The skull of a soldier who was buried with his armor in the bloody war between the forces of the Danish king and the Yeomen, the people of Gotland, in 1361, near the historic city of Visby, in present-day Sweden.
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Crosshair: don’t you kriffing dare die on me
Tech: I have no intent on doing so…
Time for a rescue mission I recon 👀
This is basically a part two to this drawing! The brainrot for any Tech and Crosshair interaction is very real my guys, I just need them all to be happy 🥲
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I'm thinking of the incredibly vital role Rhaenyra was given after her mother died, becoming the first ever female heir to the iron throne.
How revolutionary this was, and what an opportunity it presented for all women in Westeros (outside of Dorne).
How the sexist society she lived in was less than pleased of this title and how happy it would have been to strip her of it. And how easy Rhaenyra made it for them to do so.
She knew the importance of the title she bore, she knew that every noble man in the continent would look for anything to discredit her because of mysogyny, she knew that how she behaved would determine whether or not women would ever be considered capable of taking the weight of the crown and rule.
And she completely fumbled the bag by:
Being extremely rude and bratty to all of her suitors, refusing her arranged marriage, obviously cheating of her husband and claiming her bastards were true born, murdering said husband so she could marry her uncle (who has a terrible reputation) days after his own wife's death.
What was she thinking?
Didn't she even bother to wonder what the realm would think of her unlawful actions?
She literally proved the sexist society right, by being the most scandalous princess she could be, and that only solidified in the minds of everyone in Westeros that if you put a woman in a position of power she's gonna abuse it to do whatever she wants.
The girlboss black queen is the reason why no other Targaryen woman ever sat the iron throne after her, as her scandals and treachery turned the population against the mere though of a female ruler, in fear of having a new "Maegor with teats".
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i was thinking more about characters Performing Gender, but not necessarily Transgressing Gender. I wound up focusing on Ned and Sansa bc I feel like I understand them the most but-
Sansa as a hostage is imo the most obvious (bc it’s so well done) moment of someone clearly Performing Gender but not being transgressive in that performance. Which isn’t to say it’s not a complicated performance; it’s a fine line Sansa walks between weaponizing her gender to protect herself without seeming too fake. She’s trying to placate the Lannisters by playing the perfect, dedicated, air headed betrothed because it’s the only defense she has - if she outwardly rebels, she will be punished in a likely violent and/or sexual way (which isn’t even conjecture - when she says “or maybe he’ll give me yours” Joffrey has her struck with an armored hand). She’s not quite successful in being convincing but that’s because it’s a rather extreme situation; despite no one believing her, she does make herself seem meek and stupid enough that no one suspects she’s plotting to escape with Dontos until she’s well away from KL. The fact that she even has Dontos to confide in is because of Sansa’s relationship with gender! When she saves him, she covers her rebellious slip by playing up Joffrey’s intelligence & his role as King; she reaches for “tools” of her gender AND of ~proper manhood~ to save a life and herself from another beating. Her retreats into the godswood and silence are very much Sansa attempting to recharge from these draining interactions, the same way a knight would need to stop and eat and rest after a fight. She is fighting, constantly, by forcing herself to stay within the narrow confines of a specific type of gender performance as a way of shielding herself from harm.
Ned yelling at Cat is another big one, and I’ve seen the scene referred to as Ned using his patriarchal power to scare Cat, which is a great description. It feels like a Performance because Ned is putting on this terrifying Lord Stark mask in an attempt to get Catelyn to stop asking about Jon (and Lyanna). This is not how he usually acts with those he loves! When Ned is with His People, he is welcoming of questions, curiosity, emotion, even transgressive thought (to a point! the idea that Ned is a feminist because he lets Arya learn to fight is Not accurate but you can’t deny he allows significantly more flexibility wrt gender expression than most of the fathers we meet in this series. the bar is in hell tho). Yet when Cat asks him about Jon’s mother, Ned scares her so well she stops asking & still remembers the moment bitterly over a decade later. And if that snippet we see through Bran’s eyes of Ned praying that Cat will forgive him does come after she asks (like it’s suspected), it’s clear not only that this is a performance he’s putting on & weaponizing against Cat, it’s one he does not like using as a weapon against someone he is close to. After using the power his gender gives him to cause harm, he retreats to the godswood and silence to pray and rest, much like Sansa. A spiritual cleanse, the way a soldier may pray after battle, to reset and reconnect Being A Proper Man to Being A Kind Man.
I think there’s something interesting in that two of the characters most widely defined by how well they adhere to Westerosi gender norms both dislike feeling like they had to weaponize their gender. They are exhausted by the performance, because it’s a performance. This isn’t Sansa getting excited over tourneys, or Ned teaching his sons to fight; it’s toxic masculinity, it’s structural misogyny. It’s something they’re good at, excel at, and connected to something they enjoy but when it’s paired with violence, whether done by Ned or done to Sansa, it crosses over in their minds from an innate part of themselves (The Gender) to a performance necessary due to survival (The Gender Role). And that after these performances, both retreat to nature & god as a way of resting and cleansing from the experience.
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"wait why does only Sokka get to be chief of the SWT but not Katara :/" see but what you're missing is the fact that its never said she WASNT... in addition to Sokka...
like what I'm saying is its canonically an elected position and you're all sleeping on the very funny and entirely plausible concept that they did in fact run against each other in an election ...
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