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#and discuss so many things with so many people
capnsoapy · 2 days
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my favourite discovery from those queer polls is how many people believe resolutely in the "prime directive" to not "crack eggs" based on nothing but the fact that they've heard people say that it's a thing
no critical discussion or reasoning, just "we're not supposed to do that because someone else said so". really just a microcosm of modern politics to some extent huh
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why logan isn't getting replaced at imola, a breakdown
(aka a breakdown so my fellow logan girlies (gn) don't break down)
I've seen this getting around, with a little traction and some people panicking a bit so let's discuss.
Joe Saward has not been a reliable source of transfer news for some time. Let's be real. A lot of this is gaining traction because Saward is "a 35 year accredited F1 journalist". And this is true, he has long experience in F1 and is accredited in the paddock. But it has been many, many years since he was accurate about driver market predictions.
You have to be eighteen to get a superlicence (thanks, Max!). Antonelli does not turn 18 until August. For him to be granted a superlicence in time for Imola, the FIA would have to issue an exemption. If Antonelli was carving up F2 it'd be one thing. But he's been far from convincing so far, and it hasn't just all been Prema. He is an F2 rookie - and he looks like it.
James Vowles has already said that Antonelli to Williams next year is not a given, because Williams has its own juniors - of which Logan is one. Now I know James has been in the bad books with plenty of us since the whole chassis debacle in Melbourne but I do believe him on this. He is quite keen to establish that Williams is not a feeder team for Mercedes and that has been the board's position for some time too (remember their angry denunciation when the rumour was that Oscar was going to replace Latifi at Silverstone?).
James Vowles still believes in Logan. Now I know some of you will be claiming this is doubtful, but I do believe it to be true. In the Japan Vowles Verdict he was warm in his praise for Logan's race pace and early stint - to the point his voice literally changed tone while answering the question. He was absolutely effusive in his praise for Logan after the Melbourne debacle. I do genuinely think that James wants to keep him.
Bringing in a driver change mid-season is incredibly disruptive - you don't do it unless you are certain you're getting a better deal out of it. Last year Alpha Tauri brought in Daniel halfway through the year. The main reason for this was because he was a fairly immediate upgrade to de Vries. But even if you're scornful of Daniel's pace, the other reason they wanted him was for his feedback and car development ability, which AT were pretty vocal that they found invaluable. Bringing in an extremely green, unprepared rookie who has barely worked with the team would be a recipe for instability, morale issues, and more broken bits, which is the absolute last thing Williams needs.
Toto Wolff can't offer James Vowles a big enough incentive to take his junior. Let's cut to the chase on this: to insinuate that James would take Antonelli just because Wolff asked is a pretty big insult to James. He's not Wolff's lapdog. They clearly respect one another and have a personal relationship outside of the sport, but that doesn't mean he'll just do whatever Toto wants - he didn't get to be team principal that way. So Toto would need to offer James an incentive. But what can he offer that James actually needs? Williams aren't broke any more, so money isn't going to cut it. And Williams already run the Mercedes engine, so Toto can't convince him with that. What Williams actually needs - the cultural and procedural overhaul that James has begun - Toto cannot help with.
tl;dr keep cool and keep the faith, logan fans. there's still plenty of time left in our ride.
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People who support the attacks on Gaza seem free to say the most depraved and racist things possible about Arabs, Muslims, and Palestinians without facing any consequences whatsoever. [...] The proliferation of dehumanizing language about Muslims and Palestinians has had violent consequences: there has been a rise in anti-Arab and anti-Muslim hate crimes across the US, including reported offenses on college campuses. There has also been a rise in antisemitism: a very real problem that shouldn’t be minimized or tolerated. What also shouldn’t be tolerated are the dangerous attempts by pro-Israel extremists to label any remotely pro-Palestinian speech, or any criticism of Israel’s actions, as automatically antisemitic. Conflating the actions of the Israeli state with the Jewish people is dangerous and wrong, and yet this is precisely what many pro-Israel voices are doing in an attempt to suppress any support of Palestine. And this strategy is working. In the current climate, a US politician can call for Gaza to be “nuked” without being censured. Dare to do so much as wear a keffiyeh (a traditional Palestinian scarf) on a college campus, however, and pro-Israel voices will go on primetime television and accuse you of being a Nazi. Jonathan Greenblatt, the executive director of the Anti-Defamation League (ADL), recently told Morning Joe (and faced no pushback from the hosts) that wearing a keffiyeh was the same as wearing a swastika. [...] What’s left out of these nonstop discussions of campus safety is this: there isn’t a single safe campus left in Gaza. Israel, with the unconditional aid of the US, has destroyed almost every kindergarten, school, and university in Gaza. It has killed at least 100 Palestinian academics. It has decimated every cultural institution. There are over 13,000 dead children in Gaza who will never have the opportunity of an education. You should not be able to talk about campus safety without mentioning the fact that, thanks to US-backed Israeli air strikes, every campus in Gaza is now a graveyard.
(x)
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foreingersgod · 24 hours
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Kate and reader accidentally coming out on Jada’s live with Jada’s response being “well that’s one way to hard launch a relationship” while the rest of the team that was there start laughing while Kate and reader try and melt into the floor. Then now that they’re public they become the most sickeningly cute couple always posting each other and gushing about eachother in interviews and not shying away from being affectionate in front of cameras now that they are public
Hard Launch . KM
pairing: kate martin x reader
synopsis: kate accidentally makes your relationship public
༶•┈┈୨♡୧┈┈•༶
you were all cooped up in jada’s apartment, hanging out after an incredibly long practice. everyone was exhausted and just wanted to spend the night relaxing and catching up. so you had all opted to go to jada’s place for the evening, maybe watch a movie or something.
to be completely transparent, you had just wanted to go home. drag kate into a nice hot shower with you and spend the night intertwined in your shared bed. but when jada had offered to have everyone over, kate was quick to announce your plans of attendance. you couldn’t blame her, you had all been working very hard this season with very little breaks in between to casually spend time together. you could share your girlfriend for one night, you supposed.
you didn’t get to spend a lot of time with kate outside the safety of your apartment walls. both of you had agreed to keep things private for a while, only the team and your families knew of your relationship. so you concluded that a night with the team couldn’t hurt anyone.
the room filled with laughter, excitement buzzing off the walls. the team was sat in jada’s living room going back and forth about old stories and favorite memories of the season. it was nice to see all of you together like this, no pressure or stress weighing down on you.
a few drinks and several embarrassing stories later, jada had suggested you all go live. it had been a while since the team had been active on social media and in everyone’s tipsy opinion, going live to all the fans was a perfect idea for the night. jada had her phone out immediately, starting the stream as she watched viewers join left and right.
you honestly didn’t care for it much, off in your own world as caitlin and jada laughed next to you. they were messing around and talking to fans on the live. meanwhile, you were observing from afar, offering a small comment here and there. chatter started to die down as the night went on and you were beginning to grown tired. kate, from the other side of the room where she was goofing around with hannah, noticed your heavy eyelids and small yawns. she knew it was time to call it quits for the night and let everyone know you guys were about to head out.
she walked over to you, completely unaware of jada and caitlin still cackling about something said in the livestream. you were barely keeping your eyes open as she knelt in front of you, taking the half empty cup from your hands.
“hey, baby” she said, shaking you awake “ready to head home, you seem tired”
you yawned again and nodded, about to hoist yourself off of the couch until you realized the silence that filled the room. everyone was staring at you, jada’s hand covered her mouth as she held back another laugh. kate, like you, looked extremely confused.
“well that’s one way to hard launch a relationship” jada broke the silence.
“what?” kate asked. and suddenly it dawned on you, your hand also flying to your mouth in disbelief.
“the live is still going” caitlin said, double checking and watching the comments flood with people asking about you and kate.
“oh my god” you said mortified “i completely forgot, kate”
kate just stood in shock as you peered over the phone to see the damage. sure enough, you were the topic of discussion. so many people were asking about your supposed ‘secret relationship’ and freaking out over the accidental reveal.
the team began to laugh, seeing the looks on your faces as the comments kept flooding in. you and kate just looked at each other with wide eyes. you were always so careful when it came to keeping your relationship quiet. it had become a skill at this point, but now all your efforts had seemed to be for nothing.
“ok i think we’re gonna head out,” kate announced slowly, cheeks a bright crimson “i’m too mortified to stay at this point”
everyone was still laughing at your slip up, ending the live before things could go any further. they all offered their goodbyes as you headed out the door, sneaking in a few ‘good luck’ s for when the announcement of your relationship was all over the internet.
the car ride to your apartment was near silent. both of you were too caught up in your own disbelief to say anything. you weren’t really sure how to feel. mad? nervous? relived?
the warmth of your apartment was a welcoming sensation as you stepped through the door. keys gently hit the hallway table, shoes clunking against hard wood floor. you could see through the still dimly lit room that kate was troubled, hands rubbing at her temples. you turned on the lights as she hunched over the kitchen counter with her head in her hands.
you approached her from behind. front your your chest meeting with her sweater clad back and hands snaking their way around her waist. you let yourself mold into her, head dropping to rest between her shoulder blades. she sighed as you spoke up.
“don’t be too hard on yourself, babe”
“i just can’t believe i wasn’t paying attention” she muttered through her hands “i’m sorry, i know we were gonna wait until-”
“hey” you shushed her, standing up while taking her with you, forcing her to look you in the eyes “i know it’s not what we had planned, but it’s ok! it was an accident and you didn’t mean to, it’s not the end of the world”
she frowned slightly, perfect lips pulling tight together as she nodded in agreement.
“and who knows? maybe this’ll work out better anyways! now we won’t have to hide it anymore!” you continued your attempt to reassure her.
“yea i guess so,” she cracked a smile “i just wish we could’ve done it on our own terms”
“maybe we still can” you pecked her on the lips.
“what do you mean?”
“well it’s only been like an hour” you said “what if we made a post on instagram or something, then that way it can still come from us?”
she thought for a moment before obliging, “yea ok, i like that idea”
so you sat down on the couch, shoulder to shoulder, phones in hand. you made sure to keep the posts simple, but sweet and meaningful to get the point across.
after posting your relationship officially, you and kate finally decided to settle into bed and let the situation play out over night. after changing and shutting down the house for the evening, you dove into the comforter next to your girlfriend. her arms instinctively found you and pulled you into her chest, kissing you goodnight before you both drifted off into a peaceful slumber.
when you awoke the next morning, you got exactly what you had expected. instagram notifications on both of your phones were out of control. 
katemartin03
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♡ liked by its.yn, caitlinclark22, and 737,575 others
katemartin03 my other half <3 @its.yn
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its.yn i love you !
iowafan44 no way
caitlinclark22 proud of you guys :)
⤷ katemartin03 thanks cait
user53 anyone else here after jada’s live?
⤷ iloveyn13 guilty
moneymartin4ever totally called it
its.yn
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♡ liked by katemartin03, ur.sis, and 553,449 others
its.yn love you to the moon and back @katemartin03
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katemartin03 my soulmate <3
ynsbiggestfan ok this is going to be my new obsession
⤷ user55 no cause same
ur.sis i’m going to tear up :’)
caitlinismygf the new it couple fr
˗ˏˋ ´ˎ˗
weeks passed and you couldn’t be happier. being able to finally be out to the public about your relationship was like a breathe of fresh air. and no doubt about it, you and kate were taking full advantage of being officially ‘out’ girlfriends.
the media was all over you two, trying to capture sweet moments of the cute couple. and really, you didn’t mind. any chance you got to flaunt your girlfriend, you leaped at with no hesitation. there were probably dozens of pictures of you guys holding hands, kissing, and leaving practice together by now.
even in post game interviews, both you and kate found ways to bring each other up. you were absolutely obsessed with one another and could never get tired of displaying your love to the public.
jada’s livestream was a blessing in disguise.
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essektheylyss · 1 day
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This was entirely tangential to this post from @utilitycaster which is why this is its own post, but the tags made me think about what feels most compelling about Liliana to me, and it's really because there's such an interesting approach to redemption in terms of the sunk cost fallacy to be had there.
There have been plenty of comparisons between Liliana and Essek, but I don't think they're really situations that can be compared. Essek had done one horrible thing (that was of relevence to the story; it is implied that he's taken other actions that he feels were wrong, but we don't know what those entail nor do the Nein care enough to ask, so per narrative convention, they do not matter for analysis) and was only still involved in it to the extent that he couldn't take it back, so to survive he had to continue covering his tracks. But he was also incentivized to otherwise act in alignment with the group that was not those on behalf of whom he had made terrible choices, because he was still living in the Dynasty, and as such wasn't actively perpetuating those actions beyond the cover up.
Liliana on the other hand is acting with the Vanguard and has been furthering if not personally committing atrocities on their behalf for a number of years, continuing to the present. Like Essek, she believes her involvement in the cause to be a difficult choice that was made for noble reasons, and now can't see a way out. But she is also relieved to be told to stay, though at the point that they discuss her leaving, she is alone and outside the immediate range of contact or oversight from the Vanguard. It seems reasonable that she could disappear with a decent headstart, and perhaps become untraceable quickly enough to be safe from anyone following. With this context, returning to the Vanguard with the intention of feeding information to the opposition feels like the riskier choice, but crucially it is the devil she knows.
I actually liken this more to Cassandra de Rolo than Essek. Cassandra was manipulated against her brother by the Briarwoods, but this was also spurred by having watched Percy seemingly leave her for dead. There are legitimate reasons why the Briarwoods, as the people who rescued her and then kept her alive for many years, are the easier option in which to place her trust. She knows what she's getting from that vantage point and how to handle it. She doesn't inherently have faith that someone she only knew as a young and helpless child, who ran from the hardships she's faced, would have the strength or willingness to do what she has found necessary for survival.
I think that Liliana's actions are more willful, not least because she was not a child nor in mortal peril when she joined the Vanguard, but she sees herself as having made difficult choices when only faced with difficult options, and I do think they have been difficult. She didn't want to leave her family; she doesn't want to hurt the young Ruidusborn under her care; she is probably genuinely sorry that innocent people were considered a necessary sacrifice for what she sees as the greater good. It is psychologically taxing to feel as though one is always picking between bad options, which is a significant contributing factor for why people buy into a sunk cost for so long. And over time, those hard decisions become easier, because you know what to expect from the outcome. Though Liliana is well aware that she might be killed for a misstep among the Vanguard, she already knows how to act to maintain their favor, but how she might be received on Exandria by those fighting the Vanguard, even with the Hells vouching for her, is anyone's guess.
This is a very real reason why people remain in cults and struggle to push back against this kind of conditioning: because the decision to leave feels more immediately perilous than the decision to stay. (On a certain level making these kinds of choices and actions habitual is a fundamental basis behind a lot of military conditioning.) And if you are acting in the interests of your own survival, but that survival comes at the cost of that of countless others who have not, in fact, made any threat or harm against you to begin with, then is the nature of your survival morally defensible?
This analysis isn't a question of whether Liliana will commit to her role as double agent and turn fully against the Vanguard, or even which one of these is a "better" story; this is about what the story might say if she doesn't. Yes, she might commit to a different path than the one she's on and make an effort to redeem herself, but it is also a perfectly coherent and interesting story if she doesn't.
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lizardsfromspace · 2 days
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What's the worst thing about fandom in the last 20 years, and what's the worst thing about fandom that's always been true of it?
The worst thing about fandom in the last 20 years has been the incentivizing of fandom-as-conflict: not merely as a field in broader culture wars but as the field for endless intra-group battles.
This manifests in many ways: as seven hour videos complaining about The Last Jedi, as Twitter backlash campaigns, but also as stans defending their faves from any and all criticism real or imagined, as the endless boom-and-backlash cycle to any fandom meme or joke you see on Reddit, and as the drive for people to look for evidence other people discussing a thing they like are hysterical illiterate dolts, before anything else.
Or, in other words: a lot of fandoms are full of assholes these days, whose main interaction with fandom is using it as a reason to be an asshole, and to defend being an asshole. The actual “fandom” part of fandom no longer really exists for them. The discourse more or less is their fandom; someone whose main fandom activity is sharing videos about how Steven Universe is a fascist (?) isn’t in the Steven Universe fandom, they’re in the videos about how Steven Universe is a fascist (?) fandom. I mean, the chief fandom for many people is their side in the fandom war. What type of fanfic you write is secondary to what your affiliations are vis-a-vis battles over fanfiction
(One trend I've noticed is people who aren't at the stage where they only talk about what they hate and not what they love, but are at the stage where they can only talk about what they love in relation to what they hate. "I love this movie...and it proves this other movie is bullshit made by a hack". No ability to say just "I love this movie", period, end of sentence. This is how like two-thirds of Film Twitter talks about film, the remainder are all the grindhouse people going "man you've GOT to see Wrong Turn 5")
Another one, that I think is related, is that fandom’s become...more transitory, maybe? There’s Big Fandoms that are inescapable and then everything else feels like it’s here for a weekend and then it’s gone. And we’ve always had fandoms that endure and fandoms that vanish quickly, when the show runs short or turns out to be bad/boring, but we did use to have a lot of enduring if small fandoms for Okay shows most people hadn’t heard of and now you don’t really. Or they burn themselves out fast.
So we’ve reached this stage where fandoms are either so big they have seven hour long discourse videos, or they’re a smattering of fanart over the course of two weeks last August. But that isn’t really the fault of fans so much as modern media release schedules.
A lot of fandom activities of old are just...impossible now, with many shows? The slow build of speculation and fan works and in-jokes and theorizing and analysis simply can’t exist in a world where the premiere comes out the same day as the finale, and you can’t talk about the finale because you have no way of knowing if the person you’re talking to binged it all in one weekend or is still on episode four. That was the kind of thing that sustained the fandom of something that wasn’t a big hit, or even something that was. My fave fandom experience ever was watching the online Lost fandom wildly theorizing for all six years of Lost, and we’d never get “and what if the Smoke Monster is a dinosaur but only the head?” under a Netflix release model. Now at a base level, we either have shows nobody can discuss because nobody’s sure who’s seen or what, or shows where everyone just discusses the finale right away, and where you get One Week of Show and then a massive hiatus, which either kills all momentum or...drives fandom in the direction of hyper-analyzing everything and fighting because, well, what else is there to do? And that plus the outrage cycles of social media plus the fact that “man who yells at Star Wars” is now a viable career choice result in, well. *gestures upwards* All that
(Really, shout out to Cartoon Network for engineering the Steven Universe fandom to Be Like That through their inscrutable strategy of dropping episodes during one random week every five months or whatever)
As for something that's always been with it...cliques and a certain fannish elitism, like, that sees engaging with media in a fandom sense as more creative or analytical or intelligent than your average person. You see it now in the form of, like, people holding up fanfic above published fiction as more representative or authentic (I’ve seen more than one post on here strongly implying queer rep doesn’t exist in mainstream non-fic storytelling???), or going “well, we think about shows, unlike those normies watching sports”. But that was probably way more pronounced a thing in the past, in the 40-50s sci-fi fans were calling non-fans "mundanes" and calling themselves "slans" as an in-group signifier (a reference to a book with superintelligent psychic mutants known as slans). Like at the very least we should be happy no one’s calling non-fans “muggles” anymore. In the evolution from “mundane” to “muggle” to “normie” normie’s probably the least bad one
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noneorother · 1 day
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Hi, I’ve only read one meta by you yet, but you seem to be just the right person to ask this: did you notice how many people in the scenes outside the bookshop are wearing orange, in series 2?
Any idea what that’s all about? Is it just esthetics, an echo of the bookshop‘s columns, or does it have a filmographical significance? Everytime I watch the show there seem to be more orange clothes, once you start seeing that, it’s crazy how many there are!
Hey thanks for the ask! I mean, you have until 2026 to read more of my drivel so; pace yourself! Orange clothing is definitely an *interesting* choice for extras in film. You almost never see it in background actors clothing because... it draws the eye! The fact that they included so much orange, yellow, and loud patterning in the extras in season 2 is a real decision to throw film tradition and S1 cannon out the window.
I would like to submit my own theory that the choice was made as a deliberate nod to time travel. But first, a little background.
Compare two crowd scenes on Whickeber street from each season: It's kind of nuts that even at microscopic resolution we get such a HUGE difference.
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That's not to say orange is missing. Here are the only two extras wearing orange in S1, and they happen to be in the same scene in episode 2, when Newt and Shadwell meet for the first time, discussing occult beings "hiding in plain sight". (witches in this case)
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We also get some pretty obvious bright orange in main characters in S1: Madame Tracy and Beelzebub. We meet Tracy in orange as she immediately reveals to Newt multiple hidden identities, see her again wearing orange hair when she communes with spirits, and finally all decked out in orange when she is being possessed by an angel (a person hiding inside a person). Beelzebub wears an orange sash and medal as a high ranking Duke of Hell, so orange is maybe their house colour, or a prestigious colour for hell in general, but after season 2 we know Beelzebub doesn't always have the same face, and is hiding intentions of their own.
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Orange doesn't have much biblical significance, mostly because the colour orange was mostly seen as "fire" or "bright" coloured until way after the bible was transcribed, and orange dye wasn't really a thing in the European world until significant trade with east Asia developed. Here's the only other bright orange thing to appear all season, (in a deleted scene): Crowley hiding in plain sight, posing as a maintenance worker.
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I think we might be able to draw the conclusion from season 1 that orange is a colour associated with the "Hidden Occult/Power". Not necessarily only hell, but more as something otherworldly, that's hidden in plain sight. (Interestingly, we never ever see Anathema or Agnes Nutter in orange. So I wouldn't say it's related to witches at all.)
In season 2 however, orange is everywhere. More specifically on extras' clothing and the outside of Maggie's record shop.
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Maggie seems to be the only main character to wear bright orange herself (E2).
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But this is by far my favourite one: in the back of the crowd of demons getting a Shax pep talk in S2E5, there's a regular human extra wearing bright orange sitting amongst the army, completely unnoticed by both demons and audience, observing the plan.
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This really set off alarm bells for me, because there's a very Terry Pratchett precedent for powerful and unnoticed orange-wearing characters in the discworld series : the time monks.
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Terry's character Sweeper seen here on the original cover of Night Watch. The time monks' clothing and general philosophy is based on Thai buddhist monks, who (like in many buddhists sects) wear donated, saffron-dyed robes in orange and yellow/red to symbolize flames of purity, and to separate them from the world of gross matter, like a fallen leaf from a tree.
In the discworld novel Night Watch, the time monks are responsible for monitoring and cleaning up the timeline, pruning it like a bonzai tree. They are everywhere and yet unnoticed, inside the flow of time yet not of it. And they are the ones who guide the main character through the process of being stuck after falling back through his own timeline, into his own past.
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(Excerpt from the book where Sweeper is explaning time travel to Vimes).
Extras circling in the background are called "background actors" because they exist to not be noticed. Put in extras wearing orange/yellow and bright red, and suddenly you can track them, and notice how they are part of the crowd, but stand apart from it. You can notice when they go missing from one cut to the next, or appear to circle or jump between frames. Many extras, including the demon army watcher, also seem to be circling, and monitoring the goings-on in the world of Good Omens. Based on the meaning of orange from S1, it would seem these mere background actors are more than they appear to be. Could they even be checking up on unwarranted time distortions or timeline ruptures happening around a certain Bookshop...?
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Hi raven, I’ve loved your intricate and deep analysis of the twst cast for the past 2 years to the point where I’m surprised you have characters you don’t really care about! (Not that that’s bad thing!) Now with the introduction of new characters (cough, cough Rollo), I’d love to see how you rank the twst characters again 👀
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Thank you very much—but I think there’s an important distinction to be made!!
Knowing a lot about a character, analyzing them, and thinking that they have interesting writing does not always equate to “I like this character”. This is definitely the case for me; I try to compartmentalize my objective opinion from how I subjectively view each character. There’s certainly characters I dislike on a personal level, but I continue discussing them because they still provide value and nuance to their world and story! (You can see that I don’t like Malleus at all but I am still capable of thinking critically about his loneliness and how his resistance to change informs his actions.) For the sake of analysis, I can mostly put aside my own feelings 😂
A character could be the most kind and/or complex individual ever and someone could still dislike them for a reason as innocuous as not vibing with their tropes or even their physical design. (For example, I dislike Vil’s dad not because I think he’s a bad parent; Eric Venue is one of the best parents in the whole game. I simply dislike him because I have a bias against celebrity characters.) And that’s okay!! Everyone’s tastes are different. People should be allowed to dislike whatever they want for whatever reason they want.
I wasn’t able to find a TWST character tier list that included all the NPCs, so… I typed in as many other significant characters as I could recall for the tier I slot them in. I hope that works ^^
I think the only big changes here are Idia and Rook; Idia has gone higher up (no doubt thanks to all the family drama he’s been in lately) and Rook has dropped down (he has, sadly, been displaced by another pseudo-French man). I also tried to segment my “likes” into “lesser liked” and “more liked” tiers, otherwise there would be a ton of people crammed into the blanket term of “like”. Malleus is… in a tier of his own…
There’s my updated tier list for ya! ^^ Let me know if I missed anything~
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lady-raziel · 2 days
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Cna i... Can I ask what the beef is with M Night Shyamalan?
fair warning, this is a self-indulgently long post. but if you endure the page break, you may find the story entertaining.
a long time ago...in a small indie comic book shop in downtown Philadelphia...
picture this. it's circa 2016. my hyperfixation at the time is DC Comics-- the Flash specifically. I like the Flash, but I really like his nemesis, the Reverse Flash. This guy's gimmick is that he has the same powers as the Flash, but he's also evil because he used to be a Flash stan and his idol didn't validate their parasocial relationship when they actually met in person, and now he just wants to kill the Flash instead. It's a long story. Reverse Flash has died many times. He's also from the future, but that's not the important bit right now.
Anyway, despite being one of the Flash's main enemies, there are not that many comic book issues that feature the Reverse Flash for some reason. My main hobby at the time of this whole ordeal is to go to the local comic book shops and search through the bins of back issues to find anything with the Reverse Flash in it (bonus points if he's on the cover, but at a certain point you can't be picky). I'd been fairly successful at this, and had even been able to avoid buying too much off Ebay as I really didn't care too much about the condition or grade of the comics. The comic book shop in downtown Philly I was in on the day of the Incident was one I'd been to before, but not in a while as I went to school out in the suburbs and didn't leave that general area too much.
So. I enter this shop, and it's not too busy. That's a good thing as it's not a large space and if there were too many people it would have been very difficult to navigate around the displays of Funko Pops and tables of back issues. However, as I was soon about to find out, it doesn't matter if there's only one other person shopping at the same time as you if that person is the wrong person.
I make my way to the back where all the big boxes of old comics are, and scan the rows alphabetically to find the 'Fs.' I see 'Firestorm,' and 'Fantastic Four,' and all the others...but there, right there, where the Flash comics should be...there's a guy. Standing there. In the way.
Now, that's alright. He just seemed to be perusing randomly and wasn't actually looking at the Flash comics specifically (my Flash comics), and I can just go look at the action figures or something until he moves to another section of the shop. No problem. I mean, it's one box of comics, Harold. How long does it take to look through it? 5 minutes? No, all I have to do is wait a little bit and then I can examine those 1980s Flash comics with my own grubby little paws.
So I do a loop of the store. I examine the Funko Pops (they all look the same), the t-shirts (only Hot Topic quality), the new comics (Superman #1? How many times are they going to reboot this thing?), and even the super expensive vintage comics up on the wall (no Reverse Flash here, and it would still be beyond my price point anyway). But when I finally make my way back to the back issues, the guy...is still there. He hasn't moved. And now he's not even pretending to look at the comics anymore.
Now, to my horror, he seems to be having a full-on conversation with one of the store employees right on top of my box of comics, and neither of them seem like they plan to end this discussion anytime soon. You may be asking at this point, "well Raz, if you wanted to look at the comics where they were standing, why didn't you just ask them to move out of the way?" You're right. I could have done that.
But problem. I have social anxiety. And sometimes it gets very bad about very small things. So while it would have been entirely reasonable to ask these two men to move their conversation elsewhere, the crippling social anxiety made it so that asking for that very small and reasonable thing would have been akin to asking these guys if they would set me on fire right here right now, please and thank you. It wasn't gonna happen. My only option was to hover uncomfortably 6 feet away, pretending to go through the back issues systematically and hope they picked up on what I was doing and moved out of the way when I got back to the 'Fs,' or give up and suffer an hour and a half on the SEPTA train back home with nothing to show for it.
now, i've never had a conversation with famous filmmaker and director M Night Shyamalan. I didn't even know what he looked like at the time, so when all this happened I thought he was just Some Guy who in his unawareness was keeping me from completing my mission. Maybe he's a really engaging conversationalist and talking with him causes you to not notice anything going on around you. That may even be the case-- as neither the Twistmaster himself or the besotted store employee seemed to notice I was there. But I WAS there. And my frantic silent social cues were being "returned to sender," unread.
Meanwhile I was enduring a level of internal turmoil on the level of a character in a Greek tragedy. This was my crucible. Surrender, or do something I was honor-bound not to do. Was this the meaning of an impossible choice?
It was only after almost 15 long, agonizing minutes and two more laps of the store on my part that finally, finally there was a breakthrough. Unaware Man (for this would be Shyamalan's superhero code name) and Employee-Bro had moved to the cash register, as the former had found something he wanted to buy. With speed rivaling the Flash himself, I descended on the fated box of comics like a plague. It seemed that the day had not been lost after all.
However, like any film from the man himself, there was to be a final twist to this tale. One last turn of the knife. You might be thinking-- "And it turned out that there weren't any comics in the box you wanted to buy after all, rendering this whole ordeal meaningless, right? Like any tragic hero you endured the terrible trials only to discover that the treasure you sought was a hollow fantasy of your own creation, and this all could have been avoided if you had not fallen prey to the follies of man?"
No. The problem was-- I did find several comics in that box that I wanted to buy. I even found one with the Reverse Flash on the cover. But now that I had found my prize, I faced a new, even greater challenge, which was somewhat an extension of the old challenge, but to the extreme.
I now had to get Employee-Bro to ring me up so I could leave this cursed place, but here's the kicker: I had to do this while he was still utterly engaged in discussion with Unaware Man and thus blind to the outside world. I had come out of the frying pan and into the fire, because now it wasn't like I could just go home and take only a feeling of defeat with me. My precious comic book finds were on the line, and what was I going to do? Just put them back in the box and leave?
Unfortunately, I was committed. I would have to stand reasonably out of the way of Unaware Man's personal space yet close enough to indicate that I was, yes, in line to check out my purchases. And goddamnit, I was going to do this until all of us died of old age or the world ended.
I kind of lost all sense of time at that point. It could have been only a few minutes. It could have been five hours. All I know is that it was long enough that I wished for the sweet release of death, because then at least I'd be able to lie down. How it eventually went down was that Employee-Bro rung up Unaware Man (because really, processing a credit card transaction and signing the receipt only can take so long), and the two continued to talk as Employee-Bro gradually gained awareness that I Was There Too, and multitasked to check out my items while remaining totally focused on his other conversation and not speaking a word to me.
And that was it. I was free, from the physical prison of the comic book store at least. But again, like a Shyamalan film, this was in reality only the end of the second act. Because as I walked through the streets of Center City Philadelphia and rested my head against the smudged window of the SEPTA train on the way home, I started to descend into the mental turmoil of the question, "wait, who was that guy? Was he like...famous, or something?"
If you've ever been to a comic con or spent enough time in a hobby shop, you know that sometimes Nerd Bros can get really deep into conversation about these sorts of things. Many of them even have lots of opinions on films, and will be happy to share them in detail unprompted. So it wasn't entirely unreasonable for me not to realize in the moment that what was happening wasn't just "Nerd Bros Being Dudes."
But the more I thought about it, the one-sided adoring dynamic between Employee Bro and Unaware Man did seem unusual. And in the bits of their conversation that I had been forced to endure, hadn't one of them mentioned something about...filming locations? What was that about? Nobody in their right mind films stuff in Philly unless they're making the 86th Rocky film or the like.
It was a Google search of "movies filming in Philadelphia" that returned several results of articles talking about how location scouting was going on in the area as part of the production of a long-awaited sequel to the 2000 film Unbreakable, a undercover superhero sleeper hit. Unbreakable, a film set in Philadelphia, written and directed by famous filmmaker M Night Shyamalan.
Shyamalan. SHYAMALAN. the man responsible for 2010's The Last Airbender. it was HIM. he was not only the man who originated the (still unbroken!) curse on the Avatar franchise, but also the man who had ruined my day. Thoughtlessly. Carelessly. Not by massacring a beloved children's television franchise, but by being unaware. Inconceivable.
This was horrific. It wasn't even like I was the Reverse Flash or any other famous superhero nemesis, who had a compelling backstory causing their undying hatred of the hero. Instead, I now had a narrative foil who barely even fit that description, because chances are he hadn't even taken notice of my existence the whole time! This was my supervillain origin story, and it was his normal day!
It was at this moment I swore an oath. I would not forget this terrible day of inconvenience that was partially caused by my own social failings. I would dedicate my life from this point forward to slightly narrowing my eyes and shaking my head disapprovingly when I saw mentions of Shyamalan or his works online. I would color any opinions I had of his films with the thought, "but remember that one time he was kind of a dick to you without even meaning it? what was up with that?"
and that is the tale of my tragic encounter with M Night Shyamalan. To this day, my only solace is that my epic origin story turned out more narratively coherent and with deeper substance than any other film made in the Unbreakable saga, including the one he was location scouting for at the time this happened. Shyamalan can write twists all he wants, but no one is better at that game than karma itself.
-END-
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obae-me · 3 days
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I saw your post about the characters with a traumatized MC and the part about the angels made me start thinking about how they'd handle an MC who has religious trauma (because I thought that was where it was going in your post)
MC avoiding Simeon and Luke because everything related to heaven creeps them out (they're legit scared of angels, god, etc) and feeling way too comfortable living in the devildom and being around demons because they "always knew they were going to end up in hell when they died" because that's what was hammered into their head growing up or something
that would sure change the cast's views on human religion huh?
Yes, absolutely. I can't remember if I mentioned it before or just kept that brainworm tucked safely inside my skull, but I think about this a lot. Namely, because I have SO much religious trauma (yippie!).
I've thought a lot about how the Celestial Realm harbors a lot of the same toxicity that certain organized religions have the tendancy to exhibit here on good ol earth. I mean, we've seen some things in game that suggest that things aren't all rainbows and roses up there. The way that Luke talks early game suggests a lot. And so I'm sure a religiously traumatized MC would have SUCH a hard time around the angels at first. (I actually had my own reservations with the angels when they were first introduced and I even kind of disliked Luke a ton before I eventually took a step back and thought about the fact that he's just a BABY who is just spitting out ideals that were shoved into his head. It's not his fault, and I think his character development is something that the fandom does not address enough. I'm so proud of him!! Having your expectations of the world be broken and then having to relearn everything you thought you knew is actually SO hard.)
MC getting along well or feeling more comfortable with demons because they don't feel like they're being judged or under the watchful eyes of others.
MC talking about "not being as afraid to come back" VERY early on in game and the other characters taking WAY too long to realize they mean come to purgatory after they pass, and the demons themselves don't feel good about knowing that.
MC avoiding certain sins/pleasures/temptations due to the fear that's been embedded in them over it. Even if those things are COMPLETELY normal and harmless to enjoy.
All of the characters being extremely patient and understanding about this sort of thing and very slowly chipping away at certain stigmas they still hold onto, making the human feel safe while they do.
MC avoiding Simeon because of mixed feelings of shame and maybe a bit of resentment and then eventually learning that he's actually such a down to earth and sweet guy and spending more time with him just to learn that he's been in many similar situations is so...so good to think about. Learning that he'll never force certain ideologies onto them, that he doesn't see them as someone who needs to be "saved". A human and an angel sitting together and discussing what being "good" really means. Sharing confessions to each other that they've both held on their backs for such a long time because they've been too ashamed of themselves and confused to heal from it alone. They're not a sinner and a Saint, they're just normal people who make mistakes and want to do good in the world.
I do have many thoughts on this clearly...
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agent00ani · 1 day
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Ok it’s been too long since I’ve spoken about BG3 headcanons. Instead of talking about my Tavs though I’m gonna talk about the companions!
POTENTIAL SPOILERS BELOW!
No Minthara because I have yet to recruit her in one of my games, sorry!!! I love her I just haven’t had the ability to play with her and all that.
Halsin
Halsin does not have sculpted abs. He’s got a stomach. I mean come on he’s literally a bear.
He loves talking about the ecology of the various environments you visit. He knows so much about so many plants and animals and fungi.
If you ask him to, Halsin will braid your hair for you. Social grooming is very important to him.
He loves to play with scratch and the owl bear cub in wild shape. He takes the shape of a wolf most often so he’s not too big.
Halsin keeps a nature journal! It’s like his own private version of inaturalist. He tracks the species he sees and where he sees them.
Gale
Gale is skinny and a bit toned during the start of the game, but as he is encouraged to take better care of himself he puts on some weight.
He is constantly asking Halsin about various creatures and Druidic magic. The man’s a nerd, he’s got so many questions and Halsin is kind and patient enough to actually enjoy answering them. They’re great academic buddies. When Gale becomes a professor he invites Halsin to give lectures on ecology and Druidic magic.
Gale has created spells that allow him to make a magic kitchen while on the road. This way he can use more than a campfire to cook.
He loves to stargaze and will point out his favorite constellations if you ask to join him.
Astarion
While he’s good at mending and sewing, Astarion enjoys making perfume far more. He eventually develops perfumes based on each of the traveling companions.
Astarion teaches the entire camp how to wash blood out of clothing and gear because someone has to. Also he refuses to do everyone’s laundry for them.
He often goes with Halsin to forage for herbs and flowers. It’s a chance to stock up on supplies for his perfumes and also to manipulate bond with the Druid.
Him and Shadowheart often discuss poisons together. They have a secret game early in the adventure where they say how they would poison each member of the group, what poison they would use, and why. When both of them start to feel accepted and cared for they switch to talking about what poisons best represent the group members instead.
Shadowheart
She spends a lot of time at camp by herself, even after rejecting Shar. She values alone time. It also allows her a chance to process what has happened to her and what she has lost.
Scratch sleeps with her most nights after he joins the camp. At first she’s annoyed by it(a ‘pet’ distracts from her mission) but it’s not very long before she’s cuddling with him.
Shadowheart collects trinkets after converting. She wants to surround herself with things she enjoys.
Lae’zel
Since she travels with a grindstone, Lae’zel helps everyone maintain their weapons. Not out of kindness at first, but because her allies being weak and having subpar gear makes her weak. Eventually tho she teaches everyone how to do it themselves to help them be stronger(and because helping people care for their weapons is a friendly gesture).
She develops a special bond with Gale and Shadowheart, as all three were manipulated/used/abandoned by their deities. She doesn’t exactly know how to support the others as the process things, but she is Faerun’s greatest hype man and constantly reminds them that the gods were cruel and foolish for what they did.
Lae’zel and Halsin help each other maintain their braids. Hers are more intricate and decorated but Halsin is more than able to put them in properly.
Wyll
Wyll spends a lot of time with Karlach after he refuses to kill her. At first because he wants to apologize for hunting her and prove he can be trusted, then after the transformation for advice on how to live life with horns, and finally because he just loves to spend time with her.
While he wasn’t exactly “shy” before his transformation, Wyll starts bathing last because his own body has become unfamiliar and he no longer feels comfortable being seen without at least a shirt and some pants on.
When the others realize that he’s struggling with his body more than he lets on they do their best to help in their own ways. Karlach teaches him how to care for his horns properly, Halsin helps him learn how to braid his hair around them, Astarion finds clothing that is not only comfortable and modest but also makes him look really good, Lae’zel helps him adjust to the change in his center of gravity by sparring with him, and Gale tracks down books about teifling/fiend anatomy for him to read.
He’s really good with children. When Arabella and then Yenna join the camp he spends his evenings keeping them company, telling them stories, playing with them, etc. Karlach often joins him.
Karlach
She makes use of her unnatural heat to help with as many things around camp as she can. Drying clothes, cooking, heating water for bathing, being cozy when it’s especially cold, etc. because if she can do good things with the engine it feels less like a curse.
Once she can touch people safely, she spends almost an entire evening just cuddling with as many people as possible. It starts with just Scratch and the owl bear cub. Then Halsin joins. Then she goes to find the others for hugs. Astarion jokes about how the two of them could probably reach normal temperatures if they just hugged for long enough.
She and Lae’zel bond quickly through their sparring. The two joke back and forth in their own ways and it confuses the other companions at first, because basically no one else has had a chance to learn Lae’zel’s sense of humor.
Karlach collects the various teddy bears and plush toys they encounter on the journey. Having nice, soft, cuddly things to curl up with makes her feel safe.
Jaheira
She knows how to get you fucked up beyond your wildest dreams. Smoking with her is an ORDEAL.
Jaheria speaks to the younger party members like they’re her kids. This doesn’t become clear until they visit her home, however, at which point said companions have various reactions(Karlach loves it, Lae’zel does not).
Minsc
Minsc quickly joins the sparring sessions. He also starts wrestling matches.
He can often be found having seemingly one sided conversations in camp, apparently talking to boo. The topics of these chats are vast and varied. Gale once heard him discussing the various meanings of different flowers in bouquets according to flower language.
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cosmicghoul99 · 3 days
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An interesting Hannibal theory I think you should know about
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I'm not sure how many people know this, but if you're unaware, some really interesting things relate to the show and Hannibal's character specifically. (Wanna add that I am not religious, so apologies if I get something wrong. I mean no offense to anyone, this is just a little analysis on my part)
There are a lot of biblical references in the show. It makes sense; religion has always been a deep, moral, and philosophical concept, and Hannibal loves to incorporate the ideas of religion and God into his actions and that of those around him. One of these references is a recurring one. Hannibal is often referred to as the devil. Like this quote from Gideon:
"You really are the devil," Abel Gideon - Antipasto
Or this one from Bedelia:
"Who holds the Devil, let him hold him well. He will hardly be caught a second time." Bedelia Du Maurier - The Wrath of the Lamb
Add this to all the religious imagery, the references to stags and the wendigo, plus the season three discussions about Dante. Bedelia says that she was "swallowed whole" by the beast at the mouth of Hell. You get the picture. There is a lot of talk and allusions to Hannibal being "the Devil."
Obviously, this is a metaphor first and largely used because he is the main "evil" or antagonistic character, but there's actually some truth to this.
Both Bryan Fuller, the creator, and Mads Mikkelsen, the actor of Hannibal, have stated that Hannibal is meant to be the literal devil. He is meant to be both a personification of the devil and the literal devil.
According to Bryan Fuller, Mads Mikkelsen plays Hannibal like he is Lucifer. In an interview, he stated that "he is as close as you can come to the Devil, in the sense that the Devil has no reasons," following it up by saying that Hannibal's reactions aren’t something of a person, but of the Devil. He intentionally plays the character through the lens of the fallen angel, Lucifer. Hannibal is meant to, in the eyes of the actor, be a manifestation of the Devil
Bryan Fuller has also said in interviews and online that he believes Hannibal is the devil. Of course, he states that this is his opinion and that others are up to their own interpretation, but the show's main creator and writer believes this also means that we can reasonably see this in the show.
Throughout the show, Hannibal is simply on another level. Many times, he does not seem human but rather otherworldly. I think that is where Mad's acting presents itself, alongside whenever Hannibal is talking about humanity and God.
Hannibal loves to play at being God and also criticizes God as well. I believe it is in episode three after Will kills Hobbs, that they discuss how Will killing Hobbs felt good. Hannibal responds with this.
"Killing must feel good to God, too... He does it all the time, and are we not created in His image?" Hannibal Lecter - Amuse-Bouche 
Oh boy. This is such an interesting line. He talks about being created in His image. Let's be honest; he speaks as if he were God or knows God at least. His comment actually makes more sense if you view this as him being the Devil. Lucifer, the fallen angel, was cast from Heaven for rebelling against God. He feels that it was unjust. Most people talking about God and His actions view him with benevolence. Hannibal does not. In the bible, Lucifer had a problem with humans. And humans are, of course, said to be created in God's image. You could also argue that angels, especially Lucifer, were created in that same image, too. Hannibal has an issue with the rude. Why the rude particular? It is because those who are rude often showcase the worst of humanity's attributes and free will. Hannibal despises the rude because I believe that it, in some ways, represents the hatred that the Devil, or Lucifer, holds for humanity. The Devil had an issue with humans gaining free will and felt they did not deserve life via God's hands. This is similar to how Hannibal feels that those who are rude do not deserve to live. Hannibal, then, of course, being Satan himself, would be resentful of God for casting him from Heaven. Again, Hannibal often discusses God's motives, or what God feels doing certain things. Literally, a few seconds later in that episode, he says this:
"Hannibal: God's terrific. He dropped a church roof on thirty-four of his worshippers last Wednesday night in Texas while they sang a hymn.
Will: Did God feel good about that?
Hannibal: He felt powerful." Will Graham and Hannibal Lecter - Amuse-Bouche 
That last line about him feeling powerful gets me thinking. Hannibal is speaking not just about this but also about his own fall. But more importantly, he's also showing us what he thinks of himself. Killing makes God feel powerful. That means that killing makes Hannibal feel powerful as well. He is both giving motives and somewhat criticizing God at the same time. Hannibal seems to find the situation amusing. I think he believes it quite funny that humans were killed while worshipping God. He might even see a comparison between what happened to him and what happened here. He is simultaneously praising God and calling Him a hypocrite.
Hannibal's motives for killing are also interesting, and I said earlier that I think the reason why he kills is because he believes that rude and ill-tempered people are the problem with humanity. And he wants to get rid of them.
Now, let's explore how this connects with other metaphors, his decisions in canon, and his relationship with Will.
Let's talk about the stag. I did some research, and in many religions, including Christianity, stags represent God and his might, at least from what I could find. I find this interesting because stags are also meant to represent opposition to the snake, another symbol of the Devil. Why is the representation of Hannibal, at least in Will's mind, a stag? I think it actually represents the darkening of Will. If stags are meant to represent good, then that means that Will starts off that way and then slowly follows the stag and is affected by it, which, to me, means that Will is slowly being corrupted. Just like the stag was corrupted due to Hannibal's influence, Will is starting to change and fall deeper and deeper into darkness. It's also interesting that the dynamic between Hannibal and Will is clearly that of one between the Devil and the person they are trying to tempt. Hannibal is trying to tempt Will into changing himself and embracing the darkness inside of him.
Will is Hannibal's realization that humans are actually not that bad. They are complex, and their free will actually makes them relate to him more than he thinks. Will is his weakness, and Hannibal is intrigued by him. If the Devil, which is Hannibal, is the snake, then, in Hannibal's own words, Will is the mongoose that preys on the snake. Hannibal originally fell because of humans, and at the end of the series, he falls because of humanity again. He fell for Will. Will is meant to represent the lamb of God. The symbolism is that Hannibal fell for Will, who sacrificed himself to keep the Devil away, getting corrupted in the process.
Dolarhyde is also a factor. The original painting, "The Great Red Dragon," represents Satan. How does that tie into this idea? I think it's not Dolarhyde who is meant to be Satan; rather, it is Hannibal. We know that Dolyrhde idolizes Hannibal in a sense. Like Will and many of his other patients, which I'll get into later, Francis is influenced by what Hannibal says. Yet another temptation by the Devil. This is also connected to Will coming into his own life because Francis is also manipulated by Will. There is a connection between Hannibal and Will, which is shared via the tempting and manipulation of Francis.
I mean, we have this statement by Jack talking about The dragon, the lamb, etc. Jack says that,
"He's not the Dragon, you are. The Devil himself bound in the pit." Jack Crawford
Hannibal compares Jack to God. But I think they both are, in some way.
Many of Hannibal's patients and the people in his life, in general, are manipulated by him. I mean, some of his patients are tempted and influenced by him to do bad things commit crimes, and murder people. That's very indicative of the Devil's work, in my opinion. Even Jack and Alana end up being manipulated and deceived by him.
There is a lot of other religious imagery and symbolism, so I'll only discuss some of it. To start with, the reference to Bedelia's presentation and Hannibal's name in Italy and what they could represent. I mentioned earlier that in season 3, Bedelia talks about her time in Florence with Hannibal. She talks about how Dante gave a physical space to Hell, a solid concept, but before that, people would say, the "mouth of Hell." Then she says that she was "swallowed by the beast." This refers to Hannibal, but here's the interesting thing. In the Bible, the Devil is also referred to as the Beast. Bedelia is yet again referring to herself being used and brought into the mouth of Hell by the Beast, Hannibal. The name that Hannibal was monikered by in Italy is also the same. "Il Mostro" translates to the monster, which can be interpreted as yet another way to refer to the devil. Then, there is the obvious references to lambs in the show, with it being a sacrificial symbol. I'm sure that's been talked about a lot, and I mentioned it earlier.
There are many mentions of justice, redemption, retribution, and more in the show. This connects with the religious themes, of course, but it also plays into Hannibal's view of himself as a God, as well as how the show depicts him as the Devil. He is the one who casts judgment onto people, like his patients, and onto the rude, like a God. He is the one who issues punishment for sins and misdeeds, like the Devil. I think it's so interesting to see them both working in tandem.
I once saw a post saying that Hannibal acts like he's lived the same life a hundred or so times. And I agree. He does. He acts like he has been around for a time so long that many have forgotten it. It makes sense why he's so confident, and nothing seems to phase him. Nothing that happens has any consequence for him. The only thing, really, that he cares about is Will. That's why he tries to get Will to have his Becoming and Fall with him. He wants Will to be there with him. Which is sweet, I think :) And not to bring up related trauma for anyone that has ever been a fan of Devilman or Devilman Crybaby, but IMO, it really really reminds me of Akira and Ryo and how Ryo is stuck in the same cycle over and over again as a lesson. Idk, my opinion. Let me know what you think.
I also wanted to touch on some other interpretations of the raven stag shown alongside the wendigo and how other religions and beliefs might relate to this.
The Wendigo is a demonic entity or evil spirit from the Algonquian people of Canada. It is a winter spirit that is meant to represent greed and gluttony. When humans succumb to greed, like being greedy for money, being cruel to people, or generally evil things, the Wendigo spirit can possess you. During harsh winters, when food is scarce, people commit taboo acts and consume another human, participating in cannibalism. This also causes a possession and turns this person into a wendigo, never to be satisfied and constantly craving forever. I am not Algonquian, or even Indigenous/Native American, so I can't speak too much on this, and I don't know too much, but I hope I explained it well enough. I apologize if I did not. The show has its own visualization of this, and Wendigos traditionally doesn't look like the one in the show, but the overall message is the same. Even if Hannibal is not the Devil, he could be some manifestation of a Wendigo. It makes sense. Remember his back story? He was forced into captivity while hiding by soldiers during an extremely harsh winter during the war. Harsh enough that food became scarce, and the soldiers had to resort to cannibalism. They fed Mischa to Hannibal, which might have triggered something. Ofc this is a reach, but I did want to bring another interpretation into this.
Obviously, this is all just speculation. I love this show, with its dark complexities and incredible depth, and I wanted to talk about something I've been thinking about for a while now. Again, not everything might be correct. I apologize if that's not the case. Please feel free to correct me. I also apologize if this made no sense or was not cohesive, it's pretty late for me, but I couldn't get this out of my head.
I hope it was interesting ;)
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yourtongzhihazel · 11 hours
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How would one prevent a communist government from being taken over by the bourgeoisie? For example, rich people won't be happy about suddenly not being allowed to exploit people anymore, so how would we prevent them from posing as a working class person/communist and then taking over the government from the inside (such as how they do now but with capitalism)? Especially if they decide to use the reeducation camps against us. Sorry if this is a weird question but I've been pondering it lately
The question for how to prevent infiltration and opportunism is a question which plagues every ideology and movement under the sun so no I don't think it's a silly question nor can it be truly summarized easily either.
I'm of the opinion that a failure to properly prolerarianize the communist party of the Soviet Union which lead to its stagnation and eventual turn towards opportunism and revisionism. How did this happen? Depoliticization of the military, full repudiation of Stalin, including the good aspects, and strict top-down governmental structure, among many other reasons combined to lead to 1991. To compare, we can look at some differences (admittedly fairly aurface level in this discussion) between the Soviet Union and the PRC.
Some things the PRC does differently, for example, is maintaining proletarian control over the military and having political education being one of its major tenets. Top-down and bottom-up government, e.g. local electorates elect representatives to higher levels who rlect representatives to even higher levels, all the way up to the national level thus to have a deep infiltration into the party, there must be significant rot at the bottom levels already. During the Mao era, political participation by the masses was encouraged using the mass line which can keep officials more inline with the people. Of course, proper anti-corruption campaigns and reforms which have deep involvement from the people are also crucial.
Theres many different methods and ways to stay vigilant on opportunism; thisbhas just been a sample. The key is that not all methods work for everyone and vigilancy must be maintained.
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I was a bit surprised to see that mhj specifically said that newjeans had approved the statement saying that belift had copied newjeans' concept with illit. I'm not the type of person that thinks that you're a bitch for asserting position or your value, so this isn't where I'm coming from, but, especially in an industry where it's so rare to see groups say anything negative about other groups, particular junior groups I would think, it was quite the strong, swift position to take. Do you foresee newjeans continuing to engage publicly with this scandal, and how would you think taking an active part in this would affect their brand?
*
Ask 2:
bp in your opinion is there any chance that in this Hybe/MHJ situation there's a buried kind of double-blind motivation?
Like the kind i've seen attributed to E|on Musk, where he creates a big scandal to provide cover when he's doing something much shadier (and then maybe it gets out of hand, like the TwiX thing lol)
You've said you're pretty familar with the corporate side machinations - could Hybe be purposefully airing all this, sure to stick it to MHJ, but also to temporarily drive down stock prices for idk easy shares-repurchasing? Or even allowing a mess they can blame for having to report lower numbers to shareholders for whatever reason: boycott actually impacting profit, hedging against lower-than-predicted bts returning numbers, etc.
Or is this too convoluted of conspiracy thinking and BPD/HYBE/MHJ, and by extension from your recent posts basically 'corporate kpop' entire, are really just that transparent and petty?
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Ask 3:
Might be a stupid question because I honestly don't have any clue about corporate businesses and how they work. But in the light of this scandal and how BigHit/Hybe developed over the last years: would you say this is what you get when you become too greedy instead of concentrating on what you were good at?
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Ask 4:
in your opinion, is mhj truly an indispensable part of newjeans creative output? Also, do you see any way that hybe would let newjeans leave with its name and discography if they try to break their contract to go with mhj like some people are saying?
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Ask 5:
I’m seeing a lot of discussion about whether newjeans will try to leave with mhj and break their contract with hybe, but I don’t see this as a realistic scenario, and I especially don’t see hybe letting them leave with their name and discography. You mentioned that there are a limited set of options now, but is this even one of them? In my mind, newjeans as a concept either stays at hybe, with or without mhj in whatever capacity, or can’t really exist legally
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Ask 6:
Also this has given everyone (kpop stans, ARMYs, journalists) the go ahead to drag Newjeans in order to "defend" Illit, BTS, Riize, etc by throwing (again) dozens of plagiarism accusations and trying to discredit everything the group has done and achieved. And it was started by Hybe themselves... I have no words, bpp
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I think these six asks capture most of the talking points in the asks I've received since yesterday, so I'll use these to answer your questions.
The sheer amount of spin happening in the media right now is ridiculous lmaoo. With the mention of BTS in the "escape files", ARMYs have predictably moved from shady bystanders to actively joining in the negative spin, spreading rumor articles and many are now attacking the girls themselves. But honestly, this is nothing less than what I expected. NewJeans is the most popular group in Korea, the 2nd most valuable IP only behind BTS, and Min Heejin is the brains behind the operation - an achievement she's insisted on taking full credit for since inception. Leaving the only option for whoever is masterminding this from within and outside HYBE, to destroy her reputation as an executive completely to diminish her value to outside investors, and weaken the fan support for NewJeans given how closely they are already associated with MHJ. And that's what is happening. It impacts every group at HYBE and nearly obliterates the viability of NewJeans.
For HYBE, it's a tolerable loss given there's only one year left before BTS returns and closes that earnings gap in mere months. Whoever took this action sees it simply as resulting in a numerical loss that can be soon corrected, but personally, I disagree, for the same reasons I objected to HYBE's acquisition of SM even though on paper it made numerical sense.
Anon in ask 1: I can understand your surprise but sad as it is to say, I expected that response from MHJ. She's a creative, not a PR exec or an MBA-credentialled suit. I'm not sure how familiar you are with ADOR's press releases in general, but anybody who reads them can tell there's almost no corporate doublespeak, no vague allusions, nothing that shows it's written by a typical media-trained PR person. Which is why most people, including you, take that statement to mean NewJeans agrees with MHJ that Illit copied them (it's a possibility), when in reality the language shows it could refer to them agreeing with MHJ's assertion that HYBE hasn't duly responded to her requests about inter-label discrimination, or other related matters. That's the kind of detail a trained PR person would be sure to include, to minimize the fallout to NJ, but just as with the press release on Cookie, the one on Minji's rival sasaeng, the response to Hyein's veneer rumours, and practically every press release ADOR has put out, the language is unsophisticated.
"Do you foresee newjeans continuing to engage publicly with this scandal, and how would you think taking an active part in this would affect their brand?"
NewJeans has so far not engaged publicly with this scandal. MHJ has mentioned them to signal any separation between them will likely be contested. It's leverage. If they do take an active part in this scandal, it will completely destroy their brand. Like, it's already on life support. Anything more and we might as well say their last rites.
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Anon in ask 2: I'd say that's not a conspiracy exactly but it is kinda pushing it. Anytime there's a stock dip it's a buying opportunity, and HYBE is always guaranteed to be a Buy so long as BTS is slated to return within 12 months of the stock event. But we simply don't have any clear indications that's the case now given the timing doesn't quite line up. If anything, that is more like the 4th order side-effect.
And yeah, people on the corporate side, not just in k-pop, are many times just that petty. But it's also true this case has been sensationalized in particular ways to appeal to k-pop stans specifically.
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Anons in ask 4 & 5: The options available are:
MHJ leaves HYBE and NewJeans stays in HYBE
MHJ leaves HYBE and NewJeans leaves with her
MHJ stays in HYBE but is demoted from her exec role and NewJeans stays in HYBE
MHJ stays in HYBE and keeps her exec role and NewJeans stays in HYBE
None of these options are good, but the worst of these evils is option 2. If the members attempt to leave with her, there's no pretty way to say this, but they'll be done. I'm not even going to waste time writing all the ways HYBE and k-pop stans as a whole will rip them to shreds, all I'll say is that whoever is attached to these girls should consider taking a 6 months sabbatical away from k-pop entirely once that news breaks. The law is not on their side and public opinion, especially after all the 'leaks' and spin from HYBE in the last 72 hours, certainly isn't on their side either. It would be career suicide.
"in your opinion, is mhj truly an indispensable part of newjeans creative output?"
Personally, I think yes. Every label at HYBE had similar initial monetary investment as NewJeans and ADOR had, and other groups from the Big 3 have had even bigger investments and resources at their disposal. There isn't a single group, both within HYBE and outside HYBE, that has yielded the same results as NewJeans in the same period of time. Illit comes close, but even with their achievements they haven't reached the same (positive) notoriety as NewJeans did at debut. All HYBE groups have access to HYBE's youtube channel, connections and resources, and yet the achievements of BOYNEXTDOOR, LE SSERAFIM, ENHYPEN, and even ILLIT, are nowhere near comparable to that of NewJeans. And I agree with MHJ that she's the primary reason why. Having access to resources is only one part of the equation. How you allocate those resources and what you do with it is far more important, and this is where MHJ and ADOR excels relative to other sub-labels.
NewJeans without MHJ will not be nearly as threatening to everyone else in k-pop, and I suspect this is one reason there have been calls for her to be removed from managing the group since their debut.
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Anons in ask 3 & 6: Yeah there's a fair bit of greed on show here. Generally, for a lot of people in this industry, greed is good... unless the greedy person is a woman. Because the only thing more central to nasty corporate tussles like this, more than greed, is ego.
I'm not trying to play the gender card, but sometimes I do wonder why there are no articles like this about people like Jaden Jeong and Simon Jakob given the reputation those men have in corporate circles, where top officials (in this case, within HYBE) are saying they cannot possibly work with MHJ because she is "overly and excessively opinionated". I'm highlighting this article because despite the initial paragraphs of spin, that bit is the only thing consistent with MHJ's claim that this attack from HYBE started because she'd filed a whistleblowing report on toxic inter-label competition and followed up an email that said quote:
"..is this deliberate obtuseness and unapologetic behaviour consistent with HYBE's founding philosophy of rebelling against unfair practices in the entertainment industry?"
I mean... in corporate Korea, I can see how they were sick of her shit and it was only a matter of time before she got the boot.
The insidious thing about spin is that it mixes the truth with lies, making it easy for people to accept it wholly. It's entirely possible that MHJ wants more compensation, more autonomy and independence, feels that Belift and other companies borrowed her ideas without full credit, and that she was unsupported by HYBE HQ. It's entirely possible that she took actions such as monitoring fan feedback of the group(s) she suspects and filing a whistleblowing report to build a case - according to both MHJ and others at HYBE, these are complaints she's apparently had since last year, but none of those things would justify HYBE's response nor is it enough to turn people against her.
What I find particularly interesting about this case, is that everything that decisively incriminates her of the more sensational and sinister allegations, comes from the person of VP L or CEO A - a person who only joined ADOR in January 2024, shortly after which HYBE received their first tip-off that MHJ was planning to escape. It's VP L who titles documents with the equivalent of "TOP SECRET DO NOT TOUCH" on company computers... the same guy that's supposedly a double agent working in favour of MHJ and ADOR but is situated within ADOR, not HYBE, where simple logic shows he'd be most useful. Unless he's situated right where he's supposed to be.
Anyway...
HYBE has requested for a shareholder meeting on April 30th where they'll likely table the motion for MHJ to resign regardless of what's found in the audit. Far as I know, she's completed the audit questionnaire but not surrendered her laptop as HYBE has requested. Given the play is for HYBE to kick her out while continuing to manage NJ, I can see how she'd rather die than surrender her laptop and hand over her ideas (and potentially incriminating info) to HYBE on a silver platter for them to use in her wake.
Every way this shakes out is bad news for HYBE groups IMO. So long as NewJeans keeps quiet and sides with HYBE, they'll be somewhat okay. But regardless of the fallout from HYBE cannibalizing itself, all HYBE groups have no choice but to take it on the chin and bide their time until BTS comes back to capture the attention back to them.
I hope I answered all your questions. IMO there's really no point talking more about this until there's a firm conclusion.
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radiation · 2 days
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Video games talk dont even mind me
Bro video games as a whole are so far behind movies in terms of storytelling and pacing that it’s kind of baffling. Which of course is obvious and makes sense for plenty of reasons but like, just think about it — watching movies a lot can’t help but train a certain muscle that gives you a strong instinct for structure. I find that people who watch movies very casually, without too much artistic consideration, and don’t really know the language associated with it are still very often irked by specific issues with a movie’s pacing, dialogue, etc and are relatively capable of putting it into words. Likewise, for many movies out there, regardless of your opinions on any specific directorial choices, you do feel as if the movie is essentially cohesive and creatives involved reasonably knew what they were doing and were acting very intentionally, and there weren’t any major oversights. This includes independent films as well. Meanwhile I think both players and developers much more commonly lack the instinct for narrative cohesion when it comes to video games. Definitely a fair amount of exceptions to this, but in general I find it’s difficult to find video games that are very narrative heavy & aspire to great artistic heights that don’t suffer from inherent structural problems, pedantic dialogue, tons of dead air, etc in a way that wouldn’t slide as easily in a movie. A lot these flaws certainly have to be due to the presence of gameplay elements and having to balance that with story when the two are almost always, at least in some small respect, inherently at odds. As for the inability for devs and players to pick up on / fix these flaws…is it because gameplay can distract from it and make up for it? With longer games that have runtimes closer to the experience of a television series, is there a similar reaction where if it’s long enough you will sit thru smaller, momentary issues because you enjoy the bigger picture? Yet games are a lot more engaging than a show as a audio, visual, and tactile experience, you can’t multitask and tune the information out as easily as with a boring episode of a show, so you’d think people would be more picky? But maybe because it’s so attention-demanding people are more immersed, and believe in the experience enough to more easily accept the story? Books demand the same kind of active attention to experience though, and the bar for story in books is a lot higher, so what gives? Well a lot of these have kind of obvious answers but still Interesting questions to ask that lead to Damn , That Is Still Crazy How Much This Shit Is In Its Infancy like sometimes I feel like I’m going crazy with how many writing issues are present in games, particularly in indie games that are Trying To Be Good At Writing that feel excessively obvious and yet I often struggle to find my sentiment mirrored by others. IDK. And back to movies the thing is I feel like if the same people trying to write these kind of games had pursued movies instead then they would’ve ended up making well structured movies that avoided all of these pitfalls. WHAT IS IT WITH GAMES? Well we know what it is with games and we could spend all day discussing a million more reasons this is the way it is but no matter what I think we should just be super conscientious of these pitfalls when making narrative focused games and aspire to a greater level of intentionality that is absolutely possible . Build that muscle by really understanding the quality of storytelling long-present in other mediums.Well the other issue with indie devs is that everyone believes they are totally breaking new ground story wise that they don’t take a step back, humble themselves a bit, and cross-reference what they’re doing with the tons of other stories that have already achieved similar things But thats a conversation for another day .
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ash-says · 12 hours
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Handling curiosity so the cat doesn't get killed:
We all have been there at least once in our life where we allowed the curiosity to get the best of us and instantly regretted the decision. Being extremely mercurial in nature it comes naturally to me. To be curious on the continuous lookout to find something that will stimulate my brain or make it go crazy obsessive.
That's how I learned the harsh way that being a curious cat might sound cute but it can cost you your life or sanity. One of my dearest friends once said something along these lines,"Some truths are better left unknown. Truth and knowledge can turn into poison when consumed carelessly."
The reason why I am talking about this is because I hardly find people discussing it.
Yet mythology has so many great examples, Pandora opening the box, Eve eating the apple it wasn't just temptation it was also laced with curiosity of what might happen?
I am listing out a few things that you should avoid pursuing under sheer curiosity to save the poor cat in you:
1) A street fight. Two people are fighting. Let them. It's not your job to be the mediator and it's irrelevant to find the reason. Until and unless there's no aggression involved mind your own damn business.
2) Spiritual stuff especially dark ones. I believe energy is both light and dark in nature if you don't know the way to alchemize it better stay away.
3) Attempting things without any prior knowledge. Especially speaking about dangerous stuff here. If you love your life better do it under professional supervision.
4) Your partner's/crush feelings towards you. Girl if he likes you. You will know. Trust me. Been there. Done that. Constant microanalysis. It's tiring. Let him be.
5) Others life. Stalking and obsessing over how a particular person is living their day to day life is literally embarrassing. Get a life, Sushma!
6) Know the red zones in a conversation. If meeting in a professional setting try to avoid personal questions. Learn to sense a person's discomfort and never push someone to answer your questions that have literally nothing to do with you.
7) Celebrities personal life. Another waste of time.
8) Do not show your curiosity for sexual acts, things,etc in front of a man. It's the easiest way to put yourself in danger. You are the target babe. Congrats!!
9) When someone tells you knowing the truth will hurt you. Let it be a secret. Don't persuade that person to tell the truth. I strongly believe when you don't control the situation the truth automatically finds its way to you (conditions applied).
10) About the stuff people say behind your back. A full proof route towards people pleasing, anxiety, self doubt etc. Don't go out of your way searching for what's cooking. The cake might turn out to be burnt. Who knows.
That's all for today's show on ash-says. Stay tuned for more illegal tricks and explosive opinions.
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