"They are... supposed to be rabbits, yes."
Complete silence fills the room until Ayato feels as if he can't breathe. Coupled with the way your eyes are scrutinizing his attempts, he wants nothing more than to melt away.
And then you laugh. You can't stop laughing, it seems. Doubled over onto the table and fighting for air between giggles.
He can't help the softening of his expression, the warmth in his chest. If this is all it took to get you to smile like that, then who cares how embarrassing it is that he can't even cut fruit correctly?
You round the table, plopping down next to him. Oh no. He can't control his racing heart when you're leaning in so close to him, so close that he can feel the rumble of your laughter in his own body.
With your shoulders pressed together, body resting comfortably against his, you take the blade and slice of apple from his hands.
"I'll show you how," you offer. He watches intently as you make the first shallow slits through the peel, then gently slide the knife across the top. Too busy admiring your skillful hands, he almost instantly blurts out:
"Can you please show me again?"
You look at him funny, brows pinched but a smile still seeping across your face. You show him another time, expertly cutting another slice. And another. And another.
Unconsciously, or perhaps following the quiet voice in his heart, his head falls atop yours. You sink into him, allowing him to rest against you without complaint.
"Hm, am I your personal comforter now?"
"I suppose you are."
"You know, if you actually pay attention you might be able to make your own breakfast."
"Mm..." He hums when your hands don't stop moving despite your words. Instead, you laugh again. And again, there's the ever familiar thrum of his heart.
"Oh, dear Commissioner. What would you do without me?"
Yes, he thinks. What would he do without you?
Well, his schedule would be a mess, for one. He's far too busy to keep track of it all on top of his other work. And he wouldn't know how to cut bunny ears into his apples, either.
He would rather you keep him company anyway, bunnies and all.
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© ALABOADOA 2023 — please do not translate or post my works to other platforms.
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periprose · 6 months
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Hi! :)
I’m craving some Logan Howlett angsty fluff and I really like your writing style… Do you think you could maybe do a fic where either Logan and reader are in the heat of the moment and his claws come out and he scratches her. Or where Logan has a nightmare and the same thing happens. Either way the reader ends up comforting him.
Thank you! 🩷 :)
Hi!! So sorry for getting to this so late 🥹 loved the idea btw :) ended up doing a bit of a mix of both? If that makes sense.
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/
"Out with it."
Your voice rings out clearly among the X-Men, the throng of battle no longer around you all. It was a more exhausting battle than you would've thought, but nothing irks you more than knowing that Logan has been apparently thinking of you as someone to play babysitter to. He hadn't trusted you to make your final blow to the enemy, and instead scooped you away to safety before lashing out with his own claws.
Logan clearly has something to say to you, and you want to hear it. You're not going to let him escape again- the way he always does, nonchalantly, refusing to acknowledge how he treats you.
Charles stiffens next to you in the helicarrier. Watching the tension, feeling the palpable heart-wrenching sensation between you and Logan. He doesn't know how you got to this point.
"Listen. Just because you didn't have it doesn't mean you're not a good X-Man-" Logan starts dismissively.
"But I did! I did have it!" You shout back at him, and then inhale carefully. "Nobody told you to rescue me, Logan. If I was about to die, then I was. I wanted that to be on my own terms."
"Don't talk like you're a fucking martyr when you've never had the privilege, kid." Logan's unnecessarily harsh tone has you flinching. "Do you know how many people I've seen die, for no good reason? Do you really want a bunch of Pentagon psychos to be your last memory?"
"Shut up." You shift in your seat, feeling small. "We don't get to choose when we die. Not like you."
Logan becomes visibly angered with that, the little taunt you've made towards his immortality. "That doesn't mean you have to go seek it out, dumbass."
"Oh really? Don't tell me you're getting soft, Logan." You glare at him, and Charles and Jean and Scott look at each other uncertainly. "Just because your life is so long doesn't mean the rest of us have forgotten what it means to be alive."
There's an unspoken, sudden charge in the air, now that you've mentioned what everyone else has the good sense to shut up about- Logan having lived so long and not caring about the consequences of his actions. Logan's eyes narrow until you feel sure that you've pushed him too far this time- he looks more animal than human, more Wolverine than ever- and you feel yourself inching forward, letting the anger of not being understood push you to fighting him- and Charles suddenly raises his hand in protest.
"Please, you two. I'm not sure what has transpired today, but I know you are better than choosing to have a physical altercation on a helicarrier flight." His calm, soothing tone makes you feel a little disappointed in yourself, and you settle back in your seat, refusing to meet his or Jean's glances of concern.
/
All you really wanted was an apology. A "Sorry, I won't do that again." Or even an explanation for why Logan keeps tabs on you all the time, never letting you be a real part of the X-Men, always safely on the sidelines. Were you just too weak?
Should you even be here?
You feel guilty for what you said to him. It's not a bad thing, you know, that Logan doesn't want you to get hurt- it's just that you want to do your job. You're not a kid.
It almost, almost justifies how you treated him, but even you know that was too far. You can't act as if you know Logan's life story- not even Charles or Jean would claim to do that, and they've searched his mind for memories several times.
Like it or not, the man was mysterious. He kept to himself on a lot of things, citing past hurt as his reason why- and you should've respected that.
"Maybe I am weak." You mutter to yourself, wondering why you can't restrain your emotions around Logan.
You're practicing shooting small, psionic blasts towards the target in your room- it's a great way to pass the time when you can't sleep- when you hear a groan, a shudder, an angry, deep growl-
It sounds like Logan. His room is right above yours, and the sounds are definitely coming from there- you hear him yell, and before you can stop yourself, you're bounding up the stairs to the third floor of the X-Mansion, bursting through his room's door with a ready hand, in case you need to fight.
/
Logan watches as you berate him in his dream.
Actually, it's not quite you- it's some venomous, evil, witch wearing your face. You giggle at him- you call him old- you don't take him seriously.
With every taunt, you fire another bright purple blast at him- and for once, his body doesn't heal instantaneously. He is getting old, getting hurt, watching as blood pools out of him. It's agonizingly painful.
He's going to die this time, without making it right with you- he's afraid that you're right about him, that he's a washed up sad old man who can't ever let people in.
"We don't need you anymore, Logan..." The not-you whispers softly, smiling a smile that doesn't quite reach your eyes, and Logan can't help but believe it.
His self preservation instincts kick in, and he launches forward, snarling, claws out with a sharp snikt sound. He feels that even though he'll regret your death, he'll miss you immensely, it's just one more tally mark to several others.
/
"Logan. Logan!"
You're leaning over Logan's sweaty, clammy body in his bed. You watch as his hands fist in the sheets, and he tosses and turns in agony- you breathe in hesitation, in fear that he's not going to be okay- he grunts suddenly, and you're reminded of how Rogue tells you about his nightmares. They're frequent.
How out of touch could you have been today?
You gently-yet-firmly grab Logan's arm, shaking, and his arms move forward in a self-defense mechanism that seems practiced, as if he's been attacked in his sleep before, and before you can move away, there's a sharp snikt sound, a quick wave of claws, and a searing pain in your side.
It all happens before you can even blink. You fall off to the side, on the floor, writhing in pain. Logan's claws just nicked your side, it's essentially a scratch- but the pain is so much worse than you're expecting, and you fall to the floor again as you try to get up.
You breathe in harshly, holding back a sob, as you feel wet blood pooling through the side of your night dress.
"Jesus Christ." Logan pounces off the bed, waking to blood all over his claws, and he's leaning over your body, as you blink up at him hesitantly. He immediately panics, lifting you up and resting you on his squatted thighs. "Kid! Hey, kid, don't close your eyes-"
"..." You're just barely hanging on, but you listen.
And Logan feels that same sense of shame he felt when he attacked Rogue, when Jean "died", every single time he had accidentally unsheathed his claws towards someone who didn't deserve it.
Doubly so, considering it's like his terrible nightmare has come to life. But you absolutely didn't do anything wrong- he can't believe he was so angry with you.
He calls for help, in a slightly broken tone, and no one seems to be coming.
"Just a scratch." You try, but Logan shakes his head.
"No, no, no." Logan spits out. "How could I- I never meant to-"
"I'm sorry, Logan." You cough, and Logan feels awful that you're apologizing while bleeding out due to his actions. "I shouldn't have said what I said. You're not some unreliable old man who doesn't care..."
You flinch at a sudden, sharp pain, and Logan motions for you to stop talking, but you keep going.
"If anything, you're the opposite. You're there for me. And I'm sorry that I got so... so angry at you for that." You mutter to yourself, not aware of how Logan hangs onto your words. "You're protecting me from making mistakes, and I'm grateful."
"No, kid. You had a point before." Logan interjects, but you shake your head.
"Did I? Or was I being a brat?" You grimace at yourself.
"You did have a point. I was being selfish," Logan shakes his head and then swallows that urge to push you away. "I don't always know how to leave people well enough alone. Sometimes I'm too much."
He hesitates, and then continues on. "Like, I treat you as if you're a nuisance, right? But I always... I always want you next to me. And I know I should just sort my shit out like an adult. But I'm scared."
"Scared?"
"Of what happens. What always happens." Logan sighs in defeat. "I fall in love, and they die. I find my people, and they leave me because I'm such a jackass. There's too much surrounding me that just... ruins everything."
"No, no. I won't leave." You tighten your hand around Logan's, and he, despite wanting to say that you're wounded because of him, believes you. He's so grateful to hear you say it- he had no idea that's what was weighing on him so badly.
He loves you, he knows he does. Logan has never been the best with feelings, but for once, he's glad he was honest.
The first thing Scott sees when he finally makes his way to Logan's room, from all the way across the X-Mansion, is Logan whispering "I'm sorry," and... he thinks (he's not 100% sure), "I love you," to your very forlorn, softly curved-around-him body.
It's a very tender moment, and Scott feels he should leave.
Then Logan presses a firm, shaky kiss on your forehead, and then your lips, and you, with your limited reserve of energy, kiss him back, and then Scott interjects with:
"Hey!...?"
He seems taken aback as you both look at him. "I heard screaming? What is this, some sort of weird cult sacrificial scenario?"
"Logan... had a... nightmare..." You wince, and Scott sees the red on your night gown. "I need... medical attention."
"On it." Scott glances at Logan for permission, and he's currently trying to push all these mushy feelings back into his chest where they belong, and he wants to be there to help you in the clinic, but he's flustered with everything that's happened and he can only hand you to Scott without looking at him.
Scott smirks to himself as he runs you to the clinic of the X-Mansion.
"You and Logan, huh? I knew there was something in that fight today." Scott remarks as you cling to him.
"It's taken an embarrassingly long time for me to figure it out, but yeah." You blush. "Has everyone else...?"
"Jean's been running a bet for the last year." Scott laughs. "She says you both are two sides of the same coin."
You can't help but agree.
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