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#francis bacon artist book
the-cricket-chirps · 6 months
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Francis Bacon
Sketch [Figure Bending Forwards]
c. 1959-61
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speakspeak · 1 year
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Timeless Cool: William S. Burroughs and Francis Bacon
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iwtvfanevents · 2 months
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Rewind the Tape —Episode 1
Art of the episode
During our rewatch, we took note of the art shown and mentioned in the pilot, and we wanted to share. Did we miss any? Do you have any thoughts about how these references could be interpreted? How do you think Armand and Louis go about picking the art for their penthouse in Dubai?
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The Fall of the Rebel Angels
Peter Bruegel the Elder, 1562
This painting is featured in the Interview with the Vampire book, and it was important enough to be included in the draft pilot script!
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Bruegel the Elder was among the most significant Dutch and Flemish Renaissance artists. He was a painter and print-maker, known for his landscapes and peasant scenes.
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Three Studies for Figures at the Base of a Crucifixion
Francis Bacon, 1944
Bacon was an Irish figurative painter, known for his raw, unsettling imagery and a number of triptychs and diptychs among his work. At a time when being gay was a criminal offense, Bacon was open about his sexuality, and was cast out by his family at 16 for this reason. He destroyed many of his early works, but about 590 still survive. The Tate, where these paintings are displayed, says this about the work: "Francis Bacon titled this work after the figures often featured in Christian paintings witnessing the death of Jesus. But he said the creatures represented the avenging Furies from Greek mythology. The Furies punish those who go against the natural order. In Aeschylus’s tragedy The Eumenides, for example, they pursue a man who has murdered his mother. Bacon first exhibited this painting in April 1945, towards the end of the Second World War. For some, it reflects the horror of the war and the Holocaust in a world lacking guiding principles."
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Strawberries and Cream
Raphaelle Peale, 1816 [Identified by @diasdelfuego.]
Peale is considered to have been the first professional American painter of still-life.
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Outfits inspired by J.C. Leyendecker
Leyendecker was one of the most prominent and commercially successful freelance artists in the U.S. He studied in France, and was a pioneer of the Art Deco illustration. Leyendecker's model, Charles Beach, was also his lover of five decades. You can read costume designer Carol Cutshall's thoughts on these outfits on her Instagram.
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Iolanta
Pyotr Tchaikovsky, 1892
The opera Louis and Lestat go to was composed by Tchaikovsky, another gay artist. The play tells a story "in which love prevails, light shines for all, lies are no longer necessary and no one must fear punishment," as put by Susanne Stähr for the Berliner Philharmoniker.
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On the Hunt or Captain Percy Williams On A Favorite Irish Hunter and Calling the Hounds Out of Cover
Samuel Sidney, 1881 [Identified by @vfevermillion.] and Heywood Hardy, 1906 [Identified by @destinationdartboard.]
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Sidney was an English writer, and his prints usually accompanied his publications about hunting, agriculture, and about settling Australia during the colonial period. Hardy, also British, was a painter, in particular an animal painter. There's also a taxidermy deer, ram, and piebald deer on the wall.
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The Artist's Sister, Melanie
Egon Schiele, 1908 [Identified by @dwreader.]
Schiele was an Austrian expressionist painter and protege of Gustav Klimt. Many of his portraits (self portraits and of others) were described as grotesque and disturbing.
A Stag at Sharkey's
George Wesley Bellows, 1909 [Identified by @vfevermillion.]
Bellows was an American realist painter, known for his bold depictions of urban life in New York City.
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Mildred-O Hat
Robert Henri, undated (likely 1890s) [Identified by @nicodelenfent, here.]
Henri was an American painter who studied in Paris, where he learned from the Impressionists and determined to lead an even more dramatic revolt against American academic art.
Starry night
Edvard Munch, 1893 [Identified by @vfevermillion.]
Munch was a Norwegian painter, one of the best known figures of late 19th-century Symbolism and a great influence in German Expressionism in the early 20th century. His work dealt with psychological themes, and he personally struggled with mental illness.
If you spot or put a name to any other references, let us know if you'd like us to add them with credit to the post!
Starting tonight, we will be rewatching and discussing Episode 2, ...After the Phantoms of Your Former Self. We hope to see you there!
And, if you're just getting caught up, learn all about our group rewatch here ►
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coreofmyfruits · 2 months
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HEAD CANNONS !
★ Billy Loomis + Stu Macher
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Stu Macher ↓
Physical traits
Pigeon toed
6'4
Has to usually duck down through door ways
Slouchy posture
Has immense upper back pain
Prone to head aches
Left handed
Large hands (Billy calls them monkey paws)
Warm hands
Has a bunch of scars on his knuckles
Has a lot of scars in general but they accumulate in the same general areas
Personality
ADHD
ASD (autism spectrum disorder)
NPD (narcissistic personality disorder)
Stu got diagnosed with ADHD at a young age due to always being an interruption in class and especially silent reading, always having to get up and be doing something. Not too long after he got diagnosed with ASD because of his lack of awareness and his parents concerns about him being behind in class work (he just wasn't doing it). Stu never got properly diagnosed with NPD he never even thought of himself being a narcissist.
Likes and interests
Horror movies (mainly psychological thrillers)
His favorite movie is Eraserhead
Favorite color is black (because when he first met Billy he thought Billy's eyes looked black)
Loves to read
likes to read to Billy in silly voices (especially when it gets to a 'serious scary' part of the book)
Likes Edgar Allan Poe and Oscar Wilde
He likes hip hop and rap but really likes ska punk and surfer punk (queercore is also a must)
Likes low riders
Unironicaly loves the show Pimp my Ride
Actively ghost rides the whip
Wants a jacuzzi in his car because of Pimp my Ride
Likes to compare hand sizes with Billy because it pisses Billy off
Uses Billy's head as an arm rest
Steals Billy's clothes specifically his pants because they're baggy enough to fit but he can wear them as low-rise and he loves when Billy tells him to take off HIS pants because Stu looks 'stupid'
Stu just likes it when Billy turns red and tells him to take off his clothes
Always an opportunity to carry Billy anywhere bridal style never an opportunity not to
The scent of Billy's shampoo and how he naturally smells like pinecones and rain
Antique surgical tools
Dislikes
Bitches, cunts, liars oh my!
Sydney, not because he's jealous of her and Billy but because he used to have a crush on her
Betrayal
Abandonment
Being ignored
Talked over
Fish he fucking hates fish
The beach after it rains
Tooth pain
Unneeded laugh tracks
Sitcoms
YA romance novels
White women audacity
Starbucks
Lines
Victim mentality and complexes
Billy's stubborness
Love languages
Acts of service
Words of affirmation
Physical touch
Sexuality
Bisexual
Billy Loomis ↓
Physical traits
Slightly bow legged
5'9
Overly Straight posture
General neck pain
Tense shoulder muscles
Has Hyperacusis
Prone to migraines
Left handed
Shorter fingers wide palms and strong grip strength
Always has cold as fuck hands
Has a lot of scars mainly on his middle to lower back
Half Mexican
Easily tans
Frizzy hair
(slightly) Allergic to red food dye
Personality
ASD (autism spectrum disorder)
ASPD (anti social personality disorder)
Billy has not been diagnosed with either ASD or ASPD he's not even aware of the possibility of him having one especially not both at once. Billy's father was never around enough to notice Billy's acute behaviors or to even think of getting a specialist to diagnose him also Mr.Loomis is a lawyer it wouldn't look good for his job if his son was 'crazy'.
Likes and interests
Horror movies (slashers)
Favorite movie is before sunrise
Favorite color is teal (he would never admit it but it's because Stu looks good in teal)
Mainly listens to the same three bands (pixies, Radiohead, my bloody Valentine)
Loves the song pink triangle by weezer
Has a guilty pleasure for 40s and 50s love songs
Likes to draw
Favorite artist are Keith Haring, Andy Worhal and Francis Bacon
Draws like Franz Kafka (he doesn't know who Franz Kafka is this is just a reference to what I think his drawings would look like)
Really likes playing in the mud and jumping in puddles
Loves worms
Eats the shit out of some Oreos
Plain hotdogs
Likes how large Stu's hands are
How Stu smells like warm wool and fire
When Stu picks him up
Biting Stu (mainly his shoulders)
Stu in HIS pants
Tea
When Stu reads to him
Blood
Phantom skulls
Dislikes
Sydney, he's never even liked Sydney not before he found out about her mom and his dad and especially not after... He just always had this feeling
Tatum Riley (he looks better on Stu)
Cops pigs and donuts
Healthcare system in America
Abandonment
Betrayal
Being cut off
Being hung up on
Noise in general
Phone bills
Lawyers
Ableist(ism)
Ableist infrastructure
Gender pay gap
Misogynists
Hamburgers
Poppyseed buns
Layering clothes (he would rather freeze than put more than over shirt on)
Socks
Shoes in the house
Hot weather
Sweating
Baths
Coffee
Reading
Love languages
Words of affirmation
Acts of service
Gift giving
Sexuality
Asexual (non sex repulsed) and queer
Tags !
@ghostfacemp3
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I’ve warned my publishers that if they later on so much as change a single comma in one of my books, they will never see another word from me. Never! Ever! When I am gone, if that happens, then I’ll wish mighty Thor knocks very hard on their heads with his Mjolnir. Or I will send along the ‘enormous crocodile’ to gobble them up.
- Roald Dahl
In a conversation in 1982 at Dahl’s home in Great Missenden, Buckinghamshire, with his great friend the artist Francis Bacon, Roald Dahl, the famous children books writer, was adamant about the censoring or editing of his beloved books.
In evoking Thor’s hammer, Dahl was referring to his Norwegian roots and to his earlier story of “the greediest croc”. Bacon for his part felt just as strongly about the censoring or editing of an artist’s works, telling him: “There must be no changes to an artist’s original work when he is dead for any reason whatsoever.” Crossing himself in mock jest, Dahl replied: “I just hope to God that will never happen to any of my writings as I am lying comfortably in my Viking grave.”
Dahl can rest easy as the current owners of the Dahl’s books reversed a decision to greatly gut so-called offending passages as approved by ‘sensitivity readers’ for anything offensive to re-edit. Puffin, the publishers, have now decided to publish two versions of Dahl’s works, one, a massively re-edited version that ticks the boxes of diversity, inclusivity and equality, and another untouched original version, as the author intended.
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not-xpr-art · 4 months
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my art inspirations vs my art (2015-now)!
a mini collection of artworks I've done over the years next to the work/artist that I based the style of my piece on!
when I'm basing my work on another artist's piece, I try not to just directly copy the composition, colours or brushstrokes of the original... instead I'm always interested in adapting the original style to my own in order to create more of an homage instead!
another thing I keep in mind is medium, since most of my works above are digital and most of my inspirations are traditional artworks, so I have to figure out how to adapt that artists style into a new format in order to keep it somewhat recognisable to the original!
list of artist inspirations & explanations included in this post are below btw
Gustav Klimt's The Kiss (1907) -> Wangxian digital drawing (2020), with a photo collage background made up of lots of golden things!
This is not the only piece I've done inspired by Klimt's work, but it's one of my favourites hence why I included it here lol! I love how Klimt combines realistically painted portraits with flat coloured backgrounds and patterns, the contrast is just so interesting to look at and is definitely something I use quite regularly in my own work.
Edvard Munch's The Kiss (1897) -> Destiel amalgamation traditional mixed media artwork (2021)
I was also inspired by a few other artworks but the pose is definitely based on Munch's work! I just love how the faces blend into each other that it almost becomes abstract, but is somehow still recognisable as a kiss!
Francis Bacon's 1972 Triptych -> Kaisoo painting (2015)
This is definitely one of the times my inspiration was more based on the ~vibes~ of the artist rather than anything in particular about one specific work lol! (so much so that I only know I based it on that particular triptych cos I wrote about it when I posted the artwork pfft...) Bacon's work isn't necessarily stuff I enjoy looking at (in fact it often makes me kinda uncomfortable), but I do like how expressive his work is!
Henri de Toulouse-Lautrec's In Bed (1892) -> A study from the film Weekend (2023) (which I haven't actually released properly yet shh you'll have to wait until June for that lol)
I didn't actually initially plan to be an homage to this painting, but about halfway through me drawing it I realised it was reminding me of something lol! Henri's (yes we're on a first name basis cos I cba to write his long ass surname pfft) painting evokes such tenderness, a moment in time commemorated in paint, and it's that same emotion I hope my own work emulates!
Caravaggio's Young sick Bacchus (1593) -> Jimin holding some fruit and flowers lol (2017)
Not the only piece I've done inspired by Caravaggio (or baroque painters in general), but I'm still very proud of this piece, even if the proportions are terrible lol! The chiaroscuro of Caravaggio's work still makes me weep honestly! Plus, kinda weird, but I really love the way he paints grapes lol!
Goosebumps book cover (?? possibly 90s or 00s??) -> BBC Wreck fanart (2022)
I grew up with the Goosebumps books, and though I didn't have this particular publication, I remember absolutely loving the cover art! It's honestly kinda mad it's taken me this long to do an actual Goosebumps based work lol! Also the cheesy taglines are some of my favourite parts of the covers and I spent WAYYY too long trying to come up with my own pfft!
Gwen John's Young woman in a red shawl (1917) -> Luna f(x) fanart (2016)
I remember seeing John's work in Cardiff and just fell in love with her muted colours and rough brushstrokes! I don't think I necessarily echoed her work that well with my own (since it's a difficult technique to do in digital), but I still like it nonetheless lol
Lucian Freud's Guy Half Asleep (1981) -> Park Kyung Instant fanart (2018)
This was actually one of the first times I tried to make an artwork that was done digitally but actually looked like it was traditional! I'd honestly really like to do more work inspired by Freud's cos I love the lumpiness (technical term) of how he paints people! It almost feels like you could reach out and touch their skin when you see his work!
Remedios Varo's Triptych (1960) -> BTS Rapline triptych (2018)
I can't even remember where I saw her work first but I knew that I wanted to do something inspired by her work since I absolutely adored her use of colour and the stylism of her figures and backgrounds! I also really loved how her triptych acts as this journey through each piece, which is something I tried to recreate myself and that Rapline triptych is honestly still one of my favourite pieces I've ever done lol :')
Leonardo da Vinci's The Last Supper (1495) -> EXO 'last supper in hell' fanart (2019)
This is one where seeing it next to the inspiration is honestly hilarious lol! I was actually more inspired by the music video for Monster, which has a part in it paying homage to Da Vinci's Last Supper btw! I haven't really done much work based on Da Vinci, even though I really like his painting and drawing techniques!
And that's all (for now)! I know I will forever be inspired by artists and artworks of the past (and present) so maybe in a few years I'll do another one of these compilations lol!
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icarus-in-blues · 2 years
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Something I noticed...
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In the illustration for Animate Bookstore’s benefit depicts Hashida when he was in middle school, surrounded with several books primarily about artists. At first glance, this really gave us a glimpse of a Hashida we know so well — knowledgeable in arts, and his craving of knowledge about it, but I found that the more I look at it, the more I realized that the artists listed in the illust was almost a deliberate choice. 
Roy Lichtenstein (or is it Osvaldo Licini? I’m unsure about this one), Mark Rothko, Jean Fautrier, Cy Twombly, Yayoi Kusama, Gerhard Richter, Jackson Pollock, Francis Bacon... These are all artists who expressed their style in what we can call “abstract”, an idea that still currently confounds people. It is a concept that is arguably infamous within the art world for its “frivolous” presentation, with little to no thought given for its execution, yet the truth is often the opposite, since "abstractionism" at its core forces people to look further than what is presented, to analyze it, to get closer to it, to understand it.
It’s interesting to me because this coincides with how Hashida presents his artwork — at least at the only two times we've seen in the manga — where he chose "unconventional" ways to present his piece which could fall under abstractionism. It somehow also lines up with his character, who lies and puts up multiple fronts, who messes with your perception on him, who when you thought you knew who he is, there was suddenly a new side to him. 
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...And it left me thinking, maybe he’s more alike to Picasso than he’d like to admit? (haha)
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k00291900 · 7 months
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Thought that I would start researching artists who disrupt the human form in their paintings, and of course the first to come to mind was Francis Bacon. I found a book in the library and made these little charcoal studies of Portraits of George Dyer
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hobea · 9 months
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Hi i'm sorry if this question is annoying, but i love your art and i would like to know your inspos and how did you got to the level you are, I'm a starting artist that is improving super slow and would like some tips!
Hiya! Not annoying at all don't you worry :) The best advice I can think to give is to get your visual library on the road, absolutely surround yourself with and find art and artists (through all mediums, not just visual art, musics an incredible pair for painting) that you adore and look up to to really help you take your own art in the direction you want. Don't limit yourself at ALL. I really recommend gathering/renting art books from classic to modern. It took me way way too long to figure out what I like and I feel like I wasted alot of time that I'm still desperately trying to catch up on 😬
Some of my faves at the moment are:
Yoshitaka Amano, Jamie Hewlett, Francis Bacon, John Currin, Bauhaus (music) , Shuzo Oshimi, Kikuo, Takeshi Murakami, Cocteau Twins(80s), Ashley Wood, Si_Ku to name a few!
Keep your library forever growing (Pinterest is a gem for that) and just start observing and studying the work real close, make note of how they tackle their subject, what do they leave out, what do they include, how detailed or simple certain features and objects are in the piece, how have they simplified or exaggerated something, how many brush strokes, how they've used or neglected colour and such
I really hope that helped somewhat! I'm very sorry if it seemed all over the place 😵‍💫
But all the best in your journey!! Just keep inspired and don't stop exploring 🪐
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helenawa-art · 3 months
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1, 7, 16, 17!!
1. When did you start creating art? Idk!!!!! Since I have memory! When I was 3 years old I started filling notebooks with drawings of fishes with legs, and I've been doing it since now! I can tell you tho that I started being serious about it when I was like 11 years old sooo almost since 10 years ago now approximately
7. Who are some artists that have inspired you?This one is difficult because anything and everything inspires me... I'd say the ones at the top of my mind rn are artemisa gentileschi, gekidan inu curry, monet and every illustrator of children's books to ever exist...
16. What was something you used to struggle to draw with confidence/ease, but have now mastered? Hands 😋 very proud of that one... Also men!
17. Your personal favorite works of art (not made by you) are...? Woman with a parasol, the second version of a tryptic by Francis bacon, unfinished by Keith haring and many more that I don't remember cause my memory is so bad 💗
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fashionbooksmilano · 1 year
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Peter Beard  Coffret 2 volumes
Nejma Beard,  David Fahey, 
Taschen, Cologne 2008, 784 pages, 22 x 32 cm, 2 volumes in slipcase, English, French, German, ISBN  9783836508773
euro 200,00
email if you want to buy :[email protected]
Photographer, collector, diarist, and writer of books Peter Beard has fashioned his life into a work of art; the illustrated diaries he kept from a young age evolved into a serious career as an artist and earned him a central position in the international art world. He was painted by Francis Bacon, painted on by Salvador Dalí, and made diaries with Andy Warhol; he toured with Truman Capote and the Rolling Stones, created books with Jacqueline Onassis and Mick Jagger - all of whom are brought to life, literally and figuratively, in his work. As a fashion photographer, he took Vogue stars like Veruschka to Africa and brought new ones - most notably Iman - back to the U.S. with him. His love affair with natural history and wildlife, which informs most of his work, began when he was a teenager. He had read the books of Isak Dinesen (Karen Blixen) and after spending time in Kenya and befriending the author, bought a piece of land near hers. It was the early 1960s and the big game hunters led safaris, with all the colonial elements Beard had read about in Out of Africa characterizing the open life and landscape, but the times were changing. Beard witnessed the dawn of Kenya’s population explosion, which challenged finite resources and stressed animal populations - including the starving elephants of Tsavo, dying by the tens of thousands in a wasteland of eaten trees. So he documented what he saw - with diaries, photographs, and collages. He went against the wind in publishing unique and sometimes shocking books of these works. The corpses were laid bare; the facts were carefully written down, sometimes in type, often by hand, occasionally with blood.
Volume 1: 200 pages of diaries and 294 pages of collages + five fold-outs; introduction by photo critic Owen Edwards. Nearly all the diaries and collages from the original book are included, plus two new collages finished in 2007 Volume 2: Image index with captions for all images from Volume 1; personal photos and early work of the artist; interview with the artist by Steven M. L. Aronson; a facsimile reprint of Beard’s 1993 handwritten essay from the sold-out debut issue of Blind Spot magazine; extensive bibliography, filmography, and list of exhibitions.
23/11/22
orders to:     [email protected]
ordini a:        [email protected]
twitter:         @fashionbooksmi
instagram:   fashionbooksmilano, designbooksmilano tumblr:          fashionbooksmilano, designbooksmilano
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the-cricket-chirps · 6 months
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Francis Bacon
Sketch [Fallen Figure]
c. 1959-61
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sli-writes · 1 year
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Essay: Is depression a natural by-product of being an artist
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Self-Portrait with Bandaged Ear,  Vincent van Gogh. 1889
We’ve all heard about the “tortured artist,” thinking, oof, I don’t want to end up there. Yet, you soon realise what they’ve created could’ve been a result of being in such a state of awareness; relentless persistence of observation, expression and individual psych. It has to do with the art of being; never getting away from it or allowing for mundane not-really-important interruptions to win, all in the spirit of getting to new and worthwhile (remember this word) ideas - all the while in solitude - that’s one of the requirements (at least to my experience).Tortured carries a negative connotation, in the world of an artist however, I believe it has to do with never truly shutting off; having a constant existing not only of the world around you but inside of you.
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Flesh and Spirit,  Jean-Michel Basquiat.  c. 1982–83
Research suggests that bipolar disorder results in creativity. Often, not always. On the surface level, it explains everything as I can see the parallels by looking at a Basquiat, you think; such sudden bursts of creativity, the kind too that make for a great artist, how? I’m by no means suggesting he had a mental illness, I can’t speak on his state of mind, but what genius. I have but only admiral reverence. The trend does in fact persists in a way that one cannot refute the streams of genius seemly flowing from ill mental health issues.    
Conversely, it is believed the practice of art helps with stress, decreased depression and anxiety but honestly, the practice never helped me with that because the cycle of bringing ideas to life goes a little like this. In the being, there’s no “chasing of the clock,” tasks performed ordinarily or by rote; there are however times for keeping your head down and grinding it out, honestly, there is no formula I can suggest that makes for a concise proof. It’s getting the ideas out through sheer force. You sometimes don’t even know if idea is worthwhile, even after you’ve made it all the way to the end of it, baiting, trying to catch it, trembling and your lips quivering..the performances of a matador (violent disorder) at times, and on other occasions, the patience of a fisherman, something not short of the labour of love. See because sometimes the end result is just that, the end. In the book I’m currently reading, ‘Modernists and Mavericks’ by Martin Gayford, there’s a quote by Bridget Riley which I believe is an important guide to what we (artists) should be doing to alleviate anxiety, at least to some extent and it goes like this, “People feel that it is very important for artists to have an aim. Actually, what’s vital is to have a beginning. You find your aim in the process of working, You discover it,”  (Gayford, 2019, p43).    
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Painting 1946,  Francis Bacon. 1946
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I have ideas that I want to speak on through my work, tough ones; dreading to have the conversations with humanity myself. The art plays this role - never with vivid explanations - I value that, because the over-explanations take away from its mystique, bores the work; the work is however always honest, revealing and necessary (cannot do without it). The audience can be witness to every vehement moment I’ve encountered with the work, if only they were to look. Being a self-taught outsider, the self-doubt is incredibly paralysing; something I’m fighting constantly with marginal success I’ll say. I never like the idea of drawing or painting like other artists, it’s great as an exercise and all, but not when your emotional interests are concerned with their personal expression.
I guess I’ve realised that being in art is inevitable and worthwhile suffering, even necessary as it is an act that brings one closer to the act of God himself. “Pain and suffering are always inevitable for a large intelligence and a deep heart. The really great men must, I think, have great sadness on earth.” (F,Dostoevsky, Crime and Punishment).
Bibliography
Dostoyevsky, F. and Garnett, C. (2018) Crime and punishment. San Diego, California: Canterbury Classics.
Gayford, M. (2019) ‘Euston Road in Camberwell’, in Modernists and Mavericks: Bacon, freud, Hockney and the London painters. London, UK: Thames & Hudson, pp. 43–43.
Watson, S. (2023) Does bipolar disorder make you more creative? what research says, Healthline. Available at: https://www.healthline.com/health/bipolar-disorder/famous-creative-people (Accessed: 01 March 2023).
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k00297602 · 7 months
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Disrupt Project - Artist Research
(2/11/23)
Francis Bacon (1909-1992)
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After looking at nonsense and words I wanted to dig deeper into childhood, and more specifically, my own. Children usually being blissfully ignorant and living in their own imaginary nonsensical world, unable to understand the horrors around them.
Francis Bacon is one of my favourite artists and I feel a connection to his work and his personal struggles. I thought there would be no better artist to look into when focusing on disrupted childhood, than Bacon.
I took many notes while sifting through academic journals, books, interviews and documentaries.
Francis Bacon was a self taught painter, born in Ireland but later moving to London and Paris to escape his abusive father. He recalls his childhood as ‘very cold, like a block of ice’.
After working a brief career as an interior designer, Bacon turned to painting. His work is described as experimental and figurative, capturing the essence of his subject matter (often being people very close to him) brutal and grotesque in nature.
He first gained fame from his triptych titled, Three studies for a crucifixion which was exhibited in 1945, during the end of WWII.
The triptych, taking inspiration from both the crucifixion and death of Jesus and the Greek mythological avenging furies presented grotesquely, stripped of humanity, merging bloodshed and flesh with paint to create an appalling animalistic piece.
Many who went to the exhibition were reminded of the brutality of the war and the holocaust and fled shortly after seeing the paintings.
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Despite being an atheist, Bacon’s art is full of religious imagery, this is likely because Bacon struggled to explore his homosexuality in early 1900s Ireland, which was condemned by the church and Bacon being homeschooled by the local priests in his childhood.
Being abused as a child, sexually, verbally and physically, most definitely impacted Bacon’s works, gory scenes and distorted experimental portraits influenced by his dangerously masochistic desires and distressing abusive relationships, familial and romantic.
I find Francis Bacon’s work incredible, his chosen subject matters and themes of violence and powerful vs powerless fascinates me. His personality and past also pique my interest, how he was an optimist who focused mostly of the sadistic brutality, how he ridiculed the concept of love despite being notorious for his many controversial relationships with other men.
I am deeply inspired by the painter and will use him as my inspiration in my future works revolving the disruption of childhood, from blissful ignorance to painful awareness.
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uglygirlfriend · 8 months
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Favorite books? Literature, art, etc.
I’m pretty horrible at picking favourites but a few classics that I love: Tom Robbin’s Still Life With Woodpecker, Patrick Süskind’s Perfume, Bram Stoker’s Dracula, Ursula Le Guin’s Buffalo Gals, Hunter S. Thompson’s Fear and Loathing in Las Vegas, Sylvia Plath’s The Bell Jar, Burrough’s Naked Lunch and R. Crumb’s illustrated Book of Genesis. Next on the to read list is We Have Always Lived in the Castle by Shirley Jackson (on the recommendation of almost every woman in my life after many years of putting it off lol) and maybe also Stephen King’s Misery again since it is autumn.
Some artists: Francisco Goya, Kiki Smith, Francis Bacon, Aya Takano, Franz Sedlacek, Nan Goldin, Egon Schiele, Robert Crumb, Alexandra Waliszewska, Frank Frazetta, Juul Kraijer, Francisco de Zurbarán and Franciszek Starowieyski to name a few.
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I'm an escapist. I'm not a planner; I've never made a decision about anything in my life. The good thing about Africa is that you can escape forever. You can do what you want without someone looking over your shoulder.
- Peter Beard, photographer
Surviving a shipwreck in Lake Rudolf, being crushed by an elephant & an encounter with a lion in the middle of the night, Peter Beard wld have been 85 this week. Beard was heir to 2 fortunes - railways & tobacco - a child of privilege: Upper East Side, Buckley and Yale. Africa and its wildlife.
In the late 50s, he bought Hog Ranch, near the Ngong Hills & adjacent to his friend Karen Blixen’s coffee farm. In 1972 he acquired an estate at Montauk Point near Andy Warhol.
Explosive, collagist, his works combine his photographs with his diaries - paper clippings, dried leaves, insects, old sepia photos, phone messages, India ink marginalia, quotes. Blood from the nearest butcher - and his own. Photographing wildlife, wild personalities and living an extravagant, untamed, life, Peter Beard was the personification of the word “Wild.” Baptised “the last of the adventurers,” Beard is as famous for his very public private life as he is for his idiosyncratic collage diaries and assemblages. Bringing together found objects, contact sheets, literary text and photographs from Tsavo, Kenya, his work subverts craft, control, and intentionality, typically associated with conventional artistic practice.
‘I’m an expert on futility and I like the futility and the pettiness of my diaries. It's a sort of laundry list of the day.’ It began when Jacqueline Kennedy gave him a leather-bound journal. He collaborated with Andy Warhol, Francis Bacon, Karen Blixen, Truman Capote, and Salvador Dalí. He also became a portraitist. In the jungle that is Manhattan & in Kenya (clad only in a kikoi) he proved as irresistible as he was insatiable. He was the great passion in the passionate life of Lee Radziwill. He would say sleep was such a waste of time.
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Beard himself referred to his devotion to photography as something to be taken not too seriously, introducing himself as “a dilettante,” or amateur. However, the artist played an undisputed role in portraying an impeccable artistic vision of Africa to the West, although many accused him of offering a slanted and idealised perception of the continent - the only lover he remained loyal to until the end.
After once finding a big game poacher on his property, “Hog Ranch,” famously next to Karen Blixen ́s (author of “Out of Africa") coffee plantation, Beard tied the man up in wires, stuffed a glove in his mouth and left him there. Although this cost the artist a week in African jail and a few more of press and rumors in NewYork, these solitary but outrageous acts of protest slowly but surely granted Beard an environmentalist status within Western and African preservationist circles. Ultimately, the artist was years ahead of his time in his efforts to sound the alarm about environmental damage, and became a walking symbol for a future generation of artists who would use their art to send urgent social messages to the public. “The deeper the white man went into Africa, the faster the life flowed out of it,” Beard wrote in his most critically acclaimed book, “The End of the Game.”
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He had two failed marriages before a third to a Kenyan Muslim, Nejma Khanum, brought him a measure of peace and stability with the birth of a daughter, Zara. But he remained untamed. One time, in the Sth of France, he sold off a valuable photo to pay off a $20,000 bar bill. His long suffering wife, Nejma, sought to regain the art he had given away or loaned in a haze of drink and drugs.
Peter Beard, who lived in Montauk, on the eastern end of Long Island, New York, disappeared on 31 March 2020 and was found dead in Camp Hero State Park, not far from his home, after a 19-day search on 19 April. He was 82. His family wrote on his website, “He died where he lived: in nature.”
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