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#he's probably fuckin!
adriartts · 6 months
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hes always out pouting in the sheepyards
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plutonicbees · 11 months
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with gwen and hobie being friends in across the spider-verse and hobie being so super cool i do hope that there is some acknowledgement of the origins of their friendship
aka - hobie brown is a gwen stacy fanboy and is immediately excited to meet her and then they play some world-saving punk rock music together
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oberonbronze · 5 months
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yes yes the relationship between mordred and merlin is a tragic portrayal of how devotion can be corrupted and the devastation of watching destiny unfold in front of you out of your control but good lord it is funny. if i was merlin id be astral beaming myself straight into that teenagers head every time arthur bothered me like chop chop you stupid little prophecy boy fuck you
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Does
Does Barnaby
Does Barnaby tell the others to get off his lawn when he's angry
psh, who do you think he is, an old man? he'd Bark, like any lively young dog
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saintbleeding · 3 months
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[ID: two drawings of a roughly-toddler aged Jon Sims and his mother. Both look like heavily weathered polaroids. Both Jon and his mother have medium-brown skin, dark, curly hair, and brown eyes. In the first picture, Jon is in overalls and a jumper, sitting on his mother’s lap and staring offscreen, chewing on the tip of his index finger, as she gazes lovingly down at him. She wears glasses and a blue blouse under a brown waistcoat. The photo is captioned “Jonathan & Ameerah, Oct ‘89”. In the second photo, Jon is wearing a red onesie and his mother’s glasses, grinning cheekily up at her as she laughs, one of her hands clutching both of his. The caption says “thief! Scoundrel!! Fiend!!!” End ID.]
it’s been two years one month two weeks and three days and jon jarchivist is still my sweet precious angel what else is new
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clownsuu · 1 year
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BRO WHEN I TELL YOU I DID A FULL DOUBKE TAKE ON THAY HOWDY DRAWING—
GYAT
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Devouring your art rn
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Honestly big bozonga howdy is probably the funniest shit I’ve ever drawn smhhh
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Very helpful smh
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puppetmaster13u · 4 months
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I just remembered I sketched this but never finished it lol. So uh, @radiance1 's blob ghost dragon Danny. Y'know he uh, probably either doesn't care or can't remember how to do human forms or disguises. Or at least completely.
Oh well I'm sure Amity Park doesn't care and I'm sure the JL will be fine. Don't mind Henry-the-emotional-support-scientist he is also fine. Or he will be. Once everything stops spinning.
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Honestly remind me to finish this at some point lol.
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skatingbi · 6 months
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So hear me out on my headcanon guys:
Sanji with heterochromia (i cant spell that fuckin word man..) where one eye is blue and another is brown. He always hides the blue eye.
The first one to notice is Zoro, who is immediantly like "holy shit youre eyes are pretty" and sanji is like "what the FUCK"
Actually fuck it im gonna write about this nobody can stop me.
Sometimes, on lonley nights in the gallery, when Sanji is busy prepping, he looks in the reflection of his knife. Underneath the frizzy mess of a fringe that is part of his hair reveals the blue eye he struggles looking at. He stares, scrutinizing that light blue in the gleam of his knife gripped tightly in his hand. He looks away to force his attention back on prep work. His hands are always slightly unsteady after those moments. He always ends up with a cut on his hand one way or another on those nights.
When Sanji was a kid, his brothers would use his heterochromia as a weapon against him. He was the freak with two colored eyes. They would say his blue eye was creepy, too. Not only was he weak but also too different to be called their brother.
When you're a kid, you take these insults to heart. Eventually, when you're barely into adulthood, they'll still plague you. They become a part of you, just like how Zeff's teachings became a part of Sanji.
Judge looked at his eyes with disgust masked by indifference. It was another reason for Sanji to assume why he was the failure. The outcast. The runt of the litter.
His mother had blue eyes. She always claimed Sanji got his blue eye from her because her father had heterochromia, too. That was the only time little Sanji felt normal. When she died, Sanji started to grow out his hair to hide the only thing he had left of her: her eyes.
Now, Sanji still hides her eyes from view. Realistically, Sanji is fully aware that none of the crew would give a rats ass what he looked like. Regardless, old habits die hard. He feels safe under the mask he made for himself. As he goes about preparing lunch, perhaps grilled sea king again with how luffy is always eager to fight those things, he lets his mind wander to his eyes more. While hands expertly move through his knife like an extension of his body, he thinks about the mess of blond hair that's always in the way. He'd never admit it out loud, but his hair actually bothers him. Since it started growing out, it gets everywhere; his mouth, in his eyes, and tangled in the buttons of his shirt. Is sanji happy with his longer hair? Absolutely. It's a nusiance to leave it down constantly, though.
As he's thinking this, he's blowing the fringe of hair covering his face out of the way every so often so it stops tickling his nose. He continues to evenly slice through a portion of sea king meat until somebody, Nami he realizes immediantly, speaks up.
"Do you need a hair tie, sanji?" Nami asks sweetly. Her smile is radiant, as always, while she looks up from the map shes been studying. Sanji didnt even realize Nami came in and made the kitchen table into a study until now, but he doesnt dwell on it. Nami is welcome in his kitchen, after all.
"Oh no, thank you, Nami-swan! I think I just need a haircut soon," Sanji lies as he's moving through the kitchen. He gives Nami a quick smile before turning back to the meat on the cutting board and avoids Nami's gaze under the disguise of being busy. His lie wasn't as believable as he wanted it to be, especially when he's stumbling over his words while he is usually eloquent with them towards Nami and Robin.
"But until then, you should take one! I probably have hundreds lying around my room anyways," She says. It's a peace offering designed to be in Sanji's language of communication. It secretly says he's getting that hairtie whether he wants it or not, and Sanji is weak enough to accept the offering. He takes the hair tie with a grateful smile, wrapping it around his wrist and going back to his current task. Nami and Sanji work in comfortable silence after that, but the hair tie weighs on his wrist like a weighted bracelet.
A few days pass by. Through every single one, he stares at the hair tie in the morning. He really should tie his hair back. It reaches his shoulders for gods sake, and it keeps getting in his mouth - but that small part of him that clings onto grief like its all that he knows refuses to. He doesn't think he can bring himself to share the only part of himself that he truly loves deep down. What if the crew really thinks it's weird? What if his brothers are right?
These what if's roam in the back of his mind. They lurk just beneath the surface like an unknown predator hidden in murky water. He ignores it along with the anxiety that crawls up his throat every time he looks at his wrist.
Then, a week passes by. Now he's in his kitchen making a simple breakfast for his nakama. Franky, in particular, will enjoy this since his tastes lie within American style food most of the time. He focuses on seasoning the eggs, some of them cooked differently to cater to everyone's tastes. While he goes through the familiar and therapeutic motions of cooking, the door opens to reveal an annoying head of mossy hair and the steady noise of three swords bumping each other at the hip.
" Oi, go to sleep in your own bunk. I dont need you stinkin' up my kitchen while im trying to work." He utters without looking up from the stove.
"Why can't I just sleep here shit cook?" Zoro grunts. Sanji hears him shuffle around on the gallery's couch behind him. He's probably lying down, or maybe he'll sleep sitting up again, or maybe he'll watch Sanji cook. That's the most irritating one, which usually ends up with them fighting out on the deck one way or another.
"Because youre fuckin' annoying, get out."
"The hell I am, I'm taking a nap here."
"Oh my - You know what?" Sanji whips around to glare at Zoro, making sure the knife he was using is now in his hand to point at the source of his ire, "Fine, but if I hear a single snore out of you I'm kicking you into the ocean!" He threatens and turns around to finish up with breakfast. By now, all he has left is pancakes. The batter was prepped earlier, so now it's just focusing on pouring evenly. It's task that's menial but still important to him regardless.
His hair is covering his face too much. He tries to shake his head to flip it to the side. It falls back to where it was before he can pick the bowl of batter back up. He brushes it over his shoulder, and it simply flows back over it. He blows his hair out of the way, a classic move, but not even that works and he's slamming the bowl down on the counter before he can even stop himself and walks away from his work to grab the hairtie from around his wrist. In a few fluid motions, he ties his hair back haphazardly into a poor attempt at a low bun, but it's out of his face, and now he can focus.
He's too deep in concentration to even remember that he has heterochromia in the first place. Cooking lowers his guard unlike anything else in the world. The gallery acts like a safe space and cooking is his comfort. He still forgets, too, while calling for Zoro to get his lazy ass up to help since he's decided to loiter in his kitchen.
"Hey moss, if you're gonna laze around my kitchen, set the table for me." His request demand is met with a middle finger, which Sanji gladly returns as he walks over to the couch to kick Zoro on the stomach. The half asleep annoyance is now suddenly alert and glares at Sanji for a moment before it's quickly replaced with a look Sanji has yet to add to his mental notes he likes to call "Marimo Dictionary". Zoro's eyebrows are slightly raised, and his eyes glitter with something Sanji rarely sees. He's never been able to place a name on that look. Now he's confused. "What? Dont give me that youre tired crap youre not fuckin 10." He says.
Zoro is still looking at him, though, and now Sanji looks back with confusion because what the fuck is he-
Oh. His eyes.
Shit.
Sanji rips the hairtie out of his hair at light speed, probably pulling a few strands out by accident in the process but he could honestly care less when theres something more important. Like whatever the fuck just happened.
Before he can turn away and go set the table himself to distance himself from the marimo, Zoro's hand moves suddenly to grab his wrist, stopping him from running away.
"Wait, wait, hold on," Zoro pleads. And what the fuck. Zoro has never said anything like that and its fucking with Sanji's head because what the fuck. "You...uh." He continues in his signature graceless way. "Your eyes..." He pauses after that, sitting up and looking at Sanji, but not just looking, he's looking.
"Marimo," Sanji's own voice is riddled with anxiety with how shaky it is now. "Let me go dumbass," He demands but it could have been mistaken for him begging with how much he's struggling to keep himself together.
He's anticipating the worst. He knows what he's expecting. Sanji has experienced it countless times before, and he's aware he will again right now while a pancake is probably burning on the pan for all he knows.
It doesnt.
Zoro is looking at him still, maintaining eye contact but also darting between both eyes. He's looking at him like those golden eyes are looking into his soul and its too much.
It's too much because Zoro's response is uncharacteristically soft in so many ways. Zoro speaks to him like he's speaking with reverence, "Your eyes are beautiful."
Sanji shatters on the gallery floor there. His soul is bare for Zoro to see suddenly and that terrifies Sanji. Nobody has ever told him he's beautiful. Especially his eyes. He yanks his wrist from Zoro's grasp and speed walks to the stove to turn it off and remove the burnt pancake from the pan. He doesnt respond. He cant, not when his heart flutters when it should have been anchored down by rejection.
Then, Sanji walks up to Zoro, grabs onto both his shoulders, pushes him out the gallery door with surprisingly little resistance, and slams it shut. He leans against the door, sliding down until he's sitting on the floor with his head tucked between his knees. His face is burning and his face is probably red like a tomato right now. He stares at the ground with wide eyes and a weirdly giddy feeling in his chest and stomach nearly akin to happiness but also dangerously close to feeling freaked the hell out.
"What the fuck."
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pansy-byke · 8 months
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Since we're talking about moles here's a picture of one from 500 yrs ago that would steal my pretzels
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I’ve been highly confused as to why Michael “deeply openly thirsting on Twitter about David Tennant for half a decade” Sheen is half-in half-out the closet but apparently Wales is absurdly homophobic lmao what the fuck how is a country the size of New Jersey that much of a hater bruh we out number the shit out of you
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dailyloopdeloop · 29 days
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DAY 7: i miss my wife bonbon
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I don’t really know how to say this in a better way so imma just say it
If you think John Dory is a bad character then respectfully, you have no idea what being an oldest sibling is like.
He didn’t abandon his brothers. He was pushed to a point of having to be responsible for four younger brothers, ranging from baby to teenager, trying to coordinate and pull off good if not perfect shows, trying to help Rosiepuff raise both them and himself while also dealing with trollstice and the troll tree while also struggling with an ever growing *need* to be perfect. It doesn’t matter how much you love your siblings- if you’re stressed enough, you’re going to snap and you’re going to snap at them. And you know what? He probably hated himself for that too. And for the fact that he couldn’t be perfect. Any oldest sibling knows the guilt of not being good enough and presumably tearing down their younger siblings in the process…it’s awful. No fuckin wonder he walked away, bro was what, 17?? 18??? He shouldn’t have had to do that. And he didn’t just abandon his brothers knowing what was gonna happen to Branch. From his perspective, he walked away knowing full well Spruce and Clay could step up, and that Rosiepuff would still be there. He had no way of knowing Branch would end up alone and gray, because if he did, he never would have left.
John Dory is not a bad character. He loves his brothers.
Edit: some people are saying he didn’t come back until he needed something. He came back to an empty troll tree- he thought his brothers were dead. He probably only left for a few months or so! He didn’t abandon them. He had every intention to come back and did. His family was just gone.
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chirp-featherfowl · 5 months
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am i makinnng. any FUCKING sense.
elaboration in tags maybe if it's comprehensible. no promises
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no.1 question not to ask a bug-lover
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grimalkinmessor · 1 year
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Not to keep harping on it but Death Note has plenty of fridge horror to go along with the unintentional humor and romance.
Like,,,the ENTIRETY of Wammy's House is such a fucked up concept. An orphanage where they crank out genius kids into the world by...what? What are they doing with those kids? What do you mean one of them died in there? Wait—and the second one is a serial killer? And one joined the mafia? What—WHAT ARE YOU DOING TO THOSE KIDS—
Not to mention the intricacies of L and Watari's relationship. He's seen as a butler/father figure until you find out that he's an inventor/war vet who took in an orphan with the express purpose of making him useful. No wonder Wammy's runs the way it does when the og, the man it is named after sees children as tools and means to an end. And, given that L has already made them so much money playing stocks that it doesn't even matter anymore (Mr. Builds A Skyscraper To House Five People), why is Quillish still with him? To keep an eye on him? To make sure L doesn't forget where he came from? Out of some sort of guilt for never teaching him how to take care of himself because those weren't the skills that Quillish thought it important to cultivate? Or maybe even to keep him dependent on Quillish to keep functioning properly.
And then there's the horror of L himself. Not even the implications of him, but the proof of who he is and what he can do. The thought of a man with so much money and power and influence that if he wanted to make you disappear, if he wanted to torture you or hold your loved ones hostage or kill you and everyone that's ever shaken your hand he could and no one would fucking bat an eye—that's fucking terrifying. (Where the fuck is Beyond—) And, not only does he have the power to do all that; no one would question it because he's part of Law™. His every action can be excused as being part of the Greater Good, despite the fact that L himself has admitted that everything he does is for his own benefit and/or entertainment.
Light, of course, is an obvious horror—but one of the most horrific things about him is glossed over. I'm not someone who personally believes in the Death Note's corruptive powers or aura or whatever, but that's not what I'm talking about. I'm talking about the fact that, once you give up the Death Note, your memories of it are erased. All the people you've killed, all the things that you've seen, you've still seen and done all those things, you just don't remember it. There's a hole in your mind, and all that prickly, thorny mess that grew in you when you were a killer is still there, choking you—you just don't know why. Why are you so unfazed by death? Why don't you cry when your mother dies? Why are you so afraid of being something that looks like you? Will you ever be certain of anything again? Will you ever, truly, know yourself when you can't remember all the atrocities you've committed? Can you ever change and grow again if your roots are gone? Or are you stuck in stasis forever now, your mind stalling in one place in order to keep you from remembering the people you've killed?
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willowser · 1 year
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my guilty pleasure trope is like. trash reality dating show au LOL
like you and bakugou on love island ??? HELLO ???? he is 100% the show-stopper that comes in as a twist at the very end, after everyone is already coupled up. thinking they're happy in their pair. ready to move forward and get to know one another. AND THEN BAM. bakugou katsuki. huge and tan and toned. probably a firefighter or something, been single for a long time because he finds it hard to put himself out there — and coming on live, national television was the perfect way to get himself out of his comfort zone LOL
let's say. you're coupled up with denki and you love it ! he's great and funny and charming and will make someone happy — but that someone is just not you. from the get-go, your relationship feels more friendly than anything, but he doesn't try to cop a feel on you in bed and he's a good snuggler and maybe you kiss him once, just to see how it feels, and that's not so bad either. but there are no sparks, no fireworks. you'd be content to even ride out the rest of the challenge in a couple, because he's comfortable, but that's not what either of you came on the show for.
after the first week, bakugou couples up with jirou. her sharp wit and dry humor draws him in enough (and he's always kind of liked that edgy look that she has) — but he very quickly realizes that she's really not that into him POOR GUY. bakugou really isn't her type; besides finding his attitude funny every now and again, they really don't have much in common. don't do much of the same things, share hobbies or interests, so it's a little bit of a bust.
i like to think you're just friends for a week or two. another guy comes in, two new girls come in, but nothing really changes for either of you. keeping your respective couples, just because no one else has really caught your interest — and it's not until a challenge has you kissing him square on the mouth that either of you start to take a second glance across the villa.
you watch him work out in the mornings, make a second cup of tea for when he's done. somehow, you both always end up in the same section, leaning back in the lawn chairs or sitting side-by-side on the beanbags as you chat about how the challenge has been going so far for either of you.
the part of this trope that is so funny to me is that — bakugou really is not the kind of guy that should be on this show LOL he's hard to approach and intimidating and if you don't understand his attitude, then you won't like him. and what little game he has isn't played like this: approaching someone in front of everyone else, nabbing you from your couple, having to put himself out there so that he doesn't get sent home. all while on live television.
but — it's not until you admit, casually one day, that you and denki are just friends that he decides to do anything about it. the two of you have gotten along so well in your couple that bakugou didn't think he stood a chance but after talking to you, he's awkwardly telling kaminari in the kitchen, alone, that he's planning on pursuing you. and denki thinks that's great ! thinks you deserve it !
the week continues on much the same: you and bakugou chat here and there, eat breakfast together away from everyone else, he makes you laugh and you make him smile his crooked little smile at the floor, embarrassed, as he tucks his face and pulls his hat further over his eyes. it's cute and you're having fun with him, but the recoupling is surprising, still.
when he has to stand up there, in front of everyone, red-faced, and grit out that you've caught his eye, that he's enjoyed his time with you, that he'd like to get to know you better — and you're floored. ecstatic, but floored. because he is certainly intimidating, and regardless of the fact that you were with kaminari for so long, you might not have ever approached bakugou, because he's just. so huge and handsome and striking.
and then you're settling in for the night, crawling in to your shared bed for this first time. and he's not like denki, not a cuddler, but you still make a point to wiggle around to him, wait until the lights are off and even breathing sounds throughout the room — and then you tell him, quietly, grinning in the dark:
"i'm really glad you picked me."
you feel bakugou sigh, a bit heavy, and you wonder if you're going in to strong — but then his hand skates over your arm, rests carefully against your hip, and he murmurs, "'m really glad, too."
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i wrote this a lil bit ago and have since been made aware of luna's love island bkg !! 🥺 it's so detailed !! there's a whole show for the two of them !!
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