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forever-rogue · 1 day

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let me just say i am obsessed with your work and i have a small concept with pre-outbreak!joel that i’d like to share. you’re welcome to develop this as a full fic, a headcanon or even just discuss it.

joel has been dating you for a while, it’s his first serious relationship since sarah’s mom left and needless to say he’s very much in love. but being with you comes with a lot of pressure. as i said, it’s his first real relationship and he tries to be the absolute best partner for you. in the beginning you don’t pay attention to it because what you have is new and of course you do a lot to make it work but as time passes, you realize it’s a bit more serious than that.

he literally drives himself crazy trying to be the perfect partner. to the point where he’s stressing himself out or feeling guilty about things that are either normal or out of his control. for example, let’s say it’s your birthday and he wants to take you to a nice restaurant. you happen to be late (maybe an issue with his car or traffic) and lose the reservation. it’s okay, you assure him it’s fine but he feels terrible and just trying to fix it. in a similar way, if you ever have an argument and you decide to leave to clear your mind, it will bring the worst anxiety out of him. it’s all small things that pile up until you realize that he’s actually terrified he isn’t enough because if he wasn’t enough to make the mother of their child stay, why would you?

you can choose how you work it out so he feels more secure in the relationship or tell me what you think of this, i’d love to hear your opinion 🙂

AN | Okay but this is so soft and heartbreaking at the same time. But there is a happy ending! Enjoy ❤️

Pairing | Joel Miller x Fem!Reader

Warnings | Language

Word Count | 2.7k

Masterlist | Joel, Main

─── ･｡ﾟ☆: *.☽ .* :☆ﾟ. ───

Joel was standing on your doorstep, clutching a bouquet in his hand. He felt like he was shaking and sweating and going to throw up all at once. Needless to say he was nervous. It had been so long since he’d been on a date, let alone a first date. And not just any first date, but a first date with you.

You, that had almost knocked him over, literally and metaphorically, in the grocery store and left him feeling like a scared teenager. You’d been the one to ask him out, in fact, but he was still somehow convinced that you’d made some kind of mistake or were going to change your mind.

He rocked back and forth on his heels for a few moments as he listened for your footsteps. When he heard you unlock the door and slowly open it, his heart felt like it was going to beat out of his chest.

“Joel,” your pretty lips pulled in a big smile as you looked him over, “you’re here!”

“Of course I am,” he replied sweetly, a soft twang to his warm drawl, “did you think I wouldn’t show up?”

“I don’t know,” you admitted sheepishly, your face growing warm, “men are weird sometimes…even more so when it’s a woman asking a man out. But I’m so glad you’re here.”

“You look beautiful,” he couldn’t believe how lucky he’d gotten or how pretty you were. You were wearing a pretty little sundress and that alone was enough to cause his mind to practically spiral; he was just a mere mortal man and even he was not immune to the effect of a sundress. He pulled himself together to hand you the flowers that were still tightly clutched in his hand, “these are for you.”

“They’re lovely,” you took them gently, your fingers brushing against his, “thank you so much. No one’s given me flowers in so long, this is so kind.”

“They reminded me of you, bright and pretty,” maybe he wasn’t totally terrible at this after all.

“Come on in for a moment while I put these in some water,” you moved back inside and motioned for him to follow you. He slowly followed you inside, looking around your humble abode to try and get a good feel for you, “so, have you decided what we’re going to do this evening?”

“I have a few things in mind,” he grinned, a little half smile that made your heart speed up a little bit as you quickly moved to set the flowers into a vase with fresh water, “I can tell you or you can be surprised.”

“Surprise me,” you set the flowers on the counter and looked at him sweetly.

“Surprise it is.”

“I have a feeling you’re going to surprise me a lot, Joel Miller,” you grabbed your purse and he shot you a cheeky little wink, “I look forward to it.”

“Me too, sweetheart, me too.”

─── ･｡ﾟ☆: *.☽ .* :☆ﾟ. ───

Joel Miller couldn’t believe his luck. It had been a year, a whole ass year, since the two of you had gone on your first date. That might have been one of the best days of his life, topped only by the birth of his daughter. He knew that he wanted to spend the rest of his life with you, and knew that he wanted to ask you to marry him.

But there was still some remaining doubt that kept nagging at the back of his mind.

A part of him was always waiting for you to realize that he didn’t deserve you and to leave. Not that you’d done anything to ever suggest that was going to happen but still. He thought about it…a lot. He’d felt like a complete failure when his wife had left him and their daughter when she was only a few months old without so much as a proper explanation. If the woman he’d loved and married, the mother of his daughter, didn't want anything to do with him, why would anyone else? And what did he have to offer anyway? Nothing. Not in his mind anyway.

And he loved you, so much. He would do anything to keep you in his life. So he threw himself into everything he did; he wanted to make sure everything was perfect for you, even if it all but killed him.

You appreciated everything he did for you, so much and all the things he did were definitely not lost on you. At first it didn’t really hit you just how much he was driven to perfection until you started to see some of the cracks in the facade.

It happened one night when you were over at Joel’s house for dinner with him, Sarah, and Tommy that you noticed something was off. Joel had seemed so tense and distracted since you’d arrived. You’d made it to the Miller household a little earlier than you had initially told them in order to help finish up dinner and get everything set up.

Sarah had answered the door and let you in with a big hug before you made your way into the kitchen. You adored the girl, and her father, and you were happy that she seemed to like you too. You weren’t trying to force your way into her life, but let her welcome you at her own pace. It had only been her and Joel for pretty much her entire life so you were sure that this was a whole new world for her too.

“Hi baby,” you grinned as you walked into the kitchen, setting down the desserts you’d brought. Joel turned around and his entire face dropped when he realized it was you. Ouch. That managed to sting a little bit, “everything alright?”

“You’re not supposed to be here,” he looked at his watch and ran a hand through his messy hair, “for almost another hour!”

“I finished earlier than I thought at work,” you shrugged lightly, “and thought I’d come over to help. I didn’t think it was a big deal…I can go if that’s better?”

“No - no,” he insisted softly, “no, I’m glad you’re here, it’s just that nothing’s ready. It’s not set for you yet.”

“You don’t have to do all the work silly man,” you pressed a kiss to his cheek, “let me help. I’m more than happy to - I want to.”

“Are you sure?”

“Positive,” you whispered as you decided to hug him; he looked like he could use a hug. He wrapped his arms around you, squeezing you tightly to his broad frame, “just let me know what I can do to help, okay?”

“Okay,” he agreed, allowing himself a moment to bury his face in your neck and to breathe your warm scent in. When he pulled back, you kissed him sweetly, “okay.”

Once you had everything squared away and ready, Joel ran upstairs to shower and change, leaving you and Sarah to set the table. She looked at you for a moment before quietly saying, “he really likes you, you know?”

“I do,” you smiled softly, “I really like him too.”

“He’s never been with anyone since I was born,” she scooted over to you so there wasn’t a chance for Joel to overhear, “I don’t even remember my mom; she just up and left when I was a baby. But I’ve always had my dad. And it’s nice to see him happy ‘cause he deserves it.”

“Oh,” your expression softened, “he told me it’s been the two of you but never went into what happened.”

“Yeah,” she shrugged, “it’s fine. I never had the chance to know my mom so it never really bothered me. But I know my dad really likes you, he’s been so happy lately it’s kinda gross. He’s trying really hard. He just wants you to be happy too.”

“I am really happy, Sarah,” you promised, “and I want your dad to be as well. I love him a lot and you both mean a lot to me.”

“This is too sappy,” she snorted in amusement and rolled her eyes playfully, “but…you mean a lot to me too. Just so you know.”

“Don’t worry kiddo, we’ll keep it between us,” you shot her a wink, causing her to giggle softly, “you mean a lot to me too.”

“What are you whispering about, huh?” Joel came back downstairs and into the kitchen, his eyes flitting between the two of you, “planning a mutiny?”

“Duh, old man,” Sarah pushed past him, and Joel raised an eyebrow.

He was just joking around, mostly, but he was also panicking internally - just mildly but still. It was there. His first thought was that somehow the two of you were talking about him…but not in a flattering way. What if you were telling Sarah you were tired of him? What if you were telling her that you were planning on breaking up with him? What if you told her that -

“Joel?” you put your hand on his shoulder and gave it a gentle squeeze. He blinked a few times as he snapped back into reality before looking at you, “where’d you go, space cadet?”

“Just zoned out,” he offered you a smile that didn’t quite reach his eyes, “sorry.”

“Don’t apologize,” you insisted, “it’s been a long day, I’m sure tired as well. We’ll call it an early night tonight, yeah?”

“Yeah,” he nodded, heart constricting at your gentle nature. You were always so sweet and kind but he still found himself waiting for the other shoe to drop, “sounds good, sweetheart.”

“I love you,” you reached for his hand and squeezed it, “a lot.”

“I love you too,” he hoped you never stopped saying that. He wanted to hear it for the rest of his life. He was going to try his damndest to keep you in his life forever.

─── ･｡ﾟ☆: *.☽ .* :☆ﾟ. ───

“I can’t believe it,” Joel shook his head as he looked at the maitre’d, “it’s only fifteen minutes! You can’t tell me that you don’t have a table available anymore.”

“I’m sorry sir, the reservation was for 6:30 and we have a ten minute policy for being tardy,” he remained calm but you could see that Joel was only growing more annoyed, “as you can see we’re very busy.”

“I made these reservations three months ago-”

“I’m sorry, sir. That’s our policy,” you put your hand on Joel’s arm and squeezed it gently. He looked at you with a deep frown on his face.

“It’s alright,” you promised him, voice gentle and soft, “we can go somewhere else, it’s no big deal.”

“Fine,” he huffed after a moment and turned on his heel to leave. You offered the man a small smile as you followed your boyfriend out the door. He immediately started walking to the truck, leaving you to trail after him in his wake, “this is fucking ridiculous.”

You flinched as he slammed his door against the side of the truck, “Joel. I need you to calm down. It’s really not a big deal - I don’t care where we go, I just want to spend time with you.”

“But it’s your birthday,” he hissed, “it should be nice. I had this all planned out and I fucked up and made us lose the reservation.”

“Hey,” you slowly took a step closer to him, “do you want to tell me what’s really going on?”

“I just wanted everything to be perfect for you,” his shoulders slumped as he looked at you with misty eyes. Clearly there was a lot more going on underneath the surface, “I don’t want you to leave me.”

“W-what?” you looked at him in confusion, wondering where that train of thought had suddenly come from. You reached up and out your hand on his cheek, gently brushing away the tears that had rolled down his cheeks, “why on earth would I leave you? That has never crossed my mind.”

“I want to give you everything, you deserve it but I feel like I can’t give it to you,” he pressed his hand gently onto yours, “sometimes I wonder why you’re with a loser like me.”

“Joel,” he hated, and loved, how gently you always managed to say his name. You always had such a tender way about you, “I have never once thought you were a loser. Never. I love you, silly man, so much. You’re perfect to me - for me. Why would you even think that I would feel like that?”

“I couldn’t even get the mother of my kid to hang around. She up and left and sent divorce papers and left us,” he sighed softly, “sometimes I wonder how long it’ll be before you get tired of me as well.”

“I’m not her. I’m me,” you reminded him gently, “I’m never going to get tired of you. Oh my gosh, you don’t know how much I adore you, do you? Joel, no one has ever been as good and kind to me as you have. I look forward to spending time with you even if its just at home watching a movie. When we’re apart I look forward to seeing you. Not because of things like fancy dinners or grand gestures or whatever - not that I don’t love those - but because I love being around you. It’s because of you, not anything else. We could have nothing but as long I have you, and Sarah, it’s more than enough. It’s everything.”

Joel looked at you, trying to make sure he’d heard everything you’d said correctly and you weren’t about to laugh at him. When he saw the soft smile on your face, the tender way you were looking at him, he knew that you weren’t joking. He nodded slowly, sniffling before whispering, “I love you.”

“I know you do,” you promised, “you’ve never once given me a reason to doubt that. I love you too, Joel.”

“I know,” he reached for your hand, hesitantly and gently, lacing his fingers through yours, “you’ve never given me a reason to doubt that either.”

“Good,” you squeezed his hand gently, “I think we’re on the same page, right?”

“Yeah,” he agreed quietly, “we are.”

“If you ever have any doubt, just let me know and I’ll remind you just how much I love you. But…does that mean we can go and get dinner? Some McDonalds fries sound amazing right now.”

“You want to go to McDonalds? On your birthday?” That was one of the many things he loved about you - you weren’t pretentious or picky or anything. You were just you.

“Are you going to go with me?”

“Obviously,” he snorted in amusement, shaking his head fondly at you.

“Then hell yeah,” you teased, “let’s go and get tons of McDonalds and go home and watch a movie. That sounds perfect.”

“Then that’s exactly what we’ll do,” he agreed as he opened the car door for you. He buckled your seatbelt for you before leaning in to kiss you gently, “happy birthday baby.”

“Thank you,” you made sure to steal another kiss from him, “I love you, Joel Miller.”

“I love you. So much.”

#joel miller #joel miller x you #joel miller x reader #joel miller x fem!reader #joel miller imagine #joel miller one shot #tlou #pedro pascal

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givemequeen · 3 days

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the artist; spencer reid x reader

request: Hello! It’s me again. :) I have a concept but I’m unsure about a plot, if that’s okay. Could you maybe write a Spencer x Fem!Quiet reader who likes to draw? And Spencer always sees her doodling on her papers while she’s bored like flowers and eyes and stuff? And sometimes she draws the team while they’re working but one day Spencer sees her drawing him and he confronts her very politely and she’s all flustered and blushing? I don’t know if it’s something you’re comfortable with, I just like to draw and if I worked with the FBI that would definitely be something I would do if I was bored. 😄🫶🏻 Thanks a ton!!! I love your writing.

a/n: i love spencer sm. i rly hope this is what you were looking for! thanks for the request :)

It had all started with some fun doodling; a couple of fun little drawings here and there when things were slow or during long flights. It hadn't been anything serious. Then, you attempted drawing landscapes; mountains, buildings, anything. Not just silly doodles.

Drawing helped you pass time, you enjoyed it and, if you said so yourself, you were quite good at it. Drawing people had always scared you, you weren't sure if you could get it right so you started with strangers, people on the bus or tram, in long queues, at cafes.

On one particularly long flight to Seattle you had drawn Hotch. His hard stare and furrowed brows as he read over a case made him easy to draw. Then it was Garcia, her bright smile brought you comfort. Then Rossi and JJ and Morgan.

And finally, Spencer, the cutest member. You could definitely see why Morgan called him pretty boy. His soft lips and hair beautifully juxtaposed his sharp jawline and slim fingers.

He was you're favourite to draw. You had around half a dozen drawings of the team by now; some individual, some in groups. But, your best drawings where those you had done on Spencer.

"Wow. You're really good." Spencer voice made you jump, nearly spilling your coffee over your drawing.

He had just gone to the jet's bathroom - you had been careful to hide your work as he passed by you.

"Spence!" you yelped, moving to clean up. "You scared me." you pressed your sketchpad against your chest, hiding your drawing from sight.

"May I see?" he leaned over and stretched out his hand - that gorgeous, slender hand of his. The one you had a couple drawing dedicated to in the very sketchpad he was reaching towards.

"No!" you said, a little too quickly. "I- erm-"

"Oh, that's okay, sorry for asking." he straightened up. "I just... well I thought that was a really good drawing. You made me look quite nice." his voice was soft, no one else could hear you.

Apart from the looks from that initial scream, no one was paying any attention to you two, everyone too immersed in their own thing to pay attention. You looked around, confirming no one was watching, and moved over in your seat.

"Sit." you said, patting the space beside you.

Spencer sat down, his thigh warm against yours, and smiled at you.

"Here." you offered him your sketchpad and hid your face in your hands, too ashamed to watch his reaction.

He opened the first page and oohed. You peaked between your fingers, wondering what he was looking at. It was your very first doodles. He pointed out some and smiled; his revolver, his favourite book, Morgan's headphones, Garcia's pens.

"I really like these." he said.

"Thanks." you mumbled.

He turned the pages, his fingers feeling the bumps and ridges of the drawing. He was particularly fond of the one you did of Vegas' skyline.

"That's amazing." he said, more to himself than to you.

You pulled away one of your hands and leaned over to him. His scent was overpowering in the best way possible; coffee, old books, and that new cologne he had been trying out.

He finally got to the one you made of Hotch. Spencer laughed out loud, looking up to his boss and laughing even more.

"Identical! Same expression." he whispered in between laughs.

"Thank you." you said, a smile appearing on your face.

"Oh and Garcia..." he laughed. "The same smile..."

He passed the pages - the first drawing you had done of Morgan made him laugh again. It had been of him flirting with Garcia; you had nailed his wicked grin.

Finally, he flipped the paged onto his section of the book. The first one you had done of him he had been reading a book, his fingers pressed against the pages and he read page after page.

"Oh wow." he whispered. "That's... it's amazing. You're such an artist. How did you manage it?" he turned to look at you.

"Oh, well, I dunno." you bit the inside of your cheek. He wasn't mad you had drawn him without permission or something? "You like it?" you asked.

"Of course! They're amazing." he reached out to squeeze your hand. "You're amazing. I'm really impressed."

You stared at your joined hands and your heart skipped a beat. "Thanks." you stuttured.

Spencer let go of your hand and went back to passing the pages. The next drawing, he had been fast asleep, an open book resting against his chest. He laughed at that one too, making some comment about how ridiculous he looked.

"Well, I thought you looked cute." you whispered, scared he might actually hear you.

"Yeah?" he said, looking over at you.

"Yeah." you said.

Spencer was blushing. He quickly looked away and flitted through the rest of the pages. He was especially impressed by the one of his hands ("wow, I had no idea they looked so..." "beautiful?" "creepy").

He closed the book gently and handed it over to you.

"I'd love to get a copy of some of those, if you don't mind." he was so close to you, you were afraid he could hear your heartbeat.

"Yes- no- I mean, I don't mind. I'll send you the original." you were having trouble trying not to stare at his lips for too long.

"You'd do that?" Spencer asked.

"Of course, since you were such a good subject." you laughed and stared into his soft eyes.

"I'd love to be an actual subject for you one day, since you're so good at it." he moved to stand up and you nearly whined as his warmth left you. "If you ever need a subject, let me know." he flashed you that sweet smile of his and made his way back to his seat.

You couldn't believe what had just happened. It took everything in you not to squeal and dance around like a teenage girl. You pressed your sketchpad against your chest and buried yourself deep into your seat, already thinking of all the poses you could get Spencer into.

#spencer reid #spencer reid fluff #spencer reid x reader #spencer reid x reader fluff #criminal minds #criminal minds x reader #criminal minds x reader fluff #criminal minds fluff #imagine then receiving a package from reid of art supplies with a note or somethinggggg

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sepublic · 1 day

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Alright, let's talk about some details from the TOH pitch bible;

A lot of the stuff is what we've already seen and/or in line with the show. What's interesting is that King WAS a former King of Demons at one point, and we would've had an episode where he runs into his old gang and chooses Luz and Eda over them. It makes me wonder if he even had a connection to the Titan in earlier drafts, if he wasn't recognized as one back in the day because he just wasn't big enough, etc. Eda makes a deal to help remove the collar, which IS the source of King's woes, placed by a 'mysterious wizard', I wouldn't be surprised if it was Obron AKA Proto-Belos.

What gets me is that Tibbles originally started off as a friend to the protagonists, while Bump was an antagonist! Coupled with Tibbles being re-elected as mayor after Bump is deposed for corruption. I like the detail of Bump being a parasite controlling a body from the head, because it carried over into his final design with Frewin, and before we got confirmation Frewin was a separate entity, I loved the joke theory that the imp on Bump's head was the REAL Bump!!! Seems that was always the implied story of the design, I love it. Tibbles being the demon fan of human stuff would eventually become Gus instead, so this is technically Proto-Gus too…?

Interesting how Bump and Tibbles' alignments switch completely with one another, and it makes sense that with Lilith no longer the principal in the final draft, it goes to Bump, who ends up being really chill and a subversion in his own right! Interesting, but I do prefer the final Bump we got, and that's fine by me, because when the concepts aren't as interesting as the final product, it means we got the best possible version.

I've already discussed Obron and William in a separate post, and Pupa is someone we've been told about in a previous livestream. Lilith would've been both head of all covens (and not just the Emperor's Coven) AND principal at the same time, and she seems much more of a jerk to Eda in general; She has no qualms with cursing Eda because of a direct order from Obron.

Apparently the curse would've been an AGING spell, which settles my questions on how it would've been portrayed in earlier drafts! This goes along with Eda's older look. Likewise, there would've been a subplot of Eda considering Luz's sacrifice as a way to restore her youth, which likely goes hand in hand with Obron's orders to bring Luz to her, etc. The 'Bloom of Eternal Youth' quest, which Eda and Lilith go through together as their sisterly relationship is explored, feels like a carryover from this past idea.

I think I prefer the final draft; I like that the curse isn't just aging Eda, but also takes away her magic, makes her turn into a beast, etc. I like Lilith being a lot more complicated in her relationship with Eda, instead of just hating her and cursing her without hesitation. The redefining of the curse makes it less about age, and more a chronic illness metaphor, and I like how Eda in the final draft is upfront about having to learn to live with it, deal with it, on her own terms. She isn't trying to find a cure (although Lilith being promised one by Obron feels like a carryover of Eda's moral dilemma with Luz), and that adds another nice dimension to her conflict with Lilith, as well as Gwen. It's pretty frank in its own right about normalizing disability, and those who play an antagonistic role (however brief) are the real weirdoes for making such a fuss about it.

The Bat Queen would've had more of a recurring role based on the description, which saddens me; I always got the vibe she was planned for more, but between all of the other stuff the show had to juggle, plus the shortening, she ended up getting shafted despite being one of the earlier characters. Sashley, Pasha, and Bruno are also interesting, with Pasha in particular giving me freaking Philip Wittebane vibes with his grossness, beard, and anti-demon attitude; He even starts off as a potential friend to Luz because fellow human, only for his true bigotry to show. Makes me wonder if Philip ended up incorporating Pasha, we also have bodily transformation because of consuming magical stuff... P-names.

(Also, I like how in the drawing of typical Demon Realm denizens, I can see an eye demon who resembles a past drawing of Dana's!!!)

Eda was actually a late bloomer, which creates a parallel with Luz in one way, and their relationship is referred to as sisterly (in the final draft it’s explicitly maternal). So Eda wouldn't have been the talented youth, in fact things may have switched between her and Lilith; Lilith's disdain may have partially come from Eda not being as innately talented as her.

Luz and Amity's dynamic seems like it would've had Amity retain a lot of her more stand-offish, pragmatic personality even as a friend with Luz, and this would've come up more; So basically, she'd remain more like S1 Amity. That, or this part of their relationship would've lasted longer, and then we would've seen character development as Amity unlearns a lot of the issues her parents passed on. I also wonder if the Willow who cameos in the pilot was originally supposed to just be an extra separate from ‘Paulina’, but then they combined the two together.

The themes are exactly as I expected, glad to see they're still there, nothing changed! Luz becoming a witch and defying all odds to do so, putting in real work and passion. Celebrating individuality amidst conformity, plus Luz trying to impose her own fictional tropes onto the world, only to have to put that aside... Just like Wing it like Witches. It seems Amity would've had more involvement with Luz's journey to become a witch, though we still do have a carryover of that disconnect with her rant near the end of Covention.

I love the Demon Realm being situated BELOW the Human Realm, way to be subtle about being Hell you guys lol... Apparently portals to the human world are a lot rarer to find and use, which makes me wonder if the pilot's 'dimension port' doesn't have access to the human world; Meaning Amity is Luz's only way back, so her improved relationship with her is linked to getting back home. There's a gag about the Knee having service with the human world, but I can see how that didn't make the cut, for dramatic purposes; It seems like the premise for a S1 episode or at least a B-plot. Would Luz have struggled to communicate with Camila through this, or would her search for wi-fi be for mundane reasons?

Apparently Luz's magic would've required a lot more steps to complete, and I see why the show simplified things down to just glyphs. I wonder if there was always going to be the connection of glyphs as a gift from the Titan, or if the Titan and her story was going to be less intertwined in the overall narrative. There also don't seem to be nine main covens, just the many, many covens, some of which are pretty ridiculous, and Covention's sub-covens seem a callback to that.

Luz's first spell would've been levitation, and THEN she would've infiltrated Hexside, with Amity being a lot subtler about exposing Luz, though in the final draft she does figure that out as the way to go in I was a Teenage Abomination. Yeah, I prefer Light being her original spell, feels so much more symbolic and personal, etc. I wonder if the Titan is even as much of a character in early drafts, and if there's still the whole connection/relationship with the land and learning to respect it aspect. Some of these hypothetical episodes push the idea of Amity as a more episodic, typical popular kid antagonist, though in the final draft, the show goes through her character development and explores Amity's romantic relationship with Luz and its complications.

It seems the idea of the Mirror Ghost was split into Adegast and Vee, with Adegast being the one who offers the easier narrative for Luz to believe in about becoming a witch (only to be a fraud who uses uncanny puppets), and Vee being a doppelganger whom Luz communicates through with mirrors. Interesting how Yesterday's Lie was born from this. We saw the test animation from Spencer Wan for TOH, so I guess we know what Luz's puppet-doppelganger is called! And we can safely call her Proto-Vee. I wonder if she also would've been a sympathetic character, I always thought she reminded me of Lake from Infinity Train (and speculated her to be as such since Enchanting Grom Fright), and now the similarities are even MORE apparent!

Alas, The Good Witch Azura, or 'The Unassuming Princess' seems like it'd have been a lot less dear to Luz's heart, as the pilot also reflects; In the end, it turns out the author is just Eda's ex using her adventures as basis, and including private information. I remember when I once speculated that Raine, before we saw their face, would've been just like this as the author of Azura... Again, I think I prefer Azura as being a lot less mean-spirited in the final draft, and instead a celebration of who Luz is as a person, her relationship with fantasy and fiction, etc. We also would've had a Luz birthday party, the Quincenera we've been hoping for since S1...! In the final draft (and episode) we still get that Human-Demon Realm disconnect, though by that point, Luz is much more attuned and chill with the isles.

There’s definitely more of an episodic, sitcom feel to this pitch bible, especially when you compare Proto-Yesterday’s Lie to its final version. Makes sense, Dana is pitching this to Disney executives, though her statement on Understanding Willow feeling truly like her show makes me wonder if she always intended to push TOH in that more serious, emotional route we got.

#the owl house #the owl house pilot #king clawthorne #principal bump #hieronymous bump #luz noceda #the owl house tibbles #lilith clawthorne #eda clawthorne #edalyn clawthorne #amity blight #lumity #boiling isles #analysis #the good witch azura #meta #speculation

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lintubintu · 2 days

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Kot Kot Review

I like Kot Kot a lot.

Despite the almost harsh difference between the intro and how the song progresses, it´s not too out there.

The music seems chaotic and structured, is melodic, nostalgic and two-faced more out of necessity than provocation, and it´s ongoing. It spirals.

There is a lovely moodiness to it that seems mature and balanced, deliberately using the intro as a bridge again and repurposing the funky "kot kot" into something that softens into the lighter part of the song. The change of pace is noticeable but not alarming and almost hopeful.

Kot Kot is not a big song nor does it exist to troll. It enjoys being silly with the chicken theme and builds a narrative that can be purposely misunderstood by people who don´t like him.

During my first listen I was a little confused but intrigued by the seemingly contradicting parts that adapt well by the second listen. Pop and Rap evolve from clashing into shaking hands.

It feels a bit like a song nobody would put on an album anymore because it is deemed barely good enough to keep up with its fellow, more popular tunes. It stands on its own where others see a filler track.

Overall, it makes me have more hope for the album now; for it to be an album and not just a compilation of Singles.

I wouldn´t be surprised if this song was the opening number, nor would I be shocked to not find an Intro at all – Kot Kot is an introduction in itself.

From what I understand of the lyrics, it also is the first song of his that makes me want to know more about him as a lyricist.

To start the song of with MAYDAY is a deliberate choice because the song is not what it seems.

It´s soft spoken and not a shrill cry for help but knows of something that already affects the narrator enough that reaching out soon is imminent. It´s a literal stress signal.

The teaser made me think the protagonist in this song was simply sick of being treated like someone doomed to continue staging a party for others.

Relying on translations and interpretations of this song, the protagonist seems to realise that their lifestyle will rather leave them with very little time spent having fun with friends – because even the party-goers have gone to bed earlier than them.

Those that tried to keep up with them may have lost their step and had to give in to their own different schedules, or are worse off for keeping them company. So their company diminishes further.

There might be little life beyond the lifestyle, the sobering thought that solitude is too close within reach for comfort – the time left after work cannot always be shared nor of quality due to their schedule.

A double blow. Real life and bonding has to be spent in time confetti. Throughout it all, the silliness persists.

Rather laughable is the Explicit rating of this song. Was it the Perhana!?

The ending is a jumpscare, them finally being silly, breaking the cycle. But at the same time, it´s a rooster greeting the morning – the protagonist worked the night away.

For a moment, you are relieved the song is over. And then you play it again.

I would love for the upcoming album to be a concept album.

This song seems to divide people in a different way than songs before it did.

Some of you seem puzzled, others more neutral than hateful, none of the dislike so far is really loud.

The timing might be a bit unfortunate – song releases at this hour have the same problems as the protagonist in Kot Kot.

And even if you really don´t like this song, I fell that there will be something on the album that you will like.

It´s ok to not like things and it doesn´t have to be justified.

Still, I am interested to hear what you don´t like about this song because I think it makes for a worthwhile conversation and I like interacting with you.

Let´s do that while we have the time.

#käärijä #kaarija #kot kot #700 words #no idea why I wrote this much #if you know don´t tell me #I seem to like this song #I like Kot Kot a lot lot #let me know what you think #all typos are due to it being 4:30am and my eyes being drIer than modern-day European soil #btw did you hear me make the chicken sound in the end?#I´m also a bird #lintu out

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twinkrundgren · 2 days

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i do like farcille as a concept but in dungeon meshi it feels less of a relationship and more of an obsession. falin isnt really a character, just an object to use or an object to desire, and while we learn much about her through her absence through the story, she's barely a character when shes alive. the scenes between her and marcille when she was first revived are amazing and sweet, but its gone all too quickly, almost giving us a taste of what falin meant to everyone, but by the end... shes just a bystander of her own life.

we dont know how she felt about being a chimera, the lengths marcille went towards reviving her, she didnt seem to care about much that had changed (like the massave change in party layout) while she was dead. her character to me almost seems like projections marcille had about her, rather than a person with her own thoughts and feelings. most of what we know about falin is through marcilles eyes, and while she loves falin, its a biased view that only shows one side of her personhood

hell, when she was first revived i thought something was wrong because she seemed dazed and apathetic, she was warm to marcille but otherwise did not seem very interested in anything else.

the ending felt very rushed and in a way it feels like dungeon meshi is a story about marcille not having to deal with her insecurities or her fear of death. she revives her girlfriend twice after things that anyone would have deemed an unwinnable situation, and its unclear whether marcille suddenly got over her overarching fear of having all her friends die long before she does or her wish of everyone living the same lifetime came true and stayed true.

either way, it feels like... because marcille got falin, that dungeon meshi needed to be about reviving falin, it neglects other themes the manga was about.

accepting death. accepting the differences in other races. both of those themes are kind of ruined by 1. falin being successfully revived TWICE after 2 doomed situations and 2. marcille either entirely getting over the racial disparity in lifetimes suddenly or getting her wish for everyone to live as long as her.

and both serve to give falin and marcille especially a happy ending. but i think it comes at a cost, of dungeon meshis own themes and falins character.

but yeah, its a happy gay couple ending, so its good right?

#dungeon meshi spoilers #dungeon meshi #rambles

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superchat · 1 day

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im wondering if elden ring has references and inspirations to annihilation/southern reach series

annihilation mentions a crab with a human face on it, the face of one of the past expedition members. meanwhile the crabs in elden ring above godwyns corpse are mutating to have his face on their backs

godwyn himself feels like hes inspired by the crawler to me. underground, infecting the entire rest of the land, passively and clear without reason, maybe instinctevly? but also he seems to be a horrific mix of biology. between clams, fish, man, flies, and treeroots, hes become this mash of concepts. just touching him could implant death in you

the mimic tears themselves feel like a very direct concept. annihilation has several instances of people being copied

the erdtree itself too seems to follow the same idea of annihilation. in annihilation, a meteor crashes on earth and whats in the meteor begins to warp and change the world around its range growing more and more, everything under its gaze is not immune to it

its heavily implied that the erdtree itself crashed into the lands between, and from this, it began to take over (with the help of marika). the greater will wants nothing more than to expand its control over the land and bend those to its will.

thematically too, the erdtree is kind of like a lighthouse, right? visible from all of the lands between shining its light, it serves as a reminder and as a reference point to its inhabitants

#i am considering posting this on reddit lolllllllllllllllll #annihilation #southern reach #elden ring

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nalyra-dreaming · 3 days

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Something something about the sequence of "Marius de Romanus, Venitian contemporary of Tintoretto's", "The Groan" and "I serve a god" in the very same dialogue exchange + Real Rashid + Marius burning Eudoxia's acolyte Rashid + Eudoxia wanting to take TWMBK for herself + the way Children of the Millennia worshipped Akasha + Teskhamen being part of Akasha's original cult, the founder of the Talamasca and Marius' maker + the Talamasca finding Marius' painting + these paintings hanging in Dubai

I sound schizophreinc but I swear I'm not. I feel like I'm onto something that I can't fully grasp yet but something like the show merging the concept of Marius and the Talamasca together somehow??? I don't know I need to watch S2 right now😭😭😭

Alright *cracks knuckles* :)

So I am (not sure if you know but probably) firmly in the team "Marius is somewhere around and TWMBK are in the basement. And Lestat is probably there in his coma as well.".

For me (myself and I) all the hints point to that.

The painting, the comment re the prime minister, the groan, Fareed, Armand's little comment re serving a god. If the groan is Armand being annoyed or TWMBK will be something that will be interesting to see, but...

I really do not think you schizophrenic :)))

Marius has ties to the Talamasca (Raymond Galant), not only through his maker (though that is indeed a rather strong tie) but also through his contacts to it through the ages.

I absolutely believe that some of his painting will play a rather important role still in the show(s), especially since the set design emphasizes their meaning so much.

So yes. Marius' painting(s) in Dubai. I would bet anything that there are (at least a few) more in the basement. I would bet a lot that there is more than furniture in the basement, too. (In fact I think @cbrownjc might be right on the track in their fic installment, but that just as a note, this aligns to 99% with what I expect as well^^).

It's just the setup of it all. It carries meaning.

Like, Armand wouldn't hang that painting if some things haven't happened. And, as much as he loves/hates/wants Lestat... would he say Lestat is a god? Then again, him being sun-proof (and Louis not) puts us in such an interesting time frame in the books.... and that little easter-egg/hint with the "Book of Hours", too... because remember where that was mentioned?? Right, in Memnoch. By DAVID. David, who implies that they, aka the Talamasca, were tracking said Book of Hours... which had been lost in Berlin in the Second World War. (Btw, I will forever and for all time adore them if Louis just happens to lose some luggage with that darn book on his and Claudia's travels. Seriously. Please.)

Fareed and Seth... and Gregory. And Teskhamen. And Raymond. Hesketh. The Talamasca. Gregory's pharmaceutical empire and Fareed's research. (Which could easily produce special medicine for Daniel). Seth, Akasha's son. The paintings in the living room depicting "mother and daughter"... and "twins".

It's all connected.

And I mean.... knowing the last books... it's not really a far stretch that Marius is involved with the Talamasca. Leads them even, maybe :))))

The show is building up the lore in a quite incredible way, imho. I just hope they do not lose sight of all the threads, because this... if it unfolds over the next seasons as I suspect it will??? ... will be breathtaking.

#Anonymous #asks #ask nalyra #amc iwtv #iwtv #amc interview with the vampire #interview with the vampire amc #iwtv amc #iwtv 2022 #interview with the vampire #the vampire chronicles #vc #vampire chronicles #marius de romanus #iwtv marius #talamasca #vc lore #iwtv lore

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planetdream · 2 days

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jeonghan and joshua are deadly, i’m begging you to write something 🙏🏻 (no pressure though!!)

isa <3<3 had already been writing a quick lil thot when u sent this ask so i'll post it here <3

so a jeongshua concept that has been weighing on my mind is—

josh sending a nude of you, laid out and covered in his cum, to jeonghan with a text attached: “gave the princess six orgasms tonight ❤️” followed by “that’s two more than your personal best isn’t it? ☺️” because the two of them are sharing you but their desire to rival each other is high, attempting (and succeeding in some cases) to outdo each other with every hookup, seeing who can make you feel better than the other, and cum more. and all you have to do is just be your pretty self and take every gift that they give you. though, at a point, you’ll come to feel a bit torn between them because sometimes their rivalry extends outside of just sex.

like when jeonghan finds out you’re hanging with shua for the day, and in an act of jealousy, he sends you a pic of his cock, glistening in his spit and cum, tip red and leaking. followed by a “missin u 🥹” text, attempting to get you to come over to his place (it works—and he didn’t even fuck you that day, just wanted to hang out with you bc you can’t be hanging out with josh and not him)

sometimes it’s even worse when they’re fucking you at the same time. jeonghan kissed you? shua has to kiss you and then maybe spit in your mouth for good luck. shua maybe you squirt? now hannie has to make you cream all around his cock. and don't let them be fucking you dp style... you'll be sore for days and that pussy hungry pair is gonna wanna have you like that all over again. bc although they love to outdo each other, they both share the joy that it is to see you fucked out and shaking <3

#jus a lil sum short ❤️#🫂 — isa 🌱#jeonghan smut #joshua hong smut #✰˚. !! dream.hardhours #☁️ — daydream.svt #svt smut

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starsreminisce · 1 day

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Hiii!!! I love your blog so much 😍😍😍.

I have a question for you: Do you think SJM could have Elucien reject their bond without exploring it? I feel like for Elriel to have a book, the bond would have to be rejected early on so the story can focus on Azriel and Elain and whatever plot SJM chooses, just like she did for feysand in ACOMAF. It would be weird for Elain to explore the bond and get to know Lucien while building her relationship with Az at the same time. Especially when it’s supposed to be a dual POV. If she’s dealing with both, they both should have their pov as well for it to make sense - in my humble opinion.

Hello! Thank you so much for your kind words!

Short answer: no.

This isn't just Elain's bond to Lucien; it's also Lucien's bond to Elain. As you mentioned with Feyre, she underwent a process of understanding her relationships with Tamlin and then with Rhys, eventually discerning the differences between the two.

We see a similar exploration with characters like Aelin, Rowan, Lysandra, Chaol, and, to some extent, Bryce with Connor and Ithan with Bryce.

When SJM introduces a new character as a love interest, there's typically a lightbulb moment that reveals why one person wouldn't work and then segues into why another would.

Remember Az's bonus chapter?

Personally, a rejected mating bond would have been included as part of Elain's early healing journey. We would have been introduced to this concept in ACOSAF as it sets up the trajectory for the next couple of books.

Consider the dinner scene where Elain attempted to join the conversation but faced challenges, particularly when Amren tells her she can't be human anymore. While the reasons behind Elain's inquiry may remain ambiguous (small talk, genuine interest, existential crisis, powers), Amren later confirms that Elain isn't okay. Then we have Lucien dropping off the presents. We could have been given insight into Elain's potential rejection during Feyre's confrontation, either through Feyre's speculation or Elain's hints, yet it's Mor who reassures Feyre that they just need time and things will work out. Happiness doesn't seem to be part of a rejected mating bond equation—not when it haunts her, not when it drives Lucien to madness, not even when she senses his death.

How will the story proceed with only two perspectives in the next book, considering ACOSF sets the stage for a different narrative structure? It's worth contemplating the trajectory of Elain and Lucien's journey together as they pine over different people while processing their bond. What happens next? Will the following book be a quad POV because their HEA hasn't been realized yet, or will it solely focus on Elain, leaving Lucien's fate uncertain?

I recall reading an Elriel's comment about SJM writing them into a corner. I can't relate—she made the road to Elucien pretty clear to me.

And if she had forgotten that the bond could be rejected until ACOSF, then isn't it telling that she had no plans for it at all?

#elucien #pro elucien #elain x lucien

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harveyassblog · 3 days

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I just checked and I found out I had 1.3k followers. Hi. This is I think one of the first posts I’ve made on this blog in almost five years but I’m feeling down at the moment so I thought I’d reminisce.

Stardew Valley was the first game in which I romanced a male character. Yes, it was Harvey. I was eighteen years old, freshly out to myself and I was dipping my toes into the idea that I could get into a relationship with another man.

I had so much shame about it all then. I couldn’t speak, even to my queer friends about my feelings, like the words in my brain were censored before they even reached my throat. All things personal to me, all the aspects of myself felt embarrassing and wrong, fodder to be humiliated for. The thrill of a video game romance, the concept of openly wanting and being openly wanted, was exciting and mortifying.

The escapism of this imagined bucolic setting and of love and nearness to others, where being open and vulnerable is as simple as giving gifts and with a press of a button having something to say to someone. In life I struggled with my words, with relationships and being open with people. Even now talking about myself often feels like my innards are on display and I will be laughed at for it. I’m working on it.

Five years goes so fast and so slow. Forays into dating have left me hurt and confused. Coming out left some bruises. And in times of change like these, where people and friends who I wished would stay close forever have to move on and out into their lives, I think it’s easy for me to feel disheartened and stagnant. Like everyone’s caught in some big autumn but leaves me right where I’ve always been, a green leaf.

But I have changed. I came out to all the people I wanted to be out to, from whom I risked rejection. I’ve grappled with religion, with existential dread, with dating, even after I’ve been hurt. It sucks to have to go out there and meet new people and start over fresh when it feels like it takes me years to be myself around others. But those years have to start somewhere. My closest friend now I only really got to know five years ago. Who knows what five years more will look like.

I know that making a comparison between a real life concept with one that appears in a video game is sometimes seen as silly, but as this is a Stardew Valley blog it seems a fitting way to end. This is my year one again, with the sometimes cold people and the first flower dance. Even if I’m geographically in the same place, I’ll start fresh and there’ll be plenty of characters to know. One frantic day at a time.

I should learn to fish.

#not art #harvey lite #personal #long post #surprisingly I was not planning that whoops #also like tw for coming out/life related anxieties but they’re vague so idk #maybe internalised homophobia???#idrk

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queerfables · 3 days

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My impressions of 911, as at the end of 1x04:

So far I like the show a bunch!

I'd heard Buck starts out as a bit of a jerk but so far he's been a likeable one. It helps that there are (very nearly) consequences for his more outrageous behaviour.

I like Abby and Buck for each other but Abby as a character is appallingly under utilised. I feel like her role as a 911 operator underpinned the entire PREMISE of the show and yet it only took one episode for them to realise they didn't know what to do with her. She's also just... not a super compelling character? Maybe she'll get more interesting, I'm mostly mad because I think the concept is really solid but I'm not sold on the execution. The big problem with her personal life is that she doesn't have one, so it drags a bit when we spend so much time with her outside her job. At this stage I'm unsurprised she left after the first season, just because it feels like they don't quite know how to write for her.

I love Athena and oh boy is she doing it tough but I desperately need her to not use her power as a police officer to harass teenage girls. What the girl bullying her daughter did was terrible but she was still waaay out of line.

Related though, something I like about this show so far is that the characters' strengths are also their weaknesses. Buck is impulsive in ways that are good and bad; Abby is caring and empathetic, sometimes to a fault; the passion and assertiveness that makes Athena out of line with her daughter's bully is the same thing that makes her great at standing up to the assholes who deserve it. It's good character building.

I also like that characters are allowed to do shit bad enough to actually warrant censure from higher ups. And then receive appropriate condemnation for their behaviour. Often when shows try to do that kind of story line they go too soft on the characters either by over justifying why their bad behaviour is understandable or by having the consequences be wildly disproportionate to the wrongdoing in a way that makes them feel like the victim. So far 911 seem to be be striking a pretty solid balance on trusting the audience to empathise with the characters even when they do bad things and get called out by the narrative for those things.

I don't think the show has killed any kids yet, which I'm grateful for but also wary about. I'm betting they're saving that up for a real gut punch of an episode. I already cried over the mother in the plane who DIDN'T die?? If there are any big Kids Dying episodes I should watch out for maybe let me know. (I'm already aware of the basics of Bobby's backstory, though)

#911 abc

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jerejerejere · 2 days

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I absolutely love Lintu's analysis off kot kot!

(Thanks for giving a platform for additional thoughts ♡ i ended up typing so much that i thought i should also put this in a separate post 😅 i'm just curious what you all think!!)

Idk why it hit different when listening to the whole song but i almost ascended with the first couple of seconds it was so good. Even though i've heard it before. Maybe i was distracted then, who knows.

I'm so glad he teasered both elements of the song before the release because i would have died on impact with the kot kot part. Other than that i have nothing to add to lintu's thoughts - perfect. It's wild and chaotic but still somehow balanced and it doesn't feel like trolling but really sincere even in it's goofyness. The lovely moodyness! Totally!

The song adapts really well with every listen. You feel like you don't want to like it (as much as you do) but here you are replaying it a fifth time, a fifteenth time. Like a taste combination you're not sure you like so you have to go in a second time. And before you know it, you're hooked.

(I still don't love the kot-kot part but that's because i somehow just don't like the word, it's so dry idk.)

I love both parts - the rapping and the singing equally although i will say that i don't vibe with the autotune (it's autotune, right?) that much. (I want to hear your real voice Jere :') even if it's not 100% there yet) I love his voice so much. The high-pitched ''missä'' was a special treat 😫

I love the distorted metallic beats under the rap parts a *lot* lot.

Lintu's analysis of the lyrics is so interesting, i haven't thought of it that way - that this is not a song about the now but a projection into what the future could possibly look like.

Also interesting that the voice on the phone was both Finnish and English 👀 (a hint to friends in other countries and the distance they have?)

I really wish the song was longer. I had the same with ruoska, where it felt like the song was over as soon as you got really into it - blip! Over. (but maybe i'm just slow?) I also wish the 2 elements themselves lasted longer - there's no way you can get into them and really *enjoy* them before they end. And then i was like ... waidaminute! This is intentional! Time confetti! He doesn't get to enjoy his fame and/or private time long enough so neither do we get to live in these elements for too long. It leaves you a little rattled and disoriented. As someone else said - it's like edging 😅 it is! Without resolve. Because that would have been my other point - the song feels like working up to a really good climax but then - bok bok.. 😅😭 That sly little gremlin 😫💚

Also every time i caught myself thinking - hm, that's very commercial 😅 the song kicked the legs out from under me right away 😂 So good for him.

Which brings me to my next hard agree with Lintu - i soooo hope it's a concept album! I don't need to love every song but boy do i love when he experiments. I end up liking those later on mostly. So it's a delayed reward treat idk how to describe it better.

Lastly.

None of this, absolutely none of this, implied sexy poledancing. He just did that. 🙏🏽😫❤

So thank you Jere.

#allow me to be vain and rambly for a sec - sorry if you see this twice 😅#käärijä #please do tell me what you think :D i looove to hear your thoughts on this and in general 💚

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sepublic · 2 days

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The Owl House Pilot Leak!!!

Oh my titan.

The Owl House’s original pilot episode (basically a bunch of voiced-over storyboards) just got leaked and OMT. Watching it felt like experiencing the original magic of the show all over again… Reminding me what it was like to fall in love the first time!!! The hype and rush, the excitement to type down my thoughts after a new episode, analyzing and gushing over both big and small moments, the details!!! The pilot has reiterated all over to me again why I love these characters, from Luz's powerful earnestness, to Eda's chaotic demeanor! It’s like having the whole show open ahead of me, the possibilities endless when knowing this is just the beginning and we could go anywhere from here!

What’s interesting is that Luz’s conflict with Camila doesn’t really exist here; In fact Camila isn’t present or mentioned at all! What brings Luz to the isles is Amity, who’s been learning in the human world, under the guise of being a human by disguising her ears! It’s alluded to that Odalia and Alador made her do it, though we don’t know why…

But WOW that must’ve been so meta, doing S3 with Amity stuck in the human world with Luz, hiding her ears! It must’ve been a fun way to bring back the older concepts in new form! And indeed, we see a couple of stuff we’ve already gotten glimpses of, such as the storyboards of Luz offering her friendship art to Amity! I love that we get to see the actual scenario of how Amity accidentally defended Luz in the first place, since we heard that but didn’t get to see how it turned out.

It’s interesting that Lumity is basically the inciting incident of the story, though I can see why the final version opted instead to emphasize Luz’s conflict with her mother. Especially with how she chooses to stay in the isles in the final draft, which leads to guilt over lying to her mom, having her ‘coming out’ moment that eventually occurs in Yesterday’s Lie, etc. So more agency when it comes to Luz losing her access to the human world. Plus in the pilot, there isn't the same emphasis on Luz trying to live out her dreams of being a witch, and her obsession with stories that ties back to Manny and forms the basis for a lot of other themes and arcs.

That said, I also appreciate what this alternate take offers, and how Lumity helps tie everything together, it really is the queerness that is such a foundational part of the ‘weirdness’ theme that the show is about, and it’s intertwined with the pilot! God Luz being heartbroken when Amity dismisses the drawing… And then crying when Eda compliments it without realizing who it’s about! Or maybe she did, she could’ve recognized Luz there and figured out a way to stealthily make Luz feel better…!

I love Luz routinely lock-picking her locker because she presumably forgot the combination! And it’s interesting that we have a setup of there being multiple dimensions that the Boiling Isles has access to, and not just the human world and Demon Realm. That plays a role in the climax, more on that later. Given we have what is basically an airport for different dimensions, I wonder if we would’ve seen Luz find her way back home much earlier on, under much less intense circumstances, in a S1A episode?

The ‘Emperor’ is also alluded to in the pilot, which we didn’t get actual mention of until the fifth episode in the final show. He apparently dislikes humans and wants Luz brought over to him, is this still operating off of the ‘Pupa’ version of the character who claimed to speak on behalf of the true ruler, trapped in their metamorphosis by him? So maybe he wasn’t always human, or maybe this is Belos’ hypocritical way of ‘protecting’ humans by keeping them away and in blissful ignorance of the demon realm.

We also establish Hexside much earlier! IIRC Hexside was always part of the show, but executives pushed for it to have more emphasis, which the crew continued to follow through on in S2 onwards because that had already been set up. Lilith is the principal, and I recognize the storyboards of her, including her bat transformation! We get a Tinella Nosa cameo, we see Amity, and there’s also a brief cameo of Willow too! Nice way to set her up before her proper debut.

The ‘barrier’ containing King’s crown turns out to just be a regular human locker, which makes me wonder if the writers updated the final draft to make it a force field that only allows humans through, because of the whole Belos twist. Which makes me wonder if in this draft, Belos is Pupa, who never was human, or maybe they realized the opportunity to insert foreshadowing into a big twist regarding the main villain. Makes me wonder if the house we see Amity enter in the pilot, which is on sale, would've had any significance like in the final show. Love how Tinella Nosa is a student at Hexside, and also Dana having to occasionally insert lines for Wendie Malick and others was great.

Lilith is a lot more openly adversarial, which is different compared to how her actual debut provides a softer side to her; I imagine this would’ve been apparent in a later episode of the ‘Pilot AU’, and her transformation has me curious; Was she originally the one with the curse, but then the writers changed it to Eda? Or did they both have a curse? Eda also has an owl form she can summon and control at Will, maybe all Clawthornes have a beast mode that’s less of a curse and more of a talent. Lilith ends up trapped in another dimension, which makes me wonder if she’d have a temporary replacement –possibly Pilot Bump- or if she’d return offscreen. We see the portal key get destroyed under much more casual circumstances, though it’s less as big of a deal for this and the established ‘dimension port’ we saw before.

(Also, Amity recognizing Luz in the hallway… Everything to me!!!)

Warden Wrath doesn’t exist and neither does the Conformatorium, it’s Lilith and Hexside. With her as principal and Amity as student, I wonder if we would’ve gotten more of their relationship in the pilot AU, if Covention was a way of carrying over that former connection since Amity would be a teacher’s pet in either version of the story. And speaking of ties to Covention, it’s interesting is that Eda’s chest gem seems to be linked to the Emperor’s Coven, as ‘Pilot Kikimora’ uses it to control her. Curiously, we have a scene at the end mirroring what we got with Lilith in the final draft of the show!

I feel it implies that Eda DID join the Emperor’s Coven with Lilith, if only for a brief moment, but then defected; But the chest gem is basically the pilot version of the Emperor’s sigil, except with the explicit function of being a shock collar. I find it interesting that Eda still has the mirror to contact the EC with, instead of just getting rid of the thing. Is she a rogue agent who hasn’t totally cut ties, because she can’t? Won’t?

And the fact that Pilot Kikimora can just shock Eda at will makes me wonder if the Emperor is low-key just letting Eda roam around, which makes me wonder if he’s aware of the familial connection, is using Eda to find Luz, already knows about her doing that because of the time loop, etc. We’d of course have gotten an episode where Luz finds out about Eda’s connection and helps her deal with the gem… I realize now that Luz learning Eda also wanted to join the EC with Lilith is a carryover of this idea.

I can see the ups and downs between both versions; The final draft sets up Luz’s conflict with Camila and the reality camp, which is foundational to her character arc throughout the whole show. Her pain over being ‘sent away’ is just so vital that I appreciate its inclusion in the first episode. But I also like the inclusion of Lumity and the earnest desire to be friends with someone who showed her, unwittingly, any kindness at all! We get explicit bullying from Luz’s peers in the pilot, but in the final draft we also get her thoughtlessness that plays a big part in her S1 arc. And Luz’s arrival in the isles is more intertwined with Eda and King in the final version, which also feels right; The show is about these three in particular!

All in all, this was wonderful to watch! The magic was experienced all over again, not just in watching an episode, but also commentating on one that was just ‘released’ as well? I thought the last time I’d do anything like this was with the series finale Watching and Dreaming… But as Luz said, it really comes full circle with watching the first episode all over again! So maybe we have other stuff to still look forward to after all… At the very least, we have an eternal anticipation with an unexplored universe ahead of us, that will never reach completion; So it's like our ever-lasting final gift from TOH, and a good last one. So until next time: BBBBBYYYYYEEEEEEEEE!!!!!!!

#the owl house #luz noceda #amity blight #lumity #eda clawthorne #edalyn clawthorne #lilith clawthorne #analysis

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