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#am i using too much exclamation points???
miscling · 3 days
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Edgeslut Loop
‘So if I cum, the day resets.’
‘And everyone forgets?’
‘Everyone except me and the person who made me… but only if they know about my ability…’
‘That explains… so much, actually…’
You were popular, successful, and religiously into denial. If all it took to have another go was to have a wank and orgasm, then you could go back and try again…
‘I’m… This is why you wouldn’t let me make you cum? But… Wait…?’ a thought occurred to me, as I glanced at the clock. It was early in the day, nothing lost if I reacted badly and you had to start over. ‘Have you told me about this before?’
‘Once,’ you admitted. ‘It didn’t go well, it was… too soon.’
‘Thank you for being honest, but why now?’
‘There’s something I really want to try…’ you said.
The first step was easy: lock you in chastity for the rest of the day. No chance of backing out, no chance of changing your mind. No chance of you cumming and resetting the day so that I wouldn’t remember.
When we came back together that evening, the second step could be put into action. Your reset point was 8am, and if you started the day gagged, blindfolded, and in bondage…
Just before midnight, the fun began. I tied you down and let you sleep tied up, though neither of us slept particularly well for the excitement planned for the day ahead.
I woke up at 8am, and watched you, still asleep. It was perfect. Moving as quietly as I could, I reached for your magic wand. I’d start your day with a bang, literally. Did you really think I’d believe such a far-fetched story just like that? I pushed the wand into your sweet spot and put it on maximum.
It didn’t take you long to wake up, or much longer to realise what I was going to do. Your body thrashed, forcing me to hold you down with my other hand so I could pull the hardest orgasm out of you I could. You exploded with pleasure, shaking with the vibrator until you collapsed.
I blinked. ‘So when does it h–’
My eyes opened, 8am. ‘–appen?’ I sat up in bed. You were asleep, bound. ‘Huh! It works!’
My exclamation woke you up.
‘Okay, let me try again…’ I said, and made you cum again in five minutes. You tried to resist, but I didn’t let you win. On the next loop, I waited to see when you would wake up naturally. That became my target.
After that, I started stimulating you before you woke up again, seeing how long I could stimulate you for before you woke up. When you did, I made you cum and started over. For at least a week, you knew nothing but constant stimulation.
When that grew old, I started testing things. We didn’t reset if I ruined your orgasm, so I started seeing how many ruins I could get out of you in a day. I’m certain you would have killed me if you hadn’t been tied up, but you didn’t give the safeword signal.
You didn’t give the safeword signal for a month, and I kept going. I could take breaks, some days setting up a vibe on you and going for a walk, calling a friend, or trying every take-out place in the area. I considered taking off your gag for a day or two just to check in, but I figured your mind is probably utterly gone, all in the space of a single endlessly looping day.
So I kept going. It has been… about a year now. I am still finding new ways to torment you, and like you asked, I'm not letting you go until 8am tomorrow.
Now, time for your next orgasm…
~~~
Inspired by this ask from @themiracleengine to write a smut story based in a time-loop.
Reblog if you enjoyed this story, and check out my others under the Miscling Writes tag!
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autistichalsin · 4 months
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The song and dance of being autistic is pretty much:
Your default typing tone is too aggro.
So you tone it down a lot out of fear of being misconstrued! You put a lot of exclamation points! And smiley faces :) To show you mean no harm. And you also :( Apologize and use frowny faces :( a lot when people inevitably misunderstand you!
But then you're being manipulative by apologizing too much. Well, fuck. Okay so you start typing a little more casual, bc that shows you are just sort of saying your thoughts, you know, nbd-
Oh, you're getting misunderstood more. People don't know what you're saying. Okay. So, I am going to really overexplain every single word I type, because I want there to be no doubt as to whether I mean (X) when I say (X)! Yeah, so, when I said "I ate waffles for breakfast this morning," what I meant is that I had waffles for breakfast this morning, okay? I'm not sure if you know but I like waffles, so-
Fuck! Now I'm "condescending." Okay. "Okay, so, new friend? I have to admit, I get misunderstood by people a lot, so I want to know how I can talk best to you. Like, should I use tone indicators or something?"
And now I'm making things too complicated, calm down, it's not that serious, I would NEVER misunderstand, promise. "Oh, okay, thanks friend! That really means a lot to me, you know, I appreciate that we can just talk about things straightforwardly. So, I'll tell you what I mean, okay? So I wanted to tell you that I REALLY liked this art you made, it was incredible, I really liked the colors!"
Annnd now I sound "insincere" and at this point I just realize there is no winning sometimes
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clanwarrior-tumbly · 3 months
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Hello hello!! I was not expecting requests to be open again so fast, but i am DEVOURING your writing, so i shan't complain!
What about Dogday getting saved by a teenager who’s desensitized to the horrors of the factory? Like of course, they’re perturbed, but aside from initially seeing Dogday(because holy shit), the biggest reaction they’ll give is a cringe and a “eugh” or some other mild exclamation of “that’s fucked up.” Essentially just Dogday interacting with a kid who’s weirdly chill with the circumstances and tries to be silly sometimes despite the persisting horrors.
Thank you so much and have a wonderful day/night!!!
Awe thanks! Have a good day/night too!
.......
"You..you're Poppy's angel..come to save us-"
"Eugh..what the hell happened to you?"
While back in the day, Dogday would've scolded you for using profane language...he finds it understandable considering you discovered him in his....erm..current condition.
The initial shock of seeing him would have anybody from outside the factory deeply disturbed.
But he's surprised that you're not fully freaked out and didn't run away.
Instead you manage to get him out of the Playhouse (while curbstomping a few little critters who tried crawling into his body along the way) and found a safe spot to rest.
Despite his insistence that you should leave him, you point out that he mentioned you saving him earlier.
"When you said "us", I thought that included you, too."
"I-I meant the others. The ones who can still walk..and still have a fighting chance. Look at me, kid. All I'm gonna do is weigh you down."
"....I mean, you are kinda heavy. But I've lifted worse with this grabpack. I got you."
He's confused by how oddly calm you are about everything.
If you were able to get down this far in the facility, you would've had to cross paths with Huggy, Mommy, Catnap, and Miss Delight at some point.
By all accounts, you definitely should've been traumatized at least from seeing all the bloody toys laying around.
Yet you're cool as a cucumber as you try your best to fix him (with assistance from Kissy, Ollie, and Poppy, of course, who are stunned you came out of the Playhouse alive)
Dogday remembers how scared the children were during the Hour of Joy, comforting them as he helped them flee the terror...so to be comforted by a kid now felt strange.
Yet your calm demeanor helps ground him whenever he starts to have a panic attack over Catnap finding him or if he feels like a critter or two is already inside of him, trying to take hold and eat whatever organs he had remaining (but it's just a sensation he feels from time to time).
You snap him out of it by asking rather silly questions.
"What if I stuck a flare in your mouth? Would that deter them?"
"...what? Um...I-I suppose that could work, but hopefully it's not a theory we have to test anytime soon.."
Even if Poppy decided to show you the Hour of Joy tape (which he had to look away from and tried persuading you to do the same), your only reaction is a slight grimace and a simple "damn wtf....you guys think any of those workers were running late or didn't go in that day?"
Dogday is shocked you'd joke at a time like this...but she knows you better and tells him you're just like That(tm).
You do care about them. You do wanna destroy the Prototype and save whoever you can along the way--including him.
It just may take some time for him to get used to your personality.
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felikatze · 5 months
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ISAT and Ludonarrative Harmony: Combat is a Storytelling Tool
Or: How Siffrin is stuck in the endgame grind, forever
Please Note: This is primarily aimed at an audience that already played In Stars and Time, because I am bad at explaining things, and it's good to already know what the fuck I'm talking about. I tend to only bring up game elements as I want to talk about them.
Spoilers for.... all of ISAT! Especially Act 5!
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(image to show how i feel posting this and as an attention grabber over my wall of text)
To pull a definition of ludonarrative harmony out of a hat, game writer Lauryn Ash defines it as follows:
Ludonarrative harmony is when gameplay and story work together to create a meaningful and immersive experience. From a design implementation perspective, it is the synchronized interactions between in-game actions (mechanics) and in-world context (story).
It is, generally speaking, how well game mechanics work hand in hand with the story. I, personally, think ISAT is an absolute masterclass of it, so I want to take a look at how ISAT specifically uses its battle system to emphasize Siffrin's character arc and create organic story moments. I want you to keep this in mind when I talk here.
So, skills, right? If you've played any turn-based RPG, you know your Fire spells, your "BACKSLASH! AIRSLASH! BACKSLASH!" and the many ways to style those.
Well, what does casting "Fire" say about your character? Not all that much, does it? Perhaps you'll have typical divisions. The smart one is the mage, the big brawny one is your tank, the petite one's the healer. And that's the barebones of ISAT's main party, but it's much more than that.
Every character's style of combat tells you something about them. Odile, the Researcher, is the most well-travelled and knowledgable of the bunch. She's the one with the expertise to keep a cool head and analyze the enemy, yet also able to use all three of the Rock-Paper-Scissors craft types.
To reflect her analytical view of things, all her skill names are just descriptive, the closest to your most bog-standard RPG. "Slow IV" or "Paper III" serve well to describe their purpose. The high number of the skills gives the impression there were three other Slow skills beforehand - fitting, considering the party starts at level 45, about to head into the final dungeon. She's also the oldest, so she's the slowest of the bunch.
Isabea, the Fighter, has all his skills in exclamation points. "YOUR TURN!!!" "SO WEAK!!!" "SMASH!!!" they're straightforward, but excited. He's a purposefully cheerfull guy, so his skills revolve around cheering on his allies. He's absolutely pumped to be here, and you see that from his skill names alone.
Mirabelle, the Housemaiden, is an interesting case. She's by all means the true protagonist of this tale - She's the one "Chosen by the Change God," the only one who survived the King's first attack, the only one immune to his ability to freeze time, the only dual-craft type of the game - just a lot of things. And her skill names reflect that facade she puts on herself - she can do this, she can win! She has to believe it, or else she starts doubting. This is how you get "Jolly Round Rondo" and "Mega Sparkle Heal" or "Adorable Moving Cure." She's styled every bit a sailor scout shojo heroine, and her moveset replicates the naming conventions of "In the name of the moon, I'll punish you!"
Even Bonnie, the Kid, who can't be controlled in combat, has named craft skills. And they very much reflect that Bonnie is, well, a kid. "Wolf Speed Technique" or "Thousand Blows Technique" are very much the phrasings of a child who learned one complicated word and now wants to use it in everything to seem cooler than they are, which is none, because they're twelve.
Siffrin's skills are all puns.
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You have an IMMEDIATE feel for personality here. Between "Knife to Meet You!" and "Too Cleaver by Half," you know Siffrin's the type to always crack a joke no matter the situation, slinging witticisms around to put Sonic the Hedgehog to shame. It's just such a clever way to establish character using a game mechanic as old as the entire history of RPGs.
This is only the baseline of the way the combat system feeds into the story, though.
The timeloop, of course, feeds into it. Siffrin is the only character who retains experience upon looping, whereas all other characters are reset to their base level and skills. And it sucks (affectionate).
You're extremely likely to battle more often the earlier in the game you are - after all, you need the experience (for now.) Every party member contributes, and Siffrin isn't all that strong on their own, since they focus on raw scissor type damage with the addition of one speed buff. (Of course it's a speed buff. They're a speedy fucker. Just look at him).
At first, the difference in level between Siffrin and the rest of the group is rather negligible. Just a level or two. Just a bit more speed and attack. And then Siffrin grows further and further apart. Siffrin keeps learning new skills. He gets a healing skill that doubles as an attack boost, taking away from both Mirabelle's and Isabeau's usefullness. He gets Craft skills of every type that even give you two jackpot points instead of one - thus obliterating Odile's niche. Siffrin turns into a one-person army capable of clearing most encounters all on their own.
Siffrin's combat progression is an exact mirror of story progression - as their experience inside the loops grows, they also grow further and further away from their party. The party seems... weaker, slower, clumsier. Always back at their starting point, just as all of their character arcs are reset each loop. Never advancing, always stagnant. And you have Siffrin as the comparison post right next to them.
I also want to point out here a change from Act 2 to Act 3 - Siffrin's battle portrait. He stops smiling.
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Battles keep getting easier. This is true both for the reason that Siffrin keeps growing stronger even when all enemies stay the same, but also for the reason that you, the player, learn more about the battle system and the various encounters, until you've learned perfect boss clear strategies just from repetition. Have you ever watched a speedrunner play Pokemon? They've played this game so many times, they could do it blindfolded and sleeping. Your own knowledge and Siffrin's new strength work in tandem to trivialize the game's entire combat system as the game progresses.
(Is it still fun? Playing it over, and over, and over again? Is it?)
You and Siffrin are in sync, your experience making everything trivial.
As time goes on, Siffrin grows to care less and less about performing right for their party and more and more about going fast. A huge moment in his character is marked by the end of Act 3; because of story events I won't delve too deeply into, Siffrin has grown afraid of trying something new. And his options of escape are closing in. They need an answer, and they need it fast. He doesn't have the time or patience to dumb himself down, so you unlock one new skill.
It doesn't occur with level up, or with a quest, or anything at all. At the start of Act 4, it simply appears in Siffrin's Craft skills.
(Just attack.)
No pun. No joke. Just attack. Once you notice, the effect is immediate - here you have it, a clear sign of how jaded Siffrin has become, right at every encounter. And it's a damn good attack, too! The only available attack in the game that deals "massive" damage against all enemies. Because it doesn't add any jackpot points (at least, it's not supposed to), you set up a combo with everybody else, but Siffrin simply tears away at the enemy with wild abandon. Seperated from the rest of the party by the virtue of no longer needing to contribute to team attacks (most of the time. It's still useful if they do, though).
Once again, an aspect of the battle system enhances the degree of separation between Siffrin and the static characters of his play. You're incentivized to separate him, even.
Additionally, there are two more skills to learn. They're the only skills that replace previous skills. You only get them at extremely high levels, the latter of which I didn't even reach on both of my playthroughs.
The first, somewhere in the level 70 range, Rose Printed Glasses, a paper type craft skill, is replaced by Tear You Apart. It's still a pun about paper, but remarkedly more vicious.
The second is even more on the nose. At level 80, In A While, Rockodile!, a rock type craft skill, is replaced by the more powerful Rock Bottom.
I didn't get to level 80. If you do, you pretty much have to do it on purpose. You have to keep going much longer than necessary, as Siffrin is just done. And the last skill he learns is literally called Rock Bottom.
What do I even need to say, really.
Your party doesn't stay static forever, though.
By doing their hangout quests, side quests throughout the loops that result in Siffrin and the character having a heart to heart, all of them unlock what I'd call an "ultimate" skill. You know the type - the character achieved self-fulfillment, hit rank 10 on their confidant, maxed out their skill tree, and received a reward for their trouble.
These skills are massively useful. My favorite is Odile's - it makes one enemy weak to all Craft types for several turns, which basically allows you to invalidate the first and third boss, as well as just clown on the King, especially once Siffrin starts racking up damage.
But the thing is. In Act 3, when you first get them, yeah, they're useful. But... do you need them? After all, they're such a hassle to get. You need to do the whole character quest again, you can't loop forward in the House or you'll lose them. If you want to take these skills to the King, you need to commit. Go the full nine-yards and be nice to your friends and not die and not skip forward or skip back. Which is annoying, right?
Well, I sure did think so during Act 4. After all, a base level party can still defeat the King, just with a few more tricky pieces involved. Siffrin can oneshot almost all basic enemies by the time of Act 4. It's this exact evalutation that you, the player, go through everytime you return to Dormont. Do I want this skill, still? Would it not be faster to go on without it? I'm repeating myself, but that's the thing! That's what Siffrin is thinking, too!
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I also want to take a quick moment to note, here - all skills gained from hangouts have art associated with them, which no other skills do. This feature, the nifty art, hammers home these as "special" skills, besides just how they're unlocked.
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Siffrin also has one skill with associated art.
Yeah, you guessed it, it's (Just attack.)
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At first, helping the characters is tied to a hefty in-game reward, but that reward loses its value, and in return devalues helping Siffrin's friends every loop. It's too tedious for a skill that'll make a boss go by one turn faster. You, the player, grow jaded with the battle system. Grinding experience isn't worth it, everybody's highest levels are already recorded. Fighting bosses isn't worth it, it's much faster to loop forward.
Isn't this what all endgame in video games looks like? You already beat the final boss, and now... what challenge is left? Is there a point to keep playing? Most games will have some post-game content. A superboss to test your skills against, but ISAT doesn't have any of that. You're forever left chasing to the post-game. That's the whole point - to escape the game.
As most games get more difficult as time passes, ISAT only gets easier. The game becomes disinterested in expanding its own mechanics just as I ran out of new things to fight after 100%-ing Kingdom Hearts 3. Every encounter becomes a simple game of "press button to win."
The final boss just takes that one up a notch.
Spoilers for Act 5 ahead boys!
In Act 5, Siffrin utterly loses it. His last possible hope for escape failed him, told him there's nothing she can do, and Siffrin is trapped for eternity. So of course, they go insane and run up the entire House without their party.
This just proves what you already knew - you dont need the party to proceed. Siffrin alone is strong enough. And here, Siffrin has entirely shed the facade of the jokester they used to be. Every single skill now follows the (Just attack.) naming conventions. Your skills are: (Paper.) (Rock.) (Scissors.) (Breathe.)
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To the point. Not a moment wasted, because Siffrin can't take a moment longer of any of this. Additionally, his level is set to 99 and his equipment becomes fixed. You can't even pick up items anymore! Not that you needed them at this point anyway, right? Honestly, I never used any items besides the Salty Broth since Act 2, so I stopped picking items up a long time ago. Now you just literally can't.
Something I've not talked about until now - one of the main equipment types in this game are Memories, gained for completing subquests or specific interactions and events. They all by and large have little effects - make Odile's tonics heal more, or have Mirabelle cast a shield at the start of combat. For the hangout events, you also gain an associated memory that boosts the characters' stats by 30. It lets them keep up with Siffrin again! A fresh wind! Finally, your party members feel on par with you again!
...For a time. And just like that, they're irrelevant again, just as helping them gave Siffrin a brief moment of hope that the power of friendship could fix everything.
In Act 5, your memory is set to "Memory of Emptiness." It allows you to loop back in the middle of combat. You literally can't die anymore. Not that Siffrin could've died by this point in the first place, unless you forgot about the King's instant-kill attack. This one memory takes away the false pretense that combat ever had any stakes. Siffrin's level being set to 99 means even the scant exp you get is completely wasted on them. All stakes and benefits from combat have been removed. It has become utterly pointless.
Frustrating, right? It's an artistic frustration, though. It traps you right here in Siffrin's shoes, because he hates that all these blinding Sadnesses are still walking around just as much. It all inspires just a tiny fraction of that deep rolling anger Siffrin experiences here in the player.
And listen, it was cathartic, that one time Siffrin snapped and stabbed the tutorial Sadness, wasn't it? Because who enjoys sitting through the tutorial that often? Siffrin doesn't. I don't, either.
So, since combat is an useless obstacle now meant to inspire frustration, what do you do for a boss? You can't well make it a gameplay challenge now, no. The bosses of Act 5 are an emotional challenge: a painful wait.
First, Siffrin fights the King, alone. This is already nervewracking because of one factor - in every other run, you need Mirabelle's shield skill, or else you're scripted to die. You're actually forced to fight the King multiple times in Act 3, and have to do it at least once in Act 4, though you'll likely do it more. Point is: you know how this fight works.
You know Siffrin's fight is doomed from the outset, but all you can do is keep slinging attacks. Siffrin is enough of a powerhouse to take the King's HP down, what with the healing and buff skills they have now, not to even mention you can just go all in on damage and then loop back.
(And no matter which way you play it, whether you just loop or use strategically, it reflects on Siffrin, too. Has he grown callous enough not even death will stop their mission? Or does he still avoid pain, as much as he can?)
This fight still allows you the artifice of even that much choice, not that it matters. The other shoe drops eventually - Siffrin becomes slower, and slower. Unsettling, considering this game works on an Action Gauge system. You barely get turns anymore. The screen gets darker, and darker. Until Siffrin is frozen in time, just as you knew he had to be, because you know how this encounter works, know it can't be cleared without Mirabelle.
And, then, a void.
Siffrin awakens to nothingness. The only way to tell you've hit a wall is if Siffrin has no walking animation to match your button inputs. You walk, and walk, until you're approached by.... you. The next enemy encounter of the game, and Siffrin's absolute lowest point: Mal Du Pays.
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Or, "Homesickness," in english. If you know the game, you know why it's named this, but that's not the point at the moment.
Thing is, where you could damage the King and are damaged in turn, giving you at least a proper combat experience, even if its doomed to fail, Mal Du Pays has no such thing.
You can attack. You can defend. But it is immune to all attacks. And in return, it does nothing. It's common, at least, for undefeatable enemies to be a "survive" challenge, but nope. The entire fight is "press button and wait." Except, remember the previous fight against the King? The entire time, you were waiting for the big instant death attack to drop. That feeling, at least for me, carried forward. I was incredibly on edge just waiting for the other shoe to drop. And, as is a pattern, Siffrin is, too. As Siffrin's attacks fail to connect, they start talking to Mal Du Pays.
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But he gets no response, as you get no attacks to strategize around. The wait for anything to happen is utterly agonizing. You and Siffrin are both waiting for something to happen. This isn't a fight. It just pretends to be. It's an utter rugpull, because Siffrin was so undefeatable for most of Act 4 and all of Act 5 so far. It's kind of terrifying!
and it does. It finally does something. Ma Du Pays speaks, in the voice of Siffrin's friends, listing out their deepest fears. I think it's honestly fantastic. You're forced to just sit here and listen to Siffrin's deepest doubts, things you know the characters could not say because it references the timeloops they're all utterly unaware of. This is all Siffrin, talking to himself. And all you, all Siffrin, can do, is keep wailing away on the enemy to no effect whatsoever.
So of course this ends with Siffrin giving up. What else can you do?
And then Siffrin's friends show up and unfreeze them and it's all very cool yay. The pure narrative scenes aren't really the main focus but I want to point out here:
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A) Mirabelle is in the first party slot here, referencing how she's the de facto protagonist, and Bonnie fills in the fourth slot left empty, which shows all characters uniting to save Siffrin
B) this is the only instance of the other party members having act specific battle icons: they're all smiling brightly, further pushed by the upbeat music
C) the reflecting shield Mirabelle uses to freeze the King uses a variation of her hangout skill cut in, marking it as her true "final" skill and giving the whole fight a more climatic feeling.
It's also a short gameplay sequence with Siffrin utterly uninvolved in the battle. You can't even see them onscreen. But... it feels warm, doesn't it? Everybody coming together. Siffrin doesn't have to fight anymore.
At last, the King is defeated. Siffrin and co. make for the Head Housemaiden, to have her look at Siffrin's sudden illness. Siffrin is utterly exhausted, famished, running a fever. And this isn't unexpected - after all, their skills in Act 5 had no cooldown. For context, instead of featuring any sort of MP system, all skills work on a cooldown basis, where a character can't use it for a certain number of turns. The lowest cooldown is actually Siffrin's Knife to Meet You, which has a cooldown of 1. In universe, this is reasoned as the characters needing a break from spamming craft in order to not exhaust themselves.
Siffrin's skills in Act 5 having no cooldown/being infinitely spammable isn't a sign of their strength - it's a sign that he refuses to let himself rest in order to rush through as fast as possible.
Moving on, Siffrin panics when seeing the Head Housemaiden, because seeing her means one thing: the end. Prior to this in the game, every single time you beat the King, the loop ends when you talk to the Head Housemaiden.
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Reality breaks down, the whole shebang. It's here that Siffrin realizes - they don't want the loops to end, because the end of their journey means their family will leave, and he'll be alone again. The happiest time of his life will be over.
Siffrin goes totally ballistic, to say the least.
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As it turns out (and was heavily foreshadowed narratively), Siffrin has been using Wish Craft to subconciously cause the timeloop because of their abandonment issues. It's rather predictable if you paid attention to literally anything, but it's extremely notable how heavily Siffrin is paralleled to the King, the antagonist they swore to kill by themself at the start of Act 5. The King wants to freeze Vaugarde in time because it is, in his mind, "perfect," for accepting him after he lost his home - a backstory he shares with Siffrin.
Siffrin has become the exact antagonist he swore to kill, and it's shown by how the next fight utterly flips everything on its head.
Siffrin is the final boss.
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In a towering form made of stars, Siffrin looks down at their friends. His face is terrified, because of his internal conflict; he can't hurt his friends, but he can't let them go, either. The combat prompt is simply changed to "END IT!"
This fight is similar to the previous, in that you just need to wait a certain number of turns until its over. However, this time, it's not dreadful suspense. It's... confusion, and hesitance.
You have two options for combat: Attack your friends, or attack yourself.
And... you don't really want to do either, I think. I certainly don't. But what else can you do? It's Siffrin's desires clashing in full force. Attack your friends, and force them to stay? Or attack yourself, and let them go safely without you?
Worth noting, here - when you attack Siffrin's friends, you can't harm them. Isabeau will shield all attacks. And when you attack yourself, Mirabelle will heal you back to full. And the friends don't... do anything, either. How could they? Occasionally, Mirabelle heals you and Isabeau shouts words of motivation, but the main thing is...
(Your friends don't know what to do.)
None of them want to harm Siffrin. Both sides simply stare at each other, resolute in their conviction but unwilling to end it with violence. It's of note that this loop, the last one, is the only loop where the King isn't killed. Just frozen. And now here is Siffrin, clamoring for the same eternity the King was. Of course everything ends in a tearfilled conversation as Siffrin sees their friends won't leave him, even after the journey ends, but I still have to appreciate this moment.
Siffrin is directly put in the position with their friends as his enemies, forced to physically reckon that keeping them in this loop is an act of violence, against both their friends, and against himself.
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It's a happy ending. But... what does it mean?
Of course, ISAT is obviously about the fear of change. Siffrin is afraid of the journey ending, and of being alone. However, ISAT is also a game about games. Siffrin is playing the same game, over and over, because it's comforting. It's familiar. It's nice, to know exactly what happens next. These characters might just be predictable lines of dialogue, but... they feel like friends. Have you ever played a game, loved it, put countless hours into it, but you never finished it? Because you just couldn't bear to see it end? For the characters to leave your life, for there to be a void in your heart where the game used to be?
After all, maybe it became part of your routine! You play the game every day, slowly chipping away at it for weeks at a time. For me, I beat ISAT in four days. It utterly consumed me during this time. I had 36 hours of playtime by the end. Yeah, in that week, I did not do much more than play ISAT.
And once i beat it, i beat it, again. I restarted the game to see the few scenes I missed, most specifically the secret boss I won't talk about here. I... couldn't let go of the game yet. I wanted to see every scrap I could. I still do. I'm writing this, in part because I still do. It's scary to let go.
Ever heard the joke term of "Postgame Depression?" It's when you just beat a game, and you're suddenly sad. Maybe because the ending affected you emotionally and you need to process the feelings it invoked, or you search for something that can now fill your time with it gone.
The game ends, for real this time, the last time you talk to the Head Housemaiden. But Siffrin gets... scared. What if everything loops back again? And so, his family offers to hold his hand. They face the end, together.
For all loops, including the ending, you never see what happens after. After they leave the loop for good. Because the loop is the game itself. It's asking you to trust that life goes on for these characters, and it holds your hand as it asks you to let go. There's a reason for Siffrin's theater metaphors. He is the actor, and the director, asking everyone to do it over one more time. He's a character within the game, and its player.
There's a reason I talked about endgame content. This, the way it all repeats, there's nothing new, difficulty and stakes bleed away as you snap the game over your knee - it's my copy of White 2 with two hundred hours in it. It's me playing Fire Emblem Awakening in under 3 hours while skipping every cutscene. Are you playing for the sake of play, for the sake of indulging in your memories, because you're afraid of the hole it'll leave when you stop?
Of note: the narrative never condemns Siffrin for unwittingly causing their own suffering. He's a victim of circumstance. It's seen as endearing, even, that Siffrin loves their friends to the point of rather seeing the world destroyed than them gone. But Siffrin is also told: we'll stay with you for now, but we'll part ways eventually. And one day, you'll have to be okay with it.
Stop draining the things you love of every ounce of enjoyment just because you're afraid of what happens next. I'm not saying to never play your favorite games again. Playing ISAT a second time, I still had a lot of fun! I saw so many new things I didn't before, and I enjoyed myself immensely, reading the same dialogue over and over. But... it makes me look at other games I love and still play, and makes me ask... is this still fun? Do I still need to play this game to enjoy it? Even writing this is an afterimage of my enjoyment, but it's a new way to interact with the game, to analyze it through this lens. Fuck, man, I write fanfiction. Look at me.
All of this, fanart, fanfic, analysis, is a way to prolong that enjoyment without making yourself suffer for it. Without just going through the motions of enjoyment without actually experiencing any. But one day, the thing you love won't be fun to talk and write and draw about. And it's okay. You'll have new things to love. I promise.
In the end.... I'm certain I'll replay ISAT one day. Between great writing, art, puzzles and unresolved mysteries, it's my shoe-in for game of the year.
But I won't replay it for quite some time. I've had enough, for now, so I let my love take other forms.
Siffrin is never condemned, because love is no evil. Be it love for another person, or for a game. And please, if you're overempathetic - it's still a game, at the end of the day. The great thing about games is that you can always boot them up again, no matter how long its been.
A circle within a circle indeed.
To summarize:
The repetitiveness of ISAT's combat, lack of new enemies, and Siffrin's ever increasing strength eventually allows you to snap the combat over your knee, rendering it irrelevant and boring. Though this may seem counterproductive at first, it perfectly mirrors how Siffrin has also grown bored with these repeated encounters and views them only as an obstacle to get past. The reflection of Siffrin's own tiredness with the player's annoyance increases the compassion the player has for Siffrin as a character.
Additionally, the endgame state of the combat system serves as commentary on the state of a favorite game played too often, much like how Siffrin has unwittingly trapped themself in the loop. Despite the game having no more challenge or content left to over, a player might return to their favorite game anyway, solely to try and recreate the early experience of actually having fun with it. This ties into ISAT's metanarrative about the fear of change and refusal to let go of comfort even when the object (here, your favorite video game) offering that comfort has become utterly bereft of any substance to actually engage with. Playing for the sake of playing, with no actual investment to keep going besides your own memories.
Later on, stripping away even the pretense of strategy for a "press button and wait" format of final bosses highlights the lack of options at Siffrin's disposal and truly forces the player into their shoes. Truly, the only way to win is to stop playing.
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interstellarsystem · 23 days
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Little Plural Things
Systems can present in a lot of different ways. Sometimes, being a system can be loud and obvious if you're naturally more overt and/or out about yourselves as plural. Sometimes, it can be quiet and barely noticeable, but still there--just harder to see. Our system is fairly obvious if we're unmasked, but there are still things that escape even our own knowledge when we're masking as hard as we can. Little things that to us, remind us that our system is undeniably real. This is a post about those experiences we've had with barely-noticeable signs of a system.
Not every system will relate to these experiences, some might feel similarly about a few points, some may have others of their own entirely, some might not know or not have anything like the experiences we mention, and that's all part of being plural. No two systems are mirror images of each other. This is a post about our experiences.
1. Handwriting
Recently, we've had it brought to our attention that we have different handwriting. We don't write with a pen/pencil often, but we were asked to fill out a worksheet for our psychologist recently. She told us that whoever in our system wants to contribute to it can, and suggested that we signify who wrote what in some way--to which we chose different pencil colours for different headmates. We took the worksheet home and put things on it depending on who was in the front and if they wanted to.
It turned out, that some of our writing widely differs from each other. Out of the 6 people who wrote on the sheet, most of them were wildly different. Rift and Martin wrote the most tidily, with Rift's writing looking more "proper" and "adult". I (Vince) apparently am not the best at neat writing but I managed to be better than what our "normal" writing is like from what we remember. Merlin wrote messily like he was writing very fast. Mystery wrote with very large letters with sharp angles that overall made it look like it was written by a child new to writing. Which makes absolute sense. It's not a child, but its hands in-headspace are bigger than ours and that was the actual first time it had written anything on paper since it got here.
Somehow, it took until our psychologist pointed it out for us to notice how different it was.
2. Vocabulary Choices
Something we are able to notice sometimes is how our vocabulary and sometimes sentence structure changes based on who is speaking. Some obvious examples are our British headmates substituting "bloody" for other words as an exclamation and the difference between what some of our headmates would call a "chip" or a "fry".
Other times though, it's more subtle. Sometimes there's certain phrases that will just have a word or two swapped out and it does tend to point toward who is fronting even if people do use multiple of these. Some examples are:
"I suppose" vs "I think" vs "I believe"
"Kinda" vs "Kind of" vs "Sort of" vs "Sorta"
"Recently" vs "A bit ago"
"Sleepy" vs "Tired"
"Lol" vs "Haha" vs "Lmao" vs a keysmash (Even though these are text-based they are quite telling.)
"Quite" vs "Very" (Speaking of the above.)
Getting more subtle with them, some other examples are:
"You know" vs "Y'know"
"Uh" vs "Um"
"Uh-Huh" vs "Mhm"
Sometimes typing is influenced too. The amount of em-dahses within the text, the consistency of proper punctuation, how mechanical the text feels, how many run-on sentences there are and even how much tends to be written in one message/post can all point toward different people being in control.
3. Accidental Accents and Inflections
While accents are usually very obvious, we're generally good at masking them. Generally.
Due to us living in Australia, our headmates with accents straight from London don't stick out too bad when they're struggling to mask, but they are still noticeable to those around us who know we're plural. Passerby on the street or people who don't see us often don't think much of it, but certain people we are close to know that a few people in our system find it harder to mask and can tell when they're fronting very easily because of it.
Even if we are masking our accents properly, some parts of the way we speak still come out. Some of us end sentences on a higher-pitch more often due to what our accent generally has us do and some end more on lower-pitch notes when speaking. Some of us put emphasis on certain syllables differently. There's lots of little things that go into language that make it hard to completely mask.
4. Food Choices
More of a noticeable one, but something we tend to brush off as "just a bad batch" when it happens. Some of us like and dislike different foods and drinks, some of us to an extreme degree.
Mystery hates the brand of juice we normally buy and thought that it might've just been past expiry (it was not) or just a bad batch of the juice, but they're consistently the only one who doesn't like it.
Rave likes spicy food much more than the rest of us because they have a harder time tasting it. I on the other hand can't handle spicy food at all and am worse with it than the others in my system.
Some of us favour different brands of food and some of us might like/dislike textures of food differently too.
5. Default Facial Expressions
Different resting facial expressions are something we hardly notice because we don't look in a mirror often due to dysphoria. What we do know though, is that some of us just rest our faces differently.
I look more stern and tired than others. I have a bit of an angrier resting expression.
Martin looks a little bit more anxious due to being an anxiety-holder, but he also looks softer and kinder.
Crowley also looks tired but has less of a stern look and more of an almost blank one.
6. Body Language
This is one we don't know too much about because we can only get knowledge on this from other people, but most of our headmates have a different "vibe" by the way they carry themselves.
I end up seeming to-the-point and business-like.
Martin reads as being very anxious even if he's not always.
Crowley reads as smug.
Mal reads as if he's planning something mischevious and silly.
We've been told that Filigree just reads as "gay".
We're not sure what actions make us seem this way, but some of us can be clocked by others around us as fronting without even talking first. I don't know how people do it, but it's something in our body language.
7. Clothing Choices
A few of us have different clothing choices--Crowley still wears sunglasses everywhere due to light sensitivity and wears dark colours, I prefer to wear button-up shirts as opposed to more casual things, Martin prefers hoodies that are lighter in colour and Merlin prefers to dress in pink and black and more fluffy textures.
We don't have too many clothes overall so to others it does just look like we're cycling through our wardrobe, and sometimes we are, but there's certain styles some of us tend to lean toward more than others.
---
Some of these might seem quite noticeable, and maybe they are if you know we're a system, but people change a lot so once again some of this is much more subtle than it sounds. People who don't know that you're a system hardly ever notice, and if they do they put it to "having an off day" and leave it at that.
We wanted to take some time to appreciate those little things we find it hard to notice, though. And maybe it'll end up helping some other system realise how unique they are as individuals and help fight off the imposter syndrome like these realisations did for us.
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blues824 · 1 year
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Am begging *gets on knees to beg* I beg you please just a crumb of Vil x single parent reader! Please kind writer please! For a poor little reader
I was raised by a single mom, and my heart goes out to both single parents and children who were raised by single parents. No gender-specific pronouns used for either reader or child.
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Vil Schoenheit
He was on his way to Ramshackle to retrieve a book of spells that you had borrowed from him when he saw something strange through the mirror. It was you with a small child that you were carrying on your hip.
The Housewarden of Pomefiore knocked upon the door, and he heard scrambling inside. You opened the door and you looked genuinely tired, and he was concerned. The inside of the dorm was also messy, and his heart went out to you when you apologized for the mess.
Then the child he saw before started crying, and you let out a groan of frustration. He gave you a questioning glance, but you didn’t seem to notice. So, you went to the living room where your child’s playpen was and picked them up to soothe them.
“Whose child is that, Y/N?”
“Mine, actually.” That was one way to surprise him. But the more that he looked at them, the more he started to see the resemblance. The oven went off and the three of you made your way to the kitchen. 
“So… Are you still with the other parent?” He asked. He was a bit jealous that another person got to be intimate with you, but it really wasn’t any of his business. So, he tread cautiously while asking this question, carefully taking the child from your arms as you took the food out of the oven.
“Yeah, but 1) They’re back in our world and 2) we aren’t together anymore. They were still involved, but mostly with child support,” You responded, being careful not to burn yourself. You skillfully maneuvered around the kitchen and started chopping some fruit for your child.
Vil was also raised by a single parent, so as he held the child he was reminded of his own childhood. He understood how hard you were working because his father went through the same thing. However, balancing schoolwork in a magical school without magic and a child was too much for you to handle.
He decided to do something to help you out. He started babysitting and assigning his dorm members to babysit for you whenever you needed a break, and he would help you relax by doing skincare with you.
He remembers one time where he put on a movie (that he coincidentally starred in), and your baby let out a loud exclamation and waddled over to the TV and pointed at the Vil on the screen. He recorded it and sent it to you since you were at Sam’s getting groceries.
There was one time where he asked you on a date, and asked if your child could accompany you as well. This warmed your heart because this meant that he accepted your child as his own, and he didn’t shame you for them. 
However, the paparazzi was rampant, and someone caught the three of you getting ice cream. The news articles and magazines the next day were all questioning if Vil had a child, but the actor didn’t care what they had to say. For all he cared you both were just young parents raising the best kid out there.
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whatsnewalycat · 6 months
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Psychomanteum / Chapter 14
Pairing: Dieter Bravo x OFC Louella (2nd POV)
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Chapter 14: Wish You Were Here
Chapter Summary: Dieter takes action.
Word Count: 9.9k+
Content / Warnings: dieter pov, implications of suicidal thoughts, swearing, alcohol use, airplane, uncertainty, parker/jackie, infidelity (not our heroes), thoughts of cocaine use/relapse, opera, fame, very vague understanding of the criminal justice system excuse that pls, bribery, lotta fucking dialogue, lotta yearning and self-reflection, angst, our boy is a big sappy mess and we love him for it
Notes: Chapter title from “Wish You Were Here” by Pink Floyd. First and foremost, everything is gonna be ok, ok? I promise. Also, good news for people who like this story—since we’re nearing the end, I’m going to make it my primary writing focus for a while. Will be posting to AO3 later bc I can’t from mobile it’s a nightmare.
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— Dieter senses your absence before he even opens his eyes. 
Oftentimes you wake before him, still weaning off your internal alarm of 5:30AM EST (not-a-fucking-chance o’clock PST). When this happens, you brew some coffee and drink your morning cup in bed, passing the time by reading, or fucking around on your phone, or writing in your journal. 
Most of the time he opens his eyes and finds you deeply engrossed in one of these activities. Sometimes you’re cuddled up into his side, silently tracing patterns onto his skin. Even when you’re not in the same room when he wakes, he can still feel you, your life force brushing up against his. 
But this morning is different. 
Dieter winces at the morning light and sits up, rubbing his face before looking around the room. He clears his throat, then calls out your name. 
It echoes back to him. 
The silence that follows is eerie and distinct, its vacuousness an exclamation point that hurts his ears. 
How can nothing be so loud? 
Swinging his feet over the side of the bed,  he goes to grab his phone off the nightstand and instead finds a note with his name on it. He sits there staring at it for a minute, rubbing the layered notebook paper between his fingertips. 
The gears in his brain start to turn. 
He looks at the armchair where your suitcase has been sitting the week and a half. It’s gone. 
Understanding twists his guts bowtie. 
Denying the cardstock confrontation, Dieter puts on a robe and searches the house. 
He finds nothing. 
Each empty room accumulates buzzing and hot beneath his skin. 
He goes outside. 
The patio, the garage, the driveway, the street. 
Calling your name like a kid who lost his mom in a department store, panic building with every utterance, a desperate crescendo. 
By the time he returns to the origin point, his thoughts are stumbling over one another trying to explain what the fuck could be possibly be happening, because this can’t be real. 
It’s a joke, it’s a terrible joke that you’ll laugh about later—or, no, there was an emergency and you had to go—but wouldn’t you wake him? Wouldn’t you tell him? Maybe you went to the store and you’ll be right back. But why would you bring your suitcase? 
He snatches the paper off his nightstand and unfolds it.
Dee,
I need you to know this isn’t your fault. You didn’t do anything wrong. I love you as much as humanly possible, and then some. Please understand that I couldn’t make you choose. That burden shouldn’t rest on you. 
I’m sorry for ruining everything. I’m sorry for leaving like this. I’m sorry for not giving you a choice. 
I love you with everything I am. 
Until the next life, 
Lua 
PS: I stole some cash from your wallet. I’m sorry for that, too. 
The words don’t compute at first. 
He shakes his head and reads it again. 
And again. 
And again. 
A thousand-pound weight drops his stomach to the floor. Adrenaline pumps through his heart and turns his limbs gelatin. Blood whooshes behind his ears, and—God, he’s going to be fucking sick. 
The note wavers in his grip and the text starts to blur.
This isn’t right. 
This can’t be happening. 
He needs to talk to you right fucking now. 
Overcome with this sudden rush of panic, Dieter grabs his phone off the nightstand, ignoring the barrage of notifications littering the screen, and calls you. 
The line trills, and further away, he hears “I’ll Be Your Mirror” by The Velvet Underground and Nico play. 
He follows the noise into the kitchen, where your phone buzzes on the countertop, displaying your contact photo for him. The one where you’re both mid-laugh with red lipstick and black face paint smudged all around your faces. 
Your voicemail picks up.
“Hey, this is Louella, sorry I missed you. Leave me a message and I’ll call you back, thanks.” 
A tone signals the start of recording. Dieter clears his throat, then says, “Hey, doll. It’s me. This is probably stupid because your phone is here, but I don’t know,” he pauses to gather himself as everything around him becomes blurred by tears. When he speaks again, his voice is somehow gummy and ragged at the same time, “I don’t know what to do. You’re gone, and there’s this note and… Fuck, whatever it is, we can figure it out. Please, Louella—Lua, baby, I love you. If you hear this somehow, please call me.” 
When he hangs up, all he can do is stand there, staring at her phone. 
The air particles around him throb with this deep, dense sorrow that cracks him wide open and hollows him out. It’s heavy. Infinite. All-consuming, like loss on loss on loss on loss. 
He knows, like he just knows things, that this is what you were feeling before you left. He knows you left your phone so nobody could find you. 
Beyond that, though… It's a brick wall. He tries, although he doesn’t really understand what the fuck he’s doing, to send out some kind of a psychic ping. Sometimes he can get a sense of you this way. 
This time he gets nothing. 
He can’t hone in on anything, can’t even feel the rough edges of your life force. The string that connects your tin cans has been severed.
What the fuck does that mean? 
The not-knowing makes him anxious. His imagination starts wander deeper into the dark forest, showing him taxis and mirrors and riverbeds and— 
Your phone jumps to life. 
It starts ringing to the tune of “Take Your Mama” by Scissor Sisters, lighting up with a photo of you and Parker. 
He scrambles to grab it and answers, “Parker—”
“Dieter?”
“Is she with you? Do you know where she is?” 
“What do you mean? Isn’t she with you?” 
“No, I just woke up and she’s fucking gone and there’s this note,” he sighs and throws his hand out at his side, “I don’t know. I don’t know.”
“A note, what does the note say?”
“Hang on, let me,” he tucks the phone between his ear and shoulder, rummaging through the pockets of his robe, “Here we go, ok…” 
He reads it to Parker, who remains silent for a long while afterwards. 
“Until the next life?”
The tips of his ears heat up, and he runs a hand through his hair, “Yeah.”
“Have you talked to anyone else this morning?”
“No, I just woke up,” he starts pacing the length of his kitchen island, explaining, “Last night we were talking about moving in together, having her come out here, and… I don’t know, did I fucking scare her off or something? She seemed into it, but maybe I’m wrong, maybe I was going too fast—”
“Whoa whoa whoa, ok, slow down, papi,” Parker interjects, “It’s not like that. Her apartment was raided this morning.” 
Dieter frowns, “Wait, what?” 
“Yeah, some fucking journalist went poking around, talking to her neighbors and shit, digging into stuff about Ethan, their business, all that. He brought it all to the cops and demanded they do something about it, so they got a search warrant.” 
Dieter stays quiet as his mind whirrs, trying to comprehend this information. 
Parker continues. 
“I went over there this morning, just to check in on the place, and it was fucking crawling with cops. I FaceTimed Lou and told her, then she hung up and I haven’t been able to reach her since. Figured she was talking to you, but…”
Poisoned words cycle through his head, begging to be released, but he traps them behind clamped lips. 
“I called Reese to see if he knew anything, since he bumps elbows with a lotta those criminal justice guys, you know?”
“Reese?” Dieter furrows his brow, “Married guy? I thought you were done with him.” 
“Yeah, well,” a sigh crackles in his ear, then Parker says, “Good thing I’m not. Turns out, he’s friends with the DA. He told Reese about the journalist shit, said they have a warrant out for Lou. Wanted on possession with intent to distribute and drug trafficking for the pot stuff, oh—and possession of cocaine, because apparently they found one of Ethan’s hiding spots.” 
“Fuck.” 
“I know.”
Hundreds of thoughts ricochet around his head screaming for attention. The whole goddamn dashboard is lit up and blaring WARNING WARNING WARNING—
The nausea returns. Dieter plucks a half-smoked joint from the ashtray on his countertop and lights it, then turns and slides down the cabinet onto the kitchen floor. 
He takes a few hits, waiting until the overwhelm dims a bit before whispering, “Fuck, Parker, this is bad.” 
“I know, baby, I know.” 
The skunky smoke burns his lungs as he inhales again, holding holding holding, then lets it go. 
Things start to slow down enough for him to backtrack, “Did you say a journalist?” 
“Yeah, Reese couldn’t get a name, but there was this guy outside the building this morning who was—oh, fuck.” 
“What oh fuck?” Dieter wrinkles his nose at the roach and takes one more drag before stubbing it out on the shiny hardwood floor. 
“It was that point dexter motherfucker that did your interview. That was the guy! And I was on a video call with Lou—”
Parker cuts himself off with a gasp.
I couldn’t make you choose.
“Oh fuck,” Dieter breathes, “I gotta call you back.” 
He hangs up and trades your phone for his own, rejecting an incoming call from Darlene. 
It takes him three seconds to find it. 
Dieter Bravo Girlfriend Wanted On Drug Trafficking Charges, Claims In Email to DIRT: “He Was In The Dark” 
The header presented at the top of the article is your mugshot from your previous arrest. Your eyes appear puffy and dull and hopeless. Below it, the article continues: 
Dieter Bravo’s newest girlfriend reportedly has a warrant out for her arrest in relation to drug trafficking charges. 
Early this morning, the NYPD hit Louella Friedman’s Downtown Brooklyn apartment with a search warrant. Friedman was not present at the time the warrant was executed, so no arrests have been made, but law enforcement sources tell us that she is now wanted by the state of New York on multiple drug charges. 
This is not Friedman's first run-in with the law. Just days ago, she appeared alongside Dieter Bravo for an exclusive interview with DIRT, in which she admitted to being convicted of felony drug trafficking in 2018. She stated during this interview that she has “changed a lot since then … we don’t want people to think we’re trying to hide any of this, because we’re not. We’re just trying to move forward together.”
The email we received from Friedman this morning paints a different picture: 
“As you probably know, my apartment is being raided. I need one thing to be clear: Dieter is not complicit. He didn’t know about and did not take part in my illegal activity. He was in the dark. My mistakes are my own, and I ask that the blame be placed appropriately.” 
It’s assumed that Friedman is still in the LA-area, as she and Bravo have been spotted out and about a few times this week. Before that, the pair were seen in New York, which leads us to wonder how much time the Academy Award winner actually spent in her apartment. 
Bravo himself has a notoriously checkered past with drugs, and although his antics have been subdued since the “publicity stunt” for the movie Limbo (premiering next May), it wouldn’t be considered out of character for him to become knowingly involved with a drug dealer. 
DIRT will continue reporting as this story unfolds. 
The first person Dieter calls is Lincoln, who answers on the second ring with a cheerful, “Good morning, Dieter!” 
“Lincoln, where the fuck are you?”
“I’m grabbing breakfast from that pla—”
“Change of plans,” Dieter leafs through the clothes hanging in his closet, “Get over here now.”
“What about—”
“Listen, I need you to get me the next flight to New York. And, uhh,” he rips a few shirts off their hangers and tosses them into the open suitcase on the floor, “Clear your schedule for at least two days. I need you to housesit.”
“Is everything alright?”
Dieter ponders the question for just a moment, long enough for a sharp ache to pierce through his chest, then says, “Hurry the fuck up, ok?”
He hangs up. 
The second person he calls is his lawyer. 
When he tells the guy about your situation, he says, “Well, it sounds like there’s enough room for deniability, I don’t think they’ll bring charges against you—”
“Yeah, no shit,” Dieter scoffs, “What about her, how could she get out of this?” 
“With all due respect, Dieter, you’re my client, not her.” 
“Come on, man. What if, you know, I was in her situation?”
On the other line, the lawyer sucks his teeth, then says, “Well, theoretically speaking, you would be looking to either turn yourself in or see if you could get the charges dropped.”
“How would one get the charges dropped?” 
“The District Attorney would need to drop them.” 
“Uh-huh,” Dieter nods and rubs his lips, then queries, “And if—you know, like you said, theoretically—if he were to be convinced to drop the charges—”
“See, that is a tight line to walk, and one must tread very carefully, you understand? Many methods people attempt to use in persuading district attorneys, for example, bribery or blackmail, get sticky quick. They offer the wrong amount of money, or don’t get enough dirt, or what have you, then they’re in a world of hurt.” 
“Well, sure. Those people don’t use their head. But if someone wanted to just… sit down and talk to him, would that automatically raise a red flag?” 
“Depends. If someone of similar notoriety as you reached out to him to set up a meeting, it might raise a red flag. But if they happened to run into each other… probably not as much.” 
“I see.” 
The front door swings open and he looks up, expecting to see Lincoln, but instead locks eyes with Darlene. She’s holding a phone to her ear and says, “Yeah, he’s here.” 
“I gotta go,” he says, then hangs up the phone and greets Darlene, “Hey.”
Her heels click-clack on the floor as she strides over, taps on the screen of her phone, and says, “Ok, Mark, you’re on speaker. Dieter’s here.”
Darlene sets the phone down on the counter and starts rummaging through the leather bag hanging off her shoulder. The phone speaks: 
“Dieter, we need to talk. Is Louella there?”
“No.” 
“Is she going back to New York?”
Not sure how to answer the question, Dieter rolls his eyes, “Is that what this is about?”
“Yeah, look, this isn’t good. I’ll cut to the chase. If you endorse her claim and cut ties, we can keep you on, but if you don’t, we gotta let you go, bud.” 
“Are you fucking kidding me?”
Darlene answers this time, “We’re serious, Dieter. The optics are terrible—”
“The fucking optics, un-fucking-believable,” he mutters, pushing off the counter to pace the kitchen. 
“Is it really unbelievable?” Darlene blinks, her scathing gaze steady on his, “Coke head dating a felon who’s wanted on drug charges? You don’t see how studios will react to that?”
He doesn’t answer. She continues. 
“If you release a statement corroborating her story, explaining how you didn’t know, and things are over between you—”
A groan of agony rises in his throat. 
“—it will work. She gave you an out, Dieter. Take it.” 
His nostrils flare. Heat rises to his face and he hisses, “You never liked her, did you?”
Darlene scoffs, “What?”
“Did you even give her a chance, or did you just write her off the second you met her? That shit weasel from DIRT is the one that set all these fucking dominos up, did you know that?”
“No, of course not—”
“Dieter,” Mark sighs, “This isn’t personal. Look at the facts. You’ve done three stints in rehab just within the past decade. Beasts of the Bubble depicted you as a drug addict—Christ, you overdosed in that hotel. You just got divorced, had a ton of bad press from that. Now you’re in this very new, very serious relationship with a widowed felon. And, what, a week after swearing she’s a law-abiding citizen, cops find enough shit in her apartment to issue a warrant for her arrest? Do you know how that makes you look? Does it sound like you’re a person anyone could trust to sign onto a project?”
Dieter presses his palms against the kitchen counter and leans over the phone, “It sounds like you’ve already made a choice, Mark. You wanna drop me as a client, just fucking do it.” 
“If you make a public statement saying you were shocked to find out that she took advantage of your vulnerable state, you’re not using, blah blah blah, this could go away relatively quickly. Most likely she’d be painted as a con woman or gold digger or something along those lines, which makes you the victim. Granted, that makes you look a bit like a sucker, but we can live with that.” 
The nausea returns. 
“I can’t,” Dieter shakes his head, “I’m sorry, but I can’t live with that. Saying that she tried to steal my money—god, not a fucking chance in hell—”
“Of course, you wouldn’t say that,” Darlene cuts in, “People might infer that, is all Mark means. You know how this works—”
“Yes, I do know how it works. And no, I can’t. I won’t. It’s all fucking bullshit, the whole thing. Darlene, you’re bullshit,” he directs his voice to the phone, “Mark, you’re fucking bullshit. Fucking… optics and public opinion and the two of you trying to stage direct my fucking life—my life. Mine. I am my own person. And I love her. I’m going to find her, and fix this, and spend the rest of my fucking life with her even if it doesn’t make sense to anyone else but us.” 
Darlene holds up her hand, “Dieter, you’re making a mistake—”
He laughs. 
It booms, dry and humorless, through the house.
She jumps in surprise at the noise, then looks at him like he’s fucking crazy. Which is fair. He sounds fucking crazy. 
But for once, he feels completely sane. 
His spine straightens flag pole and he shakes his head, “Trust me, Darlene. I’m not.” 
They sit there, staring at each other in a silent standoff. Her hazel eyes flick around his face, then drop to the phone.
“Mark, I’ll call you back.”
Darlene ends the call before Mark can respond and stomps around the dining room table to a solid oak credenza, popping the top off one of the decanters of booze. 
“What the fuck are you doing?”
“I need a drink.”
“It’s 10am.” 
Whiskey sloshes into the crystal tumbler. Darlene glances over her shoulder at him, holding up the bottle in question. He sighs, which she interprets correctly as a yes, and pours a second glass. 
Dieter murmurs a thanks when she returns and hands it to him. He takes a big swallow of the liquor. Leaning back on the counter beside him, she does the same. 
“How’s she doing?” 
His stomach twists. 
He takes another swig and shrugs, then digs the note from his robe pocket and gives it to her. 
She reads it, then passes it back and empties her whiskey down her throat. 
“Fuck.”
“My thoughts exactly,” he mutters into the tumbler as he drinks the remaining booze in one large, burning gulp. 
“So you don’t know where she is?”
Dieter pinches his eyes closed, tilting his head up at the ceiling, and shakes his head, “She was gone when I woke up. Took her suitcase. Left her phone, funny enough.” 
After a brief silence, she tells him, “I didn’t know David was looking into her. Even if I did, I would never try to get her in trouble. You know that, right?” 
He shrugs. His shoulders weigh a million pounds. 
“Look,” she sighs, “Maybe I don’t see whatever it is you see in her, but I do see that you love each other.” 
“Yeah.”
“Do you think she’s turning herself in?”
He furrows his brow and looks down at the floor, shaking his head, “No.” 
Dieter breathes it in, that palpable emotion still clinging to the air. He sinks into the dense, dark feeling—blackest ink in the world—letting it carry him downstream. There’s a glimmer of something. A spark of you. 
He speaks it out loud. 
“She’s in the fucking woods now.” 
“In the woods? Dieter, what the fuck are you talking about?”
“I don’t know,” he mumbles, scrubbing his face with his hands, “I don’t fucking know. I’m scared, you know, with the note…”
He doesn’t want to say it. If he doesn’t speak it into existence, maybe it won’t be true, that you’re looking for a place to die. Like how dogs do when they’re ready, crawling off into isolation to protect their loved ones. 
Darlene stays quiet. 
He swallows hard and starts pacing the kitchen floor again, running his fingers through his hair, “If I can get the DA to drop the charges, maybe it won’t be too late. Maybe I can fix this. But I have to find her, too.“ A hot rush of frustration overtakes him. He slams his fist down on the countertop with a thud and barks, “FUCK!”
“Ok,” Darlene turns to face him, placing a hand on his arm, “It’s gonna be ok—”
“But what if it’s not?” 
Emotion clouds his vocal cords and vision, warping both into a wet, smeary mess as he says, “What if she fucking—fuck, Darlene, what if she goes through with this? I can’t do this without her. I won’t.” 
“We don’t know that this is a suicide note—”
His whole body twists up into a snarl, a guttural moan rising from his throat as the idea shreds him to bits. He shakes his head in protest, because he does, he knows that’s what this is, but he can’t fucking bear to speak its name. 
Darlene watches him unravel for a moment before taking the crystal tumblers back to the credenza for a refill. When she returns, she holds one out to him and asks, “We need a plan to track her down. Have any ideas?” 
He rolls his head on his shoulders to look at her, glancing down at the cup, “We?”
She nudges him again, so he takes it and sips while she grimaces, “If I didn’t raise hell about the interview and get David in trouble… who knows, maybe we wouldn’t be here. I doubt he was looking to write an exposé on her before that.” 
“Maybe. Maybe not,” he shrugs, “Doesn’t matter now.” 
“Still, I’m… sorry,” she stares down at her glass and swirls the amber liquid around a bit while telling him, “The contract, too. I’m sorry about that. Like Mark said, it’s not personal. It’s business.”
“I know.” 
“You’re sure, though? That you don’t want to corroborate her story?” 
“Yes, I’m sure I don’t want to throw the love of my life under the fucking bus, Darlene.” 
She holds up a hand in defense, “Ok—”
“Even if that’s what she wanted me to do, no fucking way. She’s a good fucking person and I won’t sit here and agree with people saying she’s some fucking lowlife, because she’s not—”
“Ok ok ok—Dieter, I understand. I was just making sure.” 
He huffs and takes a drink. 
An uncomfortable silence settles over them. The booze starts to course heat through Dieter’s veins, sedating his agitation, making his head swim. 
“If you’re not my publicist anymore, why the fuck are you still here?”
“Because I’m still your friend.” 
He looks over at her, meeting her hazel eyes, and senses sincerity. 
His jaw works back and forth. He takes another drink, then tells her, “I’m going to New York to meet with the DA. Lincoln should be here any minute, he’ll stay here in case she comes back while I’m gone. I’m gonna have him try to track her whereabouts, see if she left any breadcrumbs—”
“You have a meeting with the DA?” 
“Not… necessarily.” 
“Then, what—” she pinches the bridge of her nose, “I don’t wanna know, do I?” 
“Doubt it.” 
“Right,” she sighs, shakes her head, then starts pacing, “Well, if Lincoln is here, he can call around to places, but I’m assuming you don’t want him to leave the house? In case she comes back?”
“Yeah.”
“I’ll help follow up. Call around, and if needed, go to the places she might be. See if I can’t track her down.” 
Hope swells in his chest. His posture softens, and he nods, “Thank you.” 
She waves him off, “You said she left her phone, right?” 
“Yeah, uhh,” he pulls it from his robe pocket and stares at the lock screen, “I felt, I dunno, weird… about going through it. So I haven’t yet.” 
Darlene holds out her manicured hand, so he gives it to her. 
“Zero two one four eight eight.” 
She types in the passcode and starts tapping around as she paces, sipping her whiskey every now and then. 
Meanwhile, Dieter finishes his drink and stares at the empty glass, wavering back and forth on whether or not to pour another. A hungry buzzing works through the tendons in his neck. There’s an old, familiar voice at the back of his head, urging him for more more more, begging, pleading for sedation, anything to make these big feelings less so. 
Booze would be great, but you have the morphine, too, or the coke, fuck—now would be the perfect time for coke. It would straighten out your thoughts. Sharpen you. It could help you, Dieter, really. Help you clear your head and get to the bottom of this fucking mess, it could be the thing that saves her—
“She made an outbound call this morning,” Darlene murmurs as she punches the number into her phone, then raises it to her ear. 
Dieter hears the faint voice from the speaker answer, “Hollywood Checker Cabs, how can I help you?” 
She snaps her fingers at Dieter and pantomimes writing. He scrambles around the kitchen trying to find paper and a writing utensil while she asks, “Hi, my friend ordered a cab early this morning and I’m trying to track where she might’ve been dropped off, can you help me with that?” 
Dieter finds a notebook on the counter. He pulls the pen from its spine and writes down your phone number and full name, then slides it over the island counter to Darlene, who nods and reads your phone number, then says, “Yeah, she called at 5:32, the pickup is—yep, that’s it, that’s her.” 
She grabs the pen and starts scribing. Every few seconds she murmurs an uh-huh or ok. 
Behind her, the door to the garage swings open and in comes Lincoln, carrying a brown paper bag and a backpack. 
Concern creases his forehead as he approaches, and drops the paper bag on the counter, whispering to Dieter, “What’s going on?”
“Shh.”
Darlene glances up at them, then back at the notebook, and nods, “That’s incredibly helpful, thank you. Appreciate it.” 
When she hangs up, she says, “The driver dropped her off at Union Station around 6:30 this morning,” then continues typing in her phone, “From there, she could’ve taken another taxi, or a bus, or a train—”
“She took a bus.”
Lincoln asks, “Who took a bus? Lua?” 
They both ignore the question. Darlene blinks up at Dieter, and before she can question him, he shrugs, “Gut feeling.” 
“Gut feeling,” she snorts, shaking her head, and tosses her phone in her bag with a sigh, “Well, I’ll drive over there and see if she’s still there. When does your flight leave?”
Dieter looks at Lincoln, who perks up and pulls out his phone, “Let’s see… A car will be here in… fifteen.” 
“I’ll call you when I know more, ok?” Darlene says as she pulls her purse up onto her shoulder. She regards Dieter for a second or two before patting him on the shoulder, “We’re gonna find her.” 
He doesn’t trust himself to verbalize the uncertainty churning in his guts, so he acknowledges the sentiment with a flaccid smile and a nod, thinking, “I fucking hope so.”
“Hey, this is Louella, sorry I missed you. Leave me a message and I’ll call you back, thanks.” 
“Hey, love. I’m, uhh… leaving you an update, I guess. I’m going to New York to sort this shit out, talk to some people, see what I can do. But if you get this somehow, please, baby… please come home. Ok. I love you, bye.” 
Suspended miles above the Midwest, with Dieter packed in a tin can alongside all the other mouth-breathing sardines, the in-flight WiFi goes out.
He tries watching a movie, but none of the information computes. His mind keeps wandering to you. What you’re doing, where you are, why you didn’t just fucking wake him up and talk to him. 
Seconds twist under his skin. 
The minutes lodge inside his throat. 
The tiny screen could be showing him fucking anything, and his demeanor wouldn’t change a drop. 
Tight-lipped. Hostile. Dead-eyed. 
That’s what he gleans, anyway, from the way people react to his presence. The downcast glances and wide berths. How the flight attendant doesn’t even try to protest when he requests four mini-bottles of vodka. 
Wincing with every swallow, Dieter drinks them and scrolls through his text history with you. It’s not uncommon for him to do this while idly passing the time alone, within the past few months especially. 
Re-reading each conversation, admiring the photos and screenshots, allowing himself to daydream about you… usually, he finds it comforting. 
This time it’s different. 
It’s steeped in the knowledge that he may never receive another message from you. 
Flipping his phone face down on the little shitty tray, he looks up at the Q*bert air vent and releases a big sigh. The thoughts of you creep back into his brain. He doesn’t shoo them away, though. It’s fucking pointless. 
Please understand that I couldn’t make you choose. That burden shouldn’t rest on you. 
A burden. 
What a load of shit. 
As if he wouldn’t let hellfire lick his bones to dust for one more earthly second with you. As if you don’t revive him every single time your lips meet his. As if he could breathe without you in the atmosphere. 
Of fucking course he would choose you. 
Over anything, really. Especially acting. Fuck, maybe that’s exactly what he needs. It’s all just stupid Hollywood bullshit anyway. Being owned by a dozen different people at any point in time. Everyone trying to get their finger in the goddamn pie. He’s tired of being a billboard first and a human second. 
The more he thinks about it, the madder he gets. He douses his stomach with vodka, thinking about the fame machine, how it chewed you up and spit you out in no time at all. 
He resents the public spotlight. His whole adolescence, he dreamed of having a successful career as an actor. He worked hard and got lucky and his dreams came to life, and now, well… he’s right back where he started. 
Watching, helpless and terrified, as the person he loves gets pummeled half to death. 
Dieter leans on the doorframe and gives apartment 14C three firm knocks. 
The blaring music inside cuts. Parker stomps up to the other side of the door, “Who is it?” 
“Fucking Santa Claus, who do you think?” 
A thunk sounds from the deadbolt, then Parker swings the door open, propping a hand on his hip and shaking his head, “Santa Claus? Really?”
His face is fully dragged up in the style of Jackie Lantern, with blue eyeshadow and hot pink lips and harsh contour, while the rest of him is Regular Parker, with sweatpants and a baggy Bikini Kill t-shirt. 
“Ho ho ho,” Dieter enters the cozy, dimly lit apartment and pulls him into a one-armed hug, “Good to see you.”
“Good to see you, too,” Parker mumbles as he wraps his lanky arms around Dieter and squeezes, “Wish it was under better circumstances.” 
“Me too, bud,” Dieter takes a step back and ventures into what looks like a new-age opium den. 
Incense and pot smoke cloud the air. A loom-woven tapestry, depicting a unicorn standing triumphant in a field of wildflowers, takes up almost the entire wall behind a well-worn sofa. On the opposite wall, at least 50 framed bug specimens hang on display. 
Between the deep-seated couch and the TV sits a big octagonal coffee table, its glass top all littered with books and water bottles and cannabis paraphernalia. 
Dieter, finding none of this surprising, looks around and nods, “Nice place.“
Parker bolts the door closed and turns to scan Dieter up and down, “Nice suit.”
“I hate this fucking thing,” he mutters, rolling his shoulders in a feeble attempt to make more room inside the jacket, then points to Parker’s sweatpants, “Is that what you’re wearing?”
“Shade,” Parker scoffs and starts off down the short hallway into his bedroom, “I’ll be ready in a minute, help yourself to whatever.”
“Where do you keep your liquor?”
“On top of the fridge.” 
Dieter wanders into the kitchen and grabs a bottle of whiskey from its home, then starts flipping through cabinets. When he finds the one with cups, he calls out to Parker, “Want a drink?” 
“Lord, please.”
He unscrews the cap and pours two generous servings. Before returning the bottle, he takes a pull off it. The cheap booze burns the whole way down, settling like fire in his belly. 
Parker comes stomping back into the room, clawing at the back of his blue sequin gown, “Do me a favor, love, help me zip this?”
Dieter signals for him to spin around, then guides the zipper up his bony back as Parker asks, “Any updates from your neck of the woods?”
He taps on his shoulder, giving him the all clear. 
Parker turns and leans back against the galley kitchen’s countertop opposite Dieter, who hands him a drink. 
“Yeah,” Dieter nods, takes a sip of the shitty whiskey, then explains, “Darlene was able to convince the security team at Union Station to let her review footage from this morning. At 6:30 this morning, Lua boarded a Greyhound bus that dropped her off in Fresno around 11:00. Darlene couldn’t get much over the phone from them, so she’s driving up there to raise hell, see what she can find out.” 
The words come out dull and matter-of-fact. Offline, disconnected from the treasure chest labeled LUA. 
Parker studies him, “How’re you holding up, papi, you doing ok?” 
“No.” 
He stares down into his cup and thinks he should probably say something else, but comes up with nothing. It feels both pointless and too painful. 
“Wanna talk about it?” 
“No.” 
When he glances up at Parker, and their eyes meet, he recognizes the melancholy there. His own, reflected back at him. 
He shifts a little and adds, “After we get this part over with, though, maybe we can… I don’t know, get hammered, cry about it. Drown our sorrows or whatever. If you want.” 
The corner of Parker’s hot pink lips turns up in a smirk and he chuckles, “Long as we don’t get arrested doing this stupid ass shit, I will take you up on that.” 
“We’re not gonna get arrested, I promise. He’ll take the offer.”
“And how do you know that?”
Dieter could make a reference to The Godfather here, or mention the thick wads of cash lining his Armani suit, but thinks better of it. Probably best he doesn’t know. 
Instead, he asks, “Do you trust me?” 
“You know we wouldn’t be here if I didn’t.” 
“Then trust me, we’re gonna be fine. Just follow the plan.” 
Parker snorts and shakes his head, muttering something about ‘you cryptic ass motherfucker’ into his glass as he takes a sip. 
Dieter drinks, too, then tells him, “I like your dress.” 
“Thanks,” he smiles, eyes flicking to the clock on the stove, “Fuck, I gotta finish getting ready or we’re gonna be late.” 
“Can I pick out your hair?” 
Parker groans a little, feigning annoyance. He pushes off the counter and starts towards his room, “Fine, but I reserve the right to veto.” 
“Hey, this is Louella, sorry I missed you. Leave me a message and I’ll call you back, thanks.” 
“Hey, doll, it’s me. I’m uhh… in New York, at Parker’s place—”
“Who are you talking to?”
“I’m leaving her a message.”
“Give it, I wanna say something.”
“Just hold on—”
“Hey Miss Lou, I love you, I miss you, and let me tell you, your boy is a goddamn mess. And, um… so am I. I’m worried about you—we’re worried about you. Just… let us know you’re ok, ok?”
“Me again. We’re gonna go fix this. I love you, Louella. Please come home.” 
Instead of conversing en route to the Metropolitan Opera House, they pass a flask of whiskey back and forth and occasionally sing along to the music on Jackie Lantern’s “PUSSY POWER” playlist. 
Although neither of them mention it, Dieter knows they’re essentially doing the same thing. Hyping themselves up. Trying to ban the performance anxiety from their brains as they get into character. 
By the time he and Parker arrive at Metropolitan Opera House, the booze has fully assimilated into Dieter’s bloodstream. 
Thank fucking god. 
It grinds down the coarse edges of reality and allows him to slip effortlessly into a familiar skin.
Dieter Bravo: Washed-up Actor. 
Dieter Bravo: Party Monster. 
Dieter Bravo: Brazen Jackass. 
A carefully curated persona so convincing, it had him fooled for years before you coaxed the real him out of hiding. 
That guy, the real him, or whatever the fuck, is not the right man for this job. Too soft. Too emotional. Guy is a pansy, he would fucking cry or make a scene or something. 
Seriously. 
He has no jurisdiction here. 
Here, in this glitzy opera house, among the other black-tie patrons who regard him and Jackie Lantern with a kind of grotesque curiosity that guy couldn’t fucking handle. 
But, Dieter Bravo: Attention Whore? 
Eating. This. Shit. Up. 
“Literal fucking pearl clutching, ho-ly shit,” he murmurs to Jackie’s big, white blonde afro wig as they walk up the red carpeted stairs into the lobby. 
It opens up into a huge space that reminds him of a cave. 
Brightly-lit, thanks to the starburst chandeliers dripping from the ceiling like stalactites, but a cave all the same. All four stories of shining white marble look to be hollowed out over centuries. Smooth, curved staircases flowing into terraces, filled with hundreds of well-dressed people and the abstract murmur of their conversations. 
For the millionth time today, he wishes you were here. 
You would be awestruck, gazing around with starry eyes that would make him appreciate its beauty that much more. You would look at him, in that way you do, and everyone else would melt away. You would smile and make those crystal chandeliers look like bare fluorescent bulbs. Put the goddamn place to shame. 
“Whaddaya think, sugar? Get a drink?” 
He glances up at Jackie over the rim of his sunglasses and tosses his sloshy head back and forth, trying to gauge how drunk he actually is, then shrugs, “Fuck it, why not.” 
She leads the way while Dieter follows in her wake, delighting at the number of people who ogle Jackie, with her big hair and her commanding presence and her blue gown, shimmering aqua and cyan and turquoise in the light. 
Only a few people seem to notice him trailing behind her. Fewer yet glint any tell-tale signs of recognition. The little upright jolt. The furrowed brow leaping into a surprised expression. The whispered “Is that who I think it is?” to the person beside them. Or, his favorite, the scramble to grab their phone and snap a photo. 
They order drinks and find a tall table in the corner to lean against. From this vantage point, they survey the crowd for their subjects. 
“How much does your man know?”
“My man,” Jackie mutters to herself with a little scoff, glancing down at her martini, “He’s not my man. I’m just a rental.” 
Dieter peels his eyes away from the crowd to look at her, “A rental?”
“Not good enough to invest in long-term.”
His head rocks back in understanding, and he frowns, “How long have you been seeing him?”
“Off and on for two years.” 
As she says this, she looks up, flicking her eyes around the room. Then she zeroes in on something. Her posture perks to attention. That little glint of recognition. 
Dieter follows her gaze to what can only be described as the most average looking white man in Manhattan. Dusty blonde hair, athletic build, black suit. 
He would’ve completely overlooked the guy if not for the precision of Jackie’s stare. 
Well, that and the fact that you’ve gone on your fair share of angry rants about the man, which involved you showing Dieter his Instagram. This is how he also recognizes the mousy woman standing at his side. 
“He brought his wife?”
“Yeah.” 
“Have you two me—”
“Nope.” 
The sullen aura radiating off her makes Dieter tick his jaw back and forth. He looks between her and Reese, then asks, “Does he know the plan?” 
“Kind of,” she shrugs, “Bare bones, enough to maintain plausible deniability.” 
“Uh huh. How did Reese know about Mr. Lindorm’s uhhh…” 
He scrunches his face up and turns his wrist around, trying to find the right word. 
Jackie raises an eyebrow, “Proclivities?” 
“I was gonna say fetish, but sure.” 
She lands a playful smack on his arm, then sighs, “Sometimes it’s best I don’t ask.”
“Don’t ask don’t tell, good policy.” 
This earns him a side-eye with very little humor attached. Sore spot. Fuck. 
“Look,” he leans harder on the table, “All I’m saying is you could do better. No doubt about it. You uhh… I don’t know. You deserve someone who loves you so much, they would pluck the stars from the sky and craft them into a crown for you. Not someone who keeps you a secret.” 
“Craft them into a—?” She blinks at him, “Ok, papi, what the fuck’re you talking about?” 
He tries to formulate an answer, to figure out where the fuck that came from, but admits, “Fuck if I know.”
“I’m cutting you off.” 
“I am not that drunk.” 
“Better not be, cuz it’s fuckin’ showtime. Here they come.” 
“Sorry to interrupt.” 
He looks to the source, flicking his gaze up and down Reese’s neat tuxedo. 
Reese extends his hand, “I don’t believe we’ve met, but I’m Senator Reese Bernard—”
“I don’t endorse political campaigns, sorry.” 
He starts to turn back to Jackie, who mirrors the action, then Reese, right on cue, says, “Oh, no. Nothing like that, I’m just a big fan. Could I buy you and your um,” his eyes shift to Jackie, “Companion a drink? Maybe pick your brain for a bit?” 
Dieter finds himself slightly surprised with Reese’s acting ability. That is, until he remembers the man acts every single day of his life. He raises his eyebrows in question at Jackie, who holds his gaze and shrugs, “Fine by me.” 
“Alright, yeah.”
A boyish grin spreads across Reese’s face, then he turns to the little mouse of a woman behind him and murmurs something to her, jerking his head towards the bar. 
She nods and walks off as Reese joins their table, glancing between Dieter and Jackie, “Well, this is certainly a way to shake things up at the opera, huh? Kind of exciting,” he settles his gaze on Jackie, giving her a charming smile, “You look gorgeous.” 
“Thanks, love,” she tilts her head at him, batting her lashes. 
The way they look at each other, all goo-goo eyes, inspires Dieter to finish his drink. When he slams the empty glass down on the table, they both jump, snapping out of their nauseating little bubble. 
“When’s our guy supposed to be here?” 
“Ahhhh,” Reese frowns at his watch, then starts searching the lobby, “Should already be around somewhere. We always meet him and the missus over here for a drink before the show.”  
“You guys do this often?” 
He shrugs, “Every couple of weeks or so. Not really my cup of tea, or his even, but the gals love it.” 
“Cute,” Dieter mutters. 
Jackie shoots him a look, then asks Reese, “Do you really think this is gonna work?” 
“Oh, definitely, definitely. The guy is smart when it comes to law, but thinks with his dick when it comes to most everything else,” he smirks at her, “And you’re just his type.” 
In response, Dieter grunts and searches the room. His head feels weighted, brain sloshing around in the sea of alcohol he consumed throughout the day. 
Maybe he should switch to water for a while, slow down this freight train. 
Or maybe we should go in a different direction. Try to get a hold of something that will straighten us out. 
This thought overrides his entire body, blaring and hot and uncomfortable in his veins, and he wonders if that’s why it’s called an impulse. 
Wouldn’t it make you feel better? 
His leg starts to bounce. He grits his teeth and reminds himself that he promised you he wouldn’t use cocaine again. Reminds himself of what you said in return:
“Don’t make promises you can’t keep.”
Your voice in his head makes his heart flutter, while the content of your statement sits heavy in his stomach, warring with that concentrated dose of urgency buzzing through him. 
“There he is,” Jackie murmurs into her wine glass, “Over by the stairs.”
Jerking to attention like he fell asleep at the wheel, Dieter follows her laser-focused gaze to a distinguished salt-and-pepper man posing for a photo with a tall blonde woman. 
The way they stand next to each other, all rigid and precise, their perfect, practiced smiles spread wide beneath dead eyes… it strikes him as familiar. 
Middle-aged Barbie and Ken. 
A fair comparison, although she looks closer to 20 than 40. Either that or she has a stellar plastic surgeon. 
There’s something else, though. 
It’s in the way they take a big step apart when the photographer gets his shot. How they seem to be bickering at each other out the side of their faces between fake smiles. 
Anika and Dieter. 
He studies them with a morbid kind of curiosity, wondering if that’s what they would have eventually been like if they tried to make it work. If, almost a year ago, he would’ve gone home to her instead of boarding that plane to New York. 
They would’ve fought about it. Maybe they would’ve cried and had make-up sex. He probably would’ve gone to rehab, and couples counseling, and, hell, maybe they would’ve had a kid or something. Things would’ve felt real and good with her for a while. 
But it would have faded. 
After a while, he would have strayed again. He would have started getting high and fucking around all the time. He knows this like he knows you’re alive, like he just knows things, certain and right at the very core of him: He never would have found peace until he found you. 
Instinctually, he wants to say you changed him, that you made him want to be a better man. But it dawns on him, with stunning clarity, that you didn’t. You didn’t change him any more than an astronomer changes the universe when they discover a star. 
Which is to say, darling, that you just brought him into focus so he could see himself for who he really is. 
Anything else would have been a plastic, miserable cohabitation. 
As this sinks in, that hungry buzzing in his chest wanes. He understands that he can’t break his promise to you. More aptly, he won’t, because he’s not that man anymore. 
Sometimes things go sideways. 
For instance, sometimes the love of your life thinks that disappearing is the best solution to both save your career and evade a second felony. 
Sometimes, though… the universe aligns in your favor, and a plan goes off better than you ever could have imaged. 
Sometimes your girlfriend’s best friend’s boyfriend’s wife, who Dieter eventually learns is named Rachel, runs into her friends, Mr. and Mrs. District Attorney, on her way back from the bar and invites them to join your table. 
They introduce themselves as John and—no fucking joke—Barbara Lindorm. Just as Reese predicted, John is captivated by Jackie the second he lays eyes on her. He occupies the open space next to her and laughs at her jokes, frequently splitting off into quiet little side conversations, where Dieter hears him ask where she’s from, what she does for a living, and whether she and Dieter are dating—which is great news, because it means he has not placed him as Dieter Bravo: Louella Friedman’s Meddlesome Boyfriend. 
If Barbara notices her husband flirting, she doesn’t let it show. Dieter surmises it’s because he’s doing a bit of flirting himself, letting his gaze linger on her longer than appropriate, complimenting her dress, her hair, her nails. Not because he’s interested or anything, but rather to provide a bit of a distraction while Jackie reels in her husband. 
It’s a little fucked up, sure, but you’d understand. Think big picture, baby. The greater good or whatever. 
At one point, he sees Jackie pull out her phone and tell John, “Oh, I have to show you this picture from my last show, you’ll love this.” 
This is the move. The part where she shows him a typed out message telling him to follow her at intermission. 
Dieter calls attention to the other side of the table, asking Reese, “So, what, do you guys have regular seats or something? Since you come here so often.”
Reese sees the setup and nods, “Oh, definitely. A box, actually, they’re great seats—“ he cuts himself off with a gasp, slamming his palms down on the table, “Hold on, I’m getting a crazy idea. The other couple we usually come here with dropped out at the last minute. Do you two want their seats?” 
Dieter glances over at Barbara, meeting her demure gaze, while he hears John murmur to Jackie, “You’re right, I do love that.”
“Why the hell not,” he licks his lips and shrugs, departing from Barbara’s eyes to meet Reese’s, “Let’s keep this party rolling.” 
Reese grins, “Fantastic! Ok, do you guys wanna go now, or…?”
The lights wax and wane in brightness a few times, signaling curtain call, and Dieter smirks, “Lead the way.” 
While waiting for the gilded curtains to part, Dieter flips through the program for Ariadne auf Naxos, tuning out the meaningless chit chat taking place around him. 
He skims the synopsis provided, mostly just trying to look busy. One sentence catches his attention. 
Ariadne is alone in front of her cave. 
He tilts his head at it, lingering for a moment before resuming the skim. His eyes snag on the words stars vanish, then backtrack to the beginning of the sentence. 
Entranced by Ariadne’s beauty, Bacchus tells her that he would sooner see the stars vanish than give her up.
Like he did with the last line, Dieter stares at it, slightly stunned. He shifts in his seat, glancing around before leaning over the program to re-read the opera’s synopsis from the beginning. 
The passage briefly recounts the story of Ariadne, who assisted Thesus in escaping a labyrinth because she loved him. They were betrothed, and Ariadne left her family to be with him. On the trip home, Thesus abandoned her on a remote island while she was sleeping.
Ariadne woke and found herself alone on the beach. Heartbroken, she longed to die. When Bacchus arrived on the island, Ariadne first thought he was the messenger of death, then mistook him for Thesus. Bacchus explained that he was neither, he was a god. They fell in love and rose into the heavens. 
Dieter sits back in his seat and fidgets, trying to find comfort despite this goddamn suit jacket, all stiff and tight with wads of cash. Despite the painful parallels his mind keeps drawing. 
You are fucking everywhere. 
The opera. The crystal galaxy chandeliers that hang from what looks like a bright white tunnel into the afterlife. The scalloped ceiling, backlit with a warm, golden light, reminding him of goldfish scales. 
Are they signs or is he just losing his fucking mind? 
“Probably both,” he mutters to himself. 
Jackie looks up from her program at him, raising an eyebrow, “What?”
He shakes his head, nervously tugging at the whiskers that sprout from his jawline. 
Before she can prod him further, the chandeliers float up into the white abyss and all of the lights dim, then the curtains part. 
As soon as intermission starts, Jackie is on her feet. 
John waits one cool second before excusing himself and following her into the hall. Reese hears this and turns around in his seat, asking Barbara how she likes the show so far. As she leans forward and begins to answer him, Reese locks eyes with Dieter and gives him a wink of approval. 
Dieter nods and rises to his feet, then slips into the hall, weaving his way through the crowd.
See, when Jackie used to work catering gigs here, she got to know a member of the opera house staff who showed her a few private rooms that aren’t necessarily secret, but aren’t exactly advertised, either. They’re reserved for VIPs, when they want them, but mostly remain unoccupied during performances. 
He follows the path Jackie mapped out for him earlier today to an unlabeled door on level three. Inside, he hears a familiar giggle and knows it’s the right one. 
He pats down his suit jacket with both hands, double checking that he didn’t somehow drop all his money en route, then grabs the doorknob, twists it, and pushes the door open to reveal the smallest Victorian parlor he’s ever seen in his life. 
It contains an antique sofa, a coffee table, and an armchair in the corner, and still feels cramped. The back wall is entirely occupied by a mirror. Probably an attempt to make the room look bigger. 
On the ornate red sofa, Miss Jackie Lantern and Mister District Attorney are so busy making out, neither of them seem to notice his presence. 
Dieter makes a point of closing the door with a loud bang. John jumps up and starts scrambling away from Jackie, his face all covered in hot pink lipstick, stammering out clichés, “I can explain, this isn’t what it looks like—”
“Save it, that’s not what this is,” Dieter waves him off as he approaches the couch, unbuttoning his suit jacket. 
“What is this, then?” he looks from Dieter, who shucks off his jacket and sits down beside him, to Jackie, “A three way?” 
Jackie sticks out her bottom lip in a sympathetic manner, shaking her head. 
“This is an opportunity.”
John turns to him, narrowing his eyes, “Explain.” 
“Well, see,” Dieter tosses his jacket on the coffee table, “I’m going to give you a stupid amount of money, I mean—really, truly, a fucking obscene amount of money. In return, you’ll drop the charges against Louella Friedman.” 
He studies Dieter carefully.
“You and I both know that warrant was bullshit. Based on witness statements obtained by fucking paps, really?” Dieter clicks his tongue against his teeth and shakes his head, “That man is a gossip monger with a grudge. Zero fucking credibility. It wouldn’t hold up in court. It would be a waste of everyone’s time and money. This is an opportunity to cut through the red tape and get a little something for yourself in return.” 
John sits back, crossing his arms. He frowns at the jacket for a while, seemingly running calculations in his head, then asks, “How much?” 
“Hundred thousand.”
His eyebrows make a surprised jump. He presses his knuckles to his lips, considering this. His leg starts bouncing. He looks between Dieter and Jackie, these quick, sharp glares, “I don’t appreciate being set up like this.” 
Dieter nods in acknowledgment. Jackie just blinks at him. 
He releases a big sigh. 
Sitting up, he grabs the jacket and digs into one of the pockets, then pulls out a few $10,000 bundles. 
As he inspects them, Dieter asks, “Well?” 
“You two are good,” John chuckles, then extends his hand to Dieter, “I’ll look into her case for you, see what we can do.” 
He takes it, giving him an overly enthusiastic shake, “Good man. Thank you.”
“Louella Friedman?”
“That’s right. I, uhhh—I put her info in the front pocket.” 
“Got it.” 
Dieter stands and looks at Jackie, nodding to the door. 
“Thanks, Johnny,” she winks, then rises to her feet and starts towards the door. 
“Thank you, Jackie,” he grins at her for a second before returning to Dieter, “And thank you.” 
“My pleasure,” Dieter pulls up the sleeves on his dress shirt, “Don’t spend it all in one place.” 
John laughs at this, so Dieter feels compelled to clarify, “No, but really, the IRS might start asking questions if you do. So—don’t, ok?” 
“Oh, well, yeah—”
Dieter turns on his heel and follows Jackie out of the room, closing the door behind him. 
“Johnny?” he raises an eyebrow at her as they walk away.
“He’s kinda cute. Good kisser.”
“Thinking about adding him to your roster?”
She snorts and gives him a playful shove, “Let’s get the fuck outta here.”
Within thirty seconds of entering the apartment, Jackie has locked herself in the bathroom with the shower running. 
Dieter collapses on the couch and slowly dismantles the remains of his suit, unknotting the bow-tie, taking off his dress shirt, wriggling out of his pants, until he’s left in boxers and an undershirt. 
Exhaustion, emotional and physical, drains any remaining adrenaline from this evening’s success from his limbs. 
Figuring it will take a while for the de-Jackiefication to take place in the bathroom, he checks his phone for updates, then decides to call and leave you a message before letting sleep take over. 
“Hey, this is Louella, sorry I missed you. Leave me a message and I’ll call you back, thanks.” 
“Hey, doll, it’s me. It is… just after midnight here in New York. Just wanted to let you know, I talked to the DA. He’s dropping the charges, because they’re bullshit, and uhhh… yeah. You can come out now, if you want. I… I miss you. All day I missed you. I wish you were here, and—listen, Lua, I get what you’re doing. You think you’re saving me or something by disappearing, but let me tell you, you are fucking not. Ok? I don’t think you understand… you save me every single day. Just by loving me. The acting, publicity, fucking—whatever, none of that fucking matters to me. I swear to god. You are—you are it for me. The end all be all. My sun, my moon, the stars, you are my whole fucking universe. You are… everything to me, Louella. I love you. I hope I see you soon.” 
[ Next Chapter ]
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formulaforza · 1 year
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love letters-- c.leclerc
pairing: charles leclerc x reader word count: 440 a/n: this is actually. so bad. i promise the other ones will be better.
He left it in the DVD case of your favorite movie, knew you’d be opening it a few days after he left. Watch it on streaming, he always told you, but you found something nostalgic about watching the same physical DVD every time you felt sad. Some people had their guilty pleasure foods, you had your guilty pleasure ancient DVD player. 
Like clockwork, he left for the triple header on Monday, and by Friday night you were pulling the DVD out of the entertainment center, cuddled up with popcorn on the couch, using the movie as an escape from how much you missed your boyfriend. 
You opened the plastic case and a white envelope fell into your lap, your name scribbled in familiar handwriting across the front. Read me, it said, with four exclamation points. You carefully opened the sealed envelope and pulled out a letter, written on a page from his racing journal. It was dated just over a week prior, and he drew little hearts around your name at the top of the page. Mon amour, the letter started, and you were already ready to burst into tears. A love letter? Cheeseball. You texted him, knew it would be hours before you got a response.
Mon amour, I am thinking about how much I will miss you, about how much I always miss you. It is so hard to be away from you. You are truly my best friend, my partner, my companion, and there is nothing I do that I didn’t wish I could share with you. I long for your touch when I am awake and I dream of your smile while I sleep. Nothing is going to go wrong while I’m gone, you told me yesterday with such confidence I almost believe you can will it to be true. Know that if anything doesn’t go my way, I will spend every minute waiting to talk to you, to be soothed by your words and your innate ability to make everything feel simple and clear and easy. I am so in love with you it is pathetic, grateful every day that you continue to choose me, to love me in all my flaws and imperfections and chaos. You are watching your favorite movie on that stupid DVD player. Mon ange, you are my favorite movie, and I would buy infinite DVD players if it meant I could continue to watch. Enjoy your movie, eat all the buttered popcorn you can, and don’t miss me too much. I will be home before you know it, reminding you just how much I adore you. I love you, I love you, I love you. Charles.
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red-riding-wood · 2 months
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I’m so sorry about what happened to you and so many others. Disgusting misogynistic behavior. You all deserve so much better ):.
Also sending this bc I do believe he has made two new accounts. Drcranessweetestdoe and monsterfromthewoods. I have no proof these are him ,but it just strikes an absurd resemblance to his writing and he seemed to interact with both of them a few weeks ago. The first one hasn’t blogged in weeks either. Just seems strange. Once again though, I could be wrong. Just something for everyone to stay weary about. Stay safe ❤️
Thank you for the well wishes, anon! I really do appreciate you reaching out. <3
From my conversations with @drcranessweetestdoe, she does not behave like Kill (nor does her writing style compare to his), and I am pretty positive he is incapable (or at least very bad) at taking on different personalities since I believe I witnessed his attempt with the second account you mentioned. Aurora is very sweet, and she used to be a fan of Kill's writing and mine. I don't want people to be suspecting her of foul play because I do believe she is genuine. Kill has a pattern of reblogging fics as a way of seeing what victims he can latch onto and I see that as a coincidence with his reblog of Monster's.
As for @monsterfromthewoods... I was hesitant to make a callout, mainly because no one has actual solid proof that he is Kill. But, there is too much evidence for me to ignore, and I wanted to give my honest opinion and observations. Monster, if you are not this person, feel free to reach out and vouch for yourself, and if I am wrong, I am deeply sorry.
Fuck that. As I was typing this message up, I decided to check my DMs and noticed that my friend had said that he gave her the same name that, as of this morning, was revealed to me as his actual name along with his real picture and Facebook profile. That really sealed the deal for me. Here is the rest of my evidence to prove that this is "Kill":
Monster followed my friend around the same time that she blocked Kill.
Monster followed me the same day that I sent Kill a confrontational message, calling him out for his lies and pleading with him one last time for medical treatment and answers.
From the posts on Monster's account, and the one comment I know he made on my friend's post, his personality exactly fits Kill's. This is why I said I do not think he is capable or likely to be able to craft a believable persona.
Monster made a post about suicide, and a pro-Palestine post, the former of which Kill discussed with me a lot and the latter my friend pointed out as suspicious since Kill was also very strongly pro-Palestine. Seeing as Monster doesn't have that many posts yet on his blog, this isn't irrefutable evidence but it is very coincidental.
Lastly, I actually did my best to analyse and compare Kill and Monster's writing, since I had recalled a few things that stuck out to me when I read Kill's writing. Him and Monster share many similarities with their writing habits/consistencies. They are as follows (the examples listed are from 18+ content so please do not view if you are a minor):
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Use periods and exclamation marks -- but never commas -- as punctuation to end dialogue tags.
Starter dialogue tag always facing outward. Like: ”So... Tight”
Tend to each use a snapshot style of writing, favouring incomplete sentences with frequent use of periods. Examples: K: "His mind, usually so sharp. Focused and organized like the most expensive machines. A killing machine, that worked in perpetual motion, living off killing, adrenaline used like a drug." M: "Your dear, understanding doctor. Doctor Jonathan Crane, who laughed out loud suddenly a couple moments ago. The dark colour covering his exotic looking eyes as he revealed his real nature to you."
Similarly, they both tend to avoid using possessive pronouns and determiners. Examples: K: "_ Pale, little pussy peaked from between her thighs." M: "The scars covering _ man's pale skin," _ = absence of "her, that, the," etc.
Often use adverbs after verbs in a way that feels out of place.
Capitalise after ellipses, always.
"Y/n" always has a lowercase "n".
Sometimes use three ellipses, often use only two.
Use "pants" but never "trousers".
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Yeah, so, I may have spent way too much time on this. And I think most of this is redundant, now, especially after the name revelation, but still, I put work into it and didn't want it to go to complete waste lmao. I also had no idea until I was tagged today that apparently there are programs that do this sort of thing for you. Oops.
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harringtonswriting · 10 months
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Omg Bree that list!! I would love to read 25. goodnight kisses with Bradley?🥺
ahhhh thank you so much Nova!! <3 i am SO sorry it took me so long to get this finished, but i hope you enjoy it!! god this was so adorable to write and i really, REALLY appreciate you picking this one bc it was such a cute idea <3
...
This was the best first date you’d had in a long time. Probably the best first date you’ve ever been on, if you’re being honest, but that’s not something you’re going to admit to your date. You didn’t want to give his ego that big of a boost this early, and also didn’t want him to think about your dating history being any sadder than he might already think it is.
Bradley Bradshaw had asked you out the night you met him at the Hard Deck, where he was drinking with his friends and you’d been convinced by yours to come out for some drinks and the promise of some very pretty Naval officers to look at. Which, you were happy to find, there were plenty of. Bradley included.
You’d thought he was just another good-looking flyboy when he’d walked up to you at the bar top, though his endearing smile and his outrageous taste in fashion had you intrigued enough to say yes; you had no idea how he still managed to look attractive wearing bright blue and magenta, but that coupled with his 70s-esque mustache and very pretty, big brown eyes ended up winning you over. You’d put your number in his phone, let him buy you a drink, and your friends teased you for the better part of an hour about giving your number to the first pilot who talked to you. But there was something special about Bradley, something genuine and funny and maybe you were a little tipsy, but you didn’t regret giving him your number.
Bradley messaged you the following afternoon to ask you to dinner this coming Friday night, and after the initial awkwardness (he’d responded to you with just a thumbs up emoji and you’d used maybe a few too many exclamation points), the two of you fell into an easy rhythm of texting back and forth. You find yourself enjoying talking with him, and looking forward to seeing his name pop up on your phone.
All too quickly, though, Friday night arrives and he picks you up in what is obviously a very old, but very well loved, truck. He’s got sunglasses on, big mirrored aviators, but no Hawaiian shirt tonight (he’d later tell you that he’d received advice that he should wear something a little more toned down for the first date, and you couldn’t say that a black t-shirt and jeans didn’t suit him just as well as what he’d been wearing the night you met him). He’d lifted his sunglasses off his face, clipping them on the front of his shirt as he got out of his truck, and a wide grin split across his face as he caught sight of you coming out of your house.
“You look amazing,” he says, and the words come out loud and earnest–it’s a genuine compliment, and his smile is infectious to boot. You smile as you return the sentiment.
“Not so bad yourself. I like this look,” you tell him, and you see him puff his chest out just a bit. As you walk towards him, he reaches into his truck and comes back out with a bouquet of sunflowers tied with a yellow ribbon. He holds them out to you, and you take them from his hands.
“These are for you,” he says, and you look down at the flowers. They’re beautiful, the loveliest shade of yellow from soaking up the warmth and love of the sun. “I didn’t know what you liked, but they reminded me of your smile, so I hope these are okay.” Bradley’s just a little bashful, and you rest one hand on his forearm.
“They’re beautiful,” you tell him, and it’s the truth. They are, and the fact that they reminded him of you? You don’t know how he can say that with a straight face, and if it came from anyone else you might be embarrassed. You still are, a little, but you’re just a little pleased, too, that he’s been thinking about you. You take the flowers inside, quickly putting them in a tall glass of water before heading back out to where Bradley and the Bronco are waiting. You head around to the passenger side door to pull it open… but it won’t budge. You try again, but still no dice. Oh, god, did you break his car? This is a classic, right? That’s what a lot of older cars are. He gets you beautiful flowers and you break his car. Wonderful. You look at Bradley, and he grimaces. Oh no.
“The, uh, the door sticks sometimes. Lemme get it for you,” he says, coming around to fiddle with the handle before the door pops open. You feel some relief, then, knowing that you didn’t just bust his car, and you climb in and he shuts it behind you. Then he’s getting in on his side, and the two of you head out to the restaurant he’d told you about for dinner.
It was a place that Hangman had recommended, Bradley told you, but he only decided to take that recommendation seriously when Phoenix, Payback, and Fanboy had all confirmed it was good. And you’d have to remember to thank Bradley’s friends the next time you see them, because they were right. It was a small place, not too far from the Hard Deck, with the best food you’d had in a while. The atmosphere was friendly and it was busy enough that you and Bradley had plenty of time to talk between your server’s check ups, but not too busy that you felt rushed or couldn’t get a table.
The two of you got through the basic first date talk pretty quickly; he’s a much better listener than the last few guys you’d gone out with, and actually asked you some questions when you were telling him about some work drama you’d been dealing with. You enjoy the way his big, beautiful brown eyes crinkle at the corners with crows feet when he smiles, and how he scrunches his nose when he laughs. He also talks with his hands, you’ve come to realize, and he nearly knocks his glass of water off the table no less than four times as he’s telling you a story about what had happened at work earlier today.
“Anyway, so the radio was totally shot, right? So I’m inverted above Coyote, Phoenix and Bob are freaking out, there’s no way to communicate and we still have half a training exercise to complete. Can you believe that?” Bradley has his hands in an awkward position, trying to give you a visual as to what things had looked like. You can tell by the way he talks that he absolutely loves what he does, and he loves being able to fly. And there are very few things more attractive than seeing a man get so excited to tell you all about how he managed to get his plane upside down and scare the shit out of his friends and co-workers when no one was able to talk to each other in the air.
Dinner is over all too quickly after that, though, but thankfully nothing gets spilled during the rest of Bradley’s animated descriptions of his completely serious job duties. After you’d left the restaurant, since it was still light out, Bradley suggested that the two of you take a walk together along the beach behind the Hard Deck. He swore up and down that watching the sunsets from there were phenomenal, and, not wanting the date to end just yet, you agreed to go with him. He drove you there, and the two of you left your shoes in the back of his truck while you walked along the sand, continuing your conversation from dinner.
Bradley was absolutely right about the sunset, too; it was gorgeous, seeing all the blues and pinks and oranges, and every colour in-between, painting the sky in front of you and the water softly splashing against the shore. The two of you stop walking and talking as the sun hits the horizon, the cool water gently lapping against your feet and washing the sand all around. You swear you feel the back of Bradley’s hand ghost against the back of yours as the two of you stand there, side by side.
There’s a soft breeze blowing, putting a little chill in the air, and you find yourself shuffling a little closer to Bradley. Warmth radiates off of him, and as you look at him out of the corner of your eye and see him bathed in the burnished glow of the setting sun and how it gleams in his eyes, you think all the warmth and light of that sun must have been soaked up into him. And the more time you spend here with him on the beach, the happier you are that you didn’t let the date end after dinner–and that you gave him your number in the first place.
Once the sun has fully dipped below the horizon, the two of you make your way back to Bradley’s truck as the night sky faded from dusky twilight to a deep blue. You do keep a few steps behind him, though, to admire the way he fills out his t-shirt and jeans from the back. He’d once again popped the passenger door open for you, and closed it for you before he made his way back over to the driver’s side. Then, once he’s situated in the driver’s seat, he’s peeling out of the parking lot and heading back to your place.
The windows are rolled down as Bradley’s truck speeds along the road, and the cool breeze from earlier is back and blowing through the cab of the truck. The drive passes by all too quickly, with you needing to give Bradley directions the closer you get, and before you know it he’s pulling into your driveway. He parks the truck and turns the engine off. A beat of silence passes between the two of you before you turn to him and smile.
“Thank you for tonight,” you tell him, and you catch a flash of his teeth as he smiles.
“I should be thanking you. I’m glad you let me take you out.” He’s so earnest, maybe just a bit too earnest, but you have a feeling that he’s not quite as slick as some of his friends had been at the bar when you’d met. Which wasn’t entirely a bad thing; as pretty as the green eyed blond who’d been chatting up your best friend had been, he seemed just a little too full of himself. Bradley was much more your type (though you’d probably wait to admit that, that’s more of a post-third date kind of thing, if you got a third date, that is. You hope you do).
Though you don’t really want to date to end, judging by the time glowing on the dashboard of the truck (which Bradley had insisted was only thirteen minutes behind and it had been since his father owned it, and was lovingly referred to as running on ‘Goose time’, which you hoped he’d explain in the future), it was getting pretty late and you weren’t sure if he had to work in the morning. If he did, then he probably should have been at home a while ago.
“I should probably let you get going.” You unbuckle your seatbelt and grab your bag, and if you didn’t know any better, you’d think you almost saw a pout cross Bradley’s face. But he nods, unbuckling his own seatbelt.
“At least let me walk you to your door,” he says, and before you can protest he’s popping open his door and you watch him jog around the front of his truck to your side. He fiddles with the door handle for a minute before he gets it open, and when he does he offers you his other hand to help you out of the Bronco. You take it, and once you’re clear he closes the truck door–and doesn’t let go of your hand as he walks all the way down the driveway, up your front steps, and stops in front of your door.
The two of you stand on the porch, his calloused hand still clasped around your own as the dim, yellow light shining above your door illuminates the space around you. A few moths are bobbing and weaving around said light, a few of them getting a bit too close and dropping down before flying back up again in an endless cycle.
“Is it alright if I kiss you goodnight?” he asks, voice a little huskier than it had been all night as he breaks the silence, and you feel cool relief flood through you when you nod because yes, absolutely, you definitely want this man to kiss you, and it feels good to know he wants to kiss you, too.
You hadn’t been quite sure what to expect, though; would he be eager? Pushy? Sloppy?
Thankfully he’s none of those things–sure, Bradley’s lips are more than a little chapped, but that’s not surprising given what he does for work. But they’re also warm, and the gentle pressure behind the kiss has you closing your eyes and leaning into him. His mustache tickles against your skin, brushing against it as his mouth works against yours.
When you pull back due to the rather unfortunate need that your body has for oxygen, you take a moment to scan his face in the dim porch light. He’s got scars on his cheek, chin, and neck, you realize, and they gleam almost silver as you take them in. There’s a tiny smattering of barely there freckles that dot his nose, and one of his deep brown curls is hanging loose and slightly over his forehead. You wonder what it would be like to reach up and brush it away, but decide that the first date maybe isn’t the right time for that. His eyes are crinkled at the corner, crow’s feet softening his deep brown eyes as he looks down at you.
“That was… wow,” he tells you, which is probably pretty close to what you’d have said, because he’s not wrong. “I mean, better than just wow, but this is probably where I should get going before I make a total fool of myself. Thanks again for tonight.” He squeezes your hand one more time before he’s turning and stepping back off your porch to head towards his truck. You dig your keys out of your bag and unlock your door.
“Get home safe,” you call after him, and he waves back at you over his shoulder with a loud laugh. You step inside after you watch him get into the driver’s side, and close and lock your door as you hear the Bronco speed off into the night.
And about half an hour later, while you’re laying in bed, your phone screen lights up with a notification from Bradley–he’s home safe, he just wanted to let you know so that you don’t worry about him, and he’d love to take you out again, if that’s something you want. You look over at the sunflowers on your dresser, yellow ribbon still tied around them, and you can’t help the smile on your face as you tell him a second date is more than alright with you.
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r00kaline · 1 month
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How would Overwatch characters have you saved in their phone?
Tanks:
*Roadhog- Probably first name basis when it comes to contact info, probably in big ass bold letters so he would see it better though.
*Reinhardt- Saves people as numbers in his phone, so you'd probably be the number of the next contact.
*Orisa- Your callsign with maybe ":)" at the end depending on how close you are.
*Sigma- Definitely a weird nickname of your actual name, something that he made up and went with, it's probably not even close to your actual name.
*Doomfist- The incorrect spelling of your name.
*Zarya- Russian nickname on what she thinks about you (Slavics understand what I mean).
*Junker Queen- Something about your physical traits which helps her identify who you are.
*Rammatra- Also probably just your name.
*Mauga- Emoji as your contact name.
Attackers:
*Genji- Your name spelled in Japanese to help him read it.
*Torbjorn- Either "Kid #whatever" or no name at all.
*Ashe- Probably a southern nickname like "Chick" or "That One".
*Echo- Saved as your real name with the initial at the end.
*Hanzo- Pretty much the same as Genji but your callsign.
*Junkrat- Maybe "Sheila" or like "The Special One", he has the weirdest contact names for people that make no sense to anyone but him.
*Mei- Your social media username.
*Pharah- Your full legal name with the initials and what not.
*Reaper- No contact name either, just a profile picture.
*Soldier 76- The country of your home flag.
*Sombra- "Amiga/o" and than your name.
*Symmetra- Your callsign with two emojis that she thinks match you.
*Tracer- A short nickname of your name in all caps and even an exclamation point.
*Widowmaker- Your name in her contacts is based off the color of your hair, somehow, it's a bit too accurate too. It can also be based off of a little detail about u like a specific spot with a birthmark or something.
Supports:
*Briggite- "The" and then how she views or thinks of you.
*Moira- "Little girl/boy" or smth like that.
*Zenyatta- Also your full name but spelled in weird ass initials.
*Ana- Probably a nickname she has for you, very short one but only uses it on contacts.
*Baptiste- An emoji that does not match your name whatsoever.
*Lucio- Your callsign with a smiley face.
*Mercy- Probably "Mein Freund" followed up with your name.
*Kiriko- An emoji of your spirit animal.
*Lifeweaver- Something that would correlate with your special ability so he can remember you easily.
Please request something in the comments with COD, OV2, or TF2, I am on a block and am currently trying to wrap up one smut for a friend that I'll post.
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altheasmeadow · 11 months
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Switch It Up
word count: 787
Warnings: Heeseung does not have the brain cells in this one
Pairing: Heeseung X reader
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It was funny really, How could it not be? They could switch bodies and trick everyone in their day to day lives. How’d they come across this you may ask? One day Heeseung was so exhausted, the boys had been a handful, even if he wasn’t the leader he was the oldest so he had a responsibility to look after them, he just wanted a break from Ni-Ki constantly wanting his attention, which was endearing but sometimes he just wasn’t in the mood. So he laid in his bed thinking about what his soulmate was doing and all of a sudden he was there? Not with them but he was them. 
When she was ripped from her dance test she panicked, looking around the room frantically trying to figure out why she wasn’t in her practice room like she was moments ago, instead she seemed to be in a boys room? She got up from the bed and walked to the mirror in the corner, taking in the gorgeous features of the man she was currently inhabiting.
The door creaked open but she was still too busy ogling the man before her in the mirror, “Hey Hyung, Riki is wanting to play mario kart with you, said he wanted a real challenge.” Someone spoke from behind her, spooking her from her trance, she turned and saw the most adorable boy she had ever seen in her life, his dimples prominent as he looked up at her with a grin, her brain was screaming honestly.
“Uh I don’t think I’m you’re hyung?” She said, confused, the voice speaking wasn’t her own, it was so much better. 
“What are you talking about Heeseung?” The younger looked at him confused, as he took in the utter confusion on the elders face. 
“Uh I think he and I switched bodies?” She said, “Where’s his phone?” 
Jungwon was confused but played along incase this was some joke, he grabbed the phone off of the night stan and passed it to his hyung who used Heeseung’s face to unlock it, she made quick work of finding the call button and typing in her number.
The dial tone ringing made Jungwon nervous, is this really not a joke?
“Hello? Is this uh I guess me?” A female’s voice spoke, her voice. Jungwon was beyond confused at this point. 
“Am I you? Are you me?”
“I think so, I guess this must be what the specialist meant when he said I could switch places with my soulmate.”
“Specialist? How is this possible?”
“Uh basically our souls can swap places.”
“I HAD A DANCE TEST TODAY! You couldn’t have picked another day?”
“It was an accident! Also I aced your dance test for you!” He or She sounded very giddy at the accomplishment, hoping for the praise from his soulmate, who simply sighed tiredly.
“I spent months on that routine.”
“I’m sorry, we can switch back and you can explain the situation?” He offered but she simply hummed in opposition.
“No, I want to have fun in your life, now I have no stress of a test. Let’s see how long your friends take to notice you’re not actually you.” She grinned evily hanging up the phone, and turning to the now pale faced younger in the corner, “Our secret let’s see how long it takes, yea? Mind giving me a run down?’
It took 6 months for his friends to notice, and they hadn’t actually noticed while she was inhabiting his body, they noticed because his soulmate had teased him about them not realizing yet and he was pouting making the members question while Jungwon just tried to stifle his laughter. Needless to say the comments didn’t help his pouting.
“So that’s why you suddenly helped me in the kitchen!” Jay had exclaimed.
“That’s why you complimented my outfits every morning.” Sunoo pouted, “She’s my bestfriend now, whoever she is.”
“You weren’t actually interested in Layla?!?” Jake yelled in despair and betrayal, glaring at his elder.
“No wonder I beat you in Mario Kart.” Ni-Ki simply laughed, and everyone turned to Sunghoon waiting for his exclamation but he grinned instead.
“Oh I already knew, her mannerisms were way too similar to someone I know, and she acted nervous around me so I made her tell me the truth.”
“Wait, you know her?” Sunoo asked excitedly, making Sunghoon smile bigger, completely endeared by the younger one.
“Yea she trains at a dance studio nearby, she also fosters animals all of the time, so I help her sometimes.”
“So I could've met her?!?” Heeseung exclaimed, earning a blank look from everyone.
“Hyung you have her number.” Jungwon stated making Heeseung’s eyes widen.
“Oh my god you’re right?!?”
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mitsuki91 · 3 months
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Of course because my brain can not stop and it's full of floating snowbaird plots, now I am thinking about a story post canon where Lucy Gray return to 12 and with Maude Ivory as the snowbaird ambassador... So I write a little bit and I present to you my own version of Maude Ivory, the new menance to society, who has the best (worst) part of Lucy Gray charm and Coriolanus manipulation:
She saw him again a year and a half later.
Unbelievable. Maude Ivory had insisted on taking part in this phantom Victory Tour that Panem was advertising everywhere - while Lucy Gray had stayed cooped up at home because she couldn't bear the thought of the Hunger Games, just as she had been at home during the summer event - and so she had gone to the square, alone in the crowd, to watch the little speech that that year's Victor was going to give.
And there he was.
Her hands itched. Maude Ivory bit her tongue, thinking back to the promise she had made, but there had to be a way... A way...
Coriolanus was not alone. He was moving with a small group of people - a blonde woman who looked like him, another blonde woman who looked like she had a stink on her face, and one with black hair so straight it looked like silk and an almost sullen expression - but she couldn't let this opportunity pass her by.
When the stage show ended she slipped through the crowd, taking advantage of her petite build and the fact that no one really paid attention to a nine-year-old girl, until she found herself just behind the group.
"... How dreary" the obnoxious blonde woman was saying "And you put up with what? A month? Far too long, if you ask me."
Maude Ivory leaned even closer and then tugged at the sleeve of Coriolanus' red coat.
He turned instinctively towards her and the world froze.
She saw it, in his blue eyes. An instant of panic, and then a pain so sharp it hurt reflexively, and then... Nothingness. A flat calm, deposited like the fine coal dust that covered everything at the Seam.
"... Do you have any caramel popcorn?" asked Maude Ivory, assuming her best good-girl-does-sweet-eyes expression.
The small group had stopped with Coriolanus and the girls were all puzzled and silent.
"No," replied Coriolanus, dryly.
Maude Ivory used her secret technique of making-a-cute-pout. Just a little glossy-eyed, to soften.
She let go slowly of his coat sleeve, trying to put in as much devastation as a poor, dirty, starving child could muster - which was a lot, she had to admit, so Maude Ivory congratulated herself as she waited for any reaction from him.
Which did not wait.
Coriolanus' lower lip trembled imperceptibly and his eyes filled with pain again - with regret, Maude Ivory realized at that moment.
A second later and Maude Ivory felt herself being lifted into his arms and found herself hanging by his side, her face at his height, while he smiled, tenderly, masking his suffering.
"Hey, how about I buy you a cake instead?"
"A cake? A whole one?!"
"Of course."
"Will you get me a chocolate one?"
"Whatever you like. Only, you have to help me. You see, I've never been to this part of the District: will you guide me to the bakery?"
Maude Ivory smiled and let out a few exclamations of enthusiasm. She began to guide him noisily and chaotically, pointing with her arms and hands, laughing when he pretended to take a wrong turn to be corrected. With a very small part of herself she was aware that the other girls were following them and that their expressions were priceless: of pure amazement, speechless in front of that spectacle in which Coriolanus almost made a fool of himself just to make a little girl laugh.
Perfectly so, thought Maude Ivory, enjoying the power she wielded over all of them, Coriolanus above all.
Barb Azure used to tell her that she was too smart and sprightly for her age, and in that moment Maude Ivory fully understood what her cousin meant. And she was proud of it.
Finally they arrived at the bakery, where Maude Ivory, still in Coriolanus' arms, made a lot of other scenes pretending to be undecided between different chocolate cakes. Finally she chose a medium-sized, heart-shaped one - because, it was obvious, even if he didn't know it, it had to be a gift from Coriolanus to his Lucy Gray - and as Coriolanus struggled to get the money out of his coat pocket, she threw her arms around his neck and laid her head on his shoulders, hugging and cuddling him. Surreptitiously she peered at the girls and saw that the obnoxious blonde looked disgusted, so she smiled brightly at her.
"Who are you?" she asked her, direct and innocent.
She emitted an annoyed snort.
"Livia Cardrew," she replied, "Coryo's girlfriend. You know, the guy who's buying you a cake for no good reason." she added in a hiss, addressing him.
Maude Ivory felt Coriolanus stiffen beneath her and widened her smile.
You are deluded, blondie.
"Then prepare yourself, for when I am grown I will take him away from you," she replied, quietly, and saw the dark-haired girl turn to hide a laugh in the palm of her hand.
"Oh really?" asked the third girl, smiling amused "And what is your name?"
"Maude," replied Maude Ivory. She purposely didn't say her middle name because, she knew, 'Maude' could be a Miss Nobody, but 'Maude Ivory' belonged to the Coveys - and the Coveys were a secret she only wanted to share with Coriolanus.
He seemed to appreciate it, however, as he turned his head slightly to the side to leave a light kiss in her hair.
That earned her another grunt of disapproval from stink-below-the-nose-Livia and an even squeakier laugh from the other girl.
"Then nice to meet you, Maude. I am Tigris, Coryo's cousin, and in a few years I will be honored to be a relative of yours."
You don't know how much, thought Maude Ivory.
Coriolanus had managed to pay, so they all left the bakery.
"Will you take me home?" asked Maude Ivory to Coriolanus "I'll tell you the way."
"Of course," replied Coriolanus, in a low voice.
Maude Ivory knew she was directing him towards many memories. Good memories, she hoped, though they must be full of bitterness since he didn't know Lucy Gray was back and well.
Fate would decide.
She would not break any promises, she would not say anything, but Coriolanus was going to return to the Covey house. And there he was going to find Lucy Gray.
They walked for about a quarter of an hour. Maude Ivory had chatted a little with the girls - she had found out that the third was called Clemensia and that she had been invited to attend the Victory tour as a friend of Tigris, who was the stylist, and Coriolanus, who was responsible for the success of the event.
Then they had arrived. The last house before the meadow.
Maude Ivory had stirred and slipped out of Coriolanus' grasp. Tam Amber had come out of the house and merely observed them, puzzled.
"Look!" had exclaimed Maude Ivory, taking the bag from Coriolanus' hands "Coryo gave me a cake!"
The girls called him that, so she had decided she would do the same.
Tam Amber took the bag from her hands and opened it, looking at the box with the cake shop symbol.
"Mmmmh..." he commented, neutral "Did you say thank you properly?"
Maude Ivory returned to Coriolanus and pulled him tightly into a hug. He, puzzled, merely looked at her.
"What a warm coat!" she exclaimed, looking up at him and enacting another skit of her own "I bet it would look great on my cousin Barbie! Do you know she has to run every morning to get warm because we don't have enough fabric for winter clothes?"
Come on, thought Maude Ivory, take the bait.
Coriolanus stared at her for several moments, confused. Then he raised an eyebrow, puzzled. He looked both irritated and amused.
“You want my coat? For... Your cousin?” he asked finally.
Maude Ivory performed a huge sly smile.
"My cousin would thank you very much if she were here, I'm sure."
Holy stars in the sky, that wasn't even a lie.
Coriolanus hid his mouth behind his hand. A flash of pain in his eyes, and then a secret laugh.
“You know what? That's fine. You've earned it,” he finally told her, taking off his coat. Maude Ivory heard the blonde hen exclaim "What?!" and ignored her. She took the coat from Coriolanus' hands and folded it back on itself, holding it up so it wouldn't touch the ground.
"Thank you! We will make good use of it!"
"I hope so. It's fine tailoring, you know."
"Fine what?"
"Never mind."
Coriolanus tousled her hair in a gesture that was both affectionate and familiar. Lucy Gray always did it to her.
"Kiss?" asked Maude Ivory.
Coriolanus raised an eyebrow again and then leaned towards her to leave a small kiss on her cheek.
"I really have to go now... Maude."
"Well, thanks for everything, stranger."
Coriolanus turned, after nodding to Tam Amber, and had almost reached the end of the street when Maude Ivory shouted one last thing to him.
"If you can, send me some caramel popcorn when you get home!"
She heard him burst out laughing and smiled back with thirty-two teeth. Coriolanus turned for a final wave and then disappeared behind a turn, tailed by the girls.
Maude Ivory, still with the coat in her hand, went round the house until she found Lucy Gray on the other side, standing at the wall, pale and with a terrible expression on her face.
As if she had seen a ghost.
And with a pain that mirrored what she herself had seen in his eyes.
Maude Ivory handed her the coat.
"I have not broken my promise, I swear," she told her. Lucy Gray remained silent. She did not even seem to be looking at her, lost in some memory she had not shared with her "It still smells like roses" Maude Ivory insisted.
With a terrible sigh Lucy Gray came back to reality and, with trembling hands, picked up the coat. She detached herself from the wall of the house and wrapped it around herself, sinking her face into the collar and sniffing at the top of her lungs.
“Thank you, Maude Ivory,” she said at last.
She was not stupid enough to refuse such a gift even though, Maude Ivory was sure, in a few days she would be scolded good and proper.
"Are we all celebrating with cake tonight? It's chocolate."
She saw Lucy Gray smiling, and smiled back.
The stars had not graced them this time but, she felt, sooner or later they would help her sort things out.
She wasn't going to stop trying anyway.
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chahnniesroom · 8 months
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tenderness | chapter 7: go ahead
[noun] /ˈtendərnəs/
1. the quality of being gentle, kind, or loving
2. the feeling of pain, aching, or soreness
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pairing: bang chan x female reader
summary: in a world where soulmates are rare and precious, you don’t know why the universe has decided to give you one. you never could have imagined that they would be an idol, and one that you worked with at that, or the challenges that would arise from your bond.
chapter word count: 5.8k
chapter warnings: injury, mentions of nausea/gagging, jealousy
a/n: i am not a doctor and i did minimal research on anything medical related
previous chapter | masterlist | next chapter | read it on ao3
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You arrive at the airport almost an hour before the members are supposed to show up and help to offload some of the luggage that wasn’t shipped directly to the arena. There’s already a crowd that buzzes to life when the company vehicles pull up. They quickly settle back down when they see that it’s only staff onboard, but you’re a little spooked by the number of professional looking cameras that had been pointed in your direction.
When the members show up, they pile out of the vans and line up to greet the crowd, before heading towards the security check-in. 
You’re impressed by how immune they are to the bright flashes, screams of their names, and having so many phones shoved in their faces. You follow at a sedated pace, not wanting to be captured in the pictures and videos, and wince a couple times when the security team has to step in and push away fans who have gotten a bit too close for comfort.
“Is it always like this?” you ask Eunsung in a low voice.
“Pretty much, I think today there are more people than usual.” He shrugs. “You’ll get used to it after a few more times. Probably when we’re in the United States then it won’t be the same, less fans but more people overall.”
You stare at the back of Chan’s head, covered both by a beanie and his hoodie, and try to imagine feeling as unbothered by the mass of bodies and cameras as he appears.
The flight to Japan is relatively unremarkable, it’s just over 2 hours which is enough for you to fall asleep, but not long enough to actually get some rest. Thankfully, Narita Airport isn’t as crowded with fans as Incheon Airport. There’s still a large group waiting at the arrival terminal, but you’re not as concerned as before.
 As much as you’d love to explore the city a bit, you’ve arrived so late in the evening that there’s no time to do anything but check in at the hotel and grab a quick dinner with your team before you have to head back. You’re tired enough that you don’t really mind, intent on saving up energy to enjoy yourself for these next shows.
Luckily, tomorrow isn’t a concert day, there’s a day of buffer before Friday, the first of the three concerts in Tokyo. There are more Japanese concerts, but they’re much later on and some of them haven’t even been announced to fans yet.
You spend the first day helping get the venue set up for the concert. It takes surprisingly long to unpack anything, and you’re exhausted by the time you’re in a car on the way back to the hotel.
When you unlock the door, Chan and Hyunjin both turn to stare, looking like deer in headlights. They’re clearly recording something, Hyunjin has headphones on and is carrying a portable microphone. You back away without saying a word, and close the door quietly behind you. 
You text Chan a quick apology for interrupting, then message Felix, asking if he’s busy. When all he does is send you his room number and a million exclamation marks in response, you make your way down the hallway. The boys have individual rooms, but they’re all clustered together on the same floor so it doesn’t take long before you’re standing in front of his door. You take a moment to compose yourself. You’ve been trying so hard to not bother Chan, but it seems like no matter what, you’ve found a way to be a nuisance.
You end up spending the rest of the evening sprawled over Felix’s bed as he, Han, and Minho eat their way through a variety of Japanese convenience store snacks. You try a few of them, but after a couple with strange flavours that none of you can manage to swallow, play it safe by slowly emptying a packet of fruit jellies. 
Surprisingly, the first concert goes smoother than any of the Seoul dates. The Japanese staff are extremely helpful and organised, although you’re not even close to fluent in speaking Japanese. 
As you’re waffling between staying up to see when Chan comes back and just going to sleep without him, your phone lights up with an incoming text.
[12:24 am - received]
Sorry, lost track of time and forgot to let you know but I’m recording something with Sungie rn
I’ll try to be back soon, but don’t wait up
Sorry
At this point, you’re not surprised, just disappointed. You had heard that the members got more free time while touring and had stupidly gotten your hopes up that it would mean Chan would take some of that time to get proper rest. You keep telling yourself that you should trust him and that he’ll actually take care of himself if he needs to, but it doesn’t stop you from worrying about his health. You know that if you’re feeling effects from not spending enough time with him, then he must be too and that scares you more than you think it should. 
It’s almost like the day before went too well, because bad luck strikes in no time. A few of the managers and coordis have come down with something by the afternoon of the second concert, leaving the team dangerously short staffed. There isn't enough time to get any replacements, the only option is to divy up the responsibilities as evenly as possible.
Shortly before the start of the concert, you’re tasked with distributing the baskets of water bottles and hand towels around the edges of the stage for the boys to use as they perform. It’s nerve-wracking to peek out at the audience, you can hear their chatter from where you stand on the sidelines. Doors have already opened and many Stays are already seated, eagerly awaiting the show. You’re grateful for the mask that you had decided to put on at the last second as there are multiple people who look up as you walk on stage, a few of them even cheer as you set the little basket down near their section. You just bow to them and then quickly make your way off, sighing in relief when you are finally out of sight. You have no idea how Chan or any of the members could handle being in the spotlight with so many eyes on them.
By the end of the evening, you’re so drained from running around backstage and hauling various equipment, outfits, and accessories around. You get a couple of concerned looks from a few of the staff when a bout of dizziness forces you to put a hand on the wall for support. You wave them off and laugh, but are forced to take a minute to wait for the vertigo to recede. 
Luckily, you can hear the strains of the encore music starting and know that it’s an okay time to take a short break. You make your way to the staff room without a problem and pick over the leftover food. It’s only when you start eating that you realise just how hungry you are. 
“Y/n? What are you doing here?” Yonghwan walks in just as you take another bite and your cheeks flush as you have to chew quickly to swallow the food.
“Sorry,” you say sheepishly. “I didn’t have a chance to have a break for dinner until now.”
“Oh,” he falters. “I’m really sorry to ask, but do you know when you’ll be finished? We’re getting everyone ready to clean up.”
You wipe your mouth and stand up to throw away the remains of the bento box that you were eating, there isn’t much left in it anyway. The sudden movement is enough to leave you light-headed for a second, but you catch yourself with a hand on the table beside you and recover almost right away.
“I’m done!” you say brightly, relieved to see that Yonghwan is typing something on his phone and hadn’t noticed your brief lack of balance. “We can go now.”
Your late meal seemed to have done the trick, giving you enough energy to help out after the show without any problems. 
On the ride back to the hotel, you fish out your phone to find a few unread messages from Chan, first letting you know that he was doing a live in Minho’s room, then heading to the gym with some of the guys. You’re oddly touched that he kept you updated and also how he’s been going out of his way to leave your shared room available for you to use since that first night, even if it’s more inconvenient.
The room is still empty when you make it back, but Chan returns when you’re halfway through your nighttime routine. You pop your head out of the bathroom to greet him and hurry through the last few steps of your skincare, but by the time you’re finished, he’s already situated himself at the desk, hunched over his laptop with a pair of headphones on. As the days in Japan have passed, he’s unearthed more and more equipment from his luggage and it’s all spread on a couple tables in your hotel room. 
You bite back a sigh at the familiar sight and skirt around him to climb into bed. It’s close to 1 in the morning and you’re exhausted. The long hours you’ve been doing combined with the amount of running around required for each concert means that you’re sure you’ll pass out the second that your head hits the pillow. Already your arms and legs ache from the extra physical work that you had to do and you’re sure that you’ll be extremely sore tomorrow.
You know you’ve been running low on Charge, that it's one of the reasons why you’ve felt so worn out these days, but at the same time, you don’t want to interrupt Chan. You’re trying to respect his boundaries and honestly, you’re a bit wary of what his reaction could be if you asked him to stop for the day. Sure, he hasn’t snapped at you or raised his voice at all since that night in his studio, but you’re still hesitant to broach the subject.  
The light is still on, but there’s the rhythmic sounds of Chan working and the hum of an air conditioner that are making your eyes heavier and heavier. You give in, putting your phone onto the side table and nestle into the blankets.
Suddenly your alarm is chirping in your ear. You turn it off immediately, not wanting to disturb Chan, then sit up blearily, not sure how it’s already morning. 
You’re still so tired.
It feels like you haven't rested at all, even though Chan’s arm is still slung around your waist and your legs are touching. You rub the grit from your eyes and give yourself another second before getting up. Your vision whites out briefly and your muscles protest when you finally stand. When you stumble into the bathroom, you splash your face with cold water, hoping that it’ll help shock you awake. 
You’re reminded of when you were a teenager and forced to pull long hours to study for the CSAT. At that time, your brother had already graduated and was well on his way to becoming a doctor. While you were proud of your brother, his successes had always increased the expectations on you. He had excelled in science and your parents had been thrilled that he was following in your abeoji’s footsteps. On the other hand, you had set your sights on majoring in business, a degree that was more manageable, but still fairly well respected. 
That didn’t make things any easier, though. Throughout your schooling, your eomoni had always strictly monitored your grades and social life. She kept close tabs on your attendance at cram school, organised sessions with private tutors, and was liberal with her scoldings whenever you weren’t within the top students in your class. The pressure had been unbearable and the only thing that had gotten you through was the knowledge that making it into a good university would get you out of your family home.
You don’t know if it’s the time that has passed since then or some sort of influence from the soulmate bond, but you’ve never experienced such strong physical impacts from lack of sleep. Maybe life after university has spoiled you a bit too much. Prior to your switch to managing Stray Kids, you had gotten used to at least 6 or 7 hours of sleep each night, a far cry from when you were studying and lucky to get 5 hours.
You had been a little bit miserable all the time, but looking back, it had been a valuable experience. You had learned a lot about time management, prioritisation, and most importantly, how to ensure sleep deprivation didn’t affect your performance. 
Unfortunately, there’s no miracle that occurred overnight, and when you get to the concert venue in the morning, there’s still a significant number of staff who are unwell. It’s less than ideal, but at least the day before proved that the team will at least be able to survive the night.
You end up trailing behind Eunsung, tasked with retrieving cases that contain backup microphones that were somehow lost when everything was put away after yesterday’s concert. This area backstage is poorly lit and crammed with boxes and equipment that’s all shoved to one side so that there’s just barely enough space to have a walkway. It’s not a surprise that the microphones weren’t found earlier.
The case that you’re holding is heavy, and you have to lean to one side so that your body weight can aid in keeping you balanced. Ahead of you, Eunsung is easily carrying one in each hand, while your arms are starting to tremble from exertion. 
You’re suddenly overcome by another wave of dizziness, something you’re getting better at anticipating. You slow down to take a break and steady yourself, but the case that you’re holding clips the edge of some scaffolding at the same time that your foot doesn’t quite clear a bump in the ground where a bundle of cabling has been taped down. The microphones are dropped with a thud, you lurch to the side and close your eyes, bracing for impact. 
You don’t even feel yourself hit the ground. 
The next thing you know, you’re blinking back stars, shrinking away from a light that’s shining directly in your eyes, but a hand cradling the back of your head prevents you from moving too far. 
“What?” you try to say, but your voice comes out sounding warped. Your head is pounding and feels like it’s been stuffed with cotton. The light turns off and you sigh in relief, it reduces the pain to a dull throbbing that seems to be in time with your heartbeat. Your vision is blurred and you can barely make out the face of the person that’s holding onto you. “Eunsung.”
“Oh good, you can recognise me. Do you remember your name?”
“Y/n.”
“Good. And do you remember where we are?”
“Concert,” you say. That part is easy, the music is so loud that you can feel the vibrations of the bass from where you’re lying on the ground. Even from here, there’s faint cheering that you can hear every so often.
“Do you know whose concert?”
“St- Stray… Stray Kids.” It would be embarrassing how long it takes you to recall the name of the group, but your headache makes it hard to think, let alone feel anything other than pain.
“Okay. What country are we in?”
After a moment, you finally remember, “Japan.”
“Perfect. Do you remember what happened?”
“Uhm. I was… tired. I fell.” 
“Great. Now are you feeling dizzy? Nauseous?”
“Mmm. Dizzy I think.” 
You crack your eyes open and when the room spins around you, immediately retch. When nothing but bile is brought up, you remember that you've hardly eaten anything today. The concert has already passed its halfway point and you don't even recall stopping for a lunch break. The increased pressure from your gagging makes the pain in your head explode and it takes everything in you to keep the nausea at bay. At your side, Eunsung takes exaggerated breaths and you force yourself to follow them, feeling a little bit better once you’re able to breathe properly again.
“Okay. Seems like you might have a concussion, but I'm hopeful that it’s only a mild one. I’m concerned about the fact that you were unconscious, but it was only a few seconds and otherwise you don’t seem that bad. I really want to get you to an actual doctor, but first let’s get you sitting upright and see how you feel then.”
Sometimes you forget that Eunsung has done extensive safety training and doubles as a first aid attendant for the team. Now, it’s obvious. He’s clinical and calm, hands steady as they support your back and neck before lifting you into a sitting position. 
Even though he does it slowly, your vision swims and you start to list to the right, away from where Eunsung is crouched beside you. He’s quick to grab your shoulder and tip you back. You keep going until your forehead hits his chest and this time, he doesn’t try to correct you, just wraps his arm around you securely and lets you stay there.
“Y/n, how are you feeling now?”
“Hurts,” you say, turning your face towards Eunsung so that his body blocks out all the light. It had seemed so dim earlier, but now you can barely open your eyes without tears forming. Even that movement makes the ache in your head intensify and you let out a groan.
“Can you be more specific? Does anywhere hurt more?”
“Head.” You lift your hand and fumble, trying to pinpoint where the pain is coming from. Your fingers hit a tender spot and you immediately retract your hand, not wanting to get close to that area again. “Ow, there.”
“Good job. That’s here you hit your head, but it doesn't look like there’s any blood, which is a good sign. I’m going to get you some ice and try to get the swelling done.” At that you clutch at his shirt tightly.
“No no no, don’t go,” you say frantically.
“I- Okay. Are you still nauseous?”
“Uhm.” You take a moment to assess yourself, then confirm. “Not anymore.”
“Okay, okay. I’m going to bring you with me and we’ll get you to a better place to rest. I’m just going to lift you up and I think I saw that there was a room close to here that would be good.” It sounds like he’s talking more to himself than you, and you’re happy to stay quiet. He guides your arms to loop around his head and then gently lifts you, one arm around your back and the other under your knees. “Y/n? Is this okay?”
“Yeah,” you say faintly. “Just go.”
He takes a couple steps before you stop him, tugging at his shoulder.
“Wait! Oppa,” you say urgently.
“What?” he asks, panic leaking into his voice for the first time.
“The microphones. We need to bring them back too.”
“The- Y/n, who cares about the microphones! You just bashed your head against the side of a trunk so hard that you blacked out. You need medical attention right now!”
“But, the show,” you say meekly. “They need the microphones.”
“Yn- Okay,” Eunsung says with a sigh. He can probably tell that you’re not going to budge on this. “We’re going to bring you somewhere safe to rest. I’ll get some ice for your head. Then I’ll ask someone else to bring the microphones.”
“Mm, okay.”
He continues walking and you have to bite your lip hard to stop yourself from making any noise. Although you know he’s trying his best to be gentle, the slight jostling of each step just exacerbates your headache. It’s hard for you to track the time passing, but eventually he eases you onto a couch, reappears with ice, then collects you in his arms again to carry you to a company car.
It’s surprisingly fast getting you to see a medical professional. One of the Japanese staff accompanies you to help translate and the three of you are relieved when the doctor allows you to go home. He goes on for a while, explaining symptoms that you can expect and a recovery plan, but you tune it all out, trusting that Eunsung and the other staff member will keep track of it all. Before you know it, you’re back at the hotel where you force Eunsung to bring you back to his room.
“They said it was just a minor concussion, right?” you ask once you’re settled in bed. You feel remarkably better after having something to eat and drink and being able to spend time not moving. Your stomach has settled now that there’s food in it and your dizziness has subsided almost completely.
“Yes, luckily it’s not too serious. You had me really worried for a moment.”
“I’m sorry. This is really bad timing too. Did they say how long it’ll be until I can work again?”
"Normally, it'd be at least a couple weeks until you feel better, but with the soulmate bond? He said your recovery will go more smoothly. Could be half that, maybe even more depending on how much Charge you get."
"What if- what if I'm not getting enough Charge. It’d still just be two weeks right?” you ask, avoiding Eunsung’s gaze.
“Y/n,” he says warningly.
“I- Things have been busy. We’re both… busy,” you say weakly.
“How much less?” 
“My head hurts,” you say instead.
“Y/n-”
“I’m tired. It’s been a long day. I want to sleep.” You turn so that you’re facing the wall. Moving again makes your head throb, although the painkillers that you’ve been prescribed are starting to dull the pain.
Eunsung sighs. “You can rest for now,” he says to your back. “We’ll talk tomorrow.”
You know you're going to have to move back to your room tonight, but the doctor advised you to have someone monitor your condition for the next while. Based on the past few days, you have no idea when Chan will be back, so it’s easier to just stay with Eunsung. You know how much of a hypocrite it will make you seem to have scolded Chan about resting when it turns out that you've also been neglecting your own health and you're already embarrassed enough. You don't think you can face him right now.
You were telling the truth when you said you were tired, but still sleep doesn't come easy.
Coming off stage, Chan feels great. The energy from the crowd, being able to see so many Stays, having a chance to have a lot of fun with the rest of the members, it makes all the long hours and sleepless nights worth it.
After handing off his mic and taking a final group picture, Chan searches for Y/n. He’s so happy and he wants to share this moment with her. A brief look around doesn’t yield any results, but Chan’s not concerned, he knows that even though the job is finished for him, the staff still have a lot of work to do.
He manages to catch Minyoung as she’s shoving cases of makeup into a large tub.
“Hey, just wondering if you’ve seen Y/n around? Had something I wanted to talk to her about.”
“Ah,” she says. “I haven’t seen her around, I think that something came up during the show.”
“Oh, thanks.” Chan’s mood rapidly sours, but he does his best not to show it. He checks his phone again, but there’s no new messages from Y/n. It’s odd, but Chan wants to give Y/n the benefit of the doubt and not jump to conclusions. It wouldn’t be the first time that Y/n got pulled away to deal with a different issue or was too busy to notice that her phone battery died, he reasons.
“We still have that dinner tonight, she’ll probably turn up there.”
“Right!” Chan had forgotten all about the dinner that was planned as both a celebration and a kick off for the tour. He feels a bit better knowing that attendance to the event is basically mandatory and the rest of the staff must be scrambling to get everything finished before then.
The restaurant that they head to has been fully rented out, so they don’t have to worry about being spotted. It’s crowded with staff, some being people that Chan has never even seen. 
When he hears a couple of coordis sitting at an adjacent table mention ‘Y/n’ and ‘soulmate’ in the same sentence, he’s instantly on guard and focuses on what they’re saying. If it was somehow found out that Y/n is his soulmate, it would explain her sudden disappearance. They would need to contain that information fast.
“They’re just so cute together, it must be so nice to have a soulmate,” one of them sighs.
“And especially one you work with, since we’re going to be travelling so much. I heard that they left early together today,” the other says conspiratorially, resulting in a gasp from her friend. Chan's confused, but keeps listening. “I wish I could do that, I think I would be fired on the spot if I even thought about taking a break during the concert.” 
“Oh! Someone mentioned that they did see Eunsung-ssi basically carrying someone out earlier, I guess it was Y/n-ssi. Lucky girl,“ the coordi says wistfully.
Eunsung? Y/n leaving early? It's not unusual for Chan to not be able to keep track of where Y/n is and he couldn’t be that obvious about asking around for her, but she’s never actually left without at least texting him before. It would explain why he still couldn’t spot her when he had glanced around the restaurant.
“Hyung.” Jeongin cuts off his train of thought. “Is everything okay?”
“Huh? Yeah,” Chan looks down to see that okonomiyaki that was in his plate has been subconsciously shredded by his chopsticks and has basically reverted back to its precooked form, just a pile of ingredients. Being on stage always requires a lot of energy and before this meal, Chan had been starving. He’s starting to regret the amount of food that he had scarfed down though, it has seemed to all consolidate into one big lump that now sits uneasy in his stomach. 
“Are you sure?”
“Yeah, just got full all of a sudden.” He pushes away his dish, the sight of the uneaten food is enough to make him feel a little queasy.
They’re interrupted by clapping and look up to see that a cake is being brought out, fizzling sparklers and a printed image of a tour poster decorating the top. Chan joins the group to take a picture, but can only manage to swallow a couple bites of the cake before he hands it off to Jisung who happily finishes it.
When Chan gets back to the hotel, Y/n still isn't in their room yet. He checks his phone again, but there’s still no notifications from Y/n. He sends off a message, asking if everything is okay then showers. When he checks his phone again, there’s still nothing. 
At that moment, Chan hears the familiar whir of the lock and he looks up at Y/n shuffles in.
"Oh, you're back already," she says, eyebrows jumping up in surprise when she notices him.
"Where else would I be?" Chan replies. Even he can tell his tone is more waspish than usual and Y/n pauses only a couple steps from the door.
"Uhm. Sorry," she says cautiously. "I just thought you might have been at the gym or something. You're usually out until later than this." Chan narrows his eyes at her response.
“We had the team dinner tonight.”
“Oh, was that today? I completely forgot.” 
"And where were you?"
"I- I wasn't feeling that well. I left the concert a bit early to get some rest." Now that she mentions it, Chan can tell she’s holding her body differently, more gingerly, like any sudden movement could cause pain.
"But you weren't here, where did you go?"
"I didn't know if I was getting sick. I was concerned about passing something on to you so we found a doctor that could see me on short notice. They said everything was fine."
"Oh," Chan says, starting to feel bad now. He shouldn't have paid attention to what the coordis were insinuating. "Sorry, I just-"
"Just wanted to snap at me?"
“You didn’t text,” he says lamely.
“Sorry. I wasn't thinking straight, I forgot to let you know.”
"I guess I was just worried," Chan admits. "I couldn't find you after the concert and you weren’t at dinner, I didn't know what happened."
"Sorry,” she says again, “Things were kind of hectic. I- I didn’t know that you would notice. And I really did forget about the dinner.”
“Wait, did you go by yourself?” Chan doesn’t know if he’s asking to see if there was any truth in the overheard conversation or because he feels nervous about Y/n out in a foreign city by herself. 
“No, Eunsung-oppa was with me.”
“Oh?” Chan tries to sound nonchalant. This whole conversation has been a rollercoaster ride of emotions and he’s ready to get off.
“He’s the one in our team that we go to for anything medical related. He does the first aid training and knows all the protocol for if we have to fill out paperwork. We also had one of the Japanese staff there to help translate.”
“Ah.” Chan’s an idiot. He feels like the worst person in the world. He’s so dumb for jumping to conclusions. 
“Yeah.”
"As long as you're okay. Come here."
Chan opens his arms. When Y/n walks into his embrace, they both sigh in relief.
“Feel better?” Chan asks.
“Yeah, I guess I was just tired,” she says, but there’s something weird in her voice. He pulls away slightly.
“Are you sure you’re okay?”
“Yeah! Just- just had a weird day. And… I had a headache. But really, I’m fine now. I feel a lot better knowing I’m not going to get you or any of the guys sick. How was the concert?”
“It was good! Great, actually,” he says. Thinking about it brings a smile back to his face. “I know things are busy for you right now, but we’ll have to get you in the crowd for one of the nights! I want you to be able to see the show that you worked so hard on, it’d be a lot of fun.”
“I’d like that too,” Y/n says, smiling wistfully.
“I can mention it to Yonghwan, he can figure out logistics. We always have some tickets reserved in case we want to invite guests, they’re good seats. Maybe a little far back, but you’ll be able to see everything that way. One of the cities we’re doing multiple days might be best, I know the second show would probably be less busy for your team.” He stops himself when he catches Y/n trying to hide a yawn. “You must be tired, sorry I’m rambling. Go wash up, we can go to bed now.”
He releases her from their embrace and watches as she has to collect herself the second they break contact. She's obviously still not feeling well, but Chan bites his tongue instead of voicing his concern. He could see that Charging had seemed to relieve her symptoms and they’re about to sleep anyway. They’re going home tomorrow, but don’t have to leave until the afternoon so Chan’s looking forward to finally getting something close to a full night of rest.
Usually at airports, Chan tries to tune out all his surroundings. He’s aware of the occasional sasaeng that gets tickets to follow them into the departure area or even onto their flight, but knows better than to give them any attention. Today, he happens to sit right beside the two coordis that he heard gossiping last night. Trying to be casual, he turns off his music and slides off his headphones so that he can better hear what they're saying.
"-so glad to be heading back home. It feels like it's been forever since I've seen my boyfriend." He catches one of them saying.
"Ugh, at least you have a boyfriend. I haven't been on a good date in months!"
"Maybe you can find one at work too. Didn't Y/n-ssi and Eunsung-ssi meet at the company?"
"You're like, obsessed with them. I swear, one of these days they're going to find out you keep talking about them."
"Oh come on, if they didn't want people to talk then they wouldn't be so obvious about it. Look at the two of them now, you can’t say that they're doing a very good job of hiding that they're soulmates."
Last night proved why Chan shouldn’t give weight to any of their comments, but still Chan looks up from where he’s been pretending to read something on his phone. Eunsung and Y/n are sitting shoulder to shoulder, laughing at something on one of their phones. Something curdles in Chan’s stomach as he watches them. 
“It doesn’t help that Eunsung-ssi is so handsome. I’m sure he could have been an idol or at least a model with those looks if he wanted to. I wouldn't be able to keep my hands off him if I were Y/n-ssi either.” The coordis both giggle at that.
Eunsung is tall, at least 180 cm, with broad shoulders, perfect double eyelids, and a stupidly symmetrical face. His hair seems to always fall in artful waves over his forehead and when he smiles, it reveals his even and bright white teeth. It’s true that he looks more like a stereotypical idol than Chan does, even after hair and makeup have transformed him into a different person. Chan doesn’t notice that he’s glaring until Seungmin nudges him gently.
“Hyung, any reason you’re practically burning a hole in the side of Y/n-noona’s head?”
“Huh? Y/n, no- I- just-” The pair laughs again, Y/n tilting off to the side as she closes her eyes. Eunsung reaches out to steady her with a hand to the shoulder and doesn’t remove it. Instead, he uses the contact to pull her closer so that she can lean against him. 
Chan forgets what he was saying. Seungmin eyes him knowingly. For once, he doesn’t make any comment.
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atom-writings · 8 months
Note
The face fam with a partner who has a dangerous job (police officer, journalist, private investigator) which at one point landed them in the hospital, because of either an accident at work or someone tried to get rid of them. Yet despite what happened they openly told them that they plan to immediately go back to work the moment they're. What will they say to that? Like yes it's admirable, but they were just fatally wounded or that someone actively tried to eliminate them.
hetalia face family with a s/o wounded on the job
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2.0k words ~ gender neutral mini scenarios
tw: arthur is having a bad time and is gonna make it your problem, swearing, nondetailed hospital settings
a/n: we here at atom-writings (me its just me) say acab. always
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America
Your often life-threatening job is part of the reason Alfred was originally so attracted to you. Yes, you're constantly in danger, but that just makes you even more brave
Like a hero!
He usually doesn't stress out about it that much. Even though there's a risk, he trusts you completely. He could never imagine something actually happening to you. That was until he got a call from the hospital.
“Y/N!” Alfred yells from down the hospital hall. In a moment, he slams against the doorway to your hospital room. He's breathing heavily, hair stuck to his pale face.
Before you can even set your book down to greet him, he's rushing to lock the door and close the blinds.
“Alfred?” You ask, trying to get his attention.
He doesn't respond, frantically securing the hospital room so it's impossible for anyone to enter.
”Alfred!“
Your exclamation made him turn his head for a second, “Yeah?”
“What’re you doing?”
“Making sure the room is safe.”
“The room was already safe, honey,” You say as if you were talking to a child.
“You're damn right it is, I got two men outside the room-”
“Wha-”
“That should be more than enough! But- But I gotta be sure, right?“
”Not right. Alfred, slow down, no one is gonna kill me here-“
He pauses his frantic pacing to look at you, his usually playful face turned stony and serious.
”You don't know that-“
”I do know that. It was just one guy, and it might've been an accident anyway,“ You explain calmly, trying to calm his nerves as he nervously cards his fingers through his sweaty hair.
”But what if it isn't?“
”That's the risk I took when I started this job, okay?“
As you sigh at his dramatics, he rushes to your bedside. Gently, he takes your hands in his.
”This shouldn't have happened.“
”It's alright.“
”It's not alright. I don't want you going back to that job. Please,“ He begs, bringing your clasped hands to his forehead as he looks down, ”Please.“
”I can't do that, Alfred.“
”Why not? You- This could happen again! T-Then what? Do I just have to worry about you all day, every day?“
You nod slowly, “You shouldn't worry... but if that's what me continuing this work means, yeah.
He looks away, his eyes becoming shiny.
“Could you ever just abandon your country?” You say softly, and he pauses, closing his eyes finally.
”No.“
”Then you understand what it's like to be as dedicated as I am. I... I have to go back.“
Slowly, he releases his grip on your hands. He sits back in the chair, opening his eyes again while his face contorts in anger.
”Fine.“
”Fine?“
He sighs, rubbing the side of his face, ”I support you.“
”Thank you, Alfred.“
”No... no problem.“
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England
Arthur used to be a lot like you, willing to put his life on the line for a greater goal. He was completely comfortable with risking his life over and over again, but not anymore. No, nowadays he doesn't like doing anything too stress-inducing.
Sometimes he wishes you were more like him, but then he sees how much joy it gives you to help others. He couldn't ask you to change that.
But then he doesn't prevent his worries. Humans are so fragile... what if you leave home and never come back? And unfortunately, it wouldn't take too long for his paranoia to be validated.
The only thing good thing that has happened during this entire affair was that the hospital had apparently called Arthur while you were sleeping. However, that small miracle was immediately undone by waking up to him, pacing nervously back and forth in front of your hospital bed.
”Arthur? You're here?” You stutter out, your voice still slurred from the drugs you had been pumped full of.
“My love!“ He rushes to sit next to you, placing a hand over your cheek, ”What happened? What- Who hurt you?“
You couldn't help but flinch away from his sudden touch, ”It was just- just a hazard of the job.“
“You... almost dying... is just a hazard?” He asks in disbelief.
“Yeah, I mean... at least I survived, right?”
You wait for his response, but he just looks down in anger before standing up.
“Not right,” He spits out, walking to the other side of the room, “NOT fucking right! This- You- I can't believe- How could you do this?”
“Excuse me? How could I do this?”
“Yes! Do you know how much- how worried I was?! All night, all week, every day! You only have one life Y/N, and because of your job, some dickhead almost took it away from you! From both of us!” He exclaims, storming closer to the bed in which you lay.
For what feels like minutes, neither of you says anything. You can't do anything but sit there in shock as Arthur stares deep into your eyes, breathing heavily.
“I'm not going to quit.”
”What?“
”I'm not going to quit.“
”You- YOU ALMOST DIED!“ He yells.
”I know,“ You finally look him in the eyes, challenging him to do anything more, “Are you gonna calm down? Because if you don't, I want you to go outside until you do.“
He steps back, burying his face in his hands and exhaling sharply. Without saying a thing, he walks to the door, turning the nob but not leaving.
”I love you. I'm glad you're not dead,“ He spits out. His words are genuine, despite his harsh tone.
”I love you too. Go calm down.“
Without another word, he gives you a thumbs-up and exits the room.
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France
Francis is a sissy in many ways. Like, he will barrel into a powerwasher if he's striking, but also he's scared of being on bridges. So, seeing how nerve-wracking your job is really freaks him out. He always asks, why would you do that to yourself?
But whatever your answer is, he still respects you. He couldn't do it, so someone has to, he guesses.
That doesn't stop him from worrying about you though. He trusts you completely, but it's other people he doesn't have any faith in!
You have to constantly reassure him that everything is alright. But, one day, his worst fears came true.
Once you were filled with sleep medication, prescribed by the readily waiting staff, it didn't take long for you to fall asleep. But instead of finally resting, your brain subjected you to horrible, confusing dreams.
At first, there was only a robot. Beeping quietly while eating at a dinner table across from you. But it was quickly joined by a loud, squawking yellow bird on its shoulder. You tried to escape your chair to shut it up, but you only found you couldn't move, even as the bird continued screeching.
Eventually, it became loud enough for you to jolt awake. But the squawking didn't stop, no, it was only clearer now.
Even the beeping of your heart monitor couldn't distract you from the yelling outside your door. Slowly and painfully, you sat up.
Turns out the screeching yellow bird was in reality, the sound of your boyfriend's anguished wailing. You couldn't understand what he was saying through the haze of the drugs, but even without that, his yelling sounded more French than English.
For a second, you caught his eye. He turned back to the doctor, before finally registering that you were looking back at him. In a flash, he ran up to you. He nearly tore out the IV in your arm as he wrapped you in a painful hug.
”Agh- Francis!“ You yelp and he quickly pulls away, looking sheepish.
”I'm sorry- I'm really sorry- Are you ok? Please, tell me you're alright, dearest!“ He sputters out frantically, taking your hands in his.
”I'm ok.”
“Thank GOD! I was so worried, my love,” he presses a soft kiss against the back of your hand, “I heard everything that happened, I can't believe it... what a horrible accident. I'm so sorry that happened.”
You can't help but chuckle at his overly emotional demeanour, “I survived, that's all that matters.”
He smiles, ”Now this... it is not going to happen again, right?“
”Well... I mean- I'm not gonna quit.“
”You're not?“ He looks at you in disbelief.
”No, I still got stuff to do there. Plus, I really... can't imagine my life without that job, Francis.“
He remains quiet for a moment, his face conflicted. Gently, he sets your hands down again and leans closer.
”Well, then let's get you healed up as soon as possible, Dear. We cannot have you missing too much.“
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Canada
Oh boy. You're gonna stress out Matthew so much. He's already worried about so much all the time, and now he has to worry about you getting killed on the job too?
It won't take you getting hurt for him to beg for you to not do something so dangerous.
But he'd never push the issue. He knows you're doing something good, and it makes you happy, he just wishes it couldn't take you away from him.
So when it almost does, he doesn't take it very well...
This was perhaps the first time you'd ever woken up before Matthew. Normally, he'd be the one to shake you awake, promising to take care of you that morning. But today, your eyes fluttered open only to see him, his head on your lap, fast asleep.
Slowly and hesitantly, you reached out to pet his soft golden hair... but were interrupted as the motion started him awake. He shot up, hitting his head on your hand and yelping.
”Y/N! You're awake!“ He groggily exclaims, a huge smile plastered onto his face.
”Ye-“ You were promptly cut off by him suddenly rushing forward to hug you, pulling you against his chest tightly, “M-Matthew...”
“Sorry!” He let go, blushing a little, “Oh, uh, and sorry about all... the t-things...“
You were about to ask what he was referring to before you followed his eyes, looking over to your other side to see a pile of stuffed animals, chocolates, and other gift shop items.
Turning back to him, you rhetorically asked, ”You were busy, huh?“
”I'm sorry! I- Well, I couldn't sleep last night... so... that's how I kept myself busy...“
”Wait, when did you fall asleep?“
”I think like... 5?“
”It's 7.“
”Yeah...“ He rubs the back of his neck nervously, looking embarrassed.
”Matthew...“ You coo, but he quickly stops you.
”It's alright. I don't care about that. Are you ok?“
”It... hurts a lot. But, I guess I'm alive... so I'm ok.“
”Oh, you poor thing! I told you you should've quit a long time ago, then this... this nightmare wouldn't have happened!“ He tells you, looking at you comfortingly.
But all you could do was shake your head, ”It was worth it.“
He starts to speak, but you continue, “Yeah, this isn't preferable, but as soon as I'm capable, I'm heading back there.”
“Why... I- Honey, please- Please don't. For your sake...”
”I gotta.“
”You don't have to! I make more than enough to support both of us-“
”I like my job, Matthew.“
He pauses, his eyes becoming glossy. Before he starts to talk again, he wipes his nose, ”Please... I'm so scared...“
”Scared? You're not the one doing the work-”
“I'm scared that next time you won't make it out alive!” He tells you firmly, choking back a sob.
“Matth-”
“I know it makes you happy! But- But is it worth dying for?”
“I won't die. Even if I did... yeah, it was worth it.”
He wipes his eyes, looking up at you with an uncomfortable smile, “I guess... I guess then... then it's fine.”
“I don't want to upset you,” You reach out to intertwine your fingers with his.
“I know. It's... It's gonna be ok.”
“It's gonna be ok.”
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iridescentprose · 2 years
Text
A Year—Laurie Laurence x fem! reader
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summary; in which you return to your hometown after a year and run into Laurie at a social event; no warnings—just dramatic fluff.
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The sea of flowing dresses and men in buttoned down shirts started to make you feel nauseous. But the wave of adrenaline that coursed through your veins as the music swelled was enough to keep you on the dance floor. You had missed this about your hometown—the people, the nightly dance socials, and the constant feeling of adventure. It was certainly a contrast to [your out of town place of work].
Suddenly, the flurry of people suddenly cheered as the entire dancefloor switched partners.
Your excitement rose, then fell, as you were swept into the arms of the man you had been avoiding ever since you arrived back in town. He grasped your hand gently, his arm snaking around your waist and pulling you to his chest.
You rolled your eyes.
"Well, well, well," Laurie said. "Look who's running back into my arms. I told you that I'm irresistible, didn't I?"
"Laurie—"
"You didn't tell me you were back in town."
"That was intentional," you said, glancing off to the side at your potential partner who met your gaze with a disappointed expression. Had it not been for Laurie disrupting the dance routine, you would've ended up dancing with a man who looked wise beyond his years—the local blacksmith with a nonexistent hairline.
You were relieved yet highly annoyed.
Oblivious to the passing man's deadly glare, Laurie pouted at you. "It's been a year. Are you still angry at me?"
He spun you around—a little too quickly for your liking—but the dizziness stopped abruptly when you were back in his arms. You stiffened as your fingers dug into the fabric of his shoulder.
"That's putting it lightly, but yes, I am still angry at you," You said, your foot accidentally scraping his shoe as he waltzed backwards, pulling you along with him. He pretended not to notice as you carried on with the conversation. "I could've gotten hurt!"
"But that was years ago!" A few nearby couples glanced in your direction at his sudden exclamation that rose above the music. Laurie used a finger to guide your chin back to him. "The pond was shallow—"
You swiped his hand away playfully, resisting the smile that tugged at your mouth, before resuming the dance. "My dress was in ruins. And need I remind you the tadpole that nearly swam in my ear?"
He did nothing to stifle his laughter and all you could do was stand there and bite the inside of your jaw. Suddenly, the music changed and the audience switched partners again. As someone skipped towards you to grasp your arm, Laurie spun you and you were once again stolen away from a new suitor.
"It's been a year—"
"You said that already," you pointed out, impatience lacing your tone as you tried catching up with everyone else.
"And you keep avoiding the obvious question."
You two were circling each other now, palms touching, fingers pressed together in a parallel fashion.
"It just didn't work out," You said with a shrug, before you both circled each other in the opposite direction. "I missed home too much."
Laurie beamed. "By home, you mean me?"
"I mean, everything but you, Theodore Laurence."
His footsteps stalled, temporarily putting you both off beat. It took a moment before you two got steady again, switching hands and walking forwards and backwards in time with the music.
"What are you saying?" His voice conveyed a sense of hurt that you hoped to never hear again. You almost felt bad for coming on a little too harsh with your words.
"What I'm saying is...it's a little hard to miss someone who you feel is always with you." In the pocket of your overflowing skirt, you pulled out a smooth stone.
His eyes widened. "You kept it?" He inquired, his steps slowing again. You ran your thumb over the stone that had been eroded countless times into a smooth pebble. Laurie had given it to you as an apology for pushing you into the lake. You thought the gesture was stupid—if not a desperate attempt to get you to surrender your silence.
He swore he found it by the shallow end of the lake, but you were certain he had been holding it in his pocket after he found it by the shores of the beach—your least favorite place due to all the annoyingly rough sand.
"I carried it around with me every so often," You said, before slipping it back into your pocket. It was the only physically small object you could carry in your pocket. Your parents worrisome letters weren't small enough to stash away in your pocket.
Stunned by this revelation, he smirked. His eyebrows quirked upwards in curiosity.
"So you thought of me the entire time you were in [insert out of state place of work]?"
"I didn't say that—"
"You did, actually" he said, matter-of-factly. "And to that, I say I missed you, too, [your name]."
Unwilling to let this moment pass, he took a step forward to close the gap between you two. The cheek kiss was quick, miniscule— though all you could ever dream about since you left home.
He pulled back slowly, however, his smile was slightly diminished. "That still doesn't explain why didn't you come find me the moment you got back."
You felt your cheeks grow warm, the temperature in room starting to rise. Your eyes darted around you, but there was no room for escape. The dancefloor was too crowded and Laurie's grip on your hands, though gentle, was firm and unrelenting.
You had left home to pursue your dreams of being a [insert dream job] and without so much as letter of warning to him. It was for the sake of your guilt and the fact that if you had told him person (or given him your new address) you would've been hesitant to leave.
Laurie, as of now, had no plans of letting you leave him like that again.
You swallowed any lies resting on your tongue. "Because I didn't want to come back and find out that you moved on without me."
It was a reasonable admission—a rational fear of yours since you stepped out on faith to follow your dreams outside Massachusetts. But it was no excuse. There was no way you could return home and ignore the years of friendship—and dare you say, more—with the person in front of you.
He grinned, though it was devoid of arrogance and laced with understanding. You smiled subtly, though the guilt didn't melt away until he tilted your chin towards him, leaving a quick, breathless kiss on your lips. No further words were needed as he stepped back and offered his arm. Gingerly you took it with a humble curtsy and the both of you skipped and jumped around.
The two of you danced for hours, not bothering to switch partners while doing so.
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