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marvelmymarvel · 1 year

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The Uchiha

Tobirama Senju x Uchiha!Reader

Synopsis: He hated all Uchihas, every last one of them. But you? You were somehow different... And he didn't like that.

Important note: I know the timeline/ages are OFF as Tobirama was 39 when he became Hokage. Let's pretend he was 25 :)

Naruto Masterlist: Here

Also, Tobirama drinks respect women juice. It's canon in this house.

Madara's huff of annoyance sounded out in the room as you turned down yet another suitor. "Sister, why must you sabotage every proposal that comes your way? I'm trying to help you find a husband-"

"I do not wish to get married yet Madara, I'm only 21" You bit back, arms crossed as you pouted up at him. This whole 'suitor' search had been going on for months now, and you were growing tired of the good-for-nothing men your brother brought your way. "And when do you expect to finally be "ready" for marriage, Y/n... Your time is running out-"

"I'm only 21"

You always hated the idea of marrying young and it was the Uchiha way to be married by the time you turned 22. As the head of the clan, Madara was having a very hard time accepting that you were not willing to follow protocols when he was already struggling to maintain power amongst the members. "Y/n please..."

He sounded so pitiful, so tired... But you were done with this conversation. Standing from your spot on the floor, you brushed off the dirt from your dress and started towards the door "We can talk about this later, I want to go for a walk"

"You can't run from this forever Y/n. You will be married within the next 6 months"

You slammed the sliding door shut, eyes rolling in anger as you took off towards the town. "How could he be so selfish, trying to set me up with men that I clearly have no interest in" you huffed out to yourself quietly as you stormed past members of the clan. Some sent you glares, others averted their gazes knowing that one wrong look would mean certain death from either you or your brother.

Your body relaxed as you entered Konoha's downtown area, the Uchiha section and its demands of you were now far away. The sound of the people bustling around the market filled you with joy. There were many girls that were around your age sitting around outside of a cafe, they seemed to be laughing about some stupid thing that had happened to one of them. It was so simple but it was a reality you yearned for.

Sometimes you hated being a part of the clan. They were just so far behind the times and it felt almost suffocating to exist among their stuffy ideologies.

'You're supposed to get married young and give your husband as many children as he desires.'

'Your place is in the home, where you care for your husband and children.'

'Ambitions? You don't need them! Don't forget, your place is beside your husband and that's that'

God, it made you sick. There was nothing wrong with being a homemaker, but it wasn't for you. You wanted to get out there, work, have dreams, and find love naturally... Not through your brother of all people.

You wanted someone else, someone different. Someone who wasn't in the clan and someone who would challenge you to be something more than just a wife and mother. You wanted-

You halted in your tracks as he crossed in front of you, his Kage cape flapping in the wind behind him making him look bigger than he was. Your mouth dropped a little as you watched them walk away, you hadn't seen either of them since Tobirama became the second Hokage and it felt like today was your lucky day.

"Tobirama! Hashirama!" You called out, hand shooting up as you caught up to them. Hashirama smiled brightly at you, arm opening up urging you to hug him "Y/n! How've you been? How's Madara?"

You slyly shot a glance toward the white-haired man, and you didn't miss the slight annoyance that flashed across his face at your presence. You knew he didn't like your clan. You didn't like your clan either.

"I've been good. Madara's been... Madara" You were trying to sound chipper, but the thought of Madara soured your mood again. Hashirama nodded, he knew you and Madara were on thin ice what with him trying to find you a husband and you NOT going along with it. "Husband search not going well?"

Your face morphed into a scowl and Hashirama kicked himself for even asking when he knew that's what was wrong. Tobirama's eyebrows furrowed together at your change in demeanor, he was used to your ruthless attitude, so this was something he wasn't expecting. You grew embarrassed under Hashirama's pitiful look and Tobiramas inquisitive stare, "If I do marry, it won't be an Uchiha" you muttered quietly before brushing past the two men.

The two brothers stood there in silence as they watched you walk swiftly down the street towards some food stands, "I shouldn't have said anything" Hashirama sighed as he rubbed his face in anguish, "Her brother's going to kill me"

"Why does she not want to marry an Uchiha?" Tobirama breathed out, he didn't know what was getting into him, but it felt like he was seeing you for the first time in his entire life. He had known you for years, ever since you were children. He found you to be quite annoying and lumped you together with the other Uchihas that he hated.

Yet something felt off.

"They treat their women like property. It's mandatory that a woman marries before 22 and has a child before 23. Her place is in the home and they can't do anything without permission from their husbands"

"That's ridiculous. Women have needs and desires as well-"

"Yes I know Tobirama but that's how the clan operates-"

"Well, it's another reason as to why I despise that god-forsaken lineage-"

"If you're so upset with it why not marry her?"

Tobirama slammed his mouth shut at Hashiramas statement. Him? Marry YOU? An UCHIHA of all people?! Hashirama stood his ground though, he wasn't stupid and he saw the looks Tobirama has been sending you for YEARS now. Tobirama could lie all he wanted to, he has always cared for you more than he'd like to admit. Tobirama started to take off back to the Hokage's office, not liking the look Hashirama was giving him "I don't think marriage is a good idea, the clan will disown her if she marries outside of their circle-"

"She hates her clan Tobirama and honestly, I think you're the only person who can make her happy"

Tobirama tripped on his footing trying to stop in disbelief. His eyes were wide and his face was full of disgust at what Hashirama was insinuating. Him? Make you happy? Not possible.

"Uchiha or not, you can't deny that you care for her in some way. I know this because you look at her differently than you look at anyone else. You don't even look at the women you try to court that way-"

"I'm done with this conversation" Tobirama huffed out, his face was burning red and the whiteness of his cloak only made it more noticeable that he was embarrassed. Hashirama opened his mouth to make another statement but Tobirama stormed towards the Hokage's office, leaving him standing there in disbelief.

How could someone so smart, be so clueless.

* 2 weeks later *

Your feet kicked at the ground as you waited for your turn to talk to the Hokage. Madara was unable to meet with Tobirama to go over the latest requests of the Uchiha clan, so you were left to the task of talking to the stubborn man who always seemed to make your heart race faster than it should.

"Y/n Uchiha? You're free to go in now"

You nodded at the secretary before standing and heading towards the door, heart pounding as your gripped the wooden door. Sliding it open, you popped your head in before letting out a quiet 'hello'. Tobirama's head shot up at the sound of your voice, he was expecting Madara so this was quite the surprise. "Y/n" he greeted firmly, trying very hard to calm his nerves as he took you in.

You were wearing a simple dress, not too fancy but not too casual. It fit you in all of the right ways, you were attractive sure.

But it was your smile that took his breath away. It reached your eyes, making you appear carefree even though he knew you weren't. "So sorry about my brother's absence. He grew ill over the weekend and asked me to step in for this discussion" you explained sheepishly as you navigated your way to one of the chairs across from the desk.

Tobirama didn't say anything but nodded at your apology, he wasn't upset with this change of plans. He was actually happy. After his discussion with his brother, he tried to push you out of his mind, but every time he saw you he was reminded of the feelings he so desperately tried to hide. "What do you want to speak about?" Tobirama started as you sat down in front of him. You looked at him wide-eyed as if he was asking you something foreign, "Oh! Yes, that" you finally stated as you opened up the envelope with the items to discuss.

Your eyes scanned over each bullet, humming to yourself in agreement with the requests on the page, but you grew still at the last bullet point. Tobirama cocked his head as he took in the way your face fell into disbelief and sadness. "Is something the matter?" His voice was clear but muffled at the same time thanks to the growing rage pounding in your ears. "They want your help with finding my suitor..."

His blood ran cold at the words, if they were asking for his help, that meant-

"They want to look outside of the clan" you breathed out, and in a way, you almost sounded relieved. "Is that something you want?" Tobirama's question was met with silence, but it wasn't a no. "I guess you'll need to marry into a higher-ranking family, do you have a preference-"

"Wait wait wait" you started, waving your hands as your cheeks heated up at the idea of marrying someone who wasn't in your inner circle. You didn't know if you were happy about this, you didn't know if this was a better option. Tobirama studied you from across his desk, you were somehow giving off the energy of relief but also anguish, two feelings that never went together.

"What do you want, Y/n?"

His question took you off guard, it wasn't usual for someone to ask you what you wanted. "I... I want to marry someone who will let me be more than just his wife. Someone that will let me be me." You finally breathed out, your nerves beginning to somehow morph into excitement at the idea of getting what you wanted. "So a higher-ranking individual who will let you be you? Is that all you desire?" Tobirama sounded calm, but inside he was kicking himself. He tried to rack his brain for who you could marry, but all he saw was himself.

"Yes. I suppose"

Your answer was quiet and bashful, had you somehow read his mind and saw the very image of you two together? "Do you have a preference to what clan-"

"Um... Maybe a Senju?" It was bold, very bold of you to blurt it out so quickly. It told him that you had pondered the answer to that question for some time now. "Well, you're in luck. The Senju clan isn't as backward as the Uchihas are. You will have no issue finding a husband who will nurture you and your desires" Tobirama was thankful you couldn't see his shaking hands below the desk. He didn't like the idea of you being with someone in the Senju clan, someone who wasn't him.

This felt wrong. He hated your clan so why were you different? Had he always felt this way and hated you to cover it up? He thought back to when you were kids. You were a couple of years younger than him and you were always trying to talk to him even though it was forbidden.

Forbidden.

'The Uchiha clan is evil. I forbid you from talking to them in any way shape or form'

That's what his father always preached, Hashirama never listened but he did. Now he was regretting it.

"How do you feel about me?"

"I'm sorry what?" You sputtered out, eyes wide at how calm he sounded. Tobirama didn't falter, only stared at you as if urging you to answer even if you didn't want to. "I uh. I guess I like you? I don't know I enjoy your company and-"

"I meant marrying me"

Your blood ran cold but not in a bad way. Your face burned and the heat began to travel down your neck and chest. He was what you wanted, what you've always wanted. Ever since you were kids you decided that he was the one you wanted to be with. But he always hated you so you wrote it off as a stupid crush and tried to move on.

The key word was 'tried'.

"I've wanted that for a while yes-"

"Then it's settled. I will send a notice to your brother. I will be taking you to dinner tonight, do you have a restaurant you like- What's wrong?"

Tobirama noticed your eyes widening at his words and he didn't know if it was a good or bad thing. You had just admitted that you wanted to marry him, so why were you looking at him like he had 5 heads? "I just didn't expect this to happen. I thought you hated me to be honest"

He bit his lip, contemplating what to say to reassure you that you were different. He did hate your clan but he didn't hate you. The hatred he felt was because he was infatuated with you. But how could he put that into words? There was no way to reassure you in the way you deserved. Instead, he stood and circled the desk before leaning against it. "Let me take you out. Let me court you... You'll see that the feeling of hatred was one of forbidden desire"

You nodded slowly at his words, still uneasy and unsure.

"Now where do you want to go for dinner?"

#tobirama senju imagines #tobirama senju imagine #tobirama imagine #tobirama imagines #tobirama x reader #tobirama senju #naruto imagine #naruto imagines #naruto #naruto x reader

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keystonepublishing · 7 months

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The Saga of Hermitcraft on r/Place (1 April 2022 - 4 April 2022)

On the 1st of April 2022, Reddit unveiled a white blank canvas where every user had the ability to place one colored pixel in every 5 minutes. At its height, about 4 million people participated in one of the biggest internet collaborations ever made. The ripple effects reverberated into news reports as far away as Turkey, and the final canvas represents a snapshot of the multiple communities, events, memes, and what was popular around the world at that time.

This is a documentation of the Hermitcraft mural on r/place 2022.

aka.

Remember what I said about my latest ficbind being a distraction? This is what I wanted to be distracted from.

After Reddit's API fiasco of this year and the subsequent controversial event that was r/place 2023, I decided to save as much documentation about the 2022 event as I could. Luckily, I remember how there are already a series of posts by @riacte who documented the progress of the Hermitcraft mural throughout the whole event, from beginning to end. Her blogposts form the bulk of this book (like, 95%!) and I cannot thank her enough for preserving the happenings of the block men mural.

With that said, I quickly realized that someone who's not a Hermitcraft fan - or me if I'm older - might not get the gist of who's who on the mural. The solution? Make several pages dedicated to just listing who's who on the murals! Because of the sheer number of heads, the mural was divided into several pieces for easier labeling. As a bonus, I also threw in another mural nearby which was connected enough to the Hermitcraft community.

For consistency's sake and preserving focus, I decided to not label the peeps from Dream SMP or the MCC secondary mural. Wrangling Microsoft Word to create an infographic was hard enough, let alone 3! If I inadvertently left out a few bits of extra context from this decision, mea culpa.

When it came to typesetting the entire text block, I decided to make some consistent rules. Titles denoting each day or stage of the mural are on their own pages. New sections are titled using the Bahnschrift font and colored blue, while the first paragraph has their beginning lines look Minecraft-coded and topped with a drop cap (aka. those super-large alphabets).

The names of Hermitcraft and Minecraft players in general are bolded when they first appear in the text. Afterwards, they are bolded if they are contextually important to what's being said.

Extra context would be placed in the footnotes section at the bottom of the page. This is also where I dump some background information that would be invaluable for any readers who aren't Minecraft fans, which is why the SpaceX page looked like... uh, that.

My image policy is to go with the flow; I used as many images from riacte's posts as possible, but I also added-in some of my own if more context is needed. Placing them to look smooth with the text was harder - some are small enough to not cause any problems, others are large enough to fill entire pages without any problems, but a few like the Dream SMP mural (hey there! I managed to put you in!) are too wonky to fit perfectly without leaving no empty spaces.

So in that mural's case, I placed them to the side and let the contextual text flow around it. This principle was also used for the Dota2 / Love Live images and in a few other places throughout the book. The biggest case of this are the few images that are just too wide.

Like this one.

Making double-page spreads is not the easiest thing to do in Microsoft Word, and there are a few r/place images that are too wide to fit perfectly in a single page. Confining them to one page would also mean losing all their details, so making them a double-page spread was necessary.

Didn't make it easy though, especially when there are paragraphs of text and other images that needed to be shuffled around. Mess up the double-page images, and they won't meet in the middle. Mess up the text and other pics? There goes the layout and overall flow!

In the end, making this book took a lot longer than I expected, but I am still grateful to have made this as I have now read through many posts from Tumblr, Reddit, and even Youtube - people expressing joy that they have collectively made something together. I can only hope I have made some justice to them by compiling their work and (even if a small sliver) preserving their testaments.

May this r/place be remembered.

#r/place #rplace #Hermitcraft #reddit #MCYT #rplace 2022 #r/place 2022 #bookbinding #fanbinding #documentation #my bookbinds #hermitblr

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dontlookforme00 · 10 months

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💚ninjaa4a4afan192288 Follow

Ok but is it actually too soon about the whole Stiix thing. Like whenever I make a joke about it there's always people who look at me weird.

My brother in FSM, that happened like 5 years ago. Get over it. For all our sakes. Pls

☄️theplantenjoyer Follow

What the fuck.is wrong with yuo. My uncle died in that little green pricks shitshow. Shwo some respedt for the dead

🚨spiderronmyphon Follow

which green prick. there's a few, be more specific

💚ninjaa4a4afan192288 Follow

I am showing respect for the dead. Massive respect to Morro. What a fucking plan.

Imagine you get banished to hell and the MOMENT that the nations saviour sacrifices his dad, you escape. Attack ur teacher, the students ur teacher was cheating on u with, (academically) and then immediately graverob god.

Why have none of us talked about this. This is insane.

He graverobbed God, normal-robbed whatever place had the SOS, normal-robbed some ginger in Stiix. And then beat up the students like three times.

AND FUCKING DIED AGAIN

I can't get my head around this. This topic has always fascinated me and I really need us as a society to normalise it so I can fucking talk about this.

Also your spelling is shit and idc about your uncle

🤝theuhhbrobrogoogoo Follow

He was,,,a terrorist?? Why are we glamourising this. Morro killed people and ruined lives. Stop throwing an Internet tantrum and divert your attention to the REAL one deserving of it. And that is Nadakhan

💚ninjaa4a4afan192288 Follow

Fucking who

☄️theplantenjoyer Follow

Fucking who

🚨spiderronmyphon Follow

What. Who??

🕓whi7g-8919-9 Follow

I KNOW THIS IS A BAD TIME BUT WE HAVENT ACTUALLY COME TO A CONCLUSION ON WHETGER OR NOT NINDROIDS ARE HUMAN?? GUYS.

GUYS THIS IS IMPORTANT. WHERE DO NINDROIDS ACTUALLY COME UNDER OUR LAWS

💚ninjaa4a4afan192288 Follow

Nows not the FUCKING TIME GERALD

🚨spiderronmyphon Follow

Ok, this is interesting. Article 3.4 C of the "Humanity" Section of the Ninjago City Department of Law Archive of 2017 states that, "Nindroids are legally recognised as on the same status as all other biological humans by the following criteria: " and then its fucking blank??? This city is a joke. The audacity. What was the point. How the fuck did this pass

And the implications of this, if it wasn't just some stupid error? Neither Zane nor Pixal can face legal justice for being discriminated against in workplace, or anywhere else. They can't buy things under their name, because they aren't recognised as citizens. Only as advanced AI (pretty fucked up but uh). They can't get married, own intellectual property, or . Anything. That's wild.

🐭technosharpieesz Follow

I mean yah. They're bots. They'd hack the economy or sm idk . I'm not going to explain to you why we shouldn't be integrating literal AI into our society??

🚨spiderronmyphon Follow

MOTHERFUCKER LISTEN HERE-

💚ninjaa4a4afan192288 Follow

GUYS CAN WE PLEASE STOP DERAILING MY POST!! PAY ATTENTION TO ME PLEASE!! I SUPPORTED A TERRORIST LOOK AT ME

🕓whi7g-8919-9 Follow

Shut up apologist wer talking abt Pixane now

✨️ninja-heritageposts Follow

Ninja heritage post

💔realsestreal-ninjafanacc Follow

Everybody on this post is a fucking lunatic.

#hehrhdhfhdh i was bored #and these r alwasy fun to see #ninjago #lego ninjago #morro ninjago #ninjago citizen memes #ninjago textpost meme #ninjago meme #shitpost #ninjago shitpost #long post #ninjago in universe memes #in universe memes

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coffincestuous · 2 months

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the progress report!! #3

happy march 1st!! kit9’s third progress report dropped today with a special bonus from nemlei!!

firat things first, we have The Entity in the thumbnail!! are they a little bigger to anyone else..? just me? anyways, the lights are a fun addition to the demon/dream world. i’m sure this has no importance whatsoever (lying)

next, we have… this. our dear protagonists caught in a compromising position, oh no!! seriously, though. what are they doing here? were they going to fuck in the car? good for them!! they don’t look very pleased to be disturbed by whoever this is, or disturbed at all. hopefully this isn’t anyone they used to know.

here, we have… the chapter two decay route vision area. you know, the one where andrew is chasing down ashley to murder her or get murdered.

yeah, that one.

it’s very interesting that we come back here. i wonder if this is still the decay route? also, why are we only seeing andrew’s little pixel sprite here? is she on one of the other sections? is this her vision or andrew’s? it seems to me that it’s ashley’s, considering we’ve been here before, but who knows!! there’s an axe and a signpost missing, and the tone of this preview reads a whole lot differently than the vision did at the end of chapter two.

i wonder what has prompted ashley to ask andrew what he wants? i wonder if he’ll be honest? i wonder if this is an important moment, or if it’s just them fucking around? god, i’m SO excited

little andy spotted!! and mrs graves. she is clearly unhappy about something, and i’m thinking it has to do with leyley. doesn’t it always, when it comes to mrs. graves? my guess is that she’s asking him to keep her out of trouble, but it’s just a guess. we’ve seen before that he only curls up in a ball like this when he’s really upset (and still does it as an adult). poor thing.

here, we see andrew with the entity in the thumbnail area, with the lights and everything. shout out to the little darkened souls in the far corners of the picture. our dear andrew is trying to negotiate with the demon.

i think that this is a huge moment in the game and the plot going forward!! assuming this is the burial route, ashley’s been asked to bring him along, AND he has that hex mark on his hand!! this demon is going to steal his soul!! ashley’s gonna be mad.

this could potentially happen in the decay route, too. if we assume the earlier dream/vision sequence is decay, this could be decay. maybe he’s going to meet the entity on his own regardless of what happens with ashley. again, who knows!!

[id: a screenshot of steam. the text reads “Next Episode. From the work completed so far, this episode will be the longest yet. Even in its unfinished state, it is roughly the length of both previous episodes combined. / Once finished, this episode will be released as a major content update, and work on the final episode will begin. / It is still too soon to give any release dates.” end id.]

before, nemlei had said episode three will be split into two separate chapters (one for each route), but maybe this has changed!! the length is… beyond my expectations, truthfully!! it’s longer than both episode one and two combined. holy shit??? that’s So Much Content. i think i will officially be losing my mind upon its release, and even more so when the game is finished. omg!!!!!!

finally, we have THIS!!!!

thank you nemlei. she knows what her fans want to see :33

(i think i need to set this as my phone background or something. it’s SO CUTE!!! i don’t even know where to start expressing my absolute JOY with this image!!!)

#tcoaal #the coffin of andy and leyley #andrew graves #coffincest #tcoaal screencaps #devlog #coffin.txt

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moonssalad · 8 months

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Am I the only one who is disgusted by seeing how many people actually seriously excuse Rhysands fucked up actions?

I have seen so, SO many people talking about how he hid the truth about Feyres pregnancy from her and always excuse it by saying how he didnt want to stress her out 💀. Or that he was looking for a way to save them before he told her, like he shouldve told her right away. And how he told the IC about it before he even told Feyre and told them to keep their mouths shut too and even worse is that they fucking listened to him, like what the fuck?? And how always in discussions about only Rhysand keeping it from Feyre people always start talking about how Madja didnt tell her either, like dude this is a conversation about what an asshole Rhysand is and not about Madja, keep to the topic! And how people hate on Nesta for telling her, like fucking hell. Ive even seen people say that Rhysand not telling her is AS BAD as Nesta telling her to hurt her or whatever. Its just insane, I think I lose braincells every single time I see posts like those 🤯. Feyre literally says throughout the books multiple times how she hates when people choose for her or dont tell her something because they think it would be too much for her and Rhysand literally keeps one of the most important things from Feyre.

Also what the hell was that bullshit about Amren saying how Rhysand should be High King? Hes literally one of the worst options for it. Bro cant even handle 2/3 of his court 💀. And lets so many people suffer in Illyria and Hewn City even though he has had CENTURIES to change something. Honestly none of the IC even try to change something about the Hewn City, like are you seriously telling me that Mor was the only person who was good in that shithole? Whats even more insane is how Mor doesnt change anything about it when she had LIVED THERE for years and now has the power to do it! And Illyria, Cassian seems to be the only one who is actually trying to make it better even though its not really working. Why the hell cant healers heal wings but can heal someone whos guts are basically spilling out?? Hell why the hell doesnt anyone know about c-section? Just insane. What the hell does Rhysand even do for his court? Just sits on his ass and thinks only about Velaris? Because it seems like that.

And am I the only one who was mad how Rhysand chose to show off Feyre as if she was his plaything in the Hewn City. Like yeah yeah keeping up appearances or whatever but how the hell will they see Feyre seriously after that? I think Feyre was in the Hewn City two times and the second was when she was High Lady and Rhysand got her to sit on the throne after the first time he showed her off as his toy. You cannot convince me that the Hewn City residents take Feyre seriously and its all Rhysands fault.

Talking about keeping appearances, the whole 'mask' thing is so stupid. When someone doubts the IC intentions they have the fucking audacity to be mad about it as if they arent the ones who made sure eveyone thought they were all incredibly evil.

I dont even want to start talking about UTM and how fucked up it was.

People always say that he does things like these because he is 'morally grey' but to me hes just a toxic asshole. You dont write a 'morally grey' character and then excuse every fucked up thing he has done, its just not how it works.

Rhysand is literally the worst MMC ever and its insane how so many people say how wonderful he is, how he is the man of their dreams 💀, fucking worried about yall if you seriously think that.

Feyre should take Nesta, Elain and Nyx and get the fuck out of there because they all deserve so much better than this.

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macsimagines · 9 months

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Ahhh you write for them wonderfully? You’ve gone above and beyond my expectations and I appreciate all you’ve done ♡

I hope that you’re not too busy and that I’m not pestering you too much; may i request the same Yan! Shin/Izana/Ran trio stalking their darling throughout the city on their day off? Like them following and observing as their s/o runs errands, goes to appointments, etc?

Thank you for the love and thank you for your patience with me. Ive really enjoyed writing your requests

Yandere!Shinichiro

Was devastated when you told him he couldn't go with you. "My bad Boo, but you're too distracting and I really need to get these errands done today."

He took such great offense to that. What's so distracting about constantly having a hand on your ass and his tongue in your mouth- ok. Maybe he can be a smidge attention diverting...

But its ok! He can still be with you, just in a far off corner where you can't see him. Its almost nostalgic, it's just like back in high school before you two were dating.

Loves the way you're doing your errands though. Look at his baby go, being all domestic at the grocery store. Takes pictures on his phone because its just too cute the way you read all the store labels.

You end up catching him in the frozen foods section. "Hey there, sweet thang... Come here often?" Cheesy pick up lines and his stalking aside, at least he's cute right?

Yandere!Izana

What in the hell? You chew his ear off about how you never get to spend time together and how he always blows you off and now that he finally has a day set aside for you, you can't even spare him a second?

"Sorry baby, I've got a really important appointment today and I can't miss it." "Are you shittin' me? An appointment for what?" "....hair."

You must think you're real slick if you honestly believe that he'll fall for a lie like that. He knew this was gong to happen. Obviously you're planning on leaving him.

Like he'll let you walk away, its his own fault, as if you can leave him alive, he should've paid more attention to you, you're not going anywhere but in a fucking body bag, please don't go.

He follows you, he wants to catch you in the act. Did you meet someone new? Are you trying to just dip out of town while his guard is down?

Izana does catch you. At an appointment. At a maternity clinic. So you did lie, but this is a whole other monster than what he was ready for. Could this mean...

Waits outside for an hour and can't even enjoy the shocked look on your face. All he wants are answers.

"Well, Y/N?" With shaky hands and tears in your eyes you hand him a picture of an ultrasound. He can barely make out the tiny blob in the photo but suddenly he knows why you were so moody and trying to blow him off.

"I'm sor-!" Izana isn't one for PDA, but before you can get even a single apology out he's embracing you in a tight hug. This is the best possible outcome.

Yandere!Ran

Well ain't this a bitch? He wakes up at the crack of dawn, 12pm, and you've already left the apartment? Only leaving a note; Enjoy your day off baby! Running errands, be back 2nite!

Bullshit! He took the day off for you, and to sleep like the dead, but mostly for you! Ran had actually planned to take you out shopping then drop by that nice restaurant you like so much for dinner.

This will not stand. Using the app he had installed on your phone, he bought it and pays the bill he can put whatever he wants on it, he tracks your location all the way to the market.

He's going to surprise you and drag you home. You can't just take off like that. Who is he supposed to spoon when you're gone? His pillow? Pathetic.

But then he sees you. So cute in your skirt and sweater, holding a basket of all that fresh produce he knows use when you make him his food. You take such good care of him.

Ran really does want to be mad but how can he when you're just an angel....

When he finally confronts you he does try hard to front like he's mad. "You could've woken me up..." he pouts. You just pat him on the head. "Big baby. Want to help me pick out some fruit? I'm thinking of making a parfait for dessert?"

#yandere tokyo revengers #yandere manjiro sano #yandere mikey sano #yandere izana kurokawa #yandere izana #yandere ran haitani

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rileyslibrary · 1 year

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Living With Ghosts: 2. Lemons

Under normal conditions, it would've been challenging to locate anyone on such a vast property. But a tall, burly man wearing a balaclava and picking lemons? He stood out like a fly in milk.

Relationship: Simon “Ghost” Riley x F!Reader

Word Count: 1,021

Notes:

Fluff

Entire work on AO3

Table of Contents

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P-143, check. P-92, check. P-56, check. P-333, ch-

Wait. That’s not right.

You take a closer look at the glass canister.

No, no, no, no.

P-333 is half empty.

What — why? How did you miss this?

You instinctively look out the kitchen window, scanning the acres of land for his tall figure. You notice movement. There he is.

Under normal conditions, it would’ve been challenging to locate anyone on such a vast property. But a tall, burly man wearing a balaclava and picking lemons? He stood out like a fly in milk.

It was his turn to help with the harvest. You’ve already done your part by picking as many as you could. The rest, unfortunately, are too high for you to reach. Fortunately, he is 6'4" tall.

You dash outdoors, your right hand in a fist, your left hand holding a jar, its contents rattling in sync with your gait.

Your movement is intense, your strides powerful as you flounce through the fields - a little too powerful for the distance you’re about to travel. You didn’t think this through, did you?

The safe house is encircled by orchards of lemon trees. Acres extend across the land as far as the eye can see, glistening under the hot, Tuscan sun.

To the naked eye, the plot serves no purpose other than cultivating lemons. In reality, it is used as a hideaway for conducting covert operations and acquiring vital information for regional cases.

Agents like yourself are expected to keep constant watch while maintaining a controlled and protective environment. How do you do that? Well, by keeping a low profile and impersonating a lemon-harvesting farmer, for starters.

You’re breathless by the time you get to him. Physically exhausted and drenched in sweat, you try to act as intimidating as possible. You poor thing. Who do you think you are? Do you even understand whose arm you’re attempting to twist?

“Di...you...ea...stachios?” you mutter between breaths.

“Speak English,” he orders without even looking at you. What an ass. What a beautiful a-FOCUS! That is not the time. Not right now.

Instead of reacting to his snide remark, you shake the jar.

“Did you eat the pistachios?”

“Pistachios?”

“Yes, the pistachios. Did you eat them?”

“We have pistachios?” he asks, unmoved.

“Had. We had pistachios. A whole jar, to be exact. And we needed them.”

“We needed the pistachios,” he repeats caustically.

He continues to ignore your presence. It seems like lemon-picking is far more important than your little predicament. You poor, poor thing.

You carefully observe him as he collects the fruits from the tree. He is meticulous, even when doing something as mundane as this. Efficient too. Mentally breaking the tree into sections and clearing each area before moving on to the next. His moves are repetitive yet purposeful. Tactical; getting the job done.

Under normal circumstances, you would brush this off. But this wasn’t a normal circumstance. You had to be informed as per procedure, and Ghost was aware of this.

You close your eyes and take a few slow, deep breaths.

“Do not patronize me,” you plead, throwing your hands up, one of them still holding the jar. “Next time, please let me know if you crave something. I have to log everything.”

He comes to a halt and slowly turns his head toward you. His eyes are cold, yet they burn right through you.

“You mean to tell me that you need to register every pistachio that comes out of that jar?” he asks, pointing at the glass container.

You freeze. Well? Do you? Answer him!

“Everything gets counted and documented,” you reply. “I have to report everything that is either consumed or processed. Shipments to the safe house should be kept as little as possible to maintain a low profile. These are the orders I have from the base.” you add, shrugging.

He keeps staring at you with those dreadful interrogative eyes. You divert your gaze away from his. Looking into his eyes for too long makes you feel exposed, vulnerable. Naked.

The procedure wasn’t as rigid as you made it out to be. Nothing would have happened if you overlooked a jar of pistachios. In essence, this wasn’t a formality issue at all. It was you—your need to regain control over something, terrified of dealing with reality. Consequently, you resorted to micromanaging the pantry. Everything—milk, wheat, eggs, the fucking pistachios—was an excuse. You were diverting attention away from the actual problem: the loss of control over your greatest asset—yourself. He could see that. He could see right through you with those eyes.

You bring the jar in front of your chest, attempting to instinctively block him out. You turn around and begin to walk back to the safe house, defeated.

“’ Twas for the birds.” You hear him mumble.

You turn your head around; the expression he had earlier is now embossed on your face.

“Pardon?”

“The pistachios. I fed ’em to the birds.”

What. The. Fuck.

“Birds? What birds?”

“Do I look like a fuckin’ ornithologist to you, love?” he barks. Best to end this conversation as soon as possible.

But you can’t. You, instead, want to crack a smile. Heck, you want to burst out laughing. Lieutenant Simon “Ghost” Riley feeds birds in his free time. What’s next? Baking pies and making lemonade out of lemons?

“Huh. I thought you said you didn’t have any.” you recount.

“I said I didn’t eat any. Listen, I should’ve informed you as per the procedure. Apologies for that.”

Instead of continuing your lecture, you accept his apology and close the matter once and for all.

It was no surprise that there was vulnerability behind the Lieutenant’s tough facade and emotional armour. Today, you could see in between the cracks of his hard shell. He allowed you in.

However, drilling a Special Forces Operator about pistachios was a bold move, let alone Lieutenant Simon “Ghost” Riley himself. Don’t push your luck.

“I appreciate your honesty,” you respond and continue back to the safe house, this time with a smile on your face, walking a little lighter than before.

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Next ->

#simon ghost riley x reader #simon ghost riley #call of duty #modern warfare 2 #cod mwii #simon riley #cod mw2 #cod ghost

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fuckyeahgoodomensfanfic · 3 months

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Good Omens Fic Rec: Pray For Us, Icarus (series)

For three centuries, Crowley has been reincarnated over and over as a human with no memory of his past. Aziraphale has tried to find a way to restore him to his true self, but all he seems to do is hurt them both. This time, he only means to steal a brief moment when he walks into Crowley's flower shop. But Crowley can't let it go...

Length: 65,836 words

AO3 Rating: Teen and Up

Best for: Safe in Public, At Home, Human AU, Canon AU, Angst, Romance, One Sitting

Triggers: Temporary Character Death

Read it here, fic by Atalan

*Minor Spoilers* There's nothing I can say about this story that probably hasn't already been said. It is one of the most popular and well-known Good Omens fanfics, and for excellent reason. I know for certain that I'm not the only one who has wept while reading it. Today was my third time with this story, and, whoops, I cried again.

I've tried to express my thoughts in this post in a few different ways. I can't wax poetic about how much I love this story—my writing skills just aren't there. And much of what I've tried to say feels redundant. I even had a whole paragraph comparing it to the themes in this art by chernozemm which is how this story feels to me.

What I've settled on is that you should read this story because it is intrinsically Good Omens Fanfiction. This series only works as Aziraphale and Crowley, and you could not repackage or retell this story for any other fandom, or, God forbid, traditional fiction. All the emotions we feel reading this come from the intimacy we already have with this world and these characters. The story, and the author, know we can read between the lines. Thus, it can drop a simple line and have us crumple because we already know the subtext behind it. That's why I am so addicted to fanfiction! I'm not saying this is the only story that has accomplished this. But I do think it's one of the most successful.

This series, in my opinion, must be read all the way through. In my eyes, this is a singular work and no one should be skipping any part of this saga. It bothers me that the hit counts between the parts is not equal. The first part has 99k hits and the final 47k. The drop off is criminal! Every section of this story is important and critical to the full picture. So if you read the first part, Flowers for Anthony, and did not proceed to the rest of the story, please get on this!

Completely safe in public, but if you can, I really suggest you read this one at home in one sitting. You'll want to devote all your attention to this story. If, for some reason, you haven't read this one yet, please make it a priority! This is one of the most heart-wrenching and romantic stories I've ever read, and it deserves its spot as a fandom classic.

Read it here, fic by Atalan

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where-theres-smoak-2 · 6 months

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Sylki Pie Room Analysis (Loki 2x4 Spoilers)

I have to talk about the pie room scene between Sylvie and Loki in 2x4, because I can't tell you how much I loved that scene between them and I have thoughts, so many thoughts.

Obviously these are all just my own opinions and interpretation of the scene, I'm not here to tell anyone else how they should interpret it themselves, just sharing my own thoughts.

What I love about this scene is how it shows just how much Loki has grown over the course of the Loki series. But I also love what it says about Sylvie's character development, which is just as important. I'm going to break this up into sections to hopefully make it a little easier to follow.

Doing What's Hard.

I want to start with the part where Sylvie confesses that she couldn't kill Victor and why she couldn't kill him, because this was really interesting to me. If we remember back to 1x6 when Sylvie is about to kill He Who Remains, she asks him if he is going to beg for his life. In that moment it seemed to me almost like she wanted him to beg, she wanted to see his fear, for him to be afraid of her. I think this is because of the fear she felt constantly being hunted by the TVA, she felt afraid for so long and that was because of He Who Remains. So now she wants him to feel that same fear, to know what he put her through for all those years. It really reminds me of what Loki says to Mobius in ep 1 about not enjoying hurting people but doing it because he felt he had to in order to keep up the illusion, the trick conjured by the weak to inspire fear, or as Mobius puts it, a desperate play for control. In that moment Sylvie wanted control over He Who Remains.

It's interesting then that when she comes face to face with his variant, its Victor's fear that stops her from killing him. Because in that moment seeing his fear, seeing him talk about how he isn't He Who Remains, hasn't made the same choices as HWR and can make his own choices, reminds Sylvie so much of herself and how if she did kill Victor she wouldn't be any better than HWR. But I also think seeing Victor's fear reminded her that he was human. To her HWR was the monster who had destroyed her home, killing her family and people and who hunted her down her whole life. The fact that he didn't show any fear only cemented that image in her head. But Victor was afraid, he was human.

Yet in this moment we can see that Sylvie is doubting her decision to spare him, she thinks it makes her weak, which I think is why Loki tells her the story about Thor and how Loki mocked him for being 'soft' when he returned to Asgard. I think he tells her this story to show her that he understands how she feels because he too used to think that being 'soft', showing mercy, caring and trusting in others, is a weakness. We know Sylvie feels like being these things is a weakness because she says, 'soft gets you killed.' She has had to harden up over the eons she's been hunted in order to survive, so it makes sense that she thinks this way.

After she says this Loki reassures her by reminding her that by sparing Victor she also saved the remaining branches and all the lives exsisting on them. What I love about this moment is that Sylvie doesn't need to say that she feels weak for sparing Victor, Loki just knows that is how she is feeling and also knows just what to say to get through to her, he's basically telling her, you're not soft, or weak, you did a hard thing and spared more than just Victor's life in the process.

The next moment I want to talk about comes directing after this one. Realising how much faith Loki is putting in OB, Casey and Victor, Sylvie looks confused. She seems to be figuring out why Loki would trust them. I don't think she is judging him for his faith though, I think she is trying to understand it. The TVA has, needless to say, traumatised Sylvie and hurt her deeply. But the thing that helped Sylvie and Loki bond in season 1 was that the TVA had also hurt Loki, it was their mission to bring down this organisation that had ruined both their lives that brought them together. Sylvie is really struggling to trust the TVA and so she wants to understand why Loki does. She reminds him about Dox, and how those billion of lives lost were the fault of the TVA. Again this makes sense because in ep 2 Loki told her that the TVA was the only defence for the branches and yet it was a member of the TVA that pruned them, which only deepened Sylvie's mistrust of the TVA. She believes its too corrupt to fix.

But once again Loki knows exactly what to say, pointing out that there are branches that still survive and that is because of Mobius, B-15, OB and Casey who are all part of the same TVA but who are fighting to protect those lives.

I really enjoyed the push and pull between them both in this scene and how it leads into the conversation about burning things down being easy and that trying to fix what's broken is hard, hope is hard. I loved that part of their conversation. You can see that it really does get Sylvie thinking, that she's listening to Loki and actually taking in his words and considering them.

But she still has a lot of mistrust that has to be worked through. Hope is a very foreign concept to her and again that comes down to her past, if she had relied on hope in the past she never would have survived. She survived by relying on herself. So this idea of giving up control and instead relying on hope, relying on others, is very scary to her, its hard for her. But she is still willing to hear Loki out and so she asks about what they are going to do with Victor, are they really going to show him all of this then just send him home. But I do think Sylvie gets a little triggered by Loki's response of we can watch him and protect him as she sees this as 'interfering for good'. It's too close in her eyes to what the TVA was doing before. Always watching and always guarding, controlling how others live their lives.

It's interesting to me that at this moment Loki gets frustrated with her, up until now he's been calm and collected and responded to her viewpoint reasonably. But it's here that he gets frustrated, his tone gets a little more heated and he also looks and moves away from her. I do think there is a reason why he gets frustrated at this particular moment, but I am going to talk about that a little bit later on.

Loki is of the view that you can't just give people freewill and walk away, that it doesn't work that way. In an idealistic world maybe, but in the real world its not that simple or easy. I think some of Loki's frustration comes from the fact that Sylvie was the one that caused the branches to be freed, she is the one that wants the branches to be protected and says she cares about the lives on those branches, yet whenever he asks for help she seems reluctant to help, it seems to him like she just wants to walk away from the responsibility, from doing the hard part.

But I don't necessarily think that is true, I don't think she wants to walk away because its too hard, I just don't think she trusts the TVA, she is struggling to see the TVA as the solution and as this protector like Loki does.

We Are Gods

As I said above one of the great things about this whole scene is the way it shows just how far Loki has come and how much he has grown as a character. I think one of the things that shows just how much he has changed is the conversation they have about how they have to do better, to be better than HWR. Sylvie points out that no matter what they do they'll be playing god to which Loki replies, we are gods.

What is so significant about this line is that if 2012 Loki had said it he would have meant it boastfully, as if being a god made him surperior and better than everyone else. As if being a god gave him the right to rule over and dictate the lives of those who he considered beneath him. But this Loki doesn't mean it like that. He lets out this resigned sigh right before he says the line, because now he really understands what it means to be a god, to be a king. It's not about power or recognition, its about responsibilty, its about protecting others, looking out for them and often doing it thanklessly. It about having the responsibility of making those really hard choices, of being the ones to solve the problem, of having the responsibilty of carrying the burden for those who can't. This was something that 2012 Loki didn't understand but that our Loki has come to learn and I just love that growth.

But this concept of gods and the role they play also tells us alot about Sylvie and her character. We can see that she looks genuinely distressed at the idea of them 'playing god.' I think this is because of the way she sees the role of a god and its similar to how Loki used to think. She thinks a god is someone who ruthlessly rules over others, who dictates and controls their lives, who makes up their own rules and enforces them when people don't live within the constraints they've created for them. She sees it this way because its what HWR did to her, dictated her life, claimed to have written it all out for her and then tried to erase her when she didn't follow the path he had set out for her. Although I don't think He Who Remains was a god it was very much a role he played into. Sylvie is just so desperate to not be like HWR that I don't think she really knows what to do with herself, it seems to me like she is just second guessing every decision and as a result she isn't really doing anything, she's struggling to make any decision at all. This could be because of her decision to kill HWR. In the moment she was so sure that she was making the correct choice, that freeing the timelines was the right thing to do, but since then the problem with the loom has come up, threatening those very timelines she wanted to free, a variant of HWR showed up just as HWR warned them and I think that has lead to Sylvie just having alot of self doubt that she doesn't want to face, so instead she's just kind of burying her head in the sand so that she doesn't get overwhelmed by the guilt of thinking this is all her fault because she 'played god' when she killed HWR and its created a whole load more problems.

There is another really interesting way that they showed the difference in Loki and Sylvie's journey in this scene though. Though I could just be looking into this way too much but it was something I noticed and that is the, I think they call it blocking, of the scene. The positioning of the characters and the way they move.

When Loki first comes into the room, where Sylvie already is, he actually moves away from her, over to one side of the room, but then turns to face her. What is interesting is that as he moves away from her, she actually follows him but stops in the centre of the room. It creates this idea that they are both mirroring each other, that she is following him, but they don't quite meet just yet.

Loki actually moves several times during this scene, whilst Sylvie stays fixed on that one spot. I think this is meant to show how Loki has gone on a journey and changed, he hasn't stayed in the same place he was at at the beginning of season 1, whereas Sylvie is currently stuck in one spot and still at the start of her journey.

The first time Loki moves is right after Sylvie talks about his faith in OB and Casey and as he brings up how Mobius, B-15 and the guys are protecting the timelines. I think its significant that he moves at this moment as it represents the first step or milestone in his journey, the moment he learnt to trust, to put his faith in others and to come to care for others.

He moves again when he tells Sylvie that you can't give people free will and then just walk away and when he talks about needing to do better and protect the timelines. Again I think this shows the progression of his journey, now instead of playing the part of the villain, of wanting to control and rule over people, he is playing the part of the protector, he has literally bettered himself.

As a sidenote, something significant for Sylvie's character in this scene is that although she is stuck on that one spot, she shifts as Loki moves to keep herself facing him, so its like she is following his journey which could be a hint that eventually Sylvie will reach the same place Loki has.

The final time he moves is when he approaches Sylvie and then says the line 'we are gods.' I think there are a couple of things that are significant here. The first is that again this represents the final step in Loki's journey, him realising the true meaning of being a god and the responsibility that goes with it. The second is that he moves closer to Sylvie so that he is standing with her now. He brings them together, literally closing the distance between them. I also think this ties in with what I said just above about Sylvie eventually reaching the same place Loki has, in this moment they are standing in the same place. As the camera pans out we are shown them standing together as one unit. Which brings me to my next and final section.

All The Things They Didn't Say.

So ever since the citadel where Loki betrayed his promise to Sylvie when he didn't stand with her against HWR and Sylvie betrayed Loki's trust when she kicked him through the time door, these two have had this huge distance and barrier between them. They both feel betrayed by the other, they both feel hurt by the other and since then they've just continued to have disagreements with each other and haven't really spoken about their issues.

What I thought was interesting about the scene in the pie room is that although it could seem like they are having a disagreement like all the other times they've talked this season, its actually the first time they communicate openly and clearly with each other. I also think its the first time they really stop and listen to what the other person is actually saying and then explaining themselves in turn. Loki is listening to Sylvie's concerns and then reassuring her and explaining to her his way of thinking. Sylvie in turn is actually taking in Loki's point of view and making an effort to understand them and I think Loki really does give her some food for thought here. They aren't hurriedly screaming at each other whilst one of them tries to kill somebody and the other stands in their way, they aren't being interrupted with the news that an attack is going to be carried out on the branches. Despite the seriousness and urgency of the Loom's possible destruction, they are having a calm conversation. I personally love that progress.

But as I mentioned above there was one moment where Loki does get frustrated with Sylvie and he gets just a tad heated. I did promise I would come back to it and here is why I think it is significant that he gets frustrated at that moment. It is as he says the words 'walk away' that the frustration comes in and he himself actually moves further away from Sylvie and he turns away from her too, breaking their eye contact for a moment. I think the reason why he is upset is actually because he believes she walked away from him finding a new life on her branch where she is happy without him. He feels like she abandoned him just like he feels like she is abandoning the job of keeping the branches safe.

At the start of the scene Loki says that he asked for Sylvie's help but she walked away, her response is to point out no she didn't she was there, to which he counters only because she couldn't kill Victor. To me Loki seemed a bit bitter when he said this and it reminded me so much of the moment on the Ferris wheel when Sylvie asks if Loki cares about anything other than the TVA. In both these instances I think they both wanted the other to say that they were there for them, that they had shown up for them. The sad part is that actually I do think they did show up for the other person, because they wanted to know the other person was ok but they've been unable to communicate that to each other. So Sylvie is upset and hurt because she thinks Loki only came looking for her because he cared about the TVA and Loki is upset because he believes Sylvie only showed up because she couldn't kill Victor and still doesn't trust him and not because she actually wants to help or be near Loki.

I do think some parts of this conversation are acting as a film for what they really want to say to each other but can't seem to find the confidence to. There's alot of subtext here in my opinion.

One of those moments is Loki telling that story about Thor going soft. The part Loki left out was that the thing that made Thor change was meeting and falling in love with Jane. I think what Loki wants to say but doesn't here is that it wasn't just Mobius, B-15, Casey and OB that changed him, it was meeting and falling in love with her. He has grown because of her, his change began when he heard her story, when they worked together on Lamentis, when he for the first time began to care about someone other than himself, he just wanted her to be ok. She was such an instrumental part of his character growth, just like Jane was such a big part of Thor's growth and I like to think that the writers were drawing parallel between the two couples here.

There's also the part where Loki is talking about how fixing what's broken is hard. Again I think this has some relevance to their relationship. Like Loki is almost challenging her, that fixing their broken relationship is hard but just like fixing the TVA could make it into something better, something stronger, fixing their relationship could make it better, make them stronger. At the moment they are both taking the easy path of keeping those barriers between them up, because they trusted each other before, opened themselves up to another person for the first time and fell in love and in the end they both got hurt. So its easier to keep their distance and stay closed off from the other instead of trying to fix what's broken between them and potentially opening themselves up for more hurt.

Loki also says that hope is hard, but I do think that there is a little bit of hope for Sylki's relationship in this scene, its subtle but its there. And that little glimmer of hope comes when they are talking about having to do better and about playing god. They use two terms that I think are really important, 'we' and 'us'. Loki doesn't say I have to do better, or you have to do better, he says we have to better. Sylvie doesn't say you're playing god or I'm playing god but we are playing god. And again Loki doesn't say I am a god or you are a god but we are gods. Despite the distance between them, despite them struggling to get back to a place they were in their relationship before, they are talking about themselves as one unit. It's a discussion about what they are going to do together. This is actually a subtle shift from earlier in their conversation where Sylvie says what if you're wrong and what if I'm wrong or when she says you're going to show timely all this. Here she is talking about them as two separate units, which I think shows that shift in her thinking where she starts out seeing Loki and the TVA on one side together and her on the other at the start of the conversation, but come the end of it she is seeing her and Loki on the same side. I also think it adds more significance to that shot towards the end of the scene where they are both standing in the same spot, close together.

Anyway, as I said before it is possible that I am looking way too much into this, I have watched that scene more times than is healthy so. But I did really enjoy seeing Loki and Sylvie working together again in this episode, there were other little moments between them that I really loved. Like when Sylvie first shows up when they are talking to Victor Loki actually looks at her twice. He looks back when she first approaches, then back to Victor, but then you see him turn to look at Sylvie again like he just had to double check she was still there, which I don't know, I found it cute. Also when OB brings up Sylvie killing HWR Loki quickly looks over to her like he wants to check she's not upset, of course she's just looking smug about it. There were lots of little looks like that throughout the episode. Him making sure she was ok when she got stuck in the elevator was another cute moment. I also loved them shouting down the phone together at OB when he said he'd have to turn off the dampeners that prevent magic and watching them team up against brad. So I am really excited to see where they are going to take their relationship in the next couple of episodes.

I know some people are worried that they haven't got enough time to reunite them romantically and that it would seem too rushed, I personally am not too worried about that. I think I'd be more worried if they had never developed them romantically before but we've got season 1 as a foundation to build upon, is not like they have to develop a romance from scratch. Also they did a really good job of building alot of their romantic relationship in ep 3 and 4 of season 1 without it feeling rushed so I am choosing to have faith in the writing team that they can reunite them in a satisfying way in the last couple of episodes, as I do think they did make alot of headway in this episode in bringing them back together.

Anyway I have rambled on enough now, so this is where I am going to leave it. If you have read all the way to end, thank you for your time, I know this got long.

#sylki #loki x sylvie #loki series #loki #sylvie laufeydottir #loki season 2 spoilers

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flanaganfilm · 1 year

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Mike, can you tell us your experience premiering Oculus at tiff 2013? I recently saw Perri Nemiroff’s interview with you (looking like a baby btw- so young) and it made me think about what your mindset must have been as in getting yo experience the launch of your career, post Absentia, at one of the most prestigious festivals.

Oh, I remember that very well... a lot changed in a very short amount of time. And I think I know the interview you're talking about, I keep trying to link to it here but it doesn't take...

So there are few things to point out about Oculus and about what was happening in my life at the time. When Oculus got greenlit, I was working full time as a reality television editor. I used to sneak out of my job at lunch to go to "doctor's appointments" whenever I had to come for production meetings or casting sessions (they started to think there was something really, really wrong with my health).

Making the movie was an amazing learning experience - it was my first "real" movie, and full of lessons. It was the first collaboration with people who would become pillars of my career moving forward, like producer Trevor Macy (who is now my partner at Intrepid Pictures and who has produced everything I've ever made since) and my DP Michael Fimognari, who is one of the most important collaborators of my life. It was also the first time I worked with a young actress named Kate Siegel, who played the spooky ghost in the mirror.

We went into TIFF with distribution already in place. FilmDistrict had committed to the project during the Cannes market before we shot the movie, so we thought we were set. It was going to be my big theatrical debut.

Just before we premiered at TIFF, FilmDistrict abruptly and bafflingly dropped the film. I still don't really know why. They had committed to a worldwide theatrical release for the movie, but for reasons that were never made entirely clear to me, they dropped us just before the festival. Suddenly the whole enterprise was in jeopardy, and I didn't know if anyone would pick the movie back up.

I was absolutely terrified.

Being my first "real" movie, I didn't really know how this world worked and couldn't understand why our distributor didn't want to release it. We'd made the movie they had been excited about, they seemed to really like it, and we'd done everything they asked - it was a shock to the system. So when we rolled into tiff, we were homeless and trying not to let FilmDistrict's abrupt change of heart poison our chances of another sale.

I had never been to TIFF before but heard about Midnight Madness, which had seen huge sales from Cabin Fever and Insidious. Bidding wars had broken out while the films were still screening. But being part of the program was absolutely no guarantee of distribution - in fact, this might be the highest this movie would ever rise.

Trevor Macy and I went to the world premiere of The Green Inferno, which was playing the night before we played, and the audience was ROWDY. Like, shouting and hollering throughout the movie. We looked at each other with wide, nervous eyes - if this was the Midnight Madness audience, they were going to hate our movie the next day. We were considerably slower, ponderous, and atmospheric in a room that seemed to demand visceral, overt entertainment. I left the screening feeling dejected and a little doomed. Trevor was more upbeat, citing conversations he'd had with the programmer, Colin Geddes, who assured us he'd put our movie in the best possible spot for its success.

Our screening was September 9th, 2013 at midnight. I was petrified, and we were sold out. I remember walking into the theater feeling like this was the most important screening of my life. I wasn't alone, thank goodness. Trevor Macy, Michael Fimognari, Brenton Thwaites, Katee Sackhoff, Rory Cochrane, and James Lafferty were on hand. The film seemed to play well. It was the opposite of the screening the night before, which Colin had told us would happen - "watch," he had said. "The Saturday night slot is the big crazy one. You guys are Sunday, and it's going to be completely different. They'll plug right in."

He was right. You could hear a pin drop for most of the first half, and then there were moments of scattered applause that picked up as the film progressed. By the end, people were jumping in their seats and cheering for young Tim and Kaylee. There was an audible gasp when the anchor swung. And the applause at the credits seemed heartfelt and loud.

Most of that is a blur for me. I found this grainy pic from the Q&A after the film. I still had no idea how it had gone, or what was going to come out of it. I remember having hard time putting words together, and I vividly recall feeling like I sounded like an absolute moron whenever I talked, and trying to pass the microphone over to the actors as often as I could.

It's tough to see everyone in the pic, but from left to right it is Colin Geddes, Michael Fimognari, myself, Trevor Macy, Katee Sackhoff, Brenton Thwaites, Rory Cochrane, and James Lafferty.

When I stepped out of the theater, though, I became aware that everything had changed. I was immediately surrounded by people who had seen the film, suddenly shaking a ton of hands and realizing that it had been a hit. I walked into the theater by myself, utterly anonymous, and feeling every bit like an imposter. But everything was different when I walked out. I remember someone from the press talking about it years later, and saying "I was there that night - you walked into the theater with nothing, and walked out with a career."

People were asking me to sign stuff. That had never happened in my life. People wanted to get pictures. It was SO. FUCKING. WEIRD. Someone snapped a picture during that little whirlwind, and you can see it on my (young, skinny, hopelessly naive) face - an overall bewilderment, a gentle disbelief that this was happening:

I loved my experience at TIFF. And it absolutely started everything. Relativity, Blumhouse, and WWE Films joined forces to make an offer on the movie at the festival, and we left with a theatrical distribution deal. My career had officially begun. Now, I wouldn't feel like it had for several more years - I remained in fight/flight/survival mode well through Gerald's Game - but in retrospect, yes, that's when it happened.

Thank you for asking this question, it's been a while since I've looked back at this period of my life. It kinda makes me want to watch that movie again. It has been a LONG time, and I owe it a lot.

Maybe everything.

#oculus #tiff #toronto film festival #midnight madness #I cannot and will not accept that this was only ten years ago

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sillyyuserr · 20 days

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terukane analysis, and/or just random stuff, i have too many prompts in drafts but they’re too small to be their own analysies so they’re here pt. 2 💫

I already made one of these a bit ago, so if theres anything not here it’s either in that other one, or i just haven’t covered it (yet)

Item A: “I like Akane-san”

When teru says this, it comes out differently in every language. And seemingly equally ambiguous which i find interesting

for example, in the french translation of this line, teru says "I love you more than you might think akane" rather than saying “i like akane-san” and i mean having a mistranslation here is obviously something, but what he actually says is just what?

“i love you more than you might think akane” EXCUSE ME??

also not to mention “san” is gender neutral. He very well could be calling akane by his first name and them (akane & nene) misunderstanding what he said. Although he does refer to aoi as “akane-san”, the translators wouldve translated it to “aoi” instead of “akane” if he was referring to her (or not, im not completely sure on how they do the translation 😭)

Item B: queer association

(Edit: Im fucking dumb and forgot to add the panel of that one dude yelling “no i want to be his boyfriend!” But i can’t find it for the life of me so pretend its here)

not only is this one of the only canon queer characters in tbhk, (my guy only got one panel 💔) but also this associates “queerness” or wtv that means with teru

along with akane mentioning both genders being attracted to teru. Again, associating queerness with him. And you may be wondering, why is this important? well, notice how out of all of the main and/or reoccurring characters, he is one of the ONLY characters to be associated with queerness. (The only others being kou; his friends teasing him about wanting to “undress mitsuba” and akane; the whole yamabuki thing) for example, take note of how scarily popular aoi is because of her beauty, shes like a literal god, everyone loves this girl, but notice how never once has a girl ever confessed to her? actively not associating her with queerness, unlike teru.

and notice how the other characters that are associated with queerness are kou, who (its pretty much been canonized atp) has romantic feelings for his male friend mitsuba, and AKANE. The guy i swear he has a crush on like cmon now AidaIro can you be more obvious

Item C: reoccurring patterns

in tbhk, all of the confirmed/obviously implied romantic relationships between the main characters have been supernatural x human, hanako and nene, mitsuba and kou, akane and aoi, excluding only teru and aoi. But this does not exclude teru and akane, almost showing us that in the love triangle between teru, akane and aoi, it may not be revolving around which one gets with aoi, but which one gets with akane. It seems as though teru x aoi was never an option from the start.

Although teru has said he likes aoi, his actions say otherwise. for example teruaoi’s conversation in the convenience store was obviously extremely awkward, the only non-awkward part being when he helped her out of that creepy interaction with the clerk.

And the face he made when akane asked/assumed he had a crush on aoi

(Which he never definitively answered)

The point of this section was because of these reoccurring patterns we can conclude akane is the main love interest, not aoi.

Item D: their relationship

Something teru likes about akane, is how no matter what he doesn’t seem to ever give up. Which yes in some aspects this can be a bad thing, coff coff

But most times, you can kind of tell this is a big reason he likes akane, almost like a “he pushes him down, he gets back up” kind of thing, its a big part of their dynamic. If akane wasn’t like this, their dynamic would change a lot. He likes this because as stated in the spinoff, he kind of uses akane as a “stress toy” (which has obviously changed, as their relationship did when the series progresses) but he likes this because at the end of the day, akane will come back. No matter how many times he ties akane up, he returns to the student council room. No matter how many times teru pushes akane down (in this example, literally) he gets back up.

Something i like about terukane, is their relationship. The trust and motivation they give one another. For example, its shown early on Teru has disassociates himself from other people. Teru views the living as “delicate” and kind of makes it his job to protect them from supernaturals (when i say he made it his job i mean his dad did). He was raised to have a very different view towards the living vs supernaturals. Rounding this back to Terukane, teru doesn't view akane as “fragile” like other people, and I think that's something to take note of. The reason he thinks like this could definitely tie into the fact that he’s half supernatural but also he views akane in a higher regard then most people. Akane keeps up with him, teru actually acknowledges this, saying he values his intelligence and enjoys talking to him.

Its kind of been shown teru has had a hard time making friends ever since grade-school, i mean yeah he talks to people, but the only people he’s lowered his guard around has been tiara and kou (siblings), and akane. A literal supernatural (the kind of person this guy is supposed to exterminate??) Literally what makes akane so special? This guy is the most popular person in THE school, second to none, and the only person besides his family that he can let his guard around is akane? They both work in the student council, president and vice president meaning they work in extremely close quarters, everyday, giving them lots of time to talk, so its no doubt they became close, but out of everyone, teru choosing akane to put his trust in is just odd to me idk man

Item E: bringing up each other alot

in many instances, teru and akane bring eachother up when they aren’t even involved in the current situation, or unintentionally show us they think about eachother more than we think they do, a few examples:

Teru talking ab akane to his family. Call me insane but i have alot to say ab this one. This one really gets me because that would mean throughout his entire way home from school, including if he fought off supernaturals on his way back (which he seems to do pretty much everyday), from the last time he saw akane, he had to have been thinking about him the entire time. Since they are in the student council they stay together for most of the day when its not their extra/curricular classes or lunch, meaning they probably stayed together until about an hour after school ended, and according to google

School ends around 3:50 to 4pm and their after school activities last until around 6pm. In one chapter i forget which one, kou complains about his brother not being home much and whenever he is home he’s usually sleeping or too sleepy to answer him properly, (and in art of their ‘home life’ teru is always either sleeping or sleepy) because of his constant fighting with supernaturals well into the evening. Now lets assume at this point teru has left the school building, and about a few (5) minutes down the sidewalk and he runs into supernaturals, fights them off yadayadayada, at this point it’s presumably now 6:30-6:40, now lets also assume they live about a few (5) blocks away from the school, one block presumably taking 5 minutes each, times the 5 blocks they live away, taking approximately 25 minutes to half an hour to walk, plus the additional time he took to exorcise the supernaturals on his way home, which by this point we can probably assume its 7-7:20 now which is around an hour after families/people usually make dinner, we can assume he gets home at the 7-7:20 mark, sits down with tiara and kou to have dinner when this panel was shown

Meaning for an esitmated two and half, to three consecutive hours, akane was on teru’s mind. Thats a pretty long time to be thinking ab someone teru. I know what you are

(it says “Aoi is coming too.”) him blushing while talking ab his bf

akane having a literal DREAM about him. I havent had dreams with life long friends in them so to have a dream about this boy you “hate” is.. hmmm

Innermost subconscious feelings you say? okay okay so not queer at all yk so buddy so bro of them

Item F: the original plot

tbhk was originally going to be a oneshot manga featuring the love triangle between akane, lemon and aoi but later was cancelled, and in the official manga, they made lemon and akane “fall in love”

obviously as a joke but that shows AidaIro is not oblivious to the idea/premise of the two boys instead falling in love with eachother, rather than the girl, so the idea (i talked more ab in a past analysis) of teru&akane getting together rather than teru&aoi or akane&aoi getting together is ON THE TABLE

would add more but i fear this will take me too long💔 new chapter next week yall prepare urselfs

#AAAHHHHHH #terukane #tbhk #minamoto teru #aoi akane #aidairo #real #analysis

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lu-is-not-ok · 8 months

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Have You noticed that Gregors E.G.O.s (With possible exceptions of AEDD) are more his semi-sentient arms E.G.O.s. They all either require sloth, or are sloth EGO, representing him letting the arm do whatever it wants. It also ties in with how both Lantern and Legerdemain corrosions are arm overtaking the body. And here we also have exception of AEDD which doesnt involve sloth, and in which corrosion its clearly gregor who's in control while corroded instead of his arm.

Alright, so, I'm going to take this opportunity to ramble about Gregor's bug arm in general. Not just how it related to his E.G.Os, but also in his other Identities and the main plot as well.

Strap in, cause this is likely going to be a more of a ramble than a proper guided analysis. Though, I will try to split these into sections somewhat.

Gregor's arm in the main story

Let's start by exploring what we know about Gregor's arm from the main story content. I'll be mostly focusing on Canto I, since that's where we get most of our info about Gregor, but I'll also dip into other Cantos and base Gregor ID's voicelines as I see fit.

So, Canto I. The Outcast. We learn a lot about Gregor's past here, about his trauma from the war, the way he and the other soldiers were treated after the war ended, and the way other veterans see him as a deserter and traitor due to him (arguably) being able to reintegrate into society better than the other soldiers.

We also learn where exactly his arm came from - a procedure performed on all G Corp employees and soldiers, some of which were actual children at the time. From the flashback we see of Gregor after the procedure, we see that he let himself cut the apple on the day of his fifteenth birthday, meaning he had the procedure when he was fourteen. A procedure that his mother performed on him, no less.

The Canto 1 dungeon itself takes on a rather interesting form. The first few encounters directly tie back to Gregor's past, with him being faced with other veterans who recognise him, and a Head Manager that Gregor himself recognises.

A Head Manager who is still stuck in that military mindset, still believing he's in the middle of a war because he's still struggling to survive just as much as he did during it. It's only when Gregor reveals that he was struggling just as much when he tried to become part of society does the Head Manager realize that Gregor wasn't the utter traitor he thought he was.

Things get interesting when we go further into Floor 2 of the Dungeon, where instead of a direct callback to Gregor's past, we get to learn about Yuri's story, having it directly parallel Gregor, as the two are both people who had to run and abandon their peers to survive a horrible event. It's an experience Gregor greatly sympathizes with, and I believe is one of the reasons why Yuri's death hits him as hard as it does.

However, the part I really want to focus on is the final floor of the Dungeon, the fathoms of Gregor's ego. We see one scene play out over and over again, each time details becoming skewed and more exagerrated. The aging bomb changes from aiming for a soldier's outpost to aiming for a Nest, going from only targetting the enemy to also hitting innocent civilians. Tomah goes from acting professional if a little energetic, to outright manic and obsessive over Gregor's status as G Corp's hero.

This, I believe, is extremely important to Gregor's character. The whole bottom floor of his dungeon is a symbolic representation of his PTSD. How he's constantly reliving his trauma over and over again, with his memories of the actual events being unreliable and more so driven by his recollection of how he felt during them, rather than objectively remembering what happened.

And this is where I go back to his arm, as I believe it too is a representation of Gregor's PTSD. The way Gregor describes his arm as a seperate entity, as something that acts on its own without his control or input, reminds me of how some people describe their experience with PTSD and trauma as the feeling of always being afraid of a monster that could creep up on you at any moment.

We see that Gregor is somewhat capable of hiding his arm, as shown in the flashback CG of him on the subway, where he hides that arm under a sleeve and behind his back. Most of the time, he can hide his trauma and live as normal of a life as he can, joking about the propaganda posters his face is still on.

But all it takes is one small thing. One small trigger. And just like that trauma comes crashing back to him, his arm goes out of control, attacking whatever or whoever triggered it as if it were still on a battlefield, fighting for Gregor's life. Just like Dante's words throw Gregor into a traumatic flashback, the seemingly kind act of a stranger at the wrong time threw his arm into a frenzy.

An important part of that is revealed in a Canto II cutscene, where Gregor admits he doesn't know what exactly could trigger his arm to "rage out of control", as he puts it. For all he knows, the stimulation caused by dancing could be enough to do it. It also might not. The fact that something as seemingly innocent and neutral as dancing could be a trigger, and the fact that Gregor himself doesn't know all of his triggers, both further point to this metaphor being intentional.

Plus, there is the motif of Gregor's arm regrowing no matter how many times it's cut off. Just like one can't just get rid of one's trauma and PTSD, Gregor can't get rid of his arm. It's something he has to learn to live with. Like he says in one of his Chatter lines, he had to accept he's stuck with it, like it or hate it.

Gregor's arm in other Identities

So... an interesting thing happens to Gregor's bug arm in his alternate Identities. Other than G Corp Gregor, who'd still have gone through the procedure as he did in the main world, all other Gregors all lack that arm, having a prosthetic in its place. And likewise, the arm means something different to each different Gregor.

We already discussed how LCB Gregor's arm is a metaphor for his PTSD, a symbolic, physical manifestation of his trauma.

G Corp Gregor's arm is actually quite interesting in this regard. It comes from the same source as LCB Gregor's, and has a similar role of serving as a physical reminder of sorts, but it's the details of what it reminds Gregor of that is different here. For G Corp Gregor, his arm is a reminder of why he's fighting in the war in the first place - because he didn't want to helplessly watch from afar. While he's aware it and the other side-effects of the augmentation won't let him return to civilian life, he claims he doesn't regret it.

It's a twist that makes sense considering his situation. Whereas LCB Gregor is a Gregor who left the war with the arm being a grim reminder of what he had to do during it, G Corp Gregor is a Gregor still in the middle of it who uses his arm as a way to remind himself why he's in this situation in the first place.

Now, we got to our first prosthetic arm Gregor - Liu Gregor. Here, Gregor has an almost utilitarian view of his arm, seeing it as a source of fire for his cigarettes and as something that helps him in combat. He specifically points out how his prosthetic arm can't feel pain, calling it outright invincible because of that fact.

It's a fascinating subversion to how LCB Gregor and even G Corp Gregor view their arms. Whereas for them their bug arms have an almost sentimental value in a way, being reminders of their trauma and the reason they're fighting respectively, Liu Gregor's prosthetic arm is almost like an afterthought to him. Just something to light a fire and fight with.

Though, I do think the way Liu Gregor seems to focus on the fact his prosthetic arm feels no pain specifically is important. Considering his Core Sin of Sloth and how much Liu Gregor seems to try to shirk his work, claiming that straining himself is a good enough excuse for a whole week of rest... There's something to it, I think, though I can't quite put my finger on it just now.

Chef Gregor is an interesting Identity when talking about Gregor's arm, because it has the least importance out of all the Gregor IDs. All we learn about Chef Gregor's arm is that his mechanical one can get sore (implying it's of high-enough quality to feel pain, interesting when you contrast it with Liu Gregor's prosthetic), and that his old arm is implied to have ended up as an ingredient (though how much of that is the truth and how much is Gregor fucking around with Dante is unclear).

If Liu Gregor's arm is an afterthought in his eyes, then Chef Gregor's arm is a joke to him. There's a level of casualness and levity to the way Chef Gregor talks about his arm, to the point it just feels like just another ordinary part of his life... as ordinary of a life as being a cannibal chef can be.

Honestly, it's kind of refreshing to see his arm be treated as just another part of him and nothing more than that. As much as I love digging into every single dialogue line and design choice for deeper meaning (and I appreciate just how much this kind of reading is facilitated by the way Limbus Company is written), sometimes a prosthetic arm is just a prosthetic arm, no strings attached, and I think that's great.

Rosespanner Gregor is up next, and here we get to see another interesting take on Gregor's arm. For this Gregor, his prosthetic arm is actually of his own creation. His invention, his to-be workshop product, a machine he created to facilitate his dream of leaving Rosespanner and starting his own workshop.

It's probably the most unique interpretation of his arm that we see thus far. It's not a reminder of the past like it is for LCB and G corp Gregor, and it's not just part of his everyday life like Liu and Chef Gregor. No, for Rosespanner Gregor his arm is an accomplishment, a path towards a more successful life. I don't know about you, but I personally find that very interesting.

Finally, we got the most recent Gregor - Zwei Gregor. Similarly to Liu Gregor, Zwei Gregor sees his arm as an asset, a trump card he hides under a glove to reveal when his client is in danger. In fact, his prosthetic arm is shown to be strong enough to not only wield a zweihander without the help of his other hand, but also to stop a strike that could have bisected a person.

Zwei Gregor never actually talks about his prosthetic arm directly, only alluding to it due to him hiding it as a sort of surprise tool that will help him later. However, I believe it does show that this Gregor views his arm in a purely utilitarian manner, similarly to Liu Gregor. An interesting connection, and I suppose it fits with them both being Association members.

Gregor's arm in E.G.Os

That's right, we're finally talking about the thing the ask was Actually about. I'm so good at answering questions in a clear and concise manner. /s

Starting off with Suddenly, One Day, something about it immediately caught my eye. For all the other base E.G.Os, the striped "prisoner" garb is worn by the Sinner in question (Faust included, while she doesn't wear it in the illustration, she does have it on in the attack animation), however in Gregor's case, the striped cloth is wrapped exclusively around his arm.

Notably, it doesn't look like it's some actual piece of clothing that Gregor could have worn but just didn't, no those are actual wrappings specifically for the arm. It's a fascinating visual when you think about Gregor's arm as a representation of his trauma and PTSD. It's not the Gregor everyone sees that's a prisoner, it's not the person he acts as while living in a society, it's his traumatized self he keeps hidden that's the actual prisoner to the trauma he's endured.

As for the Library floor symbols on those wrappings... Yeah, I have no clue. The only connection I can make is that Gregor is Jewish and the symbols also represent the different Sephirot from the Tree of Life, so it could be a reference to that.

The attack itself involves the arm bursting out of the prisoner wrappings and attacking against Gregor's will. While this could represent how his arm can go into a frenzy out of Gregor's control, there's another interesting interpretation I just thought of.

Each finger of Gregor's frenzied arm in this E.G.O takes on a different form. I don't know what the common theory is on those, but I believe these are meant to represent the factions that Gregor fought on the side of during the war. The bug-like finger represents the old G Corp, and the smoking red finger could represent the old L Corp, the source of the smoke during the Smoke War. In Outis's Uptie story we're told E Corp and F Corp also fought on that side of the war and could potentially be represented by two of the fingers, but since we don't know how canon that is to the main world, I'm not going to try and guess which of the fingers represent them.

With all that said, I believe in this way Suddenly, One Day's arm could also represent the war itself, specifically the side of it Gregor has found himself on, how he was effectively made the leader figure of that side against his will, and how despite being the face of the war he himself never had any real control over how it went.

...Okay that was a lot, I'm going to hopefully speed through the other E.G.Os because I'm not gonna fully analyze those (and I already analyzed AEDD anyway), so.

Legerdemain has Gregor's arm take on the form of an apple on a stem, the roots of which are spreading all over Gregor. Gregor seems to have some control over his arm here, but he does seem to somewhat struggle with it, having to hold onto it with his other arm and hesitating before attacking.

Like you mentioned in the ask, the corrosion here involves the branches (and now also maggots) completely taking over Gregor, with the maggots within the apple being the ones controlling his actions here.

I think Gregor's arm here is interesting to interpret, as it seems to generally represent himself, or rather how he's viewed by others. During his Awakening, it's shown as a golden apple, representing the golden poster boy that Gregor was seen as during the war. However, in the corrosion it becomes rotten and overtaken with maggots, showing that despite his seeming priviledge and higher status he was seen as just as much of a rotten pest as the rest of the soldiers.

Next up, Lantern. Here, Gregor's arm takes on the form of a branch and a fairy, the only visible part of the Abnormality Faelantern. In the Corrosion, Gregor becomes overtaken by the plant, specifically becoming caught by the underground portion of it, the true core of Faelantern that uses the branch and fairy as a lure.

In this case, I believe Gregor's arm is meant to represent the propaganda he was involved in creating. The "tales" his fairy is reading are the tales of old G Corp's victories and the honorable soldiers fighting in the war, trying to bring more people willing to fight on old G Corp's side. However, his Corrosion shows that he was just as caught up by the source of that branch as anyone else captivated by the propaganda, he was suffering during the war just as much as everyone else.

Now, onto AEDD. I already made an analysis on that E.G.O right here, but to summarize: AEDD represents the abuse Gregor went through at the hands of Hermann, and it shows him acting out because of that abuse in a way that mimics her, with him fully putting himself in her role when he Corrodes.

In this way, I think Gregor's arm while using AEDD represents something similar to the one in Legerdemain - it represents Gregor himself, though in this case it represents how Hermann sees him.

Just like you also pointed out, Gregor is fully in control if his arm in this E.G.O, and yet it's the one E.G.O where his arm is most clearly a seperate entity - taking on the form of a full shock centipede. I think to understand exactly what it means, one should interpret that arm centipede as Gregor, while the Gregor using AEDD should be interpreted as a representation of Hermann.

This, I think, makes the AEDD arm make a lot more sense. The reason why the arm appears to be a fully seperate entity, yet is completely under Gregor's control? Because it represents how Hermann had full control over Gregor, seeing him as another bug in her army of pests, yet special enough to dedicate more of her attention to.

Perhaps that's why the AEDD Corrosion involves both of Gregor's arms turning into centipedes, with one of them glowing with electricity. Hermann's bug soldiers are her weapons, her arms in the war, but Gregor is a special one. A pest that got to glow a little bit brighter than the rest.

To summarize...

Man, Gregor's arm tells us a lot about his character and themes, huh? From being a symbolic physical manifestation of trauma, to a reflection of how other people view him, to just being your everyday prosthetic arm. And I think it's Really Fucking Cool, so I hope you all do too.

#ask #anon #lu speaketh #limbus company #lcb analysis #gregor #gregor lcb #g corp gregor #liu gregor #chef gregor #rosespanner gregor #zwei gregor #legerdemain gregor #lantern gregor #aedd gregor #aedd ego #that's right i tagged all the gregors because i mention all of them in the post

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canary3d-obsessed · 10 months

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Restless Rewatch: The Untamed, Episode 38 part one

(Masterpost) (Pinboard) (whole thing on AO3)

Warning! Spoilers for All 50 Episodes!

OK But Why?

This tale-within-a-tale is excruciating, yeah? So let's start off by considering why it even exists. Yi City feels like, if not a fully separate story, a pretty complete arc that can play as its own little movie. And it's incredibly sad, in every direction. While it may have begun life, in its originally-written form, as a different story exploring some of the same themes, MXTX placed it in the novel deliberately, and the producers of CQL included it deliberately. Why? Other than the, you know, catharsis of a well-wrought tragedy?

I think the answer is that it tells a set of parallel stories, alternate versions of the stories our main characters inhabit, with different outcomes driven by the character's choices. There's an obvious parallel between Lan Wangji's grief and Song Lan's, and another clear one between Wei Wuxian's core donation and Xiao Xingchen's eyeball donation.

And there's an important comparison to be made between Xue Yang and Wei Wuxian, two demonic cultivators. They share some formative experiences, but have followed radically different paths, shaped, at a key moment, by another person's choice.

Overall, the Yi City story illustrates how choices made in a moment affect not just an individual life, but ripple outward into other lives. So be prepared for me to point out parallels even more than usual, as we go through these episodes.

Empathy

We start off learning about Empathy and how it’s sooper dangerous, which means of course Wei Wuxian is totally down for it and probably invented it. He gathers the kids around and assigns Jin Ling to be the person in charge of supervising and deciding when to pull him out of the matrix link.

Jin Ling is surprised and reluctant so teacher’s pet Sizhui jumps forward and volunteers.

Wei Wuxian asks Jin Ling for his Jiang clarity bell, which is on a tassel that used to be Jiang Yanli’s.

(more behind the cut!)

Once the bell/tassel is out of Jin Ling’s hand, however, he changes his mind and snatches it, and the responsibility, back.

It seems like Sizhui might recognize this tassel?

It’s like the one Jiang Yanli gave Wei Wuxian when they met up before her wedding, which means Wei Wuxian would have had it with him during their year in the burial mounds.

Jingyi disapproves of Jin Ling’s mind-changing, which is a little unfair since JL didn’t actually say “no” prior to Sizhui putting in his oar. (Sizhui is entirely loveable, but he is also a pushy brown-noser just like Lan Wangji was at his age. He just does it so sweetly that nobody minds.)

Sizhui, also like his Lan dad, has made it his life’s mission to manage a loudmouth hothead’s temper for him.

Heading into empathy with A-Qing, we get flashes of bits of the story that we're about to see in depth. Then we jump to "ten years ago" which, given the way this series does math, probably means seven years ago.

Side note: A-Qing has managed to keep her hair looking pretty cute despite being 90% dead.

Splish Splash

This particular section of the Wuxia River of Sadness is reserved for people who are contemplating the total mess they have made of their lives (gifset here), but A-Qing didn't get that memo, so she's having a nice time splashing joyfully without a care in the world.

A-Qing isn't about drama or being depressed, even when things are pretty difficult. She has found a big rock to sit on and is having a nice day hanging out on it.

Then she goes skipping along singing "la la la la" (which is the same sound in Chinese as we make in English when we're singing and don't know the words, incidentally). Ok, show, we get it, she's happy and carefree. I sure hope she doesn't get involved in any weird relationships.

Grifting

She sees a couple of women walking on the path and she starts pretending to be blind. In the book, this pretense was facilitated by her having completely white eyes, but in the show she has normal brown eyes, until she actually is blinded by Xue Yang. So her entire pretense of being blind is to unfocus her eyes a bit and wave her hands around...

...with frequent intervals where she thinks no-one is watching her, and she acts 100% like she can see. Somehow she is almost never busted for this.

The ladies give her a steamed bun and whisper loudly to each other about how pitiful she is.

Then she heads into town for a little grifting, picking a wealthy douchebag as a mark. She bumps into him and steals his money bag, which he doesn't notice because he's too busy creeping on her.

She's annoyed and disappointed that he doesn't have a lot of money.

Hey Pretty, Don’t You Want To Take a Ride With Me

Next she bumps into (and robs) Xiao Xingchen, who is actually blind, so he doesn’t notice her noticing how extremely pretty he is.

He does notice that she has robbed him, however.

Did you know if you have your eyes removed or even just damaged so you can't see any more, your eye sockets and/or tear ducts will bleed pretty much forever? Yeah, me neither.

Xiao Xingchen immediately takes charge of A-Qing, telling her to walk more slowly and then telling her - kindly - to return his money purse. Before she can answer him, the rich douchebag comes back to yell at her and try to hit her. Xiao Xingchen stops him and smooths over the situation, and then lectures Ah Qing about stealing and how it's bad. But he tells her to keep his money, so - mixed messages, bro.

She calls him gege and says that since he's blind and she's blind, she's going to follow him forever. He’s like, okey dokey, and they walk off together. Is she really the first person (since Song Lan) who’s had this idea about him? He is *very* pretty, after all.

It's unclear to me if she's calling him gege in the sense of “orphan girl who wants a family,” or in the sense of “mostly-grown-up woman who would like to Hit That.” Xiao Xingchen appears to take it as the former; he is too gay virtuous for the other option.

Two seconds after they decide to stay together, they encounter Xue Yang lying injured by the side of the road. A-Qing pretends she didn’t see him, and almost successfully wangles a piggyback ride out of Xiao Xingchen.

But then he hears Xue Yang and immediately decides to rescue him, like the do-gooder Xue Yang despises him for being.

Xue Yang gets the romance-tropey piggyback ride that A-Qing was hoping for. Girl, the time to stop trying to seduce your gay male friend is 5 minutes before you started, ok?

So...why was Xue Yang lying by the side of the road with a stab wound? Who gave it to him? If Jin Guangyao was sick of him, he would have stabbed him 100% fatally, and he wouldn't have let him hang on to Tiger Seal 2.0. And presumably Xue Yang wouldn’t think of him as a friend any more. It’s a mystery.

The new throuple decide to go to the creepiest abandoned walled city that has ever existed, and head past all the regular houses to set up camp in the morgue, for some reason. Not even inside one of the buildings; just out in the courtyard with a bunch of possibly-occupied coffins. Xiao Xingchen is so fucking weird.

Each Unhappy Family is Unhappy in its Own Way

Xiao Xingchen gets to work patching Xue Yang up, and Xue Yang wakes up and recognizes him. A-Qing explains that they are blind and tells him not to be rude about it.

Xue Yang takes a second to process the situation, and then decided he’s going to hide his identity and make nice with Xiao Xingchen. Proving that found family can also have hideous toxic dynamics.

Xue Yang is very careful to keep XXC from touching his hand, since that would give away his identity. He has a...prosthetic finger? He wears a black glove and keeps his pinky finger straight so we know it's a replacement, or injured, or something.

I think this is a concession to Wang Haoxuan having ten functional fingers and the show having a limited CGI budget. In a real sword-based society, missing a finger is probably not particularly uncommon, and he would probably just rock the nine-fingered look without having a special glove.

At this point, the complex interactions of the trio get rolling. Xiao Xingchen is honestly kind, Xue Yang is fake-kind, A-Qing is fake-unaware with Xue Yang and is unable to make Xiao Xingchen understand the problem, and Xiao Xingchen is genuinely unaware of everything.

We spend a fairly large amount of time with Xue Yang and Xiao Xingchen playing happy families. As part of his false persona, Xue Yang adopts a coy and whiny tone when talking to his pet white-clad cultivator, remarkably like another demonic cultivator we know.

I’m pretty sure Wei Wuxian has never managed to cop a feel while his sweetie climbs up a ladder, however.

Then again, neither Lan Wangji nor Wei Wuxian has ever needed a ladder to get onto a roof, so maybe it’s just a lack of opportunity.

This relationship, on the surface, is cute and sweet, which just makes the reality of it more disturbing. It’s super uncomfortable to watch, but there’s more than manipulation happening in these interactions. As Xue Yang flits around doing domestic tasks like patching the roof of the crappy outdoor shelter that they absolutely do not need to be using, he tells Xiao Xingchen various true things about his early life, and we begin to see what shaped him.

Xue Yang (like OP) is obsessed with candy. In Xue Yang’s case, he was a hungry street kid who loved candy but couldn’t usually have it because of poverty. We learn that he has skills in patching up inadequate housing because he did it growing up.

And we learn that he was beaten a lot.

So he and Wei Wuxian have these things in common - except now Wei Wuxian gets his sugar from alcohol, not from candy. And Wei Wuxian’s handyman skills are used to make a home for his former enemies in the burial grounds, while Xue Yang’s are used - also in a cemetery, of sorts - to manipulate and trap his enemy.

I Want Candy

In classic predator form, Xue Yang uses candy to lure A-Qing into coming within stabbing range, because he thinks she’s faking her blindness and wants to test her.

I find him super attractive right here in spite of his evilness. I’m pretty sure it’s because he’s offering candy. (OP goes and gets a jolly rancher out of her purse).

After calling her over, he draws his sword with a super-loud "sshshk" noise that she inexplicably doesn't notice, and she bravely walks up to, and nearly on to, the point of the sword.

This shocks him and convinces him that she's really blind. He sits her down with apparently sincere gentleness, and gives her candy, while quizzing her about her hot gege.

A-Qing tries to warn Xiao Xingchen about Xue Yang being a bad guy, pointing out that he's a cultivator and won't tell them his name. (She can’t say “also he tried to stab me” because she’d have to come clean about being able to see.) Xiao Xingchen, because he is a condescending prick--albeit a very sweet one--pats her on the fucking head and laughs off her extremely useful warning.

Xiao Xingchen came out into the wider world with a set of ideals that he lives by, apparently without examining them. He’s humble, kind, frugal, and wants to eradicate evil. He also believes that the majority of people are good like him, and that detecting evil is simple--as simple as following his sword toward it. He doesn’t allow A-Qing, who is experienced in the wider world, to teach him anything, preferring to keep his ideals untarnished.

Contrast this with Lan Wangji, who also starts his journey into the wider world with a set of ideals (codified as rules), but does not make the mistake of assuming that other people shares his beliefs. Once he’s away from the Cloud Recesses, he follows Wei Wuxian’s lead when dealing with new people, rather than insisting on doing things the way he did back home. In general, he is open to having his beliefs challenged, even when it makes him upset or uncomfortable. As a result, he grows into a righteous man, not a naïve one, and he’s fully capable of identifying enemies even when they appear to be friends.

Bonus:

In this brief long-distance shot we learn that A-Qing sleeps in a coffin, which is some next level goth girl shit.

Soundtrack: 1. Hey Pretty by Poe 2. I Want Candy by Bow Wow Wow 3. Cheap Thrills by Sia

#the untamed #the untamed gifs #restless rewatch the untamed #yi city #yi city trio #canary3d-original #ep 38

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