god I'm so fucking furious at the removal of Te Reo Māori names from organisations around Aotearoa. it's a complete non-issue, every organisation has the English name directly underneath the Māori name. I have never once as an English speaker been unable to understand what an organisation is for. Winston Peters, the Deputy Prime Minister, who is literally Māori himself, said “Te Papa is a historic name but tell me this waka kotahi, how many boats have you seen going down the road?”. Waka does not just mean canoe. it means vessel, and waka kotahi (the transport agency of Aotearoa) explains this VERY SIMPLY on their official website. waka kotahi means to travel together as one. Can you see how fucking upsetting this is. A Māori person in power who is in agreement about banning his own language, being so cocky about something that he does not even understand due to the suppression of the language of his people. It makes me sick. I've seen reports from Māori people all over Aotearoa speaking out about how upset and furious they are, how decades of progress have been undone in the fight to restore the rights of their people who have for so long been oppressed and have suffered the effects of colonisation. Please share this if you can, I hate knowing how few people will hear about this, I know there is so much injustice in the world right now and it is so exhausting, I know. I love you all, keep it up.
https://waateanews.com/2023/11/27/te-reo-public-service/
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what's so clever about Clara Bow is that when she references her own name at the end, she's not talking about the present but the future, quoting the inevitable way people are going to one day talk about her, imagining it will only be in regards to the woma(e)n who surpass her. because there will be someone who surpasses her, eventually. that's the cycle of fame, isn't it? we're simultaneously captivated by the alluring trick of the past while looking for the next big thing. we compare current stars to the lights that shined before them, "you look like taylor swift." but we're also constantly waiting for someone new and greater to take the crown and captivate us anew, "you've got edge she never did." And half the song is about acknowledging that being revered is hell on earth for the people who are in it, because you're always trapped between what came before and what will come after. you're only safe insofar as you remain shiny. But the real beauty of the song is that it never succumbs to this dichotomy, but embraces it. It's Taylor acknowledging she wouldn't be who she is were it not for the women who came before her, who shared the same dreams, and recognizing her place in the chain of the women who will come after. The future's bright, dazzling.
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I want to stay with them!
[ID: Trigun fanart of Vash, Milly, and Meryl all hugging and kissing a happy Wolfwood. Vash and Milly smile sweetly as they kiss Wolfwood's cheek and head, and Wolfwood's arms are around Vash and Meryl. The background is filled with soft green leaves and pink roses, and above the four is the quote "'In Eden, I'll live with him and the girls.'" End ID]
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Hi! I hope that you are doing well🥰💗💕 I really adore your art!! Your Yuu really wins me over to the very heart!💘💘💘
I wear lightning-shaped earrings and they really remind me of Sebek!⚡ I would like your girl to put them on and draw this🥺💓
But I also really love her black earrings that she wears when she's a teenager and green ones when she's an adult! It's really cute💕💕
And! I would be interested to know if Sebek notices when Yuu puts on other earrings or doesn't wear them at all if she doesn't want to?👉👈💗
Have a nice day!🥰❣️❣️❣️
decide ur ending, which feels more in character
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Hello!! I'm a huge fan of your art and I thought I would ask about your colorwork, because it's genuinely super impressive to me how all your pieces have amazing palettes and they add so so so much to the general atmosphere. Do you have any process to pick colors for pieces? Like using picture references, gradient maps, etc or do you genuinely just eyeball them? I'm super curious :]
But yea I really love what you do and love seeing every new piece!! Have a nice day! Ty for reading <3
Thanks! I very much use references, though I don't use the color picker on them, gotta train the eye. I have an ever-expanding reference folder of photos and paintings with colors that I like so that when I start a new painting and I have an idea of the color scheme I want in mind, I'll already have some reference on hand. Good reference really makes a world of difference!
I also like to bias colors a little bit away from their standard versions:
The more blue green and the more yellow green are both more interesting to me than the "just green" green. Nothing wrong with that average green though, sometimes that's exactly what you need. It's always situational.
Lastly, a fantastic color tip for digital art specifically that I got from Mike Hernandez: Use the RGB sliders instead of the HSB color selection!
By default, Photoshop gives you the HSB (Hue, Saturation, Brightness) color picking setup which looks like this:
It's perfectly functional and has its uses, but it doesn't really feel like mixing color. On the other hand, if you use the RGB sliders:
Now you can add a little more blue if you think that's what the color needs, or you can take away red, add some green, etc. It gets you actually mixing color and thinking more about how the colors relate to each other. It can take some getting used to if you've only used the HSB setup before, but it's worth it!
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