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#but why is it that the mom and the daughters who always has to sacrifice shit
pearlywritings · 10 months
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In father’s embrace
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synopsis: HSR men as dads and what your family dynamic is like.
pairings: Blade, Gepard, Loucha, Sampo, Jing Yuan x fem!reader (separately)
tw: fluff, established relationship, implied initial mortal x immortal in Blade’s
word count: 5.2k words
a/n: Luofu Xianzhou timeline is hell, so Blade’s one is quite vague. Here’s the Genshin version!
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Blade
Blade tends to say that he has no connection to his past, but that is not true and very few (mostly Kafka) know he is lying. Even with his life and death fucked up he can't simply let go of someone his heart has been always full with, of someone who he promised himself to by the altar, even if under another name, of someone, who gifted him the joy of both his previous and current life - your daughter.
The blade - a cold weapon with no feelings - should not experience being lucky, but that’s what he was, when you clutched him in your arms the first time after his return from the dead and sobbed in his chest, telling him how much you missed him, how much his little angel missed him.
Back then he should've left without a trace, maybe even coming to you in the first place was a mistake, but he just couldn't. And his resolve crumbled completely when a white-haired toddler in your arms gazed at him with the same soft eyes as yours and reached out to his face, hesitantly asking "dada?".
As much as Blade is capable - he loves you and your daughter. He is quite absent due to his involvement with the Stellaron Hunters, but you understand how important that magenta-haired woman's ability is when it comes to restraining the mara in his body. After all that's the reason why he can visit without fear of hurting you or his little girl.
Some other sacrifices had to be made - one of them was moving from the Lofu Xianzhou, but that was alright and your daughter loved her new environment. Besides, dada has been visiting more often ever since you moved! And no one really bothered or chased after you (after all, you are still registered as his wife and higher ups of Lofu know), which, you assumed, was somehow connected with a young girl that once came with Blade.
Kafka once brought up a proposition of moving you two to the Stellaron Hunters' base for Blade's easier access, but he declined. At least his loved ones should have a peaceful everyday life.
With a tired sigh the black-haired man lowers himself on a sofa in the living room of the house you two purchased to start a seemingly new life. The red-hot iron in his eyes disappears behind the heavy eyelids and for a moment Blade allows himself to relax. The little wonder, that is his daughter, ran to your bedroom to fetch some hair accessories, after you encouraged your husband to let her style his long locks.
He doesn’t move when you sit next to him, hip to hip and heart to heart. He welcomes your sneaking fingers, curling his, creating a secure lock of hands. The weight of your head resting on his shoulder is grounding and he can’t help but press his cheek against it.
It’s soothingly silent.
It almost reminds him of the past.
“For how long will you be staying this time?
Even your question, spoken in a tender, understanding voice, is familiar. You used to ask him the same thing in-between his Cloud Quintet-related missions. 
These days it’s difficult to sneak and see you during breaks though.
“Fifteen days,” his breath is even, and eyes are still shut, but he senses a smile that tugs on the corners of your lips.
“That’s a lot. She will be so happy,” and he knows that you are as well.
The rapid stomping of little feet bursts into your peaceful serenity, and you simultaneously glance at the doorway. Low and behold - the soon-to-be hair stylist is proudly running into the room, tightly clutching your jewelry box with various hair pins inside.
“Dad, I practiced! Mom says I’ve been making huuuuuuge progress!”
A tiny smile touches his pale lips - it’s such a miracle that a monster like him is blessed to have the most adorable child in the whole universe. With her and you by his side, this life gets more and more bearable.
“If mom says you’ve been, then it must be the truth,” he nods, letting go of your hand - but not before giving it a little affectionate stroke with his thumb, - sliding down and onto the floor, turning his back to the girl.
Giggling excitedly, she gives you the box, which you quickly unlock, and starts looking through the many intricate pieces of jewelry (many are your beloved’s presents), until finding the perfect one.
Having his hair being touched is weird. He was aware that the white luscious locks used to draw attention, but only you were honored to run your fingers through them, and only his baby was allowed to tug on them, making her father wince. Now it’s different - she is oh so careful, brushing, collecting stray locks and braiding, not once causing him pain.
Blade sighs again, but looks at you from the corner of his eye, catching you snickering in your palm upon gazing at something that your daughter is turning his hair into. Well, that’s concerning.
But at this very moment he can’t bring himself to care. If he gets fifteen whole days before his next mission, he is going to savor this time with his family - no matter how disastrous he’s going to look by the end of it.
Gepard
A family man. So no one was surprised when in the end the leader of the Silvermane Guards ended up with three kids - two sons and a daughter. Partly it was dictated by the rules of nobles and his family among them, but ultimately it was your mutual sincere decision.
It’s obvious he is not there for many of his kids’ first times, as sometimes his duties prevail and even the Supreme Guardian cannot help it, but he really-really tries to be there as much as possible. He appreciates the videos you send him, has every single one stored in his phone’s memory and sometimes, when there is no communication, in his spare moment he replays them to remind himself that soon he’ll return home and see his kids and you.
Only one time he really fucked up because of work - during your first pregnancy you both underestimated the soon arrival of your due date and he left on a mission with his troops, reassured that he’ll be back before the day you go into labor. The snowstorm was severe and the connection was cut, so the message Serval sent him when your water broke was not delivered. His soldiers would bring to their graves the image of a deathly pale Gepard, when many hours later he checked his phone back at the base and nearly broke the screen, trying to type his sister’s number.
After that he started taking paternity leave seriously.
You do not keep in touch with his parents a lot - there were instances where they disapproved of you, but all of his siblings are always welcomed in your house and to see their nephews and niece, because they supported your relationship from the moment they met you in flesh.
Serval is an enormous help when it comes to babysitting. It’s like her part-time job honestly - you even offered to pay her, but she declined, suggesting offering her a helping hand whenever she’d need instead. Oh, and to be the first one out of all the Landau siblings (after her brother, of course) to know about the latest updates on your kids.
The kids that are adorable. All three won the ‘blue eyes’ lottery, which, given the previous generations of Landau, is not a big surprise; both boys look like Gepard, while the girl took more after you in appearance. The man really doesn’t want to play favorites, but sometimes he is just too weak for his little princess, who looks just like her mom. She is the youngest too with a pretty big age gap between her and her brothers, who were born a year apart, so there is literally no jealousy, because your sons took their father’s example and became her protectors.
Even from a 'big bad dragon' that is their aunt…
When you step inside your house and hear the kids still fussing somewhere in the rooms, involuntarily your gaze falls to the old grandfather’s clock in the foye. Almost midnight. All three should be long asleep with Serval sending you a notification of her success. Which you didn’t receive and for that reason had to cut your date short and hurry back home.
Your husband looks as concerned as you are, locking the door and straining his ears to determine what’s going on. With both your coats abandoned, you carefully step further into the house, making your way to the line of light coming from under one of the doors.
Two jaws almost kiss the floor when you see Serval lying on the floor tied and gagged with a scarf. Alone. For a moment you fear the worst.
Rushing inside, you let Gepard search the other rooms for intruders. Helping your sister-in-law to sit is no problem, but the knot behind her head is awfully tightened. In the end you manage to yank it down to free her mouth, quickly switching to the rope constricting her hands.
“Y/n, oh my god,” she gasps, finally able to speak. “Who taught your sons to tie knots like this!? I didn’t know a sixteen- and fifteen-year olds can be so strong-”
“Come again?” Stunned, you stop untying her wrists, looking at the woman with widened eyes. Your boys did what?
“My precious nephews - whom I really do not want to strangle - took the game of knights too seriously, and when - maybe a half an hour ago? - I decided to play the dragon who was stealing the princess - my niece of three years, - they attacked and tied me!”
“Huh…” is all you can say, feeling relief wash over you. At least there are no burglars or kidnappers and your kids are safe.
When, listening Serval’s huffs of complaints, you move to untie her legs, the heavy steps of your husband are heard in the hallway, accompanied by the boys whining and begging their dad not to come to the living room, because the dragon would eat their sister.
His tall figure appears in the doorway, with your daughter in his arms, looking very sleepy, and two almost carbon copies of their dad pulling at his jacket to give them their sister back.
“Serval, what in blazes have you told them?” The judging tone and the squint of his blue eyes are directed at his elder sibling.
“It was just a game, Geppie! A silly game they turned into reality.”
“Aunt said she’d eat her,” your oldest pouts, eyeing her cautiously. “And she told us stories about the cannibals the other night-”
“Serval, you what?”
“Hey, they asked me to! Oh, thanks, Y/n,” she shrugs the loosened rope off of her. “Where did you even get this?”
“Aunt Lynx gave us,” the second son chirps, hugging Gepard’s side. “She showed us how to do knots.”
“This little-”
Suddenly you feel a headache coming. With big family come big challenges, but something of this caliber hasn’t happened in a while. It makes you smile though - you almost forgot what it was like - to raise two boys. Seems like your girl brings the borderline naughtiest out of them.
Loucha
To begin with it's worth mentioning that your and Loucha's marriage started as an unpredictable necessity. You both needed to enter the world that allowed only married foreigners' access. So, quickly figuring that your goal matches, you got married on a neighboring planet, spent a month there to make the marriage more believable in the sense of its duration and learning more about each other. Yeah, all of that just to fulfill your respectful jobs. You invented and rehearsed all the possible answers to the questions, perfected your affectionate act and were actually feeling quite comfortable around each other.
It was almost funny, when on the 'how many kids do you plan to have?' Loucha confidently answered 'two', and a couple of years later your first son was born, and then, after 7 more years, another one was too.
Admittedly, the oldest one was kind of unplanned, but at that point you traveled so much together, shared so many memories, even ended up caring for each other on a lover-like level, that you decided to give it a shot, just like you did with the continuation of your marriage.
And Loucha couldn't be more pleased. Surprisingly, he found the peace of those first years he spent settled down to raise your boy delightful. And there was something exciting about having a little wonder with a perfect mix of both of your features in your arms, as your husband's hand is resting on the small of your back, leading you through the crowds of the new planet's lively market, as the child's eyes shine with marvel, taking in his surroundings.
When Loucha suggested having another one it simply felt right.
Your sons are so lucky in the sense of seeing the universe, because their father is a traveling merchant. Sure, he doesn't always take you and your two boys with him, but whenever his deal allows him enough freedom and your kids are doing great in school and can be taken on a little vacation - you three are going with him.
Usually he gets to take care of the youngest one, since only Loucha's vast knowledge can satisfy his curiosity, while the oldest one calmly walks hand in hand with you, content with listening to their conversation and pointing out to you the things he already knows himself, receiving a soft praise from you and an approving nod from his father.
Back home the roles reverse - the oldest is spending most of his time with Loucha to learn all about medicine and healing techniques, while the youngest is more interested in sharing your hobbies. 
The two hardly ever quarrel as siblings tend to do, and it must be because of the overall serene atmosphere of your family dynamic, your soft nature and your husband's tranquil behavior. 
More than a decade ago Loucha wouldn't have imagined himself with a wife and kids. Nowadays, however, he doesn't like the thought of not having the three of you by his side.
It is a quiet afternoon. A little house you rented for a little vacation has a nice yard - perfect for the kids to have fun outside. You occasionally glance at them from the window of the kitchen to make sure everything is fine, while your hands never stop moving - washing, cutting, stirring.
At some point you are so caught in the moment of tranquility, that you do not hear your husband walking in, until he softly hums to alert you of his presence, and puts his palms on your waist.
“Smells delicious,” you smile, feeling his chin on your shoulder, and grab a piece of a tangerine you are meaning to use for dessert, offering it to him.
“Mhm, I am trying to cook what we had yesterday at that restaurant.”
Ah, right, the restaurant the kids enjoyed. He remembers how you sneaked to the kitchen and came back with a little less credits, but with new recipes and an excited smile on your face.
“Hopefully my rendition will be to our boys’ liking. And don’t think I forgot about you - those Loufu Xianzhou-style noodles are already on their way!”
“So thoughtful of you, darling,” his silky voice caresses your ear and not a second later a kiss is pressed to your cheek. “Do you need any help?”
“Weren’t you busy?” You decide to clarify, clearly recounting how he locked himself in one of the rooms earlier that day to test something. To your question Loucha shakes his head.
“All done already. And I missed you and the kids.”
“Then go and play with them,” you urge, turning to face him to offer a sweet smile. “I’ll handle it here, but the boys could use some quality time with their father.”
“You say that as if they didn’t drag us all around the city yesterday and then climb into our bed and refuse to leave.”
“I mean, it’s the first time in two months they properly see you. That last deal of yours was exceptionally time-consuming.”
“You kept me updated on them so well and those video calls we had… it didn’t even feel like I ever left.”
You only huff and return your gaze to the stove, yet leaning into his chest a little. For a minute it’s quiet, and the man is taking his time before parting from you. That is until he takes a deep inhale and nuzzles his face in your neck.
“Thank you, Y/n.”
“What for, handsome?” There is that teasing lilt in your voice he came to love. Over the course of your lives together he discovered many things to love you for, and if not for that desperate decision to get married - he thinks he’d hardly ever feel the same about his life.
“For everything.”
He leaves your side with a kiss on your shoulder and the next time you glance out of the window again - he is already there, hoisting his youngest in one arm and chasing after the oldest one with his hair swaying in the gentle wind. And your heart is at peace. 
Sampo
In all his life Sampo has managed to never impregnate a single woman and he considers that a success. For all the crap people speak about him Sampo is not an idiot, even though he acts like a fool at times. He is extremely self-aware and bringing a child to this world is probably the last thing on his list.
But no one said anything about someone else’s child, right?
Your and Sampo’s relationship is… strange, not going to lie. One evening you happened to help a scared woman to escape from some drunkards (whom you lately found out were the Silvermane Guards, sober and on duty), only for the long wig to slip and the heavy coat to slide down, revealing shortly cut but nicely styled hair and obviously male broad shoulders. The only thing the man managed to get out was a sheepish “hehe”.
And boy did that “hehe” change your life.
That day Sampo Koski got off the hook, since you didn’t comment anyhow and just let him go, which, given you were an overworlder, he found intriguing. So he dug a little bit, out of pure curiosity. Besides, this man didn't like staying in debt to someone and he needed information to see how he could pay you back.
That’s when he found out you were a single mother. An opera singer, but divorced and with full custody over a six-year old daughter.
And honestly, he didn’t give it much thought at first. He simply arranged a nice bouquet of red roses for you, paid Natasha a little for a handmade plushie and left it all at the door steps with a ‘thank you’ note.
Until a couple of weeks ago, disguised again, he didn’t stumble into a group of kids obviously bullying a little girl, mocking her for not having a father, and throwing something among themselves that she tried to catch. And he recognized the toy. And one glance was enough to see how much she looked like the woman he met only once. And against his better judgment Sampo walked to the children, easily snatching the toy and effectively scaring everyone off. Only with that little girl still being there, eyes full of unshed tears and fingers digging in the skirt of her pretty dress.
That tiny ‘thank you’ when he handed the plushie back to her and she hugged it tightly to her chest made the conman’s heart clench, and for the second time that day he sent his plans to hell, keeping her company near the house you lived in until you arrived from work.
That day he learned many things - how much your daughter loved the toy and what a sweet little thing she was, how tired a person can look and how much a throat can hurt from the whole day of singing during rehearsals, how nice a home-made dinner can be once you are invited, but most importantly - how even such a damned man like him can be gazed upon with gratitude and not from one, but two people.
From that day many other instances happened, but in the end he just stuck around. It was strange, it was new, but in a sense it was comforting, especially when you would come home - on Friday, for example, - and he’d be there, entertaining your daughter and then greeting you with a smile and a silly wave of his hand.
You don’t have a husband, and your daughter doesn’t have a father - but with his presence Sampo Koski manages to fill those voids even if a little bit.
Aeons you love days off. A morning to finally sleep in and do not run around like crazy in attempts to get yourself and your kid ready. Even breakfast wasn’t on you today, because the ‘silly man’ stayed the night and told you to get your sleep, assuring you with that confident puff of his chest that the Sampo Koski would offer you his best service, which effectively made you giggle.
Tonight he even cuddled with you, letting you bury your face in his neck and be a little vulnerable in the arms of a man with whom you had the most peculiar relationship ever. But after such equally peculiar moments you really start thinking of suggesting moving from the couch in the living room to your bedroom permanently. It’s been months already, who would’ve thought.
Barefoot and not even glancing at the robe on the chair near the window you leave the room, rubbing at your eyes and brushing your hair away from your face. You are craving the cup of your morning drink, and so you let your legs carry you to the kitchen at first. However two voices coming from your wardrobe room instantly peak your interest and make you halt in your walking. What on earth could your daughter and your clown of a man be doing there?
And soon enough you find it out.
“Sit still, please!” The girl begs with an eye shadow palette in one tiny hand and a huge brush in the other. “It’ll smudge if you keep turning to the mirror!”
“Just can’t wait to see how beautiful I am, princess, ‘s all~”
There, on the floor among the rows of your clothes and shelves with beauty products and accessories, none other than Sampo is sitting, willingly offering his face to your daughter’s practice of applying makeup. And gods he looks absolutely hilarious.
But that’s not what exactly concerns you.
“Is that my dress?” You point at the red shimmery thing snuggly sitting on the man in front of you and that’s when the two notice you.
“Yes, mommy!”
“Say I pulled it off, right?” With a smirk the green-eyed menace winks at you and it looks even worse with poorly done lashes. You have to stifle your laughter. “Though I must admit, we had to keep it unzipped - my chest appeared to be bigger than yours-”
And that’s when you regret not bringing slippers with you - one flying in his head would be of great help.
“Sometimes I really hate you.”
“Nuh, sweet thing, you love me!”
“Well,” you step closer, grabbing a tissue to try and fix at least the overly bright blush on his cheeks, “maybe. Maybe I actually do.”
Suddenly Sampo is tongue-tied and silent, trying very hard to fight off the stupid grin forcing its way onto his face. But with thoroughly smeared red lipstick on his mouth it looks so damn comical.
“Mom, do you think pa looks pretty?” Your daughter hopefully asks, putting aside her tools, and that little two-letter word doesn’t go unnoticed by either of you. You feel a real blush burning under your deft fingers.
“Yes, sweety, Pa-mpo looks very pretty,” his head whips in your direction like you’ve just told him to go and surrender to the Belobog’s esteemed order keepers.
“...Pa-mpo?”
“Would you prefer Da-mpo instead?” Cocking your head in question, you smirk at him, relishing in the pout he is wearing at the moment. “Or maybe Sam-pa?”
“No, thank you very much,” he huffs. “Little princess called me ‘pa’, so be nice and respect it.”
And now it is you who is surprised. You haven’t really discussed with Sampo who he was to your daughter, and who she was to him - but if he is making this step of acknowledging the matter, then who are you to spoil it? Who knows, maybe things will work out quite pleasantly in the end.
“Alright, pa, I will respect that.”
“Hey! For you I am your precious popo baby, a koskiss to your lips, the love of your-”
“Don’t even dream of it.”
Jing Yuan
Yanqing would be enough of an answer to the kid question, but it is not. Sure, his young disciple is practically a son to the General, but it doesn't mean the man doesn't want his own children.
He does and he has. On multiple occasions Jing Yuan's subordinates walked in on him with a small figure sitting in his lap or perched on his strong arm, observing what the dad's been up to with his plans and documents. You scolded your husband for this many times, but the bastard only smiles and keeps stealing his daughter to work to keep him company. Or she sneaks on her own - that caused you many almost heart attacks when she was no older than a couple of decades.
For Jing Yuan it’s all good though - he gets to spend time with his baby and have you inevitably join him in search for your adventurous child.
The General has a separate folder for all the pictures of his daughter on his phone - every single one he takes and every single one you send him when he couldn’t bring his girl to some of his meetings (yet he really tried, until you put your foot down and saved many of his subordinates from the prolonging of said meetings). Even the background, hidden from prying eyes behind the passcode of your and her birthdays, is his little one, cradled in your arms, as the two of you are watching kites flying in the sky.
Yanqing at first was set on treating her with the same respect he does his mentor and you, his wife, but you quickly put an end to it, basically turning the boy into her older brother. He didn’t mind at all - if anything he is sometimes way too eager to push the two of you to go on a date so he can babysit. Often you would return to the two fast asleep either on the girl’s bed or cuddled to Mimi with toys scattered and at least two books lying on the floor. The huge lion adores the girl - sometimes you feel like it thinks of her as its own cub, and the thick mane of hair your daughter got from her father does not help.
And it appeared to be as eager to steal your daughter from you as your husband is…
“Y/n!” You practically jump when the doors to your bedroom fly open and Jing Yuan bursts inside. Immediately you notice his disheveled state - hair down and a mess, the robe he wore this morning for comfortable work in his home office is falling off one of his shoulders and a shoe is missing from his foot.
“Aeons, Yuan, don’t scare me like that,” you put a comb down on your vanity table and fully turn to face him. “What happened?”
“Is our precious baby with you?” He steps further into the room and starts looking around frantically. Okay, now that got worrisome.
“No? You took her earlier this afternoon after lunch to play in your study while you work. Have you really forgotten that? My love, you are getting old.”
You hear clearly as he curses under his breath, raking thick fingers through his hair. The golden eyes look at you and in them you spot a flicker of anxiety.
“...Jing Yuan, don’t tell me that you managed to lose our daughter.”
“I didn’t, I swear,” he winces at the full name usage, watching you rise from your seat and quickly approach him. “She was right by my side, watching the animal videos on my phone, but then I got immersed in the latest reports from the Sky-Faring Commission and when I finished whose - she was gone!”
“Uh, want me to call your phone? Maybe she still has it.”
To that he puts a hand in the robe’s pocket and brings out his device. Oh god.
“It was lying on the floor, still playing videos.”
“Okay, deep breaths,” you are not sure if you are telling it to him or to yourself, but you too take an inhale, meanwhile busying your hands with adjusting his clothes. “Even buried in work you’d still notice if a human sneaked in, right?” He nods. “And you’d notice if she left - she would’ve warned you about that.” He nods again, lips pursed and eyes staring at one point. “Yanqing is not as skilled to come unannounced and take her, and he wouldn’t do it without your permission, so-”
“Wait,” his hand catches yours and realization flashes in his features. “Mimi came.”
“...Mimi?” Before you can ask him to elaborate, your husband turns around and rushes out of the bedroom. Concerned and a little bit intrigued, you quickly follow.
In one of the rooms of your huge house the two of you finally find the lion, and Jing Yuan almost drops on the floor in relief when his girl is spotted in the animal’s embrace. 
“Is she…sleeping?” You ask, glancing from behind his broad back.
“It appears so. Hey, Mimi,” the maned head lifts, two ambers taking in your appearances and a pleased huff is let out through the nose upon recognition.
“Well, my dear,” you pat his shoulder, shaking your head, “it appears that people were right - like the owner, like the pet. Congratulations, your lion took your habit of stealing our daughter to heart. Good luck prying her from it.”
“You say it like it’s something hard to do,” there it is, a confident smile is back on his face as he strides closer to the animal, ready to bend down and get his girl. Only for that lift of the corners of his lips to be gone when Mimi growls at him in a warning and shields your daughter’s little body with its head.
You only smirk and leave the scene to go and get your phone - there is no way you are not filming your husband dealing with the consequences of his own behavior.
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whateveriscatchy · 2 years
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apomaro-mellow · 11 months
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Steve’s parents are in a cult and sacrifice him for their own gains. Yall can thank @whoevenknowsdude for giving me the motivation not to give up on this version.
The party was going on as usual. Steve had been to many of them before. The earliest he remembered was being five and led around by his mother’s hand, then eventually being handed off to a nanny for the rest of the evening. It was always some sort of parade. As a young child, he was the cute baby version of his father. Something for the women to coo at.
Around 11 he was a growing lad who was expected to cause a little trouble. Then at 14 he was a young man with a promising future. 
Growing up, there was one part he was always dreading. The point where people tried to set him up with their daughters, or granddaughters, or nieces. He heard pieces of such transactions all the time. 
‘Oh you must meet my daughter.’ 
‘You know Celia is about your age...’ 
‘So have you got a girlfriend?’
Steve caught glimpses of the older boys either politely rebuffing or ending up engaged with someone. This was a very insular crowd, he knew that. Still, he hoped he’d have something resembling a choice when the time came.
And yet, as he got older, no one rushed to introduce him to anyone. It confused him to no end. He had no trouble attracting girls at school and all of his parents’ friends thought he was charming. He came from good stock. Why did no one want him to marry their daughter?
He tried not to feel so offended by it. But it was just so bizarre. 
But back to tonight. It was going like it always did. Steve spent most of it by his parents’ sides, only occasionally going off on his own. He made nice conversation, had a drink or two, despite being nineteen, and kept the Harrington name good and golden.
As the hour got late though, it got to the point where most of the men split off to have cigars. Steve was usually excused at this point but this time his father put a hand on his shoulder and led him to the next room. He took part in more conversation about his prospects (not going to school but who needed to when he was planning on succeeding his father) and drank some brandy.
“Steve, it’s time we discussed your future”, his father said, letting out a puff of cigar smoke.
“What about it...exactly?”, Steve asked.
“That sometimes we must defer to a higher power.”
“....Right...”
“Steven”, one of the other men started. “You ever take one for the team?”
“Yeah, plenty of times. But what are you guys talking about what’s going on?”, Steve asked.
“Come with me, son.”
Steve got up and followed his father. The other men came along down the stairs into the basement of the clubhouse. But then it went deeper.
“History is filled with ambitious figures, Steve. People who did whatever it took to reach their goals. Tonight it’s up to you to take us even higher.”
“Up to me? What do you want me to do?”
They came to the bottom of the stairs. His mother was already waiting, along with the other women. There was a large stone slab with restraints on it and Steve felt his stomach drop at the implication. But he didn’t want to believe it. It was too crazy.
“Mom, Dad...what are we doing here?”
“The higher power we worship will give us fortune beyond what we could dream of”, his father said. “But everything has its price.”
Before Steve could utter another question, he felt hands on him, gripping and pushing him towards the slab. He struggled and screamed for both of his parents. For some kind of explanation. For something that made sense. But he could feel his sanity slipping as they got him on the altar and tied his limbs down.
Lawrence, 50, with an unconvincing hairpiece stood over him. Steve never liked Lawrence. He always looked at him weird and his touches lingered like he was inspecting a piece of meat.
He was doing it now, trailing a hand up his tied up arm.
“I can’t thank you enough for your sacrifice, Steven. And your parents for bringing up such good stock. I have no doubt he will be pleased with you.”
“I don’t know what the fuck is going on but there’s no way you’re going to kill me for-for what? More money?”
His mother came into view, her expression mournful and Steve wanted to vomit.
“Steve, my love, we won’t be killing you. We could never do that. We just need a bit of your blood. After that....well after that....”
“Our lord will do what he wants with you. And with their lot I can only imagine he will want to devour your soul”, his father finished.
“So you are killing me.”
“We won’t be dealing the killing blow”, his father said. “And who is to say you won’t survive?”
Steve took a deep breath through his nose. This was insane. But it seemed like they at least didn’t plan to put a stake through his heart. He’d lose a bit of blood, they’d probably chant, and then when their demon lord didn’t show up, he could get a shower and then maybe disown his parents.
That didn’t make this situation any less shitty though.
Then someone ripped open his jacket and shirt, exposing his chest. Both of his parents were given knives. The knowledge that they didn’t intend to kill him quell that instinctual fear. Steve had always been a good kid. But sometimes good wasn’t enough. Sometimes he wondered if his parents regretted having him. So his current view wasn’t helping at all in that regard.
They both cut a slit right in the center of his palms and he hissed. They then took his blood and drew a symbol on his stomach. 
There was indeed chanting but between the alcohol, his bleeding hands, and the general delirium, Steve couldn’t make it out. God, he just wanted this to be over. He just wanted normal parents who didn’t sacrifice their own son to the devil.  He wanted a lot of things but it seemed like life would disappoint him one last time.
“Whoa! You’ve got a real party going on here”, a voice said, coming down the stairs.
“Who the hell are you?”, one of the chanters demanded.
Steve craned his neck to see....some guy. It was just some guy, in a black tank top and ripped jeans.
“Who? Me?”, he came to the bottom of the steps and looked around. “Was I not summoned? I thought I heard my name.”
“Someone get this fool out of here!”
“Oh, I see what the issue is. I’m not in the proper attire. My bad.” He took a few more steps forward, right into the range of the men who had advanced on him. Then flames erupted from his body, burning them in an instant. When the fire dissipated, Steve let out a gasp and started to actually pull against his restraints.
This was real! Fuck this was real! A real demon with horns and claws and fangs and shit-were those wings?! He had to get out of here, even if that meant ripping his hands and feet off to escape.
Turned out that was the wrong move. In seconds, the demon crossed the room on all fours and climbed atop the slab to hover over Steve.
“My lord”, Steve’s father said in an impressively even tone. “We offer you our greatest sacrifice-” He was cut off with a deep growl, one that Steve felt in his bones, being this close.
“You...haven’t...sacrificed....anything.” The demon turned its gaze to Steve, lying under him. “But you still have so much to give.” He touched a clawed hand to Steve’s stomach where the bloody symbol was. “Will you give it to me?”
Steve let out a breath. He was going to die. He was going to die and what did he have to show for it? Actually....what did he have to show for it if he lived tonight? Maybe it would be painless, this soul sucking. He just wanted to be done.
“Just take it”, Steve said. “Take whatever you want.”
The demon laughed darkly. “I always do.” He smeared a clawed hand against Steve’s torso, messing up what was drawn there. He sniffed his hand and let out a sigh. 
“Steve!”, his mother shrieked and he wondered if she had just realized what she was giving him up for.
“They spilt your blood for their own gains. Now to me, that doesn’t seem fair”, the demon said. “Don’t you think they should have to give something up? Don’t you want them dead?”
Steve dared to look the demon in his face. The eyes betrayed nothing. Just a blank, red void. But there was something about his expression anyway. Something in the quirk of his lip, the tilt of his head. Steve wondered if he actually would kill everyone in this room if he asked. As for himself, well, despite everything Steve couldn’t ask that of him. He really only wanted one thing and this might be his single chance to voice it out loud.
“I just want to be free.”
“Now see here”, Lawrence said, wagging a finger. “We have been your loyal servants. Our wishes-cckhk!”
He was cut off when the demon’s tail wrapped around his neck, dragging him closer. The demon brought him over until they were eye to eye.
“I would go ahead and count the blessings I already have. You all get to live another day.” He dropped Lawrence, ignoring his gasps for breath as he looked back down at Steve. “And you’re coming with me.”
Flames swirled around them but Steve didn’t feel any heat. Just a rush of warm wind as his restraints disappeared. The light got too bright though and he closed his eyes. When he no longer felt the light behind them, he opened them up, expecting the fires of hell, or a dark abyss of a pit. Maybe even some combination of the two.
Instead he found that he was in a….cramped apartment. The demon was back to the tank top and jeans and Steve wondered if someone had slipped something into a drink.
“You live here?”
The demon stuck his hands in his back pockets. “Whenever I come topside, yeah. And for the time being, so do you.”
“Me?”
“Don’t tell me you wanna go back to those assholes. Not after they-” He stopped speaking and his nostrils flared. Then he looked down.
Steve followed his gaze and saw that his hands were dripping blood onto the floor. “Ah, shit, sorry I-” He was about to wipe it on his ruined shirt when the demon grabbed a wrist, freezing him in place. His words were caught in his throat when the demon took a long sniff at the blood still slowly dripping out of his palm. He looked Steve in the eye as he slowly licked it clean. When the blood was gone, Steve saw his hand was completely healed.
The demon took his other hand and did the same, but somehow went even slower. The licks were punctuated with what could have been open mouth kisses but Steve wasn’t sure. Either the demon was making out with his hand or trying to eat him with little success.
When that one was finished, the demon looked at him and Steve was taken with how blown his eyes were. Like Steve’s blood was top shelf.
“B-buy a guy dinner first, huh?”
The demon came back into himself and took a step back, releasing Steve’s hand. “Yeah, sorry it’s just-yeah…” He cleared his throat and then turned, going deeper into the apartment. “So my home is your home, until you figure out exactly what you wanna do. Um, bathroom’s over there I’m sure you wanna get the rest of that blood off.”
He looked almost nervous to have Steve here. And the absurdity of that made Steve let out a chuckle. And then everything came crashing down on him and he started to laugh in earnest. The demon’s anxious stance just made more laughter bubble forth. What the fuck had his life become?
“Are you okay?”
“I just realized why none of them wanted me to date their daughters.” Steve pushed his hair out of his face. “They knew they’d be giving me to you.” As he laughed the tears started to fall. The demon looked even more shocked but then he came over and wrapped his arms around Steve.
“I don’t know why I’m laughing. Or why I’m crying.”
“Because it’s fucked up man. Like hilariously fucked up. And sometimes you gotta laugh about that crap.” The demon pulled away just enough to look Steve in the eye. “But you’re better than what you just left behind. You proved that by letting them live.”
Steve wiped at his eyes. “Well you already burned a couple of them. Wait, you killed them!”
“Collateral damage when I let my flames loose. I don’t like being touched.” He seemed to realize he was doing just that and raised his hands in the air before taking two steps away from Steve.
“I don’t even know your name. And you would’ve actually killed them for me?”
“Oh I go by Eddie nowadays.” He turned and looked like he was trying to make himself busy by picking things up and putting them down.
“Eddie? Just Eddie?”
“Short for Edifice. Um, did you want that shower?”
“I….” Steve still had questions. But he felt barely functioning right now. Like if he got one more bit of information his brain would explode.
“Steve….You’re free now. That was what you asked for.” The demon, no, Eddie, his name was Eddie, was smiling at him.
“I want….to go to sleep.”
Eddie started to walk away and Steve followed. He led him to a room where the bed took up most of the space.
“It’s yours for tonight. And tomorrow, well it’s all up to you now.”
Steve collapsed against the bed. He vaguely registered his shoes being taken off but soon fell into oblivion.
Part 2
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rookiesbookies · 5 months
Note
Hi, I really love the greek gods au for the boys, could I request some more hcs for them?
I was lowkey so excited to have an ask! Welcome Anon! I appreciate you! You have braved my inbox and im super excited to have you!
I saw you ask and wrote this as fast as I could with some of the other ideas for them that swim around my brain.
Let me know what you think!
Masterlist is pinned on my account as always, and my inbox is open!
Price
He had Hephaestus forge him a special razor so he could always keep his mustache in check after an incident where he tried to use a human razor and broke it.
He wears human clothes, he does have his godly robes but he prefers to wear something that may be comforting for whatever sacrificial woman he has at a given moment.
Has debated no longer accepting the women as sacrifices
for a long string of time the women were just the horniest ones or the village prostitutes. While they were nice for a week or two he did end up finding them homes elsewhere
Gaz says he fosters women like cats.
Price isnt looking at fostering anymore though. This most recent accidental sacrifice has by far been his favorite. She’s so warm, causes no problem, and isn’t like the last one he got who owned 8 cats.
Price likes cats, just not 8 of them.
He also worries Zeus will try to take his woman
Which is why the woman is hidden and protected by Price’s powerful shield from anyone who tries to creep on her. He doesn’t want his woman threatened by Hera.
Hera already knows he has decided to marry this one, as the goddess of marriage and is probably the most proud of him compared to Zeus’ other bastard children.
Soap
He most often wears his godly armor instead of his robes or human clothes.
The human clothes are really only to go see Price, the robes are really only for relaxing in his house, but the armor is for working.
He has to really just follow around his dad, Ares
He doesn’t know his goddess mom, and Ares wont tell him. Honestly he questions if he’s even Ares because the relationship isnt very father-son, they’re more just like Coworkers
He says his mom is probably Aphrodite but who knows
He spends most of his time with Simon.
Simon is relaxed and comes to work with him sometimes. Usually accidentally causing a cold breeze with his presence.
Soap linda digs the dark robes, he hates how shiny his white ones are.
Definitely hides amongst humans when he gets pent up or frustrated from work.
Gods are so demanding in bed, he’d rather have a human.
With Price looking like he’s going to settle down with his newest sacrifice, Soap thinks about finding his own woman. Price’s helps him cook and clean and look like she’d take it with no problems. Soap kinda wants that now
Ghost
He’s a very antisocial god.
Price has tried to get him to loosen up.
Price has offered him the best of some of the sacrifices that he didn’t get along with.
Simon just hasn’t shifted.
He buddies around with Soap, says its because their work is the most similar.
In reality Soap is the one person he favors the most. Keegan is also up there, but he’s no Johnny.
He never understood why Price took the sacrifices of women. He doesnt bother with the mountain god who gets on his nerves. He loves Gaz but his social battery just dies.
He doesnt see anyone loving that.
Not to mention, he’s the god of Winter. His fingers are cold, his robes are a dark black instead of a beautiful white because he’s from the underworld, and he spends a lot of time down there as well.
He refuses to kidnap a woman how Hades had. Says he had standards and is too attractive for that. Tells people he’ll get a woman when he wants one.
Persephone worries about him. Persephone wants a daughter-in-law who can bring her cold son out of this.
Even Demeter worries, and she loves when he visits. She has no more work when he comes into town, she just wish he didn’t reek of death from the underworld.
Konig
You think Konig was tall at somewhere between 6’7” and 6’10”? Now he’s like 8 feet tall.
He’s probably the loneliest of all of gods, he lives at the top of his mountain (which is kinda like the one of Olympus where it was kinda just a glorified hill) and doesn’t get much company, unlike the 141 group.
He does wear a veil because of his anxiety, being a lonely god makes you self conscious, what if all the other gods are much more handsome?
He wears robes, unlike the 141 group, he doesnt try to blend in with humans so he only has his godly robes.
He doesnt often get sacrifices either, since his altar is at the top of the mountain. Its why he doesnt intervene when the war people come often.
If only there was a way to sacrifice someone to keep him company, he’d never need much more again.
Especially with Atlas holding up the world.
Zeus told him he was born from a single drop of Atlas’ sweat hitting the ground.
Konig has never met Atlas. So he wouldn’t doubt he maybe is secretly a Zeus child? However he doesn’t mind not being a Zeus child. Hera doesn’t give him problems and he likes it that way.
He cooks, he cleans. He’d do anything for someone to spend a bit of time with. He might start scoping out the local village and town again. Last time he was disappointed by all the interesting ones being taken, so he stayed at a distance. But maybe he’d try again.
Keegan
Work is always calling Keegan.
As Thanatos says, “humans wont stop dying, birthing, fucking, or breathing”
Keegan doesn’t disagree.
He has black robes, similar to Ghost’s as they’re both from the underworld. He has spent a great deal of time with Simon as he has to deal with people suffering from hypothermia in the harsh winters.
Simon doesn’t cold shoulder him like most others. Compared to the gods from the underworld, Keegan is quite friendly. He just knows people dont live forever.
Or he hasn’t learned Price can protect humans and living things from death yet.
He has a solid relationship with Thanatos. He cant complain especially next to Soap’s and Price’s situations
He hasn’t ever really spent time with the 141 group because he’s worried he’ll have to get up and leave randomly due to his job.
He also doesn’t have human clothes like they do. He often wonders where they came from.
His home is in the underworld, so he worries about a human living there if he ever were to take on a bride.
Maybe he’d find a nice goddess like Hades did. But Price makes humans seem so nice.
He just worries he wouldnt be home enough to care for his human or he’d have to take his human to work to make sure she got enough vitamin D… i mean he can always gives you vitamin D but it’s a different vitamin.
He’s also worried about touching a human because what if he accidentally kills them or something ridiculous like that?
Too many risks. Maybe. Unless someone is brave enough to prove them wrong.
Gaz
He saves a lot of dropped babies from serious damage. He never shows himself, always stays invisible to the human eye, but he saves a lot of babies.
Also saves a lot of kids. Toddlers and young children fall quite a bit.
He has the whitest and cleanest and shiniest robes btw
But yeah he loves saving kids. Especially when he can show his form because adults don’t believe kids anyway.
Especially if they say they were saved by a god.
He also saves quite a bit of animals. Like bird eggs.
He just prefers saving kids.
He thinks they’re really darn cute.
Wouldn’t mind a few of his own
Doesnt help Hermes keeps teasing him though.
Hermes never misses a chance to remind him he came from him jerking it on a cloud and letting it fall to the earth.
Hermes thinks its really funny.
Gaz wouldn’t hate a partner. Nymph, Human, or Goddess.
He’s taken a couple of them to bed and has to say Human is his favorite.
Did he mention he saves a lot of kids?
Would you, maybe, like to save his, perhaps, for like 9 months?
Krueger
Sebastian makes Konig’s world a bit less lonely? However isn’t the most wonderful company.
Definitely defiles the virgins of random towns near by.
Has fun telling them he’s a god and was sent by their towns patron to defile them
Lowkey Hera had to ask if he was one of Zeus
He was actually carved from clay and given gifts from gods
Artemis made him a skilled hunter, Hades made him a quick thinker, Athena gave him tactical knowledge, Ares gave him strength, Apollo gave him impermeable skin, Zeus gave him a big dick, Eris gave him wild anger
The usual
His job is not terribly demanding and has quite a bit of free time to spend with Konig
He has big dark armor and a giant axe. Definitely has a lot of fun with it
his dream is to get a temple of his own and his own priestesses who would do his bidding and pray to him their city doesnt go on a hit list for the gods
He also dreams to get a virgin sacrificed to him.
He isnt greedy like Price when it comes to women, he just wants one. One is all he would need.
He’d never need to go around defiling random virgins anymore, he’d just get to have his virgin at home.
He’d love to have his own servant. He’d treat her well he promises. He’d love an embarrassed virgin for himself.
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deadpool15 · 6 months
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Overshadowed Ch.1
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"Hey, look at me. I don't expect you to the most perfect fucking man. There is no such thing. You have scars from the stuff you've been through. It's understandable. I understand you, si-o. I don't want you to change your plans or anything unless you truly want that. I won't expect anything from you except to be honest with me." I slowly clasp my hands upon his face, holding him with my gentle touch to let him know I wouldn't hurt him. After all he has been through, I want him to know I'm the last person who would want to hurt him. "I want you to trust me, I know I must earn your trust, and I will do everything in my power to show you how much I care for you. No more pain, ok? I'm not leaving."
I needed him. For the first time in my life, I had felt like I was wanted, loved. This feeling couldn't be replaced by anything my mother had gifted me over the years to make up for her lack of parenting. Though, I knew si-o had never felt such love either. He was used to pain and resentment. I wanted to be the one who showed him there was more to life than those things. I didn't want to change him. Sure, he had flaws and issues, but I wanted to embrace all of them. They were a part of him, making him who he is today. My father once told me he adorned the villains in fairy tales. Younger me had questioned that for a long time, though know I see it. A hero would sacrifice you for the sake of the world as if you meant nothing. One casualty means nothing compared to thousands, yet a villain would sacrifice the entire world for you. Thinking more about it, why was the villain deemed bad in reality? The hero was selfish, thinking one could have it all with no consequences.
Imagine someone's love for you to be so passionate and devoted that they would sacrifice everything for you without a second thought. I had never seen a love story in real life. My parents went divorced because my mother prioritized work over her family and because my older sister had gone missing in a foreign country. They made it seem like their love died, though I always felt like my father held more love for my mother. My mother cared for nothing but money and having a daughter. She had two, one that possessed the strength of the many generations before her, then there was me. I was adopted at age 2. I can't remember a thing about my biological parents, but I had an amazing relationship with my father. He was the one who loved all of his children equally despite only the three of us having superpowers. In my mother's eyes there was only nam-soon.
Completely neglected by her my entire life. I was invisible, one would say. Whenever she missed a dance rehearsal or important event in my life, she loved to buy gifts. Overly priced gifts, hoping it would make 4 year old me forget that mommy hadn't bothered to show up again because of work. Money was everything to her, and I wasn't. I grew envious of my sister. Of course, I missed her while she was gone, but would it be an evil thing to say a small sick part of me was happy, thinking mother would have no choice but to pay attention to me. I was wrong. Nam-soon this, nam-soon that. Hosting strength competitions and constantly fixing her favorite dishes at dinner. I hated myself, why couldn't I be happy she was back? Why was I so jealous of her? And why can't I make my mom love me?
When I met si-o, all that changed. I had shown up to give nam-soon her lunch for the day. She had been undercover working with some cop she liked, and it was obvious he liked her as well. Now no one in the public knew of me, after nam-soon went missing our parents thought it would be best to shield the world from us. I was known as the spoiled rich daughter of some famous ceo. No one bothered to ask who? I stumbled upon this man, taller than me. Bumping into his chest, which was as far as my head could reach, even in heels. He was the most beautiful creature I had ever seen. I wanted him to be mine.
Chapter 1: Overshadowed
Chapter 2: To be loved
Chapter 3: You and me
Chapter 4: Second place
Chapter 5: Love is hard
Chapter 6: No matter what
Baily Bass(oc)- Danny
Byeonwooseok-Ryu-si
Other characters are their respective characters.
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Text
The Percy Jackson Saga
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What a saga! I´ve still yet to finish it (while writing this, but i´ll post it when I finish it), but it´s SO fun, such a light read.
My history with Percy Jackson series has MANY comes and goes and it intercepts with many characters of my life that definitely not align with the Percy Jackson books at ALL. Seriously, If by any chance you´re a pre-teen reading this and you seem to be a bully who reads percy jackson, why do you think percy has SUCH a bad time in the school?? Anyway, getting over the personal comment….
I was mainly attracted to it because the series has come out (watch it !! its definitely interesting) but the nostalgia has come back with a kick and I definitely relate to little Percy, Annabeth and Grover (none of them would love me calling them little, but they are kids!!! Give them a SECOND of peace please), a little misunderstood, a little lost, not only when I was a teenager, but now on my 20s I can def relate (in a sense) to this lost feeling.
I doubt it ever goes away, Hell (or Hades?), Its difficult even to the gods what is happening in the books!! Everyone has to make tough decisions every once in a while, sometimes is whether to have the literal sky to help the goddess Artemis to fight Atlas, sometimes is leaving a job!
And I definitely relate to the strand of white hair after going trough the stress. And yes, everyone has a difficult choice and sometimes some are tougher than others, (like cmon… my job change example its what Ive been going through but Im guessing that maybe having the sky on your back may be a lil more difficult) but difficult choices are difficult choices, and these books have helped me, at least, to get anxious over whether Percy was going to be able to save his mom, instead of me getting anxious of my life choices.
I´m sure that anybody reading this may be going through a tough time (I mean, not to wish that upon you, and if you say “nah thanks i´m good, having the best time of my life” great for you!!) and i definitely believe that these books may seem focused for children, and yes, the repetition of what happened the last books that appears in every book after the first one, it sure is annoying, but overall its a huge break for the brain! Its a nice reading, a nostalgic one, and a hug to the heart.
A good reminder that good friends are worth lifting the sky and more, that families may not be what we always expect, that blue food is DOPE, that what we see may not always be what it truly is, that friends are not always what they seem to be, and that enemies (or people who we are taught are “enemies”) may not always be enemies.
[Finally, as a last comment since I´ve finished reading now] Sometimes it is not only good but necessary to go back to your child-self. To embrace new experiences with the forgiveness of a mother, the strength of an adult, but also for the inner ability of a kid that's learning how to walk, to stand immediately back up and continue trying. Embrace your strength but also your weaknesses, continue always learning, get around people you would sacrifice yourself for. Remember that its good and also essential to rest (sometimes on a lost island surrounded by the daughter of Kronos that's actually good and leaves you with a bunch of questions), and never forget to get back home (or at give out a sign when you're well so that everyone around you knows that you´re fine, turning the light blue of the Empire State can be an example).
If you´re going through high school, read this.
If you´re a lil lost, read this.
If you´re pretty sure you may be a lost child to a Greek god, yeah sure, but also read this.
If you wanna learn more about greek myths! I mean they are not super explained sometimes, but they sure deserve a good google search afterwards, which is good brain food!
If you really like sloooooow burn romances, yeah maybe you may like this (super far from the actual trama of the story but its so TRUE how long Percy takes to realize y´know…the thing)
If you like cute Cyclops, who are NOT murder machines, read this!!
And you must definitely read this if you like the water!! -Vera
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pilferingapples · 1 year
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I was talking with @everyonewasabird about Cosette’s situation towards the end of the book, and realized that,from Cosette’s POV:
-Marius told her he was going to need to miss seeing her for an evening; that meant two days. He refuses to tell her why, and he gives her Courfeyrac’s address. (4.8.6) He makes vague allusions to some men he knows, and gives her Courfeyrac’s name and address, because something might happen, one never knows” .   When he is convincing her of the need for him to leave for an evening, he tells her, in doing this , “ "Let us sacrifice one day in order to gain our whole lives, perhaps."
-the day after Marius and Cosette skip their nightly meeting for the first time ever, the June Revolt happens. 
- the day after that, Jean Valjean is also gone , the whole day and until early the next morning. There is absolutely no way Cosette doesn’t know he’s gone. But she’s used to her dad disappearing for a day or two, she might not think too much about it....
- except Cosette learns after the revolt that Marius was severely wounded on the barricades.  She pretty much has to learn this from her father; no one else she knows even knows who Marius is!
- after Marius wakes up, everyone, including Cosette, reasonably now assumes him to be a srs bsns republican revolutionary. She also must learn that Courfeyrac, and all Marius’ other friends, have died in pursuit of that revolution.
-the only thing Valjean and Marius really talk about to any degree is politics. (5.5.7)
-Hugo notes several times that Marius and Valjean have an obvious air of two men with a secret between them. (5.5.7, 5.7.1). Cosette has gathered enough to believe the things they won’t talk to her about are political (5.7.1).
-Valjean does his best to convince Cosette that all his strange behavior after his confession, and even the condition of their meeting room, and the short time they meet, is his doing and according to his wishes entirely.  He won’t elaborate. He’s just. Meeting his daughter. In near-secret.  and refusing to meet her any other way.
Under a name Cosette doesn’t know. 
HMMMM.  
- What I’m saying is, it would be completely and entirely fair for Cosette to think that her (known revolutionary!!)  husband and her (always mysterious!) dad are involved in political conspiracy  that they are refusing to tell her about for all the usual reasons people might keep a political conspiracy secret.  It would even be very reasonable for her to conclude they met through the uprising. 
A household with Political Conspiracy happening would even fit in comfortably with Hugo’s own life experiences!--his mom and her lover had plotted against Napoleon, without him knowing. 
What does this change? I don’t know. Nothing, necessarily?  but Hugo doesn’t really consider Cosette’s  POV and interiority at all here, so I want to do it more, and that led me here, and now you too. 
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introvertllux · 3 months
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Meet the Wayne’s Chapter 3: Maternal Ties and the Shadow of Gotham
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I DON’T claim the rights to batman only the black!OC. Also this is pure fiction and NOT my thoughts on marriage at all.
Scarlett P.O.V.
Despite living a life without a mother and engaging in activities far removed from what a traditional mother might do, I've always felt a profound pull towards motherhood. It was as if I was inherently maternal, destined to embrace the role with open arms. Yet, under the shadow of Ra's al Ghul, such dreams seemed distant, almost forbidden. Isolated within the confines of his domain, my world was restricted, my interactions limited. Discussing and acknowledging the natural teenage yearnings felt dangerous—punishable, even. Among the few women there, Talia—Ra al Ghul's daughter—was the only one close to my age yet far from being a confidante. I was an intruder to her, not for stealing her father's affection but because I was there at all. She saw me as a rival, though I never viewed Ra's in the paternal light she did. My mind was often elsewhere, lost in daydreams of everyday life outside these walls—friendships, romance, and the simple act of holding someone's hand.
Those dreams seemed like fantasies, unreachable and fanciful. Yet, here I am, years later, a mother to five incredible boys. My sons, each unique in their strength, humor, and brilliance, are the anchors that keep me grounded amidst the turmoil of my life with Bruce. They are my priority, the driving force behind every decision I make, including my disputes with Bruce over his relentless pursuit of justice as Batman. His obsession with patrolling Gotham has strained our relationship, but more importantly, it has impacted our boys. They witness our conflicts, absorbing the tension and reflecting on their individual bonds with their father. Bruce has his flaws; he can be overly strict and sometimes distant. Yet, when he's present, he's an inspiring figure—empowering, affectionate, and constantly pushing them toward greatness. He may not be perfect, but he's constantly evolving, striving to be a better father.
Our home, a nexus of love, conflict, and unspoken fears, bears witness to the struggles and triumphs of a family not quite like any other. For all his strength and resolve, Bruce grapples with the dualities of his existence—between the man and the mask, the father and the vigilante. His physical and emotional absences leave a void that I strive to fill, weaving the fragile threads of family unity with each day that passes.
In their resilience, the boys adapt and grow, each carving their own path under the weight of the Wayne legacy. Their struggles and triumphs are a daily reminder of the complexities of our lives—a life built on the foundations of sacrifice, secrets, and an unwavering commitment to each other.
In the quiet moments, when the chaos of our lives settles into a rare peace, I reflect on the journey that has brought me here. From the confines of the League's domain to the expansive heart of the Wayne family, my life has been a testament to fate's unpredictable, winding paths.
Motherhood, with all its challenges and joys, has been my redemption, my salvation from a past marred by darkness. It has taught me about the power of love, the strength of family, and the endless possibilities of embracing one's true self. Standing at the precipice of this life I have built, I am grateful for the unexpected gift of motherhood and the five remarkable boys who call me Mom.
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Third Person P.O.V.
The Wayne Manor kitchen was a flurry of activity, its usual solemnity replaced by the chaotic energy of the Wayne sons preparing for the day's event. Amidst the sizzle of breakfast on the stove, Scarlett found herself not only as the orchestrator of the morning meal but also as the mediator of an unfolding debate among her boys.
"I don't see why I have to wear a suit. It's not like the orphans are going to care what I'm wearing," Jason grumbled, tugging at the collar of his shirt with a scowl that seemed permanently etched on his face whenever formal attire was mentioned.
"It's about showing respect, Jason. We represent the Wayne family; we should look the part," Dick interjected, ever the voice of reason, his own suit fitting him like a second skin—a testament to his comfort in their world of galas and public appearances.
"Yeah, but why can't we show respect in jeans and a tee? At least we'd be comfortable," Tim chimed in, pushing his glasses up his nose as he eyed the suit laid out for him with undisguised disdain.
Duke, the newest addition to the brood, seemed less bothered by the dress code, though he couldn't resist joining in the banter. A little color wouldn't hurt. These suits make us look like we're attending a funeral, not celebrating an opening."
Damian, the youngest and often the most vocal about his dislikes, was surprisingly quiet, his usual complaints about 'draconian dress codes' absent as he meticulously adjusted his tie—a more miniature replica of the one Bruce often wore. It was a rare moment of conformity from the boy, who was usually anything but.
Scarlett, flipping pancakes with one hand and managing to look entirely at ease amidst the morning chaos, couldn't help but smile at her son's antics. "Gentlemen, you all look handsome, and wearing a suit won't kill you. It's one afternoon, and then you can come home and change into whatever you'd like."
"But Mom, it's not just the suits. It's the ties, the shoes—it's like being strangled by your own clothes," Jason argued, his dramatics earning a chuckle from his brothers.
"Jason's right," Damian finally spoke up, his voice betraying a hint of solidarity with his brother. "It's archaic, and it's uncomfortable. Father insists on these traditions without considering practicality."
Scarlett turned, offering a plate of pancakes to her sons as a peace offering. "Bruce wants this day to be special for the orphanage's family and children. Wearing a suit is a small part to play in making today memorable. And Damian, your father considers many things, including how the Wayne family presents itself. It's part of our responsibility."
The boys exchanged looks, their arguments deflating under the weight of their mother's logic and the allure of breakfast. As they gathered around the table, their banter continued, lighter now, interspersed with plans for the day and the roles they each would play at the reopening.
Scarlett watched them, her heart full. These moments were what she cherished most—her family united not just by blood or name but by the shared experiences that bound them closer with each passing day. She knew the importance of today's event extended beyond the orphanage; it was a testament to their resilience, their unity, and the legacy they were building, one day, one suit at a time.
As breakfast concluded and they prepared to leave, Scarlett felt a surge of pride looking at her sons. Despite their grumbling, they were ready, each embodying the strength and grace of the Wayne legacy. Today was more than an event; it was a reaffirmation of their commitment to Gotham, each other, and the ideals Bruce and Scarlett worked so hard to instill in them.
As the Wayne family convoy wound its way towards the heart of Gotham, the tension that had bubbled over breakfast seemed to dissipate, replaced by a shared sense of purpose. The sleek black cars blended seamlessly with the city's rhythm, a silent testament to the Wayne legacy that extended far beyond the corporate skyscrapers and into the very fabric of Gotham's community. Inside the lead car, Scarlett found herself sandwiched between Bruce and Alfred, the latter having taken on the role of driver for the day. The boys, divided between the vehicles, continued their debate over the necessity of formal wear, their voices a distant murmur over the car's communication system.
Bruce, catching Scarlett's eye, offered a small, appreciative smile. "They'll understand one day," he said, his voice a blend of resignation and hope. "The importance of today… it's more than just an appearance. It's about setting an example, showing Gotham that the Wayne family stands with them."
Scarlett nodded, her hand finding Bruce's. "They will. They're more like you than they'd care to admit. Strong, determined, and with a heart for Gotham's people. Today will be a good day." Their arrival at the orphanage was met with fanfare, with the community turning out in force to celebrate the reopening. The Wayne family, stepping out of their cars, were immediately swarmed by reporters, city officials, and excited children, all eager to glimpse Gotham's most prominent family.
Despite their earlier complaints, the boys moved with a grace and poise that belied their years. Dick took the lead, his natural charisma making him an easy favorite among the attendees. With his characteristic scowl softened for the day, Jason was surrounded by a group of older kids, his tales of motorcycle escapades drawing awed whispers. Ever the strategist, Tim conversed with city planners and philanthropists, discussing future projects and investments. Duke became an instant hit with the younger children with his infectious smile, leading games, and laughter. Maintaining a stoic facade, Damian nonetheless found himself drawn to a quiet corner where a few shy orphans observed the festivities from a distance.
Scarlett felt pride as she watched her family mingle and engage with the community. Today was a reminder of their collective strength, their ability to transcend the challenges and scrutiny that often accompanied their public lives. It reaffirmed their commitment to making Gotham a better place, one child, one family at a time. The jubilation of the day, palpable in the air filled with laughter and celebratory voices, was abruptly shattered. Moments before the chaos, Bruce stood at the podium, the crowd hushed in anticipation of his speech. The Wayne family stood to the side, representing unity and support.
"Ladies and gentlemen, thank you for joining us on this momentous day," Bruce began, his voice carrying over the assembled crowd. "Today is not just about reopening the doors of the orphanage; it's about reopening our hearts and extending our hands to those in need."
He paused, glancing towards Scarlett and their sons with a tender smile. "My family stands with me today as witnesses and pillars of our commitment towards this cause. Each of them, in their own way, contributes to the mission we've embarked on — to ensure that no child in Gotham feels abandoned."
Bruce's gaze swept over the crowd, his presence commanding yet warm. "This orphanage is more than a building; it's a beacon of hope, a promise of a better tomorrow. We dedicate ourselves to this promise, not just with words but with action. With support, care, and love, we can change lives."
As he spoke of future initiatives and the importance of community involvement, the atmosphere was charged with a sense of purpose and optimism. The Wayne family, listening intently, couldn't help but feel proud of their legacy, a legacy beyond the capes and the headlines, grounded in real, tangible change.
"And so," Bruce concluded, "we look forward to a future where every child knows they have a place to call home, a family to belong to, and a community that cares. Together, we can make Gotham a beacon of hope for all."
Applause erupted, echoing off the walls of the newly renovated building, symbolizing the new beginnings Bruce had articulated so passionately. The Wayne family joined in the applause, their hearts full, unaware of the looming shadow about to descend upon their moment of triumph.
When it came, the explosion was sudden and deafening, a brutal punctuation to Bruce's message of hope. Her instincts overriding her shock, Scarlett reacted with a speed born of necessity. Her powers, long kept hidden, flared to life, weaving a protective cocoon around her sons as debris and chaos reigned around them. The force of the blast sent her tumbling, darkness claiming her as she fought to stay conscious.
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Awakening in the infirmary wing, the sterile white of the room starkly contrasting with the vivid nightmare of the explosion, Scarlett's first thought was of her family. Alfred's presence, a steady constant, brought a measure of comfort, but his news did little to ease the dread coiling in her stomach.
"The boys are safe, thanks to you," he reassured, though the worry in his eyes spoke volumes. "But, Miss Scarlett, the symbols... they've spread."
As consciousness slowly crept back to Scarlett, her first coherent thought was a piercing fear for her sons. Panic clawed at her chest, her breaths coming in short, rapid gasps as she attempted to rise, only to be met with the firm, steadying hands of Alfred.
"Where are they? Are they safe?" The urgency in her voice was palpable, her eyes wild with maternal fear. With his ever-calm demeanor, Alfred reassured her, "They're safe, Miss Scarlett. I personally saw to their safety. They're with Master Bruce."
Her mind, however, couldn't find peace until she saw them with her own eyes. Then, the memories began to flood, memories of how Alfred first discovered her secret.
It was a late evening, months ago, when Alfred had walked in on her tending to a wound on her shoulder — a wound that should have been fatal yet was healing at an unnatural pace, the skin around it glowing faintly with intricate symbols. She remembered the shock on Alfred's face, the way he froze, a tray of tea in his hands, now forgotten.
"Miss Scarlett, what on earth...?" he'd begun, his voice a mix of concern and disbelief.
She had no choice then but to confide in him, to reveal the origins of her powers and her past with Ra's al Ghul. "Alfred, what you see... it's a part of me I've hoped to keep hidden. These symbols are not just scars but a map to a barely understood power. A power Ra's al Ghul sought to control."
The conversation that followed was long and fraught with revelations. Scarlett explained her fear of Bruce's reaction, knowing his distrust of anything related to magic or the supernatural. Alfred, for his part, listened with a growing sense of foreboding, understanding the weight of the secret Scarlett bore.
The fear for her sons momentarily subsided in the infirmary, replaced by a new wave of panic. "Bruce... is he okay? He wasn't near the explosion, was he?" Her voice cracked with the question, the thought of Bruce injured — or worse — reigniting the terror within her.
"Master Bruce is unharmed," Alfred assured her, but the comfort his words were meant to provide was overshadowed by Scarlett's growing dread over the spreading symbols. "But we must keep him from seeing these symbols, Alfred. He cannot know of this magic within me."
The decision to keep Bruce in the dark had been mutual between Scarlett and Alfred, but the secrecy now felt like a chasm widening between her and her husband. Alfred's worry was evident, knowing the strain such secrets could inflict on a family already navigating the complexities of their dual lives.
Bruce's confusion turned to anger when he was barred from entering the infirmary, Alfred standing firm at the door. "Why can't I see her? What are you hiding from me?" His voice, usually calm and commanding, was now laced with betrayal and concern.
The situation escalated quickly, with Bruce's demands to see Scarlett met with Alfred's unwavering refusal, guided by his promise to protect her secret. The tension reached a boiling point, the air charged with unspoken accusations and the weight of untold truths.
Scarlett could hear the muffled exchange from her bed, her heart aching with each of Bruce's angered pleas. The fear of losing Bruce, of fracturing their family with her secrets, was a specter looming more significant than any physical threat she had faced. In that moment, she realized the actual cost of her powers — not the danger they posed to her, but the potential they had to unravel the very fabric of her family.
As Alfred finally returned to her side, their heavy silence spoke volumes. The path ahead was fraught with uncertainty and the inevitable confrontation with Bruce. But for now, Scarlett focused on regaining her strength, preparing for difficult conversations, and bracing for the impact of her secrets on her family's future.
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Heaven is not entirely on the wrong – a hazbin hotel theory #3 SERA
I know, you hate her. The Seraphim that is all high and mighty, and has ordered the slaughter of countless souls. (I am not going to say innocent or not, but they were souls).
            But let us try to see things from her perspective for a bit. She is responsible for all the souls up in heaven, and has a little sister, mentee, daughter idk, that she cares about very much. Perhaps even too much, in the sense that to me she comes off as so overprotective she didn’t; tell Emily what she needed to know. She tried to protect her innocence and paid for her decision of keeping Emily in he dark with losing Emily’s trust. It’s a barrier that overprotective guardians often cross with their charges. They make the decisions for them, keep them in the dark, because they think they know better, and don’t really acknowledge that said charge (child, sister etc) has grown up, is their own person, can make their own decisions and form their own opinions.
            Back to the point, you have an overprotective Sera responsible for the countless souls up in heaven, the hell in turmoil with a supposed uprising, lead by Lilith? (We don’t really know much abt her to be sure) that could threaten the order you are trying to maintain.
            And let us not kid ourselves, heaven loves order. And rules. It’s a really hierarchical and disciplined society, but it is fallible to failings because of that. Because rules don’t predict everything, laws are not always right. Moral and lawful are not always on the same page. Heaven in Hazbin is meant to enunciate the failings of such a system that religiously follows rules, unbendingly and relentlessly. It’s a bit like how morally correct and lawfully correct do not overlap, and people who are applauded for the morality of their decisions might find themselves facing legal repercussions. (And it’s why I’d make a terrible lawyer, sorry mom).
            So she has to do something. She needs to protect order and all that’s good. She is desperate. And then comes in with the “masterplan”, that serves his own sadism and entertainment but ultimately makes him and unwitting hero. And “you have to listen it was such a hard decision” and I believe that. It’s also a decision that she made in tandem with Adam and Lucifer. But it burdens on her so much because genocide goes against what she stands for.
And I’d like to take the hellfire that’s reflected in her eyes in the song and give it another spin. One that is unlikely, but still. I’d like to propose that the fire, reflects exactly that inner turmoil, that fire of consequences that burns within Sera herself, reflects the hellishness of her decision and that it makes her less than holy. Not necessarily that she is bad and has an agenda against hell, but she made a hellish decision that redacts from her holiness, and that is reflected in the hellfire that burnt in her eyes on that moment.
Ofc that doesn’t make the decision correct or a moral one. And we do see her struggle with it. It’s also a burden she is unwilling to share with anyone. “I though since I m older, that its my load to shoulder.” She is not happy abt that decision, that load that burdens her, but she doesn’t want Emily to bear that same burden, that probably eats away at her bit by bit. Which could be why she is so disgruntled when Pentious arrives. Because she has burdened herself, doused her hands in sin and the blood of countless souls, only to learn that it’s redundant. She made a sacrifice only to learn that it was not needed. And ofc her initial sentiments abt it won’t be positive.
 Because it gives you solace, thinking that the decision is necessary. It calms your conscience thinking, I couldn’t do anything else. It’s probably what had her sanity hanging by a thread as far as the exterminations go. And then she learns that, she didn’t have to do it. There was no reason for restless sleepless nights, for breaking heavens rules, for going against what she believed in. She sinned when she didn’t have to. And it’s not sth anyone would have positive feelings about at least initially.
 I don’t think the show will go that way, because so much it has been anti heaven, and well Sera’s portrayal does allude to sth more sinister going on behind the scenes. And Sera could be in on that, vengeful and anti-hell or she could be merely a pawn in a larger scheme.
Sera is also ancient. And has witnessed many of the marvels that humanity has achieved. Both the good and terrible ones. And well, you cannot teach an old dog new tricks. She has formed her opinions already, and there are little chances she’ll change her mind. That’s a big issue with immortal characters, that needs to be leaned into correctly, to make their immortality and all that experience play as either a vice or a virtue. So, she is ofc going to be skeptical abt redemption. Perhaps she has seen other attempts before, perhaps she has seen schemes parading around as redemption that only aimed in disorder and chaos.
And something that annoys me a bit abt various character portrayals, is how they get positively or negatively seen regardless of the actual weight of their decisions. Adam is a fan favorite, and he is a prick. Carmilla was willing to let all of hell burn to save just her daughters. (I love her soooo much though. And she did help in the end.) It’s a bit of a case that the hero would sacrifice you to save the world, and the villain would let the world burn if it meant it would keep you safe.
And Sera sacrifices souls that have already been condemned by divine judgement – again I think that the worthy ones if there had been any, probably popped up in heaven’s doors with amnesia or sth and thus the whole thing went under their noses – to save those that she is charged to protect. It burdens her, but she does it all the same. Protecting countless people that in her eyes, have already proved their worthiness of being saved.
Again this introduces the faults and struggles with power, oppression discipline and rules, and how they can limit one’s view of the truth. Heaven is the one presented with the struggles of corrupt power, more so than hell in hazbin, because it’s more subtle. It’s the day to day struggle with laws and rules that give enough leeway to Adam to be an asshole and be up there but condemn Vaggie for sparing a hell born child.
All in all yes we are talking about flawed characters. Nuanced and with their own struggles, but that needed to be considered in another light as well. This was a really fun exercise to try and distance these characters from the lighting that the show already paints them with and give them a bit of a spin from an outsiders perspective. Ofc this doesn’t erase their flaws but we need to see them as the multidimensional characters that they are, and all the different levels of struggle they deal with. It’s not all black and white after all.  
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senditcolton · 8 months
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we were supposed to be just friends
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an introduction to Abigail Lenox and Matt Martin's tumble from friendship into something more.
series masterlist | title inspo | word count: 2.6k a/n: it's a double drop day! told you all I still loved Marty. this story is courtesy of all of you who planted this idea of friends to lovers Matt Martin in my head and that's where it stayed. this is one of the many reasons why I love you guys. warnings: none! Disclaimer: Reading/creating content for married players isn’t for everyone. Please don’t read if you don’t vibe with it, but don’t attack me or others!
The rumble of the train beneath Abigail Lenox was a welcome sensation after a grueling rehearsal, the muscles in her legs still tight after the hours spent balancing on her toes.
Many of her co-workers thought that she was crazy to make the commute from Greenwich to New York City every day, adding an hour-long commute to her already hectic schedule. But she didn’t mind it. The travel gave her time to relax and decompress. It also reminded her how far she had come; the only daughter of a single mom who clawed her way up the pyramid to become one of the principal dancers of the American Ballet Theater.
She snaps herself back to the present before she gets lost in the memories of her mom’s sacrifice, this train route, and the feeling of excitement bubbling up at the opportunity presented to her all those years ago. With a sigh, Abigail sinks down onto one of the unoccupied seats, removing her phone from her duffel bag and quickly swipes to her contact list. She doesn’t have to scroll far down the list of names before her best friend’s number is pulled up and the call button is pressed.
As she holds up the cell phone to her ear, she listens to the line ring one, twice, three times before a cheerful voice falls through the speaker.
“Hey Abby,” Matt Martin speaks and Abigail can’t help the grin that breaks out her face at the sound of his deep timbre along with the chatter of others in the background.
“Hey Matt. Are you still at practice?”
“It’s over but I’m still in the locker room with a few of the guys. Hey, say ‘hi’ to Abby.”
The grin on Abigail’s face widens as she hears a chorus of other male voices call through the phone to her. She cheerfully replies back although she is pretty sure they can’t hear her, a thought that is only confirmed when she hears Matt chuckle reverberating through the speaker.
“How was rehearsal?”
“Exhausting like always, but everyone is really excited considering opening night is only a few days away,” she replies. And, much like it always did, her mind instinctually jumps through whatever choreography was tripping her up. It was an exhausting role for more than one reason and Abigail knew the nerves would not be settled until she was out on that stage, performing in front of an audience. “Speaking of which, I wanted to check that you got your tickets. If you forgot, I still have one from the family and friends’ allowance that the company gives us.”
“Abby, I got my ticket as soon as I knew I could make it. Like I always do.”
“Oh, always?” she asks, her voice taking on a teasing tone. “So that one time I had to scrounge up a ticket last minute for you to see Giselle doesn’t count?”
“I can’t believe you still bring that up,” Matt sighs, his own words matching her tone to indicate that it was in jest rather than actual exasperation.
“Like I’m going to forget the time you almost forgot to see my American Ballet debut.”
“That was back when I was a twenty-something-year-old who couldn’t keep track of a schedule. I am much more mature now.”
“Sure, if you say so,” she sing-songs in reply, her eyes darting outside the window as she watches the suburbs of New York pass her by.  
“If you keep being mean to me, I’m going to tell the boys to return their tickets.”
The off-handed threat Matt attached to the ending of his teasing sentence has Abigail eyes darting away from the window, her body perking up in the leather train seat.
“What do you mean ‘the boys’?” she asks, the rhythm of her heart increasing in excitement and anticipation of his next words.
“I convinced a few of the guys to come along with me to see you opening night,” Matt explains, his voice ever so casual but Abigail can hear the smile coming through his voice.
“Really?”
“Yeah, you’re going to have five hockey boys cheering you on from the audience. Plus two wives.”
“How’d you manage that?” Abigail asks, a light-laugh falling from her lips. “Don’t you always tell me the boys make fun of you for going to the ballet?”
“Eh, I can be convincing when I need to be.”
“Matt.”
“Okay, so I might have bribed them a little but I know they’ll love it. Anyways, you always say that seeing a performance changes people’s opinions about dance and so, I’m making them see a performance.”
“Yeah, I don’t want it them to be dragged to it,” Abigail whines. What Matt said was true: she loved her job and wanted everyone to understand the hours of work and dedication that went into this craft instead of just seeing it as a career filled with sparkles and hoity-toity people who thought themselves too good for anyone else. But she also knew forcing those people to sit down in a theatre for three hours would not be the way to change their opinion.
“I promise, it’ll be fine. They’re cool with it. I really only managed to convince the guys who were already at least a little interested anyway.”
“Oh, so you’re not as convincing as you think you are.”
“Just let me have my moment,” Matt playfully scoffs, pulling a giggle from Abigail’s lips at his voice.
“Alright, you win,” she concedes with a sigh. “So, who’s coming?”
“Well, me – obviously – and then Casey, Brock, Anders and Grace, and finally Cal and Cassie. But they might have to bow out if they can’t find a babysitter. Although I think his girls would love to go to the ballet.”
“Um,” Abigail hums, extending the tone. “Maybe don’t have Cal bring his daughters to this ballet.”
“Wait” Matt says and Abigail can hear a door closing, the voices from the locker room silencing, indicating Matt’s departure from the rink. She doesn’t have a lot of time to focus on his movements when his voice sounds again. “What do you mean?”
“Well,” she replies, once again lengthening the syllables as she undoes her hair, the long brunette strands falling over her shoulders. “It’s not exactly a, um… a PG rated show.”
“Abigail, what the fuck are you dancing in?”
“I swear I’ve told you about the show.”
“Maybe but you definitely didn’t elaborate that it wasn’t family-friendly.”
“Well, considering I didn’t know that any families were attending, it didn’t seem relevant until now,” she playfully quips back and she can hear the sigh and closing car door echo through the other end of the line. There is a small moment before Matt speaks again.  
“Fine, fair point, but can you tell me now?”
“Okay. But I’m not going to spoil the plot for you. And I swear, if you look it up, I’m going to murder you. You’ve seen me prep my pointe shoes before. I can use the same methods on you.”
“I promise,” Matt replies, the hint of laughter in his voice at her threat, knowing full well the stark difference between her slight frame and his bulking figure.
“Okay, so the ballet is titled Mayerling and it follows the Crown Prince of Austria-Hungary, Prince Rudolph, and certain events in his life. And … let’s just say… Rudolph is not someone to be admired and the ballet really shows that.”
“I am both intrigued and terrified,” Matt says. “So, who do you play in all of this? His wife? His mother?”
“I’m his mistress,” she confesses, her out of context declaration earning a questioning glance from a passenger sitting across the aisle. Abigial thinks about adding the context but Matt’s incredulous tone pulls her back to the original conversation.
“What?”
“I told you, it’s not a family-friendly show. If Cal can’t make it and wants to bring his kids next time, I’ll get him tickets for The Nutcracker or something.”
“I’m never going to look at ballet the same way after this, am I?”
“Probably not. But hey, it’s a great story and a fantastic show for some of the other guys to see. Maybe then they’ll realize ballet isn’t all silk ribbons and sparkly tutus.”
“I think I’d prefer you in silk ribbons and sparkly tutus,” Abigal hear Matt mutter and she lets out a laugh at his grumble, sounding so much like all the brothers she encountered in her upbringing; the ones that were clearly dragged to their sister’s recitals when they’d much rather be doing anything else.
“Well, I think you’re going to end up liking this one anyway,” she remarks. “Just please don’t be scandalized by the pas de deux at the end of Act II.”
“Okay, what the fuck aren’t you telling me?”
Matt’s outburst only causes another raucous laugh to escape Abigail, her joy echoing through the train car and down the end of the line. Her heart sings, not only in delight at the banter she can share with her best friend but at the knowledge that she can count on him for so many things.
One: that he will always be there to support her.
Two: that he is one of the few people who can make her laugh so freely.
*~*~*~*~*
Matt Martin was in big trouble.
He had always commended himself on being level-headed, on only acting out of emotion when necessary. It was a good skill to have – applicable both on and off the ice. It stopped himself from getting into messy complicated situations that could lead to plenty of negative outcomes: a penalty kill, a game suspension, injury, hurt feelings, and bruised hearts.
But now, sitting in a luxurious theater that always made him feel a little out of place and listening to the refrains of an orchestra, Matt knew his composure was dissolving. Because he was watching Abigail, the girl he had known for 10 years and one of his closest friends, dance.
And yes, while he had seen her dance plenty of times before, he had never seen her dance like this.
She had warned him as much a week ago when she advised against Cal bringing his daughters to watch the show. But no warning in the world could have prepared Matt for some of the scenes that had already unfolded and no warning could’ve prepared him for this, the final scene of Act II.
Matt watches, enraptured as his best friend moves across the stage, watches as she wraps herself around her co-star’s body, watches her facial expressions shift from teasing to pure ecstasy.
So many people would probably just say that her dancing was beautiful. And it was – it always was. But Abigail told him one night after a few too many margaritas that she hated that compliment.
‘Saying that ballet is beautiful is like saying hockey is fast. Like, duh, of course it is. But if you’re using that as a compliment, it’s superficial. It just tells me you’re only paying attention to the surface and not the substance, not the work that we put into it to make it beautiful. Think of a different adjective and then I might take it as a compliment.’
Right now, though, she was more than beautiful. The way her body moved, the strength and precision of every muscle in her body, the shapes that she could make, the positions she could twist herself into, all the while making it look like the most elegant, natural movement.
But if Matt had to attach a descriptor to what he was watching unfold on stage a few dozen feet in front of him, there was only one word echoing through his mind; Abigail’s dancing was erotic.
And that left Matt stunned. Because it was a side of his friend that he had never seen before. Or perhaps he had, but it was one that he never bothered to acknowledge.
He was being forced to acknowledge it now as he continued to watch Abigail move across the stage, being lifted, spun, and kissed by her scene partner. Watching as she plays the coy almost dangerous character with an ease that Matt still needed to wrap his head around. She was so settled into her body in a way that Matt hadn’t seen before.
It surprised him. It intrigued him.
He is snapped out of the spell-like trance that Abigial casted by the sound of the audience applauding and with a shake of his head, he shortly joined in, his eyes returning to Abigial’s frame, noticing the heave of her chest, the spark in her eyes. His eyes don’t leave her until the heavy red curtain falls, hiding her from view.
The lights turn back on for intermission but Matt’s gaze stays glued to the spot where Abigail once was before a playful nudge to his side turns his attention to Casey sitting next to him.
“You might have gotten more of the boys to come if you told them that ballet was like this,” Casey jokes, his own blue eyes glinting in amusement.
“Yeah, well, to be fair, I didn’t know that’s what this ballet was,” Matt says, trying to keep his voice light as his gaze returns to the stage.
“Really? Abigial didn’t tell you?”
“She just mentioned that it wasn’t exactly family-friendly,” Matt explains pulling a scoff of laughter from Casey.
“Well, she was right about that,” he chuckles.
There is a small pause and Matt can almost feel Casey’s eyes return to him and soon feels his friend’s gaze almost dissecting him. Eventually, the tense silence becomes too much for Matt.
“What?” he asks, his own voice doing nothing to hide his tense apprehension.
“What?”
“What do you want Casey?”
“Nothing. Just wondering how you’re doing,” his teammate elaborates and Matt hates that he can feel the weight of Casey’s stare. That, coupled with Casey’s question has Matt worried that the man sitting next to him can see the impure thoughts running through his head. Thoughts about his best friend.  
“I’m fine,” he mutters out from behind gritted teeth.
“Really?”
“Casey. What do you want me to say?”
“Nothing.”
“Bullshit.”
“No, no, it’s – it’s nothing,” Casey says, his voice dismissive and Matt almost relaxes, thinking that his friends probing is finished. But then Casey speaks again. “It’s just that you had this look in your eyes while watching Abby dance. Just wondering how you’re doing – seeing her like that.”
“I’m fine. She’s just a… really good dancer.”
“Yeah, she is,” Casey trails off, finally letting the conversation go.
Matt watches out of the corner of his eye as he turns towards Cal and Cassie and it’s only then does Matt let out the deep breath he didn’t know he was holding, Casey’s piercing gaze no longer on him. Although Matt can tell from the thickness of the atmosphere that still hovered over him that there was an entirely separate tension that had no relation to his friend’s questions.
Matt tires to shake off his teammate’s words, chalking up the ‘look’ that Casey observed as nothing more than surprise and admiration for his best friend. Who he had known for years. Who always supported him. Who understood the demand of his career because hers was so similar. Who made him smile. Who was kind and talented and beautiful.
So beautiful in so many ways. An amazing woman that Matt wanted to keep in his life.  
As a friend. Nothing more than that. It was just friendship. Nothing else.
Perhaps if he said it enough, it would return to being the truth.
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strawberryicemoon · 1 month
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Why I can't watch the Ducktales Finale
I'm not the kind of person who struggles to watch the last episode of something. I love to finish a show, and let it sit in my brain. I'm the kind of person who often enjoys spoilers because it adds to my understanding of the media. I love to view the media in their entirety just as much as I love a journey to get there.
But I can't get past the first few minutes of Ducktales 2017, The Last Adventure. And it's because of spoilers that I couldn't deal with. I don't like them, and even years later after I've had time to digest, and have seen so many finale clips, that I still can't just sit down and watch it. And I've made attempts. I've looked through the summary of the episode to prepare. But I can't.
And there's... a couple of things that rub me the wrong way about the Finale that keep me from being able to just watch it.
1. Webby is Scrooge's Clone Daughter
2. Webby is April, of April May and June
3. Donald and Daisy are going on vacation.
Now, I don't actually hate any of these... conceptually. And I'm well aware that Frank Angones has stated the Webby twist was planned from very early on. And usually I am completely down for whatever a finale is, as long as I can tell that this was something the creator really believed in.
I'm a fan of such "controversial" endings as, Amphibia and Digimon Adventure 02, because I know exactly why they ended like that. It's written in the themes. Even if it took me time to understand Adventure's ending, I've grown to understand it and love it once I learned more about the original Japanese version and the shows production (and also grew up myself). Amphibia ended exactly as I expected based on one of the very earliest things I heard about the show from Matt Braly: "an ode to past friendships". Even if I think there are things they messed up I GET IT. I wouldn't want them ending any other way.
So I understand WHY the decision is made. Conceptually it does make sense. Webby exists as a composite character of April May and June, and I believe shares the same name as April in one language. Webby being Scrooge's clone daughter is an effective way of full-circling her relationship with him. Strangers in each other's home to father and daughter. She's family not BECAUSE of Blood, but because of Love. She still loves her Granny, it's just the non blood relationship wasn't the one she thought it was. And Donald deserves a vacation, and to have the more down to earth life experiences he wanted, especially after raising his sisters kids alone for 10 years.
But they still twist me up inside.
And I think it comes down to three reasons: 1. Lack of Continuity between episodes 2. An over-focusing on Scrooge 3. Handling of Word of God
1. Lack of Continuity between episodes Part of what got me to fall in love with Ducktales was S1 and the continuity of the Spear of Selene subplot. We got hints at a semi-regular pace, but it successfully overhung the entire series. It was what separated Scrooge and Donald. It was why Della was gone. The subject matter was of course not something that needed to be overstated, as most of it was being kept hush hush. Sure it was a mystery, but not an urgent one. Dewey had never had his mom, so it wasn't like he couldn't focus on anything else for a while
But in S2 I started noticing that the show stopped explaining or foreshadowing things. Maybe it always did, I haven't re watched it properly. But I definitely noticed something off about the storytelling then. But it was definitely a problem throughout the show.
Webby never brought up Lena after her sacrifice until the relevant episode.
Lena living with the Sabrewings was something never brought up until episodes later we saw her with them.
We had Della talking about the boys with their "Uncles" setting up the pain of not knowing how things fell apart after her departure, only to get no payoff.
We didn't get ANYTHING about Webby's parentage until the final episode, and barely a hint in 1 season 3 episode.
Almost every finale episode changes the status quo in some way. The question is how much. Lots of final episodes kind of have things going back to the way they were before plot kicked off but better (like with new friends or a new government). Sometimes someone dies.
Webby being Scrooge's clone is paradigm shifting. And that kind of thing needs to be set up. You CANNOT catch your audience off guard with something like that.
In Digimon Adventure 02 the series ends with everyone on earth with a digimon partner which is controversial but at least built up throughout the series at hints of other digidestined until an arc near the end showcased many international digidestined. Hilda ends with the reveal that Hilda's mother is half-fairy, and despite not being present throughout the first two seasons, it was hinted at through the third season, and contextualized some of the few things we did know before about Johanna's childhood. The Hollow's first season ends with you finding out it was all a game, but it had been hinted at before with the video game nature of the world. Sure Avatar didn't hint at Aang getting the power to take away bending, but we knew he was a pacifist who didn't want to kill so was looking for a solution, getting the power to remove bending (ie power over others) works thematically, in the same way Anne using the power of the stones and getting brought back to life by a god like being worked. Sure, Scratch turning out to be a wraith at the end of The Ghost and Molly McGee was rather sudden, but people had been theorizing that Todd was Scratch's body for a long time, so it wasn't like there weren't any hints, and while the show was cut short and had to rush to end, the build up of Scratch's memories at least gave some sort of foreshadowing link to what was going on.
There's a reason people rarely throw in new characters at the very end of a show. It can absolutely work. Amphibia and The Owl House threw in "God" at the end, but that gets a pass for being the kind of figure they meet once and then move on with their lives. On the other side, you can sometimes have secret big bads that were pulling the strings the whole time too. I can't speak for the finale of Ducktales (because again, can't bring myself to watch it), but adding two new characters on top of changing the entire dynamic of how the family is set up at the very end of the show does not sit well with me. We won't get to see how this change in status quo effects the characters. We saw how learning about their mom affected the boys relationship with Scrooge, her return and having to build a relationship with her and her presence conflicting with Launchpad's. But we don't get that with Scrooge and Webby? Basically too many status quo shifts in the finale all at once.
All we got was Beakley was a spy, was overprotective of Webby, and a few episodes before the end it was revealed Beakley was lying to her. Webby didn't seem to care about her parents. And this was a girl who was very dedicated to unraveling the secrets of clan mcduck. Couldn't they have had one hint at some point in the show where it was unclear if it was the boys or Webby who were recognized as a McDuck? Some offhand mention where the boys ask her about HER parents, because she helped them with her mom?
You couldn't tell what was or was not going be important in the way they dropped. It's very hard to set your expectations when you had no clue what to expect. And while there is something to be said for unexpected surprises and twists in a story, an audience really needs to know what is or is important or they're going to go on wild goose chases and get disappointed when they build up hype for something the show then refuses to address.
In HINDSIGHT, I find it extremely odd that Huey and Louie, prior to finding out about Dewey's investigations, did not pry at ALL into the fact that hey: if Donald was an adventurer with Scrooge, then he had to know their mom. Like that’s weird right?
2. An over-focusing on Scrooge Scrooge is the Center of the Universe.
I'm not a Disney Ducks fan. Aside from 2017, and pop culture osmosis, I know very little. But the thing is I am someone whose first inclination once I become a fan of something is to check out the wiki pages for information. Find about what longstanding fan mysteries there are. I understand the importance of cross continuity callbacks. I'm a fan of other longstanding series and have rubbed elbows with several others. I get really long franchises with several iterations.
Which is to say that I, despite not having a horse in this race, understand how this works and how it should work.
Now a bit of this is the fact Ducktales is ABOUT Scrooge. But Scrooge isn't the center of the Duck universe. Something I find pretty interesting is the fact that Donald has reasonably fleshed out family trees on both sides of his family. That's cool. That's how real people work, a meeting point of the stories of those who came before. But Ducktales doesn't care, the only adult the show cares about is him. I get that to a certain extent it was the show execs insisting on focusing on the kids. And again, he's kind of the main character. But you brought back Donald, and Della. There are other characters here with rich lives, he doesn't need to take over everything.
It's especially egregious ANY time the McDuck clan gets involved. Could Matilda be the youngest child now? Sure. But that's a really arbitrary change, that they don't use for anything. And even if that was purposeful, the fact is that the first thing they established is Donald's mom is still Scrooge's sister, so Donald is the grandson of Fergus and Downy McDuck. Not nephew? Surely they could recognize him? But where is Hortense and Quackmore? They brought them up in the first episode, and then they never made any appearances aside from references. Why were Donald and Della staying with Scrooge for Christmas? Never clarified. Fans (reasonably) assumed they were dead. Scrooge called Donald his ward (admittedly when he also called him Fergus and Downy’s nephew rather than grandson). I mean where else would they be when their DAUGHTER DISAPPEARED. Would they not want to meet their grandchildren? But that was never clarified. And I've seen some fans alternatively interpret them as bad parents, which I think is just really unfair. Scrooge gets to be the good parent? It's once again Scrooge to the rescue. The CAPITALIST? I mean it's also a little bit just a family issue in general: It's Uncle Gladstone and Cousin Fethry when they are theoretically the same: technically cousins but old enough to be honorary uncles. It's fair enough. But really that brings us to the Duck family in general.
Grandma Duck? What about Gladstone and Fethry's parents? Gus Goose? Are they all dead? Does Fethry have any siblings? Do the boys not know or not care about the Duck side of the family? They know Gladstone but no one else? I mean Scrooge's parents, who should be dead, were magically kept alive but nothing for the duck family. Speaking of which, they constantly bring up how old Scrooge and occasionally refer to the causes of his supernatural age, but that does not explain how young Donald and Della are compared to him. Overall, we get nothing on the Duck family except for its existence at least, so even removed from the context of Disney Ducks legacy its weird to introduce a side of the family and just gloss over it.
The one episode about the Duck family legacy is a Webby episode. Which, fine, she's not a Duck, but she's part of the family. Except wait. She's Scrooge's daughter/clone, and you gave her the focus on the one episode about the Duck family not the McDuck's? You couldn't leave Scrooge out of anything?
So for Webby's great twist in the finale, was taking not just one, but two characters NOT related to Scrooge (April and Webby), and tying them to Scrooge. I think I could deal with Webby being April, and (HUGE MAYBE) Webby being Scrooge’s clone or April being Scrooge’s clone but not both. Not to mention April, May and June are DAISY's nieces... not random three girls who are her boyfriends uncles clone and and boyfriends uncles clones clone? It doesn't sit right with me that a character who I thought was supposed to be learning that he was sometimes in the wrong, and not the center of morality (see how he made Glomgold a villain through his own ego), continue to be made the center of the universe in ways he simply shouldn't be.
He's literally an old rich guy. Like there is historical context for why this character is like this, but why does the world revolve around him in this show.
3. Word of God Word of God is useful. As are interviews and statements made by the creator. It helps to provide insight into the themes. I love seeing the person behind the art.
But here's the thing. Word of God is clarification, insight into how you should look at the work to set expectations. It's supplementary. It doesn't replace text.
This is a little bit difficult to really talk about now that I'm several years removed from the experience, so grain of salt and all, but I really think the way Word of God was handled did the show a disservice.
Back to Lena becoming a Sabrewing, we didn't get that in show. Lena just dropped off the face of the earth, not until S3’s premier we got a clarification on that in show.
We never got Della's reaction to learning that Donald and Scrooge were estranged, she just suddenly stopped speaking under that assumption.
So Word of God became an essential part of understanding the text, because a lot of necessary information was left unexplained by the canon its a huge problem. And Word of God is often fluid. It can be changed later if during the writing process something changes. (We should probably cover this topic in show and want to do it a bit differently, I have a great Idea of what we can do to turn that error into foreshadowing, I was lying to the fans to keep a secret).
But when word of god is necessary, word of god becomes essential for tempering expectations about the show.
This is probably going to be less of an issue for people who come and watch the show later. Sure, things are still unexplained, but when you can binge the show Lena's unexplained absence is less obvious, you're so busy moving on to other things that Della's change in understanding about the situation is clearly unimportant and you can move on.
But what ended up happening is that Frank Angones struggled to balance clarifications, keeping show secrets, and a sometimes changing story. Which sometimes left characters completely sure on where the story was sitting, only for it to be ripped out from under them. Also, tying back to the first point, of plot points being dropped until the episode where they where they were relevant made it VERY difficult to tell what was or wasn’t going to be relevant, and what emotional beats to get emotionally invested in.
Prior to the finale there was a bit of a community of Webby/Triplet shippers. Personally, I see that as a complete dismissal of the themes of the show and a bit heteronormative. I avoided all such content. But at the same time, shipping doesn't hurt anyone. At the end of the day, the boys and Webby were not related by blood, and hadn't even met until age 10. There wasn't... really a reason you couldn't ship them. There are TONS of shows out there with 10 year old characters and love interests. Just off the top of my head: Any Ship with Ash Ketchum, Sprigivy, Phinabella, Kenyako, Sorato. Even if they don't get together at 10, (or at all) the fact of the matter is 10 year olds getting shipped is old news. I'm still attached to Pokeshipping and Takari to this day, even if I tend to see them more as platonic relationships these days. So I avoided all shipping with them, but I understood why people (particularly younger people) were shipping them. Until the finale hit, and the ships that people thought never going to be canon, but were safe, weren't. To a certain extent, that's the game you play with shipping clearly noncanonical ships. But I feel that the way questions about shipping were answered didn't help, because iirc he tended to say the show wouldn't focus on that more than he explicitly stated the kids were family. He called Webby/Triplet shipping highly unlikely for example, giving it more legitimacy than a no, which leant to it being taken as a solid fact prior to the finale that Webby was definitely not related to the boys, because a lot of what else was said was solid fact.
4. (Bonus): of course, I do also feel it kind of isn't enough to justify breaking the found family. So much of Webby's arc was being accepted into the family. Becoming the 4th triplet. So for her to have been blood all along is a little cheap. Sure it doesn't break the becoming family despite blood before. But, having meta-knowledge of Launchpad probably finding family with Gosalyn and Drake Mallard, it's just Beakley whose left as not blood related (and she's technically the help...). And yeah, there's the Granny/Grandaughter adopted relationship. But....
Webby is one of four kids. Again, she became one of the kids. So yeah. I'm happy that she became one of the kids. Able to call him uncle scrooge. But it feels weird to me that she, the kid who already lived in the manor with Scrooge even if they kept their distance, displaced the triplets as Scrooge's natural heirs. The uncle relationships in this show being parental/grandparental was already good. Not all families look the same, some people parent their siblings' kids for one reason or another. Scrooge's presumed "heirs' ' was his sister's descendants, not his, but he loved them like his own. That's good. So to not only break the "not blood related at all" to "actually daughter", kind of ALSO meant a "my niblings are my legacy" got overtaken with "my daughter is my legacy".
And maybe I'd feel less sour about it if we had more time after the show. But on a fundamental level it didn't just alter Webby's place in the family, but her grandmother's, and the Duck Twins and Triplets. Again, especially with the triplets. I wanted the four of them to become functional equals. The 4th triplet. But for her to have a secret Scrooge connection that overtakes the one she was jealous of the triplets of having doesn't sit right to say the least.
I feel I could get over this one, especially maybe if they gave us more time. But it just didn't make it worth it to me.
5. (Bonus Bonus): Now I don't use the term Mary Sue lightly. But what I do think of canon Mary Sueism is a tendency to make female characters on predominately male casts "special" in some way to justify their presence. They have to be the level headed smart ones and the ones with . They have to be likable so they're robbed of character. I wouldn't say Webby is a particularly bad example of this, and it's not like Ducktales lacks other flawed female characters (Della my beloved).
But the way Webby is treated reminds me of April from TMNT 2012, and Allura from Voltron Legendary Defender (and kinda Larmina from Voltron Force). All are 80s characters in shows that had a predominately male cast of characters, and who were both an outsider, and defined by being a girl. And then the reboot both doubled down on making them special, integrating them into the group more, but also making them generally tougher the boys in some way, and also sometimes more in the know about things. Webby is aged up to match the boys age rather than aged down to match the boys age like April but the effect is still the same.
The girl is now a peer to the boys, 4th triplet, rather than a little sister. Webby is more capable and well-read than any of the boys. And at the start of the series she's socially awkward enough it feels like it will work. And I'm not saying Webby isn't flawed, she is. But when it comes to the things the family finds important: adventuring, she doesn't have any obvious shortcomings. Louie quits easily and isn't as coordinated, Dewey is reckless and generally uneducated, and Huey isn't flexible. And Webby... used to be socially awkward???
It’s kinda trading 1 sexist trope for another. And yeah, all shows do have OTHER female characters who kind of avert this. But it doesn’t change the fact the leading lady is more “special” than the boys. Like being a girl has to be special.
In short, at the end of the day Webby being Scrooge's daughter doesn't help her character, her grandmothers, or the rest of the family. It kinda helps Scrooge’s character, but while I haven’t seen the episode myself, I’m not sure there would be enough time for it to be meaningful. And again, I think a lot of the characterization and worldbuilding of other characters were already sacrificed for Scrooge’s sake in the show already.
Oh and the Donald/Daisy thing.
The reason Daisy/Donald's trip doesn't sit right with me is we barely got any Donald and Della having to coparent. Get used to each other again. We barely got any of them and we're heading back into separation. It doesn’t feel cathartic when we still have unanswered questions from this stage in their life. And even if the trip is well, a trip. It feels weird.
It feels kind of unexpectedly "conventional family", even if it's still really unconventional. Donald is going to go be happy with his love interest, away from the boys he raised who aren't actually his sons (and yes, I know he takes May and June with him but still, knowing that May and June are by default Daisy's nieces kind of has "new kids with new wife" implications to me but that's neither here nor there). Adding this to "Webby being Scrooge's daughter is a good plot point for him" and it's just really weird, and kind of feels like the final nail in the nontraditional family dynamics coffin. If feel only way they could have buried it more is if Beakley died or something.
I was already kinda uncomfortable with the “Daisy being the only one to understand him” thing because like. That’s sweet. His soulmate is the only one who really hears him. But also that’s a fucking speech impediment Donald has. Are you telling me that no one in his family cared enough to effectively communicate with him despite his disability? Like if it is REALLY that much a problem he should have an effective communication method. Sign-language for example?
The triplets he raised don’t always understand him. His twin sister doesn’t always understand him? But this random woman does? I am all for Daisy and Donald being basically soulmates. But uh? This feels both ableist and allonormative in a show that really wasn’t those things before. (well okay it was kinda ableist about Donald but it felt less weird to me when there wasn’t one person who could magically understand Donald). And Daisy understanding him still could be a big thing? The first person who understood him without getting to know him first/wasn’t literally raising him/raised with/raised by him?
I want to like Daisy so much, but she just feels a bit like Webby does: a legacy female character they are trying to make too cool, who gets some of their coolness incidentally defined by a male character, rather than a full-fledged character on their own. (For instance if we saw Daisy with anyone other than Donald, her overbearing boss and… whatever Storkules is). 
I feel some of these may have been resolved with more time. But some of these problems had their seeds planted as early as S1. That said I think if the quality of S1 was maintained they would have been fine. Overall, I think Ducktales is a good reboot, and a good show, but it really could have been better. Was so close to being better.
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dairy-godmother · 1 month
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Holy moly are those ever after high ocs? They sure are! Let’s take a look, shall we?
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So who is this cutie and what is her fairytale?
This is Clementine Lin, the daughter of Tam Lin and Bonny Janet from the Scottish myth/fairytale, Tam Lin! Her destiny is to follow in her father’s footsteps and get kidnapped by the queen of the fae! I found this fairytale so interesting because the male in the original story was the damsel in distress.
Tam Lin is about a girl named Bonny Janet who owned the forest of Carterhaugh since it was given to her by her father. Bonny Janet was bored and had nothing to do with her life, so once she found out about a mysterious entity that steals the “Purity” of all young maidens who enter Carterhaugh alone, she went running. Once she met Tam Lin, a strange spirit who was surprisingly relatable, Bonny Janet became pregnant with his child. Wonder if that has anything to do with the purity stealing thing. One day, they’re hanging out as young lovers do, and Bonny asks if Tam Lin was once human. This is where the plot REALLY kicks in. Tam lin was riding his horse through Carterhaugh one day nearly 7 years ago, and he suddenly fell off of it. Somehow, this meant he was now the property of the queen of the faeries in Carterhaugh. He also tells her that every seven years, the faeries make a human sacrifice to hell on Halloween night, and that he is worried that despite the faery queen’s fondness of him, he might be this year’s sacrifice. After this, Bonny Janet and Tam Lin come up with a plan to rescue him from being sacrificed. Bonny must push him off of his horse in order to become her property rather than the property of the queen of the faeries. However, Tam Lin knows that the queen will do anything to keep him, so she will transform him into horrific beasts and hot burning coals in order to make Bonny drop him. This is worrying, but Tam Lin assures her that since she is the mother of his child, he would never do anything to hurt her in any form. Bonny trusts this and the plan goes swimmingly! Everything works, and the queen turns tam lin into a pile of burnt coals. In order to revert him back to normal, Bonny drops the coals into a well and he comes out of it fully human! (And unclothed)
Back to Clementine, her personality is reminiscent of Tea Kettle from Inanimate Insanity Invitational. She wants to be the mom friend and be helpful to her friends, but she also can’t help but gossip and can’t keep a secret, so people don’t trust her the way she wants them to. She also loves the idea of being a damsel in distress and needing to be rescued. She is excited for her destiny.
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Who is this and why does she look so weird? This is Chance Ribbon, the daughter of Jenny and Alfred from the Girl with the Green Ribbon.
In her fairytale, a boy named Alfred meets a girl named Jenny in school as a child. Jenny always wears a green ribbon around her neck, and Alfred wants to know why. When Alfred asks her, she basically just tells him “later” and goes on with her day. As the years go by, the two fall in love, get married, have children, and the whole time, Alfred keeps asking her what the ribbon is for. Finally, when they are both extremely old, sickly, and on death’s door, Jenny tells Alfred to untie the Ribbon. He does so, then…
Her head falls off.
Chance’s own personal story in my writing is that her mom only died about a year ago, despite Chance, the only child, being 16. Chance has always worn a ribbon, just like her mother. In fact, she was born in a secluded place without her father just so the secret couldn’t be spread. She and her mom were the only ones who knew what the ribbon was for, and now that her mom is dead, it is only her. Her father didn’t understand what he had done by untying the ribbon. He was confused and angry, and so he projected that anger onto Chance. Now that Chance is back in high school (she had to skip a year of classes and got held back) she is mostly seen having angry text conversations with her father on her Mirrorphone.
Chance is a wild card and a bit of a goofball to her friends. She hates large crowds, but doesn’t hate social interaction in general. Sometimes, she speaks in slight riddles, leaving people confused on what she means.
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Who is miss sassy? She is the daughter of King Midas, who shall remain unnamed for the moment. She is a redesign of my first ever EAH oc, who will eventually be linked (here.) I haven’t thought her character out very much.
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What in the Good Luck Charlie!? This is actually Theria Thumb, the daughter of Tom Thumb, who would do anything to get her out of his destiny. Theria is only 12 years old and in middle school. Theria will not be attending EAH after her eighth grade year. Her father’s one dying wish before he died of a massive spider bite was for her to be protected from the fate he was not proud of. You may be wondering. Darius, what’s the matter with Tom Thumb and his destiny? Oh nothing, he just upsets everyone around him for no reason, pranks his classmates, and then is punished for it for the rest of his life by getting baked into a pie and getting eaten by like 42 different creatures, not to mention the embarrassment of being harassed and made fun of by the court of KING ARTHUR (yk the one with merlin and the sword and escalibur? that guy) there is just so much terrible stuff in the story that Theria must avoid. The question is, how CAN she avoid it without just being locked inside for forever? The apple really doesn't fall far with these two, and Theria constantly wants to explore, to the dismay of her guardians.
aaand yeah that's all of them. hope you enjoyed!
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rebel-at-heart713 · 11 months
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So I just watched Dungeons and Dragons: Honor Among Thieves. (Rented from Redbox)
It was good and I really liked it. If I could just change one thing it would be this. Spoilers I guess but it’s been out on DVD for a bit.
I think it would’ve been hilarious, if at some point there something like this happened….I’m not sure where, but somewhere before something ridiculous happens, like when Doric changed into the owlbear and smashed Sofina around. There’s a zoom in on Doric and she says, “I Hulk Smash Sofina into the ground.” and there’s just a disembodied voice that says, “pardon?”
Cut Away gag. 5 random big name actors sit around the table, I’m talking like Ryan Reynolds, Matt Damon, Natasha Lyonne, Anne Hawthaway and like Brad Pitt are sitting around a table. (Sort of think how in the later Thor movies Matt Damon is playing the actor playing Loki just cause cameos. Pick and choose who it is but I really like especially Ryan and Natasha as I think they’d both have fun)
Natasha: “what? I grab Sofina and just smash her into the ground repeatedly like Hulk did to Loki in Avengers.
Ryan (who I picture is playing Ed): “that would be funny”
Brad (disgruntled DM) “don’t encourage her, by the Anne roll a D20”
Anne: “wait, why?” *rolls* “4,”
Brad: “okay we’ll get back to that,”
Natasha: “I rolled a 19 on my strength check, plus I get a +4 in owlbear shape”
Matt and Ryan: “Hulk Smash Hulk Smash Hulk Smash”
Brad: “okay fine”
Cuts back to the movie as normal.
Then maybe change the mid-credit scene. As much as I found of funny, change it to this.
Cuts back to the table.
Brad: “okay I think that wraps up this session. Should we end the campaign here or should we find another quest?”
Matt: “I’m not giving up my character. I just got some killer artifacts.”
Natasha: “yeah I love my Druid”
Anne: “it would suck to stop here after we wasted the stone on me. If we were going to stop my character might as well have stayed dead.”
Brad: “okay next session, how does Monday night work?”
Matt: “I can’t, I have a late shift,”
Brad: “okay Tuesday?”
Natasha; “I work at 5am on Wednesday, I can’t stay out too late.”
Brad: “so Wednesday night will be out too cause you’ll be out by 9. Thursday?”
Anne: “Date Night,”
Brad: “Friday?”
Ryan: “My daughter has a dance recital,”
Brad: “and my in-laws are coming on Saturday through Wednesday morning for 4th of July on Tuesday”
Cuts back to the credits but you continue hearing them in the background instead of music for another 90 seconds trying to find a date. The music fades back in before one is decided.
I just think it would have been really funny. I get that in the middle of the movie it might take away from the whole one dying and the sacrifice Ed makes for choosing not to revive is wife and reviving Holga instead (which by the way got major Onward vibes from that. The whole “I never had a dad but I always had you.” Sort of being Kira never had a mom but always had Holga) if we know they aren’t real, but I really feel it would have really made it a D&D movie having actual dice gags and the whole not being able to plan a session.
Anyways, good fun movie. Might buy it so I can watch it again. I could totally see in the movie parts that were totally crit fail and successes.
I’m thinking seeing the trailers made me really finalize wanting to play it. I do a small campaign with one other person who plays a character and DMs and we have a lot of fun.
Anyways, sorry for the long post. But that’s what I thought.
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apomaro-mellow · 11 months
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go ahead and take the 1st draft of my “steve being sacrificed to demon!eddie thing”. it’s unfinished and im goin in a totally new direction with the next draft but i did like parts of this. this one has more of a cult feel.
The party was going on as usual. Steve had been to many of them before. The earliest he remembered was being five and led around by his mother’s hand, then eventually being handed off to a nanny for the rest of the evening. It was always some sort of parade. As a young child, he was the cute baby version of his father. Something for the women to coo at.
Around 11 he was a growing lad who was expected to cause a little trouble. Then at 14 he was a young man with a promising future. 
Growing up, there was one part he was always dreading. The point where people tried to set him up with their daughters, or granddaughters, or nieces. He heard pieces of such transactions all the time. ‘Oh you must meet my daughter.’ ‘You know Celia is about your age...’ ‘So have you got a girlfriend?’
Steve caught glimpses of the older boys either politely rebuffing or ending up engaged with someone. This was a very insular crowd, he knew that. Still, he hoped he’d have something resembling a choice when the time came.
And yet, as he got older, no one rushed to introduce him to anyone. It confused him to no end. He had no trouble attracting girls at school and all of his parents’ friends thought he was charming. He came from good stock. Why did no one want him to marry his daughter?
He tried not to feel so offended by it. But it was just so bizarre. 
But back to tonight. It was going like it always did. Steve spent most of it by his parents’ sides, only occasionally going off on his own. He made nice conversation, had a drink or two, despite being nineteen, and kept the Harrington name good and golden.
As the hour got late though, it got to the point where most of the men split off to have cigars. Steve was usually excused at this point but this time his father put a hand on his shoulder and led him to the next room. He took part in more conversation about his prospects (not going to school but who needed to when he was planning on succeeding his father) and drank some brandy.
“Steve, it’s time we discussed your future”, his father said, letting out a puff of cigar smoke.
“What about it...exactly?”, Steve asked.
“That sometimes we must defer to a higher power.”
“....Right...”
“Steven”, one of the other men started. “You ever take one for the team?”
“Yeah, plenty of times. But what are you guys talking about what’s going on?”, Steve asked.
“Come with me, son.”
Steve got up and followed his father. The other men came along down the stairs into the basement of the clubhouse. But then it went deeper.
“History is filled with ambitious figures, Steve. People who did whatever it took to reach their goals. Tonight it’s up to you to take us even higher.”
“Up to me? What do you want me to do?”
They came to the bottom of the stairs. His mother was already waiting, along with the other women. There was a large stone slab with restraints on it and Steve felt his stomach drop at the implication. But he didn’t want to believe it. It was too crazy.
“Mom, Dad...what are we doing here?”
“The higher power we worship will give us fortune beyond what we could dream of”, his father said. “But everything has its price.”
Before Steve could utter another question, he felt hands on him, gripping and pushing him towards the slab. He struggled and screamed for both of his parents. For some kind of explanation. For something that made sense. But he could feel his sanity slipping as they got him on the altar and tied his limbs down.
Lawrence, 50, with an unconvincing hairpiece stood over him. Steve never liked Lawrence. He always looked at him weird and his touches lingered like he was inspecting a piece of meat.
He was doing it now, trailing a hand up his tied up arm.
“I can’t thank you enough for your sacrifice, Steven. And your parents for bringing up such good stock. I have no doubt he will be pleased with you.”
“I don’t know what the fuck is going on but there’s no way you’re going to kill me for-for what? More money?”
His mother came into view, her expression mournful and Steve wanted to vomit.
“Steve, my love, we won’t be killing you. We could never do that. We just need a bit of your blood. After that....well after that....”
“Our lord will do what he wants with you. And with their lot I can only imagine he will want to devour your soul”, his father finished.
“So you are killing me.”
“We won’t be dealing the killing blow”, his father said. “And who is to say you won’t survive?”
Steve took a deep breath through his nose. This was insane. But it seemed like they at least didn’t plan to put a stake through his heart. He’d lose a bit of blood, they’d probably chant, and then when their demon lord didn’t show up, he could get a shower and then maybe disown his parents.
That didn’t make this situation any less shitty though.
Then someone ripped open his jacket and shirt, exposing his chest. Both of his parents were given knives. The knowledge that they didn’t intend to kill him quell that instinctual fear. Steve had always been a good kid. But sometimes good wasn’t enough. Sometimes he wondered if his parents regretted having him. So his current view wasn’t helping at all in that regard.
They both cut a slit right in the center of his palms and he hissed. They then took his blood and drew a symbol on his stomach. 
There was indeed chanting but between the alcohol, his bleeding hands, and the general delirium, Steve couldn’t make it out. God, he just wanted this to be over. He just wanted normal parents who didn’t sacrifice their own son to the devil.  He wanted a lot of things but it seemed like life would disappoint him one last time.
“Whoa! You’ve got a real party going on here”, a voice said, coming down the stairs.
“Who the hell are you?”, one of the chanters demanded.
Steve craned his neck to see....some guy. It was just some guy, in a black tank top and ripped jeans.
“Who? Me?”, he came to the bottom of the steps and looked around. “Was I not summoned? I thought I heard my name.”
“Someone get this fool out of here!”
“Oh, I see what the issue is. I’m not in the proper attire. My bad.” He took a few more steps forward, right into the range of the men who had advanced on him. Then flames erupted from his body, burning them in an instant. When the fire dissipated, Steve let out a gasp and started to actually pull against his restraints.
This was real! Fuck this was real! A real demon with horns and claws and fangs and shit-were those wings?! He had to get out of here, even if that meant ripping his hands and feet off to escape.
Turned out that was the wrong move. In seconds, the demon crossed the room on all fours and climbed atop the slab to hover over Steve.
“My lord”, Steve’s father said in an impressively even tone. “We offer you our greatest sacrifice-” He was cut off with a deep growl, one that Steve felt in his bones, being this close.
“You...haven’t...sacrificed....anything.” The demon turned its gaze to Steve, lying under him. “But you still have so much to give.” He touched a clawed hand to Steve’s stomach where the bloody symbol was. “Will you give it to me?”
Steve let out a breath. He was going to die. He was going to die and what did he have to show for it? Actually....what did he have to show for it if he lived tonight? Maybe it would be painless, this soul sucking. He just wanted to be done.
“Just take it”, Steve said. “Take whatever you want.”
The demon laughed darkly. “I always do.”
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Hi so I’ve been ingesting a lot of pirate media recently (because I have a problem) and now I’m going to go on a mini rant about Pirates of the Caribbean: Dead men tell no tales, which isn’t a bad movie but it has its flaws. Now I will go forth and do my rant in the form of a list.
1. Salazar
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Not a bad villain on the surface, actually I think he’s pretty cool. There’s just one problem, we’ve seen a villain like him before in this franchise. One who hates Captain Jack Sparrow because of something that happened in the past, one that can’t go on land, one that has some kind of curse on him, one that needed Jacks compass to do something in some way, and one that they needed to break his curse to defeat. Sound familiar? That’s because we already had this with DAVY JONES.
Other then a few details like Jones only being able to go on land every ten years as opposed to Salazar just not being able to, and the fact that their curses are different and Salazar isn’t in love with a sea goddess, but other then that they are very similar and even carry an undead theme. Hell, even Barbossa in the first movie is similar.
2. Jack giving up the compass
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Okay so you’re telling me that Jack would give up the compass, the compass that he would not give up even to Will in Dead Man’s Chest, just to get rum? That compass is arguably his most prized possession and I don’t think that him giving it up even for a moment would happen unless he let someone else use it to get a heading just like in Dead Man’s Chest. There could have been another reason that Salazar was released, maybe there was a time limit or something, but I found Jack giving away the compass to be really really lazy.
4. Henry Turner and his parents
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Okay so let me be clear, I don’t hate Henry. He’s a good character and I think his goal of finding the Trident to break every curse at sea and free his dad is a great motivation, but that being said.. why did he have to join the Navy to get on a ship?? His mom is the literal Pirate King, something that this movie seems to forget. Henry could have easily been placed on a pirate ship that fell under her ruling, maybe we could have been Barbossa earlier taking him off to find a way to break the curse or better yet let’s have Elizabeth step up and go with him! It’s not a big thing for me, but it does feel a little weird that Henry knows so little about piracy considering he was raised by one.
5. The characterization of (Captain) Jack Sparrow
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As much as I love Jack and will always love Jack, he’s… pretty much useless in this movie. Other then letting Salazar free he’s pretty much been demoted to a funny side character who gives bad advice and drinks all the time. I get it, he’s been cursed by Barbossa and he’s down on his luck but that should not have stopped him! Also you’re telling me that he wouldn’t have found a way to get the Pearl out of the bottle? His beloved ship? He’d be scouring the world for that information! He also wouldn’t have cut off contact with Elizabeth I refuse to believe that. He may not be the brightest but he’s not stupid and I don’t like how this movie portrayed him.
6. Hector Barbossa
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Okay so for the most part I think he’s fine, he got what he wanted in the end and he has a daughter that he sacrifices himself for. There’s just one problem, Hector Barbossa also stuck his neck out for Elizabeth Swann and I personally think that he would have remained loyal to her as the pirate King. Having a witch curse Jack is something he would do though.
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Who are the best parents in twisted wonderland ( excluding Lilia)
Well 😅 firstly, I don’t think the term “best” is very specific. Like, what exactly are we judging the “best parent” title on? How successful their kid is? How well the parent is able to provide for their kid? How well the kid does in academics? How socially gifted the kid is? How happy the kid is? How well the parent allows the kid to act independently, regardless of their safety? Or how well the kid is guarded from the world?
Simply put, there’s no blanket definition for what makes a parent a “good” one, and there’s a lot of factors to consider when we’re thinking about what a “good” parent is. We need to know what the baseline is, because the term “best” is comparative. “Best” implies “better than” something else, so we need to know what that “something else” is.
Mmm 🧐 since you identified Lilia as one of the “best” parents, I’ll use him to compare the other parents to his traits. Note that I’ll also be counting other relatives and guardians as “parents” for this list.
Based on this viewpoint, the “best” parents are, in my opinion:
Mama Spade — Described to be a single parent (we don’t know where Papa Spade is), Mama Spade admittedly isn’t characterized all that strongly compared to some of the other parents on this list. However, I think we can deduce that she is, at the very least, hard working (on account of having to support her family on her own) but also prone to worrying and self-doubt, as she blames herself when Deuce goes down the path of delinquency. She cares for her son to the point of never blaming Deuce for straying, and shoulders that blame herself in an act of self-sacrifice.
Granny Bucchi — Ruggie’s mother died giving birth to him, and his dad left the family, leaving Granny Bucchi as Ruggie’s legal guardian. While it’s true that she doesn’t offer a lot in terms of resources or wealth, she makes up for it with raw love, often scrounging materials and ingredients together to provide for both her grandson as well as the other poor children in their neighborhood. She’s doing her best so the kids can live to see tomorrow and make a brighter future for themselves.
Papa Schoenheit — Vil’s dad was a famous celebrity in his own right, but it seems from Vil’s flashbacks that his dad still made time for family in his busy schedule. In fact, his father was one of his biggest supporters, continuously cheering Vil on even when he was sad that he didn’t get the hero roles he coveted so much.
Papa Zigvolt — I’m specifically counting Sebek’s dad over his mom here because of the reasons detailed/speculated in this analysis post. To summarize, though Sebek’s parents married while facing social resistance, it is consistently his father that is said to be particularly sweet and supportive in spite of being looked down on.
Lilia — He’s not related by blood to Silver, yet it’s clear that Lilia has raised this human child as his own and cares for him very much. The thing about Lilia is that he still acts mischievous around Silver and isn’t afraid of turning on him either (see: Beans Day, Endless Halloween Night, etc), but when the going gets rough, Lilia will brave the storm to protect his son—just as he did when Silver first learned he was adopted.
Honorable mention (due to lack of concrete lore and a lot of it being my own speculation): Mozus Trein — Yes, I mean the Magic History Professor 😤 It’s always been a wonder to me why everyone defaults to Lilia as the quintessential “best parent” when Professor Trein is literally right there (not to say that Lilia is a bad parent, but people tend to overlook Trein for some reason). I think people often mistake “stern” as a bad thing, but it’s important that we balance that with love. We don’t have a lot of lore about his two daughters, but if I had to guess, I would say that though Trein is uptight (as he is with those at NRC), he also dotes on them (like how he is with Lucius) and cares for his children dearly (both his biological ones and his students).
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