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#dennis janke
ungoliantschilde · 11 months
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some black and white artwork by the late great John Paul Leon.
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tomoleary · 2 months
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Jon Bogdanove and Dennis Janke - Superman: The Man of Steel #37 Cover Zero Hour Batman Original Art (DC, 1994) Source
Jon Bogdanove and Dennis Janke - Hero Illustrated Zero Hour Pin-Up Illustration Batman and Superman Original Art (Warrior Publications, 1994) Source
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superman86to99 · 7 months
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Superman: The Man of Steel #34 (June 1994)
"THE BATTLE FOR METROPOLIS," Part 2! Lex-Men vs. Dubbilex-Men! I know it's not true, but part of me feels like they introduced Lex Luthor's armored security force a few years ago and Project Cadmus' Dubbilex back in the '70s just so they could make that pun in this cover. I don't think anyone has ever referred to Cadmus' security force as "Dubbilex-Men" before this issue, but you have to admit that's a snappier name than "Cadmus' security force."
Anyway, last issue ended with all hell breaking loose in the middle of Metropolis, and in this one... it continues to break loose. Team Luthor fights Cadmus while the Special Crimes Unit tries to stop the Underworld clones and the Underworld clones try to kill everyone, with Superman quite literally stuck in the middle.
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The Underworlders, as we've recapped a million times by now, are furiously attacking the surface world because they blame Cadmus for the plague that's killing them. At one point, the Underworlders seem to run away from the fight -- but that's only because they've been leading the humans to a bomb they planted, causing a huge explosion in the middle of the city.
Lex Luthor Jr., who secretly supplied the bomb, is watching the action through hidden cameras and doesn't seem terribly concerned about the fact that his bomb killed a bunch of his employees, too. What's even more disturbing is that the Clone Plague is rapidly turning into the Cryptkeeper (to think he looked like red-haired Fabio a few weeks ago...).
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Meanwhile, Lois Lane gets a message from her mysterious source inside LexCorp offering her new evidence of Lex's crimes (which is good, because Lois lost the old evidence when her apartment blew up). Lois sneaks into LexCorp following her source's instructions, and finds a secret office where she retrieves two important items: a VHS tape showing Lex strangling his personal trainer, and a big map of Metropolis showing that Lex has a lot more bombs hidden all over the city. Uh-oh.
Back in the battle zone, some Cadmus troopers led by Guardian, a.k.a. Cadmus' very own Captain America, find themselves surrounded by an army of pissed-off Underworlders (who are apparently much better at strategy than the humans). Dubbilex, freshly arrived from Hawaii, flies in to the rescue with some Cadmus paratroopers, but some Lex-Men get in their way and try to kill them. Dubbilex and Guardian are the only clones who aren't dying, which the Underworlders see as confirmation that Cadmus intentionally caused the plague. (The fact that the Newsboy Legion kids are dying doesn't prove much, since they're pretty annoying and I could see Director Westfield deeming them acceptable losses.)
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Dubbilex is actually feeling pretty conflicted about having to fight other ugly clones like himself, until he sees that Clawster (the big, rocky, supposedly invulnerable Underworlder players of the Death and Return of Superman video game mistook for Doomsday's kid brother) is about to kill Guardian. Dubbilex launches a psychic blast that takes away Clawster's invulnerability, allowing the paratroopers to blast the hell out of him. It looks like Clawster is down for the count, but in his final moments he rages at Guardian and breaks his shield (another thing that was supposed to be unbreakable) as he makes some pretty good points about Cadmus' Director Westfield.
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Superman remembers this comic is about him and arrives just in time to see Clawster dying and Guardian being left badly injured. The other Underworlders scatter, and just as Superman is saying there must be some way to stop the senseless killing, Lex remotely detonates another bomb right in his face. TO BE CONTINUED!
Character-Watch:
That's it for Clawster, who had the misfortune of being introduced in Man of Steel #17 and ending up being seen as a lamer and (barely) more articulate version of Doomsday. I'll admit I was still kinda fond of this knucklehead, and I think he could have ended up being a more memorable villain if he'd had better timing. Sadly, there will be no Clawster/Prey miniseries where he comes back. His only other appearances after this were 2011's Retroactive issue, which is set before this one, and an unexplained cameo in a montage of Steel fighting various villains in 2010's Superman #697, though you only see his back. Maybe it WAS Doomsday's kid brother that time.
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(Unrelated: Is that Professor Hamilton's building in the background?)
Plotline-Watch:
Dubbilex arrives in Metropolis halfway through the issue along with his young ward, Superboy, who is in pretty poor shape, not just due to the Clone Plague but also the events of Superboy #5 (which we haven't covered yet). Superboy tries to go help Superman anyway, but he instantly collapses in the middle of the infirmary. THAT'S how brave Superboy is. Or maybe he didn't want to be stuck with the Newsboy Legion in the infirmary.
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Despite not currently working for the Daily Planet, Lois still calls Perry White to tell him about the first explosion and tip him off about where the Underworlders are headed next, so that Perry can send Jimmy Olsen and Ron Troupe there. THAT'S how professional Lois is. Or maybe she's just trying to get Jimmy killed, which I understand (sorry, Ron).
Speaking of Jimmy and Ron, as we saw last issue, Bibbo is helping them follow the action in his bike, until they find out some Underworlders are trashing the Ace O'Clubs. Big mistake: Bibbo produces a big shotgun from somewhere (does he have Bloodsport technology?) and goes in to deal with the looters. The scene ends there, because this is an all-ages comic.
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Professor Hamilton feels responsible for triggering this war because he's the one who told the Underworlders that the Clone Plague was probably caused by the time Westfield flooded Metropolis' tunnels. In the middle of all the fighting, Clawster drops by to tell Hambone that they'll spare him and reassure him that he didn't cause the war: the truth caused the war. The truth that he told them. Yeah, that'll make him feel better.
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There's a short scene with Myra the Orphanage Lady saving Keith the Unlucky Orphan from being eaten by Kathana, the same hypnotic lizard lady Keith once mistook for his mom (it was dark). Kathana actually tried to turn Keith into a stew in the aforementioned Man of Steel #17, and apparently she's been biding her time waiting for another opportunity since then. Keith is very lucky to have Myra in his life.... for now, anyway.
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In this issue we meet Lois' exceptionally dedicated mailman, Fred Bentson, who tracks her down in the middle of an active war zone to give her the mail she hasn't gotten since her apartment blew up (including that note from her LexCorp source). Then, Fred says something about how he'd rather "stay in Dakota" but he keeps waking up in Metropolis. This is a little teaser for a crossover that will happen within this storyline and right before another, bigger crossover, just in case you'd forgotten this is a '90s comic.
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Apparently, Lex is a huge fan of the film Metropolis -- so much so that he hides tapes with incriminating evidence under a statue of the lady robot from that movie.
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Patreon-Watch:
Last month in the Superman '86 to '99 Patreon, we covered an Elseworlds annual in which Superman snaps a villain's neck, skins him, and wears his fur like a suit. Fun stuff! Join our patrons Aaron, Chris “Ace” Hendrix, britneyspearsatemyshorts, Patrick D. Ryall, Bheki Latha, Mark Syp, Ryan Bush, Raphael Fischer, Kit, Sam, Bol, and Gaetano Barreca at https://www.patreon.com/superman86to99
And now, join the great Don Sparrow for more commentary, after the jump!
Art-Watch (by @donsparrow):
We start with the cover, and it’s a pretty dramatic one.  Superman and the Guardian in a pieta-like pose.  Bogdanove skirts the comics code authority by making all that blood black, which to me is somehow more upsetting than if it were red.  Kudos for the letter design on the battling Lex-Men and Dubbilex-Men.
Inside we start with a pretty arresting image of a group of five underworlders grappling with Superman, followed by a double page spread of Superman hurling them off in different directions.
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The rumpled texture on the bulletproof vests of the Special Crimes Unit is particularly well rendered. The combination of colours and metallic helmet made me think for a moment that DC’s Peacemaker was fighting alongside Maggie Sawyer in that last panel on page 3.  As always, Dennis Janke’s inks are masterful at differentiating texture, and that’s never clearer than on Clawster’s bark-like skin.
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Later on we get our first look at Lex, and there’s a little dissonance between how he looked last issue, which took place only a few minutes before this one, and how he looks in this one.  [Max: I wonder exactly what type of drugs Dr. Kelley is giving him...] His deteriorated body and unblinking eyes are pretty intense. 
A page later we get a look at a character who will become important in a future story, Fred Bentson, mail carrier of two worlds.  In these pages he looks like Austin Pendelton by way of The Real Ghostbusters’ Egon Spengler.
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The issue’s frenetic pace continues, as Superboy arrives by marine helicopter (both the chopper and Cadmus’ tank are great vehicle design).  Superboy is kind of tossed into the middle of the story without so much as an asterisk informing us where we can learn what has left him so injured. [Max: Yeah, the lack of a plug for the Superboy series is very uncharacteristic. Not even in the lettercol!]
Fairly suddenly, Jimmy Olsen, like both Superman and Clark Kent, has long hair.  [Max: I distinctly remember Jimmy having long hair since the issue when Clark moves in with him because the panel of him saying "Let's crank some Van Halen to celebrate!" is burned into my brain, but it's less consistent than Superman's.] The same page also has a great drawing of Bibbo racking a shotgun, and the pose and the expression are both great cartooning.  There’s plenty of fight choreography throughout the book, but my favourite look is Lois Lane’s Rockette-like takedown of the LexCorp security guard. 
Later on, Myra from the orphanage does battle with maybe the most terrifying mutant of the book, Kathana, who looking like a combination of a baphomet statue and a Jim Henson creation, will haunt my dreams for all time.  The character of “Fancy Feet” is just such a Bogdanove looking creation (and I gotta love those kicks he wears!).  [Max: They DO look quite fancy!]
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The issue’s most dramatic moment is when Clawster splits Guardian’s up-until-now unbreakable shield.  I know Max and I don’t always see eye to eye on the Underworlders, so I imagine as a reader I’m supposed to be a lot more choked up about Clawster’s death than I am.  My feeling from this scene was more that Clawster was an unworthy shatterer of Guardian’s shield—having the shield be depicted as indestructible for so long, its destruction should have felt like a big moment.  While it’s well-drawn, it feels more like a throwaway.  Indeed, this whole issue feels like a “middle” that we’re dropped into.  The battle has begun at the start, and it doesn’t resolve, or change direction by the time the story ends.  If it feels like Superman doesn’t greatly impact the story, you’re completely right—he only appears in 6 out of the 22 pages in this comic bearing his name. [Max: I think the issue does have two important developments: 1) the Underworlders are now leaderless, and 2) what's left of Guardian's trust in Westfield has been shattered, much like the shield. Oh, and 3) Fancy Feet's feet are fancy.]
STRAY OBSERVATIONS:
Were X-Men still the top seller by 1994?  If so having a cover battle with forces that both rhyme with X-Men might have been a calculated idea.
It’s pretty crazy to see Maggie Sawyer just blowing mutants away.  Also, I know that it’s so we can identify her as readers, but she really ought to be wearing a helmet!  Between Maggie and her squad, Bibbo, and even Hamilton, this is a pretty gun-heavy issue!
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As with the Hulking Superman story, I’m a little fuzzy on the details—is Professor Hamilton correct that the clone sickness is from exposure to the flood? [Max: I think so, though I kinda prefer Lex's made up explanation that he got sick from the toxins in Engine City. They could have said Lex was patient zero and the virus spread to the rest of Metropolis because he doesn't cover his mouth when he coughs.]
As Lois learns the locations of the bombs, they’re both nods to comics creators of the past.  “Boring and 57th” refers to 40’s and 50’s Superman artist, Wayne Boring; “Burnley and 43rd” refers to Jack Burnley, the second artist to regularly draw Superman, after Joe Shuster himself.
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superboy-a-day · 1 year
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Superboy Vol 4 #0
Image ID: A comic panel of Superboy and two boys from the Newsboys Legion on a starry mountain backdrop. Superboy is tugging a leather jacket into place over his arms, a frustrated look on his face. The two newsboys are staring at him in concern. The first boy has a dialog bubble above his head, and it reads: “Well, not like you need it, but good luck, Superbo--” A following set of bubbles interupts him from Superboy, and they read: “HEY! Don’t ever call me Superboy!” END ID
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balu8 · 6 months
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The Phantom Stranger
Action Comics Weekly #613: Can't Judge a Book...
by Paul Kupperberg; Tom Grindberg: Dennis Janke; Petra Scotese (Goldberg) and Bob Pinaha
DC
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splooosh · 7 months
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“Reign”
John Bogdanove - Dennis Janke
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acmeoop · 3 months
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Sword of Power “Masters of The Universe #1” (1986)
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browsethestacks · 1 year
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Original Art - Superman: The Man Of Steel #022 Pg 10 (1993) by Jon Bogdanove And Dennis Janke
Includes a separate vellum overlay with an effect created in marker and Zipatone for Panel 1.
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comfortfoodcontent · 2 years
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Superman: The Man of Steel #22 Die Cut Cover and Pull Out Poster featuring “The Man of Steel!” aka Steel aka John Henry Irons
By Jon Bogdanove and Dennis Janke
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nfcomics · 1 year
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Batman: The Doom that came to Gotham TP • Mike Mignola • Richard Pace • Troy Nixey • Dennis Janke • Dave Stewart   [Apr 2023]
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Reprints (Underworld Unleashed: Abyss- Hell’s Sentinel #1)- Underworld Unleashed TPB
1998 reprint 
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onlylonelylatino · 2 years
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Superman by Dennis Janke
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tomoleary · 3 months
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Jon Bogdanove and Dennis Janke - Superman: The Man of Steel #37 Cover Zero Hour Batman Original Art (DC, 1994)
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Jon Bogdanove and Dennis Janke - Hero Illustrated Zero Hour Pin-Up Illustration Batman and Superman Original Art (Warrior Publications, 1994)
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superman86to99 · 1 year
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Superman: The Man of Steel #33 (May 1994)
An unfortunate series of events has turned Superman so grotesquely swole that he now looks like he’s, well, a character in a ‘90s superhero comic. Last issue, his rapidly growing powers simply made him slightly taller, but by now he's basically a head drowning in a mass of comically large muscles (I’m amazed his costume hasn’t burst yet; props to Ma Kent’s stitching abilities). Another unfortunate side effect of his ordeal is that he’s afraid to even breathe near Lois Lane because he thinks he might kill her.
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Superman asks his friends at Project Cadmus to come up with a way to turn him back to normal and they oblige, despite having their hands kinda full with the army of sewer mutants currently trying to invade them (more on that in the plotlines section below). Their idea is to put Superman near the Parasite, the superpower-stealing supervillain, so that he’ll absorb Superman’s excess energy. Wouldn’t that make the Parasite super-strong and stuff? No, you see, because they’ll put him near some “siphoning coils” that will drain the excess energy from him.
Within a few seconds of the experiment starting, the siphoning coils fail to siphon the excess energy (you had one job, siphoning coils) and the Parasite becomes super-strong and stuff. He immediately breaks free and starts killing Cadmus people as Superman tries to stay away from him so he doesn’t become even more powerful. Then Superman realizes “Hey, wait a minute, I’m even more ridiculously overpowered!” and does this:
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Superman pushed the Parasite into the ground so fast and with so much strength that the rock melted from the friction and crystalized, trapping him in a “glass prison,” just as Superman planned -- he may look like the Hulk now, but he’s no brute.
Since that plan to cure Superman failed, Cadmus decides to take a page from him and do what he does whenever he has a problem he doesn’t know how to solve: just chuck it into space. As in, they strap Super-Superman to a big-ass rocket and launch it to a space station orbiting the Earth’s dark side so that he won’t be able to absorb any more energy from the sun.
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For once, I sympathize with Cadmus’ Director Westfield when he asks if all that expense was really necessary (couldn’t Superman have flown himself there?). Anyway, TO BE CONTINUED!
Plotline-Watch:
As mentioned, the Clone Plague storyline escalates dramatically when the sick and dying Underworlders invade Cadmus en masse and actually manage to break in before they’re shot down by soldiers. We then see the dramatic death of Rambeau, the ram-headed Underworlder we met at the start of the “Doomsday!” storyline, who dies right in front of the (also sick) Newsboy Legion kids after warning them that they’re next. We’ll miss you, Rambeau... or maybe not so much since, according to the “Death of Superman” video game, he’s got like 40 identical cousins.
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Last issue, master hacker Lex Luthor Jr. hacked into Lois Lane’s computer to rewrite her exposé on him so that no one would believe her ever again, and now we see what he came up with: a front-page article accusing Luthor of being a “SPACE-ALIEN CLONE” who “WILL SLAY EARTH’S WOMEN.” He also bribed (and later murdered) the Daily Planet’s night editor so he’d let the article through. Everyone from Director Westfield to a random traffic cop makes fun of Lois for her story, but Don Sparrow points out: “In a world where every major American city is guarded by super-powered off-worlders, is Lois Lane’s ‘alien clone’ headline that laughable?” Yeah, perhaps the most incredible part here is that this wouldn’t really be front-page news if true.
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Luthor’s revenge on Lois doesn’t end there: throughout the issue we see that he went full Kingpin on her, ruining her credit cards, emptying her bank account, bribing that traffic officer so she’d fail a breathalyzer test, and making it look like she’s having a nervous breakdown. The credit thing is the worst part, because it embarrasses Lois as she’s paying for a meal with Mayor Berkowitz in a fancy restaurant. Don again: “I know that it’s to set up her online financial problems, but was Lois really picking up the cheque while dining with the Mayor? Or were they going Dutch?”
Speaking of Lois, this issue includes another variation of the cute scene where Superman wakes her up by lightly tapping on her window, only this one isn’t so cute because he’s so strong that his “light” taps break the window and Lois cuts her feet.
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Superman asks the Cadmus folks to meet him at the tree city of Habitat, which has been in ruins since Doomsday rampaged through it, because at least he can’t do any more damage there. I wonder if they ever explained how it went back to normal in future issues. Did the Hairies rebuild it? Did it just grow back? Zatanna?
The Parasite had been captured in S.T.A.R. Labs since way back in October 1991. In this issue we’re told that Westfield “acquired” him from S.T.A.R., and of course the first thing he does is pump him full of super-energy and let him kill an employee. He almost kills Big Words of the Newsadult Legion, too (it would have been pretty funny if he had and then suddenly started using big words).
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One thing that bugs me about this issue is how casually Lois reveals to Superman that, oh yeah, Lex Luthor Jr. is a clone of Lex Luthor Sr., meaning that his greatest enemy isn’t really dead and had been pretending to be a friend for years. That’s a big deal! Superman’s like “sorry, I’m too swole to care about this right now.” I’m also iffy about the part where she says she implicated Luthor in his trainer’s attempted murder; he DID murder her, but then aliens brought her back to life. Is “attempted” the correct legal term in that case?
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What I do like is how the creative teams have handled Lex’s slow transition from smooth Australian philanthropist to full-on supervillain as his body and mind deteriorate due to the Clone Plague. The issue ends with a frail Lex (in some sort of medical gown that looks like his Pre-Crisis mad scientist suit) meeting with Clawster of the Underworlders to give him bombs and weapons to use not just in Cadmus, but in all of Metropolis, because if he's dying from the Plague then he wants to take it with him. It’s fitting that just as he’s starting to look like the classic Lex, he suddenly has an excuse to behave like him too.
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Patreon-Watch:
This appropriately swole post was made possible (and partly previewed) by Superman ‘86 to ‘99′s Pals, Aaron, Chris “Ace” Hendrix, britneyspearsatemyshorts, Patrick D. Ryall, Bheki Latha, Mark Syp, Ryan Bush, Raphael Fischer, Kit, Sam, and Bol. Join them here if you wish: https://www.patreon.com/superman86to99
And now, more from Don after the jump!
Art-Watch (by @donsparrow​):
We start with the cover, and it’s an interesting one.  A common complaint about Jon Bogdanove’s style is that the superheroic bodies have impossibly huge muscles, with tiny little pin heads. So it’s on some level a little “meta” that we see this hulking, veiny version of Superman from this artist with a rep for exaggerated physiques.  There was also something about the pose (and slatted office window) that reminded me of Jerry Ordway’s incredible cover to an early Adventures issue, though I think the similarities are unintentional.
Once we get into the issue, we are thrown into a shooting war between Cadmus and its own creations, and no one seems to draw the  misbegotten Underworlders with as much panache as Bogdanove.  There’s an interesting thatching sort of ink technique we see on Guardian in that first page, which had previously been used only on Steel, to indicate a metallic chrome finish.  But clearly, Janke enjoys this inking style, so we see it a little more often now.
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Page 2 and 3 we’re treated to a large splash page, featuring our gargantuan Superman outside Lois’ terrace door.  Though this particular spread has a lack of comparative context for Superman’s size, apart from his swollen musculature, the pose indicates discomfort and monstrosity.  Bogdanove also excels at a very cute Lois in a Margot Tenenbaum-style nightdress. The next few pages, Superman’s bizarre physicality is even more flaring, as his limbs really do appear as though they’re inflated.
As we return to Guardian battling it out with the Underworlders, the “Thing”-like texture of Clawster’s face is well-drawn.  Then later, while Superman is himself at Cadmus, he cuts a very Conan-like figure (and in case anyone was wondering, it appears it isn’t just his limbs that have swollen—yipes!). [Max: It’s true, his neck does look pretty swollen too.] A page later, the shine on Parasite’s transparent cage is a nice touch.  A little later, as the energy transfer begins, we get some nice Kirby-crackles. 
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I like Lois’ sophisticated driving look as she’s pulled over for yet more “The Net” style persecution by Luthor.  Speaking of, his twisted and sickly pose on the last page is a really good bit of gesture, as he’s looking even rougher than the last time we saw him.
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STRAY OBSERVATIONS:
I must admit, even with how familiar I am with these stories, I find myself straining to remember just why Superman’s power level is surging like this.  I remember having a theory as a kid that the black and silver recovery suit from the Return of Superman storyline was to blame.  That it was designed to funnel as much solar energy as possible in order to restore its wearer to full strength, and it kept doing so despite Supergirl’s molecular reassembly of the suit?  Am I close?  Why is this happening? [Max: I kinda like the explanation from last issue blaming that big blast of Eradicator-filtered kryptonite at the end of ‘Reign,’ mainly because it’s such a cool moment and I like that it had consequences.]
Perry White is awfully chill about such an insane headline adorning his beloved newspaper.  I might have thought he’d be the one “apoplectic” rather than the publisher.  It does feel a little bit unlikely that the paper could get so widely printed and distributed with no one along the line raising an eyebrow at the intentionally goofy headline.
I feel like the state trooper’s assertion that Lois had been “driven to drink by people’s reactions to the article (she) wrote about Mr. Luthor” is a reach.  And a mouthful.
It’s helpful that we are reminded that Lois has an inside informant about Luthor, which will come to matter in the issues ahead. [Max: I think this might be the first mention of Lois’ current informant, which makes sense since she knows her previous one got thrown off a bridge by superpowered hitmen, so she has to be careful about this stuff.]
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superboy-a-day · 1 year
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Superboy Vol 4 #0
Image ID: A comic panel depicting a fight between Side Arm and Superboy in the middle of Metropolis. Side Arm is using his robotic limbs to propel himself across the panel towards Superboy, who is staggering to his feet on a rooftop. There is concrete and debris scattered between them. A dialog bubble is attached to Side Arm, which reads: “But you--!” There is a second dialog bubble beneath it, reading: “You I wanna pound into raw meat!” A set of dialog bubbles contains Superboy’s response: “And we just met! Can hardly wait to see what you think when you get to know me, Sidester!” END ID
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balu8 · 7 months
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Action Comics #655: Ma Kent's Photo Album
by Roger Stern; Kerry Gammill; Dennis Janke; Glenn Whitmore and Bill Oakley
DC
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