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franklyimissparis · 2 days

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mr schwartz: a line-by-line queer-coded lyrical analysis

warning: this is quite long but mr schwartz is one of my favourite songs off the car album (and one of my favourites of alex’s in general) and i’ve ALWAYS read it as super queer but have yet to dive into precisely what makes it queer and the themes within it. it’s TRULY such an understated lyrical masterpiece.

Put your heavy metal to the test

- this is a play on words of the phrase ‘test your mettle’ which basically means to see whether or not someone will carry on through something that is difficult. immediately, this indicates that the relationship between alex and the other person is a difficult one and requires strength/determination to move forward with

- it also could refer to heavy metal music (which isn’t a very traditionally romantic genre) as is played off of in the next few lines

Might be half a love song in it all for you

- the phrase “half a love song” is particularly interesting to me as there are many ways to take it: it could be half a love song because it is unfinished or because it isn’t fully a love song (and both interpretations tie into other lyrics in the song)

- if we go down the route that it’s only half a love song because it isn’t fully a love song, it implies that there is more to the relationship than romance or that the song/relationship isn’t meant to be viewed (solely) through a romantic lens (but the other person may see it as such)

- whereas the idea that the song is unfinished could either suggest a lack of passion or the feeling that the story isn’t done yet.

- it could also communicate that the someone else needs to finish the song for alex - which is somewhat implied in the previous line. this could also indicate that, like alex, the other person gets musical inspiration out of their relationship

Timing wise, it’s probably for the best

- the use of “timing” ties in with the musical references but also highlights that the relationship is heavily tied to the timing of what’s going on in their lives (invoking “right person, wrong time” in a way)

- alex is acknowledging that because of forces outside of their control (i.e. time) it’s probably best they don’t pursue a serious relationship (or, like the previous line, a “full” love song)

Come here and kiss me now, before it gets too cute

- he’s asking his lover to quickly kiss him before they can let the moment become sweet, implying that, while he is fine with the physical aspect, the emotional side of things makes him uncomfortable

- musically, he also wants to avoid being cheesy or overly sentimental which ties in thematically with the ultracheese as well

- it’s important to note that this is also the only explicitly romantic line on the entirety of the car album: this (and the half a love song line) is the only line on the album that cannot possibly be read as platonic

Mr Schwartz is stayin’ strong for the crew

- here we switch to discussing the persona/character of mr schwartz, which as seen later, is obviously meant to be an extension/alter-ego of alex himself

- the reference to “staying strong for the crew” directly after talking about his lover implies that there is a conflict between the two: that staying strong for the crew entails keeping an emotional distance from his lover

- he recognises that those around him rely on him to keep up his persona to do their jobs (in this extended metaphor of a film set)

Wardrobe’s lint-rollin’ your velveteen suit

- alex is known to emphasise his personas via clothing choices and the velveteen suit is representative of that here. the crew removes any imperfections, like the lint, off of the suit (the persona)

- this also ties into alex’s obsession with perfectionism and control and how, though he is wearing the suit (i.e. persona), there is a mutual reliance between him and the “crew” to maintain his image

- also have to mention that velveteen is a rather untraditional material choice for something as traditional as a suit, there is a bit of a clash here between the two (a fully velveteen suit could also be seen as quite camp - and is also very 70s, which ties into eycte’s aesthetic too)

And smudgin’ dubbin on your dancin’ shoes

- dubbin makes leather softer and waterproof: again, others are trying to prevent damage from occurring to the persona

- this could also refer to the musical direction that the band has gone to in tbhc and the car: their music is softer and more contemplative than it was before, especially since ‘dancing shoes’ is also a song off of their first album. this could be commentary on how alex’s personas have evolved and the mixed reactions he’s gotten from his audience over it

Gradually, it’s coming into view

- we move from music imagery to film imagery with the line “coming into view”.. things were blurry or unclear before but he (or the other person) are slowly coming to realizations about their situation

It’s like your little directorial debut

- having a directorial debut suggests that this is the first time they are taking control of a situation and telling others what to do, they are directing someone else instead of being directed - with the word little being used to emphasise that this isn’t a massive change yet

- but he’s also directing himself to behave in a certain way: alex is directing his new persona, mr schwartz, in his debut

As fine a time as any to deduce

- to me this line also implies that this realisation has sort of been a long time coming, they’ve been through this cycle so many times that they might as well come to the realisation now

The fact that neither you or I has ever had a clue

- going into the next verse as well, this hints that alex and his lover have had struggles with seeing where alex ends and the persona begins and have also never been able to get their relationship right as a result

And if we guess who I’m pretending to be

- here he is confirming what is obvious: alex is mr schwartz and the persona is clearly differentiated from himself as “pretending”. alex and his lover are both keenly aware that mr schwartz is a persona which almost becomes a joke to them in the next line

Do we win a prize?

- alex pokes fun at how obvious it is to him and his lover that mr schwartz is a character but i think he’s also pointing out here: do we get anything out of the persona that i’ve created?

- he’s questioning, perhaps for the first time, if in the end keeping the persona up will be worth it to him and his lover or if it is all meaningless

Having attempted twice, both incorrectly

- okay so obviously the majority of us reading this are immediately going to go to a certain side project of alex’s and the two albums they’ve released (with talk of there being a third to complete the trilogy)

- this suggests that there have been two attempts at happiness between him and his lover but both times there was something fundamentally wrong with the relationship that caused them to drift, which is likely related to the act that he is putting on

Do we get a third try?

- the phrasing on this line is interesting as well as alex doesn’t ask his lover directly like “can we have a third try?” instead, he poses this question more existentially: will a third try be given to the two of them? it implies that he and the other person aren’t in control of their situation to some extent, they have to rely on being given chances by others.

- though this also could be interpreted as alex shirking responsibility of the situation onto others instead of being straightforward. he simultaneously wants and does not want control.

The gloved hand’s reachin’ in to hit the switch

- by wearing gloves, there is the desire to avoid leaving fingerprints/evidence of the relationship. and because the hand is gloved it is intentionally anonymous: is it alex’s hand? mr schwartz’s? the other person’s? or someone outside of things meddling in the relationship?

- interesting also that a switch is a binary thing: either on or off (gay or straight, platonic or romantic, alex or mr schwartz) ignoring the possibility of things being on a more complicated spectrum as is implied earlier (“half a love song”)

- hitting the switch is sometimes used as a euphemism for triggering a permanent change but can also be seen as a temporary action (the switch can be endlessly turned off/on), highlighting the back and forth in their relationship.

There’s not one goddamn thing that you can do about it

- this is the only time alex curses in the song which highlights how frustrating the persona and lack of power can be

- he feels stuck in the situation, just continuously flicking the switch between persona and reality, and indicates that his lover is also likely frustrated at this too. though they want to help fix the situation, they can’t, or at least they feel like they can’t

But Mr Schwartz is havin’ tea with the grips

- again, he’s switching back and forth between the real him and mr schwartz: while alex is frustrated and insecure about the lack of control in his life, mr schwartz charms those around him and takes hold of the situation

- more film imagery with mentioning the grips (those who help with camera and lighting equipment on a film set): to me, this line is fascinating as we’ve seen that everyone (including the crew) is working towards keeping the mr schwartz persona up and through the metaphor of the film set they are creating something imaginary, however, behind the scenes the grips still get to be real people with real families while alex, or mr schwartz, has to continue to keep the persona up.

Askin’ after all the wives and the kids

- the use of the phrase “askin’ after” instead of “talking about” etc. implies that the question is not mutual: mr schwartz is not being asked about his wife/kids because he does not have any and the others know it. yet he knows that it is important that he shows interest in their nuclear families. this is also clearly commentary on how alex is the only unmarried and childless member of the band

- it could be seen as him directing conversation away from his personal life: focusing on others and letting them talk is more comfortable than discussing yourself honestly and breaking the act

It’s at the heart of what the business is

- the final line of the song breaks down the essence of why the persona is kept up: ultimately, it is a business decision. alex understands how closely tied together business and personal lives are as a celebrity and is invested in the persona to keep the two separate, though by choice or force is up for debate

- also poses the question of whether or not he’s genuinely interested in their lives or if it is just business to him. it could be read as bittersweet in the sense that the heart of the business is human connection, but if you don’t conform you aren’t allowed to drop the act without punishment

- finally, this line also ties back to “staying strong for the crew”: he has to keep up the persona so that the ‘crew’ can continue to work and take care of their families. and hearing about them is both a reminder of what he is denying himself and what is at stake for the others.

to summarise: alex is torn between putting on the straight persona of mr schwartz and being truly himself within the fractured relationship he has with his lover - which has been heavily influenced by external and internal pressures. gee i wonder who the song is about (rhymes with schmiles schmane.)

#may do some other songs bc this was fun #it took me way too long though 😭😭#if you made it to the end you’re insane and i love you #if anyone has any requests let me know lmao #alex turner #the car era #the car album #arctic monkeys #miles kane #milex #the car #mr schwartz #tlsp

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rosietrace · 3 days

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This is a personal rant about my thoughts on Greek mythology retellings, and just the way Fantasy books and the publishing industry is at this point 🧍‍♀️

I have nothing against Greek mythology retellings, or just anything Greek mythology related in fantasy in general!

However, I have certain gripes about the way Greek mythology is portrayed in media, specifically in the way its interpreted in Fantasy.

[ More under the cut! ]

I love Percy Jackson, and I think that Uncle Rick did a wonderful job at expanding the world and making Greek, Roman, Egyptian, and Norse mythology entertaining and easily digestible for young audiences. Genuinely, he does a better job at writing children's books than R*wling could ever be capable of.

However, as much as I can love PJO as much as I do, I still find certain bits of the world building and character writing as... Very hit and miss.

To start, I don't like the way Ares was written in the series. I can understand that it would make sense for his personality to be that way, because he's the God of War and it helps with Clarisse's character development; but I find fault in it because Ares in the myths is nothing like PJO Ares. (He literally killed one of Poseidon's sons because he raped his daughter, Alcippe, and he's one of the only gods who doesn't hump anything that can breathe in air. At least Ares has the courtesy of asking for consent 💀)

The Gods being the reason behind WWII and Hitler being a child of Hades. All I must say.

The portrayal of the Aphrodite cabin

The fact that Athena can have children. Annabeth, pjo fandom at large, I love you are, but you gotta admit it must've felt weird when you first read the books and you find out Athena — the maiden Goddess of Wisdom — can have offspring. Regardless of the reasoning, I still find it weird 😭 (EDIT: I've now just remembered that it was a reference to how Athena herself was created 🤡 I'm a clown)

I get that the Hermes cabin is also the cabin for the unclaimed, but couldn't have Hestia's cabin worked too? She doesn't have offspring, sure, but it probably would've made more sense for the unclaimed to go to Hestia's cabin so that the Hermes cabin wouldn't be so crowded

This isn't really a world building issue, but I think I should bring it up: I'm not saying this against the Kane Chronicles fandom, but... Sadie and Anubis. Why. Like you can't convince me that no one WASN'T weirded out by that.

Less of a complaint and more of a question because I can't remember if the question was answered in HoO or not, but when Percy told the Gods to start claiming their unclaimed children and be more decent parents (as he should, go off king), did that request apply to the Romans at Camp Jupiter too? Because that's gotta have been confusing when the unclaimed kids at CP suddenly started getting claimed 😭😭

I could go on a whole ass tangent about PJO, but that would make this post longer than it needs to be 😭😭 and any of the points might not make much sense, since I haven't read the books in a LONG time

Off to the YA Fantasy segment... Hoo boy.

The oversaturation of Hades/Persephone retellings makes me SEETHE. Why is it always Hades and Persephone why can't it be something else 😭

I just don't like the “modern feminist” retellings of Greek myths in the YA Fantasy genre, in general. They tend to completely miss the point of the original myth, and it's the case with a lot of Hades and Persephone retellings where they try to paint Hades as the good guy taking Persephone away from her control freak mother, Demeter.

Because that wasn't what the myth was about. The myth isn't a love story, at least, not a romantic one. It was about Demeter's love for Persephone and how much she wanted her daughter back after Hades stole her away. Keep in mind, in the historical context of the myth, the daughters of women in ancient Greece never really get to see their mothers after their engagements are solidified.

If they wanted to make a “feminist” retelling of the myth, they'd have it centered around the love Demeter had for Persephone to almost doom the mortal realm to an eternal winter to get her back.

I love the myth of Hades and Persephone, truly, I do. I understand the appeal it has on people, the appeal it has one me. I can see why people adore the myth in the way they do because Hades is one of the better husbands in Greek mythology (a low bar, but my point still stands).

Personally, I blame Lore Olympus and especially the video of the myth by Overly Sarcastic Productions for the way the myth is portrayed in mass media. And I say this as a former LO fan and a fan of Overly Sarcastic Productions 😭

I'd also want to go into my many, MANY gripes about “Crown of Starlight” by Cait Corrain, but in all honesty? I don't think I can properly convey how much I DESPISE Cait and their book. So I'd highly recommend y'all to check out the videos about Cait Corrain by Reads With Rachel, WithCindy, and Xiran Jay Zhao on YouTube if you're interested in going into more detail about the controversies, especially for those who weren't made aware of it.

I feel like the publishing industry just... Isn't good anymore, after Booktok went viral. Reading has been “hot girlified”, and all Booktok seems to ask when they get recommended a book is: “Is it spicy??”

Reading is like fast fashion, now. It's all based around certain popular tropes that that's how books are promoted now. Not for the plot — or sometimes lack thereof — but for the tropes the book has.

The only thing I can thank Booktok for is that they helped me discover The Cruel Prince. And even then, it's marketed as romance on there, when it's a political fantasy with a romance subplot.

‼️ Woah! A secret bonus section! ‼️

I, personally, don't read — nor do I like — Sarah J Maas. (Especially considering the problematic aspects of her storytelling, character portrayals, and is (apparently, correct me if I'm wrong) a Zionist)

However, that isn't to say that I don't like some of the characters she makes. A lot of them have potential, actually! From what I've seen, I think Nesta, Gwyn, Azriel, Eris, Tamlin and Lucien from ACOTAR are the only characters I actually like, based on what I've heard — and seen — on anything in the SJM critical tag on this hellsite.

And while we're at it, let's discuss the elephant in the room with ACOTAR, right? Rhysand.

By all that is good and holy, I hate Rhysand so much and I think I'd hate him even more if I actually READ the books. I don't get why Booktok is so invested in him when Maas retconned Tamlin's character to make him look better as Feyre's love interest.

Also, from what I recall, didn't Rhysand sexually assault Feyre? And he didn't bother to apologize for it, and justified it with his sad tragic backstory??

I can't with y'all, istg 😭 the fact that “Feysand” is apparently a Hades and Persephone retelling too makes me even more mad about it because it isn't even a GOOD retelling. It just takes away what ACOTAR originally was— a Beauty and the Beast retelling, with Feyre and Tamlin as the leads.

Didn't Maas dedicate ACOTAR to her husband because “He would go under the mountain” for her??? BECAUSE IT CERTAINLY WASN'T RHYSAND WHO SAVED FEYRE FROM UTM, I'LL TELL YOU THAT

I think, out of all the series Maas has made thus far, Throne of Glass is the only one I ACTUALLY kind of like, based on what I've heard. Crescent City seems to be too complicated to understand, and even though I've never read it myself, I miss what ACOTAR could've been. (My hope lies with Nesta, Elucien and Gwynriel, at this point)

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babybells123 · 1 day

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There is something so beautifully anvilicious about these quotes;

" I am a bastard too now, just like him. Oh, it would be so sweet, to see him once again. But of course that could never be. Alayne Stone had no brothers, baseborn or otherwise." (AFFC, Alayne II)

"The dream was sweet . . . but Winterfell would never be his to show. It belonged to his brother, the King in the North. He was a Snow, not a Stark. Bastard, oathbreaker, and turncloak . . ." (ASOS, Jon V)

Both Jon and Sansa are yearning for Winterfell and the feelings/memories/family associated -but both are intrinsically restricting themselves based off of their bastard status. The notion of Sansa being the only Stark (and character) to transition from a high-born noble lady to a baseborn bastard cannot be overlooked. (And then of course, the notion of Jon being the only Stark (and character) to transition from baseborn bastard to lord commander, cannot be overlooked.) Jon has risen to the top whilst Sansa has lowered to the bottom.

She (GRRM) makes the comparison to Jon herself, meaning that GRRM makes the comparison himself. this isn't something interpreted by fans - it is right there, explicitly within the text.

Sansa's desire to reunite with Jon is "sweet," it'd be almost like a dream come true. Jon's "dream was sweet" as well. But "Winterfell could never be his" and seeing her brother once again "of course, could never be" (possible).

And then later on in the text, Jon is offered the chance to become Jon Stark, and have Winterfell in name. Thus his decidedly unsubtle desire (that he dismisses as an entirely impossible dream) is fulfilled by Stannis' offer, even though he eventually rejects it in truth "Winterfell belongs to my sister Sansa."

There is also the quote that precedes Jon's "sweet dream," where he fantasises about a beautiful little romance with Ygritte; showing her a flower from the glass gardens, feasting her in the great hall, bathing in the hot pools, and loving beneath the heart tree. This dream is directly connected to Winterfell and is obviously sexually + romantically charged.

So whilst Jon's desire is partially fulfilled (even if he doesn't accept it) can we possibly assume that Sansa's simultaneously unsubtle "that could never be" may also be fulfilled? Since GRRM seems to really be beating us over the head with how 'that could never happen' from Sansa's internal monologue "no one will ever marry me for love" is reiterated multiple times (just you wait sweet one!) and Sansa desiring to reunite with her brother who she has modelled her bastardry after, who is supposedly the only brother left to her, is immediately dismissed by Sansa because she's accepted the fact that she'll never be with her family again, (and that she shall never encounter true love).

The connections only keep connecting!

So to summarise:

Jon & Sansa both have "sweet" dreams/desires that connect to Winterfell/family.

Jon's dream is sexually/romantically charged, involves a red-headed girl, and establishes Jon's suppressed desires as actually romantic.

Both Jon and Sansa are bastards in these contexts.

Both Jon and Sansa woefully dismiss these dreams/desires as impossible as "that could never be" and "it could never be his to show."

Jon's desire however is later offered on a silver platter by Stannis Baratheon, to which he mulls over and states that he "has always wanted it" (to be his). Though he later refuses Stannis' offer on the basis that "Winterfell belongs to Sansa" - twice over he says this.

Jon 'giving' Winterfell to Sansa is in direct contrast to Robb (Sansa's image of an honourably idealistic older brother) flat out rejecting Sansa's claim on the basis of her marriage to Tyrion.

Jon thus establishes himself as the only character who respects and protects Sansa's claim. Who does not abuse or exploit it. (Even though he was given the opportunity for it and it's been his innermost desire since childhood.)

In a way, this further conveys Jon as Sansa's unspoken, subconscious hero who is protecting her interests and instilling all those heroic ideals (such as the Janos Slynt situation) - though she does not realise it and has accepted that "there are no heroes" at all. But Jon is the true hero, hiding in plain sight.

So, whilst Sansa believes there are no heroes, Jon fulfils those ideals. Whilst Sansa believes no one will marry her for love, Jon exists as the embodiment of all the chivalric, romantic ideals that she's so desperately wanted.

Can we now assume that Sansa believing that she will essentially never see Jon again as entirely anvilicious as she will in fact see Jon again?

GEORGE I'M IN YOUR WALLS.

#jonsa #jon x sansa #the fact that I could make a multitude of other connections #like Waymar Royce and the ashford tourney #and Valarr Targaryen #among many many other things #they really are so rich with subtext and linguistic parallels #and people will say they have 0 narrative basis???#HUH???#cause you know for a fact if this was about any other pairing you would not hear the end of it #just ironic lol #anyway Jonnel and Sansa Stark #not going to tell anymore than I already have !

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nori-the-cat · 3 days

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eunseok as a bf n his type <333

I'll do one for his type separately. But here is your Eunseok as a bf request (づ ᴗ _ᴗ)づ♡

Remember, this is just my interpretation based on the tarot spread. All of this are alleged and for entertainment purposes only. Take it with a grain of salt.

Cards: the hermit, six of wands, knight of cups, the chariot, three of swords, seven of pentacles, nine of wands, queen of swords, the world, king of wands, and ace of cups.

Honestly, girl. I also wonder what Eunseok is like as a boyfriend. So why not find out together?

Let's see how Eunseok would flirt during the getting to know phase.

Eunseok's flirting is likely a calculated charm (The Chariot). He might be patient and put in the effort (Seven of Pentacles) to get to know you, taking you on thoughtful dates or learning about your interests.

Imagine a picnic date with Eunseok. He would've meticulously planned it (The Chariot) - a scenic spot, a delicious homemade meal (Seven of Pentacles), with thoughtful conversation.

As a boyfriend:

Eunseok might seem like a homebody at first. We all know he's an introvert who enjoys his own space – his members can attest to that, and they even mention a personal refrigerator in his room!

But here's the surprising thing: Eunseok might be quiet, but he has a hidden romantic side. In relationships, he might crave some alone time (like the Hermit in tarot), but when he's with his special someone, he becomes a true Knight of Cups – a romantic idealist.

Expect Eunseok to put in effort. He might bring flowers, cook your favorite meal, or prepare a thoughtful playlist. While not overly expressive verbally, his actions will show his care (Knight of Cups).

Imagine Eunseok as a big, quiet teddy bear. He cherishes quality time and loves creating a special atmosphere for his girlfriend (you). When he's around his partner (you), he transforms – becoming more affectionate and sentimental. This is because spending uninterrupted time together is important to him, as it allows him to build a strong connection.

Eunseok becoming more affectionate when around his partner (you) could suggests he appreciates physical touch as a love language. Cuddling on the couch or holding hands during a walk could be great additions when going on dates.

I do think this man's love language is quality time and physical touch. I'll explain why.

In a relationship, expect Eunseok to put effort into creating a special and loving atmosphere for the two of you to enjoy. This reflects his desire for a successful relationship (Six of Wands) and ambition for your shared future (The Chariot).

This desire to create something special stems from his deep wish for a successful relationship (Six of Wands). He doesn't just want to float along; he wants to build something strong and lasting, a relationship that thrives. Think of it like a magnificent chariot ride (The Chariot) – he sees you by his side, and together you're conquering the journey of love.

This man is secretly a romantic. He just doesn't show it. *rolling my eyes*

He's also patient and persistent (Seven of Pentacles) when it comes to nurturing the relationship. He might be fiercely protective (Nine of Wands) and stand up for you or the relationship if needed.

This side of Eunseok sounds like a real ride-or-die kind of boyfriend. He's patient and puts a lot of effort into making things work, which is pretty awesome. Plus, he's got your back no matter what! If anyone ever messes with you, you know Eunseok will be there to stand up for you. Now that's a keeper!

However, like everyone else, Eunseok also has his red and green flags. This man is complicated. He is a passionate and romantic man with some pitfalls.

Red Flag:

Well, not some. But a few that are alarming yet tolerable. I pulled 3 more cards to see his "red flags". The reason is that the chariot card in this reading stands out to me. When I shuffled to see his "red flags", the chariot card came out again.

It turns out this guy doesn't communicate. But you, as his partner, have to do the communicating.

The rest of the cards that I pulled were the devil, three of swords, and seven of cups. I pulled the devil's card first and then the chariot. In a relationship, codependency might be a problem.

The Chariot's can also manifest as being overly domineering or inflexible. The Devil can also represent a lack of control, and the Chariot indicates a chance for him to take charge and make positive changes. This could be related to asserting himself within the relationship or addressing any imbalances.

Did I say communication is a problem? Clocked it.

The order of the cards that I pulled: the devil, the chariot, three of swords, and seven of cups. In the context of relationships, it could represent codependency, control issues, or a lack of boundaries (the devil). In a positive light, it suggests overcoming challenges and achieving your goals together (the chariot).

Imagine an argument with Eunseok. You both don't see eye to eye. There's power struggle too. By the end of the argument no one wants to apologise.

With the three of wands, this indicate betrayal, arguments, or a feeling of being emotionally hurt. At times Eunseok could withdraw when things are tough or emotionally draining. As his partner, you would start to question whether he is serious with you or not.

In the case of an argument, you, as his partner would experience confusion about commitment or a tendency to idealize him or sees him using a rose coloured lens (seven of cups). This is because Eunseok himself idealised what a romantic relationship looks like. When friction happens in the relationship, he would withdraw.

womp womp...

Here's a scenario: The Devil followed by the Chariot suggests Eunseok might be battling some negative influences or habits (Devil) but is determined to overcome them and steer the relationship in a healthier direction (Chariot). However, the Three of Swords following could indicate there's been some emotional hurt or conflict in the past that needs to be addressed.

What could this mean? Well, Eunseok is someone who would fix a problem or issue at hand. But once it gets emotionally overwhelming and worse, draining. He would withdraw. He would bring with him all the negative things and yet toss them aside as it is "not important" to him. But what's the problem here? the problem is that one day it will burst. Yeah, it will burst. Not like a balloon. But a grenade.

It's not pretty.

The Devil and Seven of Cups together could suggest Eunseok would struggle with temptations or bad habits (Devil) while also being unsure of what he truly wants (Seven of Cups). This might lead to confusion and potential for future conflict (Three of Swords).

Yeah, basically everything I already pointed out.

Green Flags:

I pulled 4 more cards for this section of the reading. The cards were the lovers, four of wands, knight of cups, and ten of swords.

These cards suggest Eunseok could be a great boyfriend material. He seems to value commitment, romance, and stability. However, the Knight of Cups and Ten of Swords hint at some potential emotional baggage or indecisiveness.

Despite his inability to confront things, acknowledge his emotions, and withdrawing when things gets tough. Eunseok is a mature guy who will make you laugh. With him as your boyfriend, you will feel taken care of, protected, and he is pretty stable.

*whispers* He is also secretly a romantic guy.

Date ideas with or for Eunseok:

A cozy cafe or a picnic in a scenic spot (park, beach) would be ideal. It should be a place where you can converse comfortably without distractions.

Focus on activities that allow for conversation and shared experiences. This could be anything from playing a board game, taking a walk, or simply enjoying a meal together.

Expect him to put in the effort. He might bring flowers, prepare a picnic basket, or choose a cafe known for its ambiance.

Overall, Eunseok seems like a supportive, thoughtful, and passionate boyfriend who puts effort into making the relationship special.

At least, he would try.

My opinion: When I did this reading, the chariot and knight of cups stands out the most for me. Imo, Eunseok would take control of the relationship by controlling his emotions. As his partner, you need to pay attention to his actions and how it shows up in the relationship.

These are the songs that reminds me of him.

#kpop #riize #kpop tarot #riize tarot #riize eunseok #eunseok riize #riize x reader #riize scenarios #riize fluff #riize imagines #riize headcanons #riize drabbles #eunseok x reader #eunseok imagines #eunseok fluff #song eunseok

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paragonrobits · 1 day

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the sheer amount of hatred, suspicion and animosity directed as just about any fictional group that disavows romantic ties, doesn't allow people to get married or otherwise rules out romance and having children is almost definitely indicative of unanalyzed biases on the part of the people hating on them

the sheer amount of amatonormativity and cries of 'you can't be a real human and not want romantic love!' or 'they should abandon their oaths and vows and have biological children, like REAL FAMILIES SHOULD'

and furthermore, you also see a lot of fandom ideas the fixate on the idea that no one could naturally arrive at the idea of any kind of group or family dynamic that is not solely rooted in 'bond with other, produce/adopt children, raise them as semi-autonomous social units'. One example is the Air Nomads in Avatar the Last Airbender, who are implied to collectively raise their children and not by their biological parents; there's quite a few interpretations insisting that they much be brainwashed or steal children away from their mother's arms (and similar emotionally manipulative language) because, to this mindset, it has to be enforced to happen and could never naturally arise in a society. the idea that family dynamics aren't always the most important thing for every being ever seems incomprehensible to them

#queued

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monkeythefander · 3 months

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Patton and Remus Fluff, Pretty please with a cherry on top? 🍒🥺

Patton & Remus Fluff Headcannons

Here are some Patton & Remus Fluff headcannons as requested by @jumbo-bo on Tumblr. These headcannons are platonic Patton and Remus, but if you want to interpret them as romantic that’s fine too. The headcannons are a little more hurt/comfort towards the end, but they’re mostly fluff.

Content Warnings: mention of allergies (cat allergy), mention of a zombie cat (which has stitches on it), food and drink mention (in relation to the zombie cat not needing to eat and drink), mention of playing horror games, mention of having nightmares (Patton has nightmares, so I guess a bit of Patton hurt/comfort is here).

Click below the cut to read the headcannons.

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- Since Patton is allergic to cats but really wants a cat, Remus decides to make a zombie cat for Patton. The cat isn’t a stereotypical zombie that eats body parts or anything. It’s basically a cat that doesn’t need to eat or drink to live. Patton is a bit scared at first by the cat, since it feels very cold and has some stitches on it, but the cat meows happily up at Patton and the moral side is immediately in love with the cat. Patton thanks Remus and decides to show his gratitude by letting Remus name the cat. Remus names the cat Frankie, like the character from monster high, since that series is one of the few not so scary monster related shows he and Patton can bond over.

- To bond with Remus, Patton tries to play some horror games with him. They are typically mascot horror games, because the mascot designs can be somewhat nice to look at, which makes playing the games a bit less intimidating for Patton.

- Patton gets Remus a onesie to wear to family movie nights in the mind palace. The onesie looks like a rat. It has little ears on the hood and a tail on the back. Remus likes it enough that he actually wears it to bed sometimes.

- When Patton has nightmares and just wants someone to listen to him vent about them afterwards, he goes to Remus. The creative side isn’t freaked out by the negative or dark thoughts Patton’s mind creates in the nightmares, so Remus is great at calmly listening to Patton’s retellings of them. Remus is also great at hugging Patton after he finishes venting. The moral side didn’t expect Remus to be a good hugger considering he lived with Janus and Virgil, who aren’t too openly affectionate. So Patton was pleasantly surprised by how comforting Remus’s hugs were.

- One day Patton asks Remus if he can give him a makeover. The moral side wants to try out a new style, and likes some of the casual punk outfits Remus wears when they aren’t filming Sanders Sides videos. The creative side excitedly agrees to the moral side’s request and gives Patton an outfit that can be considered pastel punk.

——————————————————————

End Notes: Thanks for reading! As always, if you like any of these headcannons and want to make a fanfic or fanart based on it, you can do so. You just need to ask me first, and then credit and tag me in the post so I can see it.

-Monkey💜

#sanders sides #sanders sides headcannons #patton sanders #remus sanders #platonic intruality #but it could be interpreted as romantic if you want #virgil sanders mention #janus sanders mention #patton angst #it’s very brief though and remus comforts him

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tubbytarchia · 23 days

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"Cool ship art, unfortunately I'm interpreting it platonically" dude it's literally fine lol. Guys please. Art is meant to be interpreted. Don't call it unfortunate just because you think your interpretation differs from the artist's vision (and please refrain from using wording that implies strictly correct and wrong interpretations, it dismisses others!)

#blabber #Sorry this is just. A bit demoralising and dismissive to me as an artist #And well theres a whole other convo to be had about romantic vs platonic interpretation specifically #me personally though I could not give less of a fuck #I view some ships as more romantic and some as more platonic but I personally hate having to sort art into these two specific categories #I just wanna draw girls kissing man. To you as the viewer it can be whatever you want it to be

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captainschaos · 2 months

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steam and smoke

I got @bonthebanana as my @mcyt-valentines valentine, and I've got a little ranchers fic for ya !! I ended up just doing a lil bit of mostly canon compliant angst/fluff, but I had a nice time writing it, and hope you like it!!!

word count: 1203

---/---/---

Tango still feels the fire. Not his own- the phoenix feels two heats, in such a blaze. The fire that is his, and the fire that isn’t. His holds his fury, the pounding of his blood as he fights to smother the flames destroying his home, it holds his love and his hatred. The other holds only the intent to harm that which he loves. It is nothing like him. But then there’s a third heat.

Jimmy hands him a mug of hot cider.

It snaps Tango back to reality, and he looks up at his soulmate, remembering where they are. He sits on a wooden stool in one of the barns, the smell of hay and good soil on the air. Jimmy sits on an overturned bucket across from him, holding his own steaming mug and smiling gently.

“Feeling better?”

Tango sighs, and a puff of smoke drifts from his mouth with the breath. It makes Jimmy giggle a bit, though the canary quickly quiets himself, trying to be sincere. In all honesty, he’s doing very well, and Tango shifts to look at the ground.

“A bit. It just–” A sound somewhere between a shriek and a groan escapes his throat, as Tango leans back and puts a hand to his face. “It’s all gone! All that work, all just– woosh!”

“Well, not all gone, right?” Jimmy leans back, to an angle where he can glance out through the barn door. He does wince a bit when he spots what’s left of the ranch house. Tango’s glad he can’t see outside in this moment. Strategic positioning on Jimmy’s part, likely, when he brought Tango in and sat him down. “We’ll rebuild. We can rebuild, easy!”

But Jimmy’s latter words are a bit fuzzy as they reach Tango’s ears. He’s looking at the hands that cup Jimmy’s own mug of hot drink, and the burn marks that adorn them. Charcoal is smudged on the side edges of his fingers, but the fingertips are raw and red. And looking at them, Tango remembers the flurry of events that transpired not a half hour before. The fires of the ranch, mostly put out, seemed to settle in his stomach. He was furious, his own flames flaring, and he growled and screamed at the people around who had laughed at his loss. Their loss. He remembered the hands that had grabbed him, pulled him back, been gentle when all he wanted was to be horrid. And soft words had told him to wait, kept him safe from the neighbors that laughed, and tucked him into the barn.

He hadn’t noticed, until this moment.

“...Oh, Jimmy…”

“Hm?” The canary followed Tango’s gaze and glanced down at his own hands, then hurriedly tried to hide them when he realized. Which he failed to really do all that well around a mug. “Oh, ah, it’s fine, really. Nothing too bad, promise!”

Tango set his own drink carefully on the floor, then leaned forward, reaching out to Jimmy. One hand took the canary’s mug gingerly, while the other took one of his hands with an even more tender touch. The last thing he wanted was to hurt him more, after all.

“They should heal up quick enough,” Jimmy says, his voice speeding up in a clear attempt to make Tango feel better.

“I’m so sorry, I didn’t mean to…” Tango whispers, voice feeling weak as he sees what he did to his soulmate. “It was just so–”

“Hey, hey–” Jimmy’s freed hand moves now, and cups Tango’s cheek with the same tenderness he’d cradled his mug. He pushes the phoenix with gentle touch to make him look him in the eyes, and he smiles. “I know, yeah? I know you didn’t mean to hurt me.”

“But, still! I didn’t even realize…” Tango glances away quickly, though he doesn’t stray from Jimmy’s touch.

“You were trying to protect us! I get it, I promise, Tango.” Jimmy’s voice is so bright, so kind. It always is.

“I messed that up pretty bad then, huh?” Tango says with a pathetic little laugh.

Jimmy laughs in return. “I mean, you scared them off pretty good, didn’t ya?”

“I guess. Just– next time, leave me to get into my trouble, won’t you?” Tango shifts his focus from the wall of the barn to Jimmy’s hands once more, wincing as he once again sees the reddened skin. “I’ll burn somebody else.”

“Hey. I know that too, you know.”

Tango can’t help but look back to Jimmy’s gaze. The canary’s expression is soft, but there’s determination in it. This is the balance of Jimmy. He can be sweet, but also so stubborn. He can be loud, but also so gentle. And in this moment, Tango had felt horrible for how he’d hurt his soft-feathered soulmate. But there’s something resolute, set in stone, as his eyes meet his.

“I knew what I was doing, alright? Believe me,” he says with a laugh, “I’ve died plenty enough times to consider myself an expert, when it comes to jumping in places I shouldn’t. But this is my place. With you.” Jimmy’s touch finally lowers from Tango’s face, and he puts his hand over the one Tango is using to hold his commandeered mug. Tango holds one of Jimmy’s hands, Jimmy holds one of his. A cycle, a trade. A connection. A bond. “Soulmates gotta look out for their soulmates, yeah? So I’m gonna look out for ya! And I don’t care if I have to grab a few fiery hands to do it, alright?”

Tango can’t help but smile, as Jimmy’s head dips and his expression only widens to something more insistent. It’s understanding with a force, with eyes alight with unstoppable spirit, a smile brightened by laughter and empathy. Tango can’t help but believe in such a face.

“You’re a wonder, Jimmy Solidarity, you know that?”

“Oh, stop it!” And Jimmy finally looks away, just a tinge of shyness pinking his cheeks. He quickly recovers and sends a jab back at Tango. “Just remember which of us died first, that's all I'm saying.”

“Hey now!” Tango slips Jimmy’s mug back into his hand, and leans down to pick his own back up. “I mean, it’s not like we don’t know who will get the last life…”

“Not me! I refuse this time!” Jimmy stands up, a fist planted at his hip as he turns his attention toward the door. “But it would help both of us live a bit longer if we got a real roof back over our heads.” He looks to Tango, and for just a moment the playful teasing slips as that same, steady kindness fills his gaze. “Ready to go see how bad it is?”

Tango sighs deep, but stands up himself. He sips the cider, and feels its warmth travel to his stomach, sitting coupled with the burning rage in his gut. But it’s something sweeter, something spiced. Something like home. And that’s what he holds onto, as he steels himself to assess the charred remains of the ranch. Revenge can come later. For now, he needs to take care of Jimmy. And he trusts Jimmy will take care of him.

“Let’s go, partner.”

#jimmy solidarity #solidaritygaming #tangotek #team rancher #captain's words #sorry this was so late!!! I wanted it done to post on valentine's but life got in the way </3 #also I tried to leave it as ambiguous as possible- can be romantic platonic or queerplatonic !#I tend to write qp but wanted any interpretation to work ^_^#also I tried to make it as jimmy love centric as I could since that was the character you listed LOL so hopefully that comes across <3 #all in all hope you like it !! :]

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cassidysinferno · 17 days

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snippet #2 — constantly rotting

CW — depressed / burnt out henchman , bed rotting , mentioning of medications, dissociating

Henchman hasn't picked up any of the calls from the Villain lately and dear god, Villain was displeased.

And for a good reason, Henchman was the most trusted out of all henchmen in the organization with how well they perform and how they had stayed with the villain since the beginning.

so, how did it all change? They showed up less and less ever since That incident, even if Villain had called or visited them, they didn't have the energy to get out of their bed- their boss being unhappy with their lack of presence was reasonable.

all they do is rot in bed. constantly felt like they were only wasting their years.

Hell, Henchman doesn't even have enough money to live anymore so not only were they on the brink of getting fired or even considering retirement at this point but also getting kicked out of their own apartment.

This is stupid.

They were unemployed in their personal life and even if they did show up at work again, they felt nothing but guilt as others started to talk to them less or try to avoid them ever since. They didn't even know what they did wrong?

so every conversation they tried to take part in felt awkward because of that.

They looked around their room, everything was..a mess.

They sat up on their bed, looking down at their scar filled arms. Why are they even willing to devote themselves to a criminal, thus risking their own life?

many thoughts ran to their head until their phone started to ring again. another daily call from their boss, apparently.

they let it ring until it hung up on itself, while waiting so they finally got up, put on their uniform, and got ready.

if they had remembered correctly, they were called for a personal meeting upon stepping in the building.

And if Henchman was being honest, they were anxious. but at this point, do they even care what would happen to them? no.

–

Well, that didn't go well. for the henchman, at least.

It felt like a counseling session rather than a meeting and it took them back to when they were in highschool.

back to when they got so fucked up that they got sent to therapy and put into medications.

the villain was..worried, yet displeased. they not only had known each other for awhile on the job but they've also been close.

fuck, they felt even more terrible after they were dismissed. going back here was a mistake.

They were ordered to organize more paperworks and, even if the villain didn't say it directly, they didn't want to disappoint the villain even further so they got to work.

Now here they are, printing copies of the documents the villain gave, I mean, most of the time they were dissociating anyway.

nothing felt real at this point, they felt extremely disconnected from their body. almost as if their own body doesn't belong to them.

they wanted to go back rotting in their room again but it seemed like it wasn't an option now that they were here.

they were just staring at the printer as the machine does its thing, well, at least their body is. they didn't seem to hear the knocking on the door of their little office the villain provided them until they felt a tap on their shoulder.

#heroes and villains #hero x villain community #henchman #henchman prompts #villain x henchman #but vague and could be interpreted as platonic or romantic .. qpr even #had That moment so i had to write it oops #did you know that.#adhd depression bpd And udd henchman canon #projecting #i listened to songs that were used for mlp infection videos for this #That incident is up to interpretation #lmk if u want a continuation just open up the mailbox

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youweremyversaillesatnight · 3 months

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listen. listen. mania kristen and cassandra album

#it’s not perfect but there’s just SO many lines #i’m thinking so many thoughts #i mean this in the god-cleric way not romantic relationship way but you could think about it like that if you wanted to #its open to interpretation #kristen applebees #cassandra fantasy high #fantasy high #fhjy #d20 #dimension 20

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aq2003 · 7 months

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there comes a beautiful time in life where i have to ask myselg th question, "did i accidentally project too hard onto the character that i only relate to a little bit and in doing so hugely missed this one entire aspect/interpretation of the characters . am i stupid"

#ARE THEY STUPID!#dr who #this is about ten specifically his relationship w martha lmao #m being so serious i genuinely did not. see the 'ten was on purpose leading martha on to make her think her feelings were requited' angle #until going out into the wild and reading the tumblr posts. like i genuinely did not. at ALLLLLL. its like a brick hitting my head #bc the ENTIRE time s3 ten came off to me as 'doing stuff w no romantic intent behind it but would consistently get misinterpreted as such'#cuz IIIIIIIII have done this. IIIIIIII have run into this problem before. and it sucks so incredibly bad.#i actually do want to think my og interpretation still holds water cuz like. well i could gather all the evidence but #first one that comes 2 mind would be him going 'it's like when you fancy someone + they dont know you exist' to martha. in episode TWELVE #two routes; either ten is needlessly cruel and callous even after a season's worth of building up trust and friendship w her #or he is on super 'i dont think she has feelings for me and this is a very unhappy coincidence of a line' cocaine #Or the 'she fancied me' line in s4 to donna. either he is disregarding all the good and positive impact she did him. or the fact that this #went over his head the whole time made him look back on that time w discomfort <- I DID THIS. I MIGHT HAVE BEEN PROJECTING #THIS ONTO HIM. AM I STUPID.?.?????#you know how mikage rgu can either be read as an incel or a gay man lost so completely in the sauce #ten is like in this same ballpark. i think. of 'emotionally manipulative and disrespects women' or 'aroacespec and missed the cues'#funniest possible options to pick from. ten my brother how did you set yourself up like this #absolutely not denying that he was toxic and unhealthy during s3 in like 500 ways btw. but well. ths is the one concwpt that #flew over my head. so completely. and i can kind of see it now but i also still find it hard to incorporate into my belief system #bc its like. brother I'M aroace and missed the cues too lol #tangential note we can trace many problems down to a writer's room filled w white people not giving #martha's character the respect/agency she deserves for the existing narrative she has. bc they pulled this w mickey too both in series 1+2 #if they wanted to portray ten as manipulative then him and martha should've been given more screentime #together where martha (or anyone else) calls him the FUCK out on this. and ten would need to suffer narrative consequences of doing smth #as fucked up as that rather than his happy stable dynamic he has w donna. if they wanted to portray him as oblivious then marthas character #shouldn't have constantly been boiled down to an unrequited crush (particularly her dialogue in the s3 finale - there's a LOT more reasons #why she would choose to leave/why their dynamic was unhealthy besides ten not returning her feelings)#if you read all these tags you may be entitled 2 financial compensation #ten and martha #aspec doc tag

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ghafahey · 1 year

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a chain reaction of countermoves to assess the equation of you. check mate! i couldn’t lose.

fall(ing) for @mdzswomen : week 2 — qin su + betrayal

#mdzsedit #theuntamededit #theuntameddaily #fytheuntamed #qin su #the untamed #my edits #*mycql #blood //#hello again and welcome to my murderous qin su agenda!#ok you can interpret this either as the plan going down pretty much the same way #or qin su teaming up with nhs (which ... a personal favorite of mine!)#or her playing a more active part ; possibly as a vengeful spirit #idk i chose the shots bc i wanted it to be vague so everyone could make up their own plot #but point being: justice for qin su! by her own sword!#the horrorfication of tswift lyrics #obviosuly had to rearrange and leave things out but i ignored all romantic context #and told myself: yea qin su deserves to go full on murderbot mode

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incorrecthogwartsmysteryquotes · 1 year

Conversation

Merula: You know, I never realised how pathetic you are.

MC: Really? Oh, Merlin. I'm so aware of it.

#source: the holiday #hogwarts mystery #Incorrect hogwarts mystery quotes #Harry Potter #incorrect quotes #hphm #mc #mc hphm #jacob's sibling #merula snyde #merula hphm #shipping ish #multi shipping #kinda #up to interpretation #my sinus infection is finally somewhat over #i could also have done it with ismelda and merula x mc but this is how it turned out #it's basically only shipping in the sense it's from a romantic movie #feel free to imagine who you want

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hetadoujinarchive · 1 year

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List of Dj’s on This Page

[Btw I will block you if you look like a p/rn bot]

[Last updated mid June]

[Currently organized in this order: GerIta, SuFin, RoChu, FrUK, Other Ships, Non Ship]

GerIta/Hretaly:

A Day On The Planet (85 pgs; dark)

Becoming Friends (17 pgs; dark, gun; nudity but nothing shown)

Beginning's Tone/Hajimari no Onshoku (27 pgs; dark)

BMMB Winter Comiket Issue (5 pgs; cute)

Canal Grande (14 pgs; somber; censored nsfw)

Catharsis When The Country Awakes (74 pgs; dark)

Cherry Boy Blues (21 pgs; dark)

Diamante (multi-ship; 59 pgs; only the gerita one is sad)

Dream Draws A Dream (33 pgs; light drama; censored nsfw)

Eternita (32 pgs; neutral-somber)

Gift (25 pgs; light drama; censored nsfw)

Goodbye My Little Girl (53 pgs; dark)

Hiraite Musunde Isshuukan/Red Shoelaces (28 pgs; light)

I-Logik (32 pgs; light)

I Won’t Let You Call Me Gattino (32 pgs; comedy)

La Sposa de Adria (51 pgs; somber)

Lei Chi Sono Dolce pt 1 (59 pgs; bit dark)

Lei Chi Sono Dolce pt 2 (49 pgs; dark)

Lettera D’Amore (37 pgs; cute)

Life Is So Beautiful (30 pgs; dark, tw)

Little Sheep/Counting Sheep (44 pgs; dark)

Marriage Press Conference (34 pgs; comedy)

Messenger Of Happiness (39 pgs; bit somber)

Night Watch (48 pgs; dark; censored nsfw)

Oggi Sposi (19 pgs; comedy)

Passato Ed Ora (32 pgs; dark)

Passwort Sirup (14 pgs; dark)

Playing House/Futari Gokko (120 pgs; dark, war)

Siamo Felici (24 pgs; comedy)

Sweet Home (30 pgs; dark)

The Defeat Of A Certain Man (60 pgs; drama; censored nsfw)

The Windowsill That Loved Him (30 pgs; sweet)

What If (12 pgs; dark)

***

SuFin:

Ai Suru Hito (27; light)

Diamond, Diamond, Diamond (30; mostly light)

Good Night, Good Dreams (14; cute)

Happy School Days (14; cute)

Kemuri wa Doko e Iku no Kara/Where Does The Smoke Go (22; dark, smoking)

Oh Family (18; cute)

Pihatonttu (75; cute)

Second Stage (20; somber)

***

RoChu:

Bloom Of Flower (18; dark)

Da Small Town (39; light drama)

Drowned Prince/Oboreta Ou (24; neutral)

Eternal Happiness (28; light drama; censored nsfw)

Guo Jie/Border (28; somber/neutral)

Little Song Maker (15; comedy)

***

FrUK:

Deus Ex Machine (25; neutralish)

Diamante (multi-ship; 59; only the gerita part is sad)

Drive Me Crazy (58; light drama; censored)

Fairy In My Mind (43; light; censored)

My Dearest, The British Empire (19; light)

Shiki/Fuyu (45, dark)

Yoru no Mori, Anata to Futari (37, darkish?)

***

Other Ships:

Fubin 2 (Gakuen PruHun; 20; light; censored)

Gap Moe (PruHun; 30; comedy)

Omoide Jenga (PruHun; 27; dark)

Always By Your Side (Giripan; 33; light drama)

Neko Netsu (Giripan; 22; dark, war)

Do You Remember Me? (RusPrus; 78; somber; censored)

My Name Is Your Night (RusPrus; 57; somber; censored)

Diamante (LietPol, RusAme, etc; 59; only the gerita part is sad)

Koi To Wa Donna Mono Kashira/What Is It Like To Be In Love? (AusHun; 18; light drama)

Million Lies (DenNor; 72; dark, violence)

The Nation And The Maiden (FraJoan; 33; dark)

***

Non-Ship:

A Happy Friendship Day (Hungary & Poland; 14; light)

Cradle Voice/Yurikago no Koe (Italy & Austria; 14; light)

Dreaming (Child America &Canada; 17; light)

Fubin 1 (Gakuen England, Japan; 14; comedy; censored nsfw)

Heart Ni Hyoutai (Russia; hints of LietBel and RusLiet; 14; somber; censored)

Hide, Hide, Hide! (Child America & Canada; 29; cute)

I Am Here, It Is A Very Wonderful Day/Sayonara Sankaku, Matakite Shikaku (Belarus; hints of LietBel; 47; dark)

Moon For You/Anata e no Tsuki (censored v) (Japan & China; 28; war)

Moon For You/Anata e no Tsuki (uncensored v) (Japan & China; 28; dark, blood, war)

My Dearest, The British Empire (tech FrUK bnr; 19; light)

Nihonchi (axis vs ame & uk; tech gerita & itapan bnr; 25; comedy)

Passwort Sirup (hints of hretaly/gerita; 14; dark)

Summer Apparition/Natsu no Mamono (axis; 14; somber yet wholesome)

The Golden Age of Sea and Sky (Turkey & Greece; 25; neutral)

There Is No End (nordics; 27; dark)

The Sound Of A Heart Falling/Shinzou No Orihiru No (Belarus & Russia; 17; dark, tw)

Tomato! Tomato! Tomato! (tech spamano bnr; 20; cute)

World Wide Love (main cast, mcdonald, miku, shinatty; 21; comedy)

#numbers are for pages ofc #censored = censored by me #tech bnr = technically but not really #meaning it could be easily interpreted as non romantic #the other ship section looks a bit chaotic but I wanted to organize it by ship first then alphabetically #specific tws and cws are listed on the post #I'm not including any I've reblogged from another account but you can still find them through tags

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