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niennanir · 10 months

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Listen to your elders

So last week I posted abut the importance of downloading your fic. And then three days later AO3 went down for 24 hours. No one was more weirded out by this than I was. But while y’all were acting like the library at Alexandria was on fire I was reading my download fic and editing chapter eight of Buck, Rogers, and the 21st Century. And also thinking about what I could do to be helpful when the crisis was actually over.

So first off, I’m going to repeat that if you’re going to bookmark a fic, you really need to also download the fic and back it up in a safe place. I just do it automatically now and it’s a good habit to get into.

But let’s talk about some other scenarios. Last October I lost power for over a week after hurricane Ian. Apart from not having internet or A/C I did find plenty to do, I collect books so I had plenty to read, but maybe, unlike me, your favorite comfort reads aren’t sitting on a bookshelf. So let’s do something about that, shall we?

In olden times many long years ago around 1995 we printed off a lot of fic. It was mostly SOP to print a fic you planned to reread and stick it in a three ring binder. And that’s totally valid today too, but you can also make a very nice paperback with a minimum amount of skill and materials.

Let’s start with the download; Go to Ao3 and select your fic, we’ll be working with one of mine. This method works best with one shots, long fic tends to need a more complicated approach. Get yourself an HTML download

Open up the HTML download and select all then copy paste into any word processor. Set the page to landscape and two columns, then change the font to something you find easy to read, this is your book, no judgement. This is all you have to do for layout but I like to play a little bit. I move all the meta, summary, notes to the end and pick out a fun font for the title:

No time like the present to do a quick proofread. Congratulations, you’ve just created your first typeset. On to the fun part.

Now you’re going to need some materials: 8.5x11in paper ruler one sheet of 12x12 medium card stock (60-80lb) scissors pencil pen or fine tip marker sheet of wax paper white glue two binder clips 2 heavy books or 1 brick butter knife

You’ll also need a printer, if you’re in the US there is almost a 100% chance your local library has a printer you can use if you don’t have your own. None of these materials are expensive and you can literally use cheap copy paper and Elmers glue.

Print your text block, one page per side. Fold the first page in half so that the blank side is inside and the printed side out:

use the butter knife to crease the edge. Repeat on all the sheets. When you’ve finished, stack them up with the raw edge on the left and the folded edge on the right. I used standard copy paper, because you’re only printing on one side there’s no bleed to worry about. Take the text block and line everything up. Use the binder clips to hold the raw edge in place.

Wrap the text block in the wax paper so that the raw edge and binder clips are facing out. I’m going to use my home built book press but you don’t need one, a brick or a couple of books or anything else heavy will work fine.

Once the text block is anchored down, take off he binder clips and get out the glue.

You can use a brush but you don’t need one, smear some glue on that raw edge.

Go make a margarita, watch The Mandalorian, call your mother. Don’t come back for at least an hour

In an hour smear some more glue on there and shift your brick forward so that the whole book is covered. This keeps the paper from warping. While glue part 2 is drying we’ll do the cover. Get out your 12x12 cardstock

Mark the cardstock off at 8.5 inches and cut it. Measure in 5.5 inches from the left and put in a score line with the butter knife (the back edge not the sharp edge)

Carefully fold the score line, this is your front cover. You have some options for the cover title, you can use a cutting machine like a cricut if you have one, you can print out a title on the computer and use carbon paper to transfer the text to the cardstock. I was in a mood so I just freehanded that beoch. Pencil first then in pen.

Take your text block out from under your brick. Line it up against the score mark and mark the second score on the other side of the spine

Fold the score and glue the textblock into the cover at the spine. Once the glue dries up mark the back cover with the pencil and then trim the back cover to fit with your scissors.

Voila:

I’m going to put this baby on the shelf next to the Silmarillion.

The whole process, not counting drying time, took less than an hour.

If you want to make a book of a longer fic, I recommend Renegade Publishing, they have a ton of resources for fan-binders.

#fanbinding #fanfiction #Nir paperback

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chisatowo · 2 years

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I wanna create sketches of some of my concepts for fake splatoon weapons but also grrrr prop art

#rat rambles #mainly a brush idea that I fucking adore but dont wanna even try drawing fkfndhs #I just think that a sponge based brush would be a rly cool concept plus we DESPERATELY need more brushes #the sponge brush image I have in my head has a lil gimic for both its roll abd its flicks #basically its roll is a bit slower than inkbrush but when rolling through ink (regardless of team) it drastically reduces your ink usage #its flicks on the other hand are the slowest of the brushes but it basically has a direct and indirect splash #as in theres a very short range more traditional splash that is like a 2 shot #but theres also a longer range indirect splash radius thats like flicking a sponge with paint on it #the indirect splash does a lot less damage but it also makes the sponge brush have the most range counting the indirect splash #I imagine the splash is probably like a 5 shot but idk enough abt splatoon to gague a good range properly dnfmdjg #ngl I have no idea what sorta kit Id give it #burst bombs would probably have good synergy with it I think but also that might be too much I think?#taking 3 into consideration though the point marker could be fun with it I think #idk if itd be good per say but I could see it having use #I also have a few ideas for a pen or marker based brush but theyre less fleshed out #basically my main thought is fastest roll speed but slowest flicks but with each flick being a bit longer range and packing more of a punch #like Im imagining almost like sword beam like attacks but with more of an angle so like more forward range but less outward range #I also think that a fan brush based brush could be fun but I dont have like any real ideas for that one #I also have some ideas for a brella thats based on a bubble umbrella but I havent used brellas enough to rly feel qualified making it #like I think itd be neat if it had a slower shield regeneration and you cant shoot it but also had a move where you can basically raise the #sheild and shake the ink off as an attack thatd leave you vulnerable but idk how well thatd work in practice

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brain-n-body-in-disarray · 3 months

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What the h*ll is "basic hygiene" anyway?

If you're like me, you've been struggling with hygiene for a long time. I'm neurodivergent, I have chronic fatigue and chronic pain, so yeah, it's been hard, my whole life.

Here's a few tips that helped me or some of my friends.

1. Redefine "basic hygiene"

No, really. Redefine it. Neurotypical and able-bodied people will tell you all can of things about what is "basic" hygiene.

The rule is: do what you can. That's it. The rest of the post will be tips to increase what you can do. But in the meantime, just do your best. You're fantastic the way you are.

2. Time

There's two thing here.

The first is: find the right time for you. It's not always easy, because we often have obligations, and we're supposed to be clean at those right moments. It's not easy. Sometimes it "helps" because it gives us that "boost" we needed to start getting clean, but most of the time it's just stressful. So instead find the moment that works best for you. I know there's moments in the day when it'll be easier for me to start tasks that I would struggle with at an other time, but I prioritise other things instead for a reason or another. Try washing yourself then, even if people will tell you it's strange to have a shower at three pm. Who cares.

The second is: divide to conquer. You don't have to wash ALL the parts of your body at once. You don't necessarily have the energy for it and it's okay. Also it can feel daunting to face that long list of steps. A body has a LOT of parts to wash and clean. Really, that's scary and exhausting. So the solution might be to do smaller things here and there. Do what you can when you can, that's okay. At least you've done something, that's great!

You are also allowed to take breaks in the middle. It can help if you are tired, or if it makes you anxious.

3. Wipes.

I personally hate washing with soap and water, whether it's a bath, shower or just at the sink. It takes time, it's a lot of steps, and it feels horrible. I do it when I can, but I don't enjoy it. The partial solution is wipes.

Baby wipes are great, they're soft, some smell good but faint, some has no odor. You can clean yourself quickly without rinsing. And they don't let that terrible feeling on your skin.

There's wipes made for your private parts. Which is an important part to clean. Also wet toilet paper is good. (For private parts wipes, buy the organic ones, you don't want anything too harsh there)

Make-up removal wipes are not just to remove make-up. They do clean you face.

Don't use antibacterial wipes though. At least not regularly. They are too harsh for your skin, you'll just damage it. Also too much antibacterial stuffs just make bacterias more resistant.

Bonus point: wipes can easily be carried in a bag. Handy.

4. Charts and lists and apps.

Whether you forget to do it or it you have done it already, or you can't get motivated, or you can't manage to start washing, or there's so many steps you get overwhelmed, or you start but can't remember what to do next, etc., those tips might help.

There's apps like Habitica (it's the most well known but there's others) that help you building habits and remembering to do stuffs and making it fun (help with rewards). It's about general tasks but can be applied to washing. A friend also told me there's a pokemon app to brush your teeth but I haven't tried it.

If you get overwhelmed by the steps and get lost in the middle, making a list of those steps, laminating and putting it in the bathroom near the sink or in the shower can help you keeping tracks. You can even put a dry erase marker near the list to check what have already be done.

5. The "bath buddy"

If you live with someone, you can ask their help.

I'm not saying they have to wash you. Or maybe I am? A friend takes his showers with his boyfriend to help getting motivated.

It can just be your platonic roommate behind the door talking to you, telling you funny stories.

Having company can help start the task and make it more enjoyable which help in itself but also make it less daunting the next times. Having a bath buddy also helps if you get lost in the middle of a task, they can tell you what the next step is. They can also keep you on tracks and in the present (I know I tend to dissociate a lot in the bathroom). And they keep your mind off the bad stuffs (body dysphoria for example, or sensory discomfort)

6. You're never too old for "kids' stuffs"

Because you're never to old for fun stuffs.

No, really, there's no reason why you should deprive yourself of something that would make washing more fun.

Wash your teeth with bubblegum flavored toothpaste.

Play with bathtoys. Buy those little plastic boats and those little squirting animals. (Seriously, the fact that the only fun thing for bath for adult is bubbles is a crime)

The word here is "fun". Make the bathroom fun. Buy a shower curtain with cute elephants playing with water. Put adhesive ducks on the tiles. Make that darn room a place you want to be in, not just to distract you from the bad stuff but to enjoy your life.

7. Teeth. Oh no, the teeth.

First thing: as I said, you don't have to use that "adult toothpaste". The menthol contained in it can be sensory hell. You can use kid toothpaste, it cleans just as well. If you can't use any toothpaste try brushing without it with just water. You can also try toothpaste tablets (you chew on them and then brush). You can try mouthwash. You can try oil-pulling. The point here is to remove some bacteria from your mouth.

About brushing. There's different hardness in toothbrushes. If you're using hard, try medium. If you're using medium, try soft. If you're using soft, try baby toothbrush. If no toothbrush works for you, try a wet cloth, or your finger. Try using toothpicks to remove the remains of food and then use mouthwash.

If the storebought mouthwash doesn't do with you, make it yourself. There's recipes online with essential oils (optional, but maybe there's one you might like), baking soda and water. (I don't recommend using lemon juice, it might damage your enamel.)

My friend just told me I should mention dental floss. I personally hate it, but it might be useful to some of you. It's probably more effective than toothpicks. They also comes mounted on these little plastic sticks if you struggle with the thread alone.

8. Chair

No, really, you have the right to sit down during washing. Buy a shower chair. Put a bench on your bathtub instead of struggling to stand up. Put a chair in front of the sink to sit when you brush your teeth.

You don't have to be physically disabled to use a chair to wash. And if you're disabled there's still no shame. Standing up can be boring, it can be painful, it can be tiring. So sit. You are allowed.

And if you prefer standing, do. You can pace. You can dance. You can do gymnastics. (Just be careful if you're brushing your teeth, okay. Or if you're in the shower. Don't hurt yourself.)

9. Music

If you don't have a buddy to talk to you, music or even podcasts, anything to listen to, can be a nice way to help. They makes the experience more enjoyable. They keeps your head away from the bad sensory experience or the awareness of your own body.

I also find using the same playlist useful to keep track of the time I've been spending in the shower. I even time the steps on the tracklist, I know I washed that part of my body for long enough if that song is over, I need to do the next step.

Also, for me me music is part of the ritual. It helps me to get in the right mind, it motivates me, it makes the routine.

10. Multi-purpose products.

I've seen all those beauty posts about "layering". It's nice if you have the energy and the time, but no, it's not for me.

I hate moisturising creams. I really do. They smells funny, they feels gross and sticky, and it takes forever to apply. It's an unnecessary step for me. But I have dry skin (at least on my body). The easy solution is to use surgras soap or surgras shower gel. (Not just the "moisturising" soap, that won't hydrate as well.)

I don't just remove the unpleasant experience of moisturiser, I remove a step. I save energy.

Also, multi-purpose products help with organisation, there's less things to think about. There's less risk of taking the wrong bottle because you're too headfogged. Less chance of chaos in the bathroom.

I personally can't do that for everything. I'd like to have one soap for everything, but my body skin and my face skin and my private parts and my hair all need different stuffs. But I do try to keep things to a minimum, because the number of products can be quickly overwhelming. So try to balance your sensory needs with your organisation problem.

(Also, if like me you hate the feeling of moisturiser, aloe vera gel is great. It is a bit sticky, but in a different way than cream. I personally prefer that one. There's also the option of oil, there's different kinds for different skin types, even for oily skin.)

11. Japaneses know best: the bidet.

This one might sounds strange for some folx. Where I live, bidets used to be extremely common but they are disappearing. We used to have a bidet next to the toilets in our homes. Japanese toilets have a built-in bidet but they are expensive. There is a cheaper (but still not cheap) alternative. You can buy a bidet toilet seat attachment to put on your own toilets.

Why am I telling you about bidet? Because when you struggle to wash regularly, bidets are incredibly useful.

Toilet paper is highly unhygienic. Wet toilet paper is a bit better. Bidets, that spray a jet of water on your privates, clean so much better.

And they are easy and quick to use. You just press a button and you are clean.

If you have a vagina, it's even more important, because it lowers significantly the risks of getting UTI and the likes.

If you can afford it, I recommend it.

12. The hat, or "well, f*ck it"

You can fail to wash in time for whatever obligation you have. That's okay.

Just use the card "camouflage".

Greasy hair? If they are long, brush them and tie them tightly, and put on a fashionable hat. Or you favorite, silly, hat. Or just a random hat that your aunt gave you (you know the one, you wondered for three weeks if you smiled enough when you received the gift because you didn't want to offend her). Scarfs are nice too.

Other idea to hide greasy hair? A wig. They are higher maintenance, but they are good to have for occasions where you have to look a bit better or if you can't wear a hat for whatever reason.

About odors... Well you know the trick of deodorants and perfume. Not what I recommend, at least not alone. For once not everyone can stand their smell. Also, they aren't that great to succeed at masking odors. If you can, use wipes to clean your armpits (also the underbreasts if you have them) and the neck and chest area. It might not remove all the odors but it'll help and with some deodorant if you can stand it, you should be good.

About deodorant: you can use a dollop of moisturiser (yes, I know I said I hate them, but listen), it will help to stop the formation of odors but the fragrance is usually mild or absent. It's also less harsh than the usual deodorant. You only need a small amount for it to work. You just need to clean before (wipes should be enough)

13. Don't stew in your dirty clothes.

Try to change your clothes often even if you don't wash. Especially your underwears.

I know it might sound counterintuitive to wear clean clothes when your skin is dirty, but staying in old clothes is like wearing a petri dish. By keeping the same clothes on you, you also keep the bacterias that live on it and your body.

It's especially bad in some areas, like your private parts, your feet and your armpits.

If you live alone, or if you live with someone who don't care, don't put clothes on at all. You'll just stew in your bacterial crock pot otherwise.

Staying naked also has the upside of reducing the amount of laundry you have to do.

14. Use your strengths.

Sometimes it's as simple as using your other hand because your dominant one is achy.

Sometimes it's listening to a podcast about your special interest.

You're an artist? Put a whiteboard in the shower. Or, I don't know, draw your body, laminate the drawing, and color the parts you have already washed with a dry erase marker.

Your thing is to make lists of animals of Paraguay? Recite them alphabetically and make a song with them while you brush your teeth and wash your face and clip you nails.

Dancers here? Each movement you make is part of a choreography.

15. Aftercare.

Hygiene is immensely stressful and energy consuming. You don't just deserve a reward, you need aftercare.

It's okay to take a nap. It's okay to need to engage with your special interest. It's okay to need a hug. It's okay to want to be alone. It's okay to feel bad too. Have a cry. Be moody. Don't be ashamed of what you feel. Of course it's better if you manage to avoid these emotions. But it's okay if you have them.

And give yourself a little treat. Have a cup of your favorite tea. Put a shiny sticker in your "things I've done good today" diary. Cuddle with your pet. Read the Swedish dictionary.

Drink a glass of water and eat something.

Also, if you have chronic pain, like I do, take your meds. (My joints are always a bit achy after standing too long, or my shoulder are stiff after washing my hair)

Write an essay about why keeping up with your hygiene is a pain.

Do what you want and do what you need.

16. Shame has no place in the bathroom.

If you've read my previous post, you know what I mean.

I've said it in this post, it's okay to struggle, to not be perfect, or as perfect as neurotypicals and able-bodied people say we should be. Their criterias are bullcrap.

Shame won't help you to keep up to these unachievable standards. They'll just undermine you.

Also, it's okay if some of what I've said here seems unachievable also. I shared what helps me and some of my friends, but your needs might be different and that's totally okay. Maybe someone will make a post with tips that'll help more? I hope so.

Anyway, you do what you can and you congratulate yourself for it. Every step is an achievement worth of praise.

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fagboyfriend · 1 month

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i rlly like ur composition, i wanna know about your process :D

thank uuu !! yeah so like. composing a scene for me generally begins with a vague idea that i want to get down as quickly as possible- and for me that usually starts with finding a setting. I knew that i wanted to draw a) a group of roomates gossiping in a crowded kitchen and i wanted there to be b) one figure in the extreme foreground and c) lots of plants. i do use some tools to figure out perspective, mainly the csp perspective ruler. Usually i start by finding a picture i like similar to the vibe im going for- but instead of referencing anything else- im purely interested in perspective. sorry to anyone who is shocked i dont generate all of my perspective purely by myself- i can draw in perspective fairly well but i struggle to make straight lines and this is easier to make grids with than the line tool lol ^_^ i try to use it kinda more like spellcheck on typos than like something to fully rely on. this is the video i learned this trick from:

i saw the left photo and realllly loved how the cabinets alligned with the wall- so i used my ruler tool to draw out my inital plotted points from the image- basically the linear movements i was most interested in and then i turned off the image layer and worked with those lines and the ruler tool to move on. eventually i had this:

which was enough for me to put my characters in for the inital round. if you notice- i made a looot of further adjustments as i go on. this sketch is not a final layout, its so my characters have somewhere to be! i cannot draw someone standing on a floor if theres no floor, nor leaning on a table that doesnt exist. i can’t draw my characters without a background, but i also cant finish my background without accounting for how my characters can comfortably exist in it!!

this was the like.. very basic start. i knew the positions of two characters- but i needed to change a lot not only to fit them better but to allow for the other two figures i had planned.

okay.. a little better. i widened the kitchen, closed the fridge door.. added a chair and fit in all the figures.. but this is waaay too dramatic. only two figures are actually interacting- and they are at wildly different energy levels!

this is where things started to make a little more sense characterwiss, so i was ready to refine backgrounds and figures and unite the two.

inital base sketch. much better layout.

okay- this is where im getting my footing but things seem.. really really off. You can see me working on my framing here- theres some good linear movement from left to right here- but not vertically. It’s hard to notice the figure in the far back, so i need to redirect the viewers eye to move upwards as well!

this is where i decided to zoom out, add an interesting vertical element to the left of the image and make it clearer whats happening in the foreground. i had to account for some stuff by adjusting the cropping, but i paid attention to that as well.

annnd- thats what a clean sketch looks for me! i have all the elements of my scene accounted for, and things are clean enough to read.

the next step for me would be transfer! essentially- I print the image of my sketch out, resizing and taping pages together so my sketch matches the size of the paper i want to paint on, and then i use a lightboard to transfer my sketch with pencil onto my paper. Then i refine the sketch a few times on paper before stretching my watercolor paper (essentially just prepping for painting) and inking with a brush and colored ink before going in with watercolor, gouache and ink, then usually finishing with marker, colored pencil, pastel and ink. it’s a lengthy process but a lot of fun lol. but sketches for me can be like.. 15 layers of different roughs until im happy with just the sketch. there were more images but im on mobile and theres a 10 image limit 😭😭 im a bit masochistic but i believe that if i dont have a good sketch i dont have a good painting!!

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mixelation · 8 months

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on the hiraishin in reborn au ->

this isn't necessarily the "canon" i'd use for every fic but: i decided the hiraishin markers can only be used by minato, and also he can only use ones he makes himself. i think with the way i set things up in plasticity, it's probably a chakra compatibility thing, so someone else could paint one using his chakra and then he could use it (and that person couldn't). so During The War kushina was helping him put them on kunai en masse, but "minato can only use ones he makes himself" is how most people understand it

also, the marker itself isn't the technique. it's only a guide for him to use the technique. tobirama's markers look different, so i think the shape of the marker is pretty malleable? he doesn't necessarily have to get every brush stroke exactly right, so he can make them on the fly, but he'd have to retrain himself pretty thoroughly to start using a new type of marker.

i'm going with these rules bc it explains why he left a bunch of markers that never fade all over the place without any anxiety that anyone would steal the technique. it's because it'd be like trying to reinvent a plane using the runway as your guide, and then it wouldn't even be able to use the same runway. like, if you were going to manage it, you were going to manage it regardless of if you'd studied the runway or not, and you'd have to build a new runway to boot.

okay, so. does tori reverse engineer the a plane with just a runway? no, that's nigh impossible. she does something worse. :)

so for mutagenicity i want tori to be a little bit fascinated with time-space jutsu, because they're one of the more complex branches of fuinjutsu, and she's never explored it before. like storage is technically space-time stuff, but also not really. she doesn't know a lot about it.

when she's little and living with the utano clan, someone brings back one of minato's kunai and sticks it in a chakra-proof box they have. and i'm thinking after all the clans merge into a village and orochimaru slowly starts picking off former leadership so he can be the undisrupted ruler of otogakure, tori manages to steal the box. she spends some time studying the kunai and its marker and she's like: hmm yeah if anything this is like 0.8% of a technique. disappointing. she does go to orochimaru and is like: hey when u stole a bunch of konoha techniques did u also happen to steal the hirashin. and he's like omg wtf no. lmao. you tihnk i'd be here if i knew that?? and tori internally is like: hmm yeah he would have killed hiruzen already if he could teleport. or at least be off bothering anko once a week

she gets to learn more about space-time fuinjutsu with kushina because they're using one to transport ibiki. and she's like well why SHOULDN'T i ask about hiraishin what else would a twelve year old do. and kushina is like AAAWW yeah everyone wants to know <3 but it's top secret and also way out of your league baby genin :)

and at the fallout of the mission, when she and deidara have to manually drag ibiki out of the village because the only transport jutsu tori knows requires one other person and that person was kidnapped in front of her and itachi is off saving her, tori is pissed. so she draws minato's marker on a wall and the message "can you find them all? ;)" which is pretty funny psychological warfare in that it makes iwa desperately search every inch of itself for markers that don't exist, but also minato doesn't actually gain access to iwa. (i know, less fun)

but i decided tori doesn't know this when she did it, so when someone explain it to her she's like "WELL WHY CAN'T HE USE OTHER PEOPLE'S CHAKRA" because her whole thing is hijacking other people's chakra. but at this point she has not adequately demonstrated or explain this to kushina OR minato so she gets what they feel is an age and skill appropriate answer and she feels is a deeply condescending non-answer. also minato makes her cool genjutsu proofing seal forbidden >:(

years pass, tori opens up and learns to trust, minato has to forbid a bunch more seals and every day gains more white hairs, etc etc. and i was thinking "if her arc is about learning to trust, we need some moments to Test Her" and "what could give tori a melt down"

so i decided it might be fun to play around with a mission where her teammates straight up leave her for dead. i'm still rotating details, like what exactly happens and how bad it is emotionally. (is it malicious? just a cowardly call? someone picking the mission over tori?) but i have decided it's some other inconsequential non-canon team, and she's "left for dead" but still has enough time to sit there and contemplate that this happened to her but also can't get out. think locked in an underground room slowly filling with water or something.

now, tori is a creature who runs on stress and spite. so these are actually the ideal conditions for her come up with her best ideas. she knows minato's hiraishin markers work as a homing beacon for a transportation jutsu, she knows a shit ton more about transportation jutsu now, she knows the specific properties of his chakra and has done extensive research on how to adjust fuinjutsu to work with different types of chakra, and also she's been spitefully rotating this problem in her brain like a rotisserie chicken, so she's like. actually i can hijack minato's hiraishin.

she draws up his marker and makes a truly cursed seal around it, concentrates on konoha, and voila! she manages to teleport to a forest in fire country.

also, halfway across the country, she's just scared the every loving shit out of minato, who immediately shows up to investigate, rasengan waving.

tori: (SCREAMS)

minato: ???? prove who you are >:(

tori has been freaking out and will continue to freak out for several more days, because she was finally feeling safe, like she had a home, and she just nearly died because actually you CAN'T trust people you haven't thoroughly vetted, and also the goddamn yellow flash just nearly murdered her, and and and---

luckily minato calms down much more quickly once tori stutters out her verification codes. yes, okay. tori figuring reverse-engineering hiraishin was nightmare #1, but actually his TRUE fear should have been someone hijacking his markers because they're in his home and on his family, but that should have been impossible, so thank you tori for showing him true fucking fear. but actually by this point he low-key figured learning True Fear would come from someone on team 4, if not his own family, so why not. so he listens to her barely cohesive story about being betrayed by her team.

because she solved her problem via teleportation, she actually beats the rest of her team home by a week. so minato is like: okay, I believe that you are telling your truth, but as hokage I have to investigate and listen to both sides of the story. so why don't you lay low at my place and we'll wait and see what your team says when they get back. so he dumps her at his house and then goes to look up the new seal that she hooked up remotely??? and yes she did do that, and she DID do it in a cave now completely submerged, and he destroys and at teleports back and has to rethink his life.

(while this is happening, please imagine tori curled up n the uzumaki-namikaze house angrily drinking a juice box while naruto explains a comic he's reading to her)

and i think the eventual conclusion is minato decides he should have been retooling his marker every once in a while and he wants to have konoha-only ones so enemies who've seen his main one can't exploit that flaw, even if the chances of anyone repeating what tori did are EXTREMELY low. unfortunately that does mean he has to basically reteach himself the technique

minato, clapping tori on the shoulder: we can do it..... together <3

(also i haven't decided what happens to Team Traitor, in part because I haven't 100% decided what they do lol)

and so tori's trust in various people is reaffirmed but them acting totally cool even after she broke the hiraishin so bad that minato has to remake it for village security. also her jutsu gets so forbidden they're not even going to make any sort of record of it <3

naruto while they're waiting for minakushi to finish making dinner: why's my dad teaching YOU hiraishin?

tori: i hacked the cloud

naruto: he won't teach ME hiraishin

tori: do you want me to teach you to hack the cloud?

minato, in the kitchen: I HEARD THAT

#reborn au #tori: can i sit in a swivel chair with my back to them and then after they report me dead #tori: i turn around and go 'OR AM I?'#minato: NO.#minato: well.#minato: maybe

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maridoodles · 2 months

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brush theory doodle

my brush settings + how i use them under the cut

I use paint tool SAI

PEN BRUSH • LINER + FLAT COLORS

this is the basic pen that comes with SAI. I use it for sketching, lining, and throwing down colors. It's very lightweight to use, and responds great to pressure. i like how soft it looks but it's still solid for selecting areas and paint bucket filling when coloring later on

MARKER BRUSH • BLENDING COLORS

this is the marker tool, i have it set to a fine flat tip to use like a copic chisel tip end. It's semi transparent so it works just like a marker, more pressure will give more color. It's great to add a wash of shading in a picture when using on a separate layer. When coloring on one layer, it'll pick up colors and blend them like when painting with oil paints.

here is an example of using it to lay down shadows in this wip, but it leaves a lot of harsh edges that i'll blend out with a watercolor brush.

SUGOI BRUSH • LINER

this brush i got from an artist that's no longer on tumblr... i do not use this to color because it pulls colors really weird when painting on one layer. But it's great if you want very straight lines. I use this when i want thicker consistent lines like my merch art

it also layers very fun because it's semi transparent. I use it when I want very soft casual lines like in this illustration, see how the lines blur into the colors on the layer underneath?

CRAYON BRUSH • TEXTURE this is my favorite brush. it mimics a rough 2B pencil, it has a beautiful texture. However, it has so much texture that unless you have very thick lines it'll leave pixel gaps so you cannot use the paint bucket fill/select tool making it not great for lining.

I use it to add blush lines and shade hair like Serafina's from my Ghoulfriends comic. Use it on a seperate layer for the sharpest results

i saw this brush theory trend on instagram and wanted to join because i love talking about all i put into my art

bye

#brush theory #i ramble for 10 years under the cut sorry #tutorial #tutorials #brushes #paint tool sai brushes #my art #original

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soaricarus · 5 months

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why does nobody ever talk about the really nice features of mspaint. like when your first color (uses for pen/brushes/etc) is red and your second color (used for eraser or when you right click pen/brushes) is blue, and if you have red splotches and purple splotches on your canvas but you only wanna color the red and they overlap, then you can just hold right click with eraser and it'll color only the red with blue.

(and you can hold ctrl + numpad - or + to make brushes smaller or bigger past the limit!)

there's pen pressure for certain brushes, which is insane to me. no, this isn't a windows 11 thing, this also goes for windows 7 and 10.

you can use the pen and marker brushes to blend colors if you colorpick a lot. you can even draw over the same color with the pen and it'll darken it by just a bit. this is more noticeable with already dark colors, though, but still a nice feature nonetheless - not to mention all the shape tools you can use.

you can use the transparent selection in really nifty ways too. you can color one part of your drawing in your lines ppurple, leave your second color (used for selection transparency too!) purple, copy the section with the purple (and a surrounding area), then use the colors you want there and use blending and what have you, then you can paste what you copied with the purple and drag it over, line it up, and then you have nothing outside of the lines or on the other colors!

you can right click while drawing a line to undo it without doing ctrl + z

there's also a button right beside the selection at the top that you can press after selecting an area and then it'll cut the canvas down to only what you have selected

the textured brushes in mspaint are so fun!! their textures are so nice!!! sure some of them do end up running out for some reason so you have to use another brush stroke to keep going.

i think people give mspaint wayyy less credit than it deserves. it's actually a really nice program with it's own charm and a lot of quirks

#words on the wind #i hope i explained this well enough #im just rambling about my favorite art program

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ehlihr · 21 days

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your art style is so distinctive, saw your pfp and instantly knew you drew those mlb comics and doodles i was obsessed with, any chance you can tell me what that colour changing brush you used for a lot of those doodles are? thank youuu

hey anon tysm!!! i sure can:

none of these brushes had a colour jitter on them. I usually make duplicates of brushes i like and give them some kind of colour jitter as follows:

Colour Dynamics → Stroke Colour Jitter → Hue → 3 / 5 / 10 / 15 / 20 % (different intensities needed depending on the warmth of the colour! warm colours are way more sensitive to hue jitter than cool colours) → i now basically always use a brush with between 3-5% jitter on it!

Colour Dynamics → Stroke Colour Jitter → Saturation → 2-4% (rare, i find it annoying if i end up using grey, but fun for painting!)

Colour Dynamics → Stroke Colour Jitter → Hue → 90-100% for the wacky brushes

Brushes:

I used a lot of different brushes. I'll try and name the ones I used the most, but if there's a specific image feel free to send an ask w that and I'll find the brushes I used. Also I edit the FUCK out of my brushes so bear that in mind. I really want to do a video with a brush tour someday because it's sick and twisted.

MaxU Chisel Pencil - MaxPack Comics

MaxU Gesture Sketch - MaxPack Retro

MaxU Coloured Pencil Waxy - MaxPack Watercolour

MaxU Sketch Marker - MaxPack Comics

Bencil - my friend finch's brush, on his ko-fi here

that's probably most of them. again, if theres a specific drawing in mind send it my way! i used a brunch of different colour changing brushes

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zimcard-artblog · 6 months

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can I ask a question?

how do you render your art? like you make it feel doodly but clean at the same time

hope you have a nice day

Thank you! I like to think my art style is an organized mess! It's cause I've leaned more to a certain digital painting style where I don't have to rely on making clean lineart as I can just render it all instantly. Here's my work progress:

I use a marker brush on Firealpaca (One of the drawing programs I use, the other being medibang for the comic), it's on a soft pen pressure setting 0.20 (soft) and with opacity by pressure on so it has a soft feel along with no sharp edges so that I can focus on anatomy structure calmly.

The lineart process is simple, not wanting to go overboard besides drawing the important stuff. The imperfections can be altered later.

Then, I color it. A base layer is really for the main colors, if I wanna put shading then I separate each color by clipping layers so I can shade them individually but for this example, I won't dive too deep into it besides that I don't use any watercolor brushes besides- well, Dp-flat is like a watercolor brush/blending brush but it has a strong texture that I like. I prefer to shade manually with airbrush, dp-flat brush, and a makrer brush (opacity on).

And we got rendering!!! I Spend a lot on rendering as it's fun- especially for smaller pieces! I often use a marker brush but with a different pen pressure (normal, 1.00) so it has a sort of sharper end so I can also add faint brush strokes/lineart to give it a solid look. I use the color picker a lot to overpaint some specific lines and colors while also using the brush as an eraser to shape/sculpt the form!

I've got more examples for my more finished works to show how noticeable the results are regarding how I render! I like to experiment from time to time

#Ask #ZCArt #Fanart #just shapes and beats

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crabsnpersimmons · 28 days

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yo dawg, or i guess uhhhh

yo crab

what are those marker pens that you used in your exam 2 moon doodle? are they felt tips? can i buy 'em online? i like how they look on your sketchbook, but maybe its the type ya use. what's your current sketchbook brand?

sorry just curious, take your time answerin

yo yo! no problemo!

they're pentel brush sign pens! they're water-based, felt-tip pens with a flexible nib:

i bought them online from amazon as birthday present a while back, so you may be able to buy them online, depending on your location (i'm from Canada!) they also come in a pack of "standard" colours, like your usual red, orange, yellow, etc. pack, but i don't have that pack 😅

i included two swatch pages so you can see how they look on different papers. the left one is my pocket sketchbook (the same sketchbook that the Moon doodle is on), which has smooth paper. whereas the right swatch page is on my larger sketchbook, which has textured paper (which I think might be for dry mediums... but oh well). you can see on the left swatches, the colours are lighter but a bit inconsistent (you can see some speckling). but on the right swatches, the colours are deeper and the lines show more feathering, but the colours are fairly consistent. neither of these bother me too much though, because it's these happy little accidents that make traditional art fun (and to drop kick my perfectionism)

also! just an extra note, pentel also sells a very similar looking pen but the tip is not flexible. so if you don't like brush pens, that's an option, but i believe it only comes in the standard colour pack. if you like these colours, i think the brush pen is your only option (but as far as brush pens go, these are fairly beginner friendly!)

as for my sketchbook... that's tougher to answer 😅

it's a pocket sketchbook i got from my local dollar store, and they don't even carry this size anymore 😭 they carry larger sizes, but i specifically wanted something small that i can put in my pocket and literally just doodle wherever i am. i don't have a lot of info on the brand or the paper quality, but i can tell you it's a bit yellow, as smooth as printer paper but slightly thinner than printer paper, so my markers and fineliners will show through the other page. i included a photo of a spread in my sketchbook where you can see the markers and lines on the other side of the pages showing through (also featuring that exam Moon doodle, some very rough character design explorations, and @starriegalaxy's Fear Factor boys)

but as always, i try not to fixate on the paper or the colours too much when i'm just sketching. my sketchbook is a place for me to experiment and play, and drawing on a cheap sketchbook with markers that bleed through or don't colour smoothly helps me to throw perfection out the window and just draw because it doesn't need to be perfect, it just needs to be

#ask the crab #i hope this helps!#i'm always a little nervous to talk about my stationary #because i've been on the other side thinking that having the right tools will make my art look better #i'll still share with anyone who's curious #but i never want anyone to think that this type of marker or this type of paper will be the key to improving their art #when really the key is kicking your perfectionism to the curb and just drawing #that's why i draw on dollarstore sketchbooks #because i'm just drawing for fun and drawing for me #and i'm just glad other people like my silly drawings haha

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tacomanarrows · 2 months

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Parallel Universes

Finally JennyPosting makes its grand return!! I've had this idea of Jenny from the Wayside books meeting the Jenny from the cartoon in mind for a long time but I was never rlly brave enough to try it out. But I'm glad I did bc it was a lot of fun! For the book design, I went off the one from the illustrations by Tim Heitz, from the most recent incarnation of the series. I chose those because they're the style I like the most, with his versions of the characters still looking cartoony and stylized but not overly so. And then ofc cartoon Jenny just has one design haha. Both designs as they appear in their respective source material will be below the cut as well :]

And I will forever and always be a Wayside cartoon defender, but I still wanted to poke some fun at it with the dialogue because it is by no means a perfect adaptation of the books lmao. I used a flat marker style brush for the book design because that's also something I've been thinking of trying out with my style lately, and I think it works well for a character in that style! I've also been replaying/rewatching a lot of 2D Boy and Tomorrow Corporation games (ie World of Goo and Little Inferno) lately, and those also probably influenced my style there too lol

Anyways Wayside enjoyers rise !! You will undoubtedly see more JennyPosting from me soon bc I've been thinking abt her a lot again lol. Cartoon Jenny is probably my fav media character so it was very nice to draw her again after so long <33

Here are their original designs! Tim Heitz's book design on the left and cartoon design on the right :]

#TacDraws #art #my art #Wayside #Wayside school #cartoon #cartoon art #cartoon fanart #Jenny Wayside #CC: Jenny #human art #digital art #artists on tumblr #nickelodeon #teletoon

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khytal · 11 months

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helloooooo here are my trigun brushes :) please note that these are only for procreate!! (also feel free to tweak the brush settings lol)

-the brushes on the left side don’t have any alterations to the color dynamics/wet mix settings. they’re pretty multi-purpose imo

-the wolf brushes (right side) all use the same stamp

-wolf (1st one) is kinda watercolor-y but it doesn’t blend x)

-(marker) is like a ballpoint pen that bleeds a little. I like this one a lot even though it doesn’t have variation in line weight

-(flat) is the same as the 1st wolf brush but without the color variation, so it’s good for flats/adding texture when rendering if you want that

-(flat taper) is one of my personal favorite brushes for lines and rendering. I’ve only gotten to really showcase it in the vw lunch date piece (and a bit in the wolfwood doodles from the other day) but it’s very fun to use

#finally remembered to get this out sdkfghfdkgj #GO WILD HAVE FUN #brushes

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boxheadpaint · 2 months

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good: have been drawing a lot in my sketchbook lately, mostly with pencil. do you know how awesome it is to have a sharpener on hand immediately too. making smooth gem-ish shading is very fun and time consuming too, so its a nice way to distract myself. i need to get back into my pixel projects as well- i forgot that aseprite is still technically a steam game so my friend asked me why i have 6000 hours in it (i keep basically all art programs open to have them on hand fast). i want to get watercolor markers or something to make funny things more. i used to draw a lot back in school of course because it was easier than doing the actual work i guess- now i have some block about drawing traditionally where i forget it for a long while and also need to be in a very specific spot for it to be enjoyable (in this case thecorner of the living room couch). ill figure out how to use the scanner by myself at some point

bad: toenail is starting to hurt again, swelling, had a rough time yesterday with my heart blasting in spite of Actually No Anxiety for once and not even having a huge meals, just snacking until dinner (by which point i had weakened considerably but even before that when i had eaten it was like techno in there.) i still have yet to get the long ecg or whatever it is, though i do have a random app with the doctor on the 27th so maybe i can ask for a referral that isnt over an hour away from where i live. the gums of a tooth in the back of my mouth was hurting for a while but seems fine now, wasnt sure what i was gonna do about that so thats good. can go back to brushing normal now. still havent gotten lab orders.

the cats were grooming eachother on the couch a second ago and now theyre getting feisty and bitey and silly so i cant really stay depressed. dreams have been weirdly vivid as of late for better and for worse, even just during naps. makes it even more exhausting. for the past 3 weeks or so ive had a consistent thought whenever ive been stressed of "i need to go curl up in a dirt hole somewhere else", which while not good isnt the worst thing to think at least

2/20/2024, you can type a lot more with an actual keyboard

#diary

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alciedoodles · 1 year

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Hey Neyla! I hope it’s ok that I ask but is there a brush setting you prefer on procreate? I’ve been inspired by your art for eons but I can’t comprehend photoshop. You can totally disregard this if you don’t use procreate though!

Hello! I don't know how long this message's been sitting in my inbox because i didnt check in for a while 🥺 I hope you get to see this either way!

I don't use procreate unfortunately, but I can explain the settings I use for my brushes on CSP in general, and if it works like any other art software then you should have similar settings on procreate

for sketches/linework, I will very often use an opaque & slightly textured round brush. the most important for me is for the brush to have that fuzzy sort of texture that gives the impression of using a pen/marker on paper.

note that i am actually terrible when it comes to line weight, it's definitely not something i work on a lot other than in backgrounds, so I don't actually bother too much with pen pressure settings.

the only rule I abide to is to always set the minimum value above 0 (anywhere between 20-30 is what I use). this is because when I started drawing, I used to be very heavy-handed and would wear out my pens too quickly-- so setting a minimum can help you become more aware of how hard you're pressing on your pen and make gentler strokes.

another fun little setting i use is opacity: like I said, I use opaque brushes for lines, but I like to reduce a tiny bit of opacity when brushing very lightly to give that impression of pen on paper.

There's a couple more brushes I use for coloring or rendering; the major sticking point being that I don't use pen pressure to control brush size that much. If I want to make thinner/smaller strokes, I'll simply reduce the brush size because it's easier for me to control!

(also, opacity is something I'll use a lot more when I'm working on colors)

just know that this is my way of handling it, and it may not suit your style. pen pressure may be another artist's best friend, so please make sure you try out what works best for you :)

finally, some art softwares come with stabilization. I don't use it personally, unless i'm actually trying to do really smooth curves (which is practically never). stabilization can also make CSP lag a lot with higher values and large brushes. the use of stabilization doesn't make you a bad artist or a lazy one, and not using it can make your lines look a tiny bit wobbly if you're not used to doing quick strokes. use stabilization at your own leisure!

on a different note, i know this wasn't part of the question but I'm bringing this up since it's something I tend to hear from people who say they were inspired by my art (thank you by the way🥺💕!!) : don't be misled by artstyles that "make it look easy"! my sketches may look very simple and natural because i'm more adept at bringing out the essential and discarding details in a design. this is not necessarily what you want for your art style; maybe you like drawing details a lot, maybe you prefer the lazy way out going straight to the point. neither are good or bad, only what you like to do matters.

also, if you're frustrated by your work, don't be afraid to draw over it as many times as you want, adjusting things with the lasso tool or deform if something feels off then drawing over again. sometimes you'll be satisfied with your first take, and sometimes you'll need 3 bases before its acceptable (examples below)-- it all depends on your mood, energy, motivation, desired outcome, format, or even just randomness

oh and, sometimes the best way to enjoy drawing..is to find something to obsessively draw (,:

take care!

#long post /#inbox #art tips #i added a readmore but it doesnt work on the dashboard? great

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