Disgust has absolutely no ethical weight. If you are basing your ethical positions on the emotion of disgust you should stop, it is entirely unjustified and leads to a huge amount of harm.
Being a “Fun Fact !” kind of autistic is all fun and games until you get halfway through sharing an interesting tidbit and realize that it probably wasn’t appropriate to share in polite company and now you have to deal with the consequences :(
Part 4 and End of Alastor's bad day
Alastor survived his fake date and will probably (not) think twice in the future before trying to one-up Lucifer on unknown projects.
Part 1 | Part 2 | Part 3
Anyways I like to imagine chargestone cave’s magnetic fields are so strong it causes rock islands to float and gravity to get a tad funky. Or maybe it’s due to the thinning barrier between the material world and the distortion world…
Since it is world book day, I thought I would share once again one of my most heavily annotated, scrapbooked, lived in books- Good Omens.
I usually scrapbook inside my books, but this one is the only one that has things in almost every single page. These are just the pages with double spreads.
To the book that saved me and to Terry Pratchett and @neil-gaiman , thank you 🥂.
I did add some image descriptions. So you get some clues about all the things I put in each spread.
(Because someone asked in the tags: “how can you read it? Reread it??”
Well simple answer: this edition,like many others, happen to have black pages with just the days of the week printed on them, which I left visible, and plenty of empty spaces where I glue/draw everything else, so nothing is covered at all. Plus having so much stuff inside has actually made it easier to open. )
Neil Gaiman and Rob Wilkins at the British Library event The Worlds of Terry Pratchett: Neil Gaiman and Rob Wilkins 21.11.2023
Neil: The weirdest bit, the one moment that I remember as being the strangest, most quintessentially writing Good Omens together moment was when we had to copy edit it. And we copy edited it in the basement of Victor Gollancz, which at that point was in 14 Henrietta Street. And the basement was a basement. There were chairs down there, no tables or anything. So we're sitting in these card chairs in this... my recollection is it did have a carpet. And the carpet was kind of damp. You know, beneath that carpet there was sort of strange puddles of... publishing. And Terry and I just sat there and we were both copy editing away. And then there was a point where Terry looked up and chuckled like anything. I said, 'What are you chuckling about?' He said, 'That joke you put in.' I said, 'Which one?' Because, you know, you want to hear which one. He read it out and I said, 'I didn't write that one'. He said, 'Well, I didn't write it'. And at that point you could tell from our eyes both of us had come to the conclusion that perhaps the manuscript was generating itself. And neither of us was prepared to say this out loud for fear of being thought a bit odd.