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#a sketch based on a thing I posted a little while ago
soup-guts · 6 months
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beautiful dreamer
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vanessagillings · 27 days
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I’m posting the ever-so-rare photo of myself alongside one of my characters based on my childhood because today is World Autism Acceptance Day, and I wanted to show my little corner of the internet who this particular autistic person is:  
I was officially diagnosed in February, at age 38 (I’m now 39). A lot of people thought I couldn’t be autistic.  Some people who know me in real life still don’t.  And until around 10 years ago, I didn’t think I could be either, because I was nothing like the stereotype media portrays. I was told that autistics lacked empathy (untrue), and never played make-believe (also often untrue) and only enjoyed STEM.  I was — and am — an empathetic artist -- and make believe?  I can spend days sketching finely bedecked bears brewing tea or carefully choosing the right words to weave tapestries of fiction — though perhaps my hyper focus was a bit of a red flag.  Even so, how could autism describe me?  I was a good student.  I got straight A's. I didn’t act out in class.  I can make eye contact…if I must.  And lots of girls hate having their hair brushed with an unholy passion, right?  Clearly I swim in sarcasm like a fish, so autism couldn't be why I was so anxious all the time, could it?
If someone had told me when I was younger what autism ACTUALLY is — instead of the nonsense I’d seen on screens — I would have seen myself in it.  I didn’t hear that autistics have sensory issues until I was in my mid-twenties, which is when I first began to really research autism symptoms, and I had almost all of them:  sensitivity to light, smells, fabrics, temperatures, textures, and certain touches, all of which make me feel anxious, I fidget (stim), I never know what the hell to do with my hands or where to look, I talk too little or too much, I have special interests, I have entire animated movies memorized shot-by-shot and can remember the first time and place I saw every movie I've ever seen but I often forget what I'm trying to say mid-sentence, I echo movies and tv shows (my husband and I have a whole repertoire of shared echolalias, making up about 20% of our conversations), I was in speech therapy as a kid, I have issues with dysnomia and verbal fluency, I toe-walk, I can't multitask to save my life, I like things just-so, I’m deeply introverted but not shy, I need to recover from all social interaction — even social interaction I enjoy — and I find stupid, every day things like grocery shopping, driving and making appointments overwhelming and intensely stressful, sometimes to the point where I struggle to speak.  It turns out, I am definitely autistic. My results weren't borderline. Not even close. And while these aren’t all of my challenges, and not everyone with these symptoms is autistic, it’s definitely something to look into if you present with all of these things at once. 
So why did it take me so long to get diagnosed? The same bias that exists in media threads through the medical community as well, and because I'm a woman who can discuss the weather while smiling on cue, few people thought I was worth looking into. Even after I was fairly certain I was autistic, receiving an official diagnosis in the US is unnecessarily difficult and expensive, and in my case, completely uncovered by my insurance.  It cost me over $4000, and I could only afford it because my husband makes more money than I do as a freelance illustrator — a job I fell into largely because it didn’t require in-person work; like many autists, I have been chronically underemployed and underpaid, in part due to physical illness in my twenties, which is a topic for another day.  But it shouldn’t be like this.  It shouldn’t be so hard for adults to receive diagnoses and it shouldn’t be so hard for people to see themselves in this condition to begin with due to misinformation and stereotypes. Like many issues in America, these barriers are even higher for marginalized groups with multiple intersectionalities. 
It’s commonly said that if you’ve met one autistic person, you’ve met one autistic person.  This is why it’s called a spectrum, not because there’s a linear progression of severity (someone who appears to have low support needs like myself might need more than it seems, and vice versa), but because every autistic person has their own strengths and weaknesses, challenges and experiences, opinions and needs.  No two people on the spectrum present in the same way.  And that’s a good thing!  No way of being autistic is inherently any better than any other, and even if someone on the spectrum struggles with things I don’t — or can do things I can’t — doesn’t make them more or less deserving of respect and human dignity.
But speaking solely for myself, the more I learn about autism, the happier I am to be autistic.  I struggle to find words and exert fine motor control, but my deep passion and fixation has made me good at art and storytelling anyway.  I find more joy watching dogs and studying leaf shapes on my walks than most people do in an entire day.  More often than not, the barriers I’ve faced weren’t due to my autism directly, but due to society being overly rigid about what it considers a valid way of existing.  My hope in writing this today is that maybe one person will realize that autism isn’t what they thought — and that being different is not the same as being less than. My hope with my fiction is to give autistic children mirrors with which to see themselves, and everyone else windows through which to see us as we actually are.
If you’re interested in learning more about autism or think you might be autistic, too, I recommend the Autism Self Advocacy Network  autisticadvocacy.org and the following books:
What I Mean When I Say I’m Autistic by Annie Kotowicz
We're Not Broken by Eric Garcia
Knowing Why edited by Elizabeth Bartmess
Unmasking Autism by Devon Price, PhD
Loud Hands edited by Julia Bascom
Neurotribes by Steve Silberman
(trigger warning: the last two contain quite a lot of upsetting material involving institutionalized child abuse, but I think it’s important for people to know how often autistic children were — and are — abused simply for being neurodivergent).
Thanks for reading 💛
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catliker49 · 2 months
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Lalalala!!!
AAAHHH I am going insane! I have been finding it So difficult to think of things to draw so I may not post as much!! I apologise!
The outfit in this was based off of an Animal Crossing outfit Clown had posted for Wally a little while ago! I messed around with it a Little bit, haha!
I am still working on a style I like also! So expect a lot of changes!
Oooh... I have been thinking of drawing Eddie and Frank together at some point though! I also would really like to make a mini.. storybook type panel.. thingy mabobby.. I'm sure someone understands what I mean!!
I might post some sketches of what I do!!
Thank you so so much for the continuing support!! It really does make me Happy seeing tags people put on their reblogs!! AAH! I am so so Happy!! Thank you thank you thank you!!
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nolita-fairytale · 10 months
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burn your life down | chef luca x fem!reader | chapter one
summary: leaving your old life behind, you move to copenhagen to follow your dream of opening a restaurant. almost a year after opening, luca's quest for inspiration brings him right to your doorstep.
warnings: fluff, eventual smut, eventual angst not use of y/n, second person pov, swearing, danish inaccuracies, very little connection to the world of the bear.
word count: 2500
a/n: remember when i said we'd get pastry chef luca fanfic whether we liked it or not? well, it seems i can't be normal about anything bc i have an outline of (potentially) 10 chapters right now based on this headcanon. while i try to keep reader characters pretty neutral so that you can picture yourself, i have this reader creating food from her own life experiences/cultures so do what you will with that. also, i tagged some peeps from my headcanon post, but please let me know if you'd like to be removed.
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masterlist | part two
He’s in search of inspiration when he finds the restaurant – your restaurant. 
It’s an American stagiaire and a single conversation that makes him realize that he’s missing something – that he’s been in need of something fresh, a new perspective– setting him on his quest. 
The best things are inspired. 
Luca stares at a blank piece of paper for what feels like hours, writing a few things down, sketching up an idea, before viciously crossing them out, hopelessly stuck on new ideas for the new menu. After a few half-baked ideas that go nowhere, It occurs to him that he may be in need of a little inspiration himself. He can’t think of the last time he’s taken his own advice, mulling over the carefully-chosen words of wisdom imparted to Marcus a couple of weeks ago, and he’s determined to change that. 
A review in the paper, an old colleague’s recent trip there, and a glowing recommendation from a close friend are what bring him to the restaurant. 
He’s not sure what to expect – having forgone any interest in cuisine described with the words trendy or fusion a long time ago – but Luca reminds himself that it’s the writer’s word choice, not the chef’s, when writing the article. 
When Luca steps into the small home-turned-restaurant, he’s immediately inundated with a warmth, a homeyness, that takes him by surprise. From the open kitchen, to the golden lighting, it feels vastly different from the classic Danish-style, fine dining establishments that have swept the country. 
But Luca reminds himself that the announcement of noma’s 2024 closure, has shifted the conversation around dining culture in Denmark, and already, he can feel that this is the breath of fresh air that he’s been looking for. 
Luca’s seated quickly with care and hospitality by a highly-attentive host, which he only assumes is a symptom of the fact that he read somewhere that you’re an American. While Danish, the host is boisterous, as if he’s known Luca since childhood. Luca smiles politely in response, graciously thanking the man and his chocolate brown curls. 
The menu is small, indicating that each dish receives enough care to be excellent and he likes that, despite being described as trendy and fusion-focused, your menu is creative. It’s different. It’s inspired. 
He chooses the special of the day: the mapo tofu bolognese – a traditionally Italian concept done from an Asian perspective – and the suggested wine pairing.
It doesn’t take long for him to receive his glass of wine, or his food, and he’s pleasantly surprised by how efficient service seems. Stealing glances through the open kitchen, he watches as you and your sous lead dinner service with a kind of compassionate leadership and playfulness that warms him from the inside out. 
“We recommend mixing the whipped tofu into the dish for a creamier sauce. Skal,” his waitress greets, with a warm smile on her face as she sets down the bowl of noodles. 
“Cheers,” Luca replies, his eyes savoring every single detail of the dish. 
It’s somehow elevated, thoughtful, and elegant, yet comforting all at once. 
Luca picks up his fork, using it to collect a little bit of everything – a perfect noodle twirl with just enough sauce, and ground pork before running his fork the whipped topping – raising the fork to his lips for his first bite. 
As the flavors hit his tongue, he closes his eyes, and it’s as if time has stopped, just for a moment. 
The wheat noodles are perfectly al dente while the whipped tofu is almost ricotta-like, transforming into a silky smooth addition to the dish, cutting the tingle and heat of the Sichuan chili peppercorn-based sauce. 
The corners of his lips turn up as he takes a breath, opening his eyes as he savors the delicate layers of flavors. With a crooked smile on his face, he decides that he’ll most certainly be back next week. 
-------------------------------
You make peace with the fact that tonight is one of those nights – a slow night – as you finish washing your hands. It being a slow night, you’d encouraged your staff to up the hospitality at the pre-shift meeting. Treating guests with the utmost personal touches in an effort to build genuine connections would be the focus of tonight’s slow service. In fact, you and Mathilde, your sous chef, had been running dishes out this evening – something you rarely had the luxury to do. 
“You should go say hello,” your sous encourages, nodding towards the dining room through the expansive window of the open kitchen. 
“Thought it was your turn,” you reply in a casual tone, paying no attention to who she’s referencing.
“No, I think you should take this one,” Mathilde nudges you, causing you to look up. You shoot her a funny look, your eyes flickering over the mischievous expression she has on her face, to where she’s gestured towards. 
“To-?” you begin to ask, before seeing exactly who she’s talking about.
“Ehm. Tall, blonde, and tatted!” she emphasizes in a whisper yell. 
You don’t really need the description as you glance over at the dining room, easily spotting the man seated at a two-seater near the front window.
“You’re right. He’s become a bit of a regular,” you agree with a curt nod that means all business, no pleasure, as you move a few things as you walk and talk around the kitchen, tidying up.
“That’s not what I meant,” she scoffs with a playful eye roll. 
“You know, Jesper thought he was Swedish because… look at him… but he’s apparently a Brit,” she gossips with you, her eyes stealing a glance his way. “We’re slow tonight. He’s here every week. Sure he’d appreciate a direct thank you from the chef!” 
“I-,” you hesitate, wondering why she’s so damn insistent on this. “... yeah, alright. I’ll go.”
“That’s my girl!” Mathilde cheers, in a sing-song voice, she hands you the beautifully plated bowl of pasta to take out to the dining room.
As you walk over towards his table, you make a note that it seems as if the mystery man has made this a bit of a routine. He shows every Saturday at exactly 7 pm, week after week, for the past month or so, as if it’s a standing date he has with himself. After his first visit, you half-expected him to bring a date when he returned, or bring a group of friends, or for something different to happen. 
But it hadn’t and you’ve watched him come in, week after week, with a different book each time. He always orders the special of the day and whatever suggested wine pairing Jesper’s recommended that week.
Most Saturday nights you're busy leading a kitchen or cooking on the line – having little to no time to fixate or wonder curiously over your weekly diner – but tonight’s pace affords you the luxury to spend more time at the front of house. Truthfully, you know it’s the thing that sets you apart. Sure, the hospitality here in Copenhagen is excellent, but you bring an American hospitality-style to this restaurant – and above and beyond mentality – that feels welcoming, personal, even, as if your restaurant itself is just an extension of your home. 
You’ve heard your staff – front of house and back of house – whispering about him, all seemingly enamored and enchanted by the charming Brit. All any of you knew about him was that his name was Luca and that he’s always more than kind to your front of house staff. 
He doesn’t say much when he comes in, you’ve noticed, but every Saturday at 7 pm, he’s pushing his way through the front door with punctuality and a gentle ease.
The whisperings from your staff had all revolved around who your mysterious regular must be: whether he was Danish or Swedish, that someone that good looking must already have a partner, that he doesn’t wear a ring. 
You hadn’t paid much attention to the gossip (or at least that’s what you’ve told yourself) more focused on running dinner service then trying to piece together the story of your handsome, mysterious regular. 
“Hello,” you greet him warmly. “I just wanted to come introduce myself and say thank you for becoming one of our regulars. Your support means a lot to all of us.”
“Hi, I’m Luca.”
You share your name with a smile as he shakes your hand. 
Luca turns his attention down to the bowl you’ve put in front of him, his eyes taking in the beautiful presentation hungrily. 
“Wow, this looks… incredible,” he marvels, returning his gaze back to you. 
“Thank you. I’m sure my front of house already walked you through this but if you’d like for me to-,” you begin. 
“Yes, that’d be great, thanks,” he interjects, a crooked smile on his face that makes your heart skip a beat. 
You have to pull your attention away from him, hoping he doesn’t notice that you’re quite possibly gawking at him. 
He’s kind, charming, and he’s easy on the eyes (easy on the eyes, really being an understatement here).
“Today’s special was inspired by a childhood favorite of mine,” you begin, walking him through each component of the dish. 
Crispy Rice. Caramelized marinated trumpet mushrooms and charred broccolini. Your mom’s sauce approached with classic French techniques, courtesy of your sous, Mathilde, a classically French-trained chef. 
It’s a marriage of your story. Of the people around you. It’s your heart and theirs, put into a dish. 
“You’re the chef?” he asks, unable to hide the surprise in his voice. 
“Yes,” you answer, trying your best to get a read on him. 
He balks, and you’re unsure of how you’re supposed to respond. Was he surprised that you’re a woman? That he’s been eating your food the whole time and expected a male chef? Before you can overthink it, Luca clarifies with:
“I’m sorry. It’s just-, I can't think of the last time I saw a head chef work front of house, let alone with this much care.” 
Oh. 
You let down your guard, wondering why you’d assumed the worst when the man’s been nothing but kind to you and your staff so far. 
"We're a little short staffed tonight. And I love getting to talk to diners… especially on nights like this,” you explain, trying your best to sound like you hadn’t just assumed that he was a sexist asshole. 
He shakes his head in disbelief, looking down at the picturesque bowl, then back to you.
Luca is impressed, and he has no intention of hiding it.
He picks up his wine glass by the stem, raising it to you.
"Cheers,” he says. “And thank you. This is a really beautiful dish.”
“Of course. Enjoy,” you reply, giving him a polite smile, before heading back into the kitchen. 
 -------------------------------
“Good service tonight, everybody!” Jesper, your front of house manager, announces while clapping a few times to signal to staff that it’s time for a post shift meeting. 
As you all gather in the pristine front of house space. Some of your cooks have taken their aprons off, others haven’t had a moment to unwind from the shift yet – business picking up in the last hour or so of service. 
Jesper goes through his nightly wrap-up notes, celebrating the wins of tonight, and making sure to celebrate how everyone rallied to pick up pace when business spiked. He’s gregarious, larger-than-life, the kind of person who can talk to anyone about anything, making him an excellent front of house manager, and even better sommelier. You really lucked out with the twins, you think to yourself – with Jesper and Mathilde – when they were more than eager to work with you on opening this restaurant. 
“Oh, and before we go, a client left a gift… table number four,” Jesper says, in reference to Luca’s table. He pulls a tan-colored pastry box from another table, setting it down on a table where everyone can take a look. 
“As a thank you. He requested for me to share. So have it and let’s make a note next time he’s in to really treat him like a VIP.”
One of your most-talented servers opens the box, eliciting a chorus of gasps, giggles, and excited whispers as soon as the assortment of croissants and pastries are revealed. 
You and Mathilde exchange a look as everyone else busy themselves with unpacking the pastry box. Mathilde raises an eyebrow and you’re not sure what to say. Witnessing your silent exchange, Jesper makes his way over to the both of you, before extending his arm to reveal the card he’s holding. 
“And this, my dear…” he begins, exchanging a look with his sister. “...is for you.”
“What do you-, just me?” you ask as you take it, hesitantly. 
“I think so, yeah,” he nods, confidently. 
To the Chef, the front of the card reads. 
“Jesper, let’s check out some of these pastries, yeah?” Mathilde suggests, not so subtly hinting towards her brother. 
He nods, giving you a little space so that you can read the card Luca’s left for you. 
As your staff divvy up the box of laminated pastries, sighing with joy as they taste the decadent, hand-crafted sweets, you take a few steps away to open the note. His handwriting is pristine – perfectly neat in every way, like he’s written over carefully measured invisible lines.
Chef,
Thank you for all of the great meals. I'd like to return the favor, that is, if you're open to it. 
Tomorrow. 5 pm. Dronningens Tværgade 2, 1302
While Luca’s gift has been more-than-generous, you find yourself overwhelmed by questions. Was he a chef too? And why had he not said anything? And what was this gesture all about anyways?
You read the card a few more times, turning the words over in your head as you try to make sense of it. 
Mathilde can see your overwhelm, your eyebrows knitted into one confused expression as she saunters back over to you.
“What does it say?” she asks, curiously. “A love confession perhaps?”
“Mathilde, you really have to stop reading all of those French romance novels!” you tease her. “It’s giving you too many ideas.”
“It’s the only way I keep up with my French!” she defends herself with a lackadaisical shrug, earning a laugh from you.
“Uh no… it’s actually a thank you card… only I think he… wants to feed me,” you share with her, holding the card out so that she can take a look. 
“He’s a chef too?” she asks, taking the card from your hands. 
“I think so, yeah,” you reply, letting out an exasperated laugh. 
“Oh shit!” Mathilde exclaims, as soon as she sees the address that Luca’s written down. 
“What?” you ask her, wondering if there’s something you missed. 
“The address… that’s AOC. I think he’s a chef at AOC, babe,” she gasps, shaking her head as she hands the card back to you, sending a ‘you lucky, bitch’ look your way.
Oh shit, is right.
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queerponcho · 3 months
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Transfixed | part 1
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collage made by me with pictures from pinterest
moonknight!system x female!reader
a/n: been writing this fic for about a year now so it's nerve-wrecking to finally post the first chapter. I hope you'll like it!! (pls be gentle...)
thanks to the lovely @nexusnyx for motivating me a few weeks ago, would've never considered posting without having our convo the other day!! Thank you so much<33
Warnings: no use of Y/N, fluff, NOT beta read, gushing about the moonboys, flustered awkward dorks, plot-twists, (eventual smut, the chapters will be marked individually), inaccurate depictions of DID, egyptian mythology and religion (although I did extensive research I took liberty in changing some things to adhere to my plot...), if I missed anything or made any spelling mistakes pls don't hesitate to tell me!
Summary: You're a woman who as been visiting the same library for all your life. One day a handsome new face comes walking in. That's the moment when the ball starts rolling and your entire life changes. Will you accept the new challanges coming your way...?
2,200 words
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You have been visiting the same library all your life. While you were in school you  would go there to have a quiet place to study. Since at home you always had a lot of family and busy energy around, you needed the library as sort of an...escape from all the noise. Later when you got into university, the library had become kind of a safe space for you. So you would rather sit in the bus for half an hour to and back to study there instead of the grimy and packed library on campus.
Even now that you work and have enough books at home to basically open your own library, you still can't part from your little paradise. Everyone knows you here and a few months ago the owners of the library even adopted a cat that seemed to really like you. So chances of moving on from here had definitely been ruined.
You loved reading all kinds of story based books, but spending so much time here made you curious, so you also picked up a few skill based ones. you had read a few gardening and science books but the ones you would actually start applying were the books that had to-do with art. Autobiographies of different artists and painters, different studies and research on colour and brushes. You became almost a bit obsessed at some point. So you started sketching and drawing things around you based on the knowledge you'd gathered from your extensive research. you would draw people around the library after work or before meeting friends in the nearby café. You'd never claim to be an artist but you were proud of your drawings nonetheless. for the past few weeks you had started to draw one very specific person. You saw them for the first time a bit over a month ago…
It was a rainy day and you'd just finished lunch with a friend. You said goodbye and you decided to head to the library to continue on with your sketches of the cute ginger kitten. After saying hello to the owners and giving the kitten a treat, you made your way to your usual corner in the back. Since the library wasn't very big you had a good view of the entrance and a few tables. you'd been sitting and drawing for about ten minutes when you noticed the kitten smelling your coat pocket in search of more treats. You smiled down at her 'hiiii kitty!' you picked her up and placed her on your little round table. 'you want another treat huh?' She looked back with big shiny eyes 'alright alright...there you go'. She happily chewed on the fish-shaped cookie while you continued drawing her. 
The familiar noise of the door opening caught your attention....a man came in, he was wearing a brown flat-cap which was obscuring your vision of his face. He reached to take it off with a gloved hand and pushed his black curls back to reveal the face, of what you could only describe, a Greek god. He had strong and angular features, a sharp jawline and a beautiful slightly crooked nose which you felt the need to trace over with your finger. He had crows feet decorating his eyes, you'd assume he had them from laughing but seeing his resting facial expression, smiling almost seemed to be a foreign task to him. He brushed the remaining rain off his shoulders and made his way to the history section. When he disappeared behind a shelf you were brought back from your trance and took the first breath in what seemed like minutes. 
You wondered what he would be looking for in the history section of this old library. You were in London, a place with alot of people, then again this library was old and in a secluded part of town so it was usually the same people walking in and out. You would definitely remember his face if you had seen it before. Whatever it was that he was looking for he had apparently found since he was making his way to the register with a thick leather bound book in his glove covered hand. You had a bit of a thing for hands and you knew you'd be sketching hands for the next few hours because of this stranger. He hastily left the library and was gone as fast and suddenly as he appeared. After that day you couldn't stop drawing that pretty stranger, you'd given him multiple names during this time. His name had been Jack, Edward, Steve, Malcom and many more. you'd started just drawing his gloved hands and his forearms but quickly you would switch to drawing his intense gaze and soft curls. The amount of times you fantasised about running your fingers through them and tugging slightly had you embarrassed. It had been weeks since you'd seen him and you wouldn't stop imagining him in your apartment just sitting next to you, sometimes you would also imagine him a bit closer and wearing a little less clothing…
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A month had passed since you'd seen him and you finally managed to stop drawing him and went back to drawing people around the library. Though you still looked up when the door opened and a new customer came in hoping for your handsome stranger to come in and maybe stay a little this time so you could find out more about him and his movements, for drawing references of course...nothing else. It seemed the universe wanted to help you out, because the next time the bell chimed and a customer walked in, the familiar brown flat-cap wearing stranger entered. This time it was warm and sunny outside so he wasn't wearing any gloves and wore a white fitted polo. His muscles were visibly moving underneath the fabric of his sleeves when he reached up to take off his hat and ruffle through his hair with the same intention as last time. He was also holding the same thick leather bound book from his last visit to the library.
 According to the owners he couldn't buy that one since it was rare literature, so he got to borrow it for a month...you knew this because you may have asked about him and his purchase after he left. This was also when you found out that the book he borrowed was about an Egyptian god. During your time in this library you have read books on Egyptian history and it did peak your interest. All this time you’d never even noticed that book before? Recently, you’d been spending a lot more time studying in that part of the library, so overseeing such a unique looking book was very strange of you.
You see him talking to the owners, it was quiet enough to make out parts of the conversation. It was 10am on a Tuesday so you were pretty much the only customer here. He had a pretty strong Latin accent and you were pretty sure he was from mexico. part of your family is from south America so you grew up learning Spanish and you remember hearing them speak English with that exact same accent. 
He was thanking them for the book and asking if he could take a look around the library again. The owners kindly told him to go ahead and that he didn't even need to ask. He briefly nodded his head mumbling a quick 'gracias' and went over to the history section. You watched intently and spontaneously decided to head in the same direction. You felt a bit creepy lurking on this man but you were sure you wouldn't get caught since you were rarely a very visible person. it's not that you didn't have a strong presence but you know how to blend in really well and when to use that to your advantage. You hid behind the shelf of the history section facing his profile. He really was a pretty man, his eyes were squinting and his bold eyebrows furrowed. There was a stray curl hanging over them and you badly wanted to brush it back and feel his thick hair between your fingers...you couldn't of course, since you were too preoccupied drawing him at the moment. The window was creating beautiful shadows beneath his hooded eyes and high cheekbones. His jaw looked sharper than ever and his neck extremely kissable. His lips needed an honourable mention, they were like two squishy pillows that were begging to be bitten. You've been paying special interest to them and trying to get the details just right, so you didn't notice that he had moved from his previous spot. 
You couldn't see him anywhere and were actually kind of disappointed to think he probably left. you were about to turn around and go back to your discarded belongings when you accidentally bumped into someone while moving backwards. 'ohssshit! i- i am so so sorry um- i didn't mean to wal-'
you had managed to pick up your pencil, sketchbook, and hopefully all of the scattered pages- when you finally looked up just to be faced with the god-like looking man you had been fawning over for a month now. he was practically towering over you and… was that a smirk? If you weren't already kneeling on the floor right now you would've probably lost your balance. 'hola~ I don't mind this view but do you need help standing up, muñeca?' This is when you realised that you were on your knees in front of the most attractive man you have ever seen and you quickly scrambled to your feet 'nono um thank you-' 
'Jake, my name's Jake' he stuck out his hand and you introduced yourself after thanking him again. So his name was jake...huh pretty basic for a man like him. You were kind of joking when you temporarily gave him very basic names but you guess his parents weren't much more creative than you are. 
You realised you were staring when he raised his left eyebrow and started grinning.
 'So...why were you spying on me?' He asked cockily and it had you word-vomiting all over the place 'what? i wasn't-? I-I was just…drawing-?' pretty hard to sound convincing when finishing every statement with a question mark... 'yeah I know-' he looked you up and down and coming a bit closer 'I saw you get lost in your notebook and I just had to come see what you are drawing that garnered all of your precious attention, hermosa' 
The nicknames were really starting to get to you, making you feel all sweaty and nervous. you were clenching the book to your chest accidentally pushing up your breasts and making your cleavage much more noticeable. you saw him glancing down, taking his time in bringing his eyes back up your neck and finally to your face. This entire time you were basically pressed into his chest, you were leaning on the shelf and he didn't seem like he wanted to move anytime soon 'h-how long were you looking over my shoulder exactly?'
 'Long enough to see what had you so...como se dice...transfixed' Your breath hitched and he answered with a toothy grin. 
'I am flattered, preciosa. I really am, didn't think someone as pretty as you would follow me around the library just to draw my hands and ass' 
You push him back- 'I did NOT draw your ass! I-' You were interrupted by his chuckle and him moving closer again and grabbing your chin between his fingers and caging you in with his other arm. 'I know muñeca , I just like seeing you flustered...toda nerviosilla...it's cute.' At this point you’ve decided it's best if you just don't speak. '...maybe next time you can draw me shirtless? I would love to see you solely focused on my abs for half an hour.' He flashes you a toothy grin. Oh he’s getting too cocky…somehow you manage to move away from the bookshelf, momentarily getting even closer to him. After seeing his eyes flicker with surprise you move to the side, backing away from him. Turn around finally being able to take a breath of normal air that wasn't deliciously tinted with his aftershave. 
'Sure, next time you can waltz into the library without a shirt on and we will see how far you get before being kicked out' you say while looking over your shoulder. 
 'Seeing your reaction would be worth it, nena' he called after you, not even registering your feet carrying you back to your corner. you took a deep breath replaying what just happened. He should not have this effect on you, it's almost embarrassing how easily he got so close to you. You are a grown woman, damnit! How did you not shove him away and get mad at his advances? You should be creeped out but you notice how you’re wishing to bump into him again soon...you hear the doorbell ring and see him walk out. He takes one look back and holds up a piece of paper. ‘Oh fuck me’ you feel your feet glued to the floor when you see what it is…its a drawing you made of him. It was a closeup of his torso upwards. You had drawn him from above and he was laying in your bed with heavy lidded eyes and parted lips. you were absolutely mortified- he was grinning like an idiot and winked at you before storing the drawing in his back pocket, crossing the street and vanishing from your eye-line. leaving you in the library, plagued by his stupid masculine scent and his dumb pretty face.
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a/n: I really hope you enjoyed the first chapter, I've got a few already locked and loaded sooo the next one should be posted soon. Pls like and reblog if you liked it<3 it would mean the world!
part two
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mikodrawnnarratives · 9 months
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I just remembered a project I worked on for a while in like 2021 (maybe 2020) and it had a LOT of akumatized marinette's
That was the idea behind the whole thing but man I did one by one and found some of the most obscure akumatized marinette au's
Sooooo I'm dragging these drawings up from the ashes and maybe it'll be a nice surprise for some of y'all to see
yall got ✨fanart✨
and possibly reminded of miraculous ladybug HA
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usually these were done on different canvas's (that were like 250x250) and then just... copied onto a larger canvas??? Mistakes were made and I was insane
A handful of these akumanette's were actually made by me cause apparently... roughly 18 other marinette's wasn't enough
Click for quality and this is a long post
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First of all, shoutouts to my own akuma abominations creations.
First image, the ladybug with the red long hair? yeah the idea was the akuma bug seen in canon in like, s2 (also shown next to her) but updated for the new look in s4. Vry original we'll give it a 6/10
I don't remember too much for the middle one that is slightly dimmer. Though I do remember that was the kind of IDEA behind her. She's also holding a knife cause of course. Why have magical powers to kill people when you can harness the power of K N I F E 7/10
I remember a little more about the jester marinette in the back. She had a whole thing with medieval research, jester research, and she also wanted to stab Lila cause everyone wanted to stab lila at the time. 9/10 cause I had a fun time with her
Then the robinhood poster mari was a robin hood akuma mari. 3/10 not original
NEXT
Slightly canon to downright canon
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Ladyblanc was a popular akumanette idea so slightly canon, I didn't base it off of anyone's au
Ladybug and Marinette are there because what's the fun of a crossover if the og doesn't get to panic along with the rest of them????
Last image, not talking about persecuter, we'll get to her in a bit. I just thought it would be funny at the time if I included Chloe and Antibug cause... haha
Antibug is kinda an akumatized lb rip off soooo
OTHER'S AU'S
what you've been waiting for
Thank god I kept track of credit (pats past me on the back)
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First of all, at the very front we got @zoe-oneesama 's devil au that made an updated appearance in her scarlet lady au, love to see it
You'll also notice little devil bug on lb's knee in the sketch
Alopeka is to the left of Devil au, by @piearsonist
hi betcha you never would have guessed you got FANARTED HA
This is a post that explains that akumatized marinette, and you'll find more if you go to her page
AAAAAAAAAAAAAAAAAND
Princess justice at the right by @kibouwmlb (also, hello hi, surprise) and honestly it is SUCH a pretty design OMYWORD I love the watercolors
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Twiddling her thumbs, minding her business. Remember the release of Descendants 3? Yeah, Queen of Mean baby. And MORE by @shiinaeu hi you are a legend to me
This was so fun to draw at the time and I was experimenting in ways I hadn't before. Peak youtube miraculous ladybug fixation meeting art interest. First one of the characters I did fun fact
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@edendaphne betcha you didn't expect fanart of that one scorpion akumanette well THINK AGAIN (also, crazy that this was around when I did your dtiys I just realized, huh)
ANd then slightly more obscure, though the post does have 173 ish notes so, is @skullqueensart 's akumanette right here
Why does akumanette have sunken cheeks here? I have no clue honestly. Take it up with me from 3 years ago and maybe you'll get answers who knows. She's also just... chilling. Looking at nothing. Into the abyss.
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Not now chloe's, we are discussing persecutor now.
Love the story idea honestly and the akuma design is so god tier AKUMA that oof @yiprincessart I love it
Oh uh, and chloe will be fine
:)
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CAN👏I👏 TALK👏 ABOUT👏 HER
She is the moment, she is beauty, she is grace
@artist-from-outersp-ace I love her. She looks so SO pretty!! At the time I loved your artstyle and I still do!! Too bad at the time I didn't know that Tumblr works by reblogging. I will be amending that.
I also remember being SO frustrated when drawing her that I didn't get a timelapse saved in time to show the drawing process :(
But I did love figuring out folds in the dress and the coloring process! Figuring out how to replicate elements in your art!
srs guys. Look at the RUFFLES
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Alright, we are all agreeing to be accomplices and bystanders to Akuma jester marinette's NOT MURDER murder of Lila in the background? Okay good.
@lunian I have fanart for you~
And when I tell you I struggled with her design, I STRUGGLED. I ended up satisfied in the end but the curls bro, we lost the curls
But I do love her concepts and powers and I did back then too
And next to her, Okay, I never fully finished, mostly because I couldn't figure out how to get the hand to work with the tray balance thingie
@ladybub made this Lady Justice design and I WILL BE THERE when the comic updates. Or... if they aren't able to continue the comic that's also fine too <3 Life happens
Still love this au and the unique way for Marinette to get akumatized! Me and my sister bonded over our love over it!
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I think this might be the first akumanette that isn't on tumblr to my knowledge. They are on Instagram tho @stivenwithani
Anyway I really liked the concept and the design just, reeked, of akuma that I included her
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Okay more that I didn't really finish
We got another Princess/Lady Justice akuma idea at the left. Which I never kept track of the credit DANG IT I WAS DOING SO WELL
I'll update if I find the credit but man the OG did really well with the art.
And I have this akumanette comforting Lacrima from... a very graphic and whump fanfic Longest Night, read the tags
Anyway, Lacrima needs all the love she can get (also, funny enough, is the oldest out of this "gathering" of akumanette's)
It's not finished but hey @p-artsypants I gave angst ridden Lady Lacrima friends and fanart so.... yay...
AND THEN THE LAST ONE
was victim to so much reposting I could never find credit for it- UNTIL NOW
but the artist unfortunately deactivated their blog so that explains why I couldn't find their username all that time ago
It was a cool idea and I always love when creators take inspiration from how similar Marinette's name is to another word for a kind of puppet "Marionette"
But before I forget, I'll end this post on one of my akumanette's that I tried to squeeze in but never got to. But I did make more art for and I remember the story!
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I remember having a background planned but I never really got around to it. Basically the story was that marinette got akumatized but managed to take off her earrings in time. I think the reason for her akumatization was connected to figuring out the secrets that Emilie had been hiding with the peacock miraculous (BEFORE we knew that adrien was a sentimonster).
Tikki had to bring the earrings to Chat Noir and he had to find someone that looked ENOUGH like Ladybug that Hawkmoth wouldn't notice as much that Ladybug wasn't actually there. Enter Mireille cause at the time a few people were pointing out how similar she looked to the dupain chengs.
Akumanette's powers had something to do with casting depression? I think? In the form of dragons? Oh, Also she travels by walking on the dragons so thats cool
I don't remember everything but I did have a lot planned for her.
10/10 just because I had a fun time with her
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bloo-the-dragon · 2 years
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British dragon steals a couple of weird fish twins more at- yeah ok that jokes getting old.
SO ANYWAY! Here’s my contribution for mermay hjdkfg brain went big brrr on this one lol
Some basic lore info and backstory will be under the cut!
~~~
We’ll start with the backstory:
- Sun and Moon were found washed up ashore as lil bby fishies by a circus owner years ago and he rescued them. They stayed with him (not necessarily out of their own choice) and would do performances as part of the circus show.
- They were treated decently enough until the circus owner passed away, and the circus and all its assets were passed down to his son who was not so kind.
- His treatment of Sun and Moon would cause them to greatly distrust humans in the future. One day though he would be found dead, drowned under ‘mysterious circumstances’ in one of the tanks used for performances. Sun and Moon were in another tank however so there was little suspicion they had anything to do with it. (they did)
- The circus was disbanded, and all its assets were sold, including the celestial mer brothers who were bought by an exotics aquarium and put on display.
- At this point though, they had grown tired of being used as attractions. Life at the aquarium wasn’t too bad but they were treated more as animals than intelligent creatures and their distrust of humans had only grown since the incident with their last owner.
And this is where Bloo (my sona) comes in.
Being a non-human creature herself (fairy dragon) she could sense they were in distress and after having an encounter with them during a visit to the aquarium, decided to help them. That help coming in the form of breaking into the highly guarded exotics aquarium, stealing their highly valued sirens (she’s not one for planning ahead lol) and taking them home (and getting them some heckin therapy)
And now for the lore facts:
- They communicate with each other via telepathy (twin thing and all that) and while they can perfectly understand human speech, they can only speak a little of it themselves.
- Being mer/sirens they can sing, and they can sing very well. Moon’s singing can put you to sleep, while Sun’s singing can make you feel energized.
- As for what fish they are based on- i have no idea lol i mostly improvised xD but i did want to add in a mix of koi and shark themes! The ‘wings’ on their backs were inspired by flying fish. Since the robot versions can hook up to cables to ‘fly around’ the pizzaplex i figured the mer versions could have flying fish wings so they could fly and glide like flying fish do when they jump out of the water.
- Their pupils/irises disappeared as a result of neglect and poor care (they’re still there but faded) but they would slowly reappear again over time with enough care and attention (and no small amount of hugs and cuddles)
- After they are released back into the ocean, they’d still be pretty much like domesticated cats by this point though lol so they’d stick around Bloo alot by hanging around the shore near her home.
- They can form legs albeit temporarily, but doing so takes a lot of energy and so they very rarely do it. (Walking is a great struggle for them too so they’d rather crawl if the situation required them moving out of water)
That’s all for now! But i’m not done with it yet lol got more sketches in the works and will have them up and posted when i can. :3
(If you read it this far i giv u a cookie!)
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armoreddragon · 2 months
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how did you first get into making this stuff? do you enjoy it?
There's a lot of possible answers here.
For a couple years after college, I worked at a laser engraving and cutting shop. Leather was a material we knew we could cut, but nobody ever asked for it, so I looked up some basic info and put together some masks as demo pieces. Then I got fired for unrelated reasons, but decided to keep going with the masks on my own. A decade later, I’m still going.
I've always enjoyed making things. The focused calm of working a craft, the challenge of finding the problems that need solving, followed by the satisfaction of holding in your hands something that hadn't exited before. It’s hard to beat that feeling. If you haven’t done it for a while, I highly recommend making a habit of it.
Sometime in college I realized that if I kept making things just for myself, I would eventually run out of both space in my closet and money in my bank account. So I took the best photos I could of what I had, and started posting it up on Etsy.
In high school ceramics class, I had an idea to try and make a flexible dragon skin out of little bits of clay, all glazed differently. I had no idea how to do this. A friend of mine was like "Yo it sounds like you want to look up how to make chainmail for that." She was right.
I work in architecture by day, and the decision to do that was unrelated but definitely related to my crafting obsession. Designing a kitchen, a café, a house, takes months or years of work, most of which is tedious details like picking tile patterns or looking up exactly what order to layer different sealant tapes to make sure the walls are watertight. Designing a crafting project gives me a creative outlet that is immediate. I can sit down for an afternoon and take an idea from a sketch on trace paper, to a final mask formed up out of leather. There's an excitement to that. A reminder that, yes, I can make cool stuff quickly, without needing to sink two years into a project.
For a while I worked to teach myself to draw. I managed to get pretty decent at sketching from life, with a moderate understanding of anatomy and perspective. I liked art, so I thought I wanted to make art. But I struggled with it. If I was drawing something from my imagination, no matter how well I managed to put the lines down on the paper, I would ultimately look at it and just be sad that it didn't exist in the real world. So eventually I gave up on the drawing part, and focused on the part I seemed to actually care about.
I can't envision a version of myself that doesn't make things. I think on some fundamental level, I measure my worth as a person based on what I put forth into the world. I don't know what else to do.
When you decide to turn a hobby into a business, it of course takes some of the delight away. It's no longer something you do when you want to relax and have some fun. It becomes an obligation, to make and ship orders on time, to pack up your stuff and bring it to craft fairs, to track your expenses and file your taxes, to stay on top of the constantly changing social media landscape. But it also lights a fire under your ass. You can't just keep making the same thing you made three years ago–you have to keep making new stuff, keep improving your techniques, keep reaching for new ideas that have never been made before. You lose some of the joy, but you gain a lot of satisfaction.
All through my childhood I filled my closet with little handicrafts kits, that I got as gifts or that caught my eye when following my dad to the art store. Calligraphy, wood carving, weaving looms, boondoggles, spirographs, knitting, crochet, fancy nautical knots, sculpey, and more that I can't remember. After all those different things, I’m so glad that I found a couple specific crafts that really grabbed me, that take enough work to develop expertise, that have expansive enough applications and possibilities, that I could devote a decade or more of my time to focusing on them.
I’d been interested in the furry fandom ever since little fantasy reading teenager me tried looking for stories where the dragons were the main characters, and I found people online who were doing just that. There’s a powerful do-it-yourself attitude that’s baked into the core of the fandom: The world isn’t giving us the art that we want, so we’re going to make it ourselves. I keep having ideas for things that I want, that don’t exist yet. If I want them to exist, I have to be the one to make them.
My dad was a photographer, and I spent many childhood afternoons with him in his darkroom in the basement, delightedly washing negatives, turning them gently over in their canisters of chemicals, sitting still in the dark as Dad unspooled the sensitive film, squinting in the red light as the projected images magically re-emerged on the clean white paper. What could be more amazing, more normal, more right, than having your own little space to work such magic for yourself.
In about 2008 or 9 I ordered my first batch of metal scales, with the idea of trying to make a dragon tail in time for Halloween. It took probably a couple weeks to figure out how to make it, and within a week I had thought of how to do it better and disassembled the entire thing. By the 3rd or 4th time I'd rebuilt it, I thought that it was probably good enough that I wouldn't feel embarrassed to post it online and see if someone might want to buy it.
Of course I love working on these things I make. But I don't think that's exactly why I make them.
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prokopetz · 2 years
Note
I unfollowed you a while ago because I was mad and self-conscious that you could just drop a tabletop game on a whim based on innocuous tumblr posts when I’ve been working on mine for five years with very little fruit. But seriously, how do you do that?
A few things:
1. Breadth of experience is more important than depth. If you want to write games quickly, being passingly familiar with dozens or hundreds of other titles is more valuable than being deeply familiar with one or two. Most designer’s block stems from trying to re-invent the wheel; it's a lot easier to figure out what a game addressing a particular topic would look like when you can think of five examples of how other authors have done so just off the top of your head.
2. Focus. What is your game about? What do player characters actually do? If you were only allowed to write one scenario for your game, ever, what would that scenario be? Pare it down to its essentials: explore dungeon, fight dragon, get treasure, repeat. Don’t write a game that does everything – write a game that does that, and don’t even think about anything else until your game can actually do it. You can worry about branching out later.
3. That focus in mind, keep your eye on the minimum viable product. It's easy to think of all the things you'd like your game to have, but what does it need to have? What's the absolute bare minimum feature set that accomplishes what you've set out to accomplish? The crudest sketch of a complete, playable game is worth more than an elegant mechanism that doesn’t actually work because half of its critical components don’t exist yet.
4. Publish early, and publish often. Get your game in front of an audience as soon as you possibly can, and take any feedback you receive seriously. Game design is an inherently iterative process, and until you've engaged with an audience, you're still on iteration one; this is another common source of designer’s block. That ties into the previous point: as soon as you've got that bare sketch of the outline of your game put together, get some eyes on it that aren't yours.
5. Don't chase after white whales. Try to have many different projects in various stages of development, covering as broad a range of subjects as your interests will allow, and accept that most of them will turn out to be unworkable. Set aside current projects and return to old ones as circumstances warrant; often, struggling with project A will provide critical insight on project B, even if they’re not obviously related to one another.
6. Originality is a sucker’s game. This goes back to my first point: if you see something another designer has done that feels like it would be perfect for your game, steal it. Be wary of bandwagon-jumping – a lot of games shoot themselves in the foot by imitating the latest indie darling wholesale, without adequately considering whether it’s really a good fit for what they’re trying to do – but also don’t discard a good idea just because somebody else thought of it first.
(That last one applies to stealing from yourself, too. Sometimes you’ll come up with a new idea and realise that some existing project can be dusted off and re-purposed with very little effort. When that happens, seize the opportunity!)
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crescencestudio · 9 months
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Devlog #33 | 07.26.23
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Hi everyone!
It's only been a month (per usual) since the last devlog. But it feels like so long ago! Very weird that last devlog I hadn't even released Intertwine yet. But here we are, back with another one!
Before we get into things, I want to extend the biggest thank you to everyone who has played and supported intertwine!
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if you havent played yet, here it is. this is me on my knees asking because i am quite proud of it and what our team accomplished in two months!
in the almost month it's been out, we stand at almost 15k total plays and 200+ reviews which is so crazy to me. i never would've expected that kind of reception for our little game and when i say it has been so motivating for alaris!!! u dont even know!!!
thank you again for all the kind words---i know you are all Sick of me talking about it but i don't know how else to express my gratitude <3 it means so much to me ;_;
I wanted to make sure I inserted an official section for it in the Devlog just to really thank you all for the support. But with that, I shall get into the updates!
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But not before a quick belated happy birthday to Fenir!
Writing
I posted it earlier this week, but I HAVE!!! THE MOST EXCITING NEWS!!! At least for me.
I FINISHED DRUK'S FIRST DRAFT!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
We all know how long this has been in the making. I've been talking about his route for what feels like an eternity. Evidently, it's Very Normal to experience burnout, struggles with motivation, creative ruts, etc. etc. at this point in development. The initial and final stages of development are easier because your motivation is up. In the beginning, it's like Wow!! This is Fun!! And towards the end, it's like Wow!!! I actually Fckn Made It!!!!
And so the middle part of development, aka the stage I just entered with Druk's route, is the slog.
Now that I've overcome that initial hurdle, while I'm not near the end of development, I do feel like I will have a better handle of progress on the following routes since I have a better set of expectations and tools on how to get through this stage (compared to when I initially started Druk's route, and I was like what are all these Feelings?? Why am I Struggling so much??).
That being said, WE ARE OVER HALFWAY DONE WITH THE SCRIPT! It currently stands at 200k words including the demo, and with how each of the routes have been shaping up, we have about 150k left to go. Wow!!!!! It is crazy to know I've written that much for Alaris, and this feels like such an exciting milestone to know that I'm over halfway there for the script!
We also have just about wrapped up Fenir's developmental edits, so that makes Kayn and Fenir's foundational versions of their routes done (all that would be left at this point is line tweaking and/or revisions based on beta feedback)!! Overall, this was a really exciting month for writing updates, and I'm so happy to feel back on track with Alaris development <3 I also finished my dissertation proposal in case anyone is keeping track of that HEEHOO
Art
Most of my attention for art was (un?)fortunately on Intertwine this month AGAIN. I really had anticipated being able to dive right into Alaris and irl work this month after Otojam ended. But the reception to Intertwine made it so I needed to dedicate some time to "marketing" artwork aka the artwork I like to make when reaching certain milestones of support (e.g., 1k downloads, etc.). Obviously these aren't necessary, but I like to show my thanks and appreciation in some way, and the artwork is what feels best conveys my gratitude.
Because we hit milestones relatively quickly, I ended up having to make those pieces faster than I anticipated prior to release. So I spent the first half of this month mostly on intertwine "promotional/apprecation" artwork. Near the tail end of this month though, I've prioritized Alaris artwork and have made progress on both the Kickstarter physical rewards and some CG sketches!
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sneaky peeky of pretty mermay Aisa
Vui continues to hit it out of the park with the backgrounds. Most of them are spoilers at this point. But I do have one that isn't too bad of a spoiler! And because you all have been so supportive and patient with me, I show hehe
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vui and his bg mastery: a preview of the dragon springs
The demo mentions dragon springs (I..... think......... LMAO), and here is a preview of what those dragon springs can look like. Wonder what the context will be in which we visit them, teehee! I'm in love with the way Vui brings the fantasy world of Alaris to life. I am so grateful for him ^^
Market Research
My wrist was feeling ~delicate~ this month due to Otojam crunch and then post-release pieces. So I don't have any actual art pieces to showcase this month for market research. I did play Otojam games and started Cupid Parasite (ryuki and allan my beloveds). But crescence's wrist needs to relax LOL. So no art pieces more than necessary for this month!
I will send some love to my besties over at Ravenstar Games though! If you haven't heard, they have a game currently in development called Lost in Limbo. It looks sick as hell, and the team is unbelievable talented and hardworking. This month to celebrate Barbie, they were able to sneak this promotional piece in, even while working on their Master's ((Do you see...... a familiar group of people..... heh))
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Alaris x Lost in Limbo x Barbie the collaboration of the century
That's all from me for now. Thank you again for all the support and love on Intertwine! I've truly cherished all the fanwork, reviews, kind messages, etc.
That being said, while it was a bit of a struggle getting back returning to the Alaris world initially (I was literally like what.... was the plot of this again... LMAOsazodujf), it's been so rewarding to return to my OG gang. The intertwine release and return to Alaris work has also been strangely sentimental since it's reminded me how far I've come in the two years I've been in this dev Thang. As always thank you for your continued support (and for supporting Alaris since it's inception when I was a Wee Dev), and I look forward to bringing you more updates in the future <3
See you all next month, and stay safe!
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unlimitedtrees · 10 months
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making character sprites as a one-person indie game developer
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(huh. turns out this post on cohost didnt have a “read me” section”. o well. i will put the read me section Here,  before any of da actual text. click it if u dare !!)
so, i've been meaning on making a Big post talkin all about how i actually Make my games and my processes n such ,but also ive been procrastinating on making it for so long that i thought i might as well just make One part of that post now .. and its about making the Character Sprites for my games .
So. these images are the (mostly) full sprite sheets of the three characters from my game UNITRES Dreams, taken directly from the big giant 'charactersprites.png' image that i used for nearly every sprite for Most of the game's development. some quick things to make note of: First off, Trees (the first one) was one of the earliest things i made for the game, and had their sprite sheet redone Twice since then.. this first picture doesnt contain the latest sprite sheet as the new sprites were done on aesprite and im too lazy to make a sprite sheet out of them right now.
Secondly, the Second character (the pink one), had two different designs, being completely redesigned as i didnt like their first design all too much. their redesign's animations was done in aesprite, but i made a sprite sheet out of em before so i was able to just put them here. Lastly, the Third character (the blue one with the big silly hat) remained mostly unchanged as their original sprites and design were pretty good, but they needed to be cleaned up and given better colors so i ended up polishing all of their sprites.
Anyways. it's going to be hard for me to explain my actual process, as i am Bad With Words, but i will try my best.. So. for Most of my time as a game dev, I've used Paint.NET for Everything. This includes backgrounds, tilesets, and every animation ever in all of my games. For my character sprites specifically, i usually start with making the color palette (which is a whole different process where i mess around with the RGB values until i get a specific color that i think looks pretty ... its hard to describe). When making a new character, i usaully start with an Idle animation, just so i have a good base to make all the other sprites on. I just make a sketch of the character, then i do the flat colors (as my games dont have line art), and once i have the colors i start doing the rendering , where i try to pull off a sort of Sonic CD-esque , celshaded style while Also including a bit of anti-aliasing and other modern pixel art techniques to give the sprites more Depth and make them look Sharp. Idk. it's hard to describe my process in words ... i Did make a video Years ago showing off my process, but its old and my editing in that video isnt the Greatest.
So., that's my process Lol . the only thing thats really changed is that Now i use Aesprite for making the Actual Animations , as making animations with Paint.NET is Really Difficult and Annoying , as i have No Idea how the animation will Look until it actually appears ingame .. which results in the early versions of each character's animations looking a little weird (such as Trees' first two versions, the first version of the Pink character, and the Blue character's animations.. .though the blue character isnt as bad as the other two and i kept their animations mostly the same in the final game LOL).
Something that people have kind of criticized about UNITRES Dreams' animations is that some of em dont exactly ... Look Good. a lot of animations are pretty Inconsistent , with characters like Trees having inconsistent sizes in some animations and the movement in animations such as the Pink character's walking animation and various other animations (Especially the ones made in Paint.NET) looking Unnatural.
And Well .. here's the thing about making animations and sprites for something like this. When you're the Main person making an indie game, you have Tons of different parts of the game that need to be worked on while having Very little time to work on others. On Top of making every single animation for UNITRES , i had to make every single Tileset and background for every single level, On Top of making the Level Layouts , Programming , and even making sprites for things like the UI. And you have to constantly Test the game to make sure everything works and things Look good.
So. i had very little time to work on the sprites, and i Knew this. Something you have to consider is that, not only are you making the animations for the main character , you Also have to make Tons of animations and sprites for Literally Every Other Aspect of The Game . this includes Enemies , Level Gimmicks , NPCs, And the UI .. so you end up having to work on Thousands of sprites by yourself in such a short time.
I ain't the best animator , nor the best sprite artist . But , for this game I chose an art style which is Kinda simple and comfortable for me, which made making things like tilesets and backgrounds so much easier for me. The character sprites specificially only use a few amount of colors ,but also i tried my best to give them as much depth and make them as Colorful looking as i could. Also , something you might notice is that all of the playable characters dont actually have a whole lot of animations .. each of the characters only have the Exact amount of frames and animations necessary for them to Look Good moving around the levels. Aside from a few Gimmick Specific animations that arent in the sprite sheets i posted , there arent many Extra animations or animations with Tons of Frames that i wish i could have added .. and it Kind Of Sucks . Having to split my time across Three Different Characters , i had no time to make any animations Too Crazy or Too Smooth , and i couldnt include any extra animations that could add a bit of personality to the characters ... In Fact ,the Idle "animation" isnt an animation , its just a still frame. I didnt have time to even make a simple waiting animation !!
It Is What It Is. For what its worth , Ithink Im pretty proud of the animations i did for UNITRES Dreams. while i think ive become a much better artist and animator since then, i still think some animations and some of the frames look really good ..just looking at some of the still frames is really nice .. so i think i did a good job, especially for a game that was made in 2 years and is Free. And Hey, while the animations in UNITRES Dreams may not be the best or have the most smooth animations , i Did get to experiment with making more smooth animations for TREES' ADVENTURE. while ,now, i think some stuff could use some work, i am Really Proud of how some of the animations look .. ididnt get to make Too Many extra animations (there still isnt even an Idle animation), i Did get to make some cool extra animations , such as individual animations for your Jump that are based on how fast you're moving . (the original post on cohost had a buncha gifs of da animations but im Too Fuckin Tired 2 post em here LOL !!!)
So Yea . the moral of the story: making video games is kind of hard and time consuming , Especially when you're like , the Only one working on them. just make sure to plan ahead and try not to overwork urself .. make what you can and do it when you can. Thats what i think , anyways.
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kozachenko · 3 months
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So a little while ago I did this background thingy of my interpretation of Hakugyokurou in Touhou 7, then left it at the sketch and forgot about it for a while. Then after changing up my art style a lot, I came back to this and decided to finish it as a way of testing out how my new style would look on backgrounds. Then when I finished it, I also didn't look at it for a while, until today where I decided that I liked it and wanted to post it.
Artist's Notes:
IDK how much this actually looks like Hakugyokurou tbh, but I liked the idea of there being a fuck ton of trees that just kinda grow on the stairs and Yuyuko's garden being on an island of some kind, though tbh as I write this now, this same feeling could be accomplished with just having the stairs be on top of a hill with the trees soooo... oops. IDK how mythologically/lore accurate that would be, but hey, just a cool idea I had. I feel like we need more fan interpretations of certain Touhou locations because I think those could be really fucking cool, like, I should do more of these myself because I have a fuck ton of ideas (plus I need the practice with drawing backgrounds so win-win).
Even if this... doesn't really look like Hakugyokurou in Touhou canon, this was still good practice for perspective, as well as getting better at drawing backgrounds/environment pieces (plus what annoys me is that I wanted to make the tori gate red but had to make it pink because the red was too much for the colour scheme and I should have adjusted the rest of the colours but I don't feel like going back and fucking with this piece now because I feel like I am going to end up like Sisyphus pushing a boulder up a hill with this drawing).
I think the reason we don't see those as often is because there's a lot more consistency with the location designs in Touhou than the character designs. Like, in the mainline games themselves, Marisa's outfit changes every fucking game, and small details in how characters outfits are drawn also lend themselves to that looser character design base. As long as you keep the core design philosophies of the character (i.e. Reimu keeping her loose, baggy clothes, Yukari with her hat and ribbons, Keiki with her headkerchief (I FINALLY LEARNED WHAT IT WAS FUCKING CALLED WOOHOOO!!!! I COULD HAVE JUST LOOKED IT UP ON THE WIKI THIS WHOLE TIME YAAAAAY), and many more examples) you're basically good. However, the actual locations in Touhou have been so set in stone with all the printed works that I think it's a shame we don't see any more variations of how they could look.
I'm not saying to completely ditch how each location is portrayed in games (also don't take this whole thing as me completely dissing the canon looks of the locations) but, treating the locations like character designs in and of themselves. Like, take Sakuya's canon design and her Touhouvania design. Both of them are very different takes on the same design idea. Yet you still recognize Touhouvania Sakuya as... well, Sakuya. And also, keeping the same mythological/historical/irl inspirations for said locations (again, don't know if having a floating island in the Japanese netherworld is accurate but it was a cool idea)
Some other location ideas I have include:
The SDM looking relatively normal from the outside but when you go inside it looks like a fucking gothic cathedral/castle because Sakuya keeps fucking with the space time continuum and there is also an organ the size of a fucking house in there that Sakuya dramatically plays. Also having it be surrounded by trees and having some mountains surrounding the misty lake would be cool as well.
Keiki's base in the animal spirit garden being reminiscent of the ancient technology in Laputa, some of the zonai technology in ToTK and some of the Lanayru desert buildings in Skyward Sword (i.e. Lanayru Mine, the shipyard, etc), as well as a lot of the other ancient technologically advanced sky people ruins seen in some other Zelda games, but with the clear Kofun era theming she already has.
Old Hell having a mix of western influences with it's prodominantly Japanese ones, mainly inspired by how the Palace of Earth spirits looks significantly more western than the rest of Old Hell (though that could be because it was more recently built idk), as well as there being emblems from the time that Old Hell was actually Hell being strewn about in the ruins of old hell, also being inspired by a Japanese historical anecdote about how certain families had specific crests/emblems representing them and how when a new clan would take over everything would be replaced with that families' emblem although my memory is a bit foggy (since I saw it a while ago) and I got info from a Youtube short so take this info with a huge grain of salt (and it anyone actually knows if this info is legit or not, please correct me if I get anything wrong).
Overall, don't think this looks too much like Hakugyokurou, but I am glad I drew this anyway because I needed the practice with drawing backgrounds.
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Catching a Prophet
Well, thank you everyone who’s contributed to the sudden influx of Sammy art flooding my feed. You’ve infected me. I’m still a few chapters away from being able to include him in my fic, “Born from the Same Ink,” so I decided to write this little thing for his birthday (even though I’m late). It’s inspired by @reanimationstation​ ‘s post batdr-au (particularly this post) and an adorable sketch my sister @tiredtrashpanda​ made of Sammy and toon Bendy fishing together based on the drawing in Joey’s apartment (BATIM). I would link her pic here but she never posted it.
Enjoy!
Sammy Lawrence had been sitting at the edge of a rickety pier with a fishing rod in his hands for over an hour and what did he have to show for his efforts? Exactly nothing. The same result he gained from years of piety and devotion dedicated to his Lord. 
He wasn’t sure what prompted him to take up one of the rods lying on the deserted pier (abandoned and alone, just like him). Now that the Ink Demon had chosen to take on such a weak and pitiful form, the self-proclaimed prophet had simply been searching for a proper place to reflect on his miserable life.
The edge of an endlessly deep pool of black water seemed to be the perfect location. However, his dark contemplation was interrupted when he noticed the first unused pole at his feet. After picking it up, he was surprised to discover it was a true fishing rod, complete with a proper reel, fishing line and hook.
Rather than casting himself into the inky abyss like he was previously considering, he decided instead to cast the hook to see if he would catch anything. Like everything he did to please his Lord, it was in vain. 
Frustrated and enraged, the musician was about to throw the useless thing into the water when he heard shoes clacking down the pier. 
Assuming the footsteps belonged to Henry or Allison, he kept the rod, planning on using it as an excuse to avoid whatever it was they were about to ask him to do. Was it too much to ask for his former coworkers to allow him to sulk in peace?
When the reason for his brooding came into view, he was unpleasantly surprised. 
Pie-cut eyes and a formerly glorious grin smiled at him as their owner watched him expectantly. 
Unwilling to dignify the fraud with a reaction, Sammy silently turned to stare at the spot where his fishing line disappeared into the inky waters, doing his best to appear completely occupied with his current activity. Usually, if he ignored the creature, it would leave of its own volition.
There was a thump to his left. Out of the side of his mask, he saw Bendy sitting beside him, swinging his feet cheerfully off the edge of the pier in a very undignified manner.
Sammy held in a groan. He was not in the mood for this. 
It was odd sitting so close to the former object of his worship. Just a few days ago he would have rejoiced and reveled in this blessed opportunity. Now it was nothing but an uncomfortable reminder of his Lord’s fall and the hopelessness of his situation. 
Mimicking the man at his side, the little devil picked up a fishing rod and held it over the water. 
It should have been a simple matter to continue ignoring the other being fishing at his side. Except, Sammy swiftly noticed that Bendy was doing it wrong. Not only was he holding the tool upside down, but the hook wasn’t even in the water! 
“That’s not how you hold it,” the musician said disdainfully, setting his useless pole to the side and instinctively reaching over to correct him.
Without any fuss other than a curious tilt of the head, the cartoon imp allowed the man to take the rod from his hands and teach him how to use it properly. 
Pointing out the different parts of the object, he explained their purposes, demonstrating how to properly grip it and how to release or reel in the fishing line.
“Take care while baiting your hook,” he cautioned, pointing out the jagged object at the end of the line. “While innocent in appearance, its devious design allows it to easily embed itself in your flesh. There it will remain until it is forcefully removed, which is often more painful and damaging than the initial wound.”
Not that he cared, Sammy reminded himself. Maybe a little pain would be good for his Lord. It would be nothing compared to the pain he experienced every day he was forced to live in this accursed prison he called a body. 
When the toon glanced around for something to bait his line with, the musician sighed and pulled out a can of bacon soup from his suspender pocket. 
A few minutes of coaching later, Bendy made a near-perfect cast with a chunk of bacon on his hook. The bacon and hook disappeared into the water with a soft plop. 
“Well done, my Lord!” he praised with a shocking amount of sincerity. 
The little devil beamed at him, eyes glittering with excitement. For a brief moment, Sammy forgot the resentment he held towards the other being. 
Snapping back to reality, the man distracted himself by reeling in his own rod, deciding to add some bait to his own hook. He wasn’t sure why he hadn’t thought of doing so until now. Of course he wasn’t catching anything. Maybe the simple event of being in his Lord’s presence had triggered a flash of inspiration!
When Bendy once again went to copy his actions, Sammy stopped him. 
“It’s too soon to pull in the line,” the prophet explained. “Similar to how my Lord stalks his prey, this activity requires patience. You must wait until a lamb-er, a fish is attached to the line before reeling it in. You’ll know the doomed creature has fallen into your trap when-”
Bendy’s pole began to bend, flicking up and down while the toon watched in confused wonder. 
“-when that happens!” 
Immediately, Bendy began reeling in his catch as his companion cheered him on.
Eventually, a small, striped yellow fish burst from the ink, wriggling and fighting desperately against the fishing rod that held it captive. The muscles of its small body were no match for the hook pierced through its lip. 
When the imp eagerly reached out to grab the fish, Sammy blocked the action with an arm. 
“Careful, you could impale yourself on the hook. Allow me.”
Nimble fingers skillfully detached the critter from the line. He examined it closely, curious about a fish that could survive in this environment. Upon remembering a conversation he overheard between Audrey and Wilson’s ex-housekeeper, he divined the fish’s species. 
“I believe this is a ‘yellow perch,’” Sammy explained, offering it to Bendy. 
The toon excitedly snatched the poor thing from his grip. Clinging to his prize with both hands, he fixed it with an awestruck expression unbefitting the ruler of this realm. 
Unamused, the musician wiped the fish slime on his trousers, returning his attention to his own rod. 
“Now, it’s up to you to decide its fate,” Sammy explained with a disinterested wave. “You can eat it, if that is your desire. We can take it back to the kitchens and cook it there. It is rather small, so I’m not sure it would be worth it. If you are feeling merciful, you can release-”
Crunch 
The unexpected sound prompted Sammy to glance at Bendy just in time to witness him swallowing whatever was in his mouth. The fish was nowhere to be seen. 
The toon blinked at him with an innocent grin, then pointed at the bacon soup can by his side. 
Wordless, Sammy handed over the item and watched as the little demon dug out another piece of bacon to attach to his line. 
Perhaps his Lord was still in there somewhere. 
*Bonus scene I’m too tired to write out properly. 
They keep fishing. Bendy eats every fish he catches and Sammy either throws his catches back or gives them to the lil’ demon.
Eventually, the former musician starts whistling some tune he wrote/made-up. After a few seconds, a bunch of gilson fish float to the top of the lake/pool they’re at (probably the harbor from the first game). 
They both freeze in shock. Since Sammy stopped whistling, the gilson quickly recover and swim back underwater. 
Bendy loses his shit. He starts jumping up and down, then grabs Sammy by the strap of his overalls, pulls him to his level and frantically gestures at the water. 
Sammy gets the hint and starts whistling again. 
Sure enough, the gilson return and Bendy runs off to find something to pull in all those new tasty treats. Poor Sammy is stuck whistling until he comes back.
**Bonus bonus scene, Audrey and Henry yelling at Sammy for unintentionally drugging the little guy after he ate about 10-20 gilson (I imagine it would take a lot to knock out the Ink Demon, even in his toon form). 
Thank you so much for reading! This was my first time writing Sammy, so please let me know how I did! I would love to hear your feedback, especially since his arc is coming up soon in my main fic. 
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libraford · 8 months
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I *love* the motif deck; the composition, the flexibility, your watercolors are wonderfully done, and while I'm hoping to be able to buy it eventually, I'm desperately poor and can't rn (if I can sell some earrings I maybe can though lol) but every time you post a sample reading it's... also dragging me to filth, and strangely tiding me over, so thank you and also wtf how do you do this
I'll be honest, I don't know how I do anything. I'm just trying to make it to Friday.
The Motif Deck was born from an idea I had a couple years ago, which was an oracle deck with no words attached to the cards so that the reader was encouraged to free-associate. But when I was sketching out the thumbnails I only had four colors in my pen set and I was working on it while at a laundromat so I couldn't get more because someone might steal my laundry. But I ended up really enjoying the simplicity of the color scheme so that got stuck in my head for a bit.
The drive to do an oracle deck with no standard meaning came from doing tarot for like six years (at that point, it's more like 10 now). I've always been a really talented reader and I picked up on the concept right away, but the symbols in tarot seemed a little hard to connect with (which lead me to make @thesweeneytarot ). So I started reading based on vibes. Like... what colors do I see most of in this spread, where are the cards facing, what seems out of place, how do we create a story based on what we have in front of us.
Proved effective! I was doing really well on tarot readings. It felt less like divination this way and more like a puzzle, like a story, like a game.
So what if there was a deck that was made for this style of reading? How do you even start that? What would it look like? Could I make something like that? Where do I start?
Then my friend introduced me to a game called Dixit, and it's sister game Mysterium, which uses untitled surreal art cards to tell a story. And I noticed that sometimes the art cards would have similar objects in them, like red ribbons or gold keys or blue fish. And it was interesting to me how the person in the storytelling position would make different associations than I did and I considered this a feature, not a bug.
I toyed a bit with doing divination with Dixit cards, but I found them a bit too obtuse for my liking and there were too many details to get caught up in.
So I was like... okay, I like this. What do I like about this? Let's do this but make it simpler.
...then covid.
So the idea sat on the backburner for awhile.
Then i got back into doing tarot readings and got the itch to try something new, started thinking about That oracle deck again, but now I'm thinking about those primary colors and how I tried like four different color combinations in my thumbnails and couldn't remember what they were meant to mean between them.
Then thinking about color theory. Like actual color theory but also the meme. And how the red ribbons in Dixit could be the strings of fate or they could be streaks of blood, or the red design on the hospital floor could be 'energetic and positive' or they could be... streaks of blood...
Like... sure, colors might have set meanings... to some people. But they also have meanings in their context. The color of a thing tells a story just like the thing itself.
So this is how I came up with the idea of repeating the images in different colorways.
So now we have my elements: no words, no inherent meaning, simple images, repeating objects interacting with each other, and cards repeating in different colorways.
And then the hard part, which was making it. I do actually have an art degree, so making the paintings wasn't difficult for me, but the logistics was hard. Because I had to decide which objects were common enough to be understood by everyone, and I had to pare the number down to something reasonable because this deck was bound to be massive.
Which took another year.
And now it's done! The slow parts go slow and the fast parts go fast.
I'm the kind of person who like... if I get into my head that I want to make something, I'll find a way to make it. And like... my philosophy for making things has always been that I intend to sell one, and that's to myself. But if I like it, someone else might, so I make it available for other people.
But I'm really glad that other people like it or are even just curious. Like, when you're making a 'product' (which almost feels rude to call something that I did for myself) the hardest part is getting people interested in it. So the fact that so many people think it's cool makes me so happy. (Am I cool now???)
Thank you!! And sorry for the overshare. I just got really excited.
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stormblessed95 · 1 year
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Hi! With the new drops do we now know why JM was extra shy during his birthday? 🤔
Thanks for your hard work doing all the compilations/timeline updates! Always stay safe! 💜
OH BOY. Okay, soooo I like almost don't want to Answer this because "shippy" theories have me EXHAUSTED lately, ive been sticking myself firmly in a just vibing with the facts headspace for the past month or so. But ever since memories dropped I've had people referencing back to this ask, that I got a WHILE ago now. Where I said, ask me again after memories 2021 and I have more content to base my thoughts around over why Jimin was in his "blushing era" around JK during Fall/start of winter of 2021. And well, yall certainly didn't forget about that 😂😂 And I apologize to you, anon, in particular for making you wait for MONTHS with this ask just chilling at the bottom of my inbox lol
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As I mentioned in the ask, we saw blushing Jimin start at around the beginning of September and we didn't see it much again after the last time which was during the PTD Concerts when JK got super up in Jimin's face
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But after we got more content, in the form of bangtan bombs, concert dvds and memories, the amount of times Jimin was blushing (including the 2 I've shown here and the others mentioned in the previous ask linked above), there were not anymore instances. So the "theories" i mentioned having about a possible dynamic shift, I'm not so sure if it was a shift, or just them enjoying the moment and/or just enjoying each other. Plans were starting to get set into motion, everyone was discussing exactly when they would start enlisting, what concerts they would get to have and get to do before that happened. Something else to note was that during this time frame, Jimin and JK had also started to plan out and start doing fittings for their photofolios for this time. We know because in one of the preview sketches for Jimins, he was in the same outfit as a ot7 vlive they did and for JK all his piercings match up to that time frame too. He didn't have as many before and he has since had multiple taken out/closed up. And those were some sexy concepts they both participated in. With some interesting dynamics and expressionism portrayed too
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And well who knows how this stuff carried over into home settings, into conversations they were having. If either of them looked over ideas/sketches together or any selcas taken and sent to each other. All that is just guess work but who knows. My partner doing sexy photoshoot concepts would be something I find enjoyable and could attribute to possibly blushing or just general enjoyment of each other (not necessarily in an 18+ only either)
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So, we have incredibly sexy photoshoots they are coming home from planning and shooting and sharing with each other. We have blushing happening on JKs birthday, where we know they saw each other, spent some time together and worked on the 3J butter routine, where Jimin blushed a bit watching JK push his hair back repeatedly. Which um, where do we see JK repeatedly pushing his hair back and trying to thirst trap us again? Oh yeah, Jimins birthday video THIS year lol
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We also saw a bit of an uptick in the matching accessories between them during that time period too. But as I also mentioned in the first post, it's not like JK never made Jimin blush before. He has done so OFTEN over the years actually. JK just has this affect on Jimin where he just melts like butter when he looks at him. Lol its adorable. And it also goes both ways. Soooo I guess what it's coming down to here is.... I have NO IDEA. And I'm okay with that. I don't think he was shy and blushy over things like hickeygate. I don't think he was blushing over people thinking they were boyfriends. I don't think they went off and got married and was blushy through their "honeymoon period." I don't think there was necessarily any shift in their dynamics here either.
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I think they were just.... happy together and a little extra in love. Maybe because they were reaffirming their commitment to each other over those few months as all their futures were up in the air and MS was around the corner and they knew things were going to be changing. Maybe they were making sure to see each other in New light and reconnect together and make promises together through all these events where they didn't know if it would be their last ones for a while yet or not. These were conversations being had between the members for years finally coming to a head and... maybe they just made sure to give each other extra appreciation and love through it all. Which affected Jimin in this way of blushing and shy happiness. Or when JK was being extra attentive, like on his birthday when he was super sweet to Jimin all through practice and then through his VLive too. They really were just very soft those few months. It's really nice to see too.
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Sorry that's not much of an answer honestly, but it's all I've got for yall at this moment. And I personally, am okay with that. I'm okay with not knowing what was going on during those months or what Jimin was thinking about during those times. I think they are cute and precious moments that highlight something a little special about their bond. But everything else above? That's just pure speculation. I'm good with just leaving it at, their bond is pure and special and sweet. And these moments give us a peak into that dynamic between them just a little bit. And I'm grateful for it.💜
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^ from practice on Jimins birthday 🥰
Hope that helped explain my thoughts at least a little? It was probably really rambling, but I hope it made sense. Lol thank you for the ask and always holding me accountable to follow through on what I say I'll do! 🤣 Hope you guys all have a lovely day!
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ryuichirou · 3 months
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Hi! We have a lot of replies related to our previous posts today, plus some random ones :) All twst-related, quite a lot of AzuIde ones.
Anonymous asked:
Hello hello! Just popping in to say I love your art before disappearing and lurking silently behind the screen and just liking your posts for the next few months! From one fan in a fandom populated with antis to another, thank you for your service in creating the tastiest pieces ever seen in the Twisted Wonderland fandom!
Hi Anon! Ahhhh thank you so much for your kindness and support, we really appreciate it! <3
You’re very welcome, and thank you again. We’re so lucky to have people who are into our stuff following and supporting us. Let’s keep having fun with this amazing cast and 19812739187 potential relationships and scenarios that they could have.
Anonymous asked:
In reference to the last question about Idia and Azul, when in their relationship did the comic about Idia losing the board game and being forced to, ahem, “compensate” for it take place? Were they a thing or was Azul just being a creep? 😅
(this is related to the first reply from here and this comic)
A little bit of both lol When I was drawing it, I had in mind that even if they weren’t dating by that point, they already had something. They’re already flirty, maybe even had sex a couple of times…
Which doesn’t mean that Azul isn’t being a creep mind you lol
Anonymous asked:
I saw a sketch you posted with fem!Idia and just plain old regular Azul and I was wondering if that changes their dynamic at all?
I actually did talk about it, but it was about a year ago, so I’ll reiterate!
For the majority of aspects of their relationship it would stay the same. But Azul is all about keeping appearances and creating a certain image to make a good impression (and then profit from it), so at times he’ll try to act like a perfect boyfriend (or even fiancée): he’d bring flowers, talk about inviting Idia to a romantic dinner. And it isn’t even 100% for Idia: it’s for everyone else to see how perfect their relationship is and to be jealous. He enjoys this role of a gallant princely… beau. Even though both of them know that Idia is (first and foremost) his friend who knows that he is as much of a nerd as she is… So Idia doesn’t play along.
Once again, it doesn’t happen all the time. For the most part they just play board games and talk shit about everyone, like they always do. But every once in a while they’ll start arguing because Azul wants his rich genius girlfriend to also look somewhat presentable, and Idia would absolutely hate that.
Then again, I guess Azul would do that to regular!Idia too…
Anonymous asked:
Dare I ask what Idia did that merited that “one little spank”?
(this is related to this comic)
He was probably being annoying lol Azul is that one person that Idia loves to poke, because he isn’t as terrified of him getting pissed at him. Well… maybe he should be.
Anonymous asked:
I know Idia is basically ass-less but I don’t think I’d be able to resist smacking it at least once just together his reaction. Hopefully, it doesn’t send him to the hospital….
Don’t worry, his ass (the lack of it?) is sensitive, but as long as you aren’t Azul or anyone else whose slap would break 30 bones, it’s all good! The prospect of hearing Idia’s terrified little “HIEE—!!“ is way too alluring.
artfulhero-m asked:
Your dick sucking headcanons got me thinking about how Azul can't because Azul be the kind of guy to put it in his mouth then immediately be able to tell exactly how long it's been since it was cleaned and also probably what that person last ate recently based off the pre and he is NOT risking his mood to be ruined because his partner's pre tastes like he was just chugging energy drink or something lol
(this is related to this post)
Omg yes absolutely. He has a lot of reasons not to want to put any dick in his mouth, and this is one of the major ones: he doesn’t need all that information, and he WILL judge that person and nag at him, especially considering that this certain someone chugs nothing but energy drinks…
characharing asked:
Riddle sucking like that hamster with the banana meme
Yes. Absolutely. Always. This is his spirit animal.
hipsterteller asked:
Rollo is probably bottom after seeing that art
(this is related to this art)
Yeah, he absolutely is… If being a bottom was a sport, Rollo would be a champion. And he is a virgin…
blackbutlerfandomnerddomain asked:
Every student LOVE Rollo, like wet dreams, love letters, collections of his stuff, the usual highschool/collage romance
Of course! His vice president is super lucky to be able to hang out with him more than the other guys, but every student loves Rollo.
Anonymous asked:
Who do you think Vil had his first time with?
While there are a lot of possible scenarios, we tend to think that Rook was his first. We have an entire post about their first time together! Another possible option is Jack, I guess.
Anonymous asked:
New headcanon, Rook likes to wake up Vil in the morning with a kiss like Snow White. His lovely beautiful Roi du Poison deserves to be awaken in a romantic fashion.
Awww, this is so sweet!
And also much more romantic than to just have Rook staring at Vil until he wakes up… He should definitely do that, Vil deserved it.
Anonymous asked:
After re-reading book six I gotta ask: Any opinion on Azul/Riddle? Thought towards the end they were kinda cute together but also the way Azul pushed for riddle to be both a doctor and a lawyer felt very "I can use you in the future"
I talked about them in our post about book six, and also we have a hc post about them!
We don’t really ship it much, but their interactions really are great. And I also really like the fact that Azul considers Riddle useful, I am 100% sure that they’ll exist in each other’s lives even after graduating NRC, even if they won’t be romantically involved with each other.
Anonymous asked:
I hope to one day see Lilia go through all the bottoms and leave them all shaking messes 🙏
Grandpa is too old for this type of gymnastics..! Just kidding, he’ll leave them all shaking messes lol And THEN he’ll collapse.
You know, I think out of all of our “tops”, Lilia has the most potential bottoms ship-wise… him and Floyd, both of them have quite a harem due to their flirty nature.
So yeah maybe one day you will see Lilia going through all of them. I would like to see that…
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