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#harry styles hd
daily-stylinson · 26 days
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THE. KING. HATH. RETURNED.
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cinepughs · 7 months
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florence pugh as alice chamber icons ♡ don't worry darling (2022) dir. by olivia wilde
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hl-obsessed · 6 months
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naqmeh-art · 1 year
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Harry Styles x Almond blossom painting(by Van Gogh)
I was so excited to show you what I've done for Harry's birthday🥹💙Hope you like it🥰
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@1dsource @styles-edits @yourlarrysource @hljournal @hlupdate @1dhq @harryisart @harrycmon
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daiisysaige · 6 months
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I rebuke the idea of Harry Styles having a buzz cut. However, that picture didn’t look real so I think we’re good.
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snallavanta · 11 months
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oh he's too cute for this to be in 23 pixels
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bkenber · 1 year
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'Don't Worry Darling' Movie and 4K UHD Review
‘Don’t Worry Darling’ Movie and 4K UHD Review
The following review was written by Ultimate Rabbit Correspondent, Tony Farinella. “Don’t Worry Darling” is a film that immediately caught my attention when I saw the trailer for it back in the summer.  I was impressed with Olivia Wilde’s feature film debut in 2019’s “Booksmart,” and the trailer for “Don’t Worry Darling” made me excited to see what she was going to do with her sophomore…
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I could go
On...and on... and on....
On (walmart brand)
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daily-stylinson · 6 months
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oh.
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cinepughs · 7 months
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we shall never surrender ✰ dunkirk (2017) dir. by christopher nolan
↳ requested!
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naqmeh-art · 1 year
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Hand Study with markers😁✍️🏻
Hope you like the result🥰❤️
Prints are available in my bio💕
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twopoppies · 1 month
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All of the pap pics were taken by the same pap: wavy Peter. Like all of them. The car ones from Mitch’s show, the Harry solo ones with max, the shoot in front of the Brooklyn house and now hers in front of that same house. That’s some pap that got lucky. That’s a pap that’s working with Harry’s and her team to get and out out exclusive pap pics.
People who think a pap would just catch Harry Styles walking around when he’s NOT working, are crazy. It’s so obvious they called him to take HD ones as well as the standard “ooh I just happened to catch him” photos/videos.
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tygerbug · 10 months
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https://youtu.be/FC4sYmilGF8 The Thief and the Cobbler Recobbled Cut Mark 5 Work in Progress 06/20/23
This restoration is still a work in progress. It contains new animation which has not yet been completed, and is "half done" in this preview. At times, there are unfinished edits and smudgy frames.
"Animation among the most glorious and lively ever created!" - The New York Times "The best and most important 'fan edit' ever made." - Twitch Film
Chief Restorationist: Garrett Gilchrist
Directed by Richard Williams Screenplay by Richard Williams and Margaret French Master animator Ken Harris Produced by Imogen Sutton and Richard Williams
Here is your first sneak preview of a newly re-restored version of this lost animation classic, written and directed by legendary three-time Academy Award winning animator Richard Williams (animation director of Who Framed Roger Rabbit, and the author of The Animator's Survival Kit). Nearly 30 years in the making, a labor of love by a team of animation greats, this was to be the masterpiece of Williams’ career, perhaps the most ambitious independent animated film ever conceived. It was taken away from Williams when he couldn’t meet his deadline, recut and destroyed. It has never been seen the way it was intended to be seen … until now. Based on Williams’ original workprint, missing scenes have been restored using storyboards and unfinished animation. Restored to its true form, this lost cult classic has finally been found - for you at home.
2023 could be considered the 60th anniversary of when production began on the film that would become "The Thief and the Cobbler." 2023 is also the 30th anniversary of when production ended on the film, when a reedited version called "The Princess and the Cobbler" had a very small release in some countries. 2023 is also the 10th anniversary of "The Thief and the Cobbler Recobbled Cut Mark 4," a restoration by filmmaker Garrett Gilchrist which intended to restore the film to its original intended form, as much as possible. This is also, approximately, the 25th anniversary of Gilchrist's first experiments with restoring this film.
So we thought it would be a good idea to go back and restore the film further, and see what could be done with it. We still do not have access to a high quality HD copy of any version of the film (such as the released version "Arabian Knight" or Williams' workprint "A Moment In Time"). We do have some 35mm workprint scenes, which we transferred in HD for this project, and which make up over 30 minutes of the film. Some scenes were also upscaled and rebuilt in HD, and all scenes were cleaned up and restored frame by frame by Garrett Gilchrist. Any Blu-Ray labels that would like to take on this project with us officially can contact us.
Garrett Gilchrist writes:
I had often said that I wouldn't do a "Mark 5" edit unless an HD version of the film (in any form) was released and could be used for a better quality version. The "Recobbled Cut" project was begun in 2006 and continued until 2013, originally. That's eight years of work restoring the film (frame by frame in Photoshop!) and building up a huge data archive of Richard Williams' work (Available via ocpmovie at archive. org). I wasn't going to return to the project without a very good reason to do so. No new footage has turned up in our hands in the last ten years.
But it's been ten years since the "Mark 4," and I was approached by animators Dennis Van Hout and Kiko Pablo (The Crow Artist), who had animated a few new shots for the film. It's very difficult, without a budget, to create the sort of high quality animation that this film requires. However, their efforts showed me that it's possible. I had just completed inking a Thief and the Cobbler Coloring Book (available at archive) and felt more confident that I could draw and ink in Richard Williams' style. I chose about twenty shots that seemed possible to animate, and began work on them in early 2023. You can see a half-finished version of the results in this video. I am still working to bring the results up to standard as much as possible.
I also "re-restored" most of the film for this version, rebuilding some shots in HD using cropped DVD sources, recoloring some shots to appear higher quality, removing dirt and damage in Photoshop frame by frame, and doing months of new work to bring the film to life like never before. We were never happy with the HD transfer of the scenes of The Thief in the War Machine, which are very red and dark and lack detail. Some color correction trickery helped bring more detail to the scenes, and dirt and damage was removed by hand in Photoshop over the course of several months.
Other HD scenes were also restored by hand, which had been overlooked for the previous version, because I'd been working on it for eight years at that point and had to stop somewhere. The U-Matic video source for the workprint was also revisited. Pencil test scenes are hard to see due to the low quality of the video source, and I went back to the original source for this version, and cleaned up the scenes very carefully frame by frame to bring out quality and detail that was previously lost. Scenes that previously switched from one source to another have been cleaned up as much as possible so that the sources match seamlessly. Some workprint scenes have been recolored by hand to improve their quality.
The scenes directed by Fred Calvert were done on the cheap and are not up to the quality standards that Richard Williams intended. In this edit I have reworked the Calvert scenes as much as possible, so that they play more smoothly with additional inbetweening. I have removed animation errors and improved scenes with special effects, and rebuild some scenes in HD. This work will continue as time allows.
Our newly animated scenes are also a work in progress, and will require further work to make the animation smoother and more in line with the rest of the film. I am just one illustrator and do not have the budget of a professional animation studio, so I'm really pushing my luck by trying to insert new animation into a cult-favorite masterpiece by one of the greatest animators who ever lived. But I also was careful to choose scenes that are less complex in how they move. It's been a lot of work, and it's still a work in progress. But I hope you enjoy seeing what I've been up to all these months, as well as the delightful new animation by Dennis Van Hout, Kiko Pablo, Chris Fern and others.
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phoebe-delia · 5 months
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Fic Claim: Just Take Me Home
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Over the last year, it's been difficult for me to write fics longer than 1-2k. I've made it happen, but only rarely, and it's like pulling teeth. I want to be the kind of writer who can churn out a good 20k fic, but I just don't have that kind of stamina; at least not yet.
That said, I am proud of the 4.7k fic this turned out to be. I'm proud of the idea, and of the fact that I think this is one of the few non-drabble fics I've written that isn't based on a song! (Yes the title is from Style by Taylor Swift but the plot is entirely from my brain.)
Featuring: acquaintances to friends to lovers, mutual pining, unfortunate Ministry department acronyms, and a happy ending.
Big big hugs and thank you to @basicallyahedgehog for cheering me on, being the best beta I could ask for, and being my emotional support hedgehog for this and almost everything I write. And a big thank-you as well to the incredible mods of @hd-fan-fair for their patience, kindness, and hard work in running this wonderful fest. Everyone should go see the fantastic works from this year and years past here.
You can read Just Take Me Home here!
Here's an excerpt:
"What's she doing?" Harry asked, gesturing vaguely at where Hermione stood near the bar talking intently to a shimmering... thing in front of her.  
Ron raised an eyebrow. "Wow, you must be sloshed if you've already forgotten a conversation from less than a minute ago."
"What conversation?"
"The one we literally just had before Mione went to—oh forget it—she's summoning her Patronus for you."
Harry frowned. "She doesn't need to do that, I'm right here. Mione!" He cupped his hands around his mouth and shouted, not noticing Ron wince and step away. "I'm right here!"
Hermione glanced at him from across the bar, her face shifting into something Harry would call equal parts fondness and exasperation. She seemed to sigh, cancel the spell, and recast, her message having been interrupted by Harry's outburst. A few other bar-goers gave him strange looks. Harry flushed, and Ron just clapped him on the shoulder. Hermione was finally successful, and they all watched as the Patronus flew out the window of the bar and into the night.  
"But what's it for?" Harry asked again once the attention died down.
Ron glanced back at him, a smirk playing at his lips. "She's calling DADDIE."
Harry's eyebrows shot up to his hairline. "She's calling who now?"
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