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#i got some good videos
black-and-yellow · 17 days
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alicenpai · 3 months
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forgotten playthings, forgotten child 🧸
Jack from my series Lost & Found Children 🤍🖤
i hope to showcase more of my ocs in 2024 hehe! im FINALLY getting around to finishing art i left to rot in my folders (the pandora hearts drawing last month being one of em). if you saw the WIP of THIS particular drawing 2 yrs ago... no you didn’t 💔
my charas are very personal to me, but tbh ive always been a bit hesitant to share their stories. over time i realized ... it’s kind of a shame to not make art from one’s heart. which is something i regret a lot year after year whenever i make my yearly art summary reflection. i'm like damn i need to make more emotionally evoking pieces!!! so i'm gonna keep going in 2024 with that in mind ❤ i have to admit, although this drawing started 2 years ago, and there's a lot i would do differently if i were to supposedly draw it now - this concept goes pretty hard.
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the final drawing stayed pretty close to the original concept which im so relieved for! i think part of the reason why i left it on the backburner for so long, was the fact that i included so many details, and i was unsure of how to colour the "background". (not to mention stuff like cons & real life getting in the way).
i'm glad for discovering a really handy watercolour brush, it's helped me a lot in my last few drawings, bc i dont have to colour in each detail. especially since the witch hat atelier: eternal ephemera zine piece i did. otherwise if i coloured this back in 2022 with my usual method, i'm pretty sure i really would have included a shading and highlight layer for each individual toy... HAHAHA. much to think about
oh yeah and in the last few days of drawing this i was listening to some visual kei bands. i love how some of the band members literally have been performing since like the 90s or something and DO NOT AGE and are literal vampires. every so often i fall back into visual kei (you can tangentially thank aggretsuko although yes i know it's not the same). and i kind of realized. i like Jack's edgy design so much because he looks like. a visual kei esque vampire.
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silvers-starrway · 1 month
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So the wildest thing happened where @mactheactor decided to dub over (if that's even the correct terminology) the Chaos Sonic animation I made!!!!
I'm still in utter awe about this like, hands down the coolest thing ever I've been thinking about this non-stop. Hope y'all enjoy it as much as I do!!
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tyttetardis · 3 months
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Macbeth Q&A 18th Jan 2024 Part 1
Was lucky enough to get a ticket for the Member's Event at the Donmar Warehouse that took place on the 18th...with the price of the patronages I sure never thought I'd have gotten the chance, but luckily, they also let in some non-members 🥹❤️
The brilliant performance of Macbeth was followed by a very quick cleaning of the stage - thought for sure it would've taken them longer to remove the blood than like 5 minutes - followed by a lovely, little Q&A session.
The Q&A was led by Craig Gilbert (Literary manager) who talked to Annie Grace and Alasdair Macrae (Musicians and part of the acting ensemble) as well as Cush Jumbo and David Tennant.
Anyway, just gonna write down some of the stuff they talked about :) sorry if it's a bit messy! Might be spoilery if haven't seen it yet but is going to!
To begin with Craig remarked that he didn't think he'd ever seen that many people staying behind for a Q&A before (While I was just wondering why some people even left!? Stressful!).
David introduced himself with "My real name is David "Thane of Paisely" Tennant - while Cush introduced herself with "I´m Cush Jumbo - there's only one of me".
First question was Craig asking them what it was that brought them to the Donmar to do Macbeth - to which David pretty much just replied that 1. It's the Donmar! 2. It's Macbeth! One of the greatest plays of all time in an amazingly intimate space - and that the theatre is famous for its quality of work. So he found it quite hard to think of a reason not to do it!
Cush said she'd worked there before and loves the theatre, how it's so intimate but also a great workspace. Followed by her saying she said yes because David asked her. She talked about how important it was for this play to do it together with the right actor playing opposite you.
David says Max Webster asked him about a year ago if he wanted to do the play - he gave him the dates - and since there weren't any obstacles in the way, David didn't have any excuse not to do it.
He then said that he had slightly avoided Macbeth - there sorta being the assumption that if you're Scottish and has done some Shakespeare plays before you have to do Macbeth. Which he joked was a bit odd since it's not like every Italian has to play Romeo. Then he mentioned that Macbeth is probably a bit more of a jock than he is - that it seemed more like a part for big, burly actors.
Max had laid out his initial ideas to David, a lot of which are in the final production, and David thought he seemed lovely, bright and clever and inventive plus it being the Donmar Warehouse! To which joked that he had last worked there 20 years ago - when he was 8 years old! "It's just one of those spaces" - friendly and epic at the same time where it's such a pleasure to be on the stage.
When Craig asked his next question concerning the sound of the play someone asked him to speak louder as she couldn't hear them - to which David joked that they've gotten so used to whispering. But also said sorry, and that they would!
Alasdair explained a bit about the process of the binaural sound - bit I find it a bit difficult to decipher it all correctly, sorry. He did say that a interesting part of it is that it allows them a controlled environment where they can put all the musicians (and even the bagpipes!) behind the soundproof box so "Poor David and Cush" doesn't have to shout over all the racket.
Craig asked David and Cush what their reaction was when they heard about the concept of the binaural soundscape - to which David replied that it didn't quite exist when they first came onboard - Cush joking they were tricked into it. Then she talked about her and David going on a workshop with Max to get a feeling of how it would all work - and get a sense of how it would sound to the audience, as this was one of the few times, they got to hear that side of it. Their experience of the play being completely different to the experience the audience has.
Cush said they can hear some of the sound - like she can hear some of the animal sounds and David can hear some of the stuff from the glass box - but most of their cues and information comes from timing with each other. She said they won't be able to ever hear what the audience hears - to which David joked "We're busy".
It felt like mixing medias - as it all went quite against their natural stagecraft instinct - but Cush found that in the long run it made things very interesting - like they don't have to worry about getting something whispered to each other - as the audience will hear it anyway.
David said the odd thing is that they don't really know what the experience truly is like. He mentioned that to the sides of the stage there's a speaker for them where they will get any cues that they need to hear. Like they can hear the witches - but they can't hear where they are "positioned" - so they have to learn how to place themselves to fit with what the audience hears. They don't hear everything, though. And the audio they hear is quite quiet, so it doesn't disturb what comes through the headphones.
He thinks it's been exciting - that it's a bit like a mix between film and theatre. It's happening live - but it's also like post-production is happening between them and the audience as it's going on. They just have to trust that the audience is hearing what they are supposed to for it all to make sense.
Cush said she thinks in 10 - 20 years, as these technologies has developed, doing theatre like this will feel a lot more normal - not that they will do it ALL the time, but that they will be doing it - whereas now it's still like an experiment. What Cush really like about the concept is that if was done in a much bigger theatre - then people in the cheapest seats would be able to have an experience much more similar to those in the most expensive seats - they'd be a lot more immersed into the action.
David then talks about how it feels extremely counterintuitive to not go on stage and speak loud enough that the people in the back row can also hear you. And usually, if they can't hear you, you aren't doing your job right! But then it felt very liberating. He loves it.
Cush then talked about how it felt odd waiting in the wings for a cue you can't hear - where you traditionally wait backstage and you can hear your cues, you can hear the rythm and know when it's your turn - so it was quite disconcerting to hear silence. So it's basically down to them now knowing the show and each other's timings - like if David is standing at a certain point, she knows how long she has before she needs to say/do something. So you have to watch each other more closely and really focus on what the others are doing.
David asked the musicians if they can hear everything inside the box, to which Annie replied that they get everything except some extra bits in the soundscape. But they can hear the actors on stage. Annie said it's actually a bit of a mystery to all of them what the audience actually experiences - how the big pictures actually look like - they just have to trust that it's there "Is it there?!".
Someone asked if they had had any adverse reactions from audiences to having to wear the headphones. Quite a bit of laughter all around :P then David said "There's the odd person" and something about if someone hadn't gotten the memo before turning up...but not sure how he ended the line. Then once again says that yes, there's the odd person who doesn't like it and that's fair enough.
The same audience member then said he could see the advantage of it in a big theatre where the distance is big, but not in a small place like the Donmar - to which David very quickly, rather passionately replied that it's not about projection, it's about being able to do things you wouldn't normally be able to do live - where they can speak so quietly that they can't even hear each other when standing next to each other. So even in such a small place, people wouldn't be able to hear that. It's about creating a different play - which isn't to everyone's taste and that's fair enough. But for a play that's been done a hundred and seven million times he thinks it's very valid to try and find a new way into the play - even if it's not for everyone.
Part 2
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hedgehog-moss · 1 year
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It’s time for the most important photoshoot of the year! Please enjoy Pandolf enjoying snow <3
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I zoomed in on this one so it’s blurry but I love this shapeless mass at the other end of the field turning around to tell me “:D”
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funkinmadnesss · 3 months
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Oops! All Mysterio!
I had a lot of fun doing these :] and I might eventually do more later but for now! The sillies <3
Info under the cut!
All Mysterios, left to right, top to bottom!
First slide, Cartoons: 1967, 1981, Spider-man and his amazing friends, 1994, TSSM, 2017
Second slide, Comics: Webspinners, Moosterio, Media Blizzard, Undead, Symbiote, Cosmic comic
Third slide, Fan designs: Mine :] , @hollowsart , @lazymonth , @cronchyy2 , @thenyougetbackup , @lazydaydrawings
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carmyboobear · 1 month
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i think carmy has the potential to be a passionate listener. after all, you listen to him when he’s got a million things to say about his incredibly niche interests.
maybe you’ve gone into great detail about the stylistic choices of ur fav movie or tv show. eventually, when you end up watching it together, at one point he says smthn along the lines of “oh i see what you mean with that”. like, lets goooo!!!! ur not talking to a wall!!
i’d personally love to make him to try and play my favorite video game with me after i’ve lore dumped for hours. (i betchya he’d be awful at it). maybe he’s absorbed a bit of that info tho, and he’d point stuff out while we play.
that would make me embarrassingly giddy.
hiii i'm that guy that can go into great length about films if you get me started. or anything i'm obsessed with at the moment really. 
you don't listen to him talk about food (or in general) because you feel obligated. you do it because you love him, and he listens to you because he loves you, too. he genuinely cares about the things you care about. carmy's a sweet boy!
“If you look for it, you'll see that circles are a motif throughout the whole movie.” You're watching your favorite movie, cuddled with him on the couch. He makes an affirmative noise. “I'll tell you more when we're done watching, too.”
“I'd like that.” He looks at you expectantly, and when you give him a confused look, he says, “You can keep talking if you want, y'know.”
“I know, I just…” You shrivel into the cushions behind you. Carmy's arm that's tucked around your shoulders brings you closer to him. “I don't wanna annoy you.”
“You could never annoy me talking about the things you care about.” He presses a quick kiss to your forehead, and you make a pleased noise. “I think the color stuff you were saying earlier is cool. The red and green, right? I can't stop seeing it now that you pointed it out.”
“Mm, yeah,” you say, like the fact he was actually paying attention to you doesn't make you wanna roll around with giddy. “It really tells you the whole story without saying it.”
“I have some predictions, then,” Carmy mutters, eyes focused on the tv. You could just kiss him (which you do).
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klaasje · 8 months
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painted some scenes from tornado video classics volume one
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mokutone · 1 year
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i tried to document the process of making the watercolor piece, + i figured i'd share it bc i love talking about process :D
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ganondoodle · 10 months
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since i cant stop thinking about things i care about and also i cant shut up ever im gonna say my bit about the "well of COURSE they destroyed everything shiekah after botw bc it nearly killed the entire country DUH do you not understand basic worldbuilding??" type of comment i had directed at me (mostly on twitter to no ones surprise and almost exactly worded like this)
--how would you even destroy it, the only thing you can actually damage with anything are guardians and nano-guardians, anything else cant even get scratched, hell you cant even climb the darn things, are you seriously trying to tell me they somehow completely pulverized not just the shrines but titans (divine beasts), the shrine of life and the pillars holding the guardians in storage around hyrule castle and the dome beneath it (whereever that went lol) when it was built to and DID last over 10 000 years ... and if you did somehow find a way to dismantle literally all of it why would you not ... use its parts for something else and also research it (lets be real here, purahs new towers are just the sheikah towers but more impractical and would by all means not need all of the material from all the missing stuff and the purahpad is just ... literally the shiekah stone but looking more like the switch and also worse bc its got almost none of the functions the shiekah stone had) they were so integrated into botws landscape removing them and their chambers would have been so much effort better spent in other places and just so unnecessary (think of the shrines at the twin mountains, removing all of that would be so dangerous and difficult to do), removing the pillars and the dome under the castle would endanger it collapsing no? there also would have needed to be a giant mechanism down there to make the pillars rise up, why would you go and try to destroy that instead of focusing on rebuilding the most important infrastrucutre
(on a sidenote, yes there are holes to the underground in the place of some shrines but its by far not all of them .. .even so there at the very least should be some rubble of them lying about at the bottom plus in most of their places its just plain earth, or sometimes even a cave locked by some puzzle which is.... so weird)
really the only explanation would be that it all just ... disappeared after zelda sealed ganon, which wouldnt only be hella unsatisfying as an answer but also again pose the problem that i would have caused the castle to collapse considering how shiekah tech was so integrated into it... unless it turned to earth somehow ... which would explain that but still be as satisfying of an explanation as 'it was all just a dream uwu' additionally, the zonau stuff under the castle wasnt even that far down so it must have intersected with the shiekah stuff, like the pillars or the dome?? but no its all just zonau ruins now wahoo
if literally all traces were gone and totk was a paralel to botw but with zonau instead of shiekah OK, they still called it a sequel tho, they still talk about the events of botw but in a way that sounds like it was just another lost legend, the tapestry exists as well, and there are a few old guardian parts on top of the hateno institute (still feels like an oversight considering how cleanly everything else was wiped off the map), plus purahs towers and the purahpad are clearly based off of it, so it cant really be some time fuckery either, some things still remain; it just doesnt add up and its frustrating as hell .. ... especially if you were like me completely thrilled and intrigued to learn more about the ancient shiekah, what WAS that dome under the castle for?? what WAS ancient energy really and why was it found in these specific places only?? did they know about ganondorf?? if they built stuff down there shouldnt they have inevitably come across the old tunnels?? the monks literally talk to link in botw why would they withhold that info, what reason could they have?
--by far my biggest annoyance with that excuse is that ... if you are so afraid of tech you dont fully understand being taken over by the bad guy again to the point you destroy not just the titans you basically worshipped as divine protectors but also immovable shrines that literally couldnt do shit to harm you even if they were pumped up to the brim with malice/miasma after they have already become non threatening/non functional anyway... HOW could you just go and fully trust and personally play around with new tech that LITERALLY rained from the sky out of nowhere, from a group of people no one knows shit about (like at least the shiekah were still existing and had a small part of recorded history) and never cared either until now that they are suddendly everywhere, even if it cant get corrupted somehow (kinda disproven by the spirit temple) how the hell would anyone know that?? if anything this would be a reason to be MORE afraid of it
even the ancient king that persecuted the shiekah bc he was afraid of their tech when they invented it didnt order them to destroy it, just bury it, despite them of all people knowing the best of how to completely destroy it??? and zelda doesnt seem like the type that would order old history and relics to be destroyed liek that??
it would have been such a golden opportunity to show that hey, the ancient shiekah based their tech on that of the zonau, they found the mines and tech and reasearched it to built their own from it, strucutres that show they were down here building the shrines from underground, titan prototypes, you cant do anything with it, its old and broken, but its there, environmental storytelling and all that
the shrine of life especially pisses me off bc thats like .. ok it was kinda not the best maybe but it still saved links goddamn life, even if it all became useless for some reason at least leave it there as a sign of respect, if there needs to be a cave have it be half collapsed after the cataclysm or something wheres the problem
(also idk if im the only one with that but in botws true ending when zelda says that vah ruta, i think, has stopped working it seemed like a good setup for more? and that she wanted to investigate that in the sense of ah shoot i want it to keep working tho and not in the sense of hell yeah lets smash it to pieces i know this is theory territory now but it seemed like it somewhat confirmed that the titans need a pilots strong spirit to work since they are not connected to the ancient energy network and the spirits of the champions passed on at the end ... the idea that ancient energy was spirit energy either gained from luminous stones or directly spirits is so neat, and i loved that idea of hey the reason why all of the energy went out all of the sudden is bc ganondorf is breaking free after having been kept in a stasis to use either his malice or his strong spirit to fuel it all has never left my mind since i first read about it bc its such a good setup for intrigue, like oh heck the ancient shiekah werent so coolio and 100% perfectly good either, maybe they knew about gans 'future' or history and hey why not trick him or sth into being sealed against his will so that problem is out the way and whoop hes pretty much an infinite source of energy nice lets use that for our research and not tell anyone oh no we created a monster (calamity gan) l guess we are gonna use the tech we fuel with his own life against him lol, OR you could have connceted it to the zonau maybe doing the sealing first and the shiekah discovering him later and being like oh neat an endlessly rich powersource we arent gonan tell anyone about weehoo
it would have tied into the ancient shiekah stuff, explained why it doesnt work well anymore, give a reason to explore the underground and discover it all, give a reason to why it was kept a secret bc no one wanted to admit yeah we made this monster ourselves whoops, give ganondorf a reason to be this angry and make it all more nuanced bc yeah ok maybe the zonau knew about gan and in their effort to prevent it caused it instead by sealing him before he became a problem and it all started a domino effect of disasters leading into all this mess that now poor zelda and link gotta solve
im not saiyng this is the better version or that i am better but again you can literally do so much with the setup for it all and what totk ended up doing with it feels so ... not even underused but straight up backwards treading you had it right on front of you INFINITE POTENTIAL AAARGH)
theres only so much fun gameplay and fantastic music can save and man can you imagine what could have been if the story got the same polish as the gameplay and music ;__;
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mangosaurus · 7 months
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so swrve posted a new video on the chaos theory news about an hour ago, here's a rundown of the major points:
direct sequel to jw:cc
expected release date of summer/fall 2024
trailer coming out "soon" (could be next week, could be the end of 2023, who knows)
same platform and animation style as original series
taking place on the mainland
6 news dinos! allosaurus, becklespinax, atrociraptor, pachyrinosaurus, suchomimus, & ankylosaurus
said ankylosaurus will have a paticularly "unique" personality and name?
darius will be returning, most likely as the main lead! looks a lot older than he did in the s5 epilogue; series confirmed to take place post-fallen kingdom and post-battle at bigrock
as for the rest of the campers: no word on anyone else yet, but brooklynn isn't expected to make much of a comeback, if at all. if it isn't just for plot reasons, this one doesn't surprise me too much—jenna ortega's (brooklynn's VA) probably super busy with wednesday right now, as well as a bunch of other bigger projects. crossing my fingers we still get a good cameo, tho 🤞
new character! name's sydney; not much known about her other than that she's an amputee
and that's about it! trying to keep an open mind as we wait for more details to roll out 💆
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trashyreptilian · 1 year
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TW: Unsettling faces and body horror.
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"He was no longer the hero of the story, just a cog in the machine."
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b4kuch1n · 1 year
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wizard looking for a way home (aka wizard of dark space)
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noretreatnancy · 8 months
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Take a red onion. Caramelize it. Add garlic. Add tomato paste. Add smoked paprika (a lot). Add 1 can of butter beans. Mix. Juice 1 lemon. Add the juice. Add sriracha. Add heavy cream. Add spinach. Serve with bread or over rice. Cry over how fucking good it tastes. The only “cooking” you have to do is cooking your onion down. Everything else is just adding shit. You don’t even have to measure it’s just to taste. It’s very good, very filling (1 can could probably feed 2 people). Got veggies in there, got protein. Very little effort required
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filmnoirsbian · 4 months
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october 2023
monster mutant boogie by bloodsucking zombies from outer space
tw flashing lights and jumpscares
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elven-butts · 6 months
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OCtober day 19 - thoughts
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the commander doing commander things
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