I didn't even watch "WISH" yet because in my country it will only be available at january, but people are saying it's a bad cliche so I probably won't watch at the cinema.
The thing is, even though I am a hopeless romantic, not everything has to have romance. There are princess who are perfectly fine without a prince, like Mirabel, Elsa, Merida, Moana and Raya(I do kinda like the idea of Raya with a girl, just not Namaari). But we were so robbed of seeing Asha and the star boy(he is literally a staR so I don't doubt Disney would call him StaN or something like that, so his name is Stan from now on, I am gonna call him like that, is easier than star boy). Asha and Stan had the potential to be the next Tianaveen and Rapunzel&Eugene (I don't know their ship name). The concept arts are the cutest thing I have ever seen. Also "At All Costs" (bop) would have been a love song between the two!!! Them singing it man. The pain I will feel when I don't see them passionately sing it, very "I see the light" coded, in the actual movie. Somehow, now is not feminist for a strong female character to have a male partner by her side. Like...This doesn't make sense! You can be a strong female character and have a man at the same time! Have y'all forgotten Mulan and Shang? Anna and Kristoff? Ariel and Eric? Jasmine and Aladdin? (There are more examples and I could go on all day, but you got what I meant already) I hate Disney for throwing good ideas at the trash and playing safe just for money(like Hobie Brown/Spider-Punk said "it's a metaphor for capitalism"). And as the guy looked blonde with blue/green eyes in the arts I have seen, and Asha is a black latina, they lost the opportunity of having a biracial couple ACTUALLY DONE RIGHT (Pocahontas and John Smith don't count, he is a collonizer with the most common name in the world, she deserves so much better). Like, if the thing is show how inclusive you are by having a black latina female protagonist for little girls to see and feel represented in a good way, you could have increased that feeling by making someone fall in love for her. Little girls would feel like they are beautiful and desired/desireable in a positive way and that they worthy of being loved and love and be with whoever they want to be with, even someone who has a different skin color.
I am also mad because we could have seen Disney's first evil villain COUPLE with King Magnifico and his wife, the queen(still don't know her name, sorry). Can't you guys imagine the HITS, THE FIRST PLACE OF BILLBOARD HOT 100 WORTHY songs, they would proportionate us? Even if only one song, it would be enough for me. But someone thought having a female villain would be anti-feminist and they discarded an original and authentic idea, which is what Disney built its empire on the first place. Come on Disney minorities don't want to be portrayed as those unrealistic superior beings, they want to be portrayed as real human beings with emotions, struggles, qualities and flaws. Having an iconic female villain like you guys always had(like Maleficent, Cruella De Vil, Ursula, Mother Gothel, Lady Tremaine, etc) and set her up with an iconic male villain(like Gaston, Doctor Facilier, Shan Yu, Jafar, Hans, etc) it would have been top notch, god tier. King Magnifico and the queen could have been like the Gomez and Morticia of evil. You could address so many topics by it. Like the kingdom being ruled by evil would have been a great social critic of some politicians out there, for example. And we could have had an iconic final boss battle between Asha and Stan VS Magnifico and the queen.
Anyway, what I mean by this is that if someone has fanarts or just ANY CONTENT, of Asha and Stan, tag me, reblog this or comment, I don't care, just warn me, because they are my new obsession. I will also write a fanfic about this movie with these ideas, but only after I have watched the movie so until them, please feed my hyperfixation in Stasha (Star boy/Stan×Asha), I'm begging y'all
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What kinds of Queens/rulers do I think the Disney Princesses may become
. Snow White : Definitely one of those rulers thar have immense popularity with the public, and also committed into campaigning against fantasy racism, and also becomes a patron for churches and orphanages
. Cinderella : Becomes immensely popular with the public, and becomes skilled in diplomacy and patronage of churches, orphanages and art related establishments
. Aurora : Similarly with Snow White and Cinderella's case, and also boosting diplomacy ties between faerie and mortal Realms around her
. Ariel : Defo boosting diplomatic tirs between Atlantica and her and Prince Eric's Island Duchy....and also becomes a patronage for music and arts
🤩🤩🤩🥺🥺🥺
. Belle : Definitely commits to improving rural areas and encourage literacy and education in women and rural areas. She also defo committed to diplomacy and patronage of libraries and arts
. Jasmine : Similar case wirh Hurrem Sultan, Lucrezia Borgia and Cleopatra VII. Jasmine defo also goes for the ' I can sword fight, but I don't have to ' similarly with Padme Amidala. She also defo do patronage of culture and the arts, and orphanages and Mosques, and she defo be often using her strategy and scheming skills and her charisma to her advantage
. Mulan : She technically becomes a Princess after marrying with Shang. However, as she becomes a Princess after marrying into the Northern Wei Imperial Household, she basically handles with diplomacy and at times military related matters, and works to boost women's literacy and such and Imperial defense related matters
. Pocahontas : She technically intermarried to English nobility sometime after she and John Smith first meet in person. However, she basically does boost the activism for the indigenous peoples, helps with British - American diplomacy related matters, and does patronage of nature reserves
. Kida : Defo becomes committed to rebuilding and preserving Atlantis and Mayan culture, becomes a patronage for museums and orphanages and temples, and at times leads fleets to battle
. Maid Marian : As she and Robin Hood eventually becomes a Baron and Baroness of Sherwood, Maid Marian becomes a patron for orphanages, the arts and churches, and committed to diplomacy and defending her Barony state
🤩🤩🥺🥺
. Elsa : Defo be a more diplomatic and strategy geared ruler. Also an ' I can swore fight, yet I don't gave to ' cases. Committed to patronage of the arts and cultures, ans churches ans orphanages. And boosting literacy of women and children
. Anna : Similar xase with Elsa ans also focuses on boosting harvest related matters in Arendelle. She and Kristoff often be strategizing together and planning events together
. Malina : She also is one of those ' I can sword fight, but I dont have to. ' cases. As she becomes an Empress of Incan Empire, she is committed into boosted diplomacy and trade within the Incan Empire ans beyond. Oh, and often be scheming and strategizing together with Kuzco
. Merida : Becomes a more battle geared queen similarly with the case of Queen Hippolyta and Queen Gorgo of Sparta. Aside from leasing fleets to battle at times, she is also committed to diplomacy and cultural patronages. So basically a mix of her parents' ruling styles
. Rapunzel : Becomes a more trade and cultural geared ruler. Also an ' I can sword fight, yet I don't have to ' case. Committed to patronage of arts and orphanages and churches. Also enjoys handling diplomatic related matters
. Tiana : Even though Naveen abdicated from his Pfincely title, he and Tiana are still considered members of the Maldonian Royal Household. Aside from running her restaurant enterprises, she becomes committed to diplomacy, cultural patronage and basically becomes an advocate for anti segregation.
. Moana : Also one of those ' I can sword fight, yet I don't have to ' cases. As becoming a tribal chieftess, she is committed to the trade and agricultural related matters, and passionate about diplomacy and seafaring. Oh and she defo be onto patronage of arts and cultures
🤩🤩🤩🥺🥺🥺
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Hi 🍁 so you've listened the complete Forces of Nature series? I'm surprised that you said it's the worst installment into the franchise. It's because Snow Sisters and Kristanna were in the background or the solution of the story was unsatisfying? The theme of trust and Otherness of Arendelle sounded interesting. And how do you think, what of these elements/motifs can be transported in F3? I don't mind conspiracies :}
Yes - I have access to it for a short time on Wonderly+, where it was released early before October 11th.
Ok, I have to admit, saying it's the worst installment was probably overexaggerated on my part. It is fun for what it is, and I'm sure many fans of all ages will find things to love about it. And as I said, everyone should give the podcast a chance regardless of my own opinions.
However, I think I was just taken aback by how much Disa and Wolfgang were forced into the narrative when we have plenty of established characters (Anna, Elsa, Kristoff, Olaf, Mattias, Ryder, Honeymaren, and Yelena) that could've had an opportunity to have some fun side content here that was instead given to these two new characters. I get it - they don't want to add new things or lore to the characters because it's a bit restrictive. However, you can easily take what is already established and build a nice, satisfying side story. Forest of Shadows was able to get away with adding depth to Anna and Elsa that didn't interfere with their developments in Frozen or F2. Why can't we do this here?
Example - why couldn't Ryder have Wolfgang's role instead? Imagine Ryder trying to explore and understand Arendelle, building a relationship with Kristoff and Mattias, while having solo episodes writing to Yelena about his experiences. Or, imagine Honeymaren grows an interest in Automatons, but then she and Elsa clash a bit about experimenting too much with them (adding depth to their relationship). Or how about Anna encountering other royals who feel strongly about Arendelle's magical allegiances, leading to Anna having to build the confidence to stand by her sister and the Northuldra. More about Kristoff learning to be a leader. Or maybe Olaf actually being the character to write an opera over Wolfgang. There is so much content you could explore with the characters we already have that introducing new ones just seems like a huge waste.
And how do you think, what of these elements/motifs can be transported in F3? I don't mind conspiracies :}
Well, either the elements introduced were just unique to Forces of Nature and the writers just didn't flesh them out well, or it's possible that they are not explored in depth because they are hints to what we could expect in F3.
Anna faces people who question Arendelle's allegiance to magic, testing her confidence as Queen and the strength of her relationship with Elsa and the Northuldra. Elsa grows a fear of trusting new people, as the fear of magic can cause a lot of damage (both Elsa and the Nprthuldra know this too well). Kristoff learns the skills necessary to become a leader himself since he is one day going to rule beside Anna. Trust seems to be a big deal in this podcast, and these elements (whether it is the trust of oneself or others) and if it continues into F3, then we're basically looking at -
F1 - Fear vs. Love
F2 - Fear vs. Change
F3 - Fear vs. Trust
But again, it's just a crazy theory. Cough cough cough also, trust being a thing can lead to Hans showing up again as an anti-hero or villain that the heroes either need to learn to trust or he takes advantage of the trust of others cough cough cough. Wow. What a crazy cough. I need to get that checked out.
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something will always fill a vacuum
(reposted, with edits, from Twitter)
Okay, let's talk about why attempts to critique (or hell, straight up stick it to) Christianity in SFF often end up being more anti-Jewish than they are anti-Christian.
This was inspired by Jay Kristoff's work, which manages to evoke a whole bunch of antisemitic medieval tropes AND, as a bonus, even shits on the name "Ashkenazi", which is the Jewish term for most European Jews. But the thing is, Kristoff's SO antisemitic that I don't think it's accidental. I'm more interested in how it happens out of ignorance rather than malice.
So, negative evocations of Christianity in SFF usually fall into one or more of three categories:
allegories for/evocations of the Inquisition
allegories for/evocations of witch hunts
Christianity without Jesus
I suspect there are also plenty of evocations of the Crusades out there, especially in SFF by non-Western authors, but I haven't seen it nearly as much. I want to be clear that these aren't usually discrete uses of these tropes. They usually blend together. Evocations of the Inquisition usually have evocations of later witch-hunts as well, and it's almost always Christianity Without Jesus.
I'm generally fine with using the Inquisition and the witch hunts as models for fictionalized versions of the church as a force for evil. They were Christianity as a force for evil in real life.
But they're often clearly written by people who haven't actually studied the periods in question before using them as a model--the Salem "witches," for example, were Christians, and not just women, and targeted more for financial reasons than religious ones. (Also, they weren’t burned at the stake, for crying out loud. You’re not the granddaughters of the witches they couldn’t burn. Like every word of that slogan is wrong.) But honestly, whatever. I’m not interested in holding fantasy to historical accuracy.
It's the way Evil Christianity Analogues are generally missing a Jesus figure that starts to make them problematic.
Much of the world's perception of Jews and Judaism is basically "it's like Christianity but without Jesus."
Attempts to portray Christianity Analogues as bloodthirsty and primitive generally assume that what's "primitive" is what's older.
They tend to distrust ritual, and portray ritual either as primitive superstition, or as a facade that the Evil Priests use to manipulate the Naive Villagers.
And you may think you're sticking it to Christianity by doing your fic with evil Inquisitors who burn witches, but when a hallmark of its evil is that there's no Jesus analogue, you're actually not sticking it to Christianity. You're reinforcing its supremacy.
Or put another way, the idea that if you remove Jesus, Christianity becomes evil is just the flipside of "REAL Christianity is inherently good."
If you're going to have masses and priests and Inquisitors and witch burnings and all the other specific trappings of actual Christianity, put a fucking Jesus analogue in there. Because it's not "religion", it's SPECIFICALLY THE RELIGION THAT WORSHIPS JESUS, that did all these things.
Cultural practices are not an equation
A lot of this comes from a very old anti-Jewish trope: the OT God=vengeful, NT God=loving rubric.
Now, I'm not going to spend a lot of time debunking that trope in this thread, other than to say that every single loving- or compassionate-sounding thing Jesus ever said is literally a quote or paraphrase from the Tanakh.
Yet there's a long-standing idea in pop culture Christianity that the problem with Christianity is the “Old Testament.” You hear it ALL THE FUCKING TIME on TV. Some bigoted Christian character quotes something from the OT and the hero says something like, "we've had a whole other testament since then."
So, the idea that if you do Christianity without Jesus, you get Bloodthirsty Old Testament Religion is a huge trope in...
<drum roll>
...Christian depictions of Satanism.
You know what I'm talking about, yes? Satanism as portrayed by Christians is missing Jesus, and usually involves a lot of animal sacrifice, and then human sacrifice, and often a smattering of Hebrew, that Ancient And Alien Language. Or sometimes Aramaic. (I could do a whole post about how weird Christians are about Hebrew and Aramaic.) So Satanism as imagined by Christians is intended to be a dark mirror of Christianity, and there are elements of that, in that there's usually elements from Catholic mass, usually some Latin.
But in essence, what they're creating is Ancient Evil Religion Without Jesus, which ends up looking a lot like what they tend to think Judaism looks like, or looked like back in the day. (Without the "Evil", of course, or at least without saying it out loud.)
animal sacrifice, which Jesus negated the need for
Hebrew as an ancient powerful magical alien language, rather than as, I dunno, the language of real people?
a vengeful and bloodthirsty deity figure, without a mediating savior
(BTW, I and plenty of other Jews I know have been asked, by apparently well-meaning Christians, how we handle sacrificing animals in contemporary America. I’m sure that if this post gets any traction, a bunch of Christians are going to respond that they know we don’t actually practice animal sacrifice and let me just go ahead and give you your gold star and your cookie and please note the giant eye roll accompanying said cookie and star.)
A little detour into the Satanic Panic
The attitude toward imagined Satanism, with its ritual and its sacrifice and its churchiness, looks a little different whether you're getting it from Catholics or Protestants.
With Catholics, it's "this is a mockery of the mass, which is why it's ritualized"
With Protestants, With Protestants, you get something a lot uglier. It’s “our Christianity is fresh and organic and flexible and real and just about a genuine relationship with God,” opposed to ancient, heartless, primitive, ignorant ritual like that in Satanism and Judaism and Catholicism
And of course, when actual Satanism as a practice became a thing, and not just a bogeyman in the fevered imaginings of paranoid Christians, it was primarily as a way to troll Christians. But it also pulled in a lot of really ugly white supremacist Victorian ideas about the occult.
It didn't start from what could we do to create a practice that actually highlights everything that's wrong with Christianity. You know, an actual satire of it. It mostly started with performing what Christians thought Satanism would look like. Trolling, as opposed to critique. It’s evolved since then and developed more into its own thing, and the point of this post has nothing to do with practicing Satanists, so I’m going to leave it there--this is just to point out that Satanism, full stop, both imagined and real, has always been something that exists inside Christianity, and is nonsensical outside/without Christianity.
So again, and I can't emphasize this enough: What Christians think actual Satanism would look like isn't a critique of Christianity. It's a reification of it. It's self-congratulatory. The Christian idea of Satanism exists only to enforce the “correctness” of Christianity.
You can see this because--edgelordery among heavy metal artists and edgy teenagers notwithstanding--there's nothing actually attractive about Christian depictions of Satanism. No one seems to be having any fun. There's no there there. I mean, Michelle Remembers, The Satan Seller, Rosemary’s Baby, Go Ask Alice, Satan’s Underground, The Omen, Eye of the Devil--in all the famous texts of the Satanic Panic, it’s remarkable how unpleasant and dreary Satanic practices seem to be. It’s hard to imagine anyone finding these practices enjoyable or rewarding. There’s a typical authoritarian Christian lack of curiosity about humans’ inner lives in these portrayals: no one’s asking why anyone would want to engage in these practices. It’s just some people are evil, end of story.
The entire point of Satanism in the Satanic Panic is to make Christianity look good.
It exists, in their imaginings, solely to mock Christian ritual, but like, no one actually wants to eat a host made of feces? No one wants to have unpleasant and ungratifying sex? It's just misery for misery's sake, which is what Christians panicking about Satanism apparently imagine non-Christianity to be.
Back to fictional Evil Churches
So when SFF authors/game devs/whoever want to worldbuild a fictional evil church, somehow it usually ends up being Christianity with a very conspicuously missing Jesus.
Obviously, a comprehensive survey is beyond the scope of this Tumblr post, but here are a few examples:
Shin Megami Tensei literally has a church that worships “YHVH,” an explicitly evil god. There’s no Jesus analogue.
The Church of Tal in Magic: The Gathering is full of hypocritical inquisitors who persecute magic users while using magic themselves. This is pretty obviously a dig at evangelicals who claimed M:TG was satanic in the 80s and 90s, but again, weirdly, no Jesus.
Final Fantasy X has the Church of Yu-Yevon, which of course turns out to be Bad. No Jesus.
Dishonored is an interesting example, since the Abbey of the Everyman doesn’t have a god--or rather, it’s designed to protect people from its god, the Outsider. But it’s got all the tropes of churchiness and the Inquisition, and of course, no Jesus.
The Deep Church in Dark Souls.
The Chantry in Dragon Age isn’t straight-up evil--they’re a positive force in some ways, but they're also Inquisition-y toward mages and straight-up evil toward the Dalish elves. No Jesus.
Mercedes Lackey’s various fantasy worlds usually have some analogue to Christianity (in the first of the Heralds novels, Talia, the main character, comes from a background that clearly draws from both evangelical Christianity and Amish/Mennonite/etc. tropes). There’s no Jesus analogue.
Hell, in Phillip Pullman’s His Dark Materials, the church is literally a Christian church. Like, it’s not a completely different world; it’s our world but a little different. And yet somehow Jesus is very absent.
David Eddings’ Church in the Elenium and Tamuli series isn’t terrible, exactly, but it bounces back and forth between corrupt and hapless. It’s pretty clearly Fantasy Christianity, right down to the scriptures and the clerical titles and the Vatican infighting and yet, no Jesus.
Terry Pratchett’s Church of Om isn’t wholly evil, but it’s a satire of overly “ritualistic” Christianity--ritual is sterile, ritual is a substitute for true belief--and causes a lot of war. No Jesus, of course.
Brandon Sanderson’s Vorinism arguably rushes right past the accidental antisemitism of “no Jesus makes you evil” into straight-up antisemitism, but that’s a whole other post.
I mean, look, I could make this list really long, especially if I wanted to get into “Evil Religions that do very Christian Inquisition things, but have a pantheon that’s loosely based on the Greeks or whatever,” and how they’re still very much cast in a Christian mold, but never have a Jesus analogue, but we’d be here all day.
If you’re not Christian, why do you think Jesus saved the world?
The point is, a lot of people doing worldbuilding want authoritarian priests and witch-hunting inquisitors and Women Wrecked The World patriarchy and abusive exorcisms of people who aren’t possessed and conversion therapy and all that. Some of them are Big Mad at Christianity, some aren’t, but either way, they believe they have something to say about the harm Christianity has done.
But the real-world people who did all the horrible things Christianity has done weren't practicing Christianity-but-without-Jesus. They were practicing Christianity full stop.
And yes, actual Judaism as practiced by actual alive Jews isn't actually anything that resembles Christianity, with or without Jesus. But the problem is, for most of the world, their understanding of what Judaism is is "basically Christianity, but without Jesus."
When you decide to do an analogue of Christianity to be the evil religion in your SFF/game, but you neglect to include *the central element of Christianity*, which is, you know, Jesus, what you're actually suggesting is that Jesus is the thing that redeems "Abrahamic religion." (BTW, stop using that term since y’all seem to use it to try to blame Jews and Muslims (and by extension, all the other Abrahamic religions that you don’t even seem aware exist) for stuff that is specifically and uniquely Christian.)
So if you think that Jesus is the thing that makes Christianity good, so much that you can’t imagine a Fantasy Evil Christianity Analogue that has a Jesus figure, what does that say about what you think about Jews?
If you're pissed at Christianity, and if you want to create an SFF setting that contains Evil Religion, why can’t you seem to bear to actually include a Jesus figure in your portrayal?
You’re actually reifying the idea that Christianity (”true” Christianity that actually worships Jesus) is uniquely and inherently good, and all the things you see as trappings of it (belief in a single God, ritual, tradition, sacred texts) are bad without Jesus.
So again, unfriendly reminder that the main Abrahamic religion in which Jesus has no place isn’t the one that did all the colonialism and inquisitioning and witch-hunts and swordpoint conversions and Crusades, and isn’t the one currently taking away your reproductive rights and putting torture of LGBTQ kids into law and trying to make it impossible to exist comfortably if you don’t believe as they do.
That’s all been the Jesus-people, not us.
Maybe think about that next time you’re worldbuilding.
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