#also these two scenes both take place right before really important events for the characters somehow lmao

[pastelwhile-art]

Big week for gay people (Oct 20th and Oct 24th)

#im hella late to both #also they happen on the same year! #fun Ace Attorney 1 and Persona 5 both take place in 2016 #also heh edgeworth and akechi have oddly similar traits #especially having a superhero tv show they're embarrassed about liking #also these two scenes both take place right before really important events for the characters somehow lmao #Ace Attorney #Persona 5 #wrightworth #shuake #unnecessary feelings #p5 #pwart

[bungobble-my-balls]

Sigma and Lucy and their connection to Atsushi (+the pattern with people Atsushi wants to help and how Sigma falls into it)

(Or how they all fall into it, and quite literally fall since for some reason there's a repeated pattern of important moments between Kyouka, Lucy and Sigma when it comes to Atsushi and one or both of them falling or jumping from a high ledge)

I've never been able to stop thinking about this so I'm finally making a post on this.

I'm gonna mainly compare chapter 28 and chapter 76, and the events surrounding these chapters that take place on the same day as them and in relation to them.

The chapters show us more on a member of the enemy terrorist organisation that the ADA are currently up against. In the chapter (or around this chapter for Sigma), we see the backstory of a member and bit of their ideology.

This character started out life with no family and no home, being used and abused in their early years.

It's noted that their backstory is similar to Atsushi's, and that they are actually very similar to him.

The character loses their home in this chapter (or implied in this chapter for Lucy), and the only family they had that they desperately clung onto and fought for. Even if it wasn't a proper family, it was all they had. They'd been alone their whole lives and didn't want to be alone again.

The home and family in question are on a floating structure in the sky. This is also where the chapter takes place.

Atsushi says something to this character that affects them. The character ends up helping him just before the two part ways.

This is the last look they give Atsushi before they leave eachother

The character and Atsushi leave eachother by one of them falling. For Chapter 28 it's Atsushi who jumps off leaving Lucy, and they leave with a hopeful interaction of them meeting again. For Chapter 76, it's Sigma who falls leaving Atsushi, with a less hopeful interaction of Atsushi believing Sigma is dead and Sigma letting go believing he would die.

Notably in this chapter, right after Sigma falls Lucy shows up. The last ex-terrorist now friend/ally to Atsushi. And in opposition to both Chapter 28 (where Atsushi jumped away from her) and the scene that just happened (with Atsushi failing to save an enemy) she jumps off a high ledge TOWARDS Atsushi to save him. Lucy was where Sigma currently is, and both her and her bond with Atsushi have grown a lot since then, and this could also be the future for Sigma.

There is a promise for Atsushi to save this character. Unfortunately, he doesn't end up saving them. They also get taken again by their organisation, no longer by any will of their own.

Chapter 76 including these three with notable moments definitely feels to me like a comparison of Lucy and Sigma and their relationship with Atsushi. Sigma's situation is very similar to Lucy's as I've previously shown. Terrorists that have recently suffered loss in regards to their found home and family, that get a connection with Atsushi in this chapter. Unlike with Lucy, Sigma and Atsushi left eachother without hope of seeing the other again or Atsushi being able to help them (for the characters, the story itself does give hope of this happening). Then Lucy shows up, as a reminder of the last enemy he helped that DID turn out OK, and to show how far Lucy has come since then, since she was where Sigma is. It shows that hope might not be lost for Sigma either.

With it already being established that Sigma now wants to become an ADA member, the possibility of seeing Sigma grow like Lucy did and develop a bond with Atsushi like she did gets closer to being canon. There's something there and I'm really looking forward to seeing how Sigma's character could possibly develop after this arc (and when he wakes up because my guy is likely in a coma rn 😔)

The Pattern

I've stated that Lucy being in chapter 76 is important to show the connection Sigma could eventually have with Atsushi, but even though she's not in that chapter it's also important to note Kyouka. In the sky Casino mission to retrieve Sigma, where Sigma and Atsushi meet for the first time, it was specifically Lucy and Kyouka who went with Atsushi.

For both Lucy and Kyouka, there were three notable incidents with Atsushi until they become allied with the ADA permanently.

Kyouka:

- Atsushi saving her from the train

- Atsushi saving her from Akutagawa

- Kyouka escaping the Guild and becoming an official ADA member

Lucy:

- Atsushi beating Lucy

- Atsushi and Lucy's talk on the Whale

- Atsushi and Lucy's meeting in the cafe

The pattern here was there being a first meeting where Atsushi is shown wanting to help the character even though they're an enemy that he just thought against and a terrorist.

The next incident takes place a while after the first and is a pivotal point where its made certain in the story that things will turn out OK for the enemy character. A bond is set between them and Atsushi. -------------------------- After the second incident, things in fact do not turn out OK for the character and the audience was actually led into a false security. Kouyou shows up after to try and take back Kyouka, and the Guild kidnaps Lucy from her room before Atsushi can 'come back and save her'. Now the character is in danger again and their fate is once again up in the air, only now there's more at stake since a bond with Atsushi has already been established and the audience has been given the chance to grow attached to them. Whether or not this character will be able to join 'the side of the light' and have a home and family like they wanted is uncertain again

It's the third incident that sets into stone again that the character does in fact turn out OK. They reunite with Atsushi, and they finally get to live a good life with a home and the freedom to live how they wished to. The character is now connected with the ADA and after this point in the story, no matter what happens to the character their place in the light is never thrown into question again, they belong here.

So I believe this could happen with Sigma. He doesn't follow the exact same process, considering that Sigma is also being helped by Dazai, and could be grouped with Atsushi as someone Dazai saved, but chapter 76 still follows the pattern well enough that I believe this could happen.

We've already had our first incident with their meeting. Despite me comparing this chapter to Lucy and Atsushi's second meeting, for Sigma and Atsushi this still fits into the territory of the first part of the pattern.

(Intetesting note: Unlike with Lucy and Kyouka, after it was established that Atsushi wanted to help the enemy, this was the first time where Atsushi 'failed' to. He jumped from the train with Kyouka, he jumped off the Whale after promising to come back for Lucy, but at the sky Casino it was Sigma who fell instead, and Atsushi stayed thinking that he just saw the last of a now dead man that he failed to help. Then again, it could just be following the pattern and we'll see a more hopeful outcome with their second meeting)

The second incident will likely be them meeting again. It will end more hopefully, with a further bond between Atsushi and Sigma and more hope for Sigma joining the ADA.

If we then follow the pattern, something bad will happen to Sigma to throw this off course, and put into question whether he'll actually be able to join the ADA and get a home.

This will last for some time, until the third part eventually comes where Sigma finally gets to stay with his new home and new life. After this, it should be permanent to the story and Sigma shouldn't have his status as an ADA member/ally put into question or at risk again.

#sigma bsd #lucy maud montgomery #kyouka izumi #atsushi nakajima #bsd #bungou stray dogs #bsd analysis #bsd meta #Sigmatsu #Atsulucy #Sigmatsulucy #tagging the ships because of course I am but this theory isn't meant to be about the ships #outside of shipping I genuinely think that chapter 76 shows us parallels between Sigma and Lucy and it hints at Sigma forming a bond with- #-Atsushi like Lucy and Kyouka did #ADA Sigma will cure me Asagiri please I'll be so normal about them after he joins (lying)(I will get worse) #meta #analysis #sky duo #sky trio

[butterflydm]

wot rewatch (book spoilers edition): 2x7

Spoilers for all the aired episodes, it will also have book spoilers through book 6: lord of chaos.

I was able to talk a lot about this episode without needing book spoilers, so this post is much shorter than my earlier one! Like incredibly short.

Thinking about this first scene in the context of Gitara and Tigraine is fascinating. Is Gitara still the person who told Tigraine to go out to the Waste in the first place, in the show's version of events? Because Gitara really is the secret mastermind of a lot of behind-the-scenes stuff.

Gitara essentially engineers the succession crisis in Andor that leads to Elayne being the Daughter-Heir, and Elayne is a very strong player for the Light in the Last Battle. Gitara engineers Rand's birth. And then she sets the threads in motion for Moiraine and Siuan's search for Rand.

The prophetic thread from Gitara (who seems to have been very reliable at figuring out the important bits of her Foretellings) to Elaida (literally The Worst at figuring out her Foretellings) is fascinating to think about. It's not the Talent that makes the woman, but the woman that makes the Talent.

And to pick up from the thread of duty that I was talking about in my earlier post --

Liandrin gave up everything for her son.

Anvaere gave up her son in order to do what is right.

Tigraine does both. She gives up her son (Galad) so that she can follow Gitara's Foretellings, abandoning her old life to save the world. But she also gives up everything for her son (Rand), fighting to the last to give birth, no matter what obstacles face her.

I do think that Tigraine (a former Daughter-Heir of Andor) definitely realized that her son would be the Dragon Reborn, once she was, you know, pregnant and about to give birth on Dragonmount. I feel like she probably figured it out (potentially much earlier than that, though it's hard to say when, exactly).

2. I am... I am genuinely wondering if we're going to skip straight to Moiraine and Rand actually being able to trust each other, and getting to be a team in the Aiel Waste. Because they have bonded so hard this season and Moiraine has made her loyalties painfully clear, especially in this episode and in 2x2 -- I choose Rand. I will protect him, I will guide him. I will trust him even when that trust is an act of faith instead of being based on reason. And that's really a point that she only openly reaches in the books during TFoH. And Rand has SEEN that she was willing to go against Tower on his behalf.

So, yeah. I am very very curious about what our s3 dynamic is going to be with these two. Will 2x8 do something to shift this dynamic or will we take it with us into s3?

3. I'm also... big ouch re: Alanna being one of three Aes Sedai in the entire world that Rand currently feels like he can maybe trust. Salt in the wound, there!

4. Could Siuan be under Compulsion, as I've seen some people speculate? I mean, I wouldn't put it past Liandrin, but we don't really see any opportunity for Liandrin and Siuan to be alone together. And I think all her choices and arguments in this episode feel pretty firmly grounded in what we know of her as a character from the show. So... you know, maybe? I wouldn't feel like the show was cheating if it told me that Compulsion was used to encourage Siuan to stick by Tower policy but I would not be surprised if this is just... Siuan making a different choice than the one that Moiraine makes.

The other possibility I've seen floated is that this was a deliberate ruse by either Siuan alone (to push Rand into trusting Moiraine) or by the two of them together but I feel like Siuan telling Leane "That boy must not leave the city" makes that theory much less likely. We have seen them performing a grand ruse before, of course, back in 1x6 but... I don't feel like the evidence is on the side of this one being a ruse. I feel like they say too many things that would need to be actual lies for this one to work, which is not possible given the Oaths.

Anyway, like I said, this book spoilers post is a short one!

my non-book spoilers post is much longer

#butterfly watches wot #wot #wheel of time #wot on prime #wot show spoilers #wot prime spoilers #wot s2 spoilers #wheel of time s2 spoilers #wot 2x7 spoilers #wot book spoilers #lord of chaos

[angelst4re]

Hi love! I hope you're doing great. Could I request a Jamie x trans!male where reader is an actor on stranger things with Jamie, except nobody knows that he is trans (because it's not important obviously!) Only Jamie knows, as he is his partner. They attend a comic con and for some reason, a "fan" who maybe happens to know reader pre transition? Basically outs him. Something like "why haven't you told people you are trans?" And reader sort of dissociates. Jamie takes readers hand and pulls him off stage to comfort him and reassure him! Lots of fluff please!!

Something very similar happened to me. I was joining a DnD club and my friend at the time said Infront of them "they know you're trans right?" Which SUCKED because I pass really well! I just wish Jamie could have rescued me 😂

hi my love!!! i really liked writing this it was such a nice idea and i just think that jamie fluff>>> and i'm so sorry that happened to you :( i also wish jamie could've come to the rescue!!!

Comfort- Jamie Campbell Bower x Trans!Male Reader

summary: in the request! :)

warnings: none??

notes: i can't wait to finish college and work placement so i have more time to write <3 i'm hoping to be done by the 10th of july so i may not post much more before then? (it's literally only in 10 days <3)

When you were told you got the role as a ‘friendly orderly’ in stranger things, you knew everything in your life would be a little different. You were invited to premieres and award shows and exclusive parties you never thought you would’ve been let in to before, it really helped your acting career take off. You had a handful of loyal fans and supporters in the beginning, and that has only grown and grown given your role in the new show. And also your boyfriend. 

You met Jamie on set, of course, and even filmed a few scenes together and the tension between the two of you was undeniable. You both got along so well, and you couldn’t deny he was insanely attractive, even when the two of you were in character you found yourself forgetting lines and blushing at the eye contact you two had to hold. 

It took a while for the two of you to go public, you worried about the reactions from his fans, whether they would like you and accept you or not. But there was nothing to worry about at all. They adored you. 

When it was announced that a certain comic con was coming up, and that you and Jamie were both invited and would both be doing photos together, everyone rushed to buy tickets to meet you and him, and although you were obviously excited, you couldn’t help but feel nervous. 

“Are you okay, love?” Jamie asked, taking your hand in his. You were both sitting in the back of the car that was escorting you to the event. 

“I’m not sure.” You frowned, fiddling with one of the rings of Jamie’s fingers. “I’ve never done something quite like this before.”

“It’ll be okay, it can get really stressful when everyone’s being made to rush, but it’s really more fun than anything. I still remember my first comic con, I was scared shitless,” Jamie chuckled as he thought back on the memory, “but it’ll be okay, okay? I’ll be with you for most of the day, and when I’m not there will still be someone with you at all times. Everything will be okay, I promise.” He said before taking your hand and placing a kiss on the back of your palm, “oh look, we’re here.” 

Everything will be okay. 

Everything will be okay.

Everything started off okay. You weren’t expecting so much love from everyone that came to see you, and you weren’t expecting so many gifts either. Your arms were full of bracelets they had made or bought for you and your neck was decorated with different necklaces. Maybe Jamie was right. 

Everything will be okay. 

That was until it was time for the q&a at yours and Jamie’s panel. 

“So, I have a question for y/n,” you felt a tinge of anxiety, as most of the questions were for Jamie, but you nodded your head and gave the person a smile. “I’ve been a fan of your work for a while now, I’ve basically been there since the beginning, so I was just wondering why haven’t you told people that you’re trans?”

You felt cold rush through your body, as if your veins had turned to ice. You felt your stomach sink and everything around you seemed to be a blur. All you could hear was the continuous thumping of your heart in your chest. Your mind felt… empty, as if you had no thoughts at all. But then you heard Jamie’s voice, you couldn’t work out what he was saying, but you knew it was him. 

“Pardon my language,” he began, raising his hand as if to excuse the rest of the crowd from what he was about to say, as he stared the person down as he spoke, “but why the fuck would he need to explain himself? That’s my boyfriend, and he almost didn’t come today because he was worried about cunts like you. If he wanted everyone to know, he would’ve told them, if you’re really a ‘fan’, like you say you are, you should’ve fucking known that.” 

Jamie placed the mic down on the floor as he followed you off stage. He felt a bit bad for the fans that had been waiting all day for the panel and had spent money on it, but right now you were his top priority. He guided you out to one of the private designated smoking areas, glad that no one else was around. 

“Jamie…” You murmured, your hands shaking by your sides. 

“Breathe, okay. Just like me, in… and out… and in…” 

He attempted to calm you down, to ground you again, and it was proving to be successful. 

“I just wanted the ground to swallow me up,” you confessed, “I just- I don’t understand.” 

Jamie kissed your forehead and ran his fingers through your hair. You couldn’t hold it back anymore. The feeling of not wanting to be here, knowing this could have been avoided, the fact that you were overwhelmed, you felt sick, and cold, and tired, and just your overall adoration for Jamie, it had all built up. You wrapped your arms around your boyfriend and buried your face in his chest, beginning to feel tears stain Jamie’s jumper. 

Jamie’s hands rubbed your back as he held you close, a small act that comforted you. This is all you need right now, to know he’s got you. He swayed you both side to side a little bit, kissing your forehead before resting his chin atop your head. 

“Have I told you how good you look today?” Jamie asked, and the corners of your mouth lifted into a smile. 

“You always do, J.” 

“And I always mean it,” he said softly.

“I don’t know if I want to go back out there.” You frowned, looking towards the door. 

“Then it’s a good job we don’t have to. We were leaving after that anyway.” 

“I just can’t believe they said that, though. I knew one day something was bound to come out but I thought I’d- I mean, I feel like- I didn’t think-”

“Hey, hey, hey,” Jamie soothed you, his hand gently placed on your cheek as he stopped you from overwhelming yourself again, “you didn’t know this was going to happen, okay? And I swear nothing’s going to change. I’ve always got you, never forget that, love.” 

“I know, Jamie, but my phone- I’m going to get flooded by comments and messages and-”

“Hey,” he took you by the shoulders, causing your attention to be back on him, “that doesn’t matter.” He said with a smile, “how about we get away for the weekend, just you and me. No phones, no social media, let’s just give it some time to calm down, okay? I don’t want you to get upset, seeing you like this just tears me apart. I love you so much, don’t forget that, darling.”

You smiled back at him, feeling tears begin to gloss your eyes again. However, these were happy tears. 

“How about we just leave, I just want to go home.” 

“Sounds good to me.” Jamie smiled as his hand continued to rub your back.

#jamie campbell bower #jamie campbell bower x reader #jamie bower x reader #jamie bower #jcb

[adamwatchesmovies]

Insidious: The Red Door (2023)

If you’ve lost count, Insidious: The Red Door is the fifth entry in the Insidious series. It's a direct sequel to Insidious: Chapter 2, with both Insidious: Chapter 3 and Insidious: The Last Key serving as prequels to 2010’s Insidious. Confused yet? I don’t blame you. The franchise’s tight continuity involves its own mythology on top of some head-warping time-travel elements. It’s been ten years since we last saw the Lamberts. Thankfully, writer Scott Teems reminds you of all the important details but nothing in this entry is groundbreaking, which can easily make it feel like “just another one”.

In 2010, Josh Lambert (Patrick Wilson) and his son Dalton’s memories of The Further are repressed via hypnosis after Josh becomes possessed (see the events of “Insidious: Chapter 2”). Nine years later, Josh is divorced from his wife Renai (Rose Byrne), his mother has passed away and his relationship with Dalton (Ty Simpkins) has become strained. When Dalton rediscovers his astral projection abilities, he risks unleashing a forgotten evil. Meanwhile, his father begins seeing a ghost as well.

I’ve seen all of the Insidious films but have to confess that I don’t remember them all very clearly. I remember some of the monsters we saw along the way, how The Further works and the characters but I get what happened in which film mixed up - probably a symptom of their criss-crossy stories. It’s a good thing the film finds ways to explain it all to you. As Dalton begins college, he makes friends with Chris (Sinclair Daniel, very charming). As his abilities re-emerge, both have to rediscover the rules associated with this series. This may be frustrating for superfans who just want to get right into the terror. They may also be find this new chapter’s lack of innovation disappointing. It’s nice that we find out what happened after the end credits of Chapter 2 but did we REALLY need to? Wasn’t it scarier not knowing? The two movies that followed were more interested in going back rather than going forward - probably because the series killed off Lin Shaye’s Elise Rainier - and with the previous movie being called “The Last Key”, you’d think that meant the whole thing was done, but it isn’t. We get another one and if the post-credit shot (I won’t even call it a stinger) means anything, we’ll probably get a sixth one. It sort of makes you wonder how long it will take before the franchise goes into space.

Those sentiments aside, this is an effective ghost story. The monsters we encounter in “The Further” are frightening and you care about the characters. You’ve known them for so long. You feel bad for Josh. It’s good that he overcame the demonic possession from 2010, but that’s not a happy ending. You want something more, something better. Similarly, you want Dalton to reforge the bond between him and his dad and you’re worried that this ability he’s rediscovered will land him in an even more dangerous situation than before. He’s grown up… but alone. Some great, effective scenes build up the tension as spooky figures slowly get closer and closer to our protagonists. Other threats approach in a less literal way, as Dalton keeps exploring The Further without knowing what that place is actually about. There’s a recurring motif of a painting he’s working on and of a sinister red door. His teacher pushes him to explore the recesses of his soul to create - not knowing this is exactly what the wraiths are hoping for. His memories are slowly returning and as they do, he’s putting the finishing touches on the painting. When you see the whole thing finished, it’s a great reveal and that idea of remembering important details through paint and a brush comes together splendidly at the end in a scene that I found unexpectedly emotional.

As a directorial debut, Patrick Wilson could've done much worse than Insidious: The Red Door, particularly considering his character plays a major role in the film. The movie has some good scares, creepy monsters and the characters - both new and recurring - are likable. I won't call this chapter essential, even for those who've followed this universe since the beginning but if you're interested, I'd say check it out. (September 22, 2023)

#Insidious: The Red Door #movies #films #movie reviews #film reviews #Patrick Wilson #Scott Teems #Leigh Whannell #Ty Simpkins #Sinclair Daniel #Jiam Abbass #Rose Byrne #2023 movies #2023 films

[kitkatt0430]

11, 16, 24, 74 and 75 for the fic asks please

11.) Do you write scenes in order, or do you jump around?

Mostly in order. The story usually flows that way in my brain and then even when I know for sure what's coming later and I'm more interested in that part of the fic... often I just need too much to get it down in the correct order to write out of order.

But there are exceptions and sometimes writing out of order is actually easier? My brain is a strange place sometimes.

16.) Do you write by hand, on your phone, or on your laptop?

I started off writing a lot by hand. Way back in high school there was a significant chance that everyone would see me writing and assume that as studious and good student I must have been taking notes. I was not. I was writing fanfic. A lot of Tales of Symphonia fanfic that never made it to the computer. I don't know how much is actually left.

Once I started writing on the computer, I rarely went back to hand written. I can type faster than I write, fix errors more effectively, and I don't have to worry about whether someone will find and read it before I'm ready. (Estelle can look over my shoulder all she wants. She's snuggly, only judgmental about the fact that fanfic takes time away from adoring her, and she's a dog so... does not read as far as I know.)

I don't like writing on the phone - the screen is too small and typing using a touch screen leads to too many typos and I just... don't like the experience. Tablets are better since they're bigger, but are at their best when paired with an external keyboard so it's basically like writing on a regular laptop.

24.) How do you choose whose POV to write in?

I swear sometimes the fic just chooses for me. It's generally what feels like it's most natural for the story. Like... whose reactions do I want the most info about and whose are fine second hand? So I'll generally have a gut feeling and just go with it. This isn't always right and I do have to stop and think about it if there are two PoVs competing for attention.

For Moments In Time, I'd been keeping to just Cisco and Hartley's PoV in the larger series so that was what I stuck with there too. But I started getting interested in what was going on elsewhere and introducing some pre-Westhallen. And thus I created Hurricane, which after considering whether or not to include Iris and Eddie PoV became a solely Barry PoV venture. But even after deciding anything I wanted to do with Barry would be a separate story, Moments In Time had some parts where I just knew without question whose PoV to do where. The intro to the story needed to be Cisco's because this was where his visions came into play in a big way so it was important to open with his dream/vision before he woke up. But the scene following that where Hartley offers to attend Dante's party with Cisco made more sense from Hartley's PoV because he's got a lot going on in his thoughts regarding Cisco's family's treatment of Cisco and wanting to protect Cisco from some of that verbal abuse, if he could. That detail was important regarding Hartley's evolving feelings towards Cisco - particularly his protectiveness of Cisco, which is something that came out a lot in that fic both in the original version of the day and in the current version after the timeline reset.

But sometimes it's really useful to have the same scene from two different PoV in order to achieve something specific. With Moments In Time, I had the first chapter close on the events of Cisco, Hartley, and Dante's kidnapping from Cisco's PoV up to where he passes out. Then in the second chapter I start with revisiting some of those events, but this time from Hartley's eyes. It allows showing a bit of unreliable narration between two characters - which can be fun to play with - while also filling in details with character B's PoV that character A wouldn't have noticed and allowing me to give the readers something closer to what I'm envisioning for the bird's eye view of the scene since I know what all the characters involved are experiencing.

74.) Do you have a fic you wish got a bit more love?

I wanna say the last time I answered this I talked about Cassandra - a Doctor Who character fic about New Who's most interesting trampoline. But I do have a few other fics that I wish maybe got a bit more attention.

But I think maybe I'll go about answering this question in a weird way. And talk about a fic that did not initially get a lot of attention but since has. (Why Won't You Respect) When I Say No is a fic I wrote pretty much immediately after the final season of Major Crimes finished airing. I was fed up with how the show had essentially gone out disrespecting the main character's legacy not even a handful of episodes after she died (the actress may have been fine with it, or maybe that's just what she had to say, but I was definitely not) and even more so fed up with how Rusty/Gus was treated as endgame despite Gus' behavior after cheating on Rusty was entitled and selfish. He apologized and was sorry and still loved Rusty so he deserved Rusty back regardless of Rusty's feelings on the matter?

So I wrote a fix fic and was nervous about it. And while it got some nice initial attention - a couple of kudos and even a couple of comments - but it disappeared pretty quickly from view on the main page and while I was a bit disappointed that there weren't more people who were interested... the show was over and there were only a handful of fics for Rusty/Gus anyway. So it was disappointing for me but not necessarily surprising. Looks like even now there's only... seventeen Rusty/Gus fics - and it's a canon ship.

But, over time, the kudos count did frow. I posted it back in 2018 and today in 2023 it has 63 kudos, three comments, and five bookmarks. Which, for the tiny niche of the fandom it inhabits is pretty impressive. And it's validating to know that so many people liked the alternate ending that grew from my frustration with the show. That I wasn't alone in my irritation with how the characters were treated or my desire for them to have better. It just took time for a lot of the people who'd enjoy the fic to find it.

75.) Is there a particular fic that readers gravitated towards that you didn’t expect?

So the fic Spiral was a weird one that was more narration than anything. It's one that I could have used for the question above, because it is strange and not a shipping fic and it's Eobard's story slowly twisted by time travel, accidents, and a profound loneliness... but also about compassion against all odds.

And while I'd love for that fic to have more love... it also did get quite a bit of attention already too. At this point its got 27 kudos, which isn't too bad for where it resides within the larger Flash fandom. And between the those who left comments and the notes in the bookmarks, I do feel like the enigmatic and non-linear feeling I was going for really hit home the way I was hoping. So it may not have gotten the amount of attention some of my other fics did, but I'm really glad it resonated well with those who read it.

#kitkatt0430 answers #writing asks #writing ask game

[serendipitous-magic]

What is your writing advice for young people who want to write fanfiction and original stories in the near future?

If this is just Way Too Much, skip to the end (#16). My most important piece of advice is there. I also happen to think #5 is pretty good.

-_-_-_-

1) Literally just write. Write whatever you want, and do a lot of it.

_-_

2) You don’t have to post everything. In fact you don’t have to post anything. You can, don’t get me wrong, but it can be intimidating to sit down and think “I will now write something that other people will see and read and judge with their eyeballs.” Because that’s probably gonna lead to nerves and writer's block. Just write down the ideas that you have, the things you want to write, whatever’s in your brain that you want to explore and expand upon and make into something. And then if you want to, share it. Or don’t share it. I have plenty of half-baked ideas and documents and random story chapters and shit hidden away on my Google Drive that will never see the light of day, for a whole number of reasons. I wanted to write it but it wasn’t ~Spicy~ enough to warrant posting, or it’s only like an eighth of a good idea, or it’s like one scene with no story around it, or it’s just something incredibly self-indulgent I just wanted to write for my own enjoyment.

Point being, don’t write for other people. Don’t write so that other people can read it; write what you want, write for yourself, and then if you want to share it, do.

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3) You can pretty much ignore any and all of these for fanfiction. In fact, you can ignore pretty much any rules or guidelines you want for fanfiction. Fanfic is a sandbox. You don’t have to be a “professional writer” to post fic. No one expects you to be Stephen King or Margaret Atwood. Fanfic is just for playing in a fandom and having fun. If you wanna write a 50 chapter slow burn with very little plot aside from the OTP slowly getting to know each other, and no real stakes or central conflict, I guarantee people would read that. Really, fanfiction is the Old West of writing: lawless, wild, unpredictable, and free.

However, here are the rules you must follow:

-Separate your paragraphs. (I’m sure you know this already, but I’m gonna say it anyway just in case.) Do not post one big block of text. Make a paragraph break when someone new is talking, when the characters are in a new place, when a new event occurs that changes the scene, when a chunk of time has passed, and when there’s a major change in subject.

-I know it’s obvious, but... grammar, punctuation, and capitalization. They exist to make writing easy for readers to read, and more people will read your stuff if they don’t have to stop and try to figure out what you meant.

-Use tags and labels, as is possible with whatever site you’re using. Especially if you include possibly triggering content in your story. Again, I know it’s obvious, but it’s common courtesy. Bonus: tagging the themes and content of your story helps readers find it and read it :)

-If possible, limit the use of all-caps and exclamation marks / question marks. 99% of the time, one ! or one ? will do. If you overload the page with a lot of all-caps and long rows of exclamation marks or question marks, it hampers readability.

... That’s literally all I can think of. And, like I said, it’s all pretty basic stuff. You were probably rolling your eyes like, “Uh, yeah, Gwen, I know.” But that’s literally it. You can pretty much do whatever you want in fanfic.

That being said, here’s my advice for both fanfiction and original work...

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4) A quick and dirty rule for coming up with a plot, starting a story, keeping up pacing, or maintaining tension: figure out what dreams, desires, and goals are nearest and dearest to your main character’s heart (see #16). Then set up the main conflict to be directly in opposition to that goal. It doesn’t have to be in a tangible way, though it could be. But, if your main character wants more than anything to reach the ships on the southern coast of your world and sail to a new life, make sure the main conflict immediately prevents them from doing that - in fact, make sure to send them north. If your main character just wants to keep their loved ones safe, kidnap the loved ones. If your main character just wants to date their best-friend-turned-crush, make sure they think they have no chance - or, make them cocky about it, and make sure it makes Person B determined not to ever like them. You get it. Figure out what your character most wants, and then keep them from having that. Boom - your conflict now ties in with your character's motivation. It's like instant yeast for plots.

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5) If you’re anything like me, you want your first draft to be Good, despite all that advice about how the first draft doesn’t have to be good and it’s just to get words on the page, yadda yadda. And if you’re somewhat of a perfectionist (like myself), it’s easy to get stuck looking at a blank page because you don’t have The Perfect Words, and you want what you write to be Good the first time.

Here’s how I cheat that:

Instead of trying to write a Good First Draft from a blank page, hit the enter key a few times, skip a little down on the page, change your ink to red (or blue, or whatever - just something immediately identifiable as Not Black) and just thought vomit. Write whatever the hell you’re thinking, exactly as you think it. Don’t worry about it being readable, don’t worry about narrative flow for now, don’t worry about covering all the details, don’t worry about anything except either a) getting all the details of your idea out onto the page, whether that’s a lot or whether it’s just a sentence or two, or b) if you don’t have an idea yet, finding your way there.

Because this method is also very good for finding your way to ideas when you’re stuck in writer’s block.

Because of how human brains work, getting this stuff out onto the page - in all its messy, stream-of-consciousness glory - will likely spark more thoughts. As you write your original idea about the scene, it’ll likely spark more ideas. Creation begets creation. If you just start thought-vomiting your ideas onto the page, chances are you’ll think of more things as you go, and you’ll start filling out description or dialogue or tone or action or whatever, and pretty soon the scene starts writing itself.

Not sure where you’re going with the scene or which ideas you wanna use? Use a lot of ambivalent language in your “thought-vomit draft.” My pre-writing notes are chock-full of the words “maybe,” “perhaps,” and the phrases, “At some point...” and “...or something like that.” In this way, I don’t tie myself down to one idea; it’s just an idea, and I’m keeping it on the page in case I use it, but I might chuck it in the trash or change it or whatever.

And then, once your ideas for the scene (or story, or chapter, or whatever) are on the page, then go back to the top and start translating them into a “real” first draft. Use black ink, and start copy-pasting chunks of the thought-vomit up into the top part of the document and translating them into Draft 1. Separate out paragraphs where paragraph breaks should be. Add the correct punctuation and whatnot. Change “describe the lobby here - include potted plants, fancy carpet, blood stain, etc.” into an actual description of the lobby. Flesh it out, or condense, or whatever it needs. And if you’re still stuck, change back to red ink and ramble some more until you find a path that feels right, then plug that in. This keeps you from looking at a blank page, and it allows you to generate a kind of Draft 0.5, somewhere between a plan and a first draft.

You don’t have to use every idea. Like I said, jot down whatever comes to mind, put a “maybe” before or after it, and keep working. If the idea grabs you and you wanna keep expanding on it and exploring it, cool. If you just wanna jot it down so you don’t forget it and then move on, also cool. Red-ink draft / “thought-vomit draft” is your time to jump around in the timeline, add or finesse details at whatever point your brain moves to, etc. Don’t try to do it exactly in story order, because you will get tangential thoughts and ideas, and you will not remember to write them down five pages later when you finally get to taking notes on that scene. Trust me. On that note...

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6) Write everything down the moment you think of it. Seriously.

“I’ll remember it when I get around to writing that scene in a couple days / weeks / months (/years).”

You won’t.

Write it down.

Phone, journal, google docs - hell, my family regularly laughs at me for grabbing a napkin during dinner and scribbling thoughts down alongside pasta sauce stains.

And then, once you have it written down somewhere...

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7) Consolidate your writing ideas in one place.

Maybe this isn’t really your style, and that’s totally chill.

Buuuut, if you’re Type-A like me - or if you tend to be somewhat unorganized and you know you’ll lose track of your writing notes if they’re scattered across multiple notebooks, journals, napkins, phone notes, etc. - having one consolidated document of notes is a life saver. I keep mine on Google Docs so I can access it, add to it, and look through it for inspiration anywhere at any time. When I have one of those Shower Thoughts that I jot down on my phone or on a napkin during dinner, I set myself a reminder on my phone to type it up in my Story Ideas document later.

(Or, if the idea I had was for a story of mine that I’ve already started planning / drafting / whatever, I put it in the document for that story instead of the Big Random Story Ideas doc. You get it.)

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8) Have other ways to collect and save writing ideas, besides just writing stuff down. If you like Pinterest, make pinterest boards of your characters or stories or settings or whatever. If you’re big into playlists, make a playlist for your character / setting / story / etc. Or both. Or something else. I’m not good at drawing, but maybe you are, and maybe you like to draw your ideas. Whatever form it takes, having another way to save ideas and think about your stories is invaluable.

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9) Some writers can just start writing with no idea where the story is going, and they just kind of figure it out as they go. I envy those writers. And I do that sometimes for fanfiction, where the stakes are somewhat lower and the audience is reading more for scene-to-scene enjoyment (and to see their OTP kiss) than for a Driving And Compelling Narrative.

But here’s the thing: especially if you’re just kind of starting out, writing without some sort of plan is really, really hard, and will likely lead you into a slow, meandering narrative that will likely frustrate you.

Even if you think you’re someone that just can’t write with a plan (and again, I have the highest respect for pansters out there - I don’t know how you do it, you crazy bastards, but you keep doing you) - even if you think “I can’t work with plans, they’re too prescriptive, I just want to write and see what happens -”

Try at least making the most skeletal of plans.

Even if you have no clue what 90% of the story is, yet. That’s fine. But you need to have some idea of what you’re building to, even if that’s nothing more specific than a feeling, or a turning point for your character. Even if your entire plan for everything beyond Chapter 1 is, “At some point, Charlie needs to realize that Ed was lying to her.”

This is where those Draft 0.5 notes come in handy. Because, more than likely, working on your current scene that way will spark ideas for later scenes, which you can put down at the bottom of the document and save for when they become relevant. In my experience, the line between planning ahead and making a Draft 0.5 is exceptionally thin. One can quickly turn into the other.

If you’re really, really resistant to the idea of planning ahead, that’s okay. It’s not everybody’s style. But for the love of all that is holy, write down your ideas for future scenes, even if you’re a person that doesn’t like to plan and writes only in story order, because you will not remember that idea once you get to that scene.

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10) You don’t have to write in order.

Here’s the thing: I’m a person that can only do my Draft 1 in story order (meaning, chronological order). I just have to be in that flow; I need to write in story order for me to best channel where the character is at from scene to scene, both narratively and emotionally.

But my Thought Vomit Draft is another thing entirely. By using the brain hack of putting my notes in red (or another color, it doesn’t matter) and going down to the bottom of the document / page and taking notes there, and then integrating them into whatever plan I have, and then translating them into Draft 1 once I get there in the story - by doing that, I can get my good ideas onto the page (and expound upon them and let my muse carry me and ride that momentum while I’m in the moment of inspiration) without writing out of order.

Maybe that’s just me. But if you’re a person who really prefers to write in story order, that could be hugely helpful to you. It is to me.

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11) Emotion and motivation will do more for your story than technicalities of plot.

If your characters really care about something, and their journey through the (shaky or weak) plot is emotionally engaging, it will be a much more compelling story than a story with a “perfect” plot and unrelatable or unmotivated characters.

If your characters care about what they’re doing, and it means something to them, and their goals and actions are driven by dreams or fears or emotions that are integral to who they are, your audience will care too. If you have a perfectly crafted plot that hits all the right beats and has high stakes and fast pacing and drama - but your characters don’t connect with what’s happening in a way that’s deeply meaningful or emotional for them? You’re gonna have a hard time engaging readers.

When in doubt, prioritize character emotion and motivation over plot. Emotion is what drives story.

This power is highly exploitable. (Just look at pulp novels and shitty but entertaining movies.) You can even use it to glaze over plot holes or reinvigorate a limp narrative. Use it that way sparingly, though. It’s a band-aid, not a surgery. 

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12) Evil villains are hard to write - mostly because there are very few truly evil people in the world. (There are a few. Billionaires and several big name politicians come to mind.) But by and large, there aren’t that many evil people. There are plenty of bad people, but bad people have some good in them, somewhere in there. Trying to write an evil villain is hard, because they often turn very cartoony.

Here’s a tip: it’s much easier to write antagonists who aren’t evil. Even if they’re bad people. Of course, there’s no reason you can’t write a villain that’s just truly evil - a serial killer, or an abuser, or a billionaire, or someone who legit just wants to hurt people or blow up the earth or stay in control of an oppressed population, or whatever. But chances are, it’s gonna be really hard to make them feel real, and even harder to create a plot around them that doesn’t feel forced or contrived.

Instead, try writing an antagonist / villain whose motivations and goals directly clash with your protagonist’s - but not because they want to take over the world or see people suffer. Write an antagonist who’s chaotic good, but whose perception of the situation is completely opposite from your hero’s. Write an antagonist whose only desire is to save people, and who will do anything to achieve that goal - anything. Write an antagonist who believes in the letter of the law, and will hinder and oppose the hero’s methods even if they agree with the hero’s motivation. Write an antagonist who got in way over their head and did some things they regret, and now they don’t know how to get out, and they’re doing their best but whatever they set in motion is too powerful for them to stop now.

Write villains who are human. Write a killer who thought they were doing the right thing by taking their victim out of the equation, who vomits at the sight of the body and sobs over the grave they dig. Write a government leader who truly believes she’s doing what’s best for her people in the long-term, even if it might hurt them in the short term, and is willing to endure the hatred and belligerence of the masses if it means securing what she thinks is a better future for her people. Write a teenage bully that thinks they’re the one being picked on by the world, and they’re just fighting back, standing their ground. Write a scientist who will break any code of ethics and hurt anyone he needs to - in order to bring back his baby sister from the grave, because he promised her he’d protect her and he failed. Write an antagonist who is selfish and self-centered and capricious - because in order to survive they had to look out for Number One, and that habit ain’t about to break anytime soon.

Write villains who aren’t even villains. Write antagonists who oppose the hero because of moral differences. Write antagonists who are trying to do the right thing. Write antagonists who treat the heroes with kindness and dignity and respect and gentleness.

They don’t have to be good. They don’t have to be Misunderstood Sweethearts who “deserve” a redemption arc. They can be cruel and nasty and dismissive and callous and violent and etc. etc.

Just hesitate before you make them Evil-with-a-capital-E. Because evil is hard to write, and honestly, boring to read. Flawed human beings with goals and motivations that directly oppose the main characters�� are much easier to write and much more interesting to read.

Ask why. Why is your villain trying to take over the world? What does that even mean? Are they trying to create a Star-Trek-like post-capitalism utopia, but they know that won’t happen in a million lifetimes, so they’re trying to do it by force? Are they actually super in favor of human rights, but they got very impatient waiting for the world to do anything about poverty and war, so they decided to take it into their own hands? Are they determined to fix the world - no matter the cost? Are they terrified and overwhelmed, but committed to see it through to the end? Or - maybe they’re just doing it on a dare. Maybe they don’t really give a shit about world domination, they were just a mediocre rich white guy who decided to fuck around and find out, and now he’s kind of curious how far he can take this thing. And now he’s kind of an internationally-wanted criminal, so he’s kind of stuck living on his hidden private island in his multi-billion dollar secret base, strapping lasers to sharks’ heads for the hell of it. Gross, selfish, uncaring, and dangerous? For sure. Evil? Depends on your definition. See, now we’re getting somewhere.

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13) It’s tempting to let the plot control the characters. It’s easy to drop your characters into a situation and see how they react. But here’s the thing: that doesn’t drive plot. In fact, it bogs down pacing. Instead, try to build you plot off of your characters’ actions and decisions. Let your character build their own situation. Not to say it should go they way they wanted it to go; in fact, usually, their grand plans should go to hell very quickly. But having the characters take action and make decisions, and letting the plot develop based on that, is much easier to make compelling than making a rigid series of events and then trying to herd your characters into them.

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14) Having trouble justifying a character’s actions? Consider having them make the opposite decision, or having them approach the situation in a different way. For example: you need your character to go meet the bad guy, for plot reasons, even though there’s no way it’s not a trap. If the character goes, readers are gonna be groaning with their head in their hands, because c’mon man, that was really fucking stupid. But he’s gotta go, because the plot needs that. Two ways you might handle this: a) He knows it’s probably a trap. He decides not to go. The plot conspires to get him near the villain anyway. Or, b) He knows it’s a trap. But he needs to go, for (insert reasons here). So, he approaches it in an unexpected way. He brings backup, recruiting a side character we met earlier in the story. Or he arrives on the back of a dragon, because ain’t nobody gonna fuck with a dude on a dragon. Or he goes - early, and ambushes the villain. It may work, it may not. He may get himself kidnapped anyway. But it moves the plot along without having Stupid Hero Syndrome.

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15) This is a legit piece of advice: if all of this sounds overwhelming, literally just ignore it and write what you want. For real. Writing should be fun, and every single writer operates differently. If you’re sitting here like “I’m getting stressed just reading this,” just flip me a good-natured bird and get on with your life. I promise I won’t take it personally. Same goes for literally any other writing advice you see. Lots of rules and guidelines can very quickly make anything thoroughly un-fun. Just write. If you’re passionate about it and you do it for long enough, you’ll start figuring out the tips and tricks on your own.

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16) Here’s the best piece of advice I can give you: know your characters. More importantly, know what’s important to them. Build their personality and decisions off of that, and build your plot off of their decisions.

I see a lot of character building sheets that ask a shit-ton of questions like “What’s their most prized possession?” “Do they like their family?” “What’s their favorite food?”

And while these are good questions, my problem with this type of character building is that if you start there, with the little stuff, you’re building on nothing. IMO, to make a truly strong character (not strong like Inner Strength, strong like effective), you need a strong foundation.

Here are the things you must know about your character:

a) What are their greatest fears / deepest insecurities? And I don’t mean “wasps” or “heights.” I mean the deep shit. I mean fears like “living a meaningless life,” or “turning out just like their parents,” or “that no one will ever love them,” or “being powerless.” You may say, “But they’re really scared of wasps! They fall into a wasp nest when they were little and got stung so much they almost died!” Great! That’s a fantastic bit of backstory. They should absolutely be afraid of wasps, and that should absolutely be an impediment later in the story. But dig deeper. What about that event actually scarred them? Was it the helplessness? Stumbling around, swatting at the air, not being able to do a single thing to stop what was happening to them? Was it that they were alone, and no matter how loud they screamed, no one was coming? Was it the bodily horror of feeling themself turn into an inhuman creature as they swelled up from the stings, unable to move their fingers or face normally anymore?

And don’t forget insecurities, because those factor in, too. Are they deeply insecure about their identity? Do they believe, deep down, that they’re ugly? Did they grow up poor and they’ve always been really touchy about that? Why? Dig deep. Figure out what really, really bothers them.

b) What are their hopes and dreams? What do they truly want out of life? What do they consider the most valuable to their experience here in this thing called life? Is it the freedom to forge their own path and be independent? Is it the approval of their family or peers? Is it a home? Is it knowledge, or understanding? Spiritual fulfillment? Is it deeply important to them that they contribute to their community, or protect those they love? What do they need in order to feel truly and deeply fulfilled in life?

Figure out those two things (each one encompasses several things, btw, you don’t have to stop at just one for each), and then use that to inform how they behave and the types of decisions they make within the story. 

It also informs character behavior and personality. 

Let’s say we have a character who’s afraid of helplessness. They’re probably gonna be the person that always wants to do something, try something, no matter how hopeless the situation seems. They’d despise just sitting and waiting, probably, because it makes them feel powerless. They might even be the person that makes rash decisions and acts impulsively and puts themself in danger unnecessarily, because in their mind it’s better than being at the mercy of fate. This is one way you could use a character’s personality to inform their decisions, which in turn helps to inform plot.

Or, let’s say we have a character whose greatest fear is being left behind or forgotten. We may have a chatterbox on our hands. They might be obnoxious. They might love the spotlight, constantly vying for attention no matter the situation, because deep down they’re so afraid that they’d be forgotten otherwise. Or, it may go the opposite way. They may be so afraid of people leaving them that they’re terrified of bothering people. They don’t want to do anything that could annoy people, anything that might give people a reason to leave them. They might be exceedingly polite, quiet, accommodating. A push-over, really.

These are two nearly opposite types of personalities, both stemming from the same core fear/insecurity. You can go a lot of different ways with it. But if you build on that strong foundation, you’ll have a strong character, and a stronger plot.

Likewise, the structure of your story can and should inform the design of these character traits. If you need your characters to team up near the end, it may be impactful if you give your main character a deep fear of commitment, an insecurity about being unwanted or left behind, and make them highly value independence and freedom. That could make their team-up for the final battle very meaningful. Conversely, you can use your character’s deepest fears and desires to help design the plot. Is your character deeply insecure about voicing their opinions or taking a stand, because of trauma they faced in the past? Make them face that. Build that into the climactic third act. Give them the big inspirational speech where they stand up and talk about what they believe to be important, what they think the group should do. And then design that character arc to run through the story, giving you more handholds and stepping stones, more pieces of foundation on which to design the plot.

In this way, character should inform story as much as story informs character. It’s a feedback loop.

Bonus: if you build your character and your plot off of each other in this way, it automatically starts to build in the foundations of that emotional investment I mentioned earlier. If your character’s decisions are based on what they most want and do not want in life, you basically have your character motivation and stakes pre-built.

Note: you need to know these things about your villain, too.

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I’m genuinely sorry about the length of this, lmao. But you did ask.

Best of luck!

Edit: I forgot an important one:

17) Start when the scene starts and end when the scene ends.

What do I mean by that?

If your notes say “Danny asks Nicole out after school and majorly flubs it,” start the scene when Danny approaches Nicole after school. Better yet, cold-open the scene on “I was wondering if, you know, you’d wanna. You know. Hang out some time?”

Don’t start that morning when Danny goes to school, unless you’re gonna cover the school day in like one or two sentences. Don’t spend whole paragraphs going through the school day, unless it’s to cover other plot points first (in which case apply these same guidelines there), or if the paragraphs are there for a specific reason, like to illustrate how stressed he is and how it seems like every little thing is going wrong. Even then, trim the fat as much as possible. Expounding and describing everything Moment-to-moment is for the meat of the scenes, not the leading-up-to and coming-away-from.

Here’s my rule of thumb: study how and when movies cut from scene to scene. Movies have exceptionally strict, limited time for storytelling; they’re excellent examples of starting a scene when the plot point starts and ending when it’s over. If you can’t picture a movie showing everything you showed, start the scene later and end it earlier.

#asks #anon #writing advice #writing tips #writing #fanfic writing #fanfiction #character creation #plot development #character development #my advice #original writing

[recurring-polynya]

Do I mind if I ask how you approach writing longer fic? I've always struggled to write anything more than maybe two chapters long and I'm curious if you have a particular method to how you approach such stories.

Thank you so much for this ask! I absolutely love it when people ask me for writing advice because it makes me feel like a Smart Person Who Knows Things.

Before we start, here is one grain of salt to take all of this with: I have a naturally long-form brain. It is very hard for me to write something less than 1k. Short fiction is great, and there is nothing wrong with sticking to short things if that's what your brain likes to do.

So. You have decided to write a story. This is going to focus on "stories". Some people write fic that's more freeform or whatever, I am not going to cover that. What I mean by a story is this:

It starts

Some stuff happens

It ends

It is highly probable that your story contains a change of state, which could be that a villain is defeated, or a goal is reached, but it could also be that character falls in love with another, or someone learns to like broccoli.

I like to start out by completing the sentence, "This is a story where _______". This is basically like coming up with a summary for an ao3 post, except that it doesn't need to be catchy. Lots of different kinds of things could go in that blank! It could literally be what happens: This is a story where Ichigo goes back in time and punches young Aizen in the nose. It could be about what you want to explore: This is a story where Hitsugaya gets a better understanding of his zanpakutou. It could be about the vibe you want to achieve: This is an AU where everyone is in a punk rock band and has cool hair and outfits. The idea of this is to clearly define what you, the author, is interested in writing. Make sure it feels right! Maybe you pick the first one, but when you say it out loud, you say, "You know, I really just want Ichigo to go back in time so he can horse around with young Renji and Rukia and punching Aizen in the nose is just an excuse for that." That may sound dumb, but it's fine, actually! Most people don't read stories strictly for the plot, they read stories for the implications of those plots! Will my favorite two characters kiss? Will there be funny interactions between these two groups of characters? Will there be sick fights? Stories are excuses to have scenes. Sometimes, you will have a story where the interesting sequence of events is the draw, but the point is to know what you're about.

Once you feel happy with your "mission statement", you need to decide the bounds of your story: where it starts and where it ends. It may be easier to start with the end. In some cases, it may be obvious from your mission statement: everyone gets home, a villain is defeated, Kenpachi realizes the meaning of friendship. On the other hand, let's look at that punk rock AU. You've picked a vibe, but you don't really have a natural story arc. It has to have a destination, though, otherwise, it's not really a story, it's a recipe for 3 chapters of an abandoned fanfic. So brainstorm a little: Maybe they get a record deal? Maybe they win a Battle of the Bands? Maybe Byakuya accepts that the band is actually good and tells Rukia he is proud of her. Do not settle for a plot just because it works. Pick something that makes you excited! You're the one who is gonna have to write it!

I said that we needed to pick a beginning point, too, but I'm actually going to skip that for now. The next thing I do is think of all the Big Scenes I want to write, the ones you are hype to write, the ones that pop in your head as you think about the premise. Make a bullet list. They don't need to be in order. The descriptions don't need to be super detailed, but write down anything about it that is important to you. If there's a mood or a snippet of dialogue or a joke you want to make, go ahead and jot that down so you don't forget it later. What you're doing now is putting broad blotches of color on a canvas, filling in space and leaving the detail for later.

Once you are pretty happy with what you have down, try to arrange it in chronological order. Put your end at the end (if it wasn't one of your big scenes, add it now). The next task is figuring out how to traverse your scenes. You've already picked out where you want to spend the majority of your energy. The rest, I regret to tell you, is your slog writing. Now, it often happens that you will find joy in some of these scenes and your best writing may occur there, but that's serendipity. These are the scenes that you are gonna have to make yourself sit down and write, so you honestly want to limit them to just the ones you need.

So how do we do this? Look at the first thing on the list. Can you start there? If so, congrats, that's your beginning. If you can't, what needs to happen to get to there? Where can you start so that you can get to your first fun scene as soon as possible? There. That’s it. You’ve picked your beginning, good job! Now, go through the rest of your list, and add in things that must happen, even if you don’t particularly look forward to writing them. The characters need to travel from geographic point A to point B. Shuuhei needs to say something that Izuru hears and misinterprets. The Central 46 makes a new law. If you have a good idea of how these things happen, go ahead and write them down, but it’s okay if you don’t know yet. Fill in all the blanks so that if you think of each bullet list as a scene, you could read it as a story, start to end. Once you get writing, you might add more scenes, or move things around or whatever, but you should have a thing that functions as a story.

If you struggle with this, an alternative is a story with a very strong structure that is going to guide you though what you have to write.Here are two examples from my own stories Hold On, Hold On (which is only one chapter, but the principle is the same) is structured around the 5 stages of grief. Not Broken, Just Bent takes place over roughly a week, and I just decided what happened every day of the week. See You on the Other Side takes place in the middle of a bunch of canon events, which worked at mile markers.

Congratulations. You’ve just made a rough outline!

Special note for avoiding burnout!: I am a slogger. I will drag myself through the broken glass of an interminable plot to get to a single thirsty scene. That's why, at this stage, I try to look at the ratio of what I want to write to what I must write. It's gonna vary for everyone, but this is a hobby, and if looking at this proto-outline makes you feel deeply tired, maybe this isn't a good story to be devoting your time to! Can you carve it down? Can you chuck two scenes you really want to write and get rid of 80% of the slog? Or maybe you can't! In that case, just write that thirsty scene as a standalone drabble! Or just go work on something else! Maybe in the future, this one will come back to you and you’ll have a fresh idea or a renewed enthusiasm for it.

Another thing I sometimes like to do at this point is to write out some notes about my characters and their motivations and moods. Character A is homesick. Character B is so determined to defeat the enemy that they are having a hard time being sympathetic to Character A. Character C cares for both A and B and is trying to support them both. This is sort of background info that you want to keep in your head as you are writing. Depending on the type of story you are writing, this might actually be the main plot, or it might be happening subtly, but adding to the emotional impact of the story. It’s very easy for me to write these sorts of emotional arcs, but if you struggle with that, you may wish to go ahead and made a more detailed outline for that, too.

Now, it’s time to start writing! I am great at beginnings-- it is very often the case for me that the opening scene was one of my Big Tentpole Scenes. (Before you hate me too much, I make up for this by being double horrible at endings; just let me have this) Usually, I will start at the beginning and write linearly for as long as I can until I get stuck. Then, I will look forward on my outline and do the next chronological scene that I feel like writing. In general, if I sit down to write and there is something I have an urge to write, that trumps everything else. Inspiration is a precious commodity, and you should embrace it when it hits! You can slog any day. I will occasionally hold off writing a scene that I really want to, because I am saving it, like a prize for myself for getting that far. This is a very personal process of figuring out what motivates your brain and then giving your brain what it needs to be its most productive.

Eventually, you will run out of things you are excited to write, but the good news is, you’ve got a bunch of story now! Odds are that what’s left is going to be a lot of those connective tissue scenes, and you’re just going to have to do them, except that now, because you’re connecting two concrete points instead of two abstract points, it will be a lot easier. You can continue running jokes you’ve started. Maybe you invented a cafe in an earlier scene where your characters hang out and you can have them return there. Try to think of ways to make these scenes more fun, both for yourself to write and for your reader to read. 

Around this time, I like to start refining that rough strokes outline into what I will call an “as-built” outline. (This is an engineering term where you update your plans or models for something to reflect any changes that had to be made along the way). This is a great activity to do at times when you feel like you have writers block. I write down every scene I have written as a 2-3 word blurb, in order. I break the scenes into what I think makes logical chapters, and I will do a word count on those prospective chapters and write it down. As you do this, you will realize that maybe you can move a scene from here to there, which will make it 1000% easier to write. Things may be happening too much, or you’ve got the characters eating three times in the same chapter. If you have subplots and dangling threads, this is where you make sure they get closure. I know this sounds very headache-y, but you are so far along in the story at this point that it’s really not-- it’s a way to look at the problems you have left. Use some sort of formatting (I like to bold things I haven’t done and sometimes I put them in red) and it gives you a very visual to-do list.

You specifically mentioned multi-chapter fanfics and I admit that I don’t tend to think in chapters, I tend to think of the story as a whole and just break it up where it feels natural. The as-built outlining I described is very helpful in making sure that my chapters feel balanced. They don’t necessarily need to be the same length, but I like them to have the same amount of stuff in them. One chapter may basically contain one long scene, and other may contain many short ones. I don’t tend to, but you can certainly have a fanfic that varies between short and long chapters, that can actually be an interesting effect. But like I said, I always like to know what I am doing, and so having it mapped out, you can say “welp, this is what I’ve done, how do I feel about that?”

Polynya, you may be saying at this point, do you write the whole fanfic before you post any of it? and I regret to inform you, the answer is yes. A lot of people write as they go, and I have made one attempt at this and I didn’t like it. I don’t like locking myself in, I just need to be able write out of order and go back and change things. Here is the story of a little in love: someone gave me an AU prompt and I got mildly obsessed with it, and wrote 5 snapshots drabbles in that universe, ending with a slight cliffhanger ending. I probably should have stopped there, but I decided to keep going. I wrote out an outline of 5 acts where the first act was detailed to the degree of each chapter being specified. The chapters here were much smaller than I usually make chapters: 1-2k. I wrote act i and ii and it was actually great, and then I hit act iii which required a lot of set up for misunderstandings and a mini romance arc. I couldn’t wing it, but nor could I figure it all out with outlining. I write dialogue in almost sort of an improv “Yes, and...?” style, so until I do it, I don’t know what’s going to happen. So, what I did was treat the second half of act iii as a complete story in the process I describe above, wrote the entire rest of it, and then posted it. One might notice that the chapter lengths grew to 3-5k each. I have two more acts to go, and I haven’t decided how I am going to do them yet, but I suspect I will treat each of them as their own mini-stories.

(I will admit that in Heart is a Muscle, I tend toward chapters that are about 10k long, and this is honestly too long, someone should smack me. If you like punchy chapters, 1-2k is good. I think 3-6k is probably an ideal chapter length. Is this how long the chapters are in my latest fanfic? Absolutely not.)

Okay, so there’s one more step, which is quality control. I am habitual re-reader-- I read my fanfics-in-progress over and over and over while I am working on them. I understand that not everyone does this, but I am usually the primary audience for my own writing, and this is the actual fun part for me. Nevertheless, you should re-read your work at least once, to make sure it hangs together.

This is purely optional, but I recommend it: get a writing friend (if you don’t like re-reading your work, I recommend this even more strongly). If you can get a full-service beta reader, that’s great, but if you can’t find someone, or if receiving that level of critique stresses you out, it’s perfectly valid to just find a friend who will read your stuff and a) shower you with compliments, b) reassure you about parts you aren’t sure about (or suggest ways to help) and c) point out any huge problems you missed. When I am writing a long fanfic, it is a huge motivational factor for me to be able to send my beta chapters as I finish them. If you are already an established writer, and you have people who consistently comment on your fic, they might be overjoyed to get a sneak peak at your work.

And that’s it! That’s the way I do it, anyway! Some people are able to sit down and write a very detailed outline and the write it start-to-finish. Good for them, I say! I have tried this and it doesn’t work great for me. I will admit that some of my fics (especially my early ones) I just sat down and banged out whole-cloth like an insane person and they are generally better than the ones I actually plan out, but that’s not a reproducible process.

As one final mechanical note, I usually write in Google Docs, which I can access on multiple devices (I used to write a lot on my phone), has convenient sharing functionality, and I use the ao3 html formatting script add-in. I generally have two documents for a single story-- one is the outline, and any other notes I want to have handy. I’ll usually put a trashcan space at the bottom for scenes that got cut but I don’t want to lose. The other is the fanfic itself.

I hope this is helpful! Please feel free to follow up with other questions and good luck with your writing!

#writing advice #longform writing

[borkthemork]

‘Ivy on the Run’, and What Sasha Needs

So, back when I was rewatching Season 2B, I had considered a lot of the tiny details found in prior episodes that seemed to promise massive comebacks later on.

I’m talking about the mossmen, who were alluded to way back in Wally and Anne, who were mentioned later with the mural and the sleepover episode.

We also have stuff such as the ability for Anne to bend light into imagery, which I definitely absolutely believe is one of her powers that will be delved into in Season Three.

With all these details, I decided to really put my foot into the series and see how much could potentially be planted throughout what I once considered to be episodic episodes.

And that was where I had a realization.

Ivy on the Run wasn’t just a Sprig and Ivy episode. It wasn’t just some random episode for the sake of having fun with the characters.

This episode is where the show tells the audience subtly that Ivy Sundew is going to be an important character to the plot when it comes to being Sasha Waybrights’s Sprig equivalent, and I’m going to be talking about why I believe that here.

Ivy on the Run is established with three things in mind: to tell the audience about who Ivy is as a character, how she interacts with her family, and what she yearns for overall in the story.

The first scene showcases her personality through the environment itself.

She has a map of the Amphibian continent to track Sprig’s progress, she has posters that talk about finding your own path in life, and you can see that she is a very action-oriented person with the amount of knives and axes on the throwing board.

This entire episode is mainly about Ivy’s wanting to find adventure. She feels trapped in Wartwood because she saw nothing in her family but boring tea sessions, and continuously does actions that shows she’s antsy for her turn in the spotlight, for her turn to explore and conquer the world in her own way since she’s never been out of the Valley.

And here, the narrative makes sure to highlight the more rambunctious and feisty sides of the family too. With Ivy’s debut episode, we were never really given much information about her that wasn’t just one-dimensional tomboy attitude; there were moments where she showed genuine awkwardness over the whole courtship incident, but it wasn’t until Season Two where we were able to flesh her out more as a character overall.

She hates the rules and regulations her mother does for her, she is very much okay with going against said rules if she believes her boundaries were crossed, she can be pretty adaptable in stressful situations, and it isn’t until the end of the episode — where she sees more sides of her mother being an experienced traveler — do we get to see her become more open-minded and excited for learning about this side of her family that she’s never heard of before.

And when the two Sundews went face to face...

We get a parallel.

These episodes are similar in a lot of ways, but how they’re handled is executed differently.

They both focus on the wanting for communication and open-mindedness in a family dynamic, but what’s interesting here is that Sprig deliberately loses to let Hop Pop return to his role as the head of the house, while Felicia deliberately allows Ivy to win as a reassurance that she knows what her daughter needs.

In spite of Felicia’s strict actions, she pushes Ivy because she knows that Ivy will have to leave the Valley one day, and the ending makes a big promise that her part of the journey is almost ready.

"Ivy, you think I don't see you, but I do. You want to travel the world and I get it. But you have to be patient, because it's dangerous out there, and I just want you to be ready before we go."

Of course, the last part is all about their tea trip outside the Valley, but this perhaps could be foreshadowing to another big event in Ivy’s life that will make her leave the Valley.

Now, let’s talk about Sasha and the theme of nurture in Amphibia.

With Sasha, we have an interesting arc going on with her. She has a promised redemption arc, but the thing with her is that the Season Three opening explicitly promises that she’s going to have to compromise with Wartwood if she ever wants to fight Andrias. And we all know how the town is slow when it comes to the respect department.

This is where we start to get some potential parallels with Anne and Sasha. The thing with these two characters is that they do make genuine connections, however the theme of nurture found throughout the story itself emphasizes heavily on the environment and the support system the girls have.

For Anne, she was dropped into a place that knew boundaries and yet opened up to love instead of doubling down on punishment, and this leads to not only empathy but growth if Anne so chooses to become a good person.

For Sasha, she’s not given that place to grow. It has been confirmed in the show itself that Sasha, ever since she dropped into Amphibia, had been imprisoned in Toad Tower for one month. One month. It wasn’t a surprise that Sasha took advantage of the chaos found in Prison Break, since it was a lot better than having nothing by being stubborn. She played it smart, however, that meant Sasha’s manipulative nature and wanting for control became more noticeable and a key to her own survival. And this environment didn’t get any better in spite the fallout of Reunion.

Now take this angry and repressed teenager, who has no clue how to execute her actions in a genuine and authentic manner, and place her into Wartwood.

This is where Ivy Sundew comes in.

Ivy Sundew is not Sprig Plantar by any means; she is a fierce, no-can-do girl who loves adventure, fighting, ambushes, and won’t back down when it comes to being pushed around. Sprig is very emphatic but this makes him easy to push around if you look at him in Sasha’s eyes; we’ve seen him be desperate at times for the affection of people such as Sadie Croaker, and if Sasha ended up with him then the poor boy was gonna get chewed out eventually.

Sasha has the strength, she really has the capability to do amazing things, but the major factor that she needs right now is a careful guide in showing how she could improve as a person, and that means she needs someone who believes in her first and foremost while not taking her shit.

This is why Ivy Sundew could be absolutely crucial to Sasha’s development.

Sasha right now has learned some tips from people such as Toadie when it comes to listening to others, but she needs more than just one person to make lessons about empathy and collaboration stick.

Ivy is not going to take Sasha when she’s pushy, rude, or plain manipulative. She’ll call her out, she’ll mark the boundaries, she won’t let Sasha just foot around her just because she can — and if you think about it, the Sundews have the same attitude too, they’re all fighters who won’t allow themselves to be pushed around by some external force.

And we wouldn’t have known these specific details at all if Ivy on the Run didn’t air.

#amphibia #sasha waybright #anne boonchuy #ivy sundew #amphibia analysis #amphibia meta #bork speaks

[primrose-path-of-dalliance]

jester began falling in love with caleb in episode 103.

not any earlier in my opinion, and not later, either.

there's two elements to why i believe e103 is the turning point.

(1) the first is caleb's actions and jester's responses to them during the night they all sleep by the waterfall—his support of her idea to sleep underwater, his conversation with her after her commune with artagan, and his casting of programmed illusion in the dome.

(2) the second is the way her behavior toward caleb pivots around e103. before e103 is a noticeably different beast to how she begins to treat him after e103—the attention she pays him, her efforts to hold more standout interactions with him, and a dramatic swell of emotion and thematic meaning in these scenes’ respective subtext.

the rumblecusp arc is the point in which jester’s character growth, and caleb’s efforts to unconditionally support her, really begin to shine. throughout the complex growing pains that jester and artagan's relationship was experiencing, the one person who truly takes a moment to offer her support without any agenda or judgment is caleb.

(e103, 1:22:55, bold mine)

CALEB: You okay over there?

JESTER: (tearful) Yeah, I'm fine. Just—I'm just drawing.

CALEB: Maybe didn't go as well as you were hoping?

JESTER: Um... In some ways it went better. But no.

CALEB: I can't speak for him. But you do have us.

JESTER: I know.

CALEB: So whatever you land on, Jester, we'll make it happen.

JESTER: (shaky laugh) I have to figure out what I want to land on.

CALEB: That is the, uh—sticky wicket, isn't it?

JESTER: Yeah. Everything's confusing.

CALEB: Maybe... Maybe we sleep on it, it'll make more sense in the morning.

JESTER: Yeah. Yeah. Thank you, Caleb.

CALEB: I didn't do anything.

jester confesses that her commune with artagan didn’t provide the answers she was hoping for—that he knew about the curse on the island—and caleb doesn’t remark on what that seems like. he deliberately avoids speculating on why artagan is doing these things because “he can’t speak for him.” he doesn’t assume anything about what she might choose to do and explicitly leaves that choice up to her. jester vents briefly about how difficult the choice is, and caleb offers her reassurance, a reminder that some time will make things clearer. he doesn’t suggest solutions.

unlike fjord or beau, caleb doesn’t ask her to voice outright whether artagan is being a good friend. he doesn’t continually question his character and imply any personal opinions to her or what he thinks she should do. instead, he asks whether she’s okay. he listens. and he offers unconditional support.

this is consistently the stance caleb takes in the rumblecusp arc. and it’s not discussed much, i think, exactly how monumental that was to jester.

(hold on, this is a long one.)

jester is a young woman who grew up sheltered and wants to define herself outside of that shelter. for her, this campaign has essentially been a coming-of-age journey (talks for e76-77, 14:12). she is deeply sensitive to whether or not she’s respected because she’s aware of how her personality and general lack of experience makes others think she’s naive, immature, or incapable (talks for e79, 31:51).

it’s also incredibly evident that her relationship with artagan is unique. in e105 (1:15:01), jester tells the m9, “he really got me through a lot when i was younger, you know? and he was all i had, really.” he was her best friend from childhood in a home where she spent most of her time hidden in a single room. when she was younger, the few times she left the chateau, she was bullied by other girls (e110, 3:34:59). her best friend, though? her best friend was a god. a god with an incredible sense of humor, an aggrandizing attitude, and adoring respect for a young girl in a difficult situation who had as wonderful a personality as him. in every way that matters, artagan’s friendship undoubtedly saved jester’s life.

and she is so, so aware of this. she cares for him deeply, trusts him unconditionally, and is determined to be there for the one person who had been there for her when no one else was, not even her mother.

the renegotiation of this friendship after artagan revealed his full identity was clearly extraordinarily difficult for jester. she was having to reevaluate her entire relationship with the being that pulled her through a childhood of isolation and misery, question his intentions with her and whether they could even remain friends at all. and this was amidst her arrival at a dangerous island with her other friends to help him clean up his mistakes.

asking her to make a judgment on artagan before she’s ready to do it on her own, while managing some high expectations at the same time—not only is it a lot of pressure, it’s frustrating and painful. jester did not want to judge artagan without giving him his fair due and a proper conversation. knowing that her new friends dislike her old friend, besides being hurt by it, distracted her. she had to both defend him outwardly and interrogate him internally. and if she tried to explain how important artagan is to her, a lot of vulnerability would’ve been necessary when she was trying to be a leader and seem competent and capable, instead of a child who needs patronizing guidance.

this latter point is exceptional. because jester lavorre is so vulnerable when it comes to how much she thinks her loved ones respect her and consider her a valuable, equal, and trustworthy individual. and it’s difficult to feel like you’re being valued and trusted when people are repeatedly questioning you about a person and a relationship that they don’t understand in a way that, despite genuine concern, comes across as them doubting your own judgment of one of the most intimate parts of your life.

in this precise moment in e103, caleb is the only person who acknowledges—to her in person, even—that he doesn't have any place in judging her relationship with artagan. that it’s not what she needs from him or anyone else. that he’s content waiting for her to reach a decision. that he will respect that decision.

and jester can believe him. caleb’s done nothing but remain consistent on this stance. he repeatedly supports her choices to run travelercon, trust artagan, and come to his aid.

when other party members question artagan's legitimacy, caleb is the one who almost always speaks up to support jester (some examples: e61, 30:43 / e77, 49:17 / e95, 1:09:17 and 1:15:24).

he actively and enthusiastically offers his magical talents to her to provide for the event preparations. he has a whole conversation with her in e91 (beginning 1:53:41) where he expresses his immense respect for her and her personality, explicitly validates her faith in artagan, and shows her a tangible example of how he wants to help her during the upcoming travelercon. when she suggests some ideas, despite their arguable silliness, caleb takes them at face value and openly admits his lack of expertise in this area (e91, 1:58:35).

when they first arrive at rumblecusp, he directly reassures jester about the ‘travelercon 3000’ banner she leaves on the wrong beach by mentioning that he can make her a new banner (e101, 48:18). once preparations begin in earnest, caleb expends spells very freely, including ones of higher-level, to produce whatever jester requests.

in e103, he hears out her idea of sleeping underwater and gives it equal consideration in spite of other party members trying to shoot it down. the first time she suggests it (36:23), caduceus comments against it and no other party member acknowledges her except for caleb, who agrees with her quietly while the others move on. the second time jester suggests it (46:08), veth comments against it and caleb steps in to openly agree that it’s a good idea, even after fjord and beau join veth in being dubious.

compare these active, consistent moments of support and validation from caleb to similarly active and consistent examples of the other attitudes that manifest during the rumblecusp arc, in contradiction to people’s apparent claims of trust (one such claim of trust: e95, 1:00:21).

plainly insulting artagan to jester as if it’s a given, such as fjord’s “he’s generally full of shit, right?” (e107, 49:42);

fjord, beau, and caduceus’s conversation about “not ruining jester’s big day,” yet distrusting artagan to the extent of planning to keep her from being alone with him, preparing to attack him should he try to sacrifice 200 people for some speculated unknown ritual and/or hurt jester, and discussing all of this behind jester’s back (e108, beginning 15:41);

caduceus’s said shift to distrust of artagan because of a semi-disturbing conversation that jester was equally a part of (e107, beginning 20:40);

and the discussion right before jester’s commune with artagan where beau questions if artagan sent them to rumblecusp knowing of the memory problems, without regard for their well-being (e103, 29:40).

the unfortunate assumption being made by these party members’ repeated questioning and protectiveness of jester is that she cannot be trusted to have good judgment. despite their familiarity with some of the context of her relationship with artagan (especially after e105), they disregard her repeatedly-expressed support of him. they indirectly disrespect her ability to judge for herself whether someone is dangerous to her or her friends. they don’t acknowledge jester’s own role in creating dubious situations and instead direct all their negative feelings and sense of fault to artagan, minimizing her agency.

the e108 conversation is a dense microcosm of how the party perpetrates these assumptions throughout the rumblecusp arc as a whole. without qualm, they discuss deliberately controlling jester’s time with artagan to ‘protect’ her and their willingness to kill the evil image they’ve constructed of him, and dodge jester directly asking them what they’re talking about—even though it is a known given that the m9 would defend her with their lives with or without any prior discussion. the purpose of holding this conversation isn’t to make sure that jester is safe. like caduceus near-explicitly says, it’s to “feel better knowing” that “anybody else was on board with this” (20:26 and 18:57)—to validate their unacknowledged distrust of jester’s judgment with each other, behind her back.

and as laura has said: jester, with her very high wisdom, tends to know what’s going on even if she acts like she doesn’t (talks for e79, 32:39).

in e103, when jester is crying because she’s found out that artagan did know about the island’s memory problems, caleb doesn’t show any sign of taking this as proof of artagan's ill intent. what he does instead: he offers compassion for her pain with zero judgment. he promises to support her, no matter what she ultimately decides to make of this information. these are offers of safety and trust, ones that jester desperately needed.

then—caleb creates a programmed illusion of the m9’s lives. and it’s beautiful.

in comparison to all the analysis prior, this moment is straightforward. jester is an artist. she paints, draws, and creates, and she loves doing it. moreover, she loves making art for other people. though she doesn’t get many chances to do so, the mural of a flowery meadow that she paints for yasha’s room in the xhorhaus is a perfect example. similarly, she enjoys the art she makes when defacing other people’s property—altered signage or statue of the platinum dragon painted in rainbow—in part because they’re gifts to the traveler. she loves making those she loves happy.

happiness and love to jester is overwhelmingly about emotional intimacy. i’ve talked about this to some degree in a previous post about jester’s jealousy. please refer there for in-depth explanation. in brief, though, she puts value on how deeply she knows a person; how often she’s been able to be there for them. this is the love she learned from her mother and from artagan, and how she continues to love once she’s older.

caleb’s arcane rendition of the m9′s lives floating around the inside of the dome is a display of exactly this kind of love. not only is it art crafted from his magic and imagination and love—it’s blatant evidence of how much he cares for every member of the party and where they’ve come from. he remembers their stories and hangs them in the air in hopes that it’ll help them resist the memory erasing. he moves the memory of yasha and zuala in a meadow over to yasha’s pillow-side so she can watch it until she falls asleep. he creates a memory for vilya of her, her husband, and her daughter, listening to and respecting the emotional gravity of what she’s confiding in them.

only a few minutes after jester’s disappointing commune with artagan and her conversation with caleb, she walks into the dome and sees this art. she laughs and stares in wonder at all the memories (e103, 1:46:08). when beau points out the humorous memories of fjord being attacked by turtles so they can all laugh, she tells caleb with equal awe and joy, “wow. this is amazing, caleb” (e103, 1:47:04).

...of course, as lovely and meaningful as these back-to-back moments were for jester, it's not quite evidence of her starting to fall in love with caleb around this time.

that’s where the following episodes come in.

[id: three screenshots of messages sent in a discord channel by the user “prim” (the op). all are timestamped to friday, august 28, 2020, the day after the live premiere of e107. the first has an additional timestamp of 12:53 PM, the second 1:03 PM, and the third 1:30 PM. they read:

honest to god though i don't know if it's just the shipper brain that is making me think laura is trying to roleplay jester beginning to reciprocate caleb's feelings [...]

like........ the golden dick hunt teasing is definitely on par with jester's past shenanigans, but the compliments have been Catching My Attention bc it's honestly not normal for jester to compliment caleb of her own volition like that, just as a one-on-one "i appreciate you" reassurance

and i'm thinking less about the spells from last night's episode (although how much jester was emphasizing the compliments made me go "awwwww") and more of the moments like jester telling caleb "that was impressive" after getting cad out of the tunnel with beau's help

but laura is absolutely a shipping troll with jester this campaign so i'm here like "I'M MAYBE 80% SURE I'M BEING FUCKED WITH BUT IT MAYBE HOLDS UP????" [...]

basically laura keeps doing things that make the alarm in my brain go off and i don't know if i'm picking up something legit or if i'm projecting my hopes, like the recent pattern of compliments from jester LOL

/end id.]

i’m not going to lie, if i try to list every single receipt like i otherwise prefer to do in these metas, i think we (and especially i) would all lose our minds. so while i’m about to provide a lot of citations, they genuinely are just a few possible examples that will mostly be within the dozen episodes after e103.

the more important detail that can be observed from this is that e103 is a turning point.

prior to e103, jester does not particularly go out of her way to interact with caleb. by and large, most of their direct interactions are either initiated by caleb or prompted by the context of a general party conversation. the majority of other moments that could be referred to as ‘widojest’ are of caleb’s evident feelings. beyond early campaign days, jester rarely teases caleb about sexual topics while insinuating things about her own sexual life at the same time.

after e103, laura and jester begin to go out of their way to interact with and intertwine jester’s time with caleb.

the rate of jester’s compliments and enthusiastic gratitude to caleb skyrocket (some examples: e104, 30:36 / e107, 16:49 and 1:11:28 and 1:12:15 and 3:10:39 / e110, 15:58 and 3:37:24 / e111, 36:15 and 38:41 and 50:58);

several mature jokes/flirtations she makes involve both caleb and herself (examples: e107, 1:16:17 / e110, 1:18:07 / e115, 1:52:53);

she deliberately and specifically engages caleb in full-blown interactions, such as the conversations during the tour of her childhood bedroom (e110, beginning 1:11:38), hanging out with him on the icebreaker ship (e112, beginning 3:45:29), and the reading of der katzenprinz (e115, beginning 1:52:43);

as well as the expansion of more extended ‘conversations’ like their motif of dancing (e108, 13:39 / e109, 2:54:14), their parental relationships (e110, 20:44 and 3:38:41 / e115′s der katzenprinz / e121, beginning 1:52:12), and polymorph shenanigans (examples: e107, beginning 2:58:41 / e117, beginning 1:13:55 / e118, 43:57).

thrown in are additional background details that further tie jester to caleb, such as her determination to recover caleb’s amulet after their defeat of vokodo (e106, 25:33), the knowing comments on his purchasing of paper (e109, 22:32 / e111, 1:25:49), her deliberate choice to ride whaleb during the avantika chase (e113, 2:32:28), her retrieval of caleb’s coat when he’s attempting to remove the necromantic emerald (e115, 1:30:56), and her deliberate reference to der katzenprinz to iver (e120, 3:05:14);

and simply everything about the tower. it’s another example of the art and creativity caleb produces with his magic to make his loved ones happy, which jester acknowledges at least twice (refer to the e111 compliments). contrarily, jester also makes note of the signs that this tower shows less love to caleb than she thinks he deserves, in keeping with her value of emotional intimacy (e115’s der katzenprinz / e122’s floor 8, room 1).

the reading of der katzenprinz in e115 is arguably the pinnacle of these examples. it’s intentionally initiated by jester. she both takes the step to visit caleb's room and indirectly requests him to read the story to her. laura’s implication that she remembered this subplot because of beau’s reading of a very romantic letter from yasha is particularly suggestive. the story itself incorporates many similar characters and themes that are present in jester’s backstory: the lonely, sheltered boy and his single working mom as jester and marion; the dubious cat prince who ultimately gives the boy freedom and confidence as artagan; and the deep love between the boy and his mother because of how they only have each other, which compels a powerful being to have compassion and thus set the boy free so that they can be together. very similar to both jester’s depth of relationship with her mother and her pleas on artagan’s behalf to the moonweaver’s celestial servant.

and the post-story conversation—caleb’s confiding of its importance to him because of his mother. jester’s open willingness to compare the cat prince to artagan, knowing that caleb respects their friendship and has treated artagan fairly. jester’s lingering, repeated looks toward caleb while smiling and holding her copy of der katzenprinz to her heart.

with all this dramatic expansion of the emotional and thematic intimacy between jester and caleb beginning to roll down the hill after e103—in brilliant contrast to their more muted, less reciprocal dynamic before this episode—e103 is more than likely the turning point of jester’s feelings. and based on the events and context, it was caused by the combined emotional appeal of caleb’s offer of unconditional support and his display of love for his family in the programmed illusion of memories.

#cr #critical role #cr meta #widojest #jester lavorre #caleb widogast #by popular demand #inb4 the wrap-up #prim post #prim says some things #readmore #long post

[cupofteaguk]

on the road (to you)

summary: as a young adult, one of the strangest revelations is the discovery that peers of yours from past fragile college years are getting married. so imagine your shock and excitement upon receiving a wedding invitation. there are, however, two problems: (1) you are a poor early-20s recently employed adult just beginning to adjust to your 401k plan, and (2) the only available ride to the wedding comes in the form of Jeon Jungkook—friend of a friend, attendee to that aforementioned wedding, and your old college crush. 

pairing: jungkook x fem!reader

genre: roadtrip au, strangers to lovers au | fluff/angst 

warnings: recreational alcoholic consumption, definitely not an accurate representation of how a road trip might actually be, mentions of anxiety + insecurities, very minor book reference to: The Night Circus, equally minor movie references to: Mission Impossible and The Princess Bride because I have a problem, light makeout sessions, talks of DTR (define the relationship), some angst but this is me so there’s a happy ending. 

word count: 27k 

a/n: a birthday present for the one and only Jeon Jungkook, whom I love and respect so much and only wish the bestest of days for. Partly inspired by Taylor Swift’s song “invisible string” +  a love letter of sorts to my own old high school crush for whom my memory of him helped build Jungkook’s character. This also turned out way longer than I ever wanted it to be lol oops! 

update: i was actually able to do a writer’s audio tag on this fic!!! check it out if you want to hear about the behind the scenes process that went into writing this fic <3 

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When you land a job in the months following your college graduation, you feel as if you are on top of the world. How could you not? After all, the norm that follows post-college is one of disappointment and constant hunts online to find job openings for any position that could suit your background and previous work experiences. It’s a fear that plagues lots of your friends, both those in college and out. It’s the same paranoia you had in the months leading up to graduation and the few months after graduation—in which your days were measured by the boxes you packed to move out of your tiny college apartment and into an equally tiny new apartment you currently share with an old roommate of yours, as well as the days you spent hunched over your computer and scrolling through job postings. 

You had gone through more than a handful of cover letters, resume submissions, and in person interviews before finally landing the job you currently have and have been working under for a month now. 

Throughout the course of the recent month, you’ve continued to secure certain moments that solidify the confidence that you’re finally becoming an adult. Sure, a barely functioning adult who mostly still uses the microwave to heat up your frozen Mac and Cheese—but an adult nonetheless. From learning how to pay your bills online, to realizing that grocery shopping was something you needed to make a conscious effort to do, along with going to and from your nine to five job with your coffee order in hand. 

All of those things have helped you feel like you were, perhaps, finally getting your life together. 

And then you receive the invitation in the mailbox. 

It happens when you unlock your box on a bright March morning, taking out the usual round of bills and fashion magazines until your fingers lock around an envelope bigger than the normal letter size. It’s much sturdier too. 

You don’t know what to think of the letter, until you bring the damn thing back into your apartment and rip the opening. The mere sight of the content inside makes you feel like the hand of life has just taken your figurine and moved you back a good twenty squares. 

The post in your hand reads: 

WITH GREAT JOY, IRENE AND SEOKJIN REQUEST THE HONOR OF YOUR PRESENCE FOR THEIR WEDDING CELEBRATION ON THE DAY OF MAY 25TH. COCKTAILS, DINNER, AND DANCING TO FOLLOW. 

There’s a date at the bottom of the invitation. As you line the date up with your calendar, you realize that you have a week to RSVP to the event. 

You toss the envelope onto the counter in the kitchen just to glare at the cardstock, maybe to convince yourself this is a dream or at least convince yourself that it’s normal for your friend from college to be getting married even when you have yet to land a successful relationship of your own. 

You aren’t as close with Irene as you used to be, but the memory of your friendship is still at the forefront of your mind. The pair of you met during your final year of university, when you were assigned to work together for one of your many senior projects and immediately clicked. The months you spent in her apartment and vice versa pulling out all-nighters in desperate attempts to finish your project definitely earns you an invitation. At the very least, you are happy to see that Irene: bright and smart and funny, is getting married. 

Not only that, but getting married to Seokjin. He’s a year older than you and Irene, but those two met when he was still enrolled and have been inseparable ever since. You don’t know relationships that well, but you know them enough to recognize that Seokjin and Irene were what everyone called the ‘endgame’. In truth, it was only a matter of time before you were to receive one of these from them. 

But did she really have to one-up you like this? Not that it’s a competition. However, it does leave a funny feeling to see someone the same age as you display a much more put together handle on life. You groan at the thought.

“What’s got your panties in a twist?” Karly asks. 

You turn to your roommate. She’s seated at the kitchen table, books out and everywhere as she looks over at you. Karly: fellow alumni, graduated from her undergrad program early to go straight into pursuing her master’s degree. She’s a busy bee. You wave the envelope. “Irene is getting married.” 

Her eyes widen. “Ah shit, no way?” She takes the paper that you offer to her and looks over the invitation. “Damn, I knew it was only a matter of time before we started getting this stuff, but to actually see it happening…” 

You groan. “I know right!” You take the cardstock back from your friend. “It’s only been six months since we graduated, how could she be getting married already?” 

“Well, Irene did have a job lined up for her right after graduation,” Karly points out thoughtfully. She sees the look of bewilderment you give her. “What? It was on her Instagram.” 

You pout. “Of course Irene would have a job lined up like that.” You run a hand through your hair. “I mean, that’s good for her. Really good, actually…” 

Karly jerks her chin towards the envelope still in your hand. “So, are you planning to go?” 

“I don’t know, do you have plans that day?” You wave the paper. “I’m allowed a plus one.” 

Your roommate cracks a smile. “Are you asking me out? A little forward of you, we’ve been friends for so long…” 

You whine, shaking the paper and little more frantically. “Karly, this is important! I don’t want to go alone, I won’t know anyone!” 

She laughs. “Okay, okay, I’m sorry. What was the date again?” 

You provide the date to her. You approach Karly’s place at the kitchen table and watch as she opens the calendar on her laptop. Immediately, you are overwhelmed by all the deadlines she’s got under practicality every date on the screen. Yet, a “wow” is the only thing you can say at the sight. 

Karly smiles, sparing you a glance over her shoulder. “One of the joys of being a grad student slash T.A. slash research assistant.” She scrolls down into May, and narrows her eyes upon May 25th. Underneath the date is an event—color coated to bright orange and typed out in all caps. CONFERENCE WITH PROFESSOR WONG. “Oh crap, I have a conference that day.” 

“No…” You whine some more, trailing off as you grab Karly by the shoulders and begin shaking. “Karly! You’ve left me out for the bears! What am I supposed to do?” 

Karly laughs as she lets herself be manhandled in this way. “I don’t know! Go and deepen your social life or something.” 

You stop shaking her and glare instead. “Is that a joke?” 

“What do you expect me to say?” She retorts, appalled by your answer. “Then don’t go.” 

You whine again. “But this is Irene, and I’ll feel bad for not going and congratulating her!” 

“Then go!” 

“But I don’t have a plus one!” 

Karly places her hands at her temples. “Oh my god, this is like the circle of stupidity with you. Then find a plus one! Or just don’t go!” She whirls around to face you. “I will help you find a dress if you decide to go. I will also sit with you on the couch and eat popcorn with you if you decide not to go.” 

You continue to pout, knowing that you deserve that gentle attempt at a lecture but still not liking the reason why you needed such a talking to. 

“Fine,” You eventually decide to say, sliding into the seat next to Karly and leaning forward to plant your entire upper body on the table. 

Karly laughs at your defeated posture. “Well, you have the rest of the week to make your decision.” 

She has a point. That doesn’t mean you have to like it. 

.

For the rest of the week the decision of whether or not you should attend the wedding becomes a weight in your mind. You spend the next few days pondering it, thinking over the pros and the cons. 

As overdramatic as it is, you think about it during work, when you’re partaking in your home workout routines, and even when you’re about to fall asleep. You do want to go, you really do. It’ll be the first time you attend a wedding that didn’t involve a relative, which feels like a big deal in your adult agenda mindset. And Irene is someone you wouldn’t mind spending an evening with to catch up. 

However, you wouldn’t get to spend the evening with Irene—after all, a wedding implies that she would likely be mingling with all of her guests and you would just be another attendee forced to find other means of entertainment. That’s where the plus one comes in handy. Except you don’t have a plus one. A slight problem. 

You sigh. Work is a little slow today, as you are also experiencing the afternoon slump in which your mind drifts away more often than usual. You find yourself with a small laundry list of tasks (such as emailing companies, working on drafts for releases, and trying to set up different appointments) but without the motivation to do those things right away. Because of that, your afternoon slump takes the form of opening airline services to find information and prices about flying to Irene’s wedding. It’s in her hometown, about a five hour flight time from here to there. 

You click on the various boxes that require information, finally allowing a search. As the search goes through, your eyes take in all the prices—both the amount to get there and to get back—and your lips part slightly at the totaling numbers. 

“Five hundred dollars?” You mutter to yourself. You’re not sure how this would work with budgeting, but you’re still trying to figure out how to balance the cost of AC, the internet, and how to eat appropriate meals at least once a day. You don’t have five hundred dollars to spend on an airplane ticket. A slightly bigger problem. 

You sigh again, resting your elbow on the desk and your chin in the palm as your eyes continue to scroll through the website. 

Behind you, fingers curl around the top of your cubicle. There is a silence between the two of you: him, merely observing, and you, completely oblivious, until he clears his throat. 

You jump, having not expected to be interrupted like this. A squeak leaves the back of your throat as you whirl around to see who is visiting you. “Jimin!” You exclaim, taking in the boy now perched along the wall of your cubicle. This is before you narrow your eyes. “Asshole, you scared me!” 

If you just started working here and learned that you’d be cursing out Park Jimin for startling you, that past version of yourself might have turned red, shocked, and nervous at the thought. A month ago, Jimin was that coworker—as friendly as friendly people come by. With his pretty eyes, perfectly soft pink lips, and freshly dyed brown hair, you had been immediately taken by his charm and helpful nature. 

Then the month went by, and you realized there were no romantic intentions on either end. Jimin then became your first friend in your new job. Albeit, he’s a nosy friend who enjoys asking questions and dragging you out to nearby bars and coming over occasionally with take-out, but a friend nonetheless. 

“Sorry!” Jimin says back, then he glares at you. “What are you doing over here anyways?” 

You shake your head. “What do you mean?” 

“What do you mean what do I mean? You’ve been sighing all afternoon.” Jimin pulls out a slip of paper from behind his back. “Fifty times in the last hour, I swear to god.” 

You straighten out of your seat to get a better look at the paper, unamused to find fifty tally marks across the surface. “You’re lying, there’s no way that I sighed fifty times in an hour.” 

“Of course you wouldn’t know, you’re the one doing all the sighing!” Jimin retorts, lowering his hand with the paper. “Is something up with you? Did something happen?” His eyes flicker to the monitor screen behind you and he frowns. “What the fuck? Are you moving away already?” 

You blink. “What?” 

He jerks his chin towards the computer. “You’re looking at flight prices.” 

“Huh?” You turn around, having completely forgotten about your previous predicament in light of discovering that Jimin counts your sighs. “Oh! No…” 

Jimin raises an eyebrow. “No, you’re not looking at flight prices?” 

You slide back into your chair, a silent invitation for Jimin to step further into your cubicle. You sigh again, and he holds the paper back up. Taking a pencil out of his pocket, he makes another mark. You look over at him upon hearing the pencil scratch and scowl. “Give me that!” You grab the paper from his hand. “I’m dealing with a crisis right now, don’t count my sighs!”

“Alright! Alright!” Jimin slides behind you and leans forward to get a better look at your computer screen. “So where are you moving to this time?” 

You press your lips together. “I’m not moving away. A friend of mine from college is getting married. I’m just trying to see how expensive it would be to fly over there.” 

He whistles at the five hundred dollar price in your cart. “That’s pretty expensive.” 

“I know!” You groan, throwing yourself further back into your chair. “I wouldn’t mind going, but I don’t have a plus one. And as you can see, flying there would be a challenge on my wallet.” 

Jimin hums at that. “Well, regarding your plus one problem, I wouldn’t mind going with you.” 

You turn to look at him. “Really? You’d go across the country and endure an entire evening with your coworker and her old college classmates?” 

He shrugs. “If you’re desperate, I’ll keep my offer around.” He actually pouts this time. “Are you implying that you see me more as a coworker than a friend? After all the times we’ve hung out outside of work!” 

Your eyes widen slightly, having not thought of that. “No, no, Jimin, I mean—yes, I do see you as a friend now but we met as coworkers so I just think of you as a coworker first—!” You’re rambling. 

Jimin interrupts by patting your shoulder, the corner of his lips quirked up into a smile. “I’m just messing with you.” 

You shake your head again. “Asshole,” You grumble, returning your attention back to your computer. 

Jimin is still mid-laughter behind you. “Anyways, yeah, like I said. If you’re desperate to go, I wouldn’t mind going with you. But deciding how to get there is a different question entirely.” 

You turn to glare at your friend for a moment. “I’ll let you know.” 

He nods, before his lips part and he’s snapping his fingers. “Oh yeah! I wanted to ask you something.” 

He backs up, allowing you enough space to turn around fully and face him. “Okay, what’s up?” 

Jimin grins, lifting his leg up to nudge your chair slightly. “I’m going out tonight—you should come with.” 

You don’t even give this a second thought. Your lips turn into a downwards curl as you shake your head. “Nope.” 

Jimin looks appalled. “Why not? Didn’t you have fun the last time we went out?” 

“If ‘fun’ to you is trying to drag your drunk ass home and staying the night to make sure you wouldn’t choke on your vomit…” You grumble, trying not to shudder at the memory. It has only been a few days since that ‘fun’ time. 

“I told you that sometimes I overestimate my abilities, and I already apologized for that,” Jimin points out, although he does have the decency to look guilty for that mess. He perks up again. “But this’ll be different, I promise. I’m meeting up with some friends and we’re just gonna catch up. It’s at one of the quieter bars uptown: no loud DJ, no bright lights, no bottomless rum and coke. Promise. It’ll just be a lot of socializing.” He watches you hesitantly. Socializing has never been your strong suit. “And finger food.” 

The mention of food does make you look up towards him—your first sign of interest towards something. However, another thought weighs you down. “Are you sure you even want me to go?” You ask after a moment. “I mean, this is a catch up with friends. Wouldn’t I be intruding?” 

“Not at all!” Jimin brushes off, waving away your concern with his hand. “I told you, it’s a socializing thing. Besides, my friends are always bringing someone along. They were asking me when I’d have a friend tag along, so I thought you’d be a good selection.” He notices you still frowning. “C’mon! It’ll be fun. When I’m not vomiting over your shoes, I’m good company. And I promise I won’t be vomiting this time.” 

You stare at Jimin for a moment longer, contemplating his words. This is very true. Jimin is an ideal friend to have during social gatherings—he’s good at keeping a conversation going so you don’t have to shoulder the weight alone, he’s good at reading when you’re in a good mood and when you’re ready to go home, and he’s excellent at keeping unwanted attention away. You know this. Jimin knows that you know this. 

It takes one curl of your lips for Jimin to grin, knowing that he has convinced you. “Okay!” He says, finalizing the decision without having to hear the actual answer from you. He pats your knee. “We’ll take the subway after work, it’s just a few stops down.” 

If your mind conjures up any second thoughts, Jimin leaves before you are able to express them. 

.

True to Jimin’s word, the pair of you step into a subway heading westbound as soon as you’re finished with work. It’s much later in the day now, the afternoon sun has changed into a night sky with a chill spring breeze to match. The carts are filled with the evening crowd of adults, all done with another day of work and finding enjoyment for the rest of today by returning home or seeing friends. It’s a rarity that you would fall under that latter category, but the thought makes you excited nonetheless. 

“Alright, so you wanna tell me a little bit about these friends that I’m seeing tonight?” You ask, gripping the handlebar above you but leaning towards Jimin so he can hear what you’re saying over the noise of the subway speeding down the tracks. 

Jimin grins. “They’re just some friends I grew up with. We like to get together once a month to catch up and hang out, since everyone is so busy with their own lives.” 

You smile back. “That’s actually really sweet of you guys, to plan hangouts once a month.” 

He lightly flicks your forehead. “Hey, are you saying I’m normally not very sweet?” 

“Well, not right now!” You protest, hand over your forehead. “That hurt.” 

“You’re being a baby!” Jimin retorts back. 

The pair of you continue to bicker like this until your stop is announced over the intercom. Jimin halts the further insults being thrown at each other as he gestures towards the approaching station, as seen through the window of the subway. 

“This is our stop,” Jimin says to you, allowing you to step out onto the platform first. He joins behind you right after, leading the way as the subway’s three chimes signal the closing of the doors. There’s a breeze that follows, running through your hair and clothes as the subway zooms away to its next stop. The station itself is crowded, filled with groups of friends and individuals carrying on with the rest of their evening, overall looking so lively and you can feel yourself feeding off their energy. 

With a gesture pointing up the stairs that’ll take the pair of you to ground level, Jimin leads the way. You make your way through people, following Jimin’s guide until you’re both exiting the station and entering the world of your new stop. It’s another area of the city you work in, so the change in scenery isn’t too dramatic—but it’s a place more catered towards restaurants, shopping areas, and hang-out sections. The bright neon signs protrude out from the building, flashing the various products or services the specific building offered: from manicure care to corner ramen shops. 

“C’mon, let’s hurry!” Jimin calls back to you, picking his pace up slightly. He’s not running, but his long legs make it harder for you to keep up. “Everyone is already there.” 

The pair of you continue to pace down the sidewalk, past the crowds of people waiting to eat, people lingering outside of clothing stores. Finally, Jimin slows down near a restaurant. He looks over his shoulder to make sure you’re still behind him, before entering the establishment. He mentions something about knowing where their seats are, before continuing deeper into the restaurant. 

As you look around, the place does look like a restaurant slash bar—not as crazy as some of the bars Jimin takes you with the intention of actually getting drunk, but there’s still a bar here and there’s still alcohol being shared heavily. It’s the same demographic of early 20s, young adults with friends, but there are actual tables and chairs and booths set up like a restaurant. So you suppose Jimin hadn’t been lying to you about this. 

“There they are!” Jimin says to you, as you look up and follow Jimin’s finger to the table in the far corner that is completely filled with the exception of two seats. You vaguely make out the back of some heads, most belonging to boys, before your eyes land on one of the boys facing you and Jimin. He’s sitting at the far end of the table, currently laughing brightly at something one of the boys at the table has said. For all intents and purposes, the boy is cute. Extremely cute. When he laughs, his eyes and nose crinkle and his lips spread into a wild smile—and brings out the dimple on his cheek. He looks like the embodiment of all your ideal types mashed into a singular being. 

All of those things. Yet, that is not the reason why you are staring. None of those things come close to why you stop dead in your tracks, why your heart drops in your chest, why your eyes widen. Even with the shitty lighting in this restaurant, you are one hundred percent positive. “Jimin!” You manage to choke out, having enough well power to grab onto his hand seconds before he is able to make himself and yourself known to his friends. 

He whirls around, wide-eyed and curious and worried. “What? Is everything okay?” 

You shake your head. The room feels too small. “I think there’s something I should tell you—!” 

“Hey, is that Jimin? Jimin!” Your voice is very easily drowned out by the sound of another, much louder voice that seems to boom through the restaurant. 

Jimin turns back around in time to face one of the boys from the table who has gotten out of his seat. You are able to see him from over Jimin’s shoulder—a tall boy with messy unkempt hair and a boxy smile. Jimin greets him with a “Taehyung!” before the boys embrace. “Taehyungie,” Jimin continues afterwards, turning around so both are able to face you. “This is Y/N, she’s a coworker of mine.” 

Taehyung grins, a friendly gesture that makes you relax. But only slightly. “Y/N! It’s nice to meet you, I’ve heard a bit about you from Jimin. All good things, I promise.” 

“W-Well, that’s good to hear,” You manage shakily, eyes nervously darting to the boy at the end of the table, who has stopped his conversation and is now looking at you and Jimin. 

“Let me introduce you,” Jimin says, breaking your concentration as he rests a hand on your shoulder. He points right at the boy at the end of the table, who is still staring at you. His eyebrows are furrowed together. You want to bury yourself alive. “That one over there is—!” 

A lightbulb seems to go off in the boy’s head. His face breaks out into a smile as he points at you. “Hey, Y/N!” 

Jimin looks taken aback at the fact you are being recognized by someone at the table. His hand lowers as he looks over at you. 

You, however, cannot focus on Jimin. You can only focus on the boy at the end of the table, the boy currently smiling over at you with all the light in his eyes, the boy who makes the memories flash through your mind. From that, the best you can manage is a tiny smile. “Jungkook!” 

Jungkook. Jeon Jungkook. Where do you even begin with him? 

You met Jungkook during your second year of university. He had been an arts major (you were not) and yet, your paths crossed multiple times throughout the quarter as a result of sharing many general education classes together. You even were forced to pair up on a project for one of those aforementioned G.E. classes. Neither of you ran in the same social circle, but that didn’t change how sweet, funny, charming, endearing, easy-going, friendly, smart, and nice Jungkook was. It was very easy for him to make friends, very easy for him to go out of his way to say hi to you in the library or in class or in the cafeteria, and very easy for him to strike up a basic conversation with you. 

Because of that, it was very easy for you to fall for him—to develop a deep-rooted crush that went on for the rest of your university experience. You would use the term ‘friends’ very loosely when describing what your relationship with Jungkook had been. You had never hung out with him outside the context of school, never went out to eat with him, and never saw him again after graduation. Until now. 

Actually, ‘acquaintances’ would probably be a much more fitting term. 

“Hey, I haven’t seen you since graduation!” Jungkook is saying as he stands up from his chair and approaches you. As if on autopilot, you return the one armed hug he gives you. His smile, while still pleasant, holds a surprising tinge of shyness to it. 

“Woah, hold on a second,” Jimin interrupts, immediately pointing between Jungkook and you. “You guys know each other?” 

“Y/N and I went to university together!” Jungkook provides. 

Jimin looks like his eyes are about to fall out of his sockets. 

“We’ve known each other since second year,” Jungkook continues. He looks over at you. “I didn’t know you know Jimin.” 

“Uh…” You forget how to speak. You’re too busy looking at Jungkook as if you haven’t seen him for years. In a way, it feels like that. Seeing people from college outside of college after a graduation ceremony is like meeting them again for the first time—most of them develop a more independent look. Some look like their life is seconds from falling apart. Some look much happier without the institutional pressure to secure classes and grades and internships. Sadly for you, Jungkook falls under the latter category. Did he always have that twinkle of starlight in his eyes? 

“Y/N and I work together,” Jimin provides, seeming to realize that you weren’t going to answer Jungkook’s question. “She started working about a month ago.” 

“Oh, that’s cool,” Jungkook replies, still looking at you. It is then he seems to notice that the three of you are standing in the middle of the restaurant. Although you are not distracting any patrons, the workers probably don’t appreciate it. “How about we sit down? We’ll be able to catch up more!” 

Jimin seems to regain control of the situation quicker than you do, because he nods at Jungkook. “Let me introduce her to everyone, then we’ll join you.” You look over to where Jungkook had been sitting and immediately notice the previously empty two chairs right across from him—like fate, or something terrible like that. 

So you watch as Jungkook makes his way back to his seat, and Jimin starts to guide you around the table. He only drops a name. Surprisingly, he doesn’t linger, he merely takes you to the next person. It only takes you a second to figure out why. 

“You didn’t tell me you know Jungkook,” Jimin hisses in between the time it takes to travel in between people. 

“I didn’t know you knew Jungkook!” You hiss back. You smile and nod politely at the person Jimin introduces as Yoongi. “Seriously, you never mentioned him once!” 

Jimin only keeps his frustration for a moment before he’s introducing you to someone named Hoseok, a boy with a bright smile, the one who was making Jungkook laugh earlier. “Okay, fine,” He relents, the pair of you finally move to take your seats. “But what was that earlier?” 

“What was what?” 

“You were just staring at him! What, did you have a huge crush on him or something—?” Jimin accuses, but he stops. Just as the pair of you are about to sit down, Jimin parts his lips in realization. “Oh.” Then, he sends you an absolutely wicked grin. “Oh, okay.” 

Your eyes widen at him, murder in your eyes. “Jimin!” 

“So, Y/N,” Jungkook’s voice cuts through your little biting banter with Jimin. 

You whirl around to face Jungkook, eyes completely devoid of murder and voice several pitches higher. “Hi, Jungkook!” 

He smiles, such a wonderful little thing that makes your heart flutter in your chest. “Hi.” 

Jimin ducks his head to hide the fact that he wants nothing more than to burst into fits of laughter. 

“So how have you been?” Jungkook starts up. “I haven’t seen you since graduation. Since you landed a job, you seem to be doing well.” 

“I am!” You manage, only continuing to try and keep a handle on your heart and managing well enough this time. “There were a few months of just scrolling through job postings and writing cover letter after cover letter though.” 

Jungkook laughs, another beautiful gesture that makes you mirror his smile. “I definitely feel that.” 

“Well, what about you? What have you been up to?” You ask. “I think I saw on your Instagram and you were traveling around for a little?” 

His eyes light up at that. “Oh yeah! I don’t know if you remember Kim Mingyu from school?” You do. “Well, he and a friend of his got into some freelancing and had to do some traveling around to work on some filming. He asked me to come along because I actually have some photography experience. So that was a thing I did for a few months.” 

You nod, smiling. “No way! That’s so cool.” 

You do relax after a few conversational exchanges with Jungkook. He’s just as relaxed and mellow, yet friendly and polite as ever, and it’s easy to make conversation with him as it always has been. Eventually, you join in on the larger conversations with the whole table—touching on topics from your university experiences to tales from your new job. A lot of your role, however, falls to listening. Jimin’s friends are rowdy, funny, and out-going. They invite you in like you have been in this group for years—and are able to provide context on older memories they are revisiting. 

Most of your evening, however, is engaging in conversation with Jungkook. Occasionally, Jimin will join in, but he does spend most of his time laughing along to something his other friends are saying. Since you and Jungkook have always been friendly with each other, long conversations aren’t out of the ordinary. You just never considered how well you and Jungkook got along, how easy it would be to transition from topic to topic. 

“I am really glad that Jimin invited you along,” Jungkook explains brightly after the pair of you are done laughing following Jungkook’s tale of another fuck-ups with Kim Mingyu. “Makes you realize how small the world is.” 

“Oh, you should have seen her moping around earlier today,” Jimin interjects, choosing now of all times to insert himself back into your conversation with Jungkook. “She was sighing all afternoon—so maybe we should thank her misery that I decided to invite her along tonight.” 

Jungkook turns to you, a sympathetic look across his face. “Did you have a bad day today?” 

You try for a laugh, waving away Jimin’s words. “Jimin’s just overreacting. Actually, I found out a friend of mine from college is getting married, so I was trying to figure out my plan…” You start, trailing off as you look at Jungkook. “Wait, you didn’t know Irene, did you?” 

“I did.” His eyes widen as his lips part in realization. “Oh my god, you were invited to Irene’s wedding too?” 

“I was!” You exclaim, unsure whether you should be excited or even more nervous at the prospect of potentially seeing Jungkook at the wedding event. “Holy shit, this makes it an even smaller world. How did you know Irene?” 

Jungkook is still mid-giggle at the pure coincidence of everything. “We both knew Mingyu! This is so crazy. Are you planning to go?” 

You shrug. Jimin chooses to interject once more. “That’s what Y/N over here was sighing all afternoon over.” 

You whine as you look at Jimin. “No need to sell me out! Listen, Jungkook.” You turn back to the boy opposite of you, who is still gazing at you. “I’m sure you understand my current predicament.” 

“Sure.” 

“You know how expensive flights can be.” 

“Of course.” 

You fold your arms over each other and rest them on the table. “So, are you planning to go to the wedding?” 

He nods. “Most likely, yeah. I actually knew that the wedding was going to be happening soon, since Mingyu told me about it as soon as Irene got the ring. I ran into the flight problem pretty quickly too, so I decided to just drive to the event.” 

Jimin whistles. “Drive across the country, huh, JK? That must be a four day trip, or something.” 

“It was coming out to be,” Jungkook acknowledges with a nod. “But it’s okay.” He’s grinning, looking excited at the prospect. “I’ve never done a cross country drive before, so it was actually kind of exciting to plan the route. There are a few places I want to stop by and visit. I’m sure it’ll be fun.” Then, Jungkook turns back to you. “If you decide that flying would be too expensive, then you’re more than welcome to come along. It’ll be nice to have some company and not spend four days by myself.” 

Entirely on instinct, you start to laugh. You think he’s joking—how could you not? This is probably one of the longest conversations you’ve ever had with Jungkook. Like you’ve mentioned before, you wouldn’t consider him a friend. Why would he seriously try to invite you on a road trip?  “Yeah, I’m not too sure—I’ve never done a cross country trip before…” 

The conversation shifts pretty quickly as soon as you reply back to Jungkook. Hoseok asks you a question that drags your attention away, simultaneously allowing you to forget about Jungkook’s request. 

The end of the dinner happens soon after, when the bill has been paid and you suspect the long line of people outside waiting for a table are waiting for your party to be done. So venmo exchanges and money debts go around until each member of the table starts standing up one by one to make their move to exit the restaurant. 

You and Jimin are one of the first to leave. Goodbyes are exchanged along with the polite ‘it was nice to meet you’ phrase thrown around. Jungkook is mid-conversation with Yoongi, but he still gives you a quick hug of parting before you and Jimin exit the restaurant. 

The pair of you only make it out a few steps before there is a familiar voice calling your name. “Hey, Y/N! Y/N, wait up!” You stop and turn around, surprised to see Jungkook dashing out of the restaurant. He rests himself for a moment before he’s straightening back up to look at you. 

You try for a smile. “Hey Jungkook, what’s up?” 

He takes in a few more deep breaths to calm himself—either from the dashing he just did or to steel himself for the next question, you don’t know. “It’s about me inviting you to drive up to Irene’s wedding—I just thought I’d let you know it was a serious invitation. Having the company would be nice, and you wouldn’t be a burden to me, seriously. Besides, it’ll be fun to spend some time together.” 

“O-Oh,” You stammer, wringing your hands together. “I’m not too sure… I still have to think about it.” 

“Of course, of course,” Jungkook dismisses good naturedly. “Just thought I’d let you know, so you know that you do have options.” 

Although the offer makes you nervous, you cannot dismiss Jungkook’s thoughtfulness. You give him a more relaxed smile. “I really appreciate that Jungkook, thank you.” 

He smiles at your smile. “No problem! Actually…” He digs around for the wallet in his pocket and produces a little card. “Here’s my business card—my cell phone number is on here so just text or call if you decide to join me. Or,” He presses his lips into a more bashful smile. “You can just text me whenever for whatever reason. I just thought I’d let you know that it was good to see you again.” 

You take the card slowly, unable to look away from Jungkook’s face. He looks so genuine and shy that it doesn’t help your own racing heart. “It was good to see you too, Jungkook…” You return, albeit a little breathlessly. 

He smiles again, dimples pressing in his cheek (and your heart). He turns to Jimin “Oh yeah, nice seeing you too Park.” 

“Hey.” Jimin hits him on the shoulder. “I’m your hyung, you should show me more respect!” 

“My bad, my bad.” Jungkook doesn’t apologize though. His gaze flickers to yours one more time, gaze looking strangely hopeful. “I’ll see you guys around.” He walks backwards a few paces before turning around and returning to the restaurant. Maybe to see his other friends. 

Either way, it doesn’t matter. You are still screaming internally regardless—as shown through your red cheeks, widened eyes, and singing heart. Jimin will certainly never let you live this moment down. 

. 

Now, you are screaming externally. You don’t even give a thought or an explanation. You simply walk into your apartment, nosedive for the couch, and start yelling into one of the throw pillows. 

There’s a rapid movement of footsteps coming from down the hallway almost immediately, one that grows gradually louder until the owner of the steps starts speaking. “Who the fuck is out there? I’ve played softball my entire life and therefore will not hesitate to drive this bat so far up your ass—oh, Y/N.” The voice lowers significantly, as does the threat level it emits into the air. “It’s just you.” 

You lift your face from the throw pillow, and immediately brush away at the hair that falls in your face. “What the fuck!” You croak, pushing yourself into a sitting position and pointing at the bat in Karly’s hands. “What are you doing threatening me with a bat? You’ve never played a game of softball in your life!” 

“Oh, this isn’t mine. It’s Soonyoung’s.” Soonyoung is Karly’s boyfriend from high school, who used to play baseball on the high school team. How Karly has her boyfriend’s baseball bat is a mystery, but it’s something you think you are better off not asking about. She places the bat down on the carpet next to the coffee table. “But I should be asking you the questions, you bitch! You scared the shit out of me!” 

You sigh, throwing your head to rest on the back of the couch. “Sorry, sorry. Had a crazy day.” 

Karly ponders this as she moves to take a seat next to you. “You seemed fine when you texted me about you getting drinks with Jimin. Did something happen during the dinner?” 

You straighten up again and grip Karly by the arm. “Okay, don’t scream.” 

“You mean like you did?” Karly retorts dryly. 

You shake her. “I’m serious!” When Karly doesn’t say anything, you take it as a sign to continue with your story. “I saw Jungkook.” 

Karly blinks, then grabs your arm right back. “Wait, Jeon Jungkook, as in the guy you’ve been crushing on since second year?” 

“Yes!” You whine, throwing yourself onto the couch all over again. 

“The one you had to work together on a project with and nearly cried even though you guys just had to submit a paper?” 

“Yes!” 

“The one who said hi to you in the library that one time and you tried to put your elbow on the table afterwards but you missed and hit your head instead?” 

You pause, scowling. “Okay, now you’re just being mean. Are you done?” 

Karly is laughing. “Oh my god. What are the chances of you seeing him now?” 

“There’s more,” You groan out. 

“Really? Honestly that yell could have been just for seeing him again and that would have made sense—!” 

You ignore her. “He’s friends with Jimin. He’s friends with Irene, too. He was invited to her wedding.” 

“Wait, Jimin is friends with Irene or Jungkook is friends with Irene—?” 

“He won’t pay for the flight though. It’s too expensive. I can attest to that.” 

Karly holds a finger up, trying to connect the dots. “When did you look up flight prices—?” 

“So he invited me on a cross country road trip to Irene’s wedding.” 

Karly frowns. 

You sigh. “Jungkook invited me on a cross country road trip to Irene’s wedding.” 

“Oh! Oh!” Karly’s eyes widen. “Oh my god, that’s huge. Are you gonna go?” 

“I don’t know!” You whine. “Jungkook mentioned it would be a four day drive to get there. I don’t know if I can survive four days in a car with him! We’ve never been that close, what if it gets awkward?” 

Karly ponders this. “I really don’t think it’s in Jungkook’s nature to be awkward with someone—especially someone he’s had a history with.” She sees the look of disbelief you give her. “Well, even if that history was really limited. What makes you think it’ll be awkward? Was it awful seeing him tonight?” 

“No!” You cry, straightening into a sitting position so your legs drape over the side of the couch. You force yourself to calm down. “It… it was pretty good actually.” 

Karly raises an eyebrow, amusement dancing in her eyes. “Really now.” 

“Yeah…” You reply, trailing off. “We sat across from each other during the dinner and we talked most of the night, surprisingly. I guess because we were sort of acquaintances we’ve always known about each other, so it wasn’t like we didn’t know how to ask questions to each other. And Jungkook… he’s easy to talk to as he’s always been and he’s so nice and positive and he has a dimple on his cheek when he smiles…” You finish slowly, noticing your racing heart that has come up as a result of this conversation and of your memory. You realize the predicament you’re in, further emphasized by Karly’s growing grin. You groan. “Shut up.” 

Karly looks like a Cheshire cat. “I didn’t say anything.” 

You grab onto one of the throw pillows and properly hit her in the face. “You’re saying many things right now, you bitch!” 

Karly takes the pillow from you and proceeds to whack you in the shoulder. “Not outloud!” 

“So you admit it!” You accuse, pointing at her. 

Karly yells. “Just admit you still have a crush on him!” 

Your groan turns into a cry. “Don’t say it outloud! Now I have to deal with it!” 

Your roommate sighs. “Bitch, I can tell you exactly how to deal with this. You’re gonna go on this road trip with Jungkook and see if you guys vibe—you honestly will not find a better way to discover your compatibility with him. If it works out, then you get more than a plus one to the wedding. If it doesn’t work out, just skip the wedding and take the first flight back home. Cut off your friendship with Jimin while you’re at it—it’s the only way to ensure you’ll never have to run into Jungkook again.” 

You pout. “That seems a little dramatic.” 

Karly thinks for a second, then she nudges you. “Remind me again about that quote your high school English teacher used to always parade around.” 

You stare at her for a moment, because you know exactly what point she’s trying to make. Still, you decide to humor her. And yourself. “‘You’ll never know if you’ll sink, swim, or float, until you’re willing to take the plunge’.” You level Karly with another gaze. Your friend has a point. You missed any chance to hang out with Jungkook during your college years—partly because your friend groups never intersected, but mostly because of your internalized fear of fucking up. But now that you are just a little older and just a little more versed in the art of conversing and befriending—maybe Karly is right. Maybe this is your chance to see if a different set of timing could make a difference. 

So you sigh. 

“I guess I should text Jungkook, huh.” 

Karly pats you on the shoulder. “Take the plunge, my dude.” 

.

You do take the plunge. You take Jungkook’s business card out from the pocket of your dress and dial the number. He expresses excitement—and also relief. 

These things lead up to the current moment. Eight o’clock in the morning: you lingering in the kitchen with a cup of coffee, your suitcase by the door, and a roommate keeping you company. 

You don’t realize how nervous you are until you get a text from Jungkook. 

Jungkook (8:03am): i’m here! u can buzz me up so i can help u with your stuff :) 

You (8:03am): it’s ok jungkook it’s just a suitcase. i’ll be down in a second! 

You pocket your phone, and Karly can read the expression across your face before you realize what is going on. She straightens up. “He’s here?” 

“Yeah.” You rinse your coffee cup and make your way towards the door. “Did you want to come down with me?” 

Karly stops and gives you a look. “I thought that was already implied.” 

“Well, thanks, that’s really nice—!” 

“Someone has to give you an embarrassing goodbye.” 

“There it is.” You sigh. You don’t say anything as you and Karly exit the apartment and make your way down the hall into the elevator. It only takes a few seconds for the elevator to lower down to the ground floor, where you and Karly exit and make your way to the front of the apartment complex. 

You swear your heart beats just a little faster as soon as you see Jungkook near the front entrance of the building. He’s wearing a pair of black jackets with an oversized denim jacket and currently looking down at his phone—overall appearing so tall and pretty and otherworldly. For a brief second, you are taken by the fact that for the next four days, he’ll be yours. 

Jungkook looks up as soon as he hears the door opening and he smiles. “Hey you.” 

You smile, albeit a little lopsided and dreamy. “Hi.” 

Jungkook walks towards you immediately. “Here, let me help you with that.” He reaches a hand out and gently takes the handle of your suitcase before you can say anything. Just as he’s taking the suitcase from you, Karly emerges from the building. “Oh, sorry about that.” 

Karly waves him off. “Don’t be. I’m Y/N’s roommate—I’m just here to see her off.” 

Jungkook stares at her for a moment, then he snaps his fingers. “Wait, I remember you. You went to college with us too.” He jerks his chin towards you. “You hung out with Y/N a lot, right?” 

“Yeah, I’m Karly.” She holds out her hand for Jungkook to shake. “And you’re right, she and I hung out a lot. We were roommates back then too.” 

Jungkook nods in understanding, before shoving his hand into his pocket. His other hand is still holding onto your suitcase. “Well, I promise to take good care of Y/N.” 

Karly smacks her teeth against the side of her mouth as she points at him. “You’re a good man, Jungkook.” She pauses for a moment, seeming to contemplate a new thought. You recognize the look immediately, and your fingers twitch as if you want to strangle her. Or at least let her know you’re throwing her a look of murderous intent. But of course, Karly doesn’t see it. And even if she had, you doubt she’d care. “But no funny business, alright.” 

You gape at her. “Karly!” 

Jungkook coughs at that. “I-It’s just a drive—y-you don’t need to worry about that.” He does, however, turn away to hide the red that dusts his cheeks. 

As soon as Jungkook’s back is facing you, you whirl around to shoot Karly with a glare. “Karly, you’re lucky I’m leaving for the next four days or I would not hesitate to figure out how to make stuffocation look like an accident!” You hiss out between teeth without taking a breath. 

Karly glares right back. “You’re really dumb, aren’t you? The fact that he recognizes me because he saw you hanging out with me on campus doesn’t strike any chords? Even though, like you said, you guys weren’t really friends?” 

You blink. “What the fuck is that supposed to mean?” 

Karly widens her eyes. “What the fuck do you mean? Are you dumb with all the boys or just Jungkook?” 

“What do you mean!” You snap back. 

“So, Y/N, ready to go?” 

You whirl back around to find Jungkook now standing in front of you and Karly. He must have finished packing your suitcase in the trunk of his car and is now looking over at you with a tilt in his head. 

So you force a smile. “Of course,” You say, turning to Karly. “I was just saying bye to my roommate.” 

He nods in understanding, sparing one more glance at Karly before seeming to decide against it because he looks away. He’s still a little red at Karly’s previous comment. “We should get going then.” 

“Sure.” You look over at your roommate. “See you, bitch.” 

Karly waves back, grinning wildly. You just know she has several other thoughts she’d like to share with you, but has probably deemed you embarrassed enough. Lucky for you, she keeps her mouth shut. 

Unlucky for you, without Karly to be a barrier of distraction, this leaves you alone with Jungkook. You slide into the passenger seat of his car, still not yet processing the weight of what you’ve just agreed to. You fiddle alone for a second before Jungkook is opening the driver’s side and shifting into his seat. 

There is a silence as Jungkook is starting the car, and a part of you wants to die. Or at least have the ground swallow you whole. Holy fuck, what did you just sign up for? 

Your mind somehow takes five seconds to turn into complete shambles that you almost miss Jungkook’s question. 

“Here, I’m giving you an important mission,” Jungkook says, rummaging through the various chords that lay over the center console before producing an aux cord. “Should you choose to accept.” 

He’s got on such a serious expression you momentarily forget about your anxiety. His usage of the iconic line from Mission Impossible makes you laugh—a breathy sort of noise that escapes when your mind is too full. You still take the aux cord. “Oh my god—ever heard of bluetooth?” 

He pouts. “It hasn’t even been five minutes and you’re already insulting my beautiful Celia!” 

You raise both your eyebrows. “Celia?” 

“Yeah, that’s the name of my car.” He catches the bewildered look you give him before angling himself back to face the steering wheel, where he shifts his console into drive and makes a turn onto the main street. “If you’re already weirded out by the fact I have a name for my baby, then you’re in for a very long four days, Miss. Y/N.” 

You giggle, feeling that distraction of nerves start to come off your shoulders. “Not weird at all.” You pause. “Ryan is the name of my car.” 

“Ah!” He holds one arm out in a grand gesture. “You see, not so strange after all.” He steals a glance at you, watching as you’re about to connect your phone to the aux cord. “Wait!” He says, pointing a finger at you. 

You look up at him, wide eyes. 

He’s still holding an arm up. “How’s your music taste?” 

You’re still giving him your surprised expression. “You scared me!” 

He laughs, returning his hand back to the steering wheel. “Sorry, sorry. I have to ask though—I’d rather know now than later, so I can kick you out and not feel as bad about it.” 

Your laughter seems to melt away the last of your nervous energy. “Nice to know you’re putting all your cards out now.” You look down at your phone. “Regarding my music taste… it’s whatever you want dude! I have some lo-fi on here, some pop, alternative, Broadway, anime openings… an ‘everything’ playlist. Honestly, the world is your oyster.” 

“How about we start with your ‘everything’ playlist,” Jungkook suggests. “That way I can judge you immediately.” 

“Were you always this charming, Jeon Jungkook?” You retort. “Or has graduation changed you?” 

“Oh, I’ve always been this charming—you just never noticed.” 

That comment, however, goes over your head as you focus down on your playlist. You look over, selecting the shuffle option as Taylor Swift’s soft music from her newest album fills the air. Another silence fills the car, but it’s much more peaceful and comfortable. You allow yourself to settle further into the passenger seat of Jungkook’s car. 

“So,” You start after a moment. Jungkook hums to let you know he’s paying attention. “What inspired the name Celia?” 

Jungkook brightens at the question. “She was this character from a book I read when I was younger. The Night Circus? Anyways, the book is about these two illusionists who try to one up each other with their skills of magic, but they end up falling in love. Celia is the name of one of those illusionists.” 

You grin. “Sounds like a very cute crush.” 

Jungkook grins back. 

The drive out of the city continues like this. The pair of you cover the topic of books, of music, of your favorite animes. Jungkook just has this magical power of ensuring the tension dissipates from your mind and stays gone—whether it’s through his relaxed nature or easy-going teasing or his ability to ease the conversation from one topic to the next. It feels like every conversation you and Jungkook had in college, whether vague or circling around classes, all have led up to this moment. It seems like everytime you or Jungkook run out of things to talk about pertaining to a certain topic, you would bring up memories from college and just continue from there. Everything feels natural. 

It continues to feel natural even as you and Jungkook slowly start to see the edges of the city landscape fade away. The high rises fade into shorter buildings and smaller business areas that surround the bustling city scene. You watch as those buildings and business areas become rows of houses. Residential areas in the suburbs, passing by the occasional school or corner restaurants. 

“Before we enter the wide unknown,” Jungkook starts up, breaking the quiet that has enveloped the car. “You want to pick up lunch? You hungry?” 

You haven’t even realized how much time has gone by until you look at the clock on Jungkook’s dashboard and notice that it’s past noon. You widen your eyes at the sight. “Wow, I didn’t even realize so much time had passed.” 

“Yeah, we drove through a few cities. Time flies when you’re having fun, huh?” 

“You wish,” You tease, sticking your tongue out. “So, what, do we stop at a Cheesecake factory or something?” 

Jungkook blinks. “I thought you were poor—why would we stop at the Cheesecake factory? And why is that the first restaurant that comes to your mind?” 

You wave your hands. “It was just a suggestion!” 

“Well, I’m realizing that I should probably let you know that the motel I picked for us to drive to tonight is pretty far out—Google Maps says we probably won’t get there until midnight, and that’s with us driving straight through.” 

“Midnight? Fuck, Jungkook. Will we make it to the wedding a day early or something?” 

“Ha, ha, no. I’ll go over the schedule I planned out tomorrow. Basically, I want to try and cover most of our ground on the first day so we can take the rest of the trip easy. But I thought I’d let you know now that sitting in a restaurant probably won’t be the most time responsible idea.” 

“That’s true.” You look out the window again and see the golden arches of McDonalds appear within your line of sight. “Let’s just stop at McDonalds.” 

Jungkook follows your gaze. “Alright, down. Let’s do it.” 

He exits off the freeway, following down a route that takes him almost immediately towards the McDonalds parking lot. Since this restaurant is still within the lines of the city, it’s not completely deserted. There are a few cars in the parking lot, even fewer cars in the drive-through line. Because of this, ordering the food only takes a few minutes. Both of you get chicken nuggets, sodas, and large orders of french fries. 

“You know, we’re really living like kings,” You comment as Jungkook drives out and makes his way back onto the freeway. “College graduates, both somehow able to secure a job, and still ordering chicken mcnuggets.” 

Jungkook shrugs. “I wasn’t told this is what adulthood would be like. But I’m not complaining. My 10-year-old self is singing in so much joy right now.” He says this as he’s stuffing a handful of fries into your mouth. You laugh, and hand him a napkin. 

You turn the music back on. The pair of you silently munch on your chicken nuggets, as you angle your head towards the side window once again. As Jungkook drives, the numbers of structural spaces become more scattered the longer you both continue down the freeway. 

The anime opening to Haikyuu starts playing when you turn back to Jungkook and realize that he’s trying to close the box of his chicken nuggets. You move right away, taking the cardboard from him and closing it yourself. “Let me know if you need anything, Jungkook. Think of me as your co-pilot.” 

He laughs gently. “Is that the rule of the passenger seat?” 

You shrug, putting the empty box into the McDonalds bag near your feet. “For me at least. Everytime I do one of these drives with family, the person in the passenger seat has to open the snacks, make conversation, and always stay awake with the driver. It’s just courtesy.”

Jungkook is smiling softly now, mostly to himself, but it lights the corners of his eyes that makes you momentarily unable to look away. “You wanna tell me about your family?” 

So you do. Your voice becomes softer as you continue, but Jungkook listens to every single word you say. 

True to his observation, it’s not long before the pair of you are surrounded by the wide unknown. Houses in the suburbs become farmhouses and farms. Conversations fade from your family to another comfortable silence as you continue gazing out the window. Jungkook requests your lo-fi playlist at some point, filling the car with the soft and distorted hums. It allows your mind to wander as you stare out the window. The empty stretches of land around you are filled with greenery, with mountains, cutting right through the perfect blue of the sky above you. 

By 4:00PM, your entire body is starting to feel the ache of having been seated for long hours on end. You feel the tightness in the muscles of your thigh, the bones in your knees. 

Jungkook must be feeling the same, because as soon as a sign for a rest stop comes on, he exits the freeway and pulls into a large parking lot. There’s a restroom on the side, but the area is surrounded by trees with mountains standing in the background. 

Jungkook stops the car. “We should get out for a bit to move our legs.” 

You’re already tugging on the latch that’ll open the car door. “I’m already feeling it in my knees.” You open the door and immediately extend your legs out onto the solid ground beneath you. You let out a sigh of satisfaction, and Jungkook laughs from next to you. 

He’s opening his own car door soon after, but he straightens up into a standing position pretty quickly and stretches upwards. He closes the car door behind him, watching as you eventually pull yourself together to do the same. 

You turn to face Jungkook. “I’m gonna use the restroom.” You gesture towards the building and earn a nod from Jungkook, who mentions something about doing the same thing. You meet back at the car a few minutes later. 

Jungkook gestures to the trees surrounding the parking lot. “Want to take a walk around the area? Keep the blood flowing to our legs.” 

You nod. “That sounds like a good idea.” 

“Why don’t you get started. I’ll catch up.” Jungkook watches you leave, before opening the trunk of his car and rummaging around. 

He does catch up with you, quickly enough that you hardly notice that he had sent you out first. You hear his footsteps, and the call of your name. You turn around. “Jungkook!” 

The sight before you makes you waver slightly, as bouts of shyness overtake you. Standing before you is Jungkook, with his camera in hand. The lens is pointed right at you. As soon as you’re staring straight into the camera, Jungkook grins. “Say hi!” 

You whine, whirling back around and covering your face. “Are you filming me right now?” 

“I’m a photographer at heart, what did you expect?” Jungkook teases back. “Besides, it’s really pretty around here. You think I won’t film it?” 

You snort, starting your walk around the parking lot. “Oh yeah, because there aren’t any parking lots and trees and bathroom stops at home.” 

Jungkook is quiet for a second. “That’s not what I meant.” 

You turn to stare right into the lens of his camera. “Then the mountains, right?” 

He’s quiet for another second. “Sure.” He does, however, sound a little disappointed. You do not notice this. 

The pair of you stay quiet as you make your round around the parking lot, taking in the mountains from different angles. The walk around is mostly just to rid of the sensation of your legs falling off, but it’s still a nice view to admire. As soon as you finish a complete round, you and Jungkook return back to the car. You watch as he carefully places his camera into his camera bag before you’re both back in your seats. 

Jungkook turns to you. “Ready to get going again?” He looks at the control panel behind his steering wheel. “We’ll probably have to stop for gas in a few hours. But after that, it’s straight to the hotel.” 

You settle back into the passenger seat. “I guess we already have our dinner plans then.” You’re referring to the gas station. 

Jungkook grins. “I’m down for that.” 

And so, the trip continues back on the freeway. With the lo-fi playing in the background, you watch as the sun tears through the blue sky, as the sun finally begins it’s dip to the other side. The singular color once spread across the pane of atmosphere now conjugates around the sun crawling behind the mountain—creating a diffusion of new colors. The corner of the mountain emits an explosion of oranges, pinks, and purples. 

You lift your head from the window, eyes taking in the rainbow of pastels around the now fading sun. “Wow, Jungkook, look at that sunset.” 

He snorts. “You wanna talk about things that you can’t see back in the city?” 

You pout. “But it looks so pretty, see!” You keep gesturing towards the sunset. 

Jungkook relents just enough to spare a glance in the direction. He hums. “Yeah, it’s pretty.” He looks back at the road. “Can’t really find a view like that in the city.” 

You spend a little more time admiring the sunset than Jungkook does, for obvious reasons. You’ve seen a sunset plenty of times before in the past, but the context of this whole situation makes you unable to look away from it. You’re really out here, stuck in a car with someone you have never hung out with for longer than a few minutes. But you are enjoying yourself. There's peace in that. 

So you watch until the sun dips below the mountain, momentarily leaving the sky in a navy color. 

The next time Jungkook speaks, the area around you is much darker, and the sky is nearly black. “You hungry now?” 

You lift your head from the seat, not even realizing you were drifting off. You’re thinking about Irene, wondering if you should have texted her directly congratulating her on the wedding rather than just simply sending in the RSVP. “Sure. We eat as the car eats, right?” 

Jungkook smiles, a gesture you can barely make out from the headlines. “Of course.” 

This goes on for a few more miles until the sign for a gas station comes up. A few other cars linger near the dispensers. Jungkook parks near his choice and gets out of the car. You follow behind him. He’s already sliding his credit card into the machine, and the sight makes you reach over to grab his wrist. 

“I should pay, you’ve been driving all day!” 

He shakes his head, waving you off. “We’ll take turns, okay?” He looks at you. “Buy me dinner tonight too, that sound fair?” 

You pout, leaning back as you cross your arms. “Not really, but I guess I’ll have to accept it.” 

He grins. “You are correct.” 

As soon as the gas pump alerts you of the filled tank, Jungkook returns the pump back to the machine and locks his car. Together, the two of you make your way towards the convenience store, where the bell above rings to alert the workers of your presence. Nods are exchanged as you and Jungkook tear through the aisles to find anything that could satisfy your cravings. You return back with family size bags of hot cheetos and beef jerky, while Jungkook holds his selection of roasted seaweed and Doritos. You select your drinks together before returning to the cashier. 

It’s nearing 9:00PM as you and Jungkook return back to his car, where you slide back into your seats and immediately tear into your bags of salt and sodium. 

“How are you doing?” You ask as Jungkook finishes his first bag of roasted seaweed. 

Jungkook pulls out his phone, scrolling through the final stretch needed to reach the hotel. “Yeah, about four more hours to the motel.” He looks over at you. “I’m good. The salt in this seaweed really helps. How are you doing?” 

You nod immediately. “Great. Perfect.” 

He smiles, shifting his console to drive and pulling out of the gas station. “I’m used to these weird hours. Remember how I told you I traveled around a bit with Mingyu and Wonwoo? There was this one day we only slept for an hour or something? It sucked, I think I almost passed out that day. But yeah, this is honestly not even that bad.” He turns to look at you. “I think the good company helps, too.” 

You roll your eyes, grinning. “You flatter me, Jeon.” 

Slowly, 8PM turns into 10PM. One glance at Google maps tells you that you’re still two hours from the hotel. Even though you’re not the one driving, and although you haven’t endured any physical activity that could result in this exhaustion, you still find yourself growing tired. Something about sitting under the sun, sitting in a vehicle that rocks side to side with a consistent hum—it makes your mind work slowly and therefore brings out the sleepiness quicker. 

You settle deeper into your seat. 

Jungkook giggles from next to you. “You tired already?” 

You pout slowly, eyes closed just enough. “I’m not a morning person and you made me wake up at 8!” 

“Sure, sure, of course.” 

There’s a pause. 

You ponder a question for a moment. It’s something that you would never dare ask Jungkook if you had been more awake and more alert. But you’re tired, and your defenses are lowered, and it means you are more prone to asking questions. “Hey, Jungkook? Did you have any girlfriends when we were in college?” 

Jungkook doesn’t answer immediately. “Where’s this coming from?” He asks instead. 

You shrug, making a dismissive noise as your shoulders rise up. “Curiosity.” 

A pause. “I went on a few dates, but I never had a serious relationship.” 

“No way.” You lift your head up from the seat. “But I remember seeing you hang out with the occasional girl in the quad, or at some restaurants around the school.” 

Jungkook smiles. It’s hard to read the look in his eyes. They’re focused on the road in front of him, but they seem almost hazy and faraway. “Like I said, I went on a few dates. I did really want to get into a long term relationship in college. A lot of my friends had them, that’s where my parents met, so I was really open to the idea of at least experimenting. There were a lot of girls that I thought were nice, easy-going, or just really pretty, so I tried my hand in the whole dating thing.” 

“And it didn’t work out?” You coax out gently. 

“Not really,” He continues. He steals a glance at you. “We’d go on a few dates, but none of them ever felt substantial. I think girls see me and have a certain expectation—an expectation I couldn’t meet. So I never could picture myself in a long term relationship with any of them.” 

You tilt your head towards him. “There must have been someone…” 

“Well… there was one girl.” Jungkook starts after a moment. He’s not looking at you this time. “We had a few classes together earlier—we weren’t in the same major program. I don’t even know if I’d say we were close or anything. We just had a few classes and saw each other around on occasion. But the conversations we did have during class or outside of class just felt more real. Honestly, I could have been totally wrong about her. I could have just been blinded by all these expectations I was putting on her, which is ironic. But she was the only person I could actually see myself being in a long term relationship with. Or at least try.” 

You hum, still facing towards him in your seat. “Why didn’t you try anything then? You’re a good guy, Jungkook. I’m sure she would have wanted to try with you too.” 

“I guess I was just afraid of pushing it and scaring her off. I thought it was better to stay friends with her than try to pursue something. She never gave me an indication that she felt the same.” 

“And how do you feel now?” 

There’s a pause this time. “I don’t know honestly. We remained friends up until graduation but, uh, never saw her again. I do wonder from time to time how she’s doing.” 

“You should reach out to her,” You advise softly. “Since you guys were friends before, I’m sure asking her out just to catch up won’t seem so weird.” You grin at him. “You need to make your move.” 

It is then that Jungkook turns to look at you. He looks for a little longer this time, eyes focused entirely on you. Underneath the small crescent of the moon above, you are still able to make out his facial features. His cheeks, his nose, his eyes—the latter is glimmering, like he knows something that you don’t. 

“I’m working on that,” He mumbles softly. You turn your head back towards the road. 

. 

You wake up the next morning feeling groggy, dirty, and messy. Your head lifts up from a pillow you can only vaguely remember falling on, laying on top of a bed you only vaguely remember throwing yourself in. There’s sunlight pouring into the room, but it feels like early morning sun. There’s a crisp in the air that you can feel, that you see out of the window. Right outside is the gathering of bushes and trees, a bright blue sky.

You are in the motel. 

Slowly, you push yourself into a sitting position, until you’re resting atop the white linen of your bed. Across the room, snuggled in his own twin bed, is Jungkook. His lashes are fanning across his cheekbones, his lips are parted, and his breathing is slow and soft.

It isn’t until Jungkook shifts in bed that you realize you’ve been watching him like a creep. Hastily, you tear your gaze away and decide to focus your gaze down. You notice immediately that you are not underneath the blankets. Instead, you are lying underneath Jungkook’s jacket. 

You roll the jacket off your frame, discovering that you are still in last night’s clothes—which explains why you were feeling so groggy and discombobulated. You look across the floor of the hotel room. Your suitcase is near the foot of your bed, and your phone sits on your nightstand connected to your charger. 

Vaguely, you recall what had happened the previous night—how Jungkook drove into the hotel room nearing midnight and the exhaustion was so overpowering that you and Jungkook blindly asked for any room with two twin beds before following through and practically collapsing into your respected beds. 

You definitely did that, which explains why you were on top of the bed, why you’re still in yesterday’s clothes, and why Jungkook’s jacket was your blanket. Stealing another glance at Jungkook: underneath the blankets and in a different t-shirt—you can assume that he was able to take a shower before lying down. 

With a sigh, you push off Jungkook’s jacket and lay it down on the bed next to you. Hoping not to disturb Jungkook, you slide out of bed and lower your suitcase to the ground. After fishing out a new set of clothes, you decide to take a shower. 

The warmth from the shower is the best breath of fresh air you’ve gotten since hitting the road with Jungkook. It feels like your body is going through a battery recharge, and it’s one you take your time with. You step out of the shower, running the towel through your hair and drying yourself enough to slip on your outfit for the day. The towel is thrown around your neck as you step out of the shower, letting the steam follow you out of the bathroom. 

Jungkook is still sleeping as you step out, which is good otherwise you’d feel bad for having disturbed his sleep time. After all the driving he did yesterday, you figure he deserves a few extra hours regardless of what the schedule calls for. 

You continue running the towel through your hair as you pick up your phone. Strangely, you do not remember connecting it to a charger before knocking out, but you pick it up regardless to see the 9:00AM time across your screen. 

There’s a quiet that takes over, in which you’re sitting perched comfortably on your bed and scrolling through your phone as Jungkook continues to drift a few feet away from you. 

About thirty minutes seem to pass before Jungkook is moaning softly to himself, letting out a puff of air as he slowly opens his eyes. His arms extend above him, knocking into the headboard and making him curse softly to himself. His eyes open as he lowers his hands to inspect the damage before immediately looking over towards you. 

He blinks, a tired smile overtaking his lips as he arches his back into a stretch. “Hey,” He greets, voice rough and scratchy and making your heart clench. Damn thing. “You’re awake. You knocked out pretty quickly as soon as we got the room.” 

You laugh. “Yeah, I honestly figured that.” You pick up his jacket, as if he hadn’t been the one to lay it on you those hours ago. “Thanks for trying to help me get comfortable.” You gesture towards the nightstand. “Did you find my charger too?” 

Jungkook sits up as he continues a small round of stretches and yawns. “I did,” He says. “You were barely coherent, but made enough sense to tell me where it was in your bag. Sorry for going through it, by the way.” 

You shake your head, waving him off. “No worries. Thank you again, Jungkook.” 

The pair of you stare at each other for a few moments, before that silence is broken by Jungkook’s phone going off. You look down as Jungkook snatches his own phone off the nightstand. He scrolls through something, before placing it back. 

“So, what’s the plan for today?” You ask, bringing your fingers through your hair to comb and give you a distraction. 

“Oh! Right.” Jungkook swings his legs off the side of the bed. “We have a slower day today. The hotel I picked is only about five hours away? We’re driving through the mountains today, so there’s this place I want to visit that has a little restaurant and everything. It’ll be a cute pit stop.” 

You nod. “Awesome, okay.” You curl your fingers around the strands of now loose strands of hair. 

It takes another hour until you and Jungkook are packed up again and ready to leave. A quick stop to the lobby provides both of you with a bagel and cup of coffee each as your breakfast. All before you’re once again sliding into the passenger seat of Jungkook’s car. 

You roll your shoulders before clicking your seatbelt in. “Ready for another long day?” 

“Of course.” He digs through his center console, producing his aux cord. “Your mission,” He says dramatically, not unlike yesterday. “Should you choose to accept.” 

You laugh gently, taking the cord. “You in love with Mission Impossible or something? This is the second time in two days you’re quoting it to me.” 

And this is how your day starts off—talks of Mission Impossible films that bleed into conversations about movies. 

The day at 10 o’clock in the morning is bright and blue as Jungkook drives back onto the freeway and continues down the road. The first few hours consist of the surrounding flatland, of green grass and high mountains all around. Conversations between you and Jungkook are a little more scattered today, but there’s a new level of comfort about the situation. With both of you well rested, it invites a more relaxed atmosphere as you pass the occasional joke or story time between the pair of you. 

As the sun continues to travel higher in the sky, Jungkook’s car starts it’s approach up the mountain. The trees start enveloping the pair of you into a newer, higher world. Not only that, but whenever you and Jungkook reach a clearing, it exposes a dip of lakes, grass, and mountains. And you, always having enjoyed the views of nature, keep an open eye for every single thing. 

You see Jungkook’s choice of destination before he does, and you gasp excitedly. 

Up ahead is a cloud of pink, white, and red flowers covering an entire mountain side. There is an occasional pop of cedar trees amongst the covering of pink, white, and red, but the colors are so poignant that it captures your attention immediately. 

You point to it. “Is that where we’re going?” 

Jungkook grins. “Surprise!” He’s selected this spot before offering the invitation to let you come along, but you’re not complaining. You’ve never been to a flower farm before, despite having heard about them and seen pictures of them for most of your childhood. You continue to watch with wide eyes and bright smiles as Jungkook drives closer and closer to the destination, finally parking in the appropriate lot after paying the fee. 

You’re practically vibrating in your seat with excitement. “Jungkook, Jungkook, c’mon let’s go, let’s go!” You push on the latch and nearly tumble out onto the ground. You straighten to stand on your feet, before meeting Jungkook near the trunk of his car. Surprise, surprise, he pulls out his camera and loops the strap over his head. 

He’s grinning as he closes the trunk. “You’re a little excited, aren’t you?” 

“A little?” You echo, clapping your hands, seemingly unable to wipe the grin off your face. “Jungkook, this is a flower farm! It’s so exciting!” 

So you dart off with Jungkook following closely behind you. The parking lot is located at the top of the flower farm, so the tour around the fields is a downwards one towards the bottom. A small pathway maps out a route for you to follow as you take in the various lines of flowers and colors. One short glimpse at the brochure tells you that these are spring flowers, and that you and Jungkook are visiting during the perfect season. You and Jungkook continue through your makeshift tour in silence, taking in the flowers as well as the view that extends out far beyond your line of sight while Jungkook snaps photographs behind you. Words don’t need to be said when everything around you says it all. 

At the bottom of the field is a cafe, a small brick building with an outdoor seating area facing the now upward flower display. You and Jungkook order sandwiches and soda, and take your seats outside as you wait for your number to be called. There are a fair amount of people today at the field, most of which you can see ahead roaming through the flowers ahead. 

“Have you ever been to a flower farm before?” Jungkook asks, as he glances over at you to see how bright your expression is. 

You smile as you turn to him. “No, never. But thank you for bringing me here, it’s beautiful here.” 

Jungkook smiles, looking a little smug. He looks proud of himself. “I’ve always wanted to come here, so I’m glad I was able to bring you along.” It looks like he wants to say more, but the number that rests between Jungkook’s fingers is called out, interrupting the conversation. He returns a moment later with the food. “I actually wanted to ask you something,” He says, taking the sandwich plate off the tray and placing it in front of you. 

You take the napkins that are being offered to you. “What’s up?” 

He settles down into his seat. “I didn’t get to return the question that you asked me last night.” 

It takes you a second to realize what he’s referring to. Immediately, you feel yourself turn red as you press your lips together. You were definitely drowsy last night, and hadn’t put too much consideration in the aftermath of asking Jungkook about his college relationships. You instead try for a laugh, as you wave him off. “Well, you don’t need to ask me. It’s pretty boring.” 

“Nonsense,” Jungkook brushes off, taking another bite of his sandwich. “So tell me, did you get into any relationships in college?” 

You laugh, albeit a little nervously. “No, not really. I never even went on any dates before—I guess, like you, I just couldn’t see myself in any long term relationship with anyone that seemed to like me.” 

“Well, how about crushes on your end? Did you like anyone?” 

You gaze over at Jungkook—taking in his wide curious eyes, his soft voice, his contagious laugh. The memories of him waving at you in class, of him catching up to you afterwards to continue previous conversations, of him going out of his way to say hi to you in the library. Jungkook has always been thoughtful, considerate, and soft along the edges. How could you not have crushed on him during college? 

And how could you not continue to have these lingering feelings for him afterwards? 

You think about your own advice you had given to Jungkook. You should reach out to her. Since you guys were friends before, I’m sure asking her out just to catch up won’t seem so weird. You need to make your move. Could you even follow your own advice? 

You look down before Jungkook could start asking questions about your staring. “There was this one guy,” You start, trying for an uneasy laugh. “But I don’t think he ever noticed me. Well, that’s a lie. I guess we were kind of friends? I think it’s more along the lines of me being out of his league.” 

“That’s depressing,” Jungkook notes as he finishes his sandwich. You hardly even noticed him inhaling the thing. “How could you be out of a guy’s league? You’re so smart and funny and easy to talk to—if anything, a guy would probably be out of your league.” He leans forward, bringing you close enough where you can clearly make out the mole underneath his lip. “Tell me about this punk. So I can tell you he’s not good enough for you.” 

You laugh, keeping your gaze on him. You doubt he’d be so confident had he known about ‘this punk’. “He isn’t a punk,” You remark quietly. “He’s really nice, and really sweet. I was pretty quiet in college. Definitely introverted and kept to myself and had a hard time making friends. Although I would have honestly barely considered him a friend, he just made me feel like my time was meaningful and my attention was valuable to him.” Jungkook’s eyes continue to bore into yours. “If anything, I just wish he knew how much I admire him.” 

Jungkook’s gaze is unwavering across your face, once again displaying that unreadable expression. Yet, despite that, something glimmers in his eyes and he seems to come to an understanding you yourself don’t know about. That glimmer keeps swimming across the orbs, even as he switches his gaze between your eyes. They flicker down to your lips for a second, and your heart stutters in your chest. 

Jungkook coughs, pulling away from you as he seems to hyper-focus his attention on the soda still in front of him. He looks shy as he steals another glance at you from across the table. “He might not have made you feel that important if you were too scared to tell him how you felt.” 

You look down at your sandwich and take another bite. Something about the way he’s staring holes into the side of your face tells you that he knows something that you don’t. You wonder what he’s thinking. 

Jungkook wears that thoughtful expression for the rest of the visit to the flower field, as the pair of you return back to his car and slide back in your seats. He stays quiet as you resume the trip, slowly making your way back onto the freeway and towards your second motel. 

This kind of quiet is different than the previous silences the pair of you have grown to share over the past twenty-four hours. Unlike the comfortable moments of unspoken words, this is more tense. Like he knows something that you don’t. 

You don’t know what to say, or how to break that silence. You don’t know if perhaps you said something you shouldn’t have, or said something to make him uncomfortable. All of those thoughts are not pleasant ones. 

Jungkook stays quiet for most of the drive through the mountain. The music you have selected is loud enough that seems to drown the tense atmosphere, but the questions still press themselves deeply into your mind. What is he thinking about? 

And worse of all: did he know you were talking about him? 

You and Jungkook only speak a handful of times during the trip. He asks you if you need to use the restroom, if you’re hungry, and if you could play him your favorite anime openings. The pair of you have a handful of laughs about your mutual love for Haikyuu and Fullmetal Alchemist: Brotherhood, but most of the drive to the motel is ridden out in silence. 

The pair of you reach the hotel around dinnertime, definitely nowhere as exhausted as you had been the previous night, but just as eager to finally reach your destination. The tension between you and Jungkook has eased slightly, so you can only assume that perhaps he has overcome whatever was bothering him. You yourself have pushed the thought of Jungkook knowing the truth out of your mind. After all, if he had known, you assume he would have brought it up. Or at least called for an Uber to send you home. You assume you would have provided some sort of reaction for the two of you to talk about. But alas, those thoughts follow a conversation that has not happened, and will probably never happen, because you’re sure that you’ll never have to be in a situation that forces your feelings to go out of control once again—! 

“Hi,” Jungkook returns to the hotel clerk behind the desk, a girl to be about your age, who is flickering her gaze between you and Jungkook. A flicker in her eyes tells you that she already has multiple thoughts and assumptions about your relationship. “Do you have a room with two beds?” 

“Oh!” The girl blinks, momentarily looking taken aback. “Of course, let me check.” She turns her attention to the computer screen in front of her. Her eyebrows furrow together. “I’m sorry sir, we only have rooms with one bed available—either a full, queen, or king-size mattress.” 

Jungkook makes a noise in the back of his throat as he taps his credit card on the desk. Just watching from the side, you notice how he swallows, how he looks down, how his cheeks turn red. He turns to you after a moment. “D-Do you, uh, do you mind?” 

It takes you a second to realize what Jungkook is asking. He’s asking if you’d be okay with sharing a bed with him. Him: your college crush, the guy you never really lost feelings for. 

You turn red too. “U-Um…” You press your lips together and swallow. “S-Sure,” You manage, waving your hands out in front of you. “I-I don’t mind. I-If you don’t mind, of course.” 

“I-I don’t mind either.” Jungkook, however, looks like he’s about to combust. He looks a little lost again. He blinks once, twice, and seems to realize that he’s supposed to hand the woman behind the desk his card. “Uh, whichever room is the cheapest.” 

“That’ll be the room with the full-size bed.” She flickers her gaze between the two of you. “If that’s okay.” 

“O-Of course,” He stammers back, allowing the girl to take the card. He looks at you. “Do you mind staying here? I have to go to the bathroom real quick.” 

“S-Sure, go ahead.” A part of you wants to hit your head on the desk. What is happening to you? Why is the mere thought of sharing a bed with Jungkook turning you into a pile of mush? You’re a grown ass woman—! 

“So the two of you on vacation or something?” The woman behind the desk asks. She’s still in the middle of scanning Jungkook’s credit card. 

You try for a smile. “Kind of, we’re going to a friend’s wedding.” 

“I see, that sounds fun.” She smiles. “You know, I have to be honest, I was a little surprised he asked for two beds. You guys would make a cute couple.” 

At the label, you start to turn red. “O-Oh n-no, we’re not a couple at all. That’s very flattering, b-but yeah we’re not together.” 

“Oh, I know,” The girl rebuffs. Her smile looks more like a grin. She places Jungkook’s credit card on the desk, along with a receipt and a pen. “I hope the full size bed will change that.” She gives you a wink. 

You part your lips, unsure what to make of the situation. “What—!” 

“I’m back,” Jungkook says, sliding up from behind you and making you jump slightly. “What did I miss?” 

“Uh…” You wonder if your face is too red or not. It certainly feels that way. “Here!” You push him forward towards the desk. “She scanned your credit card. You just need to sign and we’ll be on our way.” 

If Jungkook notices the stiffness in your posture, he doesn’t comment as he leans forward to sign the receipt. Just over Jungkook’s shoulder is the worker, looking at you with a now shit-eating grin across her lips. Several questions ping through your mind, but you don’t get to ask any of those because Jungkook is turning around with his credit card in hand. 

“Uh, ready to get going?” 

“Sure!” You say, voice a few several pitches higher and you return to wanting the ground to swallow you whole. Jungkook leads the way out of the lobby, and you dare one last glance back towards the woman behind the counter. 

She’s waving a slip of paper in her hand. 

You turn back to Jungkook. “Hey Jungkook, give me a second. I think we forgot to grab something at the desk.” 

It sort of feels like a walk of shame to reach the worker behind the counter, who is still grinning at the sight of you and your internal struggles. She hands you the slip of paper, mouths something that makes you go red, before you’re turning back towards Jungkook. “Good luck,” She had whispered. 

Before you’re reaching Jungkook, you open the paper. At the very top is the WiFi password. 

Underneath the WiFi password, in what you can only assume is her handwriting, is one sentence. Fate said you guys only get one bed- don’t worry, I think he likes you too :-) 

“What was that about?” Jungkook asks. 

You shove the paper into your pocket. “The WiFi password,” You supply. 

The walk to the hotel room is quiet as Jungkook leads the way through the different hallways, corridors, and numbers on plaques. That tense silence is back as he guides the two of you, stopping only when he reaches the number that matches the one on the index card. He gives you a look, and inserts the card key into the slot. The door beeps, and he pushes open the door to find, true to the word of the lady behind the counter, one full-sized bed in the middle of the room. 

For the first few hours, it’s easy to ignore that full-sized elephant in the room. Jungkook takes out his laptop and you guys watch your favorite season of Haikyuu together—it’s season two—or you guys linger about on your phones. It isn’t until nighttime falls into your bones, into your minds, that you realize that you really need to address the new situation. 

“I’m gonna take a shower first, if that’s okay,” You say, already sliding off the bed to gather your belongings from your suitcase. Jungkook is humming along to the Haikyuu ending song, but he stops long enough to accept you taking the first shower. He watches you as you fish pajamas out from your suitcase. “Hey, Jungkook…” You start. “Are you sure you’re cool with this?” You gesture to the bed. “I can sleep on the floor. They give you extra bedding for a reason…” 

“What? No, of course not, I’m not letting you sleep on the floor.” He moves until his knees are pressed into the mattress. “And I’m cool with this. Promise.” He hesitates. “Are you sure you’re okay with this?” 

“Y-Yeah,” You manage, straightening into a standing position with your clothes in hand. “I don’t really move around when I’m sleeping. And I trust you, Jungkook.” You keep your gaze on each other until you break it first, turning around to step into the bathroom. 

You step out many minutes later, hair freshly washed and feeling much more relaxed than before. Jungkook has moved to the desk in the corner of the hotel room, typing away at some emails on his laptops. He does, however, whirl around upon hearing you exit the bathroom. The sight of you in your sweats, t-shirt, and damp hair makes his eyes linger. 

You merely tuck a strand of hair behind your ear. “You can go now,” You say quietly. 

Jungkook nods. “Thanks.” 

Breaking that eye contact again, you turn to the bed and lift the blankets to slide under the covers. You rest your head on the pillow, and immediately start to drift away. 

You are brought back after what only feels like a few minutes, when you hear a light switch turn off followed by the blanket next to you lifting up. You turn slightly towards the other side of the bed. “Jungkook?” You whisper. 

A stillness. “Ah shit, I’m sorry. I was trying to be sneaky.” 

“Mmm…” You mumble softly, turning your body 180 degrees in order to face him. You can vaguely make out the shadow of Jungkook’s outline. “Don’t worry. I’m a really light sleeper. Come on in.” 

There is a shift in the blankets until you feel the additional weight of Jungkook’s figure crawling in next to you. The knowledge that Jungkook is lying right next to you turns your blood hot both with anxiety and because Jungkook brings in a new wave of heat underneath the covers. For a cool spring night, it’s comforting. But also further anxiety-inducing. 

Jungkook shifts and even though the pair of you are on opposite sides of the bed, you can still feel the warmth radiating off his body. In the silence of the hotel room, you can hear Jungkook breathing. 

“Is this okay?” It’s Jungkook asking. His voice is quiet, soothing, and very close to your face. You realize that you guys are facing each other. 

Still, you have to give an answer. “Y-Yeah,” You reply softly. “Goodnight, Jungkook.” 

“Goodnight.” 

You turn onto your back. You try to go to sleep, you really do. But your heart is pounding, and rather than the blood filling your ears, it’s the sound of Jungkook’s breathing. 

“Y/N, you still awake?” Jungkook asks softly. 

You snort. “It’s only been a minute.” 

Jungkook smiles. “Sorry. I just… I have a question. A thought, actually.” 

“What is it?” 

“Well, okay, I don’t want to come off as arrogant or self-centered, but it’s just a question and just this thought that I have…” 

“Jungkook.” You turn back to face him. “You can ask me the question. I don’t mind.” 

“Well, alright.” Jungkook shifts. He’s a little closer now, you can make out the outline of his face. Everything looks slightly more defined now, definitely a result of your eyes adjusting to the darkness. “When you were talking about the guy you had a crush on… you know, when I asked if there was someone you were interested in while we were in college.” 

“Oh, I remember.” Your heart feels fuzzy, even though you have no idea what he’s going to ask you. 

“Okay, um. I guess I just wanted to know. Were you talking about me? 

The world seems to stop tilting on its axis—and all the consequences of that follow along. Everything around you slows to a grind: your heart stops in your chest, and all the air drains out of your lungs. You hold your breath, feeling as if your body has just been dipped underwater. Thousands of thoughts ping through your mind. You feel like that episode of Spongebob where all the file cabinets in your brain are catching aflame. You suddenly feel like you have no thoughts, but too many thoughts at the same time. 

Above all, one question rises above all the rest: how did Jungkook know? 

You’re so wrapped up in your thoughts that you don’t hear your name being called. It isn’t until you feel a hand at your shoulder do you jolt. “H-Huh?” 

“S-Sorry.” Jungkook sounds a lot more nervous now. “You weren’t responding.” 

“I… I was thinking,” You reply lamely. 

A pause. “What’s your answer?” Were you talking about me?

You swallow. Should you tell the truth? Or should you deny everything with the hopes that Jungkook will forget this conversation ever existed? 

The words spill out before you can think of a proper answer. “What if I was?” 

Jungkook is quiet for a moment. “Well…” He starts up again, inching forward towards you. Every move he makes is amplified in your ear, every squeak of the mattress and every rustle of clothing echoed in the small space that is your hotel room. “I’d be kinda frustrated, to be honest. Because when I was talking about my own crush, it might have been about you.” 

At Jungkook’s confession, the world seems to come crashing down on you as everything around tries to catch up to you. Immediately, you assume that perhaps you hadn’t heard Jungkook correctly, or maybe you’re completely misinterpreting what he’s trying to say to you. 

In a perfect world, maybe you’d say something witty and smart. Maybe you’d play along until he snapped. Maybe you’d be fluent in courting talk and understand exactly what he’s trying to say to you. 

But this isn’t a perfect world, and you are neither witty nor smart. You most certainly are not aware of flirtations. You need boys to be as straightforward as possible. Which is why you utter the most comprehensible: “What?” 

You feel a warmth at your hip—Jungkook’s hand against your skin. “Ahhhh.” Jungkook starts, not at all sounding fearful but rather casual. Still the underlying case of shyness, however, because this is still Jungkook. “I forgot you sometimes need simple things spelled out for you. Remember when you emailed our Arts History professor three times because you kept forgetting what font she wanted the assignment in?” 

You flush—Arts History was the class you and Jungkook were forced to pair up together for. Maybe you would have protested it more had you known Jungkook would turn out to be a little shit over it. “That was a one time thing! You’ve been bringing it up for as long as I’ve known you!” 

Jungkook giggles, pulling you closer so your face is against his collarbone and his chin rests on your shoulder. “Shh, okay, okay, I’m sorry.” 

Your face is burning at the feeling of your bodies so close together, your fingers pressed against his shirt and your nose against his skin. He smells like floral fabric softener. “Jungkook…?” You whisper softly, breath fanning his neck. 

Jungkook tilts his head to rest gently against your temple. He stays quiet for a moment, absorbing the moment. “If you did have a crush on me in college, it would be frustrating. Because I had a crush on you too.” 

This time it’s straightforward, just like how you’ve always wanted it. Why can’t you seem to reply? 

“Oh.” 

“I know.” 

You curl your fingers around Jungkook’s shirt. “What if…” You start slowly. “What if I said I still had those feelings?” 

Jungkook seems to think about his answer. “I’d say that I do too.” 

You swallow, nodding in a way that allows him to feel the movement. “Okay then.” 

Without a warning, Jungkook moves to curl his whole arm around your frame. This brings you even closer together. He noses your hairline. “Go to sleep,” He whispers softly. “We can talk about this tomorrow.” 

A part of you wants to say no—that holding off on confessions isn’t what happens in novels or tv shows or movies. But the larger part of you knows that you won’t be able to have a proper discussion like this when you are weak, tired, and vulnerable. Your heart stalls at his consideration, allowing yourself to be content just like this: asleep, cuddling with Jeon Jungkook as you’ve imagined since you first developed your crush. 

It’s much better than the fantasy. 

.

You wake up the next morning with Jungkook’s arms wrapped around you, his soft breathing against your neck and his lips dusting the skin of your neck. There’s a new kind of comfort you find being held like this, and a part of you wants to melt back into his arms. You think you can pretend to be asleep just to stay here a little longer, but the urgency you have to pee and get the day started becomes too pressing. 

Your previous assumptions of Jungkook being a heavy sleeper are confirmed as you manage to untangle yourself from him without so much as a whine from his end. By the time you finish with the bathroom, Jungkook is just beginning to push himself into a sitting position. 

You linger near the foot of the bed. “Good morning,” You greet, almost nervously. For good reason to—the memory of last night is vague but defined well enough where you aren’t sure what the next course of action should be. It’s not like your college ever offered a course about what to do when your crush admits to liking you back. 

Jungkook looks at you from across the bed. He gives you a small smile, a reassuring one. “Morning,” He says back. “How did you sleep last night?” 

You twist your hands together. “Pretty good, actually. How about you?” 

“Me too.” He adjusts his position so he can crawl over to you. He slides his legs over the side of the bed right next to you. He brings his hands towards you, palms up. Although he’s close enough to reach you, he doesn’t. Instead, he asks: “Can I?” 

You don’t say anything, you merely rest your hand in his. He tugs you towards him, stopping only when you’re standing between his legs. He still keeps his fingers curled around yours, turning your hand up to play with your fingers. 

He looks up at you, a soft smile across his lips. “Hi.” 

You smile back. “Hi.” 

He laces your fingers together, resting them between your bodies. “I guess now for the bigger question… how are you feeling?” 

You look down at your hands, deciding you like the way his larger hands cover yours. “H-How did you know I was talking about you?” You ask instead, looking over at him. 

Jungkook shifts his gaze away for a moment. “I don’t know,” He admits earnestly. “You were just looking at me back at the flower field and I had a feeling. And I really think a part of me was hoping you were talking about me.” 

Unable to help yourself, you feel the side of your mouth quirk up into a small smile. “What would you have done if I wasn’t talking about you?” 

He exhales in a laugh. “Honestly, I might have just driven out in the middle of the night and gone over a bridge or something.” 

You laugh, trying to diffuse your smile by pressing your lips but it only works so well. “I was really surprised to hear you liked me back.” 

“Of course!” He exclaims, looking momentarily shocked that you would feel this way. “I wasn’t messing around when I said you were smart, funny, and easy to talk to. That’s what made me really like you when we first met. Whenever we talked you just felt so real and approachable—like I could just be myself around you. And even now, seeing you after graduating and realizing you’re still all of those things. It just makes me like you more.” 

You feel your heart thumping wildly in your chest. You’ve never thought of yourself in the way Jungkook is describing you—you always just assumed that you were in the background, that you’d never be enough. 

Jungkook is looking at you, his eyes big and wide and full of truth. “Is that weird?” He asks. 

You shake your head immediately. “No, no it’s not weird at all.” You shrug a shoulder, giving him a meek smile. “It’s really sweet, actually.” 

Jungkook grins at that, heaving out a breath as a sign of his lowered defenses. “I think you’re sweet too.” 

You groan at that, throwing your head back as Jungkook breaks into a series of giggles. “You’re corny.” 

“You’re not complaining,” He points out. This is true. 

You shrug. “I guess that means I’m expecting us to catch up on three years of terrible flirting.” 

The smile slides off his face. “You’re right.” He brings your joined hands closer together until your whole body is standing closer to his. “Can I ask to kiss you?” 

The four letter K word makes your heart stutter in your chest once more. Your hands are so close to his chest that you can feel his own heart beating, and the thought of Jungkook being equally nervous for this gives you enough confidence to return his question. “Why don’t you ask and find out?” 

He smiles, a bunny smile that crinkles his eyes. “Touche. Can I kiss you?” 

You smile back. “Yes…” You whisper, leaning down just enough for Jungkook to crane his neck up in order to meet each other halfway. It’s just a closed-mouth kiss, a soft weight against your lips.

It’s one that Jungkook pulls away from before you can really enjoy it, really ponder asking for more. “Sorry,” He says immediately, pointing to his mouth. “Morning breath.” 

The pair of you stare at each other for a moment, before bursting out into laughter. That tense atmosphere is gone, replaced inside with that previously casual and comfortable air—as you step away from Jungkook and let him get his morning started. Except this time, the air is filled with open lingering stares, shy smiles, and Jungkook taking your suitcase wordlessly as you exit your hotel room. 

By the time you load into your car, it’s nearing noon and the gas tank in Jungkook’s car is almost empty. The pair of you agree in another champion’s breakfast—gas station food. 

“I swear, we’re both going to have terrible breakout tomorrow during the wedding,” You point out. Despite your words, you still tear into your Nacho Cheese Doritos with the aggression of a gorilla. “I’m going to photograph horribly. Irene will be so embarrassed.” 

“You photograph horribly? Inconceivable!” He says the word just as it is said in The Princess Bride, which makes you burst into another fit of laughter. 

The afternoon pans out the same way it has for the past two days. Jungkook drives onto the freeway, you decide the music, and the conversations fade in and out. Neither of you talk about the events of the previous night or of what happened in the morning—but the way Jungkook reaches out to laces your fingers together is more than enough. 

The town Jungkook has selected to stop for the evening is a five hour drive from the wedding venue—and it’s an actual city space this time, with restaurants and grocery stores and apartments. As soon as Jungkook tells you this information, you are bursting with excitement. It’s been two days since the pair of you actually stopped and lingered in a city environment and you miss it. 

It takes another whole day of driving to reach the city destination, as the first alert you get is the increasing number of cars that have joined you on the freeway. These more busy freeways guide you into the city, where you are greeted with the first sight of buildings, sidewalks, restaurants, and parking lots in days. 

Even though most of these landmarks are simple flashes that you and Jungkook pass through on the way to the hotel he has selected, you keep your eyes glued out of the window in order to take in as much of the surrounding area as you can. You continue to watch as the immediate high rises become more sporadic and spread out, until he’s finally pulling into the hotel. The sun is just setting behind the many buildings along the horizon. Lots of other cars are parked in the parking lot. You can hear other cars, buses, and trunks driving around the background—and you feel strangely comforted by this discovery. 

“Are you okay with sharing another bed today?” Jungkook asks as he guides the pair of you into the lobby. “I may or may not have called to make a reservation earlier when you were in the bathroom.” 

You laugh, feeling giddy at the thought of Jungkook taking the initiative to continue progressing your now slow-growing relationship. “Was that all they had left?” You ask teasingly as you make your way to the counter. 

Jungkook smiles down at you. “Perhaps I didn’t ask…” 

Your lips part. “Jungkook!” 

“What?” He’s laughing now. “I think I’m gonna bow out of any excuse to cuddle with you now that you’ve given me a taste of what that’s like?” 

You’re gasping in the midst of your laughter. “You’re terrible,” You manage. 

So Jungkook checks in—true to his word, he has reserved a single full-sized bed for the room. 

“Hey, so, I was thinking,” He starts as he’s following the map provided to him by the employee with directions about getting to his appropriate room. This hotel is slightly bigger than the off-the-road ones you and Jungkook pulled into, so it takes a little longer to find the room. After a few minutes of turning the map over, you two eventually find the room. 

“What’s up?” You ask as you push open the door and roll your suitcase into the space, with Jungkook following closely behind you. 

“Come here,” Jungkook requests gently, watching as you let go of your suitcase and make your way towards him. You move into his space easily, allowing him to hold you by the waist. “Since we’ve both admitted to missing out on three years of courting, flirting, and dating—I think we should go out to an actual restaurant to have an actual date.” 

You lean back slightly and give him a slightly shocked look. “Really?” 

“Yes!” He says. “Besides, someone has to put their foot down and say that eating only McDonalds and gas station hot dogs is not the right way to go.”

You laugh at that. “True, but we were having so much fun!” 

“Nope!” He exclaims, shaking his head. “The foot is going down, we’re going to an actual restaurant for dinner. Get changed, take a shower, whatever you need to do to freshen up.” There’s a finality in his words as he finally steps away from you, the smile of sweetness still on his lips. 

The restaurant Jungkook picks after scrolling through Yelp and other lists of recommendations is a corner Italian place that apparently serves the best Linguini and clams—a dish that you really enjoy. So you put something together much more presentable than your usual round of sweatpants and baggy t-shirts—replacing the sweatpants with black jeans and giving yourself a cream colored cropped sweater. It makes Jungkook’s eyes widen all the same. He’s clad in his usual black jeans and oversized coat that is perfect for the spring breeze. 

Since the restaurant is within walking distance of the hotel, you and Jungkook agree to chill off on the driving just enough to stretch your legs and actually have a walk for once—all while celebrating the final night of the road trip. 

“I was a little worried about this at first, to be honest with you,” You admit softly to Jungkook, long after the pair of you have been seated in a corner booth and have ordered your food. You’re circling the pasta noodles around your fork, and Jungkook is watching with a touch of amusement and adoration in his eyes. 

“Not gonna lie, so was I,” Jungkook returns back with an equally meek smile. 

You gape at him. “You invited me though!” 

“I did!” Jungkook exclaims with a laugh, looking down at his own order of food. “Me inviting you was honestly a spur of the moment thing. Me catching up to you, however, was me trying to be brave.” 

“You seemed pretty brave throughout most the trip,” You point out 

Jungkook shakes his head, situating his arms in a cross motion. “Nah dude that was just all a very well thought out facade. A part of me was expecting it to go terribly so I could at least walk away knowing that I built you up in my mind and the fantasy of that was better than the reality.” He must see the look of uncertainty casting a shadow over your mind because he immediately cuts back in. “Just so you know, the reality is much better than anything I could have conjured up.” 

You lower your chin slightly, staring over at Jungkook. You bring one shoulder up into a half-hearted shrug, maybe to showcase a certain level of carelessness. “What were you conjuring up then?” 

“Oh, I don’t know if you want to go there right now,” He rebuffs, looking a little red in the cheeks. “I think we should start slow. Refer to the PG thoughts, if you will.” 

You laugh, focusing your gaze momentarily on the last of your pasta. You had sorted through the clams, since they weren’t your favorite things to eat. “Jungkook, are you admitting to me that you have thoughts above PG?” 

“Oh shit, that wasn’t my intention!” 

You giggle. “I’m messing with you, Jungkook!” 

He pouts. “Don’t do that.” He rests his hand on the table, palm up, inviting for you to take it. “I just want to spend today with you, and take it slow—I just want to hold your hand and kiss you and lay with you and just be with you in the way I couldn’t be with you in college. Is that too weird?” 

You look down, pressing your lips together, trying not to squeal and definitely not trying to throw yourself off the chair. You look back over at him and squeeze his hand. “That’s not too weird at all. That’s actually really sweet. Honestly, those are things I probably would have asked for regardless. I don’t really know the rules of dating—I never really went out that often.” 

Jungkook smiles sweetly back at you, he brings your hands up to kiss the back. “I’ll give you a few pointers then, let’s get going.” 

After the check is paid for—it ends up being a split between the two, it’s the best compromise you can come up with considering he wants to take you out but you want to pay him back for driving this far—the pair of you emerge back into the city space. Jungkook’s hand is still wrapped around yours, using that connection point to pull you close to him. 

“Now this move,” Jungkook explains, beginning to lead you both back to your hotel room. “Is when the gentleman walks the lady home, because their date went by smoothly and he wants to see her for as long as possible.” 

You laugh. “I’m enjoying this so far.” 

The pair of you continue down the sidewalk, using the time it’ll take to walk back to the hotel to walk off the food in your stomach. You resume your conversation, giggling and laughing all the same until you’re walking through the lobby of the hotel and slowly making your way to your hotel room. 

Right before you step inside, Jungkook stops you. “Normally, the front door is where the gentleman drops the lady off, and they talk about how well the date went.” 

“Oh, well, in that case, this was so nice, Jungkook,” You remark, beaming at Jungkook’s own smile. “I’m glad you convinced me to eat real food for once.” 

“You’re welcome—I had fun too.” Jungkook slides closer to you. You, completely hypnotized by his next movements, watch as he cups your face with his hand to angle you upwards. “This is the part where we have a first kiss, because the stars are lined up for this. And because I really want to.” 

You smile, curling one of your hands around the wrist near your face. “Seeing as we’ve already had our first kiss, how about a second one?” 

Jungkook smiles back, eyes lidded towards your mouth. “I guess that’ll work.” His lesson on dating, it seems, is done, as he leans in to kiss you. You suck in a breath as he covers your lips with his. It’s deeper than the first time he kissed you—which had been more of a peck with a side of morning breath. But now you’re both awake, tasting like wine, and drunk off each other. It’s a more real kiss. 

You whimper as Jungkook’s tongue runs over your bottom lip, before slipping into your mouth. It’s a sensation you can get completely lost in, until Jungkook pulls away. 

Under the hallway light, you can make out his flushed cheeks, his wet lips, his dark gaze. 

Immediately, Jungkook is pulling you to his side before he starts digging through the pockets of his jeans. “Alright, we’re going inside right now.” 

You lean into his shoulder. “I thought I was supposed to invite you inside, Jeon? What happened to giving me pointers on first dates?” 

“Screw that,” He retorts, practically shoving the hotel door open. He turns around to face you. “Now, this is our hotel room. And I want to kiss you in private.” 

Your laughter is drowned out as Jungkook tugs you by the wrist into the room. 

.

Under different circumstances, waking up next to each other after a first date would hit you with a wave of anxiety and maybe even a vague sense of embarrassment at letting someone you like see you in such a vulnerable position. 

Right now, however, under the morning sunlight within the covers of your shared hotel bed, you just feel happy and content. You wake up on your side, with an arm resting over Jungkook’s chest and his fingers curling around your own. There is an immediate feeling of giddiness that overtakes you, because it’s hard for you to believe that this is happening. Someone you’ve liked and continue to like actually returning your feelings? That has always been such a foreign concept to you. 

You don’t know how long you continue laying in bed until Jungkook starts shifting next to you, signalling his wake. You watch as his eyes slowly peel open, laced with grogginess but still looking unfairly attractive that there are butterflies in your stomach. 

Jungkook lets out a sigh, as he looks down at you. A tired smile takes over his expression. “Morning.” 

“Good morning,” You reply back, voice soft and a little shy. “Happy wedding day.” 

That is true. Today is Irene’s wedding—an event you and Jungkook will arrive at in nearly five hours. There’s a strange sort of knot that is beginning to twist itself in your stomach, a knowledge that something good is coming to a close but a fear in the unknown as to what this would mean regarding your relationship with Jungkook. Neither of you have laid down groundwork for your relationship—if this even is a relationship to begin with. You may be inexperienced with this kind of stuff, but you’re sure that one date and making out on a hotel bed doesn’t immediately constitute an exclusive relationship. 

If Jungkook notices the tension in your form, he doesn’t say anything. He kisses your temple and grumbles something about wanting to get the day started. He mentions something about not having to worry about getting dressed for the wedding straightaway—that he has reserved a room at the hotel some of the guests of the wedding would be staying at, which is where you will be getting ready before the event. You nod, hearing pieces of his words, but a lot of it gets lost in your own thoughts. 

Is it okay to ask questions about where you stand with Jungkook? Is it foolish of you to even bother wondering? You’ve seen movies and have had conversations with friends about guys who dismissed questions like that as ‘moving too fast’. You don’t want to scare Jungkook off, but you also need to know that you’re not wasting your time.

You remain in bed, staring up at the ceiling as you sigh and try to organize through your thoughts. You also try to break down how the past three days have been. 

However, trying to do so proves to be a difficult challenge, as Jungkook’s phone starts buzzing excessively on his side of the nightstand—it seems like he is getting a series of text messages from someone. 

You know you shouldn’t be looking or prying, but the constant binging of alerts only eats at your nerves more. You turn in the bed towards Jungkook’s side, picking up the device to search for the silence switch along the sides. The screen, however, lights up and you immediately see a name you have not seen or heard since college. 

Jennie (9:53AM): hey jungkook !! just thought I’d ask where you want to meet up before the wedding starts 

Jennie (9:53AM): since we’re each other’s plus ones, I think we should show up together but idk let me know what you think 

Jennie (9:53AM): I’m excited to see you again and catch up, it’s been so long !! :) 

You freeze, feeling your body overload with information and questions come flooding into your mind. At first, you think you reread the message wrong. You think that maybe Jennie is texting the wrong person. But after the third or fourth time, you realize that this isn’t a dream. That Jungkook already has a plus one to the wedding, and it isn’t you. 

More than that, it’s Jennie. 

Jennie is also someone you went to college with, and someone that you only heard of between the grape vines and therefore is someone that is only vaguely recognizable. But you definitely know her. Jennie had been one of Irene’s friends, president of her sorority—and labeled some of the nicest people on campus. Even just from rumors and the one time you ran into her around the school, you can see it. Jennie is nice, beautiful, friendly, and outgoing. All the things you are not. 

And now, she’s Jungkook’s plus one to the wedding. And Jungkook did not tell you. 

Your lips part as your head starts to spin. Why didn’t Jungkook tell you he already had a plus one to Irene’s wedding? Maybe he did not owe you the explanation, and maybe you should never have assumed he’d be your plus one to the wedding. 

The thought of you assuming Jungkook would be your date to the wedding fills you with a vague mortification—why did you have to go ahead and assume? 

Your mind starts to spiral as you fall into the depths of overthinking. Now you were set to attend a wedding alone, with no plus one, and surrounded by people you don’t know. All while watching Jungkook sit with Jennie, eat with Jennie, and dance with Jennie. 

Holy fuck, holy fuck, what were you going to do? You can’t go to this wedding alone. You can’t confront Jungkook about this—you’re not even supposed to be touching his phone or looking through his phone. He would definitely be upset. How could he not be? 

At once, the tears collect in your eyes. How could this be happening? Seconds ago, you had been so content and happy, excited to attend this wedding with Jungkook. Seconds ago, you had been confident about your feelings, and Jungkook’s feelings in return. From all the kisses he showered you in, the date, the talking, the confessing—how could you not feel that way? 

Had Jungkook just been pulling your leg? After all, he did have three years to talk to you, to go out with you. Why hadn’t he said something sooner? Is he here right now: talking to you and laughing with you because he hadn’t found anyone and knows that you would do anything for him? 

In the background, you can vaguely make out the shower in the bathroom turn off, signalling Jungkook’s near completion with the bathroom. At once, it feels like you’re in a car that has enforced sudden breaks and has sent you flying against the dashboard—like you can’t breathe. 

Hastily, you rest Jungkook’s phone back on the nightstand and roll back over to your side of the bed. You blink quickly, trying to rid of the tears that have collected in your eyes while also trying to calm the lump in the back of your throat. 

Just as you’re starting to get a handle back on your feelings, the bathroom door opens and you can vaguely make out Jungkook’s humming as he exits. The fact that he sounds so carefree while you’re hurting only a handful of feet away almost makes the tears come back in. But you’ve learned how to hide your emotions well. 

Jungkook’s soft laugh brings you out of your thoughts. “Still in bed?” He asks jokingly, sitting on the edge and placing a hand on your ankle. You try not to stiffen at the gesture. “You know, even though we’re getting dressed at a different hotel, we still need to get going.” 

You take in a breath. “I’m comfortable here,” You exclaim, sitting up and facing Jungkook. He’s looking as wide-eyed, easy-going, and comfortable as always. You’re not sure how long you can keep up the facade of being okay. “I was just waiting for you, that’s all.” 

You don’t wait for him to reply as you slide off the bed, grab your clothes from your suitcase, and lock yourself in the bathroom. You ignore the lump in your throat as you brush your teeth, as you get your day started. Finally, you look up at your own reflection in the mirror. Unlike previous times, when there had been a glimmer to your gaze—you don’t know you recognize the now disheartened individual before you. 

You exit the bathroom and immediately turn to pack up your suitcase once more, ignoring Jungkook in the process. The boy is on his phone, typing something—probably a text message. Maybe he’s responding to Jennie, confirming their date for tonight, as he remains completely oblivious to your feelings. 

The thought brings the tears back to your eyes. 

“Ready to go?” Jungkook asks, all smiles and soft eyes as he slides off the bed to face you. 

You don’t look at him as you shoulder your carry-on bag and straighten into a standing position. “Yeah.” You don’t mean for the tone to come out dry and unresponsive, but you’re too focused on trying to get the tears out of your throat. 

You miss the way the smile slowly slips off Jungkook’s face as he watches you move towards the door. 

Jungkook moves towards you, reaching forward to take your suitcase from you just as he’s done for the past few days. 

You, however, brush him off. “It’s okay, Jungkook.” You pull open the door and make your way down the hallway without looking back to see if he’s following closer behind you. You don’t need his help, you don’t need his pity. You don’t need him to do these things, to lead you on—especially if he was going to end up with some other girl at then end of the day. 

You stay quiet as you make your way to Jungkook’s car. Jungkook steals the occasional glance in your direction, seeming to finally realize that something is wrong. 

He, however, doesn’t say anything until you’re back on the freeway—on the five hour drive towards the wedding venue. “Everything okay?” 

You’re playing with your hair, but you stop long enough to spare him a short glance. You’re not even looking at his face, you’re looking at the chair he’s seated on. “What do you mean?” 

Jungkook clears his throat. “You’ve been really quiet since I got out of the bathroom. You…” He gestures to the center console. “You’re not even playing any music.” He tries for a smile. “I’d really like to listen to your ‘everything’ playlist.” 

“Sorry, I’m not really in a music-listening mood right now,” You whisper, realizing that you should probably cover up your ass a little better than you are currently. “S-Sorry, I think it was something at the restaurant yesterday. I’m not feeling super hot right now.” 

“Oh no, do we need to stop by a pharmacy or something? I can run in and get some stomach machine or whatever—!” 

“Jungkook, it’s fine.” 

Maybe it’s the finality of your tone, or the sharper edge in your voice, but Jungkook quiets down again. One glance in his direction shows you the furrow of his eyebrows, the set of his jawline—he looks hurt and confused. And that kills you inside. 

A small part of you wants you just lay all your cards on the table—to admit your side of the story and let him know about the texts and the hurt feeling still eating itself at your heart. 

But another part of you, the bigger part of you, doesn’t want to give Jungkook that power. You don’t want to be the one to crack first, to be the one who gets hurt first. So you refuse to say anything, settling deeper and deeper into the seat of Jungkook’s car. Contrary to your initial thoughts, he doesn’t plug in his own phone to play his own music. He simply allows the pair of you to bathe in silence. 

Without the music to distract you, without Jungkook trying to make conversation, it forces your mind to linger on the events of the early morning. Maybe Jungkook didn’t tell you because it was obvious to him that the pair of you would never have been a plus one to the wedding in general. He’s probably hurt because Jungkook can’t get his way with you. 

The realization that he doesn’t even have the consideration to warn you ahead of time that an invitation for a ride doesn’t equate to an invitation to be a plus one brings the tears back to your eyes. Did you not even deserve a warning? Why would Jungkook let you kiss him, let you fall in love with him—only to turn his back on you like this? 

You have to keep your eyes glued to the window of the passenger’s side of the car, just to make sure Jungkook won’t see the tears. You can just imagine that he’ll ask, and the conversation will steer the pair of you into an even more awkward space. 

It’s a very agonizing five hours. Not having that time to recover from the shock of those texts is becoming increasingly more difficult for you to handle. 

There are a few times that your tears overwhelm your whole system, where you have to sniff to get a handle on your body’s response to the emotions going through your body—which you’re sure Jungkook can hear. After all, there’s no music playing and there is a silence that is threatening to swallow you whole. 

Jungkook, however, does not say anything in response to your very obvious sniffle. He merely tightens his grip on the steering wheel, and keeps his mouth shut. You wonder if he’s waiting for you to talk first, to explain what’s going on with you. 

The sky is bleeding orange by the time Jungkook pulls into the new hotel, the final hotel. There is still two hours until the wedding is set to start, but every nerve in your body is screaming for you to leave and go back home. Every nerve in your body is telling you that you don’t belong here anymore. 

“Okay, I let you have your peace for the whole drive over,” Jungkook starts off, voice tight, fixing the car into park. “But I’m asking you this right now. Are you sure you’re okay? You don’t seem fine… and I’m worried about you…” He reaches across the car to land a hand on your shoulder. It’s a completely normal gesture, especially between you and Jungkook, but you cannot handle it. 

You jerk away. “I’m fine,” You snap out, actually fixing your gaze on him this time. Jungkook recoils, immediately retracting his arm from you, looking like you just burned him. You tear your gaze away from him. You’re not strong enough to see him hurt because of you. “Why do you care anyways?” 

Jungkook exhales in disbelief, turning towards the steering wheel of the car and running a hand through his hair. “What are you talking about? Is this about last night? Did I… say something to scare you off?” 

“This isn’t about what you said, this is about what you didn’t say and what you’re not telling me!” 

Jungkook looks like you just grew a second head. “What are you talking about?” 

You whirl back to face him. “Oh, so the fact that you and Miss. Jennie were already set to go to this fucking wedding together and you didn’t even think to give me a heads up and tell me?” 

Jungkook freezes like a deer in headlights. “What? How did you know about that?” 

You laugh, but it’s a hollow noise that only makes that lump come back to your throat. “Nevermind,” You bite out. This time, you don’t stop the tears from resurfacing as you give Jungkook a full look this time. His demeanor changes from frozen to pained at the sight. “I hope you guys are very happy together.” 

You don’t say another word as you fumble with the latch of the door before pushing it open with more strength than necessary. You can vaguely hear Jungkook struggling with his own seat belt, but you don’t care. You slam the car door shut and storm away. You don’t know where you’re going—maybe around the corner to scream, or to call a taxi that’ll take you to the airport. You don’t care about the wedding. You don’t think you could face the embarrassment in facing Jungkook or Jennie or Irene right now. 

“Shit, Y/N! Y/N!” Jungkook is calling for you now, his footsteps loud against the asphalt. 

Everything feels like you’re going through water, which is probably why Jungkook is able to reach you as quickly as he does. He catches you by the wrist. 

“Y/N—please, will you stop and just listen to me?” 

“No! Jungkook, let me go.” You start trying to tug your wrist, trying to pull yourself away from him. “Let me go! I’m leaving! I don’t want to see you anymore!” You’re gasping, the tears blurring your vision and making you feel powerless. 

Without a warning, Jungkook pulls you in his arms. Wrapping his arms around you, he traps you in his embrace. And you are miserable. 

“Stop it!” You gasp, trying to push him away. You’re heaving—crying and trying to escape from someone as strong as Jungkook is definitely a workout for your body. “Jungkook, leave me alone. This is all my fault.” 

He pauses. “What do you mean?” 

You stop struggling, allowing Jungkook to hold you as you pull back enough to look away from his face. You wipe at the tears on your face. “It’s my fault anyways. I said I liked you and you said you liked me too, but maybe that wasn’t enough for you. Just because we like each other doesn’t mean we’re exclusive. I should have asked up front, so I wouldn’t get hurt in the long run.” 

“You don’t need to get hurt though,” Jungkook whispers kindly, his voice overcoming the blood in your ears, as well as your own yelling. You quiet down at that, except for your own lungs contracting to catch more air. This leaves you a hiccuping mess. He waits until he knows you’re not going to say anything next. “You’re right, okay? Jennie and I were supposed to be each other’s dates.” 

You’re still trying to catch your breath. 

Jungkook rests a hand on top of your head, curling his fingers through the strands of your hair soothingly. “Are you okay?” 

You hiccup. “Why are you telling me this? I just told you that I’m hurt right now…” 

“Shhh.” Jungkook pulls back and cups your face in his hands so you can look at him. “You aren’t listening to me. I said we were supposed to be each other’s dates. We’re not anymore.” 

You blink, allowing the tears that were already filling your eyes to fall down your cheeks. Jungkook wipes them gently with his thumb. “What?” 

Jungkook’s gaze flickers between your eyes. “Jennie and I are friends, so we’d figure it would be fun to just go together and have a person to sit with, eat with, and dance with. As friends.” 

“W-What happened then?” You ask, a watery color in your voice. 

Jungkook gives you a gentle smile, the kind of gesture that tells you that you should know the answer already. “You happened, silly.” He keeps his eyes on yours. “I saw you at the party with Jimin and invited you to come with me. I assumed when I asked that we’d be each other’s plus ones. I forgot to tell Jennie though when I asked you out.” He tilts his head at you. “You saw the texts on my phone, didn’t you?”

“I-I’m sorry.” You hiccup again. “Your phone kept going off this morning and I was just trying to put it on silent. I-I didn’t mean to look through your messages…” 

“Shh, baby, you’re good, you’re okay.” Jungkook interrupts gently, wrapping his arms tighter around you and swaying the pair of you back and forth. The usage of the nickname fills you with a new feeling, a warmer feeling. It helps calm you down. 

Your breathing eventually evens out, bringing you back to reality and to the realization that you and Jungkook are hugging in the middle of a hotel parking lot. 

Jungkook loosens his grip on you, letting you step back. He watches you for a moment. “Here,” He says, digging through his pocket and pulling out his phone. “I think you should see this.” He clicks through a few of his apps, until he seems to find what he’s looking for because he hands the phone to you. You look over at him, confusion flooding through your features. Jungkook gives you a reassuring nod. “It’s okay.” 

Still hesitant, you take the phone and look at the messages across the screen. It’s the texts from this morning. 

Jennie (9:53AM): hey jungkook !! just thought I’d ask where you want to meet up before the wedding starts 

Jennie (9:53AM): since we’re each other’s plus ones, I think we should show up together but idk let me know what you think 

Jennie (9:53AM): I’m excited to see you again and catch up, it’s been so long !! :) 

Jungkook (10:20AM): hey Jennie !! oh shit i totally forgot to let u know but i actually found a plus one :( i’m soooo sorry i should have told you earlier omg i feel terrible 

Jennie (10:20AM): no worries jungkook !! who is it omg do I know them? 

Jungkook (10:20AM): it’s actually Y/N? We all went to college together… 

Jennie (10:20AM): OH!!!! wait isn’t she the one Irene was working with a lot for senior projects? 

Jennie (10:20AM): OH HOHOHOHOHOHOHOHOHOHOHO

Jennie (10:21AM): OKAY JUNGKOOK I SEE U 

Jennie (10:21AM): she’s THE Y/N right???? the one u were in love with for our entire college career?? 

Jungkook (10:22AM): …… maybe? 

Jennie (10:22AM): WOWOWOWOW good for u Jungkook !!! glad to see u finally having the balls to ask her out !! 

Jungkook (10:22AM): OKAY THAT’S ENOUGH 

Jungkook (10:23AM): I actually felt BAD for leaving you by yourself BUT NOT ANYMORE 

Jennie (10:23AM): LMAO Jungkook I’m friends with Irene’s entire bridesmaid row i’ll be fine 

Jennie (10:23AM): just go get ur dick wet!!!!!! 

Jungkook (10:23AM): istg i will leave you on read 

Jungkook (10:23AM): also that is NOT the point!!!!!! Just wanna love my new girl :( 

Jennie (10:24AM): You’re gross 

Jennie (10:24AM): but sounds good see you tonight! 

You look up from Jungkook’s phone to see him watching you carefully, gauging your reaction, pleading for you to forgive him. 

The only thought that can be translated into a coherent sentence comes out: “You were in love with me during college?” 

Jungkook exhales in a laugh, his arms finding your waist once again. “I think ‘in love with’ was a bit of a stretch back then. I think you could agree that we didn’t know each other well enough before for me to say that.” 

You’re still looking at him. “Back then…?” You echo. 

He nods. “Back then.” He brings you closer, one hand moving up to gently brush at the skin of your cheek. “But it’s different now. Now, I can say with absolute certainty that I’m in love with you.” 

Your lips part. “You’re in love with me?” The tears spring back into your eyes, but for a different reason entirely. The emotional rollercoaster you have just been on is unbelievable. 

Jungkook’s eyes widen at the sight of your tears. “Oh shit, I’m sorry! Is that too fast? I’m sorry, I should have given you a warning or something. Or more time at least. Oh no, please don’t cry…” 

You brush him off with a watery laugh, waving his concern away. “It’s okay Jungkook. This is fine, really.” You give him a smile. “I love you too. I really thought you were pulling my leg or something.” 

Jungkook gives you his own small smile. “I’m sorry. I should have brought this up sooner about us being each other’s plus ones. Just because I assume something doesn’t mean it’s an established thing.” He brings you closer, his smile turning into a grin. “You love me too, huh?” 

You giggle. You’re too strung out to come up with something witty or clever. “Yeah…” 

Jungkook is still smiling, his gaze switching between your lips and your eyes. “I’m gonna kiss you now.” 

You nod. “About time.” 

He kisses you again, softly and sweetly, tongue slipping past the seam of your lips but it’s gentle caresses that make your heart feel like it’s crawling up your throat. 

“OH MY GOD GET A ROOM!” A voice calls from the other side of the parking lot, forcing you and Jungkook to pull away. The pair of you look at each other and you start to laugh. 

Jungkook kisses your forehead, sweeping down to your ear. “How about we check into our room and get ready?” 

You giggle, nodding over at him. “That sounds good.” 

So Jungkook leads the way, wrapping an arm around your shoulder as you gather your suitcases from the car and enter the lobby. You check in easily, as Jungkook is provided a map with directions on how to reach the room. 

The pair of you don’t pull away once until Jungkook is sliding the key card into the door and pushing it open to reveal the bedroom you’ll be sharing for the night. 

Both you and Jungkook park your suitcases near the foot of the bed, as per usual. 

“Do you want to use the bathroom?” Jungkook offers. 

You nod, smiling softly. “Okay.” 

You gather the dress you’ve brought in your arms, about to enter the bathroom, before Jungkook’s voice stops you. “Hey,” He calls, approaching you and wrapping you in his arms again. He’s much more handsey this time, like he needs to make sure you’re not going to run away again, like you’re going to be okay. “You feel better now?” His thumb brushes your lips. “Your eyes are still a little red.” 

You nod. “The makeup will probably help that,” You reassure in a soft voice. 

Jungkook mirrors your movements. “Still, how about I get some ice for you so you can put something cold underneath your eyes… to stop the puffing.” 

He looks genuinely concerned and worried for your wellbeing that you can’t help but smile. Since he is insisting, you decide to just let him be. “Okay, Jungkook.” 

He smiles. “Okay! You start getting ready and I’ll get the ice, okay?” A quick kiss on your cheek before he’s bounding out of the door with the provided ice buckets. 

Your eyes linger on the door for a few minutes before you’re turning back to your suitcase. The dress you have picked is a pink flowing floor-length number—something Karly helped you pick out before leaving. It’s soft enough that it doesn’t leave crease marks along the fabric, which had made this outfit perfect for the trip. You take the dress and your bag of makeup before entering the bathroom. You’re just slipping on the dress when you hear the hotel room door open and close. 

“Okay, I got the ice!” Jungkook announces through the bathroom door. “Did you want to work on your eyes right now?” 

“Sure,” You call back. “Do you mind zipping me up first?” 

“Of course,” Jungkook returns, sounding distracting as you open the door to the bathroom. You peek your head through, noticing Jungkook opening his suitcase on the floor and sorting through it—probably for his own suit. 

He must hear the door open, because he looks up towards you. Immediately, his eyes widen as he straightens up into a standing position. “O-Oh wow…” He’s looking you over up and down, up and down, as if he needs to commit this to memory. “Y-You look great. Beautiful.” 

“Really?” You stammer back. “Thank you.” 

Jungkook keeps his eyes on you as he approaches you. “You needed me to zip you up?” 

“O-Oh right, yeah.” Hastily, you turn around, brushing the hair from your back to expose your undone zipper, and your bare back. 

You think that he purposely grazes the tips of his fingers against your skin in his process of bringing the zipper up to the top of the fabric. You’re about to turn, thank him, but his hands back at your waist do the gesture for you. “Thank you.” 

“You’re welcome. You look really pretty.” 

You pout. “You’re being too nice to me.” 

Jungkook whines, hugging you close to him. “You’re too cute.” He noses at your temple. “I just wanted to see you smile.” He pulls away after a moment. “Let’s take care of your face, yeah?” He turns around and returns with a small baggy full of ice. “Here, sit down for a second.” He leaves for a second, returning back with a towel. “Maybe… five minutes each eye. I don’t know. I’ll get ready while we’re waiting.” 

So he takes his suit out from his case and disappears into the bathroom, leaving you alone with a towel of ice pressed against your eye. The cooling sensation definitely helps with the puffiness. 

Jungkook appears from the bathroom a few minutes later—dressed in a black suit with a white button-down and a long skinny black tie. His hair has been fiddled with a little, but he still has that messy, boyish, lovable appearance that makes your heart race. 

“Did you switch the towel?” 

You nod. 

“How do you feel?” 

Slowly, you bring the towel down and rest it on your lap. You look at Jungkook. “How do I look?” 

He leans forward towards you, holding your chin gently between his fingers. “You look better. Did you need to finish getting ready?” 

“Yeah. I just need to touch up my makeup.” 

“Okay, go ahead then.” 

Jungkook takes the towel, and watches as you make your way back to the bathroom. You’re only gone for a few minutes before you’re emerging once more—eyeshadow a little darker, lashes a little closer, and lips slightly pinker, but overall still looking like the same version of the girl he fell in love with. 

The pair of you drive to the wedding venue, a cute brick building with browns, greens, and whites surrounding. Guests already swarm the outside area, some of whom you recognize from college. The sight makes you nervous. 

Jungkook sees this, and he reaches over to grab onto your hand. “You can just stick with me, okay?” He smiles. “I’ll protect you.” 

You roll your eyes, but you are thankful to have Jungkook as your source of comfort and be that person you could run back to. 

He parks and meets you at the front of his car, where you lace fingers and make your way towards the venue. You go through a small round of hellos and ‘nice to finally meet you’ conversations—most notably from Mingyu and Jennie, both of whom light up at the sight of your presence. Contrary to your previous worries, you find that you don’t really need to be so nervous. Mingyu and Jennie are friends of Jungkook’s for a reason—they radiate a relaxing nature that you can tell is what has drawn the three of them to each other. 

They ask about you, your college experience, your current experience, passing easy conversation in the ceremony space right before the start of the wedding. It’s fun to see Jungkook joking around with the friends he grew up with, and even more fun to see how easy you are allowed into that world. 

The actual wedding ceremony is a blur. You vaguely recognize the extremely attractive, excited, and watery-eyed version of Seokjin at the head of the aisle. You definitely recognize the equally as attractive, excited, and watery-eyed version of Irene, downed in white lace and looking much more beautiful than you ever remember her. Vows are exchanged, kisses are shared, there’s an applause, and pictures are taken before the guests are ushered into the main entry room—decked out with a bar and a few scattered seating areas. Jungkook whispers to you that guests are put here temporarily, as the ceremony space is being converted into a dining area. 

True to Jungkook’s promise, he lingers by your side most of the night. Although you reassure him that you are fine, you are much more emotionally stable compared to a few hours ago, and that perhaps you are okay catching up with Nayeon—another girl from college, actually someone from the first party you ever attended who defended you when you were receiving unwanted attention—but Jungkook simply tells you that he likes being around you. He likes being able to put his arm around you, likes to rest his hand at your waist, likes people knowing that he has you. 

It’s a few more minutes of conversation, of laughter, of old stories being exchanged between people you haven’t seen for years, when the guests are called back into the newly converted dining area. Instead of rows of chairs lined up, there are round tables filling the space. The long panel of doors once closed along the wall of the room have been opened—exposing a gazebo with a D.J. and a dance floor, all encircled by a string of big bright fairy lights. 

You and Jungkook are situated at the same table as most of the guests you recognize from college. You assume this is purposefully done to give you all a common ground, and it works because conversations spring easily between you all. Even when you’re not talking about your experiences from university, you’re able to transition from topic to topic. You and Jungkook occasionally talk amongst yourselves as you’re eating, but you sit together and laugh together when Irene and Seokjin emerge and listen in during the wedding toasts. 

Finally, Irene and Seokjin make their rounds through the room, stopping at the tables to cheer and laugh and exchange a few words of congratulations and conversation. Following this process, everyone at your table stands on their feet as Irene and Seokjin make their way towards you. There are bright smiles, Irene’s cheerful gasp as she takes in all the guests that have come to join her. She circles your table, hugging every guest, continuing this when she reaches you. 

Irene grins at the sight of you. “Y/N! Oh my gosh, it’s been so long!” 

“I know!” You return, pulling away from Irene. “Congratulations. This wedding is beautiful.” 

She beams, absolutely radiating in her white dress and glittering makeup. “Thank you so much for coming! But oh my god, are the rumors true, did you really show up—!” She looks over your shoulder, and grins again. “Jungkook!” She hugs Jungkook. “I should be saying congratulations to the two of you. I was surprised to get the text from Jungkook saying that you guys were coming as each other’s dates. Gave me a whole pain because I had to switch some seats around at the last minute. But anything for my favorite people.” She turns to you and holds onto your arms. “Jungkook has had a crush on you for years, so you’re really doing him a huge favor.” 

“Okay, enough,” Jungkook interrupts, scowling. But there is still that playful look in his eyes. “Did all your friends know about this? Jennie knew something was up too when I texted her.” 

Irene presses her lips together. “Mingyu might have mentioned something.” She presses her hand to Jungkook’s cheek. “Stay safe, you guys. Hope you enjoy the rest of the night.” She moves onto her next guest. 

Jungkook is groaning. “Remind me to never tell Mingyu anything ever again.” He glares at the boy from across the table. “Gonna fling some peanuts at that son of a bitch.” 

You laugh, wrapping your arms around Jungkook’s waist. “Oh, let him be. It’s Irene’s wedding. You can get him tomorrow.” 

Jungkook pouts, but he does wrap his own arm around your shoulder. “Ah, love my girl—promoting evil behavior after festive events.” He kisses your cheek as your table takes their seats once more. 

The good natured atmosphere continues as you and Jungkook down your food, remaining fully engaged in the conversations happening around the table. After another hour of this, the DJ announces the start of the married couple’s first dance. Irene and Seokjin take to the dance floor and spin around, her white dress flowing around the room like light. Underneath the glow of the fairy lights, it looks like the couple is in an entirely new world. And you are so taken by it. 

Jungkook does not turn to you until the DJ plays a slow song—a first slow song after a series of upbeat dance and pop genres. He jerks his head towards the dance floor. “You want to dance?” 

You take his hand when he offers. “Of course.” He leads you across the room, towards the gazebo, where several other couples have moved to cling to one another. Jungkook pulls you in: one hand on your waist and the other with your own hand. “This is really nice,” You start off. 

Jungkook laughs. “The wedding, or the dance?” 

You smile over at him. “Both. Being able to slow dance with you, however, is marginally better.” 

Jungkook is quiet for a little after that. He seems content just staring at your eyes, taking in the magic of this moment. “Thank you for coming with me,” He starts. “The whole road trip thing. Definitely would not have been as fun if I did all that by myself.” 

“Well, thank you for inviting me,” You return. “Even though we had that big misunderstanding. I had a lot of fun.” 

“Hey.” Jungkook angles his head a little so he can look at you in the eyes. “You know that I would never hurt you, right? You’re too important to me that I wouldn’t even think to pull some stupid shit like that again. You know that I love you too much to do that to you, right?” 

“I do know now,” You say, gazing over at him. “And I love you too.” 

You’re not usually an expressive person. But it’s worth saying those words just to see the grin that overtakes Jungkook’s face. It’s worth even more when he leans forward, kissing you openly in front of all his friends, nibbling gently at your bottom lip, running his tongue over the wound, and into your mouth. It’s worth it to have his fingers dusting sweetly over your skin, coaxing your mouth to open to allow exploration. 

It feels like worlds pass before Jungkook pulls away, giving you that breathless smile dimple and all, before he’s leaning forward to bury his face into your neck. 

“I think the drive home will be fun,” Jungkook mutters softly. 

“Hm?” You hum, eyes closed as he presses tiny kisses along your neck. 

“Most definitely,” Jungkook says, lifting himself just enough so that his lips hover over your ear lobe. “Because I plan on fucking you in every hotel bed for the rest of the trip.” 

You feel your heart race, your cheeks heat. Yes, this was definitely worth it. 

#jungkook scenarios #jungkook scenario #jungkook fluff #jungkook x y/n #jungkook angst #jungkook x reader #bts scenarios #bts x reader #bts fluff #bts imagines #bts angst #traci writes

[cerastes]

What do you make of Specter's operator record? Personally I liked it, but that's with the knowledge we're getting more Specter backstory soon.

Ok, so! Just as you pointed out, I went into it with the knowledge that:

We're getting Under TIDES soon.

Specter gets a second Operator Record later, some time after Under TIDES.

And with that in mind, I'm fine with it, but if I was a CN player and all we got was Specter's first Operator Record without any knowledge of the future, I would be pretty pissed, lmao. In fact, CN players were pretty pissed, the reception to her Operator Record was pretty bad. Specter is a popular character both in terms of gameplay and character (the latter more so in China, she gets a steady influx of cosplayers, fanart and fanfic in Weibo, Lofter, and such). It's believed that Hypergryph announced her second Operator Record because of this backlash.

Now, with the context and preamble on the table, I want to say: Great idea, not so great execution. Overall, I enjoyed it, but again, that's only with knowledge of the future. Despite that, I sincerely praise Hypergryph for actually having the balls to try a narrative approach like this one on a mobile game. The thing is, just because an idea is interesting doesn't mean it's good, and I think a lot of aspiring writers and designers need to hammer that in their head, especially armchair game designers that like to theorize oh so much about how cool it would be to have a game that did this or that. I don't care if it's cool or not, is it enjoyable to experience?

And that's just the thing with Specter's Operator Record: It felt lackluster in many regards. The approach was definitely interesting, bold, I'd even say, but that doesn't really matter too much if the result isn't a success, now, does it? Let's immediately address the Originium Slug in the room: Specter doesn't even appear in it. Now, is that an interesting approach to an Operator Record? Sure! Is it good? I don't really think so, especially with a character that fans really have been clamoring to see more of in actual cutscenes, given the wealth of clues they've put regarding Specter in other places:

Blue Poison' Files -> We learn that Blue Poison knew Specter personally before her descent to madness, addressing her with her real name.

Skadi's Dialogue -> Skadi implies that Specter was on a very important mission, and more or less confirms she knew her before she went crazy.

Several pieces of official art -> Specter is associated with the phrase "All seas are singing your name".

Ceobe's Fungimist -> It's implied the cursed painting depicting the end times is the same confusing painting Specter painted in her Token.

Rosmontis' Files -> It's confirmed that Specter's spinal cord is filed to the brim with originium fluid, and the Medical Team theorizes that, just like Rosmontis, her infection was artificially induced. It also confirms that they have no idea how Specter is able to fight such an insanely high level of infection.

So, see, this has been a character that fans have really been clamoring to see again. The only cutscene Specter's ever been is the secret cutscene of Grani and the Knight's Treasure AKA the very first event in the game. Understandably, after two years of the game existing, people were a bit miffed that once again we just get breadcrumbs and a non-participation 'appearance', to say the least, in what's supposed to be her day in the limelight.

Now, personally, I kind of get how they are handling her, and the Operator Records are a very faithful reflection of this: Specter is meant to be this mysterious force that we don't have clearance to know about, as Kal'tsit herself is the only one authorized to treat her or even enter her containment quarters. And, in this regard, I think the Records succeed:

It all starts innocently with Suzuran drawing Specter in a Secret Santa and then having to start deep diving to find out who the hell even IS Specter, because absolutely no one knows of her. Eventually, Suzuran lucks out by asking Meteorite, who did participate in a mission with Specter once, to which Suzuran immediately reacts: "Hey hold on, don't they send you on pretty dangerous missions all the time?", and Meteorite's answer is, "Yeah, and she's right at home there."

Now, this is really interesting because we, as Doctor, have some level of clearance: We know things about Specter and can even converse with her to a certain degree, because Doctor is a high authority in Rhodes Island, but the average Operator, like Suzuran, Aosta and Chiave, doesn't even know of her existence. She's one of Rhodes Island's well kept secrets, even within Rhodes Island. Even Meteorite, a veteran Sarkaz mercenary and a bombardment expert, only knows about Specter in a need-to-know basis (because they deployed once together). More telling is the fact that Meteorite doesn't think she'd get along with Specter, simply based on the fact that, just on that one operation, the level of violence and carnage brought upon by Specter unnerved even her, a Kazdel Sarkaz veteran. Well, to be precise, it's not the sheer level of destruction that Specter is capable of that unnerved Meteorite, it's the fact that she does it all seemingly without a care in the world, expressionless, soundless, simply following orders to the letter without showing or taking in a single emotion. To paraphrase Meteorite, "someone that can unleash such destruction and violence upon others so easily, and that can then just not mind it in the slightest, has something wrong and concerning going on with them, no doubt".

Next up, we also learn that Folinic has very restricted, also on a need-to-know basis access to Specter. Keep in mind that Folinic is extremely competent and not at all a stranger to danger: She handles Phantom. So this is a huge hint: There's perhaps more to the secrecy regarding Specter than just her being a dangerous, unstable element. Folinic could reasonably handle Specter professionally, but it's not about whether she can or not, it's about information, and this brings us back to Grani and the Knight's Treasure: Kal'tsit makes it clear to Skadi that Specter is, as a whole, inaccessible to everyone but her, that only she has clearance to access Specter's quarters. Keep in mind that Skadi does not operate in the same conditions, despite also being an Abyssal Hunter. In fact, it's well known that Skadi is infamous among other Operators for being unreasonable and obstructive in operations, as well as unapproachable outside of them (unless you are Grani, who managed to successfully befriend Skadi and vouches for her). There's things about Specter that are so sensitive, so important, that Kal'tsit can't risk them getting out, and even using her as an Operator is something reserved for very dangerous operations. Not even Warfarin, senior staff and Operator that's been with Rhodes Island for a very long time, has full access to Specter, but she clearly knows the importance of keeping her under curtains, given she immediately diffused the Folinic-Suzuran situation by coming up with a compromise on the spot.

There's another interesting contrast between Files and the Operator Record: Meteorite describes Specter as "dead silent". Mind you, we knew from before, thanks to Specter's Files, that the shark is completely silent in battle, but we also do know that she incoherently rambles quite a lot. Folinic sheds some light onto this, explaining that Specter intentionally stays silent most of the time so as to not say anything that could be misunderstood when around others. When she's in a more private setting, however, she does let loose with the insane talk. This is confirmation of something that had been hinted at before: Even though she's insane, there's a fervent part of her clinging onto sanity for dear life with bloodied, splintered fingers, and it manifests itself in how she'll never harm an ally, and how Specter is, to a certain degree, aware of how far gone she is, and thus keeps her mouth shut around others that aren't Doctor or Kal'tsit, so as to not spook them out or accidentally threaten them with her insane rambling.

Then, at the very end, after Suzuran managed to get her present to her, Specter does in fact deliver a thank you present back to Suzuran: A music box, consistent with Specter's love for the arts. Of course, the gift might have been chosen by a proxy of hers (Skadi or Blue Poison, both known to also enjoy music), but the message is all the same: Specter clearly appreciated the gift, and was mentioned to see an improvement in her condition after receiving the doll Suzuran gave her.

So, in paper? All of this? I love it. Of course I do, she's my favorite character, and it was such a bold way to present her Record, too, I respect them trying out new things, it managed to capture the essence of "the mysterious, terrifying fighting machine Operator they don't want us to know about that's actually a pretty sweet and decent person, just going through some really hard stuff" that they've been going for with Specter, it's just, I can also understand (and agree with) fans because... It's been two years, bwahaha, let us see her again, you know? It's her Operator Record, we've gotten some VERY good insights into the lives and days of other Operators through those, like with Angelina's or Kroos'! Of course we also wanted something like that, bwahaha.

What I would've loved, and what I think would've made it all better with fans, is if the final scene had Specter actually show up in Suzuran's room like the cryptid she is, with Suzuran noting the security door had just sort of been casually pried open, Specter's perpetual smile on her face as she's holding her thank you gift before Warfarin and Folinic just sort of storm into the room like "DUDE, WE SAID YOU CAN'T--", she thanks Suzuran wordlessly, gently hands her the music box, and then she calmly turns back and walks back to her confinement quarters.

But, yeah, I've gone on for long enough. I appreciate it overall, knowing what's coming, and I appreciate the idea, I just think they could've handled it better, but the whole essence and message of it, I think lands pretty nicely.

#beta elekid #long post #arknights #specter

[thehomothings]

Analysis of Kite's conflicting moralities, relationship with death, and the toll reincarnation may take on one's psyche

So, today I decided to compile all the thoughts I have had about Kite's interesting worldview since the first time I saw him into one post, mostly for my own sake, really. If you're familiar with the few posts I've made, you know it's gonna be a mess, but hopefully a comprehensible mess.

A heads up, this is going to be spoiler-heavy, and very much deal with subjects of death and dying as a whole. Also, some of these conclusions are drawn from my own experiences and close brushes with death, I'm not going to go into much detail but it might get personal and definitely dark. I'm not even sure if I can call this a meta-analysis, and I'm obviously no expert, so mayhaps take all of this with a grain of salt.

Been getting into drawing lately, and during the more simple and mindless part of the painstaking process of dotting every single star in this, I let my thoughts wander through the latest part of the fic I'm writing, and I got a better grasp on what exactly made Kite such an elusive character to me.

I'm not quite sure why I got so attached to Kite. Perhaps it was the air of tragedy surrounding him, how despite his sordid past he remained still open and gentle even if outlined by a healthy dose of cynicism.

But sometimes, I think it's the fact that he is so paradoxical. He's brave, yet fears death to such a degree that creates a whole Nen ability around it, is a pacifist yet will not hesitate to spill blood for his own sake or someone else's. Despite the many ultimatums and warnings of 'I will not protect you', he gave his arm and then his life to save Gon and Killua. He approaches each hunt and battle with a clear plan of action in mind, but his Hatsu takes the form of a roulette that gives him random weapons which are never what he wants, but what he seems to need for that exact situation, which he cannot dispel without using. When he draws a weapon, the decision is locked in and his or his opponent's fate is sealed. That's why each time he dubbs his weapon a bad roll. Every time he has to gamble, he sees himself as having run out of luck. When it comes to having to choose between himself and somebody else...well, there had never been a choice. In fact his aversion to using it may feed into its sheer power that we, unfortunately, saw too little of.

Let's go over his very first appearance when he saves Gon from the mother Foxbear.

It's not hard to see the strain searching for Ging has put on him; he's rash, prone to anger and punching a child for daring to get into trouble. In his mind, he's failing at his most important task, has not yet earned the right to call himself a hunter despite being in possession of his very own hunter license.

After killing the mother Foxbear and raging about having done so, he says this interesting line:

So yes, he finds killing for any reason rather irksome as most would do, yet I think something deeper caused him to absolutely lose it in this scene:

He had not been aware of Gon's identity, and despite being an animal lover and a naturalist, he made a choice to save the human instead of allowing nature to run its course. In fact, he says: 'No beast that harms a human must be allowed to live.'

How does one weight one life against another? How is the worth of it determined? The value of life... an impossible choice he's faced with and a choice which he seems to regret to some degree.

The Foxbear cub.

Here, he's speaking from experience, a tangible loss he has felt himself, and a hard and bitter life he does not want to impose on the cub.

His backstory is exclusive to the 2011 anime adaptation but there are hints alluding to it in the manga, for example, the fact that he does not seem to know his birthplace, or:

The choice of words is chilling.

Reading between the lines, one could draw the conclusion that he is an orphan. Something supporting this hypothesis is how he visibly deflates after Gon tells him his parents have (presumably) died.

So we see he is willing to go against his own moral code of not killing as to not doom another living being to the life he led, a lonely, hopeless existence that could barely be called one. He saw it best to put down the cub rather than leave it to die a painful, slow death.

The reason Kite himself isn't as cynical and cold-hearted as one would be after witnessing cruelty in its rawest form is those small crumbs of human kindness which he may have found in Ging.

It was not only a chance at an honorable life being Ging's apprentice gave him, but it also 'saved' him from being broken and twisted into what he hated and worst of all, death.

If we take that one minute of backstory as canon to his character-which I find myself inclined to do- these quirks of his make much more sense. He lived on the run. He lived on the knife's edge between giving up or pushing forwards. He lived as so a wrong move could be the difference between survival and the end.

Between rock and a hard place creates a mentality of black and white, absolute good or extreme evil, this or that. Except in reality, it's much harder than that. Deciding who to save and who to strike down is a heavy burden to bear.

It's almost easy to see how struggling to keep surviving could lend itself to a crippling fear of death and subsequently developing a Nen ability which once more goes against his own moral code in order to give himself a second chance...yet something about it strikes me as unlikely when I look at it this way.

Living life knowing it could end at any moment has the opposite effect, at least for me it did. One comes to accept that it is fleeting and while not eager to let it go, when death eventually and inevitably does come, there is no fighting it.

Especially when there is no hope that tomorrow will be a better day than this one.

Frequent near-death experiences numb one's fear in a way, even if it drives them to take precautions that render it unlikely to happen again and results in c-PTSD, but still, it does. It sparks a certain nihilistic view of 'if it all can end so easily, then what's the point of it all?'

Unless there are things to live for, a sure promise of a better future, and Ging gave Kite that. When he faced the threat of losing his second chance at life:

Really, what else could lead someone to develop the ability of 'the hell I'm going to die like this'?

I think a separate event, an even more brutal near-death experience that almost cost him his life as the hunter he so strived to be set him off to develop the secret roll of Crazy Slots, what I call Roll No.0, Ars moriendi. Unlike other weapons, it cannot come up in random and is directly summoned by him, or better said, summon by his overwhelming will to keep going and hopelessness of fighting a losing battle. I don't believe roll No.3 was the weapon that allowed him to reincarnate. I've named that one Wand of Fortune, a sort of armor instead of an offensive weapon since I find it hard to believe Kite, a Conjurer, would not focus on defences as well, and I will go into both mechanisms of these weapons hopefully in his backstory.

Despite knowing this battle to be a pointless one and being acutely aware of his soon to be demise, he did not immediately draw Ars moriendi, no, he stayed back and fought for the sake of the boys, kept Neferpitou occupied until they could reach safety. We can see evidence of this in the aftermath of the battle that seemed to have gone on until dawn, a torn apart landscape only signaling a fraction of the devastation that was Kite's power unleashed. It still wasn't enough.

In the anime sub I watched, when Gon apologizes to Ging about Kite's death, Ging said a sentence that infuriated me, because it belittled the utter suffering of the NGL trio.

"He would not die in your place." (No screenshot, sorry)

And I remember practically shouting at the screen, screaming 'how could you possibly say that? Of course he did. He absolutely did die in their place. How could you not know your own apprentice? Why-'

It was only last night that it hit me why Ging would say that.

Once upon a time, maybe Kite would not have given his life for anybody under any circumstances, even if he had a way out of it all. He would still need to die to come back to life.

His Thanatophobia could be attributed to the (possibly untreated) PTSD of the near-death experience in his later life, being so certain of dying that finding himself alive afterwards drove him to never want to go through that again. He quieted his fear by creating a sort of a loophole, that even if he lost the battle he would remain. Ging remembered that, but as evidence shows, something changed. Maybe he healed a bit, perhaps growing up dulled his fear to a certain degree, but eventually when it came down to his life or another's, he didn't choose himself.

Now, I can hear you saying 'but he didn't die, so what are you going on about??' And so I reply: Yes, he is alive, but he did die. He experienced that painful, horrible moment of staring death in the eyes and thinking 'This is it, this is the end', went through the actual process of having his soul removed from his body. And that moment stretches into infinity, ten lifetimes condensed into the mere seconds before oblivion.

Dying isn't so hard if one stays dead.

It's not so easy to open one's eyes and find oneself alive again after that, no matter how much that is the heart's desire. It's difficult, nigh-impossible to reconcile with life and walk amongst the living when everything had been so final, when death had been accepted to its fullest.

So Kite awakens, the twin of Meruem and back from the dead, his mind and identity both intact and fractured. In that he is Kite is no mistaking, yet he is not the same gentle pacifist whose first reaction upon sensing a monster's aura was to shield two kids from it at the cost of his arm.

I don't think many of you are familiar with Zoroastrian ideology, but Togashi is known for loving his religious imagery, and it's not only Christianism he derives inspiration from (evidence of which can be seen all over Kite's character and resurrection).

In Zurvanism-a branch of Zoroastrianism- there is talk of the twin spirits: Ahura Mazda -epitome of all that is good- and Ahriman -epitome of all that is evil-, the parent god Zurvin decides that the firstborn may rule in order to bring "heaven, hell, and everything in between."

Upon becoming aware of this fact, Ahriman forcibly tears through the womb to emerge first. Sounding familiar yet?

Zurvan relents to this turn of events only on one condition: Ahriman is given kingship for 9000 years, and then Ahura Mazda may rule for eternity.

Meruem ruled for 40 days, his death leaving the throne vacant for ant Kite, wearing a dead girl's face and seeming to be brewing some nefarious plan. No more is there any sign of that unrelenting pacifism and the sanctity of life he held so high, losing his own may have only served to show him how meaningless the pain and suffering he went through had been, dying only to be reborn as a member of the species that killed him. It may be that he has no desire to rule over the remaining Chimera ants or create an army of his own-

Yet I dread to think what a broken mind possessing limitless power might do to the world.

And that's it. If you made it this far, thank you for reading! If you found it interesting, stay tuned, as I think a lot and I will make it your problem.

#Cw: talks of death and PTSD #When I say I unknowingly projected onto him #I can't tell if writing this was cathartic or torturous #and I gave myself heart palpitations so this is enough for today #And yes I refer to ant Kite by he/him pronouns because misgendering him on the account of his body being afab is just ignorant #even if I think skrunkly's genderqueer af and actually wouldn't mind she/her #still i wanna push the trans ant kite agenda #So yes this is how I unknowingly picked up Kite as a coping mechanism even if out attitudes towards death are practically opposites #don't mind your grandpa trauma dumping #What I'm saying is get ant Kite therapy before he sinks the world #I love reimagining Kite as a villain and I don't know why #Kite hxh #hxh kite #kite hunter x hunter #kaito hxh #hxh #hunter x hunter #meta analysis #theories #fic rambles #Icarus waffles #Kitkat #gon freccs #Ging freecss

[dutchdread]

Do you really think Claudia was talking about Tifa in the flashback? She was encouraging him to find someone else in Midgar, specifically an older girl, like...uhm...Aerith? I mean, he had the dream at Aerith's home, it's pretty obvious to me that scene is about her, not Tifa.

Hi, thanks for the question. Well, Claudia didn't know Aerith, so I know Claudia herself wasn't talking about Aerith specifically. But there are two ways to look at this sentence. "who is Claudia referring to", and "who is the narrative referring to?". Just because Claudia wasn't referring to Aerith of course doesn't mean that she wasn't referring to someone LIKE Aerith, and even if Claudia wasn't referring to someone like Aerith that still doesn't mean that Cloud wouldn't link her statements to Aerith. From a real life perspective who Claudia is talking about has little impact of course on who Cloud thinks fits the bill. Narratively though, it does matter. If the story presents a quote like that, and then explicitly links it to a certain character, that is usually done for a reason, which is why it becomes interesting to dissect why the developers decided to show this scene. So lets dissect it. First though, it's important to note that FFVII has two different narratives, that is, "the story they want the player to see". It has the narrative the designers want you to see when you first play the game, and the narrative they want you to see when you finally have all the puzzle pieces. First time you play the game for instance, they want you to think Cloud is a soldier, the second time you look at the same events in the game, the developers want you to have a very different perspective concerning Clouds actions. So when looking at a scene it's important to think "what do they want me to think the first time", and "is there a different interpretation here after you know all the facts?". First off, let me just state, that Claudia was ABSOLUTELY talking about Tifa specifically. Claudia doesn't want Cloud to find someone else in Midgar, she warns him of city girls and wishes Cloud would just settle down. The idea here is that Cloud should stop travelling and settle down with a nice "non-city" girl, aka, a village girl. Now, in the past, it could be argued that Claudia was just referring to a generic village girl, could be another village even. However, a trace of two pasts elaborates on the bond between Claudia and Tifa, and reveals that Claudia becomes aware that there is something going on between Cloud and Tifa just before Cloud comes back to Nibleheim. So Claudia realizes Cloud likes Tifa, and right after that she goes to Cloud to effectively tell him to leave Midgar and settle down with a girl who would take care of him...I wonder why? When playing FFVII for the first time I do think you're supposed to interpret the scene as referring to Aerith, because of the time it's placed in the story. You have the flashback right after meeting Aerith, so therefore, that interpretation makes sense. But on a second viewing, not so much. For one, it's not just Aerith that causes the flashback, it's the entire family situation that's going on there. Watching Aerith interact with Elmyra would be the first normal, familial, parent child interaction that Cloud has seen SINCE the actual scene in the flashback, it makes sense that he'd think about it. The idea that it would refer to Aerith is also completely something that the audience just assumed, but could easily be a red-herring. After all, this scene is not just placed after meeting Aerith, it's placed after you've met "both girls", and could easily be simply pointing to both girls, and that Cloud should settle down with one. You could also say that Aerith reminds Cloud about the "city girls his mother warned him about", let's not forget that this flashback scene isn't followed by Cloud settling down with Aerith, but by Cloud fleeing the house in the middle of the night to get back to Tifa. So at first this scene is really up for interpretation, it's the rest of the game and extra materials that clue us in to who actually fits the description more, and plot twist, just like with everything else in FFVII, it turns out that the interpretation you have during the first playthrough, that it refers to Aerith, is incorrect and intentionally misleading. We now know that

Claudia meant Tifa specifically. You said "older", but that's a common mistranslation, it's not what Claudia says, she says "oneesan", which isn't about age, but about maturity, and Tifa fits that bill perfectly. Claudia wants Cloud to settle down with a nice mature village girl who could take care of him, Claudia also just found out Cloud likes Tifa, Claudia also spent time teaching Tifa how to cook, and apparently they help out the elderly together. Tifa is EXACTLY the type of girl Claudia is talking about and 100% was talking about her, and trying to pry. It's not as if Claudia thought "oh no, Cloud likes Tifa, the girl who I spend a lot of time with, who can cook, who can fight, and who helps with the elderly, I must immediately go tell him to settle down with someone else, clearly Tifa isn't 'mature' enough for him".

Let's not forget, Tifa owns and runs her own bar, Aerith lives with her mother. And from the game themselves, Tifa literally becomes the girl who takes care of Cloud while he's in a coma, literally the girl who goes into the lifestream to save him. She's consistently positioned as the girl who ALWAYS has his back.

"Apart from being Cloud’s childhood friend, she is also the woman who understands him all too well and devotedly supports the mentally-weak side of him"

No one takes care of Cloud like Tifa does. Both narratively, and factually. Claudia is talking about Tifa.

#cloud x tifa #cloud strife #tifa lockhart #cloti #relationship goals

[calliecat93]

Okay, I know that the Spones content in Bread and Circuses has been talked about before, so I’m likely adding nothing new. But heck with it, I’m talking about it anyways cause it’s just too good not to!

The episode has Spock and McCoy somewhat saltier towards each other than usual. From the second the episode resumes after the opening credits, they’re snarking at each other almost immediately. It goes on for so long that we have the guest character outright ask Kirk if they’re enemies, and even he isn’t for sure. It’s almost like one of the writers anticipated the fact that some would legit think that the two genuinely hated each other, and decided to ask the question. For the most part, their banter is mutual and they’re clearly trying to rouse a reaction from the other.Even when at gunpoint, McCoy just HAS to snap at Spock for “[being] so blasted honest?’. Spock’s raised brow to me almost came across like ‘really doctor? must you be like this now?”. It’s got some amusing stuff, like the banter in the beginning and McCoy of all being being the one to suggest illogic regarding sun worshipers has Spock giving some utterly hilarious facial expressions. But still, the banter goes enough that event he audience has to ask: are these two truly enemies.

The rest of their scenes answer the question.

During the gladiator fight, McCoy’s still so pissed off that even fighting to the death won’t stop him from yelling at Spock when he asks if he needs help. Stress and you know… trying not to die is a factor, but still. But since McCoy’s a doctor, not a warrior he’s about to be killed… until Spock takes out his own opponent and nerve punches McCoy’s before he can be harmed. Doing this breaks the rules and Kirk chooses to take what would be their death sentence upon himself. Spock acted on pure instinct in that instant. Or even more bluntly, it was an emotional response. He interfered because he didn’t want McCoy to die, and he was the only one in a positon to save him. He even seems pretty started that he did so. But because of i, now Kirk is going to die in their places and neither he nor McCoy can do anything about it. He outright pulls at the cell bars, according to McCoy, fifteen times. Logically it’s pretty clear that it’s not working.

With this, McCoy’s now cooled down enough that he legitimately tries to thank Spock for saving him. It’s awkward, neither one are very good at having heart-to-hearts with each other. Spock pretty much acts like it’s the usual banter and kind of condescendingly before telling him to get to the point, which causes McCoy to just snap it out at him. Spock tries to go into the usual ‘I’m a logical Vulcan’ spiel, saying quote:

Spock: Oh, yes. You humans have that emotional need to express gratitude. You're welcome, I believe, is the correct response. However, Doctor, you must remember I am entirely motivated by logic. The loss of our ship's surgeon, whatever I think of his skill, would mean a reduction in the efficiency of the Enterprise and therefore-.

Which is what finally gets McCoy pissed off enough to directly confront him about it. Why? Because he knows that Spock’s spitballing here. He’s trying to deny his emotional responses, despite having demonstrated it at least twice with McCoy right there for both of them. Saving McCoy despite knowing the consequences of doing so was an emotional response. Trying to escape the cell due to Jim’s life being in danger despite all efforts failing is an emotional response. He tries to say it’s just due to professionalism, but at this point there’s been enough episodes that the audience knows that that’s not true. McCoy absolutely knows it. He knows how Spock tends to keep his emotions suppressed and deny that he even has them, even though he very clearly does. It is a factor that has continuously frustrated McCoy. He’d never force Spock to be outwardly emotional, Plato’s Stepchildren made that VERY clear. But when it DOES happen and Spock tries to act otherwise? And after having dealt with this for nearly two years now? Yeah, McCoy decides that he’s had it as he grabs Spock, turns him around so that they’re making clear eye-contact, and makes his opinion VERY clear.

McCoy: Do you know why you're not afraid to die, Spock? You're more afraid of living. Each day you stay alive is just one more day you might slip and let your human half peek out. That's it, isn't it? Insecurity. Why, you wouldn't know what to do with a genuine, warm, decent feeling.

Which… he’s not entirely wrong. Even during this, Spock turns away from him like he doesn’t want to talk about it. But McCoy’s right. Spock’s been at war with his Vulcan and human halves for his entire life. He chose to suppress the human half, and it peaking out does concern him. He isn’t able to settle two sides, hence why he’s always insistent about being a logical, unfeelign Vulcan. Now we all know that Vulcans DO feel things. Very strongly in fact, hence why they suppress it to begin with. But I do think it’s safe to say that Spock is afraid of expressing or even talking about his emotions. Whenever he does, he needs to get his grip back on the Vulcan side as quickly as possible. Even though he knows that McCoy knows otherwise. McCoy is pretty damn good at picking up on Spock’s emotional state and Spock knows it. And I think to at least an extent, he knows that McCoy’s correct. McCoy might be being too harsh admittedly, but the point is there. Spock is afraid of letting his human half slip out and the constant struggle of keeping it in check.

I think this is what makes their relationship so important. McCoy’s really the only person who can provoke Spock like this. Sure Kirk can normally reach out to Spock, but he’s not as likely to directly confront Spock and be blunt about it the same way that McCoy can. Spock’s also really the only person who’s ever been able to provoke McCoy and get him think past his own perspective the way that he does. It’s vitriolic in many ways. Like I said, it’s hard for them to really be civil with each other most of the time. Even here when McCoy did try to start off as civil when he tried thanking Spock, it ultimately devolved into another argument. Even McCoy expressed that he isn’t sure why it’s always like this when he says “ I know we've had our disagreements. Maybe they're jokes. I don't know.” But I do think that the episode demonstrates the answer to the queation of if they’re enemies. The short answer is no. The long answer is that they have a very complicated relationship that on a surface level, comes across as hatred. It gets to the point where even they aren’t fully sure. But the truth is they do care about each other greatly. They understand each other a great deal. They’re the only ones who can reach out to the other. The way that they show it is unorthodox sure, but it’s how it works for them.

And even when they are particularly heated, it always ends with them coming down from it and finding a point of unity. In this case, there is absolutely one thing that they can agree on.

Spock: Really, Doctor?

McCoy: I know. I'm worried about Jim, too.

While their concern for Jim is true, I think McCoy brought used that more as a way to bring them both back down after the exchange. Jim and his well-being is very much the one thing that they can agree on. I serves as a calming down point for them n this particular instant. After this while they don’t have anymore direct interactions, they seem to be on good terms and even enter the Bridge together at the end. They still have their heated moments in later episodes such as The Paradise Syndrome and The Tholian Web. But I think that for those who really do think that Spock and McCoy hate each other, I’d say watch this episode again and give their interactios a closer look. Especially the prison scene. Because it shows that for all their banter, for all their differences, there is a strong connection that is very much uniquely them.

#star trek tos #tos #spones #i may be reading these scenes entirely wrong #but that’s what i got out of it haha

[oskarwing]

I really wanna talk about the parent child relationships in Midnight Mass

I’m not sure if I’m good at writing this sorta Meta but here goes nothing. Very many spoilers follow.

Let’s start with the adults: 

First we have Erin who suffered so much at the hands of her mother and later because of her mother’s abuse. We don’t get much detailed info on Peggy Greene but from what we can gather she was a lot like Beverly Keane, who seemed to idolize her (though that probably got easier for her after Peggy was gone), in her self-righteous over-pious manner. She just happened to be Beverly with an alcohol problem and a daughter who she could take all her anger at life for not working out her way for God loving her just the same as everybody else out. The dove scene is really such a good scene. But Erin was stronger than her mother, stronger than the abuse that was about to repeat itself and when she found out that she would have a child of her own she left and tried her best to give her kid a better life than the one she had. And she found the strength I think with the help of the same God her mother most likely used as legitimation for her abuse (don’t get me wrong I believe it was Erin’s own strength but she also clearly found something in religion that helped her gather it) and it helped her to carve out a path for herself and her unborn child.  

Sarah’s relationship to her parents is such an interesting one because we get to see the end of it. The man who she believed to be her father has been dead for a long while and her mother is suffering through the late stages of dementia. And Sarah showed up for it. As a doctor she most likely knew what would be happening as soon as Mildred started to show the first symptombs but she wasn’t going to leave her mother. That kind of care for an elderly parent shows something that is proven in Mildred’s character time and time again: She is a very devoted parent and the love between mother and daughter flows both ways in every scene they are in together, after the birth of her daughter her world turned around Sarah and she loved her with all she had. There are a few scenes that show that Mildred’s understanding of the duty she felt towards her family came from the old values of her time. She wouldn’t have taken off with John and their child not for a lack of love but because in those times, in catholism still at least where I’m from, you can’t just marry a priest. You can’t just have a child with a priest eventhough you’re married and then fuck off with him. As a woman, as a wife and mother you have to stand with your husband, stand with your child and you have to stop running after fantasies I’m sure Mildred had. I’m saying this all from her perspective btw, I don’t necessarily think running away with John, in the way he wished to, would have been good for Sarah but honesty might have been and her old fashioned values were also what kept her from being truly honest with her daughter.  To John on the other hand Sarah is a fantasy, a dream he couldn’t reach. His daughter, his baby, so close and yet so far away getting to watch her grow into an adult but never being able to really be her father as in her Dad instead of her priest. And it’s painful to him, he clearly loved Mildred, loved Sarah but he was also kinda selfish in his love that in the end took Sarah away. At first he isolated his child by starring at her giving her the creeps and the feeling that she had done something wrong that he knew she was gay and dissaproved and then he took it upon himself to ‘cure’ Mildred in the same way he was. Sarah wanted to take care of her mother wanted to be there for her in those final months and John decided it was up to him to give Mildred a youth potion to make it so she’d never die. And with that he took away from Sarah what is without doubt a hard but for many people a very important last part of the relationship between child and parent. John was a complicated man and would maybe have been a great Dad he certainly showed a lot of fatherly love for his altar boys but he couldn’t have the family in the way he fantasized about and in the end it was that fantasy that made him act the way he did.   

Riley Flynn causes his parents a lot of pain. Him killing that girl in the beginning, his alcoholism, him simply not liking the place, the home they build for themselves through hard work causes the Annie and Ed so much pain and financial loss and you can see how tired they are, how much guilt they feel for failing their son. Ed calls out his own guilt and says that he doesn’t belive it could be Annie’s fault because ‘your mother’s a saint’ but what I truly love about Annie and Ed Flynn is that they both aren’t saints. As a mother Annie is very much overprotective and suffocating, wanting to keep her children on crocket island and hating the notion that they might leave her, even though she is kind and sweet and loving. And while Ed seems rather checked out as a father but he is the more honest parent, never talking down to Riley and telling him as it is, telling him about the pain he caused him while also admitting to the guilt he feels. The Flynns are flawed people even in their religious practice (I think the way Annie speaks about Ali showing up at church when Hassan seemed to be nothing but nice to her spoke very loudly to the fact that Annie is rather misguided sometimes) but they are good people at the core of it and their parenting might have been part of Riley’s way into alcoholism but it wasn’t only them. There were things they couldn’t change and things they had no influence over like his heart being broken by Erin running away, the sort of people he went out on parties with and so many other things...  Yes, they may have shaped their son in a way that made him vulnerable to addiction and the party scene of the stock and tech market and brought him to the point where he killed a child but it doesn’t happen through parenting alone and they also shaped him in the good ways. Him not losing himself when Pruitt changes him, him being brave enough to warn Erin, him standing up for what he believes in those things were also shaped by Ed and Annie. They are one of the best example of flawed but good hearted Christians I have seen in recent media and their portrayal was one of the most heartbreaking ones. 

Now the kids: 

Let’s start with Leeza. Little Leeza Scarborough who before it comes to her wonder gets treated with pity and overprotectiveness from her parents and the island community at large. Leeza was injured by Joe Collie transforming him into the island’s villain and her into the ever present victim.  What happened to her is without a doubt horrible and I understand why Wade and Dolly started to become these overprotective parents, why they were so easily sucked in to John’s and Bev’s scheme. Their little girl was almost taken from them eventhough Wade is the mayor, one of the most powerful people on the island he had no influence over what happened to Leeza even was the one who took her out that day and what followed the accident was as we can gather from their conversation with Sarah a lot of pain and financial burden though they say they would have done it all over for Leeza. In fact a lot of places in crockett island are wheelchair accesible and I am sure that Wade as mayor made it so (I can’t really imagine that a small place like the island was very inclusive though I may be wrong).  After Leeza is healed they don’t want to question in don’t want to think about what might have been the cause for it. In fact they stop questioning anything after that point, after Leeza walks again they are completely vulnerable to Bev’s manipulation and them letting that happen, them just going along with everything, Wade protecting John after he kills Joe long after Leeza forgave him and with her forgiveness send Joe on a better path is what in the end makes them lose her. Because Leeza isn’t that little victim who needs pity and help, she is a strong minded, strong willed young woman with a lot of wit who similar to Erin finds strength in her faith but in a way that isn’t devotion without question and when the Easter vigil is held she doesn’t follow her parents eventhough she loves them deeply. She forgives them I think, because that’s what Leeza’s character is about in it’s core but her parents were two of the instigators behind what happened on the island, without Wade’s protection John and Bev couldn’t have come as far as they did and they put their trust in them because they loved their daughter so much they didn’t stop to question if maybe what made Leeza walk again was also a bad thing. 

Ali and Hassan don’t have it easy and I as a white person really can’t speak much on the racism and religious discrimination they face.  I can say this I think: The first line spoken about Ali before we even really get to look at him is “You didn’t invite Aladin” and already sets us up for what both of them know: They are the outsiders. Not only because they just moved to the island but also because in their faith they are different from their peers and religion can often be a community building event for people before it is anything else. Ali starts balming his father a little for that, for not trying to fit in more with the community, for moving after his mother’s death and then not trying to be closer to the people around them and for the pain all the pain the two of them went through before Crockett island. It isn’t oly peer pressure though of course that brings Ali to St Patrick’s. Sure, Ali wanted to be part of the community but also desperately wanted to believe that there was a devine power who could if he just did it (it meaning faith) the right way he might find a way to avoid the pain of his parents. Hassan knew that and he warned him that that wasn’t how it worked. Hassan was a protective Dad and maybe he overdid it from time to time but his worries were never without reason, his need to keep his son safe from a world that hated him for a crime that happened when he wasn’t even born yet never unfounded and him wanting to make sure his kid kept the memory of his mother alive never anything but the wish of a griefing man and loving father. In the end when they pray together there is peace in them. They face their ends with the dignity Ali’s mother would have wished for and they face it as father and son. While Beverly the true religious terrorist of the story burns away without it. 

Warren is the youngest Flynn and it is never directly stated yet omnipresent that his coming of age happens in the shadow of his older brother’s mistake.  Annie warns him away from drinking when he goes out he in fact doesn’t drink. He never drinks because of what his brother did.  Warren would have been 12 when Riley killed that girl and so he would have seen and felt what his brother’s actions did to his parents fully without being yet old enough to maybe see the nuance.  Annie and Ed probably try to right the wrong they believe to have done in parenting Riley with Warren and that’s a lot for a kid. I do think it’s pretty usual that parents of multiple children especially when there’s a larger age gap try to do better with the younger children, but that isn’t fair is it?  Warren is his own person not a second chance to do it over.  And yet seemingly he does what is asked of him. He’s alter boy, he’s charming and helpful and sweet, he doesn’t drink (even when he does smoke pot) and he helps his father where he can with his work.  But in the end he feels guilty because he thinks he wasn’t enough and says at that last dinner he would have been different if he had known he wouldn’t see his family again. But Leeza is right they know and they love him and Warren deserved to not be perfect all the time. 

Littlefoot saved Erin and Erin payed her back with all the love she had. She was never born but she gave her mother the strength and willpower to leave.  In her speech to Joe Leeza said he reached through time and took things from her she didn’t even know she had yet.When Erin left her husband she reached through time and saved Littlefoot from a childhood like hers and when John gave Erin the angel’s vampire’s blood he reached through time and took away her child, a child who would have been loved and cared for. A child with an amazing mother and probably a great step-dad.  Littlefoot’s story is tragic because she never got one. 

#midnight mass #midnight mass spoilers #parents in midnight mass #I dunno man I just really love how they showed all these examples of parents