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#episodes analysis
keets-writing-corner · 3 months
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Thinking a LOT about Lucifer in the latest Hazbin episode. Idk what I was expecting but not this??
As I was watching my immediate thought was just "huh... Lucifer is kinda of weird..." but as the episode went on I realized the issue
the dude is off the chain depressed, like he says it as a joke but holy cow it is SO BAD
He's manically just creating rubber ducks cuz his daughter really like it that one time but it's empty, it's never good enough but he keeps doing it, maybe cuz he doesn't know how to pass the time otherwise.
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like I get the feeling he HAS better things he SHOULD be doing than making rubber duck after rubber duck. At first I was like, "Bruh why isn't the king of hell doing anything?" aaaaand then it became clear...
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The dude is disassociating so bad he can barely hold a conversation let alone remember information. He clearly WANTS to, he wants to be involved with his daughter so bad, he wants to care about the things she's doing so bad, but his depression keeps interfering. It's like he can only hear every other word and he grasps onto the ones he does hear semi-out of context. Like you can see every time he catches something that he hadn't before and he just "well shit I didn't catch that part"
and that's why he reacts so weird when people talk to him. He is struggling so bad to engage with the conversation he's only getting 50% of it
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does that look like the face of a man who knows what the hell the conversation is even about??? he is STRUGGLING
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like Charlie spent so long telling him about the hotel, and he STILL didn't understand what she wanted. Yeah it comes off as ditzy but literally I've been in that position where your brain just "nope, not doing this right now" and nerfs your conversation comprehension. So as someone who's BEEN in that position, to me it feels exactly like what he's dealing with. He's sorta engaged with the conversation, but only as much as his brain will allow
For example, when I'm dealing with this, this is what someone talking to me feels like this where the crossed out parts are what I missed and bold is what I catch, "Hey! You know I was thinking for dinner we could either make some chicken with rice? But if you don't feel like cooking, pasta is super easy and you love that right? What do you want to do?" you can kinda get that someone is trying to talk to you about dinner, and towards the end you get the impression that they asked something that needs your input so you can decently put 2 and 2 together and try and pass off, but crucial bits were left out, I would have no idea that either chicken or pasta is in the conversation only having heard "rice". When someone is just talking at me, I can decently pass off as being engaged but the second I'm required to participate in the conversation I'm screwed. Seem familiar? At which point I have 2 options, try to give a bullshit answer, or admit that I missed what they were saying and ask them to repeat
Lucifer, unfortunately, is trying so damn hard to hide that he's dealing with like 24/7 dissociation, so he can't admit that he's missing entire chunks of the conversation, hence his really weird replies. He does eventually get the full picture and then he and Charlie start having the real conversation
Also, the Alastor/Lucifer rivalry was hilarious but also really indicative of more of what Lucifer is dealing with
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Alastor is, unfortunately, really good at picking up people's insecurities, and thanks to Charlie's description earlier and watching Lucifer clearly trying to overcompensate, he immediately picks up on the fact that Lucifer KNOWS he struggles to be a good dad (we know cuz it's cuz of the depression, hard to be engaged when your brain keeps turning off) and decides to rub salt in the wound by pretending he's been acting as a surrogate father to Charlie. Now why Alastor decided to pick a fight with the king of hell is beyond me, I do not understand Alastor (and I LIKE IT) (maybe it's cuz Alastor thinks he's hot shit and was expecting Lucifer to at least have heard of him but Lucifer just treats him like a nobody? who knows)(why would Lucifer listen to radio anyways when he can't even pay attention to a conversation it'd just be white noise)
But yeah I just was expecting someone who oozed either charisma or presence and instead I got a depressed dad who's dissociating so bad he can barely function and be present in his life. The only thing it seems he CAN do is make rubber ducks cuz his daughter really liked it that one time
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Idk Lucifer is tragic to me. Whatever the full details of what heavan did to him absolutely broke him and he can't deal with it. He's aware of it, and he doesn't know how to fix it, so he tries to over compensate and sorta makes an ass out of himself but no one says or does anything cuz this guy is supposed to be THE king of hell
Suddenly it's making a lot more sense why he just rolls over and lets heaven do what it wants and even told Charlie to go in his place the start of the show. He's not in any headspace to hold a basic conversation let alone negotiate! He didn't even know who Alastor was, he's been so out of touch
idk I like him, he seems sweet, I hope Charlie brings some light back into his life. He really needs to get out of that rubber duck room
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bixels · 6 days
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Learning that fans hated Applejack and called her "boring" is crazyyy to me because I genuinely, unironically believe AJ's the most complex character in the main six.
Backstory-wise, she was born into a family of famers/blue collar workers who helped found the town she lives in. She grew up a habitual liar until she had the bad habit traumatized outta her. She lost both her parents and was orphaned at a young age, having to step up as her baby sister's mother figure. She's the only person in the main gang who's experienced this level of loss and grief (A Royal Problem reveals that AJ dreams about memories of being held by her parents as a baby). She moved to Manhattan to live with her wealthy family members, only to realize she'll never fit in or be accepted, even amongst her own family. The earlier seasons imply she and her family had money problems too (In The Ticket Master, AJ wants to go to the gala to earn money to buy new farm equipment and afford hip surgery for her grandma).
Personality-wise, she's a total people-pleaser/steamroller (with an occasional savior complex) who places her self worth on her independence and usefulness for other people, causing her to become a complete workaholic. In Applebuck Season, AJ stops taking care of herself because of her obsessive responsibilities for others and becomes completely dysfunctional. In Apple Family Reunion, AJ has a tearful breakdown because in she thinks she dishonored her family and tarnished her reputation as a potential leader –– an expectation and anxiety that's directly tied to her deceased parents, as shown in the episode's ending scene. In The Last Roundup, AJ abandons her family and friends out of shame because believes she failed them by not earning 1st place in a rodeo competition. She completely spirals emotionally when she isn't able to fulfill her duties toward others. Her need to be the best manifests in intense pride and competitiveness when others challenge her. And when her pride's broken, she cowers and physically hides herself.
Moreover, it's strongly implied that AJ has a deep-seated anger. The comics explore her ranting outbursts more. EQG also obviously has AJ yelling at and insulting Rarity in a jealous fit just to hurt her feelings (with a line that I could write a whole dissection on). And I'm certain I read in a post somewhere that in a Gameloft event, AJ's negative traits are listed as anger.
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Subtextually, a lot of these flaws and anxieties can be (retroactively) linked to her parents' death, forcing her to grow up too quickly to become the adult/caregiver of the family (especially after her big brother becomes semiverbal). Notice how throughout the series, she's constantly acting as the "mom friend" of the group (despite everything, she manages to be the most emotionally mature of the bunch). Notice how AJ'll switch to a quieter, calmer tone when her friends are panicking and use soothing prompts and questions to talk them through their emotions/problems; something she'd definitely pick up while raising a child. Same with her stoicism and reluctance at crying or releasing emotions (something Pinkie explicitly points out). She also had a childhood relationship with Rara (which, if you were to give a queer reading, could easy be interpreted as her first 'aha' crush), who eventually left her life. (Interestingly enough, AJ also has an angry outburst with Rara for the same exact reasons as with EQG Rarity; jealous, upset that someone else is using and changing her). It's not hard to imagine an AJ with separation anxiety stemming from her mother and childhood friend/crush leaving. I'm also not above reading into AJ's relationship with her little sister (Y'all ever think about how AB never got to know her parents, even though she shares her father's colors and her mother's curly hair?).
AJ's stubbornness is a symptom of growing up too quickly as well. Who else to play with your baby sister when your brother goes nonverbal (not to discount Big Mac's role in raising AB)? Who else to wake up in the middle of the night to care for your crying baby sister when your grandma needs her rest? When you need to be 100% all the time for your family, you tend to become hard-stuck with a sense of moral superiority. You know what's best because you have to be your best because if you're aren't your best, then everything'll inevitably fall apart and it'll be your fault. And if you don't know what's best –– if you've been wrong the whole time –– that means you haven't been your best, which means you've failed the people who rely on you, which means you can't fulfill your role in the family/society, which makes you worthless . We've seen time and time again how this compulsive need to be right for the sake of others becomes self-destructive (Apple Family Reunion, Sound of Silence, all competitions against RD). We've seen in The Last Roundup how, when no longer at her best, AJ would rather remove herself from her community than confront them because she no longer feels of use to them.
But I guess it is kinda weird that AJ has "masculine" traits and isn't interested in men at all. It's totally justified that an aggressively straight, misogynistic male fandom would characterize her as a "boring background character." /s
At the time of writing this, it's 4:46AM.
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Marcille is actually one of the biggest reasons it took so long to pinpoint which Chilchuck was the imposter in today’s episode.
The Senshi and Marcille imposters had their own reasons for being hard to decipher, but that was a joint effort on the party’s part. Chilchuck was the only example where a single member’s bias actually swayed the others so strongly that it made them all doubt themselves.
Ryouko Kui did an excellent job of giving us a rich background on how different races interact, and how they may descriminate against each other. Each of the races in this series struggles with these prejudices. Our main characters are not exempt from this, and we see it clearly in the way the shapeshifter manifested as each party member, showing us how the others percieve them.
Marcille knows Chilchuck well, and cares deeply for him as a friend. But she’s not immune to assumptions and biases that come from her elven background. The Chilchuck imposter we are faced with, when it’s down to two of them left, is Marcille’s memory of Chilchuck, Marcille’s perception of how he behaves.
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One of the first manifestations of this bias occurs when shapeshifter Chilchuck can’t get a jar open.
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The real Chilchuck knows that this would never happen—at least not in this way. Chilchuck is proud, yes, but he asks for Laios’ help all the time. Laios is actually one of the party members he is the most likely to ask help from, given how long they’ve known each other, and how much mutual trust exists between them.
However, the whole scenario isn’t right. Chilchuck wouldn’t give up so easily on opening something; his whole job is opening and unlocking things. He would never quit an attempt like this within 5 seconds, then run to Laios so that “big strong adult tall-man” can open it for him.
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Marcille is the one who asks, “Huh? Why do you say that?” because Marcille is partially right. Chilchuck does rely on Laios, and Marcille knows this to be true. But she fails to realize how he relies on Laios.
Chilchuck respects many of Laios’ talents, but the most important ones are his combat skills, his emotional fortitude, and his quick thinking when delegating tasks. He trusts Laios as someone he is comfortable following (he literally said to him and Shuro in the last episode: “Laios!! Tell us what do!! Give us orders!!” when chimera Falin was quickly overpowering them).
So while Marcille almost understands Chilchuck’s confidence in Laios, she tends to accidentally infantilize him in the process.
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She immediately believes that Chilchuck B (the imposter, who is specifically using her own memory as its base for Chilchuck’s personality) is the real one, and says so, because she’s blinded by her perception of him as being childlike and adorable because of the very common racial prejudices that half-foots deal with all the time.
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She dotes on the imposter, and is open with her affections, as usual (again, her care for him is clear), but doubles down on that bias, on her own assumptions of Chilchuck’s behavior shown through her own lens.
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And ultimately, Laios was able to tell the difference, but only because he watched how the Chilchucks handled other minute tasks. Marcille’s stance on which Chilchuck was real truly did throw the others for a loop, at least until the threat passed. And honestly, that’s part of what makes the shapeshifter so terrifying. Its strategy almost worked.
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biceratops7 · 11 months
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Dang it guys
we only ever talked about HALF of why these scenes were a big deal, like I just realized this today and my heart is going insane.
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It’s not just that Crowley’s pissed at Gabriel for treating who he thinks as Aziraphale this way, the last thing he says to the people about to kill him is a benign and peaceful wish to see them again.
And like- this is Crowley trying to replicate Aziraphale to a T. So he legitimately just sees him as this endless well of compassion, someone who is always warm and accepting. It’s not just their friendship throughout the years, he remembers Aziraphale’s kindness on the Eastern Gate. When the angel had absolutely no reason to trust this random demon who just slithered up next to him. Crowley knows that he’s loved. Maybe not like that quite yet (although he’d be very wrong), but he knows that around his friend he’s always welcome and safe.
And Aziraphale?
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Well he just thinks Crowley’s the coolest fucker alive, like he is laying it in THICK and enjoying every second. Listen to that charisma, look at that smirk. These are traits that are typically only appreciated in the context of how good it makes Crowley at tempting, a job he hates. But Aziraphale doesn’t see someone manipulative or regard this persona as signs of his “demonic nature”, he just sees Crowley. Someone charming, fun loving, and cute.
This is when we get to know precisely why they love each other, what exactly they see in the other.
edit: this is now my most popular post, good work team, lol
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inafever · 9 months
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Oh my god I've been so stupid
GIVE ME COFFEE OR GIVE ME DEATH
It was an outright goddamn death threat
You either take the coffee, or take the death
Metatron you nasty little piece of shit
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2.12 Chimney Begins - 2.09 Hen Begins - 2.16 Bobby Begins Again - 7.04 Buck, Bothered and Bewildered
Tommy's family arc
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adh-d2 · 1 month
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Only Crosshair could have let her go in that moment. Crosshair, who's learned not only to trust Omega but to respect her autonomy. Who knows what it means to be the cause of your loved one's pain for reasons outside of your control. Who's willing to risk everything to honor her wishes.
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And only Omega could have convinced him to do it. Omega, the one person who never gave up on him. Who taught him that people can change for the better, even himself. The person for whom his hand doesn't shake when the shot really matters.
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I was devastated when he failed to hit them with the tracker. It's not often that Star Wars shocks me, but I needed to let the credits roll as it sank in that he really missed.
It would have been so easy for the writers to give them the win here. For this to be the culmination of all their character growth this season. Don't get me wrong, I'm not mad about it. This is fantastic. I have no idea what's going to happen next. The writers are making some brave choices this season, and I am so here for it.
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pesky--dust · 2 months
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You have no idea how big supporter of the theory that the fall from the cliff never happened I am.
Like— The first scene of the series didn't even happen because Will was so immersed in the story he was telling during the lecture. It was only his imagination; at the crime scene Will quickly receives confirmation of all his conclusions, such as the fact that the marriage was tapped and I truly doubt electricians would have been called immediately to the crime scene along with the police, ambulance and FBI. And then he is suddenly “magically” back in the classroom from the house of the victims, when he says, “Everyone has thought about killing someone one way or another. Be it your own hands or the hand of God”.
And since the first scene of the series didn't take place at all, why wouldn't it be the same with the ending? During the battle with Francis Dolarhyde, Will sees him with the wings of a red dragon, something that is unreal. He is also only imagining that.
And the fall is also from Will's perspective, so did it really happen? Or is this only a metaphor for his fall as a human being? He genuinely felt that the brutal pack hunting he shared with Hannibal was beautiful, so he finally accepts his dark nature — he falls as a good and moral man, descending into the depths of crime (ocean).
I love it so much. I'm sorry.
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cirrus-grey · 14 days
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A theory:
Category: What caused this incident?
Category 1: Direct interference from the OIAR or one of its affiliates. (Bonzo, Needles, the person who reanimated Arthur Winstead)
Category 2: The location where it happened was marked. (Guy who turned into a tree, the charity shop, the liminal architecture)
Category 3: The victim walked into it on their own. (Violinist, dice guy, finance app guy)
Rank: What was the result of this incident?
Rank A: Net positive. There will be a price to pay. (RedCanary is the only A)
Rank B: Net negative. There is a benefit to reap. (Bonzo, Needles, dice guy, finance app guy, horror movie guy...)
Rank C: Net neutral. This incident balanced itself. (Guy that turned into a tree, violinist, charity shop)
Combined categories have more than one cause. RedCanary (23) went to a marked location, and chose to investigate the symbols they found. Gordon (23) chose to investigate the corpse, but was also affected by the cliffside location.
Combined ranks balance differently depending on whose perspective you take. Harriet (BC) was terrified of her reanimated husband, but Arthur had a balanced experience between being reanimated and losing parts of himself. Daria (BC) had a negative experience with Ink5oul, but balanced their own cost/benefit relationship with the tattoo. RedCanary (AB) had nothing but negatives after going to the Institute... but something else benefited from it.
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Two notes:
1) Both dice guy and finance app guy successfully balanced their experiences as long as they rode the catastrophe curve between loss and profit. It was only when they tried to break the cycle that the final (deadly) negative blow came. This contrasts with the violinist, who reaped the benefits and paid the price willingly into old age.
2) The trailer with Sam's job interview was marked as Category 1, Rank B.
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comradekatara · 2 months
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aang and sokka have by far the most underrated dynamic in atla. they’re very cute and silly together, but they’re also insane. like, aang’s central tension concerns refusing to let his values be shaped by war and the imperialist logic of his oppressors, whereas sokka’s entire value system has been defined by war, by his experience as a colonized subject. in many ways, the ultimate tragedy of aang’s character, that he may become too cynical to appreciate his cultural values of joy, friendship, freedom, harmony, and peace, is the tragedy that he might someday become what sokka already is.
if aang is a force for good in sokka’s life, showing him how to play, to appreciate living in the moment and connecting with others, then sokka is quite literally a corrupting influence. “there, that’s how it’s done,” he says, and you know he’s not just posturing, because you’ve already seen him kill people before without remorse. sokka is aang’s big brother, his friend, his protector. he plays his games, makes him laugh, shows him kindness and undying loyalty. but he is also everything that aang must constantly strive to never become. he is a ruthless tactician, a hyperlogical cynic, a killer.
sokka would do anything to survive and protect his loved ones against the cruelty of the world. so he chastises aang for refusing to kill, for being soft and idealistic. he in fact almost kills aang after he accidentally hurts katara. while aang can never let himself sink into despair, to adopt the colonial mindset of his oppressors, to close off his heart to hope and feeling, sokka already has. yes, aang shows him joy and friendship and the potential for freedom, but in truth, it’s too late for him. and perhaps if katara cannot retrieve her brother’s humanity, his very soul, from the hollow shell of who he has since become, she has a second chance now, with aang.
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while I was looking for gabriels in the intro, I noticed this redheaded person w dark clothing and lighthaired person w light clothing that appear to kiss in the theatre:
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i'm making this about the 1941 kiss theory
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edit oct 7: a few kind people have mentioned that they remember a post from the official good omens account (possibly on twitter) that said the two people kissing are War & Pollution, and the shadow beside them is Famine. (If you have the link please send it this way! I have done a fair bit of searching but with no luck and it's haunting me bc it must be real but i can't find it)
@0owhatsamsays also pointed out that in the X-Ray bonus video "Title Sequence Easter Eggs" Peter Anderson says there are specific characters from season 1 in the highlighted boxes, and as you can see, the kissing booth (top level, far right) is one with a little trail of stars coming off of it.
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emotionaldisaster909 · 6 months
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look
look at his smile
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this gentle, innocent smile
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so unbelievably happy and relieved to see Xie Lian after all those years, alive and well
gods, that’s why i love donghua so MUCH
because THIS IS THE LOOK you’d have after 800 years of devotion, of searching, hoping, longing, loving
they don’t try to make him aloof and sexy in that yaoi-seme kinda way
they just make him TRUE
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TADC ✨EPISODE TWO✨ SPOILERS
my thoughts on this masterpiece by Gooseworx
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they were the best part of this episode
No. 1: More Gummy Lizards
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this is the only scene that matters ever, thank you. [buddy fr said "pillow time -w-" and plopped down] -> i love that the trio is this comfortable with each other, Gumigoo doesn't even question it
No.2: Cartoon Physics at their FINEST
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man's head will not move from that spot 😭
No.3: Yes, there's even more
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this entire episode was beautiful, and these three were the stars of the show. The way it alternated between a silly little group of buddies trying to save Gumigoo's mom and existentialism? amazing -> it also, i think, plays into the way a cartoon will start off relatively lighthearted and then go entirely batshit in the second season {gravity falls, owl house, steven universe- yk?}
No.4: Ah... this again
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"but you've done this.. for what?" type energy that immediately changes into "for the love of GOD, get this out of me." -> do you think Jax ever stabbed her at one point to see what would happen
No.5: It was supposed to be ME
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Jax: I want to blow something up *something blows up* Jax: wait no-
No.6: Jax continues to be my favorite character
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literally just let him blow up the cosmos, he deserves it -> also, this episode really humanizes Jax a little bit. Not much, but he's not as unflappable as he portrays himself to be. Kaufmo's abstraction honestly affected him, despite his refusal to show it [were the theories right? were they close?]
No.7: you B*TCH
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yes i know that Pomni called him an asshole {and she was correct}
No.8: Not a thought behind those eyes
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the introduction of The Fudge raises so many questions about Candy Canyon tbh, especially paired with the gummy lizards need for a truckload of syrup -> Is the princess as altruistic as she appears? Does she genuinely care about all her subjects? Or are there are types that get snubbed? Is there discrimination between hard candies and gummy candies? Is there a gummy princess?
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neo--queen--serenity · 2 months
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Flowers are often used as a metaphor for the female characters in the Apothecary Diaries. And for the first time, we, the viewer, are given the direct comparison to which flower is meant to represent Maomao: wood sorrel (also known as “cat’s foot”).
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It’s a flower that can treat poisons. A flower that is used to enhance the beauty of the courtesans by painting their nails. A flower with a name associated with cats. A flower that, in hanakotoba, represents maternal tenderness. It’s also one of the flowers that Lakan specifically associates with Fengxian, and by extension, Maomao herself.
In the first opening—aptly titled, “Be A Flower”—the wood sorrel is the only flower that gets special attention. The other flowers are shown together with other varieties, but only the wood sorrel is shown by itself, and more than once.
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We see it again in the second opening, with an infant being held by a parent, while flitting between images of Lakan and Fengxian’s backstory.
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It’s such a simple flower, too. Small, unassuming, but full of diverse uses and qualities, be they medicinal or ordinary. A very fitting flower for Maomao, and what she brings to the story.
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biceratops7 · 10 months
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OK OK OK OK-
Ok is ANYONE else talking about the “evil coffee” theory yet??? Or is that just the discord I’m in
Cause like…. Who the FUCK puts THAT much emphasis on a RANDOM CUP OF COFFEE??
I mean Aziraphale literally says “I made my position clear” and then Metaron is immediately like “aAAH, but I brought you.. an OAT milk LaTé 👹” with foreboding music and ominous shots like some scene straight out of a fucking Disney movie, OH Kay… I see you you Jafar sounding bitch 😭😂
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sugar-grigri · 14 days
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How about an analysis of Dunmeshi's latest episode?
What I find really interesting, and episode 17 made me realize it, is the extent to which Laios and Shuro are the opposite of what they portray, even worse: the image they might portray is actually that of the other.
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Let me explain :
How does Shuro see Laios ? As someone stubborn and thoughtless, disconnected from reality to the point of using black magic to resurrect his little sister.
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We know that Shuro would have made the same choice, which shows that even if he tries to deny it, there is a point of connection between them.
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The key to these similarities and differences is Falin.
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What Shuro loves about Falin is the tenderness in her every gesture, her compassion and understanding of every creature, and her smile.
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When he sees this monster kill in cold blood, he realizes the extent to which he has lost his loved one, which is why he chooses to kill her to free his soul, thinking he has lost her.
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But what Shuro doesn't realize is that he's exactly what he's blaming Laios for: he's stubborn and reckless, not realizing the danger and sacrifices his teammates are making for the sake of this mission.
He's also disconnected from reality, not caring about himself, his hunger or his fatigue.
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Above all, and this is very interesting, Laios had said that he hadn't perceived that Shuro couldn't stand him because he was so happy to have him as a friend, that he hadn't detected any of these signals.
Shuro shares this blindness
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Shuro repeats that this monster is not Falin, yet he sees her as such, to the point of embarrassment when the monster removes her blouse.
And that's the opposite of Laios, who sees his sister as the monster she is
Like the chimera Falin has become, he sees his little sister calling him and this super-cool monster.
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He's the one with his feet firmly on the ground, he's the one who really cares about his team, taking care of himself and those around him through balanced meals.
The one who understands that Falin has many vital points, rather than allowing himself to be overwhelmed by despair, is Laios.
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So when Shuro hits Laios, in reality he's not hitting a man who differs from him, he's hitting his own flaws, and his own failure in the situation.
This failure he projects onto Laios, a man brimming with flaws.
Not only does Laios reason with him, but if Shuro ends up taking the wiser path, it's also because he's literally fought against himself.
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But it all goes even further!
Shuro realized his feelings, or rather how unique Falin was in her tenderness and altruism, towards every being, even the smallest.
But what set this whole cycle in motion was Falin's self-sacrifice, her own death.
Laios and Marcille are responsible for what follows, but they are not responsible for everything, as Shuro tries to believe.
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Shuro refuses the truth
So he doesn't see Falin
He couldn't accept that her tenderness had led to his death
Nor that her tenderness gave way to extreme coldness and indifference
He won't accept his own blindness
So he hits Laios and his extreme sincerity that irritates him so much
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Shuro can't see anything in the darkness of this dungeon, he's the one who's lost his footing so he has to get back up again
Laios has accepted to see everything, even the unavowable, the forbidden, the pain.
What Shuro sees in Falin is love
In Laios, what he sees is the truth
In reality, Laios has only told part of the truth; he is the other half.
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But if he goes back up, it's not to abandon Falin, Shuro has to face reality, the truth, that Laios was the only one who could save his beloved. It was by fighting that he finally put his trust in Laios. And finally became a friend
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