An Unsexy Post About Censorship
Sooo...gumroad is shutting down NSFW content sales because of Stripe and Paypal. This is also why Wishtender has been down as well, if you weren't aware. And why Patreon is also cracking down on anything remotely kinky.
(If you're wondering why your favorite FICTIONAL sexual content isn't allowed on most platforms, it's payment processors.)
Please be extra kind to anyone who works with NSFW content right now, whether it be art, writing, audio, photos or video. Whether it be tasteful erotica, or the kinkiest BDSM porn you can think of, we're all in the crosshairs right now.
And, judging by trends from these past few years, this is only going to get worse.
Support NSFW creators where you can, whether by tipping or buying our content (where you still can) or just helping boost content on sites where algorithms want to drown us out.
Call representatives where you can and complain about payment processors acting as arbiters of what YOU are and aren't allowed to pay for and enjoy.
This may be about porn right now, but censorship of this caliber doesn't just stop with porn. Any transgressive (read: non-conservative) media is fair game.
Fight against it where you can. Support creators where you can.
Art is important. Reflections of our sexuality are important. We don't want a world where people aren't free to make or see the things they love and enjoy.
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DP x DC Writing Prompt #8
The day Bruce Wayne knocks on her apartment door Sam knows it's going to be a doozy.
"Mr. Wayne, I really do hope no one saw you," she says, ushering him in. "And for the record, a text ahead of time would be appreciated."
"I parked the car a few streets away," Bruce says, sticking a finger in his heel to peel his polished leather shoes off. Sam raises an eyebrow. "It's a sedan, not a Lamborghini."
"You own a sedan?"
"Taught Dick to drive in it...after he crashed the Lamborghini."
Sam snorts despite herself. The charm Bruce Wayne exhibits would usually rub her the wrong way, too reminiscent of wealthy men that feel comfortable placing a hand on the small of your back at a crowded gala, but Bruce is honest enough about his playacting that she has come to find its insincerity comforting. She's actually sought him out more than once, leading to several annoying headlines that can't seem to decide if she's aiming to date him or one of his eligible sons. None of whom are eligible by the way, as they are a) taken, b) legally dead, c) practically a minor, and d) an actual minor.
Sam's generational wealth is peanuts compared to Wayne Industries, so naturally her parents have been thrilled and rooting for option c.
"I also didn't want Danny to see I'd texted you. Or force you to lie to him."
Sam doesn't quite tense, but it's a near thing. She does slide to the other side of her kitchen island, under the context of finishing prepping her feta fried eggs, laid on a bed of smashed avocado and warm tortilla. She pulls a bottle of crunchy garlic oil out of the fridge and drizzles hot red crisps across the runny yolk. She takes a bite, chewing thoughtfully, not so much as offering him a glass of water.
"You realize, Mr. Wayne, I have no intention of lying to Danny now?"
Bruce sits at the stool on the opposite side of the island. "I understand. And if you want to ask Danny to return home before we continue, I'd understand that as well. I didn't mean to discomfit you--"
"Please do not lie to me now, Mr. Wayne," Sam says, rolling her eyes. "By your own admission you showed up at noon without warning knowing my superhero boyfriend wouldn't be present. If I am discomfited, all the more likely you get your information, right?" Golden yolk runs down her fingers, and she sacrifices it to the napkin rather than lick up her arm in front of her boss, with no small amount of resentment. The yolk is the best part.
"Get to it then," she demands.
Bruce straightens in his stool, chin raising and firming in a jawline she most often sees under a cowl. His eyes attempt to pin her in place, but Sam has stared the Master of Time in the face and demand he reschedule so she is built. different. She takes another bite of egg taco.
"I was not aiming for you to feel threatened, and moreover, I doubt you could be."
Except a smart person should always feel threatened by a threat, no matter their capability of handling one. It keeps them alive.
"Can you tell me how I'm not like all the other girls after lunch? You'll spoil my appetite."
Bruce clears his throat. "I'll get to the point--"
"Thank you."
"--Danny has been exhibiting paranormal behaviors beyond his baseline. We welcome all biologies; human, alien, and paranormal alike, but I have observed actions unlike what he had previously established as his, for lack of a better word, 'normal'
"I want to make sure he is not experiencing any unwelcome outside influence. Or, if this is merely a facet of his evolution, I'd like to know if this is something we or his family should be monitoring."
Sam has been an eco-consultant with Wayne Industries and unofficially, the Batfamily, for half a year now and this is the most she's ever heard the man speak in one sitting.
"Wow," she says. "How long have you been rehearsing that one?"
"A while." Bruce grunts, voice finally taking that final drop into Batman's gravelly rasp. "I see you're not surprised by any of this."
"No, not really," Sam says. She pours him a tall glass of lemon water from the pitcher, freshly sliced that morning, and he takes a polite sip.
"So what can you tell me?"
"Probably a lot. And Danny would probably prefer that I do, knowing him, the big baby," Sam sighs. "Listen Mr. Wayne, I can appreciate that you came here from a place of caution rather than intrusion. And if Danny was undergoing something negative or from an 'unwelcome outside influence' that would be the right call, and I, albeit begrudgingly, encourage you to do so in the future."
"But he's not."
"He's not," Sam confirms. "And in fact, I think he could really use someone to talk to about it. Outside of his family."
"I see..." Bruce says, shifting.
"If you want to tag team this one with one of the higher EQ players, such as Superman, I give you permission." Sam does not think she's imagining that slight sag of relief.
"Thank you," Bruce says, sliding off the stool. "I don't suppose you have material we could consult...?"
"Actually yes, I happen to have a pamphlet right here. 'So your ghostly body is changing, and how.'"
"You're being more sarcastic than usual."
"You interrupted my lunch, Mr. Wayne."
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Mizu's spectacles, and the levels of her disguise
In drafting some more Blue Eye Samurai meta posts, I find myself writing out the comparisons between what Mizu can and cannot hide about herself, and how that affects how she moves through the world.
Like, I get the jokes about Mizu's glasses, if only color contacts had existed back then, etc. etc., and I think (hope) that most viewers don't take the glasses jokes seriously, as in "I don't care about the suspension of disbelief because BES is a cartoon." But I wanted to write these thoughts out anyway without burying them in a text post about something else.
I think the points I'm going to lay out here are viewed very differently by different people, so please feel free to add to this post, reply, or put your thoughts in the tags!
Not only do Mizu's glasses not actually help her that much, there's surely more to Mizu's mixed race appearance than just the color of her eyes.
In my view, this was pointed out in episode 1:
I'm willing to bet most of us were expecting young Taigen to say "blue eyes," not "ROUND eyes."
Obviously this is still about Mizu's eyes, but not even spectacles can hide their shape.
I don't think the show is obligated to point out everything about Mizu's face that isn't quite as Japanese as the people around her expect. Though the creators have said that they specifically designed Mizu - and her clothes - to read both as "white" and as "Japanese," as well as both male and female. I think there's more about Mizu's features that read as "white" than just her eyes.
This is where my own headcanons start entering the picture, but it's my impression that people can just tell that Mizu looks different, whether or not they can put a finger on exactly how.
There's the little girl who looks at Mizu and then hides on the way into Kyoto:
When there's more to your face you'd like to cover up than just your eyes, big hats are a big help!
By the way, most of these examples have to come from the first half of the season, since by the second half, either Mizu is too preoccupied with fighting henchmen, or everyone Mizu is facing knows who she is already, and she therefore has no reason to hide her mixed race identity.
It's worth mentioning that the mere fact that Mizu has to hide multiple aspects of her identity - her mixed race and her sex - results in her having to choose clothes that really, really cover her up, which doesn't win her any favors either:
(Zatoichi reference, anyone?)
If it were as easy as, for example, tying her glasses to her head and wa-lah, nobody would ever know she was half-white - then (1) Mizu would've just done that long ago, and (2) Mizu wouldn't be so on guard and on tenterhooks 100% of the time the way she's depicted in the show, even when her glasses are on.
Her spectacles sure don't help her in the brothel, which is full of observant women who are trying to seduce her, meaning they get good long looks at her:
Mizu never takes her glasses off, but they still send a woman to her who has light eyes, thinking that must be what will interest a blue-eyed man:
No wonder Mizu gets mad after this, lol
So Mizu never takes her spectacles off in the brothel, it's dimly lit inside, and the women can still tell that she has blue eyes. I'm getting the sense that Mizu putting on her spectacles isn't a guarantee that people suddenly can't tell that she looks different.
And yet no one spots that she's female.
Mizu can hide her breasts, can wear her hair in the right style, can hide what's between her legs, can walk and talk and behave like a man - and she's been doing it for almost her entire life, to the point that not only is she very good at it, but the threat of being found out as female is deadly, but isn't presented in the show as omnipresent.
Let me explain.
She threatens Ringo for nearly saying the word "girl" out loud, because while she's constantly ostracized for being mixed race, being a woman traveling without a chaperone, carrying a sword, and disguised as a man will get her killed or flogged or arrested or some combination of these things.
But in addition, it's been drilled into her since she was a child that if she is discovered as female, the combination of her being mixed race and female will identify her as someone extremely specific, someone known to some bad people, and she will be killed:
I think of it as Mizu thinking to herself, "Being found out as mixed race means I'm treated badly. Being found out as mixed race and a woman means I'm dead."
Mizu's hair is cut as a child. But she isn't made to wear a big hat, or cover her eyes somehow, or anything like that. Because hiding her sex is a more successful endeavor than hiding her race.
Ringo finds out she's female by accident, but once Mizu accepts the fact that he won't rat her out, she relaxes pretty early on in the season. Because the threat of being found out as female is mitigated pretty much 99.9%, since Mizu has gotten so good at being a man. And also, because most of the time, people see what they want to see. Even if Mizu's face makes her stand out as "not 100% Japanese," no one in the world of BES looks at Mizu's clothes, her bearing, her sword, hears her voice, and will ever in a million years conclude that she is a woman, because expectations around gender roles in the Edo period were so rigid and so widely enforced.
One detail that proved this to me is after the Four Fangs fight:
Ringo takes off Mizu's clothes so he can stitch her up, then leaves her clothes off even after he's done. He doesn't even throw her cloak over her as a blanket or anything. There's a little a straw (pallet?) as a divider there on the left, but anyone could just peek around it and see Mizu and her chest bindings. (I think it's mostly there as a windbreaker.)
And Taigen is right there, but he doesn't give a shit:
Opinions probably vary hugely on this, but my impression is that because the show doesn't make any kind of deal about Taigen being in the room with Mizu here, my guess is that Mizu isn't in any danger of Taigen thinking she's female. Even when I watched the show for the first time, I assumed that Taigen had seen Mizu out of her clothes here, and that he thought nothing of it.
Eat your heart out, Li Shang (Mulan 1998). I actually do think that this scene is a direct and purposeful side-eye to that movie, lol
There's obviously some nuance to how "severe" being mixed race is compared to how "severe" being a woman is for Mizu:
After all, Swordfather can't bear to listen to Mizu confess to being a woman.
So a Japanese man can go wherever he wants, whenever he wants in BES. A Japanese woman has limited options: marriage, religion, or a brothel. A mixed-race man is an eyesore in this story. A mixed-race woman is a death sentence.
May as well eliminate the female aspect, and do what you can about the mixed-race aspect. Because that's just realistic.
Meaning Mizu can avoid the strictures Edo society places on women. But she can't avoid the repercussions that come with being mixed race. And I truly don't think that it's just because "there's no brown contacts yet."
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