this chapter has been so absolutely nuts that I actually low-key forgot that I had a couple of new UM posters to do! wild! anyway, I gotta think about Lilia's some more, so here is my beautiful electric crocodile son in the meantime. god I hope this reads properly
(I went with Volt to go with his name, but there's a Bolt version too in the print-size folder!)
He worked so hard, for so many months, and seeing every hermit enjoy Decked Out, having fun, immediately build a waiting room with minigames, getting invested... It warms my heart. Tango deserves it so much.
despite being more often than not a "rules as written" fan over "rule of cool", i really do love me a good "rules be damned, i'll give you this awesome moment" call. like matt giving fcg the otohan kill despite what her hp was at or brennan giving cerrit an extra mage slayer reaction attack at the end of calamity. honestly, if anything, i think the fact they mostly play by the book makes these moments even better because it really has that extra weight towards those decisions to put the rules aside.
You may resist, but it's too late. You already embraced the powers the parasite gave you. You leveraged them to manipulate, to dominate, to survive.
Your nature is no longer your own.
Mayhew failed the save to resist the Emperor's offer, and I have never been more pleased at a consequence! What an amazing moment.
Timelapse, line drawing, and character musing beneath the cut.
This choice!! Or rather, this lack of choice!
I love, love, love how failing the save made Mayhew's own will ambiguous, even to himself. He didn't want to be changed, he didn't want to forfeit his humanity (gnomanity)...or did he? He resisted. He opened his mouth to say I will not, but the door to his mind was already unlocked, power welcomed in. Mayhew will never know who unlatched it.
Also, while this is a Gale run -- Mayhew and Gale make each other worse in the most devoted, well-meaning way; the heavens will rue their names -- it also kind of feels like an Emperor run. A subtextual badwrong not-romance.
The Emperor and Mayhew are allies of circumstance turned intimate enemies. The Emperor listens to Mayhew's every thought, gives protection which Mayhew needs, offers advice and temptations which Mayhew takes. Mayhew likes the Dream Guardian; Mayhew cannot shut the Emperor out. Mayhew would see the Emperor dead, if he let himself think about it, but he would miss him after he was gone. And, of course, Mayhew is too curious for his own good, and the Emperor is full of answers.
For the two of them, partial ceremorphosis is a kind of consummation: what could be more intimate than shaping someone from within and without? Metaphorphosis is a gift, by one telling, and a horror story by another.
You are exquisite, the Emperor praised. Mayhew will never know if he became so by his own will.
(He failed the save by one (1) point.)
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Timelapse! It includes all the silly things I drew for my friends, including: 1 tonsure, 3 neon signs, 2 cat emoji, 1 crotch face, and the emperor's armor drawn with my left hand. Spot them all!
Lines!
I don't usually work primarily with line, but I love it. In some ways, it's easier than painting, and in other ways much harder. I find I can't fudge things as much with linework as I can with paint; because the stroke is smaller, I have to be more specific. Even if I abstract details away, I need to understand the underlying form until I know what I am abstracting. It was fun having to be so rigorous.
My art, The World at Its Beginning (Dustin Pearson), The Tyrant's Tomb (Rick Riordan), The Fall of the House of Usher (Steven Berkoff), The Tower of Nero (Rick Riordan), Leto and her Children (William Henry Rinehart), The Moon Had No Light of its Own (Imaginary Future), My Love Mine All Mine (Mitski), Untitled (Lyra Wren), The Tyrant's Tomb (Rick Riordan), Electra (Sophocles), To Forgive (The Smashing Pumpkins), Unknown, The Tower of Nero (Rick Riordan), The Sun is Also a Star (Nicola Yoon), Doomed From the Beginning (@/veniennes on tiktok), On learning to write professionally (Interview with Jazmine Hughes by The Creative Independent), The Tower of Nero (Rick Riordan), My art