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#artist is valentine cameron prinsep
diioonysus · 1 month
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objects in art: swords/daggers
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arinewman7 · 1 year
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Il Barbagianni (The Owl)
Valentine Cameron Prinsep
1863
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Valentine Cameron Prinsep (1838-1904) "Ayesha" (1887) Oil on canvas Pre-Raphaelite Located in the Tate Gallery, London, England This portrait was widely assumed to be a portrait of Queen Ayesha, from Rider Haggard’s novel, She. The novel had been published the previous year, and quickly became one of the most popular in the late 19th century.
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SET SIX - ROUND ONE - MATCH SEVEN
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"The Handmaidens of Sivawara Preparing the Sacred Bull at Tanjore for a Festival" (1886 - Valentine Cameron Prinsep) / "Ajax and Cassandra" (1886 - Solomon Joseph Solomon)
THE HANDMAIDENS OF SIVAWARA: i thought this was an actual photo at first. the little details are *biting my hand off* it is just so sfdbkjfhwiuef you get me? (anonymous)
AJAX AND CASSANDRA: the lighting. the fucking vibes of this artwork are INSANE. (anonymous)
("The Handmaidens of Sivawara Preparing the Sacred Bull at Tanjore for a Festival" is an 1886 oil on canvas painting done by British artist Valentine Cameron Prinsep. It measures 58 x 73¾ in. (147.3 x 111.5 cm.)
"Ajax and Cassandra" is an 1886 oil on canvas painting done by the Jewish-Brit artist Solomon Joseph Solomon. It measures 304.5 x 152.5 cm (10 x 5 ft) and is currently held at the Art Gallery of Ballarat in Ballarat, Australia.)
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corallapis · 9 months
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Valentine Cameron Prinsep, Mary Wyndham (1870)
A portrait of eight-year-old Mary in Cumberland by the Wyndhams’ friend Val Prinsep, in the flat, chalky style characteristic of their artistic circle, shows a tall, round-eyed beautiful child. In wide straw hat and loose mustard yellow dress, she gazes directly at the viewer, bundling in her skirts armfuls of flowers. One of Mary’s earliest childhood adventures was scrambling after her father through thick heather up Skiddaw, the mountain dominating the Cumbrian skyline, with a trail of dogs in search of grouse; then sleeping overnight in a little lodge perched on the mountainside. In adulthood, Mary wrote lyrically of “the club & stag, the moss, the oak & beech fern, bog myrtle, & grass of Parnassus — Skiddaw in his splendid majesty — covered with ‘purple patches’ (of heather) with deep greens & russet reds & swept by the shadows of the clouds — my heart leaps up — when I behold — Skiddaw — against the sky...” Mary believed her Cumberland childhood had made her a lifelong “pagan,” fearlessly finding freedom in wildness. She mourned “beloved Isel” (Isel Hall being the Elizabethan manor to which the family moved from Cockermouth Castle in 1870) when the Wyndhams finally gave it up in 1876. Ever after, Cumberland was a lost Arcadia to her. — Claudia Renton, Those Wild Wyndhams
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visualpoett · 6 days
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The Taj Mahal (1877)
Artist: Valentine Cameron Prinsep
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the-evil-clergyman · 2 years
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Medea the Sorceress by Valentine Cameron Prinsep (1880)
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spirit-of-art · 3 years
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Valentine Cameron Prinsep, At the first touch of Winter, Summer fades away, c.1897
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awesomeartists · 3 years
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Valentine Cameron Prinsep - Unprofessional Beauty
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MWW Artwork of the Day (10/1/20) Valentine Cameron Prinsep (British, 1838–1904) Ayesha (1887) Oil on canvas, 90.2 x 69.8 cm. The Tate Gallery, London
Many Victorian artists were fascinated by Middle Eastern cultures, which seemed strange and ‘exotic’ to British eyes. Ayesha was a common name in the Middle East, but Prinsep may also have been aware of the name’s wider association with poetry. Rider Haggard’s book She, published in the same year that the portrait was exhibited at the Royal Academy, featured a fictional character Queen Ayesha; it is possible that this is intended as a portrayal of her.
One of the wives of the prophet Mohammad was also called Ayesha, though there is nothing in the painting to suggest this portrait was associated with her. For Prinsep, the single female figure subject provided a vehicle for his skilled drapery painting and sumptuous use of colour. (from the Tate catalog)
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connoisseur-art · 5 years
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Valentine Cameron Prinsep, At the First Touch of Winter, The Summer Fades Away
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diioonysus · 2 months
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gold + art
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camillevanneerart · 6 years
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'Valentine' (14 × 14 cm, charcoal on 200 gms paper)
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Valentine Cameron Prinsep (1838-1904) "Cinderella" (c. 1899) Oil on canvas Pre-Raphaelite Located in the Manchester Art Gallery, Manchester, England
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gunnr-lp · 2 years
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The Queen was in the Parlour, Eating Bread and Honey [1860 (exhib)]
Artist: Valentine Cameron Prinsep
The young queen, from the nursery rhyme Sing a Song of Sixpence...
Housed: Manchester Art Gallery
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gollumunchkin · 4 years
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the first awakening of eve (details), oil painting on canvas by british artist valentine cameron prinsep, 1800s
(edited by me)
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