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seravphs · 1 year

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ੈ♡˳·˖✶ — GOJO x FEM READER

Gojo's a brat.

wc — 1k

tags — been reading a lot of shoujo manga lately which is its own warning, jealous Gojo spoiling reader

Snap.

You hiss between your teeth, annoyed and barely restraining yourself from murder. The sting of the elastic jolts you out of your studies, but after a quick break to glare at the headache sitting next to you, you dive right back into your work. Patience is one of your strong suits. It’s why Yaga worked so hard to steal - in his words, ‘recruit’ - you from the Kyoto campus. Someone has to set a good example for the kids. He knows it’s not going to be Gojo.

Speaking of-

Snap.

This time, you feel the brush of his cold fingers against your skin as well. You yelp in shock, both at the sudden change in temperature and at the way your skin smarts. Gojo takes a break from his triple sized blue raspberry slushee to laugh at you hysterically, clutching his sides. It’s not even that funny. You wish all kinds of illnesses on him with fervor.

One more time. Just one more time, you promise yourself, and you’ll-

Snap goes the hair tie on your wrist against your skin.

You don’t even let him withdraw his fingers before you leap over the chair to punish him.

“You little punk,” you snarl, catching his collar in your hand and throttling him with it. It’s a rare day where he’s wearing business casual, which he doesn’t even do for meetings with the elders.

“I’m older than you,” he says. “Gotta respect your elders.”

“Yeah? I’ll show you respect!”

You’re already reaching out to pinch his cheek, only to come into contact with infinity. This comes with the realization that he must have had it turned off earlier, if you could have choked him. Why does the thought make you happy?

“Men don’t like women who are so high strung,” he teases.

“Tell that to my roster of Hinge dates,” you snort (lying through your teeth). You’re admittedly popular, but you’ve stopped seeing anyone in recent months for a reason you don’t want to explore further. That’s a stone you’re willing to leave unturned.

“Oh, yeah?” You can only tell his voice is just slightly huskier because you spend so much time with him these days that you can catch the slight changes in his mood. It’s for lesson plans, of course.

That doesn’t stop you from swallowing hard. Jealousy looks good on him. He had the kind of looks that could drive women crazy, but combined with his unfiltered attention on you? It was a difficult to fight the urge to provoke him further.

“Yeah. As for me, I don’t like men who are a pain in the ass,” you smooth down his collar once you realize you’ve still been holding it.

The tension breaks. Gojo never stays serious for long. You’ve only caught fleeting glimpses of the god that lurks within his skin, trapped and turbulent.

“Aw, come on. I’m not so bad, am I? Can I make it up to you?”

“Depends,” you sniff, highlighting a important sentence in your textbook. You’ll have to remember that for class later. Nobara had asked about it. You should really tell him to go away, he’s distracting you so much, but you rarely do tell him off no matter what he does.

“I happen to have a reservation-“

So that explains why he’s dressed so nicely, though you wouldn’t put it past him to show up to Michelin star restaurants in sweatpants and get his way. You have to remind yourself not to get excited that he’s doing this for you. If you do, you lose.

“Happen to, is it? What if I don’t want your leftovers?”

“Don’t be that way,” he wheedles. “I’ll pay for everything.”

“As if I was going to.”

“I’ll pick you up.”

“You can do better than that,” you retort. This is almost fun, like negotiating with Yaga to raise your salary. Utahime thinks there’s something wrong with you for enjoying workplace politics so much, but maybe that’s why you can tolerate Gojo’s company so well when no one else can. You have to be a little crazy to put up with him.

“Hmm,” he says. You see right through him. He’s only pretending to think. In fact, every second of this conversation was predetermined. It’s all part of a bit you’ve done before. “Last offer, then. You can max out my card getting ready.”

And your answer, therefore, is also already prepared. You don’t even deign to give him one, simply holding out your hand.

“Who says I’m giving it to you?” Gojo’s eyes sparkle. He’s being particularly difficult today, so much so you’re tempted to just slap him across his pretty face so you can kiss the hurt away afterwards. He’d like that, though. “Don’t you need someone to carry your bags?”

This is the game he likes to play, messing with you so he can apologize with extravagant gifts. Just once, you wish he could be straightforward about it. You’re not bragging, but everyone knows he likes you. It would make everyone’s life easier if he could just be mature about it, but instead, Gojo insists on acting like a teenager with a crush.

Whatever. You can put up with it for a while longer. You’re not particularly opposed to this situation. He spoils you with attention and lavish gifts; you spoil him by being the only one who can tolerate him.

Besides, you’re keeping secrets too, a big one that Utahime had whispered to you the other day over lunch. She had been so excited to have something to hold over Gojo that she hadn’t even registered the look on your face when she told you.

The other reason Yaga tried so hard to steal you from Kyoto?

Gojo asked him for a favor.

#sera writes #gojo x reader #gojo satoru x reader #gojo satoru x you #gojo satoru x y/n #gojo fluff

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autisticlancemcclain · 1 year

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part one

———

Lance keeps his word — it doesn’t take long for him to really get the hang of his telepathy thing, and then he really is in Keith’s head more often than he isn’t.

That’s not entirely fair, Keith supposes. He has a pretty good hang of the telepathy thing too, and Lance showed him early on how to put up a pretty thick mental block if he needs some privacy, or even just a break. He knows how to keep his mindscape quiet and personal, if need be.

But the thing is…he rarely bothers.

He likes having Lance in his head, or vice versa. It’s crazy, and he never would have expected it of himself, but having the constant presence of his best friend in the back of his head; talking, humming, or just being, has turned into a massive comfort.

The desperate loneliness he grew up with, although slowly disappearing over the years he’s had Voltron, has faded into almost nothingness. He likes Lance’s noise in his head. It makes communication during battle a lot easier, too.

He’s yet to feel the rest of the team as strongly in his head — he certainly can’t hold conversations with anyone else — but he feels as if the connection that has been constantly present since they formed Voltron for the first time is stronger, maybe. As if he feels a little closer to all his friends.

That’s really mushy, Lance informs him in his mind. You’re a massive softie marshmallow. I can’t believe I ever thought you were cool.

Keith sits up, abandoning his fourth set of push-ups to find Lance across the training room, doing some sort of gymnastic routine (blatantly showing off for some of the younger members of the Atlas. He’s not even trying to pretend he isn’t, smirking whenever they point at him and whisper to each other in awe when he does a quadruple in-air backflip or something that serves no actual training purpose).

Keith frowns at him. I am so cool.

Are not. You’re a squishy softie marshmallow that cries during Finding Nemo.

Everyone cries during Nemo! Keith defends huffily. It’s a heart-wrenching movie!

Lance doesn’t say anything back, but Keith can feel the impression of his laughter. It’s a hard thing to conceptualise, because he’s not really laughing, and there’s no sound of laughter even in his mindscape, but Keith feels the teasing joy bleeding from him. The best way he’s come to describe it, after weeks of trying to put words to the feeling as he falls asleep, is the feeling he gets when a joke lands, combined with the kind of raw freedom that comes with running in a dead sprint for no reason other than the pleasure of running. Something concentrated and all-encompassing and heart-turning. That’s what Lance’s laughter feels like.

And Keith won’t stand for it. It’s one thing for Lance to tease him with his words, poking fun at him with his wide, sparkling grin, but to make fun of Keith for the thoughts he’s thinking in his own head?

He will not lie down at the dishonour.

Grinning in anticipation, he scoops up his luxite blade, lining up the shot and throwing with deadly accuracy. The blade spins through the air, so fast it whistles, directly at Lance’s head. If he doesn’t dodge, it will kill him.

But Lance will dodge. He knew Keith was going to throw the blade before he even made the decision to throw it.

Gasps ripple through the training room, several people shouting in alarm as the blade comes closer and closer to killing the Red Paladin of Voltron. Milliseconds before it hits, just as someone opens their mouth to scream a warning, Lance moves, faster than the eye can track, pulling out his bayard and transforming it in the same moment, batting Keith’s blade out of the air with his broadsword like it’s a baseball.

He grins, wide and manic and jumping to the challenge, to the spar.

“That all you got, Mullet?” he calls, swinging his blade like the cocky shithead he is. Keith can hear the impression of his laughter again; he’s dizzy with it, drunk off the heady feeling.

“Not even a little bit,” he says, activating his own bayard. Without needing to say a word, they both charge forward at the same time, arms drawn back and swords heavy with potential energy, meeting in the middle of the training room with a clash of their blades, so hard it sends vibrations up their arms.

The shouts of alarm from the rest of the crew turn into whoops of excitement, as people fan out into a circle to give them space. Keith is relatively certain he sees Pidge and Matt organizing bets out of the corner of his eye.

Ready for a show? Lance’s voice echoes in his head. Distantly, he hears Red’s howling roar, the proud lion wrapping her energy with her paladin, gleefully telling Keith how much she looks forward to seeing her cub wipe the floor with him.

She is a very competitive entity, Red. It sparks something in Black, too, who gets up from her perch in a rare display of headstrong pride and wraps her energy around Keith to match.

You’re going to lose, Keith taunts.

Fat chance, Mullet.

Their strikes are less choreographed, now that a real challenge has been issued, and more than their own pride is at stake. There is no real fight here — whether or not Keith wins, he doesn’t truly care.

(But he’d fuckin’ love having something to hold over Lance’s head for a bit. Better if he could be smug in Lance’s head, where he can’t stomp away with a sulk and a claim that Keith was cheating.)

Swordplay with Lance is difficult. It’s always difficult, because Lance uses a sword in every way except how a sword is meant to be used — Keith has seen him use it as a javelin, a bat, even a vault stick — but it’s only gotten harder since Lance has had access to his mind, because Lance hears and feels his every move, anticipating his every trick. Neither of them have managed to win the upper hand for long, and it won’t be long before the other resorts to dirty tactics.

Keith eyes his forgotten luxite blade. He might be the first, actually.

Forcing himself to think of a flurry of random things, practically throwing a wad of unconnected, unsorted thoughts in Lance’s presence in his head to distract him, he dives to the side, reaching for his blade. Lance realises a split second too late to stop him, and his broadsword comes millimetres away from the skin of Keith’s ribcage as he dodges. He closes his fingers around the softened leather of the blade’s handle, and whips around to face his opponent, bayard in his right hand and luxite blade in his left. By the time he’s ready again to fight, even though he’s only taken mere seconds to grab his weapon, Lance has already flipped several meters back, bayard in his hand transformed to his blaster.

Cheater, the both think at the same time, identical smirks on their faces.

Lance fires six quick shots, aiming at vital places in his body. His shots are all true — Lance doesn’t miss — and Keith barely manages to slide out of the way, one of the laser blasts grazing the side of his neck, burning him.

Lance hasn’t bothered to set his gun to stun. Keith can’t blame him. It’s more fun with the risk.

He rushes at Lance, both swords extended, aiming a slash at the Cuban’s arm with one blade and a stab through his torso with the other — he’ll only be able to dodge one. He’ll either have to yield or take a slice, get a painful hit that will slow him down.

Somehow, though, Lance contorts himself, bending his body in a way that it honestly should not be able to bend and narrowly avoiding both blades, hitting the floor with a heavy slam and aiming a sweeping kick for Keith’s knees to take him down with him. Keith jumps to avoid his powerful legs, somersaulting over his head.

“Oh, boo!” someone, who is most definitely Shiro, calls from the crew. Keith almost forgot they were watching, he’s so caught up in the fight. “Come on, Lance! Get his ass!”

If Keith had the time — that is if Lance let up his assault for even one second, which Keith knows he won’t — he’d roll his eyes. Since he doesn’t, he settles for making a mental note to raid Shiro’s room later and steal the last of the Reese’s he packed from Earth.

Oh, that’s diabolical, Lance thinks at him.

Keith grunts, swiping at the hand holding his blaster. If you help me I’ll give you half.

The offer startles a laugh out of Lance, distracting him for just long enough that Keith gains the split-second advantage, placing the blade of his bayard under Lance’s wrist and twisting until Lance is forced to drop his gun or lose his hand.

“Fuck!” several people yell at the same time. Next comes the unmistakable sound of money changing hands.

“Sucks to suck”, Keith taunts, because he can’t help himself.

But Lance looks undeterred. “It does, doesn’t it.” He aims a heavy kick right for Keith’s sternum, and since Keith is too close to move away and not flexible enough to dodge, it lands square where Lance aims it, the heel of his foot knocking the breath from Keith’s lungs and blurring his vision. He drops his swords when the sudden lack of oxygen makes his hands to weak to grip them.

Lance takes advantage of Keith’s momentary weakness, catapulting forward for an assault. Unfortunately for him, his intentions bleed loud and clear through their bond, and Keith hits the floor with a gasp so Lance can’t wrap his legs around Keith’s neck to choke him out.

Lance curses, falling forward with a flail when his assault doesn’t hit, momentum completely overshot. He barely manages to catch himself before his head smacks into Keith’s, and for half a second he stays there, hovering above where Keith lays flat and tense, ready for the next move.

You come here often? Lance teases, and it’s genuinely such a horrible line that Keith groans out loud. They tussle on the ground for several moments, each trying to gain the upper hand, but it’s literally impossible — neither of them is particularly stronger than the other, so there’s no advantage there, and not only are they completely matched, stroke for stroke, punch for punch, but every move they try is completely anticipated by the other. There’s no way that Keith can win. He can try to spend the next who knows how long exhausting Lance, but they’ve already been training for a while — they’re both tired as all hell. And as much as Keith kind of likes Lance’s hands on him, he can’t forget that there are people watching. He has a reputation.

Truce? he offers.

Yeah, Lance concedes, sighing melodramatically. I suppose I’ll let you call a draw.

Keith rolls his eyes as hard as he can — leave it to Lance to be such a goober about it, even though Keith can literally feel that he wants to call it as much as Keith does.

At the exact same time, they spring apart, setting some space in between them to catch their breaths. Once they’ve had a minute to recover, Lance stands, stepping over to Keith and offering his hand. Keith takes it, pulling himself up.

All the gathered crew groans out loud.

“Another draw?” one of the MFE pilots mutters.

“At least they’re wicked cool to watch,” her friend says.

Keith would be able to feel how much Lance preens at that even if they werent telekinetically bonded.

In minutes most of the crew has dispersed, no longer interested now that there isn’t a fight to watch. Some of them go back to whatever equipment they were training on earlier, but many of them file out of the training room entirely, moving onto other things. Keith and Lance make their way over to the rest of the team, collapsing down to the floor next to them.

“You guys are super duper lame,” Pidge informs them, offering them both a water pouch. Keith takes his gratefully, not bothering with the straw and tearing off the top, chugging them whole thing down in one go. Allura looks at him in mild disgust, which makes Keith grin, because if he’s being entirely, one hundred percent honest, he really only did that to get a rise out of her because he knows she hates it when he does that.

“You’re a liar,” Lance responds, sipping on his juice pouch much slower than Keith does. “We just provided you with what was essentially a full-stakes WWE fight, except Keith and I are both way cooler than any of those losers and there were weapons involved.”

“Weapons, but no drama,” Hunk argues. “You guys barely even spoke to each other. Just fight, fight, fight. Where’s the fun in that? Where’s the nuance?”

“I didn’t hear you clown Keith even one time,” Shiro adds, because he’s safely out of range of Keith’s pinching fingers. “Two out of ten Keith and Lance fight. I’m disappointed.”

Keith snorts. “Oh, he clowned me plenty.”

The second the words exit his mouth, he feels Lance go rigid beside him, and a sense of panic comes through their bond.

Shut the fuck up shut the fuck up shut the fuck up, Lance tells him desperately.

Keith looks at him strangely, but Lance doesn’t provide any more context, looking at a particular spot on the floor as if it’s endlessly fascinating.

“He did?” Coran asks. He looks at Keith with a mix of intrigue and something he can’t place, something almost knowing. “I heard nothing of the sort.”

“Well, you wouldn’t hear it, per se,” Keith says slowly.

Lance screams unintelligibly in his head. Keith gets a distinctive picture of him in his own mindscape, yelling in anguish, as the Red Lion laughs herself to tears beside him.

What is your problem? Keith tries to ask, but mind-Lance ignores him in favour of his misery.

Pidge narrows her eyes at the two of them. “Clarify yourself immediately.”

“The mind bond?” Keith says, voice turning up at the end of the sentence like it’s a question. “You know, that Lance worked on with Red. So that we could communicate with each other using our existing emotional bonds with Voltron, just a couple steps farther. I know you guys haven’t used it much, but I just figured you weren’t into it.”

Silence.

Heavy, disbelieving silence. Each other member of the team looks at Keith with dropped jaws and wide eyes, like what Keith just said is something out of a science fiction novel rather than something they all should have been able to do for weeks, since that meeting with Iverson.

Keith suddenly gets the very distinct feeling that he has, perhaps, fucked up.

“Yeah, no shit,” Lance says, a little hysterically. His face is so red that he rivals his own lion. Keith can actually feel the heat pouring off of him, and the feeling from the bond is worse — Lance is dripping with mortification. “How am I in your fucking head and you still can’t follow my instructions?!”

“You didn’t tell me it was supposed to be a secret!” Keith defends, rapidly going red himself.

He can scarcely believe what is happening right now. Lance has told him that the point of the bond was to make the whole team get closer, but he’d only ever bothered to build something with Keith.

The whole time, from the very beginning, his goal was to share his deepest thoughts and feelings with Keith, no one else.

Oh, God.

“Oh, God,” Shiro repeats, but his tone is vastly different from the way Keith was thinking it. His expression can only be described as evilly and maniacally delighted, like every horrible hope of his has come true at once. “This is the best thing that has ever happened to me.”

“Oh my God,” Lance says, the third person to say it. His face is buried in his hands, body half-curled up, like if he compresses himself small enough he can disappear into nothing.

“So that’s why it’s like you two share one half a braincell!” Hunk exclaims. “You actually do!”

Pidge and Allura crack up at Hunk’s joke, or maybe it’s Lance they’re laughing at. Either way, Keith feels his head spin.

Lance has literally manipulated the quintessence of Voltron specifically and only so he can talk to Keith in his own brain, communicate the emotions he doesn’t have the words for.

Manipulated. The quintessence of the universe’s greatest and most mysterious weapon. To find more ways to talk to Keith.

Keith is generally kind of a dense person, but he’s sure as shit not that dense.

“Hey,” he says, shifting away from the rest of his team that has rapidly lost their minds and is laughing themselves hoarse, placing a hand on Lance’s shoulder. “Look at me.”

I am going to kill you dead, Lance threatens in his mind, too embarrassed to make his mouth work.

No, you’re not, Keith replies, and pulls Lance’s hands away from his face, yanking him close and finally pressing their lips together, no longer waiting for some obscure and future proof that Lance loves him. It’s obvious, with the way he softens, melts into Keith’s hands, and the way something warm and soft and floaty flows through their bond.

Lance changed reality for him.

His love could not be more clear.

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jounosparticles · 6 months

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reply to the tags of your reply to my previous ask: PLEASE RANT TO ME ABOUT THEIR RELATIONSHIP!!!! i want to hear. they rot my brain too and im glad that i found someone who's also suffering the suegiku takeover

OKAYOKAY YAY!!!!! this will be fun >:)

a huge suegiku analysis:

okay in the last ask you mentioned how tetchou stabs jouno for fun and sillies and stuff which happened to make me think a lot about how tetchou acts decently different around jouno than others.

tetchou is typically rather formal in the way he acts in a way? as in he's very straightforward, generally composed and calm in his words, and polite to anyone he's dealing with.

an example of this is when he still treated the cafe owner kindly despite him being an "accessory to terrorism" in jouno's words.

basically, in most situations, he remains very composed. even when he's up to his sillier antics (like when he was watching ants or doing pushups during a meeting). he's direct and straight-faced almost always around most people. he doesn't act that way to be seen as silly, it's just who he is (and i love it).

i would imagine he could act this way for many reasons. it is most likely him being professional, likely as a reference to the irl tetchou who had samurai lineage; making him act with the tone and professionalism of samurai.

despite his professionalism, maybe he has difficulty being expressive around most people, or maybe he doesn't want to be expressive around people by choice.

but this is where he's different around jouno.

firstly, i'll talk about the times he's stabbed jouno. this has happened twice, and both were to de-escalate jouno from his tendancy to mentally torment people.

the wording in these panels implies this is a regular occurrence. which is a little funny to me hehe.

anyway, we see by the way that he acts around others that usually he de-escalates situations by talking first instead of acting. he will turn to violence if he believes it's needed, but typically he talks first. we see this when he confronts kenji verbally before attacking.

yet with jouno he doesn't bother to tell him to stop first, instead opting to jab him. remembering that the hunting dogs have enhanced physical strength, a small stab wound probably isn't a huge deal for them.

because of this i think the stabbings are tetchou partially teasing jouno. him messing around like that isn't something he does with anybody else but he seems to enjoy pissing off his partner.

also. stabbing him directly in the ass? gay as hell. jouno following up by saying "don't poke my ass every single time" implies that his ass specially gets jabbed a lot. hmmmm

anyways

another example of this is when tetchou smirks/chuckles at jouno insisting that he's the greatest hunting dog. the small laugh was most definitely to bother jouno.

mmmm theyre both so pretty.

once again, tetchou pushes aside his composed self and being intentionally silly only really happens towards jouno.

arguably, this can be shown again in the pushups scene.

tetchou acting unbothered and then calling jouno's weight "just right" while he continues to exercise seems like a combination of him trying to (jokingly) annoy jouno as well as his tendency to not acknowledge his own actions as bothersome or odd to others.

anyway to sum up this segment: tetchou is only seen intentionally bothering and teasing jouno and nobody else. he acts much differently towards others but seems to let his professional guard down around only his partner. this shows a great layer of trust and comfort between the two!

oh. but im not done talking about this. not at all.

the other huge display of emotions for tetchou was everything that went down with kenji.

as displayed throughout most of tetchou's appearances, he's incredibly justice-orientated. he has a tendancy to put justice above everything. here's a couple panels showing this:

ooog tetchou is so pretty. i love that left panel so much

using his own logic here, he should have went after bram after having found him. tetchou even admitted that, but there was one other thing more important to him than that. jouno.

starting here, this panel takes place after bram and aya escape. at this point, tetchou had assumed the agency was using bram to control people; meaning it wasn't just kenji he technically had business with at that time.

i will also preface this by saying the book's influence likely had an impact on tetchou attacking kenji before they could finish talking.

however, the book's writing didn't stop tetchou from insisting on finding jouno before taking down the agency. his worry towards jouno's whereabouts made him change his stance on justice as well as deterred him from prioritizing taking down the agency.

now that he's talking to kenji, i'd like to start it by showing that he seemed genuinely grateful and happy when kenji initially offered to help him find jouno.

as well in the anime, his eyes soften when kenji offers to help.

after talking to kenji for a brief moment, he opts to attack instead of continuing. this seems out of character for tetchou; he even apologized to kenji before saying he needs to find jouno as quickly as possible.

the fact that he apologized, combined with how we've seen him treat people in the past shows that this isn't typically what he resorts to.

also, in the anime we can see the gloss his eyes slightly shaking as he says this line, which could display worry, sadness, or anger towards whatever could be happening to his partner.

he seems almost distraught, which is a huge contrast to his typically-composed self.

and, of course; there's the fact that mid-fight tetchou had to tell kenji that jouno is a good person despite what people think.

he looks genuinely sad here, as if he's speaking from his heart. jouno has very-clearly put up a tough exterior that he uses around everyone, but tetchou goes out of his way to defend him even when he absolutely doesn't need to.

he could have stayed silent or just said he wants his coworker back, but he insisted on stating that jouno is a good person.

it's also important to note that nobody else tends to speak kindly of jouno, which puts a lot more depth on their closeness to each other. tetchou sees through jouno's words and actions and knows that he is heavily misunderstood.

and of course, we have tetchou directly saying that he will place jouno above justice despite knowing what the right course of action should have been.

he is putting jouno above the very thing he basis his career as well as his morality on. that's how worried he is. that's how much he cares.

and in this panel, we see he's extremely angry towards kenji's lack of response.

lets compare this to the first time tetchou fought the agency.

in chapter 61, when he was fighting the agency alongside jouno; he kept a more menacing/intimidating look as he attacked. when he was not attacking, he kept calm-looking despite being pissed off. compared to when he was fighting kenji in chapter 100 and looked infuriated. even the different fonts used for the dialogue puts further emphasis on this.

now, i'm going to jump ahead to the end of tetchou and kenji's fight. tetchou recognizes his mistake and asks kenji to kill him.

it's important to note that his reasoning as to why he should have chased justice was because he doesn't think jouno would have condoned his choice.

he specified it again, even opting to call jouno his friend. also note how white his eyes are here, meaning his intent was pure and he genuinely felt awful for misjudging what jouno would have wanted. he cares so much that he was asking to be killed for misunderstanding what was the correct course of action.

and then after kenji insists on helping him find jouno instead, he smiles in relief before the two pass out.

one last small note is that we've only ever seen tetchou smile three times throughout the manga so far, and all of them were mentioned here and involved jouno.

to sum it all up: tetchou, who is typically very composed and justice-orientated, is willing to throw aside his entire stance on justice for jouno. he lets his professional guard down around his friend, allowing them to tease each other and be silly as well, which he doesn't appear to do around others often. this shows that the two have a close bond and genuinely care so much about each other.

------------------------------------------------------------------------------

as for jouno, i don't have as much to say however there definitely is a few things i'd like to touch on.

firstly, despite claiming to hate tetchou a lot, jouno still uses a respectful honourific (-san) whenever he refers to him. i'm not a japanese speaker so please feel free to correct me if i'm wrong but there's a good chance jouno would opt to not use an honorific at all if he genuinely detested tetchou as much as he claims.

and when it comes to teasing, jouno does it much more often than tetchou does (however he also messes with more people, it's just a personality difference between the two).

clearly with the way they act around each other, jouno does not actually hate tetchou. i think they like to bother each other by play-bullying.

also, noting on jouno's criminal past, he was given an easy oppurtunity to be thrown into the DoA where he could be incredibly powerful and would likely not face any consequences for his actions had he joined.

we know he declined fukuchi's offer because he found joy in saving innocent people. but i would the influence of the other hunting dogs helped set him into that place of mind. tetchou seems to be the one he works with most, so there's a good chance he takes a lot of inspiration from how tetchou handles justice.

another thing i noticed with jouno is that his displaying of emotions is almost an inverse of how tetchou acts. jouno keeps smiling a lot despite who he's speaking to. in contrast, he can keep a straight face when interacting with tetchou a lot.

of course, that could make it seem as if jouno is unhappy around tetchou, but i would argue it's the opposite.

some people will force a happy expression to appear unassuming or kind (or in a lot of jouno's cases, intimidating). so him allowing himself to maintain a straight face around tetchou could mean that he is comfortable enough around him to not feel the need to express everything. he doesn't need to keep his guard up around tetchou.

jouno almost always keeps a very happy or calm composure around enemies, likely as an intimidation factor. yet he allows himself to express frustration and annoyance around the hunting dogs in general, and most often with tetchou. i'd like to imagine this just shows his security in his partner.

jouno talking to an enemy, for reference ^ i also just really love this page hehe

the last thing i'll mention here is a lot of speculation on my behalf. however i think that jouno seems like the type to push away those close to him. i kind of perceived his supposed hatred towards tetchou to be a combination of joking around as well as possibly a defense mechanism to try and avoid keeping people close?

my main reason in stating that is that he's claimed to not like any of his coworkers yet still opts to not betray them and still works well with them. if he truly hated tetchou, he probably wouldn't allow them to work together. he likely says such things to avoid being liked too much, and these actions proved to work since tetchou acknowledged that everyone sees jouno as cold.

yet through all that tetchou still knew he was good despite the exterior, which makes them well-suited for each other.

anyways: i feel like these two really do treat each other much differently than they treat the other people around them. that puts a lot of emphasis on their bond and closeness in general. they can be silly around each other, they can get through arguments no problem, they make a great team, and clearly care about each other a ton! they mean so much to me <3

i love my sillies :)

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aimportantdragoncollector · 1 year

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Imagine if instead of a strength enhancer, One for All was a Charisma enhancer.

There are so many ways to play off this (terrible) idea, considering the versatility of charisma.

Maybe Izuku is just really intimidating, and everyone backs down without much of a fight.

Maybe it makes him persuasive, and he can just argue people out of fighting through logic and words.

Maybe it makes people pay attention to him. It’s not useful on its own, but it could be used as a distraction.

Or maybe for Izuku, who seems cute and small, it makes people protective of him. (Turns every character Platonic Yandere by accident)

I don’t know what to do with this au, so I’m just throwing it at you for fun. Have a nice day.

Oh my, I can't decide which one of these is the best. So why not combine all of them?

One for All is a charisma enhancer, but how it manifests varies for each holder. Yoichi got the version that made everyone fall in love with him at first sight. Second and Third took one look at this starving dirty man in a vault, and boom, their hearts were gone.

Second got a charisma that made everyone look up to him as a leader. People instinctively trusted Third. Poor Hikage got the version that made everyone pay attention to him to the point where they forget everything else they were doing. He hated it so much that he ran off to live in the forest. Banjo found that everyone around him treated him as an aniki/big brother. En was so cute that everyone treated him as a little brother. Nana got the ability to argue people out of fighting with logic and words.

The ability kept growing stronger over time. All Might obtained an intense power of intimidation so strong that all his enemies surrendered at the sight of him. All Might's skinny form is his real form. He isn't strong at all, people just think he is. This All Might is like King from One Punch Man--he's never actually won a fight, all his enemies just give in to his intimidation. He beat All for One out of sheer luck when All for One slipped and fell onto one of his own quirk attacks.

Since the ability increases over time, Izuku gets the strongest version of all. Unfortunately for Izuku, he got the yandere variation. It could be platonic yandere or romantic yandere, depending on if the recipient finds Izuku attractive.

Every member of Izuku's class who is attracted to the male gender is in love with Izuku. The rest have intense platonic admiration. Katsuki constantly combusts around Izuku because he does not know how to handle the quirk forcing him to feel so much differently from his normal feelings and he hates it.

Luckily other holders of One for All are not affected. All Might thinks that Izuku's intimidating aura is just taking a little while to come in.

In this AU, Sir Nighteye objects to Izuku not out of dislike but because someone so adorable can't be allowed to fight! He might get hurt!

The ability doesn't affect Inko because it doesn't affect anyone who already loves Izuku. (For the same reason, the power wore off on Second and Third after they fell in love with Yoichi for real.)

This AU is not Dad for One. However, All for One takes one look at Izuku and decides that he is the perfect replacement Yoichi. Unfortunately for All for One, he has a lot of competition, because every single villain who meets Izuku wants to vault him. Frankly quite a few heroes have been thinking about it too. Sir Nighteye already has a vault full of All Might merch to lure Izuku in.

Izuku figures out he can weaponize this to make villains underestimate him, then defeat them.

#5 headcanons game #closed ask game #One for All #Dekubowl #bnha

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celluloidbroomcloset · 5 months

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So, after the discussion on this post, I spent some time considering if Ed was indeed truly plotting to kill Stede at first. I'll start by saying that I think there are several different ways of understanding this and there are some great comments on that post, so this is just my own interpretation.

The scene begins with Ed's conversation with Stede about remaining on board the Revenge and exchanging knowledge—Stede teaching Ed about high society, Ed teaching Stede how to be a better pirate. They come to an agreement, then Ed hears Izzy down below, preparing to leave. Ed's final words to Stede before he goes down to speak with Izzy are "well, I should deal with this."

The conversation with Izzy proceeds with Ed providing reasoning why they need to remain on board, offering the idea of killing Stede and taking his identity, and giving the Revenge to Izzy.

There's a lot going on in this scene, but I think it's important to note that Izzy especially stands in for all piracy as Ed has experienced it (this is born out by the behavior of Spanish Jackie and her husbands, as well as Calico Jack later on).

Through the first few episodes on board the Revenge, Ed is already opening up, as Ivan and Fang notice. He’s having fun. He’s excited about life again. He’s enjoying being around Stede and around the crew. When Ed claims that he wants to inhabit Stede’s life, he’s trying to find words for something he’s been longing for and that Stede represents.

But what Ed is saying and what we have seen between him and Stede are two different things. Ed enjoys what Stede shows him, but his behavior is not covetous—throughout the scene in the cabin, Ed is a combination of excited and fascinated. He praises Stede directly, not just Stede's things. He doesn't dress in Stede's clothes or take Stede's things without permission, but engages with him in play. What we the viewers see, and what Stede sees, is someone who's excited about Stede's things, but also excited about Stede himself. It's not just a man who wants fine things, but who wants a friend.

The entire conversation in the cabin takes place away from anyone else, as does the plan about the lighthouse. What Izzy and others would likely perceive as Ed’s genius is the combined abilities of Ed and Stede, as they come to the same conclusion at the same time, and make the plan together. What Izzy in particular praises about Ed still having it (Ed always had it) is brought to the fore by Stede's presence. In taking some of the weight of command off Ed, Stede has enabled Ed to be more himself and to become a better captain.

But Blackbeard acts as Ed’s protection—not just from other pirate captains, but also from internal threats. He’s learned that Izzy is capable of insubordination, calling him “insane” and a shell of a man who is "merely posing as Blackbeard" to his face. The lighthouse event makes Izzy respect him again—even apologize and praise him.

We learn throughout the show that trusting a pirate, any pirate, is a dangerous undertaking, and that the assumption most pirates make is that even their friends will fuck them over. Ed trusts Stede already, he knows he's a different kind of pirate, but he's hedging his bets—there's a chance he might be wrong. Stede is an unknown quantity, but Izzy is not—Ed knows how to play him, and Izzy's presence enables Ed to maintain the persona of Blackbeard as a guard.

If Ed presented Izzy with the actual agreement he came to with Stede, there's very little chance he'd accept it (we already see how he reacts when Ed does things he deems "insane") or that he'd remain on board. Ed's keeping a support system close to him—he needs Izzy and Ivan and Fang to feel safe, to reinforce the concept of Blackbeard to the other people on board.

Ed never once makes eye contact with Izzy during the entire conversation, keeping his eyes either averted or his head turned. Ed is proving himself, again, the superior tactician—he's made Izzy an offer that Izzy will not refuse, maintained his own persona for protection, and secured the ability to remain on board the Revenge with added leverage if something goes wrong. He knows that the plan he's made is serious, though, and he's primarily bought time, not a reprieve.

If Ed truly wanted or planned to kill Stede, he could have done so easily. He could have had someone else kill Stede if he wanted to outsource it (Izzy offers to commit the crime himself in "The Art of Fuckery"). It’s a mistake to assume that Ed’s go-to will ever be violence or murder, especially considering what we learn about him as the show goes on. Ed knows he doesn’t really kill people, but everyone else does not; it is part of the Blackbeard persona, the mask that Ed puts on to survive and succeed and to be respected by (and protected from) people like Izzy.

By "The Art of Fuckery," the plan conceived to keep Ed on board and Izzy present is out of control—Izzy is no longer placated, and he makes it clear that he will kill Stede if Ed refuses to. Ed becomes trapped by his own need to remain shrouded in Blackbeard. It tells on him—he's near tears when Izzy offers to kill Stede, but he's not yet able to find enough safety on the Revenge to lose Izzy's respect.

The way Ed frames it during the bathtub scene with Stede is significant in how he perceives the plan: "I'm supposed to kill...you." The "supposed to" indicates, not quite coercion, but a sense that he felt compelled to kill Stede—he was supposed to do it, not he was going to do it and decided not to. It could be argued that Ed is lying here, or downplaying his role, but the entire scene is about Ed confessing to Stede his perceived unlovability, fully expecting Stede to reject him. So him being calculating at this stage and downplaying his own monstrosity seems a bit of a stretch. Nor does he specify that Izzy, or anyone, was compelling him; the crime, as far as Ed is concerned, is all his. Which, once more, is not proof that Ed ever intended to go through with it when he proposed it at the end of "Discomfort."

By the end of "The Art of Fuckery," where he has confessed his darkest self to Stede and been assured of Stede's friendship (something which he never expected), Ed no longer has need of the protection afforded by the Blackbeard persona or, by extension, Izzy's presence. Stede is indeed a different kind of a pirate, and a different kind of man, and Ed can be safe with Stede, on Stede's ship, surrounded by Stede's crew.

(I'll also tag @daria-meoi, @diningpageantry, @meanmisscharles, @scarrletmoon, @quarterblindsocialworker, since they were a part of the OG discussion!)

#ofmd #ofmd season 1 #our flag means death #ed teach #edward teach #stede bonnet #izzy hands #gif #ofmd meta #long post

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crystaldoodler · 3 months

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A very long post of doodles relating to @theminecraftbee ‘s smallishsona AU (sorry for the tag again). I think of this AU while wandering Tartarus, so, I’ve had a lot of time to think. This post is really long and has a lot of rambling so, I’m putting it all under the cut. I’m sorry world I have too many words and rambles in me

First up, character designs!

I used primarily their mc skins for design, with only a few rl things thrown in. But, I didn’t bring them up so the colors are off a bit.

Starting off with Joel:

He’s following the persona protagonist tradition of mostly wearing the school uniform correctly, but with some minor embellishments. I’m still debating whether or not to add more, but w/e. His signature color is green.

Then Skizz and Impulse:

The greatest dichotomy of time to design, Impulse I knocked out on the second go, but I’ve done many iterations of Skizz and I still am not satisfied with this design. The ripped sleeves looked too out there (to me, at least) but nothing else seems to work so I settled for the shirt under uniform shirt look. Something I struggled with that these two emphasize is making them look like teenagers, and what they look like, and also keep to the anime style, and also my own incompetence with drawing facial features so It’s something all of these lack in. Impulse is yellow, and Skizz is blue.

Scar and Grian are next up, Scar’s facial Scar is from summoning his persona, because he stabbed himself in the face lol. Not much to say about these guys, I settled on orange for Scar and red for grian, which I am still struggling with beacause mumbo:

is ALSO red. So I guess they are just, both? red? If you look at the party select screens in persona though, the characters have pretty strong color coding, so I guess I’ll figure something out. If anyone is still reading: help. Anyway, mumbo wins the award for wearing the uniform the most normal (except for the tie)

Last but not least, Gem!

She’s wearing a longer skirt than the usual uniforms and also some big-ass boots. Also, she’s a sea monster thing? So, I was thinking, staring at SEES cool new uniform things and thinking about the Phantom Thieves and how cool their outfits are and realized the persona games have at least some design change to separate their daily looks from shadow hunting. Even if it is only glasses in p4 lol. So, I thought maybe weapon holsters? but, that seemed a little too generic. So! I decided to combine how I normally draw the hermits (and a lot of the fandom does) as having non-human traits as the big things setting their combat looks apart. It is both a) fun to draw, b) creates an eye catching and distinctive design for combat and c) is really funny. I thought it was funny so I drew a comic about it:

and here’s a sketch of what everyone looks like and also the transformation gives them very distinct eyes, for no reason other than I think it looks cool:

mumbo is a normal human btw (or at least, he appears to be)

Welp,that’s all I got. If I look at these drawings any longer I will hate them so here they are, yippee. Also, Bee/OP, sorry for exploding; I am into persona and hermitcraft right now so this AU is like a perfect storm to give me brain rot.

#hermitcraft #persona #my art #smallishbeans #smallishsona #i have other comic ideas but i dont want to be annoying ahhh *explodes*

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sineala · 8 months

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is there any fic of yours that you hold dear and that went under the radar a bit? ❤️

Ooh! Interesting question! (Also I have a bunch of your fic bookmarked and have not yet read it; I am looking forward to getting around to it but also my brain has decided that it hasn't wanted to read or write much of anything since early 2020 and I am very slowly regaining the willpower to read and write fiction but apparently reading is taking longer than writing. So I apologize to you and anyone else has who has written fic since then. It's not you; it's me?)

Anyway! I am sorting my fic by reverse kudos order. It looks like my least popular work either has sad endings, is super short, or just hasn't had as much time to accumulate kudos as something I wrote a decade ago, which is fair. Like, I feel like at some point people will come read Tabula Rasa because eventually they will be unable to resist the lure of 40,000 words of fluff about one guy who used to be in an iceberg and another guy who used to be a sad brain in a jar, but it's only been a year. And I think people will come read Cold Front after I eventually finish writing the series and can deliver on a happy ending, though this is clearly going to take me years. I have so many depressing books about some combination of being gay, the 80s, and NYC to read as research. Also actual canon, lol.

So once you exclude that kind of thing, I think the stuff I am proud of that didn't get as much traction tends to be stuff like remixes. And I also get why people skip remixes, but I have several that I have done that I think hold up on their own, which possibly means I don't understand how to write remixes, but whatever:

Armistice (The Nothing Else Matters Remix) is a DreamVision/Inception fusion of what was originally a MCU story. I moved it to Noir/616. Noir Tony has to get inside Steve's mind to wake him up, except... this guy isn't the Steve he knows. A 616 Civil War fix-it.

Breaking Point (The Abort, Retry, Fail Remix) is actually super fucking sad because it's a remix of a story of Kiyaar's where Steve murders Tony during Avengers #29. At least, he thinks he does. Tony ends up in a coma and then with amnesia. The original was Tony's POV but I kept wondering what the hell was going through Steve's head this entire time so I wrote this. I got out a lot of words about my feelings about Steve's characterization in Hickmanvengers, though.

Hour of Greatest Need (The Left to His Own Devices Remix) is another POV swap remix of a Steve POV story about that What If where Doom strands Tony in Camelot. I wrote the Tony POV; it was fun to write a character who has presumably read a bunch of science fiction and is trying to game out time travel.

If You Want to Live (The Historical Present Remix) is a time-travel 616 Civil War fix-it (yeah, we all have favorite genres) that was originally a MCU story where Bucky attempts to time-travel and murder Tony. This was not what I turned it into.

See You at the Bitter End (The Rest of the Rainbow Remix) is a 616 Civil War fix-it that I swear has a happy ending but also I think I killed Steve four times first.

Wonders of the World (The Keep Me Safe from Harm Remix) is an early v4 PWP which I read Secret Avengers and Fraction IM in order to write, which was when I discovered that Steve really hates black-ops, which was not something fandom had expressed to me. So it's a PWP about how much Commander Rogers hates his job. Weirdly, this is not the only story I have that I would describe as this.

I have more remixes than this, but I think these are the ones that probably hold up on their own.

Thank you for the question, though! This was fun.

#replies #soliloquent-stark

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rjalker · 2 months

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people really need to stop recommending books based purely on the fact that they're "Queer representation" of some kind.

Not only does it do a disservice to the story itself, because I guarentee you the author wanted their story to be remembered for more than having "x characters" and nothing more...

...but if you're going around blithely reccomending tons of random strangers read something like the Xenogenesis trilogy by Octavia E. Butler based purely on the fact that some of the characters use it/its pronouns...

that's.

I'm sorry but that is just so negligent. That's the only word I can think to describe it. Xenogenesis is an adult science fiction story meant to be read by adults who are ready to have an incredibly serious conversation about slavery, eugenics, rape, genocide, and how consent literally cannot exist when you are a slave, and what that means for you and everyone around you.

It's not a fun casual adventure story anyone and everyone should be picking up without knowing what they're getting into. You have no idea how many people you're casually recommending this series to are victims of rape who are going to be triggered by scenes in this series, and you're not giving them any warning!

It's already bad enough for people to be flattening stories down into whether or not they have "X characters" but to not warn people about genuinely triggering content in the books you're flattening this way?? Why would you do that?

Please don't fucking do that. If you know a series deals with triggering topics then you need to warn people about that any time you recommend people read it. The Xenogenesis series requires trigger warnings for rape at the very least, and a whole lot more on top of that too, but that's the bare minimum.

Stop recommending people read things just because "characters use x pronouns in it" or "it has nonbinary characters" or "it has a lesbian in it" without any relevant warnings about triggering content it also contains.

At least the person who did this did specify that the it/its users in Xenogenesis are all aliens, but like, that's the least of things people need to be aware of before reading this trilogy.

Reccommend media by actually summarizing it. There's almost always an official summary you can find somewhere. Warn people about any topics that might be triggering that the content contains.

And, since I see this happen the most: for the love of fuck do not lie to people about Queer characters being in a series, or refuse to explain to people that the Queer characters that do exist are just the same old stereotypes we've all seen a million times, with nothing to balance them out and make them actually progressive.

That is going to accomplish nothing except alienating people who've been tricked into reading something that's not actually what they were told it was. You are not going to get anyone to enjoy a series by betraying them by lying about nonexistant or at best shallow, stereotypical, bioessentialist 'representation'.

The Animorphs does not have a single canon Queer character.

The Murderbot Diaries is just the exact same nonbinary robot stereotype that was old in the 90s, with no important human nonbinary characters at all despite there being seven whole books at this point. There are exactly 2 human characters who use neopronouns, but they're the epitome of "token characters". They appear for a combined total of maybe 10 pages, have no importance to the plot, and get shoved offscreen as quickly as possible, never to be seen again. All of the robots use it/its pronouns because they don't have genitals and Martha Wells is transmisic and loves biological essentliasm, and still very clearly equates sex with gender with pronouns. Despite the protagonist using it/its pronouns, no one ever asks anyone else for their pronouns, everyone just magically knows, because, again, biological essentialism. Also known as the exact opposite of representation for trans people.

The Xenogenesis trilogy does not have a single canon Queer character in it. All of the characters who use it/its pronouns are part of the third reproductive sex for the alien species.

Start recommending series based on what the plot is actually about, or what good things they have going for them, not just because they have characters who use XYZ pronouns or are the literal stereotype of a nonbinary robot.

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talenlee · 3 months

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Story Pile: D.E.B.S.

The term ‘cult classic’ gets used more than I’m comfortable with what with having been in a cult and not being considered classic by anyone, but I do think it’s important to recognise that the term has some weight. For example, this movie, D.E.B.S, pronounced ‘Debs’ is considered a cult classic of LGBTQ media. It does this in a way that if this movie came out in 2023, it would be considered a pretty funny epsiode of a TV Show, with no edge or bite to it. It looks like a pretty fun Onlyfans promotional poster. It has the overall aesthetic of The Porno Version Of Itself. D.E.B.S. is a lot of things and one of them is cheap.

But it’s also a lot of fun.

Content and Spoiler Warning: I think it’s important to say up front that despite being a pop-punk comedy movie from 2004 renowned as a ‘cult classic’ in queer communities, this is a movie that both asks and tells, and to my surprise featured just one instance of ‘oh well that didn’t age well’ in the form of an incidental drop of the r-word. I’m also going to spoil the whole movie’s plot but don’t worry if you’ve ever seen a TV Show you’ve probably already spoiled it for yourself.

D.E.B.S tells the story of a something-like-a-college where young women from I think mostly just schools in the United States, who else does the SAT? Oh, France, I think. So France and the United States. Anyway, it’s a test that runs under the SAT that finds out if you’re secretly good for recruiting into the D.E.B.S, which stands for… something, it doesn’t matter. You know the vibe of like, Josie and the Pussycats? Yeah, that, that, it’s that kinda thing. What, that’s not a universal touchstone?

Look this is a camp superhero special effects driven James Bond style movie that looks like a really fancy episode of a TV show. And when I say camp, I mean it – there’s this persistent reliance on excess in its presentation. You don’t just see a viewscreen of a shouting boss, you see every frame in the building a viewscreen of that shouting boss. And let me tell you when Michael Clarke Duncan shows up and shouts as the opening of your movie on a hundred screens, you’re kinda setting the tone for how subtle you don’t want to be.

This movie, which you might notice I keep calling ‘this movie’ instead of its actual name because typing out its name is annoying, is notable for being one of a long list of box office failures that some people think is great. For example, John Travolta is probably a pretty big fan of Gotti, a movie with a budget of 10 million dollars that maybe made a generous six million dollars. This means that Gotti‘s difference between its budget and take is about 3.6 million dollars, which just happens to be about the combined budget and box office take of D.E.B.S. Which is to say, this movie cost about 3.5 million to make and made maybe a hundred thousand. If we’re generous on the rounding.

I guess I should also say that when I say ‘this is a gay movie’ I mean it. This movie asks and tells. This movie is about two women who are of the time I think meant to be particularly hot, but not, you know, improperly hot, who get involved with one another and there are makeouts and they’re shown in bed and someone else calls it a lesbian fling and they ride off into the moonlight together. It’s not just unambiguously gay in the way we say that about anime where the girls touch each other’s hands, it’s like, gay enough that active denial runs aground.

You might be kinda surprised to learn that this wasn’t super common. Sure, girl on girl kissing showed up in things but it wasn’t like it was a proof of anything gay – Cruel Intentions was a franchise spun out of, essentially, one girl-on-girl kiss from characters we spent decades arguing isn’t really actually lesbian. You see women making out in The Sopranos, it doesn’t make that a piece of great gay media of the 00s. But it is surprising! Effort was made and these are two distinct-from-one-another women, one openly lesbian, one curious-then-considering-then-committing, and they have a relationship with disagreements and common interests and this shouldn’t be so bloody remarkable!

Stripped to the studs this is just a typical high school drama story set in the generic space between 15 and 20 that is meant to be young enough to be universally relatable but old enough that nobody needs to consider it’s probably a crime to want to see anyone’s nipples. It’s in the same it’s just a school drama story with dating but the school drama is about spies, and instead of the head cheerleader and the prom and the will-they-won’t-they-quit where the bad boy gets a haircut and learns to talk nicely to someone’s parents, are a Sexy Spy, the prom is the Best Spy award, and the bad boy is a bad girl.

I’m not about the somewhat muddy politics of the ambitious black member of the group being lying and conniving and in the way, until she’s not. It’s one of those things where in a cast of four characters, where you have to dole out the roles of Main Character, Idiot, Asshole, and Narc, the only place in the calculus where the black girl doesn’t get handed a stereotype ball to run with is main character and while this movie was trying interesting things, it wouldn’t try something as interesting as letting a black woman play the central protagonist in a queer action comedy with an otherwise principly white cast.

Which is a shame because that sure would be interesting.

What else is there, hmm, oh yeah, the characters have terrible trigger discipline, but also the guns are pretty comically shiny and silly. Like I’m sure a serious gun person could watch this movie and dismantle all the silly ways the guns are handled. Oh yeah the soundtrack whips, it’s not like true bangers of the era but it’s the kind of sound, the vibe of the times. Scud. I like Scud. I think Scud is pretty funny and walks the line between obviously evil and obviously hilarious. Uhhh what else then, what’s left.

And, uh, it’s fun! It’s really fun! It’s a funny movie, though not for the reasons it necessarily thinks it is, and it’s a movie that’s trying to be funny. It’s funny because it’s a little bit awkward and a bit cringe and it’s trying hard to do things that are at the time pretty fun and positive, even though it’s just…

It’s not good at it.

Check it out on PRESS.exe to see it with images and links!

#Media #Story Pile

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astroboots · 10 months

Note

hi any tips for getting out of a writing funk

Hello lovely!!!!

Writing funks can be such a pain, because I've been there, wanting to write because i'm stressed from work and the only thing that brings me peace is to write and yet for some reason the words isn't coming out, they're stuck at the bottom of a ketchup bottle like the last dreg no matter how hard I tap it over the plate.

When that happens to me I usually do a combination of things to unjam it (everyone is different so please don't be discouraged if these don't work for you, but hopefully if nothing else they are a fun way for you to pass time).

Often when I'm in a funk/the dreaded writer's block, it's because I have an idea that it needs to be good. But here's the thing, it doesn't need to be. Certainly the first draft doesn't. And once you have something on paper, even if it's crap, it'll be easier to work/edit and improve that than starting from a blank paper. So try to write the worst possible draft version of the scene that you are thinking of, it doesn't have to have any lead in, you don't have to have context. That piece of dialogue or image you have that you want to put on paper? Just put that down. Don't worry about the words sounding terrible just get it out there. Don't edit, just keep going. What you'll find a lot of times is that the first 10-20 sentences may be awful but once you get pass that point, you'll get into the flow of it and it unclogs.

Building on the above, I found (really oddly) that using either ugly fonts (and we're talking hideous, like comic sans) tends to reinforce this is so ugly, it's not serious and doesn't need to be perfect, let's just write mindset. Similarly I found that writing stories straight into the tumblr editor does the same to my brain (because my brain goes: we are living dangerous territory, tumblr may crash at any minute, none of this is permanent) and that let's me write without expectation or pressure.

Consume media. A lot of people say read. and absolutely reading inspires me so much. Sometimes I found though that what I need is to read something different to get something unlocked. When I wrote my very first fic: it was inspired by gone girl (and I never used to read thriller/crime books before then). So venture outside of genres you usually read because that might unlock something. I love reading foreign literature for this reason, because different country's literature has such unique style that is distinct and gets you in a different mindset. Also consuming different types of media can really help. I read a lot of comics and manga, and I am also a huge cinephile. Sometimes your brain needs to recharge its batteries and constantly writing/creating can actually tire it out and it needs to fill up its creative reference tank.

And Whoa! this got a lot longer than I thought! but i hope it helps, anyone else have any tips feel free to add/reblog mwah!

#💌 ask

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phoenixwatchesmovies · 13 days

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What I'm Watching: April 2024

Back at it again with Rocky Horror Picture Show, A Knight's Tale, The Exorcist, Doom Patrol, Hard Candy, and Dead Boy Detectives. I did a lot of regular writing this month and it used up words that would have gone into this, so bear with me.

Rocky Horror Picture Show (1975)

A newly-engaged couple have a breakdown in an isolated area and must seek shelter at the bizarre residence of Dr. Frank-n-Furter.

I think I was still riding the very distinct high of Repo! when I decided to throw this on, and I think they'd make a good double feature. Shockingly, this was only my second all-the-way-through watch, and I can't tell you why that is, because I love this movie. I'm familiar with the discourse, but I'm in the camp of "context is everything" and back in the day? This was groundbreaking. Even now, the general celebration of embracing what gives you joy no matter what anyone else has to say about it is nothing to scoff at. And yeah, I cried at the ending. Do something about it. I am, however, ashamed to say that I did not do the time warp this time around...but I sang along, so that counts.

A Knight's Tale (2001)

After his master dies, a peasant squire, fueled by his desire for food and glory, creates a new identity for himself as a knight.

Kind of at a loss for this one, ngl. This was a combined favorite between me and my brother when we were younger, and we did in fact run through two VHS copies over the years (which reminds me that I still need to get my hands on a DVD). Not only does it hold up, but I think it's even better coming back to it after so long. The nostalgia still hits, and age/experience makes some elements hit harder. But god DAYUM, did it make me bawl. Found family, underdogs beating the odds, and Heath fucking Ledger. I'm still mourning that man, and I will until the day I die. If you've gotten used to me yelling about Mike Flanagan ensembles, then apply any one of those tirades here, because the supporting cast is Excellent™. This is the movie that introduced me to Alan Tudyk, Mark Addy, and James Purefoy, who have yet to disappoint me, and it also kick-started my crush on Paul Bettany. What can I say? I'm a sucker for the snarky smooth talkers who are simultaneously the smartest little shits in the bunch and also cringefail losers. And the soundtrack? Speaks for itself. You can't separate the music from the movie, and to this day I'll hear songs used and still think of this movie before anything else. This was the first place I heard my favorite David Bowie song! (I unfortunately lost my train of thought for the rest of this section, but) If for some reason you haven't watched this yet, I highly recommend it. It's fun, hilarious, and occasionally heartwarming. It's medieval Rocky! What else is there to say?

The Exorcist (1973)

When a young girl is possessed by a mysterious entity, her mother seeks the help of two Catholic priests to save her life.

I'm also at a loss on this one. Everyone has a few classics they just can't get on board with, and this is one of mine. Maybe it's just that religious horror doesn't do it for me, or that some nitpicks I have with the pacing and editing take me right out of it. Don't know, don't really care. None of that, of course, is to say that I think this is a bad movie, which is the most annoying part. I want to like it more than I do! Believe me! But the stuff that I take issue with kinda blow the whole thing for me. I already made a separate complaint post, so I'll focus on everything else here. Linda Blair and Ellen Burstyn carry this thing on their permanently injured backs (look up the production of this movie if you want to have a bad time) and there's no contesting that. Yeah, sure, the whole question of faith plot is no doubt compelling, it's moving as shit when good triumphs over evil, blah blah don't really care. The strongest aspect of the movie for me is the relationship between the MacNeils. You can't spend so much time establishing how close they are and how much they love (and like!) each other and expect me not to latch onto them. The entire point of that time spent is to make it hit that much harder when Chris breaks down in desperation to help her daughter. Tell me you don't feel something when she's sobbing and begging Father Karras to do something for Regan. Juxtapose that with how detached Karras is from his own mother and his guilt that he wasn't there for her when she needed someone, just for funsies.

Doom Patrol (2019-2023)

The adventures of an idealistic mad scientist and his field team of superpowered outcasts.

Ok. OK. You've been seeing my meltdowns ever since I started this, but that doesn't even scratch the surface of how weird/fun/cathartic this show is. I knew I loved it as soon as I saw certain casting announcements back in 2018 without knowing literally ANYTHING else about it. I'm just getting into season two, and I've already cried so much over these broken, chaotic, disasterpiece losers. Again, not many words for the roundup, but expect more meltdowns.

Hard Candy (2005)

Hayley's a smart, charming teenage girl. Jeff's a handsome, smooth fashion photographer. An Internet chat, a coffee shop meet-up, an impromptu fashion shoot back at Jeff's place. Jeff thinks it's his lucky night. He's in for a surprise.

Impossible--IMPOSSIBLE--to overstate how much this movie means to me. Discovering it when I was getting serious about writing changed the way I write. Learning about production changed the way I watch movies. And finding this story of all stories, exactly when I needed it, probably did more to keep me in one piece than we have time to discuss here. THANK. GOD. It still works. This one is right up there with Perfect Blue in that it skeeved me out so bad the first time I saw it that I had no intention of going back to it ever again, but the longer it sat with me, the harder it was to shake it off. The older I get, the harder it is to sit through, and I think that works 100% in its favor. I'm not about to make this standard practice, but here's the trailer, included because it's still my favorite that I've ever seen:

youtube

Leaving aside the story for awhile, the whole thing is top notch. Barring maybe fifteen minutes, the entire movie is one location and two characters. Naturally, things have to stay interesting somehow, and the script alone kicks ass. There is maybe one scene that could be cut, but that's it. Everything else builds off of everything that came before. The cinematography stays dynamic, with gorgeous wide shots and intimate close ups, smooth and sweeping movement during quiet moments and frenetic handheld action when shit goes down. The color palette of the set and the editing is harsh and atmospheric. The sound design is *chef kiss* crisp. And the performances pull all of that together. If the premise of 30-something guy and 14-year-old girl meeting online and then in person at his place isn't icky enough, then seeing how Jeff and Hayley interact with each other will do it. Patrick Wilson sells you on the charming groomer, and his casual delivery of some of these lines are, in context, fucking horrifying. Contrast that with Elliot Page, equally charming in the opposite direction, trying so hard to be mature and impressive. Each one knows they shouldn't be meeting the way they are and acknowledge how inappropriate the whole situation is, and with the first line of dialogue you get hit with this sense of dread over what is going to happen to this kid. And then the first twist happens. It's an interesting power dynamic, each trying to get one over on the other and overlaid with this commentary on predators in online spaces, how abuse victims are often dismissed and persecuted, and how the perpetrators of some of the most vile crimes you can think of never have to answer for what they do. It is baked into nearly every scene, and it could read very easily as soapboxy or heavy handed, but Page delivers it with rage and disgust, and paired with Hayley's moments of distress and vulnerability, it paints a very visceral picture that is so. Fucking. Cathartic. If I have to boil this one down to a single statement, it's "how you wish Lolita had gone."

Dead Boy Detectives (2024-)

Charles Rowland and Edwin Paine decided not to enter the afterlife to stay on Earth and investigate crimes that involve supernatural stuff.

WATCH THIS SHOW. FINISH THE WHOLE THING. I WANT A SECOND SEASON.

#watch a thon 2024 #rocky horror picture show #a knights tale #the exorcist #doom patrol #hard candy #dead boy detectives #Youtube

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dorylinae-supremacy · 3 months

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Oh also having emduo brainrot again

I was thinking about the dynamic between emperor Phil and just the feral piglin kid he found off in the woods or the nether somewhere.

Rambles below cut!

Maybe something like a kidnapping where some idiots tried to take Phil and he ended up lost and had to trek back to society so he could get picked up again.

On the way he goes through the nether and just sees an absolutely feral child / teen (havent decided yet) who probably doesnt even speak the same language.

There'd probably be a while where Phil is cautious of him and Techno is considering his chances on attacking him. Probably wants to rob Phil for his gold and maybe eat him after. Usual teen things.

At some point he probably does something that makes Phil brood. Maybe him just being a bit pathetic or getting hurt and very hesitantly reaching out for help from Phil. Obviously thats when he decides that Techno is in fact his baby now and starts to take him home.

Somewhere along the way theyd develop some form of communication. Probably just a couple of basic words they understand (yes, no, danger, hungry etc) and build off of that as a base.

Honestly I think theyd be pretty rough with each other. Techno is an unruly teenager / preteen and Phil is a mean emperor with little patience. Its not like they can talk through their feelings so they just have to be physical about it.

Techno wouldnt understand Phil calmly explaining why he cant maul a deer and dump it on his bed but he would understand Phil shaking his scruff and saying 'no ' and 'off' while pointing to the corpse on the bed.

Same goes for Phil. This man doesnt speak a word of piglin so the only real way that Techno can communicate a want for attention is by a) mauling a guard and making a mess in the hallway or b) tracking Phil down and just laying on him until he gets the message.

Combine this with the fact that Phil would absolutely enable Techno's violent tendencies its just a very fun mix. Tech probably only respects Phil as an authority figure (after fighting for it ofc) and simply ignores anyone else trying to tell him what to do.

Just imagine being one of the palace guards for a moment. The emperor goes missing for like 2 weeks and comes back with a random fucking teen who doesnt communicate outside basic words. Ok. Fine. Phils always been eccentric this can be chill.

The teen then just starts to maul your coworkers, brawl the emperor just in the halls unprompted and can only really be scolded by the man just holding him down and saying 'no' until it clicks.

The way that I'd just be so mad.

Anyway I think I just like the language and instinct barrier dynamic a lot. Like they both agree that they’re family and that they’d kill for each other but they can barely actually communicate with each other.

Technoblade probably isn’t even Techno’s name, Phil probably just butchered pronouncing his actual name and the boy decided “fuck it, close enough” and started responding to it.

It’s also funny to think that Techno doesn’t have a full understanding of royalty or that kind of dynamic so he’s just baffled on why everyone lets Phil be an asshole towards them.

Just a silly guy who’d think that every blonde is somehow related to Phil because they share the same ‘fur colour’.

#dory brainrots #feralblade au #decided to post from drafts #gotta clear those out

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whattraintracks · 2 months

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27. Human Friends - TMNT 1987

Buffy and Raphael should've been best friends, spread the word

"Poor Little Rich Turtle" is a spectacular episode

almost entirely because of Buffy Shellhammer

all the boys need more friends their age, Raphael especially

and these two could have gotten along SO WELL

in that episode, Michelangelo’s level of attraction to Buffy is inversely proportional to Raphael’s begrudging respect for her

I bet Raphael tells her about Michelangelo's crush as a joke

and she declares she has no interest in anyone human, turtle, boy, girl, or otherwise, and they high-five/three about it

he would love having a rich friend that lets him hang out in her mansion

he makes fun of her for said mansion but still shamelessly takes advantage of her wealth

which is fair since she’s been trashing his sewer home since day one

Leonardo’s joke about seeing "how the other half lives"? Yeah, they run that bit six feet under

she does not care that Raphael and his brothers are local heroes they’re just some weird little dudes from beneath the city to her

she is, however, so excited to learn about all the hidden sewer routes around the city so she can escape her more boring responsibilities

they're both made of pretty tough stuff and predictably bond over their abnormal childhoods and limited connections/friends

"don't get out much, do you?" he says like he doesn’t have equally negative amounts of experience with normal teenage fun!!

zero understanding of typical friendship rituals between them

they wrestle, gift each other weird stuff, and spend a lot of time trying to figure out what normal teenagers do, only to give up and do something else because the things they thought of sounded boring

they'll just randomly ask each other stuff like, "did you know most people only eat three meals a day with specific foods for each meal?" and be totally confused together about it

they also have the most skewed concept of money

Raphael has never paid for anything in his life other than pizza, and while Buffy knows the exact value of super niche chemical tech supplies, she could not give you a reasonable estimate for produce

a lifetime with Donatello has made Raphael a surprisingly good sounding board for the more technical aspects of Buffy’s work

which she does enjoy, as well as cutthroat business operations, she just hates her public persona and sucking up to adults who think they know better than her

he likes to hold the fact that t(he)y saved her life (multiple times) over her head, but like as a joke

except for when he tries to use it to win arguments

unfortunately, it never works, she is the most ungrateful brat ever thank you much

they very much share that I don’t owe anyone anything attitude

EXCEPT for Master Splinter, whom they mutually respect and agree is the only acceptable adult

she unironically complains about humans with him but particularly has beef with adults, and he heartily encourages this

they love that they can be total jerks around each other without hurting anyone else’s delicate feelings

THEE besties who judge people and hate each other affectionately

all the insults: "martian" "nerd" "pet store reject" "spoiled brat"

when they’re not coming up with colorful insults for each other, they’re doing it together for other people

it's their favorite bonding activity <3

since she enjoyed their initial misadventure so much, she asks if she can go out with the turtles to fight and stuff again, and Raphael laughs at her

until she takes a bunch of martial arts classes and totally kicks his shell

and, well, he supposes a nice easy patrol or two might be fun

unfortunately, the team cannot handle the strength of their combined sass, and she’s forbidden from ever joining them again, even though she has a mean left hook

ultimately, I think they’d mellow each other out now that they have an outlet for their angst and eventually grow and learn a lot from one another

but, mostly, they just talk so much crap together

#march for raph #buffy is one of my favorite one-off human characters from this series #i unironically love her and i am totally correct about this #raphael hamato #buffy shellhammer #headcanons #character analysis #episode analysis #poor little rich turtle #tmnt 1987 #tmnt #whattrainofthought

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jamietarttsnorthernattitude · 5 months

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You have accomplished so much and written so many words and put out such a variety of fics for the fandom this year that YOU should do an end of year wrap up!

How many stories did you post?

Which ones were your favorites?

Which one was the most satisfying to write?

The most difficult?

Rec something that you're proud of.

Wow us with whatever big thing you might want to work on next!

Show us that word count stat!

You should be very, very proud of you. I certainly am <3

Ahhhhh FRIEND you are so nice to me! Whyyyyyyyyyyyyyy. Any excuse to talk about my fics :)))))))))))))

1. How many stories did you post? I posted 38 stories!

2. Which ones were your favorites? That's like picking a favorite child! But if I haddddddd to: no thing's so sure that i can't learn to doubt it (aka Jamie is hurt during the Zava period and hides it. It does not go well), in the morning i'm bulletproof (Rupert has Jamie taken out BEFORE the final match of the season) and The Inevitability of James Tartt (Man City introspective).

3. Which one was the most satisfying to write? I don't know if it's one specific story. It was extremely satisfying to write some of the conversations between Jamie and the coaching staff in no thing's so sure that i can't learn to doubt it. And I have a few different post Mom City convos between Jamie and Ted that were satisfying. Mostly I love writing anything where people tell Jamie he's a good lad (after I put him through the ringer).

4. The most difficult? when i told you i was fine you were lied to. Someone requested some Roy whump, so I tried to give him an appendicitis. I had a longer version, but then I was driving home from another state on Friday the 13th, and my brain latched onto the idea of writing something spooky, so I kind of combined that and the comfort at the end got changed. The final product is kind of all over the place. I'm not happy with the ultimate story, but I got caught up with posting each day with whumptober, and it being Friday the 13th. I just ran out of time. I also blame the fact that I was on day 2 of one of my top 5 worst hangovers, stressed about finishing whumptober and knew I had plans or work literally every day the rest of the month. Maybe someday I’ll rewrite it when I can give it my full attention.

5. Rec something that you're proud of. I'm proud of all the fics I managed for whumptober (24!). Even though I'm still working on the final two days, I'll have done at least a chapter for each prompt once I’m finished.

6. Wow us with whatever big thing you might want to work on next! I do have a bad things happen bingo board that I want to work on, plus all the WIPs I have filling my Google Docs folder.

7. Show us that word count stat! My word count is 275,415 (I delayed answering these until I posted two new chapters of not to me, not if it's you haha)! BUT, my third fic is an extended, canon-compliant version of my first fic. The first one was 22K words, so a lot of those were adjusted slightly for the third fic, so really, it's more like 253K.

AND because this was so fun! I think it should be a tag game. So I'm tagging you @jamiesfootball to answer the same questions, as well as @sighonaraa and @fanficfanattic and anyone else that wants to play but as usual zero pressure <3

#ask box is always open #2023 #2023 ao3 asks #writing things #writing stuff #thank you thank you thank you my friend #this really made my day #seriously #thank you love you <3 #ted lasso fanfic

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khalaris · 7 months

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Twenty Questions for Fic Writers

Ooh lots of fun questions, thank you @justhugsplz for tagging me <3

1. How many works do you have on AO3?

25.

2. What’s your total AO3 word count?

61,430 which is absolutely mind-boggling to me. And of those about 45k are Tatort Wien. Which I started writing exactly one year ago. For comparison, I've been writing fanfic for over 20 years and until I fell into Tatort fandom in 2021 I'd posted less than 3k in total.

3. What fandoms do you write for?

Exclusively Tatort Wien at the moment. If I ever manage to peek my head out of that particular rabbit hole, I might get back to some Münster WIPs. Not in the near future, though :D

4. What are your top 5 fics by kudos?

Aufgeben -> Der Anruf -> Die Welt in unseren Händen -> Bordsteingespräche -> Loslassen

Haha, Tatort Münster with a little sprinkle of Wien. I don't usually sort by kudos, so it's a bit surprising to see Die Welt in unseren Händen rank so high. Well, high in a range between 75 and 34. That's just how it is in small fandoms :D

5. Do you respond to comments? Why or why not?

Yes, always. Sometimes it takes a while to get to it. But I always want to take the time and energy to write a proper response, because a) if someone else took the time and energy to tell me how they feel about my story, the least I can do is tell them how much I appreciate them commenting. and b) A comment always feels like the start of a conversation to me. I remember the long comment/discussion threads under fanfic on Livejournal and I miss the community of that. Nowadays it often feels like there's this growing gulf between author and reader, probably because of the current content creator/consumer culture that does little to invite equality or discussion.

6. What is the fic you wrote with the angstiest ending?

Silence, a Torchwood CoE fic about John Frobisher's last moments.

7. What’s the fic you wrote with the happiest ending?

Bordsteingespräche. I'm really proud of how everything came together in the end in that one :)

8. Do you get hate on fics?

Nope, thankfully never.

9. Do you write smut? If so, what kind?

If you'd asked me that a month ago, I would have said no. But recently I kind of got over my terminal embarrassment at even trying to write anything smutty. I haven't posted anything yet, but there's several fics/chapters in the works. Tbh I don't find vanilla sex interesting and most of the usual kinks in fanfic are either squicks or a snooze-fest to me. The stuff that I am writing is either weirdly specific kink or just downright unsexy (which my characters are having a frankly outrageous amount of fun with atm, bless them).

I'm a bit hesitant to put any real smut in a fic that isn't actually primarily about the smut. I fear enough people might be put off by that, so hardly anyone would end up reading it then. Bit of a stupid fear to have, perhaps, but still...

(Yes, I know, I should just get over it and simply write and post whatever the hell I want 😅)

10. Do you write crossovers? What’s the craziest one you’ve written?

I've had a lot of crossover ideas over the years, but the only thing I've ever written was an MCU/Agents of Shield thingie I hacked out during NaNoWriMo a couple of years ago. Let's be honest, that combination is the least crazy crossover of all time and hardly counts as a crossover at all. Like 99% of the stuff I've ever written during NaNo, it's completely horrible, unfinished and should never see the light of day again.

11. Have you ever had a fic stolen?

Don't think so.

12. Have you ever had a fic translated?

I've translated Bordsteingespräche myself, but was very unhappy with the result, which is why it's unavailable at the moment. It's going to get reworked at some point.

13. Have you ever co-written a fic before?

Many many years ago, when the world was still young and some of you not yet born 😂, the lovely @hope-calaris and I cooked up a tentative plot for a rather ambitious Star Trek: Voyager fanfic. We didn't end up writing that one, but later co-wrote a CSI: Miami one with someone else iirc and I believe there might have been a 4400 (?) fic, also. Due to depression, my memory of that time is hazy at best, though, so it's possible that I'm missing or misremembering things there.

14. What’s your all time favourite ship?

Didn't expect this question to be so difficult to answer, but is kinda is... 🙈 I guess any combination of my 3 Tatort Wien blorbos. Apart from that, Boerne/Thiel and Stephen Strange/Tony Stark are ships I can always come back to.

15. What’s a WIP you want to finish but doubt you ever will?

The aforementioned MCU/AoS time-travel epic.

16. What are your writing strengths?

Dialogue, especially banter-y dialogue. And editing sentences/paragraphs for maximum impact (when I take the time to do it)

17. What are your writing weaknesses?

Action. What characters are doing, how they're moving, getting them from A to B and so on. Ugh.

External conflict. I despise conflict in real life and find it extremely difficult to write. You won't find an antagonist in any of my current stories or wips. And when I do write conflict between characters, that's always rooted in their internal conflicts and mostly the result of them not communicating properly.

18. Thoughts on writing dialogue in another language in fic?

It's very hard to do right. Translations in footnotes are annoying and leave me confused while reading. Translations in brackets behind the dialogue also annoying and missing the point of having different-language dialogue in the first place. It can be good when the author puts enough context there that you can get the gist of what is being said without needing an actual translation.

19. First fandom you wrote for?

X-Files. There's probably some 23-year old notebooks in the back of a drawer somewhere at my mom's house that have fanfic snippets mixed with homework assignments.

20. Favourite fic you’ve written?

Oof, that's another difficult one. I have several that are favourites for different reasons.

Bordsteingespräche for the sheer joy and ease with which it was written.

Kaputt for how much of my heart and soul I'm putting into it.

Die Welt in unseren Händen, because after twenty years of trying and failing I am now finally writing an epic long-form multi-chapter fanfic and I have so many plans and ideas for it. I cannot put into words just how wild that is. And I simply adore this version of my favourite characters.

No-pressure tagging @carlomenzinger, @kathastrophen and @all-my-worlds-a-stage if you want to :)

#I spent an extremely unreasonable amount of time answering this 🙈#tag game #on fanfiction #writing

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