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starsstillshine · 1 month
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what do you MEAN the lesbian republican president and her lavender marriage gay husband are inventing don’t ask don’t tell policy
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soulsforscrapbooks · 6 months
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How the Dracula Stage Play Influenced Future Adaptations
So I wanted to let people know about the stage adaptation of Dracula, because it established a lot of tropes that have come to define the novel as well as vampire fiction in general, despite the fact that large changes were made when bringing the book to the stage. Sometimes, honestly, it seems like more adaptations pull from the play than the book. Okay:
The original stage adaptation of Dracula was written in 1897 by Stoker himself! Here you can see the manuscript in his own hand:
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Apparently he hated how it turned out, because he called it “dreadful” and it was performed only once and then never again. The role of Mina was played by Edith Craig, a well-known figure in the suffragist movement and the daughter of Ellen Terry, Stoker's friend, whom he mentions in the book. The next attempt at adapting the novel would not be until the 1920s, after Stoker had died.
The 1924 adaptation by Hamilton Deane stays fairly close to the events of the novel. Some key points:
The entirety of the action takes place in the Harkers' house
Mina and Jonathan are already married
Dracula is already in England, and the storyline involving Jonathan as a prisoner of the Count has been omitted
To accommodate the female members of his theater troupe, Quincy is now a woman! Her name is still Quincy, and she is described as “feisty,” and is a close friend of Jonathan and Mina. (There don’t seem to be any photos from the 1924 play, sadly.)
It is in this first major adaptation that the idea of the Count as suave and debonair is brought into existence. This change is to allow Dracula to interact more easily onstage with the other characters, whereas in the book he stays an offscreen threat for large amounts of time. This is also the first instance of Dracula wearing a high-collared pointy cape, which was originally done to hide the actor better whenever Dracula had to “disappear” through trapdoors. 
Here is Raymond Huntley as Dracula in the 1924 stage adaptation:
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The play was a success, and quickly moved to Broadway:
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This version, adapted by John Balderston, was a complete revision not just from the book but from the 1924 stage play, and a LOT of changes were made:
Quincy, Arthur, and MINA have been removed from the story. Mina is mentioned as having died mysteriously before the play takes place.
Jonathan’s relationship to Dracula has been completely removed. He is not involved with bringing the Count to England at all. He is also now wealthy, and has traveled Europe extensively, where he has heard folktales about vampires.
Lucy is now engaged to Jonathan, and her last name is now Lucy Seward. This is because……..
John Seward has been aged up and is now Lucy’s father. 
The action takes place at Seward’s house/asylum.  
Renfield is allowed to just sort of…wander around Seward’s house when the plot requires him to be there. He gets dragged away by attendants whenever he needs to be offstage. He also survives. 
The Broadway version also made large changes in characterization:
Lucy is weak and feeble when we meet her in the play. She is helplessly preyed upon by Dracula, and yet is sexually tempted by him when under a trance. She and Dracula share a passionate kiss at the end of Act II, right before she willingly exposes her neck for him to bite. 
Jonathan is still concerned for Lucy as she is slowly turned, but he is more wary of her and goes along willingly with Van Helsing’s ideas regardless of how Lucy feels.
Renfield is portrayed as actively malicious, through fearful and subservient to the Count. 
Seward is seen as a strong-willed father who leads his asylum with a firm and confident hand. He believes Van Helsing more readily when confronted with the existence of vampires.
Dracula himself is once again depicted as charming and suave, and he spends time during the first act as a mysterious but pleasant dinner guest of the Sewards.
Despite these massive revisions, the Broadway version was a hit, partially to due the charisma of Bela Lugosi, who originated the role. (Below is Bela Lugosi as Dracula along with Seward, Van Helsing, Jonathan Harker, and Renfield on the floor:)
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Bela Lugosi, of course would go on to star in the 1931 film adaptation. Other famous stage Draculas include Jeremy Brett and Frank Langella (Langella's revival would also give us this amazing Edward Gorey art:)
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So we can see that the stage plays influenced many versions that would later come, as well as the idea of vampires in pop culture at large. It’s interesting how the motifs and themes we expect when we hear the word “Dracula” were actually the creation of people besides the author, and these differences don't seem to have been majorly disputed in the last 100 years. Has this happened with other classic novels? I'm not sure, but I'd love to see an accurate adaptation of Dracula in stage or film form, and see how it might influence filmmakers and directors for the future.
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thestarstoasun · 28 days
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Some of my PJO ships & why
Percabeth (Percy/Annabeth - They invented love)
Ruegard (Clarisse/Silena - THE LAST OLYMPIAN, THE PARALLELS, PLS)
Clarisse/Chris (*I do not know their ship name, my bad - The Labyrinth, need I say more?)
Silena/Beckendorf (*Idk if they ever had an official ship name - They were so tragic)
Clarisse/Beckendorf/Silena/Chris (Polycule, bc multishipper really)
Jake Mason/Michael Yew (I have a thousand reasons and I don't think any are canon)
Conchell (Connor/Mitchell - THE FANFICS PLS, but some of them need to remember these are minors pls)
Connor x Malcolm Pace (I saw really cute ship art 1 time and I was sold)
Connor/Mitchell/Malcolm (I think they'd be really cute together and I don't care if it's impractical)
Luke/Lee Fletcher (Lukelee - Honestly, its more of a crack ship for me, but some people on Tumblr have me considering how much)
Luke/Ethan Nakamura (Lukethan - I can't be alone in this, pls)
Theyna (Thalia/Reyna - They would make an awesome QPR, and I thought this even before Reyna was revealed to be aroace. They flirt endlessly if only to enjoy the confused looks on their friends faces)
Tratie (Travis/Katie Gardner - Is there anyone who read the books in the 2010s when the fandom was like super big that doesn't ship them? It's big now, but like, still.)
Tyson/Ella (They deserve the world)
Solangelo (Nico/Will - Tbf, I shipped them since The Last Olympian AS A CRACK SHIP, but A WIN IS A WIN)
Grover/Juniper (Just yes)
Sally/Paul (The King that our Queen Sally Jackson deserves)
Shelper (Shel/Piper - The plot twist I didn't know I needed)
Valgrace (Leo/Jason - When I read The Lost Hero, I just thought "these two idiots could definitely work well together.")
Jasper (Jason/Piper - It isn't my favorite, but I think they're cute together. I hate that their relationship was built on the Gods interference, because neither of them deserved that. I would probably like it more if it didn't start because of Hera.)
Ethabaster (Ethan Nakamura/Alabaster Torrington - The fandom is the reason I ship them mainly tbh. I ship Ethan with Luke more, but Ethan honestly deserves better)
Jercy (Jason/Percy - I have read a single Jercy fanfiction and its kind of growing on me)
Cecil/Lou Ellen (They are literally the idiots in love that annoy Will until he gets with Nico {personal hc}, Love them)
Sherman/Miranda (I didn't think I would like this as much as I do, but its in so many fics I've read I'm low-key a little attached. Like, yeah Sherman show off, get your girl)
Damien/Chiara (I couldn't see them with anyone else tbh, but honestly could possibly change that one day, they will always hold my heart as #1 together though)
Frazel (Frank/Hazel - They are one of the sweetest pairings in the series)
Jason/Percy/Annabeth/Piper (Yes, another poly ship. I've seen this in a few fics and honestly, I think the way its written has grown on me.)
Castor/Will (Literally, because of a single fanfic. They were probably each other's first crushes and didn't even know it)
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rwrbficrecs · 7 months
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September Faves
Enjoy these September recs from the team 🥰
Best Bar in The World by @pridepages (book-verse)
@heybuddy-drabbles: Well, I can now confirm that I'm 100% cerified a pridepages fan. The way she picks the themes of the original source and uses them in a different setting is just absolutely flawless, the same happens in Little Pages. It's gives you the same feelings of reading rwrb but also reading something new and different all at the same time.
My Brother’s Keeper by @indomitable-love (book-verse)
@janetical: Written in Philip’s POV, it tackles all the canon events in a frustrating yet heart-wrenching way. I knew what I was getting myself into when I noticed the POV, but I really did hate Philip less at the end of this fic. Everything is entailed in this little story: unresolved daddy issues and grief, internalized homophobia and Philip acknowledging Henry’s first time. It will make you cry, and it will end on a somewhat happy note.
For all the world to see by @everwitch-magiks (book-verse)
@suseagull04: This is a fic I couldn't put down! I'm always a fan of Henry being a writer in fics (so the description alone caught my eye), and the mix of cute moments with firstprince (and David) and plot twists had me hooked! It's also such an interesting look at the life of a writer and how difficult it is for them to have anonymity, which was especially interesting to me because of the writers strike in Hollywood.
he looks up grinning like the devil by @coffeecatsme (book-verse)
@read-and-write-: Also known as the frat boy AU, if you want some hurt/comfort that really does what it says on the tin. Don't be afraid because it is completely worth it!
written in the stars by @indomitable-love (book-verse)
@heybuddy-drabbles: This is just so beautiful. It's basically about Henry mostly. I didn't expect the "past" part would hit so hard but it did. I had to put it down a few times because it was truly heartbreaking but it has a happy ending. Don't be fooled like I was about it being all fluff. It's not, it's very nostalgic and they are apart for a long time but I still recommend it because, like I said, it's really beautiful.
Deep Blue by @myheartalivewrites (book-verse)
@thesleepyskipper: This was just a stunning piece of writing that does such a wonderful job of evoking images of the seaside cliffs, swimming in the cove and spending lazy days in the cottage above. At the same time, we get all that delicious pining and FWB to lovers fun within that beautiful setting. The spicy bits are beautifully done too! Highly recommend!
Rae of Sunshine! (series) by @three-drink-amy @indomitable-love @clottedcreamfudge @everwitch-magiks @the-amber-fox @villiageidiot @athousandrooms @welcometololaland @dustratcentral
@rmd-writes: I couldn't choose just one fic from this series gifted to me so I'm recommending them all, but every fic very much deserves the recommendation! Nine food-themed fics featuring everything from an exploration of Henry's life through food to chef!Henry to craft services trailer!Alex to matchmaker!Pez to the world's most cursed coffee habits from some of my favourite authors (and people)
What Do I Know? by @three-drink-amy (book-verse)
@babiemonk: The angst is so good I cried
Screw Your Courage to the Sticking Place (and forget macbeth is a fucking tragedy) by @celaestis1 (book-verse)
@babiemonk: So amazing, I didn’t want it to ever end. The angst was so good. The kidfic element was perfect. Possibly the perfect fic.
@dot524: I absolutely loved this one. Such a ride and I enjoyed every bit of it. I also really enjoyed the character of Alex’s daughter. Lots of complexity, great story arc.
God Save the Blessed American President Mom by @zipadeea (book-verse)
@babiemonk: This fucking broke me I cried for at least an entire day
@suseagull04: This is such an introspective look at Alex and Ellen's relationship (and Ellen as a character in general) and it's so good!
like father by rizcriz (movie-verse)
@indomitable-love: A really lovely and sensitively told conversation between Oscar & Henry, where Oscar catches Henry sneaking out of the lake house. This one got me right in my emotions. Very healing.
Bite Your Tongue On Purpose by Woodsarelovely (book-verse)
@darwinsfinchesx: Coffee Shop AU with a twist. This fic has some of the best dialogue I’ve ever read. It’s delightful, funny, and the characterization is on point. It leaves a big smile on my face every time I re-read it.
seldom what they seem by @jumpinginmuddypuddles (book-verse)
@gwiazdziarka: Sleeping beauty AU, where they don't need to fight with witches or dragons but there are... other problems. I love modern-day solutions to fairy-tale problems and here it actually just makes everything more complicated.
Mr. Bodypillow by @inexplicablymine (book-verse)
@gwiazdziarka: Yes, I recently recommended this one as wip, but now it's complete and I just need to bring it up again, because it deserves all the attention. Alex and Henry have the most amazing relationship here that goes outside of usual norms. It's also the warmest and the sweetest thing that I've read in a while. And it has great ace representation.
@read-and-write-: Is Ace!Alex very special to you? Do you want to feel like someone is wrapping you in a soft blanket? Then Mr. BodyPillow is for you! It's beautiful and will leave you feeling all warm and fuzzy inside
come pick me up by @smc-27 (book-verse)
@suseagull04: This fic will both make you laugh and give you all the feels. An awkward first interaction when Henry requests an Uber ride leads to an instant connection and sizzling chemistry, all leading to a conclusion that, although satisfying, will leave you wanting more of this verse!
the winner takes it all by @dumbpeachjuice (book-verse)
@myheartalivewrites: A Tour de France, rivals cyclists AU! Keeping a lot of the book dynamics, Alex and Henry find themselves competing against each other on the Tour — and then falling into bed. This has everything: thrilling sports passages (even though I haven’t ever watched the Tour in my life!), romantic tension, a great read.
Love-Love by @smc-27 (book-verse)
@myheartalivewrites: a tennis AU set at Wimbledon, which obviously holds a special place in RWRB hearts. Alex and Henry as rival tennis players who’ve hooked up once, and then end up as doubles partners. A quick read that left me all warmed up from the inside.
a flicker, a spark by acastle (book/movie-verse)
@daisymae-12: Wow I don’t have the words to truly convey how much I loved this fic. It diverges from canon at Kensington and the events that follow are so beautifully written. This fic made me cry over an OC, made me feel seen when I recognized parts of my own cultural background woven into a story, made my heart ache for everything Alex and Henry have been through and made me tear up some more. This is one of the most heart-wrenching canon-divergence fics I’ve ever read and I know I’m going to be thinking about it for a long time.
Baby, All At Once (This Is Enough) by @iboatedhere (book-verse)
@daisymae-12: This fic is such a lovely look into Alex & Henry’s life post-canon and had me absolutely melting from the softness of it all.
Will You Brie Mine? by @cha-melodius (book-verse)
@daisymae-12: A fic featuring cheese and Henry being the one to sell it, what’s not to love? This was such a sweet fic and I loved the interactions between them! @cha-melodius always writes such amazing fics, and this was no exception.
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lusthurts · 9 months
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**SPOILER WARNING FOR THE RED WHITE AND ROYAL BLUE MOVIE**
This movie was very entertaining. It hit all the beats of a great rom-com. I personally enjoyed the music a lot, even if it was at times very different from the music in the book. Nicholas Galitzine was a standout of the main cast for me - he really made me feel Henry’s angst just like the book did, and I think this is a character that the film truly did justice. My personal favorite character from the movie though was Zahra - Sarah Shahi was absolutely incredible. She had fantastic comedic timing and her dynamic with Alex, Henry, Shaan, and Ellen. I really enjoyed Bea, Nora, & Pez as well, although I think they were severely underused and I kinda hated how the Nora/Pez dynamic worked without June. I think the romance was beautiful - I particularly enjoyed the polo scene, the karaoke scene, the Texas stuff, and the V&A museum.
I also laughed out loud a ton during the movie. Zahra’s scenes were hilarious, and the royal wedding/cake debacle was handled perfectly. I miss June here a bit, but I generally was very satisfied with how it all went down. Also, despite many fans early fears of a lack of chemistry between Nick and Taylor, I thought their chemistry was fantastic. Maybe not the best I’ve ever seen, but it was definitely believable, entertaining, and one of the most compelling parts of the story.
I also liked that we got more of Henry’s POV than we did in the book. It didn’t add a ton in my opinion, but I do think it allowed Nicholas Galitzine to show off his acting chops. I think the heart of the book remains, and after the press/everything I’d heard about the movie going into it, I was pleasantly surprised with how the political stuff was handled. Alex’s arc with Texas in particular was beautiful, and I think the end of the movie left me with a similar feeling to the book.
As for things I didn’t love, and I will say there were kind of a lot of small things, I’ve made a list that I’m sure no one cares much to read.
I missed June a lot. I identify a lot with her character, and although I totally understand why she was cut out (I do think in the book she serves less plot purpose than Nora), I actually think the choice to exclude her made even less sense after seeing the movie than before seeing it. Nora and Alex’s relationship felt very underdeveloped in the movie, and none of the romantic elements that I thought made their relationship important to the book ended up mattering at all in the movie. He kisses a different girl on New Year’s, there’s no mention of a sexual history between them, there’s no fake dating setup to detract from Alex/Henry, and Nora’s just generally absent. I feel like June would’ve served that purpose fine if not better.
The romance felt kind of rushed. The whole Christmas phone call that imo is so crucial to Henry & Alex’s relationship and character development doesn’t happen at all (probably because his parents are still together), and I didn’t have like a timer or clock or anything but it felt like the 100 or so pages leading up to the NYE kiss was like less than 20 minutes.
I hated that Alex’s parents were happily married, and I think it massively takes away from his character development. His arc honestly fell very short for me which is disappointing since he’s a character I identify so closely with. I don’t feel like they do his like major anxiety justice, and I think he goes from kinda being an idealist, reckless dummy to being a heartfelt, romantic, ready for a big commitment guy in the span of a few minutes.
I honestly could’ve done without the sex scenes. They were good, and I could tell the intimacy coordinator slayed with this one, but they were more explicit than the book imo (especially the one in Paris), and while I don’t think there’s anything wrong with that, I would’ve much rather had more fade to black so as to save screen time to develop the romance more at the beginning.
I didn’t enjoy the Miguel character at all. He has no character development, and I do not at all understand how this character is the Luna/Liam blend he was promoted as. He functions as a ruthless journalist who despite being queer himself decides to out Henry and Alex to the entire world, and we NEVER get an explanation for why. It’s alluded to that maybe Miguel had feelings for Alex and did it because he resented Alex for not feeling the same? But like, he literally outed two prominent figures to the entire world at risk of benefitting a homophobic predator running for office. And he never apologizes? Or faces any repercussions???? Like this is just kind of there?? And that is NOT AT ALL Rafael Luna or Liam who are both generally speaking positive forces in Alex’s life. I just don’t get it at all.
This is a personal issue I had that most probably don’t care about, but I’m from Minnesota, and seeing Minnesota red in the movie was infuriating. MN is not a swing state, never really has been, and was basically the only state in the upper midwest to stay blue in the 2016 election. I’m biased because this is my home state, but MN would NEVER vote red and I’m kinda just annoyed at the implication that it did instead of them just choosing to blame it on all the actual swing states.
Okay those are my thoughts. I doubt anyone cares that much, but I needed to get it out of my system. I will say I really enjoyed the movie, and I can see why the bulk of reviews are positive. I think anyone who didn’t read the book won’t feel like anything is missing, and fans of the book will for the most part still really enjoy it. I will definitely be rewatching when it comes out officially on Amazon Prime tomorrow, and I can see myself rewatching hundreds more times in the future. But it sort of needs to exist independent of the book for me, I guess. And that’s okay! I think everyone involved did a great job with the adaptation, and I look forward to watching it again.
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generalllimaginesss · 9 months
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y/n.y/l/n
brb…trying to pause time so this summer never ends.
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trevorzegras let me know how that goes for you
jackhughes is it really summer if y/n doesn’t fail at wakeboarding?
lhughes_06 laugh out loud
_quinnhughes I took every one of these photos. You’re welcome.
y/n.y/l/n not the first one, quinnifer🫶
_quinnhughes that’s not my name
_alexturcotte who you sneaking off with👀
y/n.y/l/n that’s for me to know, and for you to never find out🙂
nicohischier You showed this Swiss how to properly summer🫡
y/n.y/l/n I enjoyed every minute of it😁
colecaufield I’m fairly positive that you stared at him for half the summer
y/n.y/l/n lies🤺
_alexturcotte I have so many photos of her doing just that, actually
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nicohischier
Spent a few weeks with the Americans this summer, and they didn’t disappoint.
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y/n.y/l/n bff
jackhughes he’s mine, back off
y/n.y/l/n in your dreams child
nicohischier I love you both equally!
_alexturcotte I don’t think it’s the same type of love bud…
y/n.y/l/n one like on this comment and I’ll block turcs
trevorzegras nobody ships y/n and Nico harder than turcs
lhughes_06 pretty sure y/n ships them harder😉
colecaufield can I be you when I grow up?
jackhughes you’re stealing all my friends Nico
y/n.y/l/n because you are about as interesting as wet cardboard
_quinnhughes 🤦‍♂️
trevorzegras damn she got you there😭
jackhughes I hate you all
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jackhughes
Since Y/N wants to play games….looks like Mr. Hischier will be off the market soon. Your welcome, fangirls.
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y/n.y/l/n I’m telling Ellen that you buy luke alcohol if you don’t delete this.
jackhughes is that a threat?
y/n.y/l/n why don’t you try me?
lhughes_06 Now what did I ever do to you☹️
_alexturcotte I would just like for it to be known by the public that this was 100% Jack’s idea and I had nothing to do with it. please don’t block me y/n <3
y/n.y/l/n I’ll think about it…
colecaufield mom and dad
_quinnhughes *you’re
nicohischier she’s a little cutie, isn’t she hughesy😉
trevorzegras I just threw up in my mouth a little bit
_quinnhughes did you choke and die?
trevorzegras you would wanna know if I choke, wouldn’t you😏
y/n.y/l/n well this is a plot twist…
jamie.drysdale am I being cheated on?
trevorzegras no, jamie baby.
jackhughes get out of my comments.
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y/n.y/l/n
I heart nico hischier
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_alexturcotte it’s about damn time.
jackhughes ngl, this is cute. Better leave room for Jesus though….
y/n.y/l/n aren’t you Jewish?
_quinnhughes 😶
lhughes_06 pretty sure I lose brain cells every time I see Jack comment something on insta
nicohischier my lovely girl💐
colecaufield Trevor owes me 50 bucks.
trevorzegras I don’t owe you shit
trevorzegras you both will make beautiful babies. That is all.
njdevils Our captain is growing up!
Disclaimer: these are not my photos, also this was very time consuming. It was fun though. Thank you for reading as always :)
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IOTA Reviews: Transmission and Deflagration (The Kwamis' Choice)
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Well, it only took until almost halfway through the fifth season, but we're finally getting a two-part episode that isn't a season finale. There have been a few episodes I think could have benefited from having an extra part, like “Cat Blanc”. So obviously, after all this time, there has to be a reason for putting a two-parter here. The story told here has to be big. It has to be huge. It has to be something that will alter the very way we see the plot and these characters, and—it's more Love Square stuff. God dammit...
Let's get into the tenth and eleventh episodes of Miraculous Ladybug's fifth season: Transmission and Deflagration
“Transmission” starts with Marinette having another depressive episode, which seems to be worse than usual, with her offering her Miraculous to Tikki so she can choose someone else. While Tikki tries to remind her of all the good she's done as Ladybug as footage from earlier episodes plays, Marinette points out how she's a terrible Ladybug, once again referencing how she lost the Miraculous because of her feelings for Adrien.
Tikki: You’re overreacting, Marinette!
Marinette: Really? Then, how come I lost the Miraculous I was entrusted with all because of love? Love only ever causes problems. I’ll never fall in love again! Love is weak! And I can’t be sad about it; otherwise, I might get akumatized!
Okay, this is just getting ridiculous. We're ten episodes into the season, and whenever Marinette brings up her failure at the end of the last season, it's the same song and dance: She feels guilty about it, she needs someone to try and make her feel better, and she doesn't change anything about the way she and Cat Noir operate. If it isn't that, it's a complete strawman or character who we know already hates Ladybug like Chloe or Lila calling out Marinette for her failure specifically so any negative feedback she gets can be easily brushed aside. The whole point of a hero having to comprehend a major failure is to see how they deal with the consequences to their actions and find a way to improve to make sure nothing like that ever happens again. If Marinette came up with new ways to strategize with Cat Noir, or seriously reevaluate the way she sees Adrien that isn't just brushed aside, I'd get it. Instead, all she does is whine about how much her life sucks over and over, which is the same problem I've had with Adrien for the past few seasons.
And once again, for a show with the lyrics “The power of love always so strong” in its opening, it seems like the writers want to make a bigger point in favor of showing how love can only ruin things. Yes, getting emotional can cause someone to make more impulsive decisions, but at the same time, feelings of love and kindness can get good results, like Ellen Ripley's maternal instincts motivating her to save Newt in Aliens. The problem is that we never get a lot of arguments as to how love can benefit the heroes, not only when we see how much it screws up Ladybug and Cat Noir's partnership, but once again, how Marinette's romantic feelings for someone led to her greatest failure. The closest we get to an argument in favor of love is whenever Marinette and Adrien's friends try to make their OTP come together without considering if it would actually make things better or not.
Speaking of which, after the episode's obligatory pointless Chloe line that's only there so Selah Victor can pay her rent that week, Ms. Bustier asks Alya to deliver Marinette's homework to her, only for Nino to convince her to have Adrien do it instead. Somehow, she thinks this minor favor will help Marinette and Adrien realize their true feelings for each other. Because it's not like Alya learned that she shouldn't choose who she thinks Marinette would be best with last episode, right?
Marinette and Adrien talk and it seems like they're starting to grow a little closer, but Tikki and Plagg panic, trying to intervene so they don't know each other's identities. The attempt fails, but Marinette kicks Adrien out anyway. It's a pretty somber scene, so let's cut to something stupid instead, like Marinette and Adrien's classmates throwing a party under the assumption that Adrien simply delivering something to Marinette means they'll get together now.
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All of you are really gunning for the Biggest Idiot Award today, aren't you?
Of course, even though she went along with one of these weird “force Marinette to do something she doesn't want to” schemes before in “Crocoduel”, Zoe seems to be the only one with a smidgen of common sense.
Zoe: Alya, did you hear Marinette’s voicemail message?
Alya: Yeah, but that was before, Zoe.
Zoe: “Before”? Before what?
Alya: Before when Marinette was a complete wreck.
Nino: But Alya sends her the perfect mechanic.
Alya: Adrien!
Nino: He’s fixing her up as we speak.
Rose: Wow! When they come back to school, they’ll finally be an item!
Marc: A perfect plan!
Zoe: But... you guys don’t actually know for sure.
Alya: Trust me. This is it this time!
I'm starting to think that maybe Marinette should reconsider who she chooses to be temp heroes once she gets the Miraculous back.
Adrien starts crying as he leaves Marinette's place, which attracts the attention of Monarch... who then immediately backs out as soon as he senses him, transforming back into Gabriel. Meanwhile, Tikki and Plagg discuss Marinette and Adrien's situation.
Plagg: Sugarcube! Having to force them to choose between love and their mission is just awful! Maybe Master Fu was wrong to choose them.
Tikki: No, they’re made for each other. Love is what gives them their strength.
Plagg: But the impossible part of that love is destroying them, and I know a thing or two about destruction.
Tikki: (sighs heavily) What can we do?
Plagg: We must free them of that impossible choice. We must... free them of us.
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Yep. This is the titular Kwamis' choice. They seriously think that Marinette and Adrien's romantic problems are more important than them being superheroes, so their best option is to just take away their Miraculous even though Monarch still has fifteen more of them. I'd be more forgiving if this was towards the beginning of Marinette and Adrien's superhero careers, but this is Season 5, where the stakes have never been higher thanks to Monarch's arsenal. Oh yeah, I also forgot to mention that MARINETTE IS STILL THE FUCKING GUARDIAN, AND TAKING AWAY HER MIRACULOUS DOESN'T CHANGE A THING! IT'S NEVER EVEN MENTIONED IN EITHER EPISODE, SO HOW THE HELL DO YOU FORGET SOMETING THAT IMPORTANT?!?!
It doesn't even make sense that only now are Tikki and Plagg against Marinette and Adrien actually getting together when they were never shown to have any problems with it in earlier seasons, and just last episode, Plagg encouraged Adrien to go after Marinette after doing so as Cat Noir didn't work out. It comes across as the writers struggling to come up with new ways to have opposition to the Love Square, even if this idea somehow leads to a minuscule amount of progress in that department. Yeah, you figure that out...
Also, it's pretty weird how after four and a half seasons of Marinette suffering from the burden of being Ladybug, only now does Tikki decide to relieve her of that responsibility, but only because of how it affects her love life.
We get another scene showing how stupid Marinette and Adrien's friends are as they talk about how happy Marinette and Adrien must be now, interspersed with scenes of Marinette and Adrien crying their eyes out. Just like that one scene in “Evolution”, I don't get the setup. Is this meant to be a joke, or a serious moment? After Nathalie takes a call for Adrien telling Nino that he can't be bothered at the moment, Gabriel comes into the room to comfort him, giving him an Alliance ring in the process.
Tikki and Plagg talk to their respective holders and tell them how they feel that the burden of being heroes is crushing them. Marinette and Adrien obviously bring up the situation with Monarch, but as soon as their Kwamis mention that not being superheroes means that they can pursue their love lives with no stress, they immediately take off their Miraculous and give them back. After five seasons that this episode confirmed happened just under a year, and this is what causes them to give up their Miraculous: a bad case of heartache. We're supposed to see this as the breaking point that causes the two to not want to be superheroes ever again? They don't consider the innocent lives that could be in danger, or the fact that this heavy burden will most likely be forced on two new and inexperienced schmucks who will struggle even more than they did thanks to Monarch possessing powers of the other fifteen Miraculous.
I'm sorry, but I don't see this as an emotional scene. All I see is what I saw with Adrien in “Kuro Neko”: these characters simply giving up because of how much they're prioritizing their personal feelings over the lives of others. If this was something Marinette and Adrien came up with and made an agreement to quit at the same time (even choosing their own replacements), I'd sort of get it, as they'd at least be on the same terms, but neither of them ever learn the other quit until later on in the episode.
After Adrien breaks down even more, we learn that the whole reason Gabriel hesitated to akumatize Adrien the last time was because he didn't have an Alliance ring on, so now that he does, he's taking a mulligan. However, the Akuma is stopped at the last minute when Adrien sees the homework he was supposed to give Marinette, so he runs off as his negative emotions fade. Instead, Monarch chooses to akumatize someone else with five different Alliance rings.
Monarch: Rejoice, dear Kwamis! Five Alliances enables as many Miraculous powers to transfer at the same time! This villain promises to be exceptional! (laughs manically)
Pretty sure you hyped up Style Queen the same way three seasons ago, yet you still didn't get the Miraculous then, so I wouldn't gloat too soon.
The next scene with Marinette and Adrien is actually a really nice one. Marinette starts stuttering as usual when she tries to talk, but Adrien comes up with another idea: He'll ask a series of yes or no questions, and Marinette can raise her right or left hand to answer them. Adrien asks Marinette about her feelings for him, and Marinette accidentally answers no before changing her mind. Before Adrien leaves, he asks Marinette if she wants to spend more time with him in the future, to which she accepts. This scene was handled really well, and nothing really felt forced here.
Back with Alya, she and the others are once again coming up with a plan to get Marinette and Adrien together (because none of them have lives outside of the Love Square, I guess), when Nora suddenly calls.
Nora: Geez, sis! You never pick up the phone when I like, actually need your advice!
Alya: I couldn’t pick up. I’m at school!
Nora: Yeah, right. So, you see, I had no choice but to deal with it myself.
Alya: Oh, no... Nora. I told you before, you gotta talk before you act!
Nora: Yeah, but I did talk, like, I said stuff in front of Kouki's bros.
Alya: Nora! Not “talk” like that!
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Yeah, outside of a few references to Nora trying to call Alya earlier in the episode, I didn't skip anything here. We're just thrown into this plot with little to no explanation as to what's going. What Nora and this Kouki guy were arguing about, much less what Nora said to his friends is never explained. I don't even known if they're supposed to be in a relationship or not. It's not like in “Sandboy” or “Oblivio” where the motivation for how the person got akumatized was only explained near the end of the episode. The episode acts like we're supposed to know who Kouki is and why he and Nora are fighting when this is the first time Kouki has ever appeared on this show.
As the conversation goes on, Tikki chooses Alya to be the new wielder of the Ladybug Miraculous and Plagg chooses Zoe to be the new wielder of the Cat Miraculous. Okay, outside of Zoe being the only one in this episode who isn't a complete idiot, I can see why Plagg would choose her, since she has experience as a superhero, and her identity wasn't exposed. As for Tikki choosing Alya? Yeah, Alya did a good job as Scarabella in “Hack-San”, but she doesn't mention that A) She and Cat Noir still needed Marinette's help to stop Robustus, and B) Alya's already had her identity exposed twice, to the point where she was the one to suggest she not be trusted with one before Marinette lost the other fifteen Miraculous at the end of the last season. Alya's not a bad hero, but these factors don't exactly make her an ideal successor to Ladybug. Also, it's pretty dumb how the whole reason Marinette and Adrien quit was for romantic reasons, yet the whole reason Alya blew her cover last season was for romantic reasons (Rocketear).
Back with Adrien and Marinette, the former plans to leave, but is interrupted by the akumatized form of Kouki, named Kikou.
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Kikou's design is... I mean, it's not terrible, I guess? Putting aside the fact that this is the second Akuma in the series to go with the “black boxer” stereotype (who is also a dumb brute like Anansi was), the gold jewelry is a decent touch, and it makes sense that he has the five Alliance rings to show off his wealth. As for his powers, because he has five rings, he has five different powers, the Tiger Miraculous' Clout to power his Gum-Gum Pistol-esque punches, the Turtle Miraculous' Shelter to protect his head where the Akuma is obviously hiding, the Horse Miraculous' Voyage to move around quickly and make up for his size hindering his speed, the Ox Miraculous' Resistance to protect the aforementioned Shelter, and the Mouse Miraculous' Multitude to clone himself with. This is the Akuma that really made me realize that the gimmick of every Akuma this season having the powers of whatever Miraculous Monarch gives them is just an excuse to half-ass writing any new Akuma powers in favor of the same fifteen abilities the other Miraculous have.
Kikou attacks the city, but Alya transforms into Scarabella, soon being joined by Zoe, AKA, Kitty Noire.
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Kitty Noire's design is... pretty weird, all things considered. The green lipsick just doesn't look that good, I don't get the green hair extensions, and why are they eyes like that when even Lady Noire's eyes stayed green? At the very least, the hair looks marginally better than Catwalker's, and I like the detailing on the suit itself.
While Scarabella and Kitty Noire quickly get to know each other, Marinette and Adrien get used to being civilians again pretty quickly as they watch them fight off Kikou, the two new heroes struggling to keep up with Kikou's five Miraculous powers. Of course, Marinette and Adrien only look mildly concerned, not even regretting their choices in the slightest.
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Our heroes, ladies and gentlemen.
Scarabella uses her Lucky Charm, getting a parachute, which is totally different from the kind used in the final episode of the first episode. Scarabella and Kitty Noire taunt Kikou, Scarabella drawing Kikou's fire while Kitty Noire recruits a bunch of firefighters, who then get some paint from the art store Socqueline runs. The firefighters then load the paint into their truck's hose, which is then used to fill up the parachute. Kitty Noire cuts the rope, and the paint blinds Kikou, and as soon as he deactivates his shield, Scarabella breaks his headgear, freeing the Akuma.
Scarabella de-evilizes the Akuma, sort of helps Kouki and Nora make up, uses Miraculous Scarabella to fix all the damage, while Marinette and Adrien compliment the new heroes from afar before promising to meet up at school tomorrow.
The first episode ends with Gabriel's Alliance recording the unusual data in two Alliances, meaning that Scarabella and Kitty Noire's identities have already been exposed... even though Tikki should have known this since “Jubiliation”. Yeah, you all know where this is going.
THE BIGGEST IDIOT OF THE EPISODE IS... TIKKI
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While the competition was tough, Tikki was able to get the win for going along with this asinine plan in the first place that prioritized the personal feelings of two people over the fact that Monarch was at his most dangerous. Not only that, she forgot Marinette was still the Guardian, she forgot that Alya's identity was already exposed twice, and that even if she didn't know the Alliance rings were a front for Monarch's plan, forgot that these hi-tech rings track the everyday movements of its users, not even telling Plagg this before he chose Zoe.
The second part, “Deflagration”, immediately starts off with Kitty Noire saying that Ladybug and Cat Noir have nothing to feel guilty about even though they essentially abandoned Paris when Ladybug was shown to be getting backlash for her failure, but of course, that isn't mentioned here.
Kitty Noire: We’ll accomplish our mission just like they did, because the goal we all share is to defeat Monarch, isn't it?
News Reporter: Or perhaps Ladybug and Cat Noir renounced their mission so they could finally live their love story?
Scarabella: They were never in love or in a relationship, and neither are we.
Kitty Noire: (in a flirtatious tone) So far anyway!
I'd make a “The Ambiguously Gay Duo” joke here, but we all know Alya is already in a relationship.
Alya and Marinette meet up, the former congratulating her successor on another great job. The two talk about Adrien, and Alya once again encourages Marinette to focus more on pursuing a relationship with him, no doubt planning another stupid party in her mind.
We then get a scene that actually reminds the audience that Chloe and Zoe are supposed to be sisters. I understand if you might have forgotten, but don't worry. I'm pretty sure the writers did too. Of course, I think the writers might be running out of new ways to make Chloe mean to someone, because this time, she just yells at Zoe for being near her and not being in the “half-of-a-sister zone”. In order to appease her sister and make sure she doesn't call their mom, Zoe offers to wash all of Chloe's shoes. Plagg talks to Zoe about possibly standing up to her sister.
Plagg: How about I Catacylsm that sister of yours instead?
Zoe: It’s pointless, Plagg.
Plagg: Zoe, you can't let them treat you that way; no one speaks to me like that! Just ask the T-rexes... That is, if you can find one! Because they're not so smug anymore now, are they?
Zoe: It’s best to stay out of trouble in this family if I'm going to protect my secret identity.
Plagg: You start by giving up cheese, and then you end up giving up on dignity, freedom, and justice!
Zoe: I feel like you like to blow things out of proportion, don't you?
Plagg: Yes... especially when I’m starving.
Talking about standing up to your mean sister, contemplating murder while casually discussing genocide. Same thing, right?
We cut to Gabriel, who's over the moon about the recent revelation regarding Scarabella and Kitty Noire, even dancing a little. He tells Nathalie and heads to his lair to plan his next scheme, but not before chatting with Emilie's body once again. Gabriel transforms into Monarch and gives himself the powers of the Bee, Mouse, Rooster, Ox, and Horse Miraculous, traveling to the school himself.
Meanwhile, we cut to the Resistance, where we see Max has set up a system where, through the use of the Alliance rings and their phones, the members can alert the school to whenever there's an active Akuma... even though one of the features included in the Alliance includes an Akuma alert (Multiplication), and there's also been an Akuma alarm since Season 2 (Riposte). So once again, this brave and totally important Resistance has contributed absolutely nothing. Okay, there are some other parts, like some of the members planning to fight off the Akuma with paintball guns if there's no other option. You know, this is proof that this show takes place in France, because if this was America, they would most likely have actual guns.
At lunch, Marinette and Adrien get closer, to which Lila uses as an opportunity to manipulate Chloe into trying to break up the moment, but not before we get a joke where Chloe needs Alliance to define the word “generous”. Okay, I'm not sure if the joke was that Chloe is so selfish, she doesn't know the meaning of the word, or if the writers are now resorting to using “dumb blonde” jokes for Chloe now, which totally isn't a cliche that was overused twenty years ago to the point where there was an entire movie starring Reese Witherspoon made to subvert it. Either way, NOT FUNNY, DIDN'T LAUGH.
Chloe tries to ruin the moment by telling Adrien Marinette is in love with him, but he's not having any of that. She tries telling jokes that are supposed to be unfunny, they're funny, but it lacks the charm of something like Hank Hill attempting to tell “yo mama” jokes. Zoe stands up to Chloe, which pisses her off so much, she willingly accepts an Akuma from Monarch (currently invisible thanks to the Rooster Miraculous), turning into Sole Destroyer.
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Sole Destroyer is... wow... Just... WOW... they didn't even try with this one. At least Miracle Queen made sense as an upgrade to Queen Wasp, but this? They literally just took Sole Crusher, whose design resembling Chloe made sense thematically in that episode, gave her a new pair of sunglasses, some more gemstones and spikes, and made her eyes glow as if she was a character in an episode of The Nostalgia Critic. Why go to this effort to make a new Akuma when so little is done with the new design? Wouldn't it make sense to bring back Antibug, given Chloe has been against Ladybug since the end of Season 3? As for Sole Destroyer's powers, it's just Sole Crusher's magic kicks, only instead of growing bigger in size after absorbing each victim and making her more of a threat, they transform into singing shoes. You know, guys, it just dawned on me how... how weird this show is. Kinda goofy...
Alya and Zoe attempt to transform, but Monarch, using a combination of the Mouse, Bee, and Rooster Miraculous' powers, stuns the two and steals the Ladybug and Cat Miraculous from them. Plagg attempts to Cataclysm Monarch, but Monarch uses Resistance to block it, immediately going to unify. Before the process can be completed, both Tikki and Plagg use Lucky Charm and Cataclysm respectively, Tikki summoning a trash can with the side effect of creating a new Eiffel Tower, and Plagg destroying the Cat Miraculous. Doing so ends up creating an endless cycle of things being created and destroyed, and unlike in “Dearest Family”, they don't reuse footage from “Style Queen”.
Marinette gets the trash can, and realizes what's happening, and while Adrien and Nino plan to have the Resistance try and stop Sole Destroyer, Marinette works on making her own Ladybug costume. Monarch orders Tikki to tell him what the hell's going on, Tikki explains that since Plagg destroyed the Cat Miraculous, he lost his only method of communicating with the physical plane, and all Monarch needs to do to get what he needs is to take back the Lucky Charm Tikki created. Just then, Marinette arrives, dressed up as Ladybug, and seemingly having the Lucky Charm in her hands, only for Monarch to steal it, unifying into Monarbug.
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Given how stupid he looked as Shadow Noir last season, it's not exactly surprising to learn that Gabriel looks just as stupid unified with the Ladybug. The red and black polka dots just don't go with the black and purple. The one thing I'll give them credit for is that the eyes look kind of cool.
The Lucky Charm turns out to be a fake, and Nino jumps in to save Marinette from being hit with Venom. The rest of the Resistance also arrives, somehow having beaten up Sole Destroyer off-screen and turning her into a battering ram. Monarbug undoes the Akumatization, but Rose, Ivan, and Kim dogpile Monarbug, leaving Adrien to steal back the Ladybug Miraculous for Marinette.
Marinette transforms back into Ladybug, and uses Miraculous Ladybug to fix the damage and fix the Cat Miraculous. While Ladybug fights Monarch, she learns that he reforged the Miraculous before Monarch uses Multitude and Voyage to make his escape, swearing that he'll beat Ladybug someday, “We'll meet again, Spider-Man”, yadda yadda yadda.
Tikki and Marinette talk about finding new holders, only for Marinette to choose to take back the Miraculous, figuring that since Monarch doesn't know their identities (once again forgetting what the Alliance rings can do), that's the best option. Plagg takes back the Cat Miraculous and goes to say goodbye to Zoe, reassuring her that she was still brave enough to stand up to Chloe, because I guess to hell with the people who somehow managed to restrain Chloe while she was Sole Destroyer. And so this episode, and by extension, this two-parter, ends with Ladybug and Cat Noir talking about how their Kwamis saved the day... even though they were the reason Monarch almost won in the first place.
THE BIGGEST IDIOT OF THE EPISODE IS... CHLOE
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In addition to somehow not knowing the definition of the word “generous”, she failed to come up with a good comeback against Marinette, chose to get akumatized to get revenge, failed at that, betrayed Sabrina and Lila, her only allies, for no good reason, and somehow got defeated off-screen by a bunch of civilians with no superpowers, not even getting to fight either of the new heroes, including her sister.
But yeah, in case you can't tell, these episodes were pretty bad. The entire premise of Tikki and Plagg deciding that Marinette and Adrien's love lives were more important than stopping Monarch was a hard pill to swallow, especially since their replacements didn't get to do anything outside of a single Akuma fight. You'd think that with the buildup Zoe got standing up to Chloe, she'd at least play a role in stopping Sole Destroyer, but instead, she and Alya are benched for almost the entirety of “Deflagration”. It's also really dumb that the ending tried to make them out to be the MVP's of the fight, when their idea was what caused Monarch to almost get the Miraculous.
Even Marinette and Adrien didn't really make a lot of progress here. All they did was talk a little, but even after “Deflagration”, not much else happened. Yeah, Adrien stood up for Marinette, but they still haven't officially started dating yet, even when they had every reason to after giving up their Miraculous. It's still better than nothing, but after four and a half seasons, I think we're allowed to want a little more development with the Love Square Wouldn't it have been interesting to see Marinette and Adrien try to start a relationship during their brief retirement, only to struggle to maintain it after becoming superheroes again? We're almost halfway through the season, and the Love Square is still progressing at a snail's pace. Then again, I guess it's better than nothing at this point.
“Transmission” was pretty boring, all things considered. Other than the first act, nothing really happened. The Akuma fight was like the others, just with two new heroes, and Marinette and Adrien got to bond for a few minutes. Nora and Kouki's drama wasn't interesting, and it wasn't even properly explained like the motivations of other Akumas.
I will say that “Deflagration” was the better of the two, if only because Marinette, Adrien, and Gabriel made some smart choices here. Unlike in “Evolution” and “Destruction”, there's no gloating or wasting time. Monarch cuts straight to the chase, and Marinette comes up with a quick plan to trick him with. Also, while I still don't really care about the Resistance, I like the idea of the civilians standing up to Monarch, and think it was executed better than it was in “Heroes' Day”. Even Sole Destroyer got a few reactions out of me for how exaggerated her facial expressions were. I don't know why they decided to give her One Piece levels of weird faces, but kudos to the animators on that front. Of course, Sole Destroyer was still one of the most pointless Akumas in the show's history, as you could take her out of the episode and nothing would have changed.
Overall, while I appreciate the effort to try and tell bigger stories, this was a really weird choice of an episode to make a two-parter.
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piratefalls · 6 months
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first list here.
round two i guess. i finally read 30 pages of a real physical book last night. progress? possibly. it felt right that while working on this "nothing's gonna stop us now" started playing. thinking about making this a wednesday thing. still trying to do a mix of new and old fics, even though it's all new to me. and much like alex claremont-diaz, this has been a mouthful. if you want me to tag you in any lists going forward, let me know!
Will You Brie Mine? by chamel
Today, as Henry tells him all about the Manchego, Alex tries his best to listen and not fixate on the mole next to the corner of Henry’s mouth or the way his shoulders strain the seams of his white uniform shirt. It’s not a particularly easy task for him, in all honesty. “Would you care for a sample?” Henry asks, as if Alex has ever said no to him. “I’d love one,” Alex tells him instead of saying I’d like to sample you. (Or, Henry sells cheese and Alex is somehow his best customer. It's not really about the cheese.)
take me out and take me home by coffeecatsme
“Shh.” Alex presses a finger over Henry’s lips. Their corners twitch, as if Henry’s desperately fighting a smile. “This is our house, baby. We gotta make it our own." Soon after Ellen's election, Henry and Alex move into a brownstone in New York. This is a story of how they make it home.
i still love you more than i should say by tkstrand
It’s been three months since Alex started working for Bankston & Shrivastava Associates, and he’s starting to think that his tiny crush on his coworker may not actually be that small. NYU School of Law may have helped him pass the bar, but it certainly didn’t prepare him for everything that is Henry fucking Fox. What makes it worse, though, is that Alex can’t do a fucking thing about it. No matter how much banter they swap, how many times he makes Henry blush in a day, it doesn’t matter. Alex can’t do anything, because Henry already has a boyfriend. Or, where a slight miscommunication leads Alex to believe that David is Henry's boyfriend.
and that's the way i loved you by HypnosTheory
Alex sighs, tilting his head back and sinking low in his chair. “What if I scare him off? He’s got a pretty big thing about commitment-” “He eats the same thing for breakfast and he wears a ring with his own initials every day,” Nora says, lifting her head up just enough to glare at Alex. “He doesn’t have commitment issues, he’s just a slut. Tell him you want him to be your slut. For the love of all that is holy.” -- Alex accidentally fell hopelessly in love with his roommate and fuck buddy Henry. He tries to plan the perfect confession, but when have any of Alex’s plots worked perfectly?
Baby, You're Gonna Lose Your Own Game by affectionatelyrs
Alex thinks he understands why people get stupid, impulsive tattoos like their ex’s name now if the sudden urge to etch the word darling onto his hip in permanent ink is anything to go by. So, yeah, Alex supposes. Henry may still be maddening, but his mouth? His voice? Maybe it was always hot, actually, and the irritation he previously felt was just thinly veiled complete and utter attraction. That would check out. Hate has always been a multifaceted word, after all. - Or, Alex decides that he wants to fuck the British out of Henry while watching him speak at a gala
flatline by rizcriz
Alex gets the call at 7:57am. It’s from an unknown number, so he answers it with an accent on his tongue and laughter in his throat, ready to troll the scammer for all they’re worth. But the voice on the other side of the line is serious, solemn, when she asks, “Is this, I apologize, all I’ve been given are initials, AGCD?” He frowns, turning away from the coffee shop he’d been about to enter. “Who’s asking?” There’s a moment of hesitation on the other end. “There’s been an incident. On the individual's phone, there’s a sticker. It says, if found, return to AGCD, alongside this phone number. Does it sound familiar?” Alex freezes in the middle of the sidewalk. “What kind of incident?” -- Or, Henry's been in an accident.
craigslist cutie (please don't go) by matherine
Here’s the thing. Alex is simultaneously very, very smart and very, very stupid. Nora calls it the Claremont-Diaz Paradox, and every time she does, June sticks out her tongue like she’s about twelve years old, and then Nora makes a comment about what she would rather June be doing with her tongue, and – okay. Off track. Not relevant to Alex’s current predicament, which is perhaps the most damning example of the Claremont-Diaz Paradox. Alex got himself into NYU Law with flying colors and LSAT scores in the 99th percentile, worked his ass off for three years, and graduated with honors and a crippling caffeine addiction. And then, because he is an idiot, he decided to take his JD, his potential, and his mountain of student loans to his brand-new job as a public defender. Unfortunately, being a public defender pays about as much as working at a Hot Topic. Which means that Alex really needs a roommate. Like, pronto. STAT. ASAP. He’s not sure who’s desperate enough to move into the other room in his beautiful, probably-not-bedbug-infested 700 square feet of Hell’s Kitchen, but he really fucking needs to find somebody. Craigslist is a last resort, but it does bring him Henry.
Professional Rivalry by clottedcreamfudge
"Decided to take the afternoon off to bump into pedestrians?" Alex asks as he gets to his feet, brushing off his chinos and pushing his glasses back onto his face where they've started to slide down his nose. "Shouldn't you be off somewhere writing about men in passionate embraces?" Henry regards him coolly over the armful of papers he's managed to retain complete control of, somehow, and Alex notices vaguely that he's got a smudge of ink just below his jaw. "Shouldn't you be taking a 1L lecture in," Henry pauses, looking at his watch, "less than five minutes?" "Fuck," Alex says again. "Fucking shit." Then he turns around and leaves Henry to bump into more people, probably, since that seems to be his only fucking agenda for the day. *** Professor Alex Claremont-Diaz despises Professor Henry Fox, so naturally they get roomed together at a conference. Alex is fine.
take a step, step again by iphigenias
This is not the first time. The first time, Alex left for class early, left Henry in their bed in Brooklyn with a kiss pressed to the exposed skin behind his ear. He didn’t hear from Henry all day. When he got home that night, Henry wasn’t in the kitchen, or on the sofa watching Bake Off, and he didn’t answer when Alex called. He was still lying in bed, and flinched, when Alex reached out to touch him.
mess me up (no one does it better) by extasiswings
Sometimes, Alex gets stuck in his own head. And for twenty-two years he doesn’t think there’s anything to be done other than to just go with it, ride out the frenetic energy until he’s fixed whatever needs fixing, or until the situation is over, whichever comes first. If he can just control everything, it’s fine. He likes being in control, he’s good at it, he’s fine. It’s just how things have always been. Until Henry.
five times henry's competency turned alex on and one time it turned him into a pile of romantic goo by helenblqckthorn
Alex has a fucking thing for competency. A competency kink, if he wants to be crude. And it just so happens that his boyfriend is one of the most competent men in England. Well, Alex, he thinks. You sure know how to pick ‘em.
Keep Most of Your Heart in London by cresswells
Alex thinks he’s prepared – as prepared as he’ll ever be. He’s been waiting for months to do this. He even did his research on the proper etiquette for a British royal engagement – and then promptly ignored it all. AKA: The one with the engagement of the century.
Red, White & Navy Blue by jedusaur
"Fine," says Alex. He clenches his jaw and his fists. "Great. Watch me. I'll bromance the shit out of the motherfucker."
how we rolled up the carpet (so we could dance) by adhoori
Henry shrugs off his suit jacket and tie, looking his usual annoyingly handsome self while Alex stifles a yawn in spite of the amount of caffeine in his system. “You’re a sight for sore eyes,” Henry says, looking all kinds of fond. Alex feels a little ridiculous in his tousled hair, glasses and the ratty NYU sweatshirt, but finds an answering warmth spreading through him anyway as he lets himself be kissed hello. “Hi, sweetheart,” he says, leaning back into the chair while Henry leans against the desk.
you and me, forevermore by bellamysgriffinprincess
"He pushes up on his toes to kiss Henry, who returns the kiss immediately, greedily, tongue brushing against his in a way that makes Alex's brain short circuit just as much as it did a year ago. A year ago. It still does something to him, stirs something deep inside him that makes his entire body feel like pure mush. It's a memory burned so bright in his mind - cold air, a buzz in his veins, a tree in a quiet garden, fingers gripping his face, soft lips against his. The night his world turned on its axis and shifted toward Henry, altering his path and forever tilting him closer." Or, Alex and Henry on New Year's Eve, one year after their first, and Alex wants it to be special.
All Booked Up by allmylovesatonce
A book tearing up the Bestseller’s List is quickly shoved into Alex’s hands via June and Nora. Despite his resistance, he’s taken in by the book and its whirlwind romance. When Nora insists they all go to a reading with the mysterious author, Alex is drawn in by H. G. Fox, hanging on his every word. When they meet after the signing, it sets him on a path he’d thought was impossible.
Are You Screwing With Me? by railmedaddy
Alex is only downloading Grindr because he’s curious. It doesn’t fucking mean anything, right? And when he answers a call for help from a very hot neighbour – who has no business having a shoulder-to-waist ratio like that – he’s just being friendly. It definitely doesn’t mean that he’s going to discover things about himself that he’d assumed were just passing curiosity. Or, the Grindr meet-cute AU
Yo Te Guiero A Ti by lucy_in_the_sky
“So,” Henry starts again, setting the now empty beer bottle down with a decided thud. “You want to bottom, but are having trouble fingering yourself and making it feel good?” He asks, voice deeper than usual. “Yeah, that’s pretty much it,” Alex shrugs, still feeling half turned on and half mortified. “And you want my help with fingering yourself?” Henry asks, slightly incredulously. And fucking hell, that’s exactly what he wants, even though he technically only asked for Henry’s advice, not his help actually fingering him. “Would you help me?” Alex breathes out, the question barely a whisper.
We were staying in Paris by hollybibble
Henry wakes up with Alex for the first time in Paris. He's desperately in love but still managing to convince himself he is in control...until Alex calls him 'baby.' Cameo appearance by Henry's leather polo gloves.
Piping and Draping on a Saturday Night by cmere
Dear Alex, Please consider this email confirmation that I am available to help supervise students at the End of Semester Dance on Saturday, December 19th. Do let me know if there is anything I should prepare in advance. I look forward to working with you. Sincerely,Professor Henry Fox, Ph.DHistory Alex doesn't really understand why boring and pretentious Professor Henry Fox volunteers to help out at his students' events every semester, but he needs all the help he can get, so he's just gonna have to put up with him.
don't be surprised, baby (it's just me) by pissedofsandwich
Henry reflects on his relationship with touch over the years.
love dares you, to change our way of caring about ourselves by kapplebougher
Henry has read it all: fairy-tales of princes and their courters, unsung histories of kings and their secret lovers, and he has read all their happy endings. But he is not a prince in a fairy-tale, and he has always thought his own secret love story was likelier to end in tragedy. Perhaps it’s time that changed. (Or, Henry’s POV the morning after The Great Claremont-Diaz Ambush at Kensington Palace)
I'd Cross Oceans by 14hpgirl19
Dating a prince is hard. Dating a prince when you're the son of the President is even harder. Alex is done with barely seeing Henry. When Henry gets sick while in London, Alex decides to take matters into his own hands. (And if he ends up with a fiance at the end of it, even better.)
watch before it ends by indomitablelove
He should be working on this essay so he can spend more time with Henry this weekend. He really, really should be working on this essay. But. But. Henry is going live on Instagram. --- that's it, that's the fic.
you turned a moment (into forever) by viciouslyqueer
Sharing an apartment with Alex had seemed like a good idea at first. They’re best friends, prices in Brooklyn are absurd, and they had both been in urgent need of residence – it only made sense. Except for the small, tiny, teeny, barely there fact that Henry has been in love with Alex from the first moment he laid eyes on him. And the fact that Alex doesn’t know, and can never find out.
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hyacinthsdiamonds · 2 years
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Reasons I hated the ending;
Inconsistent ooc writing. I don't know who the f was on my screen but that wasn't the Sam or Dean we've grown with for fifteen years.
Plot holes; the vampire mimes??? Where did they come from?? Because John thought Vampires were extinct until Dead Man's Blood and then he's you know dead so when did he have this supposed hunt with these pathetic excuses for a typical monster of the week villain let alone the last ever one?
Jenny. She wasn't even named in her first episode. Not once in fifteen years did one viewer go "I wonder what happened to her". Nostalgia? Most people didn't recognize her. She's only notable for being part of the first wlw and same-sex kiss on the show which was nonconsensual because the other girl forced herself on Jenny and only did it for the amusement of the men watching. There's also interesting points regarding to the show's vilification of queer people in the early seasons as majority of the first queer characters were what the show deemed monsters and were portrayed as predatory or destructive (they literally had Lily accidentally kill her girlfriend by touching her) and if they were "human" they were used as the punchline until Charlie when we actually got good rep and she was eventually butchered. Most queer characters ended up dead, or at least dead from some time. Only four queer characters are even hinted to be alive at the end (we don't know nothing about Charlie 2.0's fate), Kaia and Claire who's reunion and overall ending is left open to interpretation (hinted they're alive as Donna texted Sam which hints the wayward sisters are ok), Max who as far as we are aware is still condemned to go to Hell when he dies and Chuck one of if not the only canon bisexual males in the show was vilified to such a significant degree it doesn't matter that he's still alive. To have Jenny be the character they bring back while ignoring the show's integral queer characters like Charlie or Crowley or Claire or Cas etc is something else when the nonconsensual kiss was what turned her into a vampire.
Of the three female characters we see in the finale none have any connections to the viewers. Jenny the only character we've seen before is killed immediately. Blurry wife literally only exists to provide the womb for Sam to have a son to name after Dean so it doesn't look like he kidnapped a random kid, she's not deemed important enough to be even seen properly. "Sam could've ended up with anymore it's open to interpretation" bullshit because that's clearly a white woman which erases so many interpretations and it is so clearly a cop out. The third is a woman who literally gets silenced at the start of the episode, she gets her tongue cut out. The most we get is a text from Donna and a line about Mary.
Cas' ending. You pulled Chekhov's gun out. The gun had to go off but instead of acknowledging his confession, they refused to allow Dean to voice his feelings, refused to even give Cas a concrete ending. We don't know for an absolute fact if he's in heaven, all we're told is Cas helped. His death is literally bury your gays, an example of out of the closet and into the fire. He deserved better as a main character of twelve years.
Dean's death is problematic as fuck. His death is implied to be a suicide. It's said to be a good thing, him dying, him dying that way. This still fucks me up. He deserved to live. He deserved so much, I see him having some sort of roadhouse like Ellen taking care of wayward children and hunters alike, and having some sort of auto shop like Bobby did. I see him aged and happy. I see Cas beside him as he should be.
Sam's ending is bullshit. It erases fifteen years of character development, of relationships and it makes it all pointless. Sam is forced to lead the life he would've lived had Dean not showed up at his dorm in the pilot. What was the point of any of it? Was Dean just a fifteen year interruption of his brother's real life? His character arc was leading towards a completely different route and they did a full 180 and regressed his character so much. Sam should've become the next Bobby, teaching and helping a new generation of hunters and he should've gotten to keep/use his powers. He should've gotten to pass on Rowena's knowledge to a new generation of witches too and I'll die on both those hills.
EILEEN LEAHY DESERVED FUCKING BETTER. First you kill her by hellhounds. You kill a deaf woman with something she needs to be able to hear in order to have a chance at surviving. Second you bring her back, develop her and Sam's relationship and then you kill her again, don't give Sam a chance to even react to it and then leave her fate unknown and then throw in blurry wife to add insult to injury.
The pacing was so off. Like carry on wayward son plays back to back twice in a weird montage??
The party city wig. It's genuinely laughable. Like that's what the cw went broke over lmfao.
It's hilariously bad for your average monster of the week episode. As a final ever episode, it's like spitting and peeing into the fans drink and forcing them to drink it.
It wasn't for the fans. I know some fans liked it, I disagree with their opinions but respect them BUT it's clear that the episode was the way it was for people who ditched the show earlier on in it's run could tune in and not feel like they missed anything, which for a show with 15 seasons should never have been the case. It was a kick in the face for those who stuck it out from beginning to end
Amara's ending doesn't sit right with me. Like she's just absorbed into Jack? Jack at three is God? Amara should've been God and Jack should've gotten to be a kid on Earth.
Rusty. Nail. Andrew Dabb why did you hate Dean Winchester and Jensen Ackles?
What about Cas' deal with Ruby? What about Rowena and the demons in Hell? What happened to Adam? Everyone Chuck snapped allegedly got brought back (no confirmation on Eileen, Charlie 2.0 or Stevie) but Michael got vaporized in Adam's body so what happened to Adam next? Forgotten again ffs. The vamp mimes are their own plot hole but how did they and Jenny team up? Like what connection did they even have? I could go on forever on forgotten plotlines and blatant plot holes.
John Winchester being in heaven.
Ruining carry on my wayward son. It's literally a jump scare at this point for me
Things I liked about the finale;
The dog
The party city wig for the memes only
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thtdamfangirl4 · 9 months
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I tried really hard to bring my hopes down so I wouldn’t be disappointed by the RWRB movie and despite both my best efforts and some truly great scenes from the actors in the movie, I was so upset by it.
The Paris scene was gorgeous and intimate and IMPORTANT. Sarah as Zahra was literally flawless. Taylor and Nick were infinitely better than I thought they were going to be. The chemistry was good. I liked Uma Therman.
But.
I was never going to be happy with this movie. It was rushed (due to the nature of it being a 2 hour movie) and cut out not only important scenes for development, it cut people who are integral to the plot and entire plot lines that were paramount to the book’s intention.
It needs June. It needs Nora and Pez to be ACTUAL characters. It needs Ellen and Oscar to be divorced and have the family dynamic that makes Alex who he is. It needs Rafael Luna. It needs Catherine. It needs Bea to be flawed and have a personality and not be sanitized for no discernible reason. It needs the full progression of Alex and Henry’s relationship. It needs emails. It needs better coverage of the email leaks and aftermath. It needs friendship and queer community. It needs 23 year old protagonists. It needs Alex spiraling and figuring himself out.
If I’m honest, that omission might be what disappointed me the most and I haven’t let myself ruminate on it until these words were being tapped out by my fingers. Alex’s bisexual awakening in the book made me feel more seen and understood than any other book I’d ever read, any character I’d connected to. And it resonated within his character throughout the book. Without him learning about himself, the importance of this story is diminished for me and my own journey and connection.
RWRB is my favorite book of all time. I turn to it when I’m happy, sad, anxious, confused, tired, wired, and everything in between. It’s literally perfect to me, no matter anyone else’s opinion. I relate to Alex more than any other character in any other media. Henry is my favorite fictional character, period. I wanted so desperately to like this movie.
There were scenes I loved. But so much in between reminded me starkly of what it was missing.
This is not a hate post about this movie, nor does it stand to denigrate the actors or writers or crew, etc. Nor does it serve to shame anyone who DID love this movie. I hope you DO love it. I hope it brings joy to those who loved the story before and invites those who are unfamiliar into these characters. Most of all, I hope it provides joy to young queer audiences who are seeing themselves represented in a romcom.
But this process feels almost like grief, which sounds so dramatic. For me and people like me, whose souls were unwittingly bared on the pages Casey McQuiston wrote years ago. For people who found an anchor in this novel and hold on for dear life so we don’t drown. To me, this book is perfect, and to alter it in any way was going to disappoint me.
My hope is that in the coming weeks, I can find a way to truly separate this book and my unending catalog of feelings about it from this movie adaptation, which I probably would have loved if I wasn’t a die hard book fan, so that I can enjoy both and recognize that only a piece of the book made it to the screen.
(Truthfully my greatest hope is that they personally grant ME the rights and unlimited budget to write and direct a full miniseries adaptation that is a faithful interpretation to the letter, but no one is going to do that.)
I’ve seen like hundreds of posts already saying that we shouldn’t shit on this movie or take away from other people enjoying it, and I agree. And I apologize if you feel that’s what I’m going with this post. It’s not my intention. But I do want to say that you’re also allowed to be disappointed. You’re allowed to feel like you would’ve wanted it to be different. Just don’t walk around disparaging the book or the talented people who made it possible, and certainly not the fans who are just loving the story and characters you love too, just maybe in a different way.
Idk, this blog is a mess and a safe space and I just wanted to put my initial feelings somewhere because they have kind of taken over my brain. I’m tired and still processing, but if I don’t get out this spiral, I’ll stay in it.
I want to like it. But there were just too many changes. It felt like a different story. As Alex and Henry have both said, “we all must learn and grow.”
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thequeenofsastiel · 9 months
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My thoughts on Red, White, and Royal Blue the movie(spoilers for the book and movie)
I'll start with the good parts:
The casting was very good. I loved Uma Thurman as Ellen Claremont-Diaz.
The main characters had excellent chemistry, and the scenes in which they were intimate were well directed. They genuinely seemed to desire each other.
Building on that last point, I appreciated the fact that the movie didn't dial down the fact that they were extremely sexually attracted to each other. It didn't try to desexualize(yes that's a word now) them in order to make it more palatable for people who are still homophobic. Granted, it's unlikely that very homophobic people would watch the movie, but I can imagine people who are at least somewhat homophobic getting persuaded to watch it by someone they love. This movie didn't cater to that audience, and I think that's great.
The movie did a good job at showing us their texts and emails in a way that's more enjoyable than just having us see their texts. It effectively made them cinematic.
It was very funny when it wanted to be, and moving when it wanted to be.
The score was excellent.
Now onto things I didn't like:
They shouldn't have gotten rid of Alex's sister, June. She was a significant part of his life and I think the movie suffered for not having her there.
While I understand changing the fact that Ellen got divorced made things simpler, and wasn't relevant to the main plot in any way, I still would have preferred it if that had stayed the same.
I wish they hadn't gotten rid of Rafael Luna. I totally get it, he was an expendable character, and the movie was already two hours long. They didn't need him figuring out that Richards was spying on Alex and Henry to win the election. That plot point could be tossed aside. I still didn't like it.
I absolutely hated the fact that Alex didn't fly to England asap to see Henry the way he did in the book, and emotionally supported Henry for quite a bit.
I also disliked the fact that Henry's mother wasn't there to support him. It was inspiring to see the way her son's distress drove her out of her depression so she could be there for him. The way she stood up to her mother to protect Henry was one of my favorite scenes in the novel, and I was crushed that they just tossed that to the side.
I detest that Alex gave a speech confirming their relationship without consulting Henry. In the novel they made that decision together and Henry was right by his side. The movie made it seem like he was outing Henry without Henry's consent, and that's a big no-no in the queer community. We don't out each other. Ever. For all movie Alex knew, Henry was planning on calling the emails a hoax. The movie did Alex dirty.
"History, huh?" In the book, that was something that got said in one of their emails, and people took that quote and made shirts about it. It made me cry. I hate that they changed it.
I also feel like they should have included more emails. In the novel, Henry and Alex grow more and more verbally affectionate with each other even before the "I love you," so it felt a lot more natural in the book when Alex was ready to say it.
It's hard for me to grade this movie, because I'm comparing it to the book, which I know is very often a bad idea. But still. This movie was a lot of fun. I think I would have enjoyed it more if it didn't feel like I was watching the book on fast forward with some of my favorite scenes cut out. If you haven't read the novel, I do recommend it. They did a good job adapting it to the screen, despite what they cut out. For the most part, the things that got cut weren't crucial to the plot, so the movie didn't feel incomplete. My biggest gripe is about Alex giving the speech without Henry. It made him look bad. In the novel, Alex was very, very cautious about making sure that Henry was entirely ready to come out to the world. He was encouraging without being overtly pressuring. So to have him confess to the world without talking to Henry first...it was deeply upsetting.
Still, overall it's a good movie. I'll probably rewatch it at some point, though if I do it with other people I might be the obnoxious person going "ACHTUALLY, IN THE BOOK--"
I will say, I think the movie was too short for the novel. It should have been three hours long, so they could have included all the events and people that were cut out. But honestly I tend to think that in general movies are too short. It's probably why I prefer television series.
Thanks for reading!
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choppedupnotkilled · 2 months
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Something that's really funny about Little Shop 1986 is the juxtaposition between the narrative often not taking anything seriously/making fun of itself and the characters and plot to the point that it's meanspirited at times (like Seymour describing the lifelong abuse and neglect he's gone through being framed in a very comedic and flippant way that's clearly making fun of him to the point that there might as well have been a laugh track playing, this happens with Audrey's introduction as well) but at the same time the performances (especially those of Ellen Greene and Rick Moranis) are so sincere.
This is most prominent in the theatrical cut ending where some of the dialogue feels like it was written in that Spongebob sarcasm font ("ThIs Is BeTwEeN mE aNd ThE vEgEtAbLE") (the very mocking tone at parts probably comes from them being pissed off that they had to redo the ending and seeing this new happy ending as stupid and fake and vapid which is fair) but it still feels like the actors are taking it fully seriously. If they were pissed at the audience like the writers clearly were I certainly can't tell. I refuse to look up interview quotes for any of this because most times I've looked at an interview quote for this movie it's been completely antithetical to every single thought I've ever had about it and made me wonder if I've watched the movie that it's talking about but yeah. Also probably no one involved would admit it if they were pissed at the audience but like... the writers probably were based on some of that dialogue/framing. No I don't know who 'the writers' were despite having written the equivalent of two doctoral theses on this movie. Because researching the authorial intent is painful for the reasons I've described.
How did this post get derailed this hard
Anyway tl;dr the juxtaposition between the narrative not taking anything seriously/being very mocking and the performances being very sincere is fun, it really adds to the feeling of Seymour and Audrey trying to survive in a world/society that hates them when the narrative itself is taking the piss out of them half the time.
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galvanizedfriend · 8 months
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what do you think about the baby plotlines? about hope and the twins? do you think they ruined any chance of klaroline being together? or do you think kc could have been together for real and had a good relationship if the babies didn't exist?
This might seem surprising since I have written over a million words of baby fic (although I will argue that it's not a baby fic, it's a fic that contains a baby, which is very different 😌), but I hate the baby plot. I'm a clown. 🤡
It's not about Hope or the twins in particular, nothing against them, I just think that suddenly including magical babies in a supernatural story about vampires is just about the stupidest thing you can do. Vampires are not supposed to have babies, period. I remember watching the backdoor pilot episode of The Originals not having the slightest clue what to expect because I wasn't in fandom back then, or even following anything about TVD, just watched the episodes as they came out, and the moment they revealed The Originals' move to New Orleans was about a baby, I turned off my TV. Whoever thought that giving Klaus A BABY was the best thing they could do for him, is an idiot that should've been fired on spot.
If they wanted to explore the whole father-child situation, drawing from Klaus' immense well of daddy issues, they could've used Marcel. It would've been so much more powerful and so much more interesting. The thought that Klaus, out of all the Originals, would just decide to embrace fatherhood after getting a one-night stand he didn't even like accidentally pregnant makes NO SENSE AT ALL. This is the man who stabbed his siblings and carried them around in coffins as a love language. And people want me to believe that this violence-first, emotionally constipated hybrid would want to raise a child. Sure.
As for Caroline's pregnancy - I guess once you have established that Klaus could make magical babies, then anything was possible. The excuse they used that Candice was pregnant was so dumb though. So many movies and shows have been shot while the actresses were heavily pregnant, but their characters weren't. Catherine Zeta Jones was six or seven months pregnant in Chicago. Everyone in Grey's Anatomy had babies. Ellen Pompeo had three onscreen babies but none of them were written to match her real life pregnancies. In fact, Candice had to wear a prosthetic belly because she wasn't pregnant ENOUGH. So stupid.
HAVING SAID THAT. I don't think the babies were the reason why Klaroline didn't happen. At the end of the day, it wouldn't have been something that would've kept them apart if the writers had wanted to go there. If anything, babies could've brought them closer. I mean, Klaus should've been completely inept when it comes to taking care of another human being who's entirely dependent upon him. Caroline, as a carer at heart, could've seamlessly fit into the narrative. And especially after they gave her babies as well, they could've easily connected through their snowflake kids.
In fact, my personal headcanon (somewhat backed by real canon) is that they did. Klaus gave her money for her school, and while I don't think he did it so he could send Hope there later on as Legacies tried to make us believe, I do think the reason he ended up allowing Hope to attend the school was BECAUSE Caroline was there. He trusted her with his daughter, in a way he probably wouldn't have trusted anyone else, particularly because he was absent. He needed to know she would be safe and in good hands, and that was definitely not because of Alaric. And I also think they kept in touch during all those years where Hope went to school there and he went on a murder bend around Europe. Hayley couldn't get a hold of him, but Rebekah IMMEDIATELY knew who she could reach out to to find him. If Caroline hadn't seen or spoken to him in 15 years, that would make no sense. The way Klaus is all 'Trying not to flatter myself that you're here on a sudden whim to see me' implies more intimacy than two people who hadn't spoken in over a decade would've had. They were definitely in touch. How much touching was involved is up to your imagination. :)
One thing I wish Legacies had explored was Caroline's relationship with Hope. They obviously had one, we were just never shown it, which is sad, because there were so many interesting layers that could've been explored. It's also in my personal headcanon that Lizzie would've been fascinated with Klaus had him and Caroline ever had a chance to be together and he got to hang around her kids as well, and the irony that her middle name is Jenna is just delicious (Klaus wouldn't have felt the slightest bit of remorse). It would've given Alaric so much grief.
In conclusion, Klaroline could've been together with or without the babies. They weren't what was standing between them. Stupid writing was.
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scoobydoodean · 3 months
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5x13 is a very interesting episode for all of the characters…
like you’ve got cas refusing to consider killing sam bc he wants to idk prove himself to dean
you’ve got mary and john being mad about raising kids to hunt and sam defending john
you’ve got sam’s rewriting of john: like he tells young john that his dad died trying to protect him, but dudeee john told dean he might have to kill you on his death bed
you’ve got dean trying to protect mary from the truth but ultimately realizing she deserves it (i love this one bc dean is consistently about people being honest with him)
you’ve got sam being honestly kinda cruel when telling mary to leave john so she doesn’t curse her kids, which there’s some truth to that but that is NOT the right way to say it sam (i genuinely don’t know how people think sam is good at like “therapy”)
you’ve got michael being creepy with dean and saying he doesn’t want to fight lucifer but still disagreeing about following a father’s orders and destiny and the advent of team free will
you’ve got sam starting to believe that maybe this is their destiny and dean strongly denying it (hot take but sometimes i really think sam and michael are the stronger parallel)
omgosh anyway sorry for the long recap but i guess i’m just wondering if there’s anything you would have done differently with this episode? specifically regarding how these themes were shown
Regarding Cas:
I don't think Cas wants to prove himself to Dean. I don't think he needs to, and I don't think he thinks he needs to right now. (In fact in 5.02 he suggested that Dean owes him). Everything Cas is doing is born of mutual solidarity with Dean in rebellion against heaven. If they don't succeed, they're all going to die—and so will everyone else. Cas has the entire host of heaven after him. Even fellow rebels like Anna and Gabriel dislike him. Gabriel resents Cas for his hopeless quest to find their father, and Anna hates him because he betrayed her in 4.21 and made no efforts to help her.
The only person Cas has in the world right now—the only person he can lean on or count on in any way—is Dean (see: 5.03). By extension, because of their shared love for Dean, Cas also has the people with whom Dean associates (Bobby, Sam, Ellen, Jo). There is protection and shelter through loyalty—through the found family. Cas calls Sam his friend in 5.13, but they haven't really had any bonding experiences on screen the way Dean and Cas have. I think for Cas, it's as simple as Dean is Cas's friend -> Anyone Dean cares about is also Cas's friend and worthy of his protection.
I also don't doubt that Cas is aware that Dean's well-being is tied to the family's well-being and the family's well-being is tied to Dean's well-being. I also don't think he's unaware of the fact that Dean can't weather more harm to their cobbled-together family. Sam and Dean's relationship is deeply scarred and trying to recover (but we see in 5.05 and 5.12 that Dean is struggling with it, and Cas specifically knows this from 5.03 when Dean opened up to him about it). Bobby is dealing with being recently paralyzed and is suicidal (and Dean's outright told Bobby that he can't handle losing him). Ellen and Jo just died a few episodes before. We're about to be reminded again how badly Dean is cracking open in 5.14.
Cas's actions with Anna are cold and calculated—ruthless—because he can't risk any further harm to the family unit—especially not any that might risk rupturing their heart (Dean). In that regard, Cas's actions toward Anna in 5.13, while ruthless, are in character (Also see: wanting to kill Jesse, torturing Donatello, plotting to kill Kelly, working with Sam to use The Book of the Damned).
Regarding Sam rewriting John:
I think the truth is that Sam doesn't care that John told Dean to save him or kill him. I mean—a part of him definitely was traumatized by it—but in 2.11, Sam says John was "right to say it" and he continues to push that narrative through season 2. I think the thing that really makes Sam angry is that it was kept from him. But the stuff related to Stanford and being raised a hunter—Sam forgives John for all of that, and we've known that for a while. We saw Sam start to soften and empathize with John's desire for revenge by 1.02. Then there was 1.08, 1.20, 2.02, 4.19.
Sam's lack of sugar-coating:
We can make note of this one also in 4.19 with Adam, in 4.20 with Jimmy, and in 5.06 with Jesse (though Sam does try harder with Jesse). I don't think he intends to be cruel to Mary, but by this point, Sam has kind of made a name for himself telling people their futures are fucked. This also feeds into your last note about Sam believing in destiny. Of course, Dean also jumps to say that Sam is right and Mary should just not have kids.
I don't know if there's anything I would have necessarily done differently, besides motivate Anna a little better. Her actions are rational, but they don't feel true to her character from season 4. By this I specifically mean her plotting to trick Sam and Dean into a trap, when they (especially Dean) had risked their lives for her in 4.09 and 4.10. She actually uses Dean's loyalty to try and trick him into meeting her, and the only reason it doesn't work is that Cas doesn't trust her and refuses to let Sam and Dean go to meet her. Given that the lack of loyalty and love among the angels was a primary motivation for Anna's fall, I would have appreciated further explanation behind her betraying Dean in this way—through his loyalty to her. I am likely meant to infer that her stay in prison included brainwashing that created this effect, but I don't know... it just feels off.
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invsbledad · 4 months
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PAUL DANO MOVIE TIER LIST (rated on how much I liked them not how good they were)
1. The Batman. Duh. Is that even a question?
2. Cowboys and Aliens. Another obvious best answer. Two of my favorite things!
3. LMS really sad. Really good
4. For Ellen it sucked but I like the thought of him being a divorced dad
5 There will be blood Paul dano gets beat!!!
6. L.I.E I cried a lot it was really sad
7. Ruby sparks. Paul dano AND Zoe Kazan in the same movie
8: Prisoners awesome movie, ending was really sad Paul dano was beat
9. Okja this movie was awesome the pig looked like my old dog
10.Swiss army man really good message but I got second hand embarrassment so I couldn’t finish it
11. Girl next door Paul dano looks GREAT in this. And I love the plot
12. Taking lives. Funniest ending ever. Seriously watch it just for the ending also Paul dano was SO AWESOME
13. The extra man. Kind of boring.
14. Love and Mercy. BEACH BOYS WW
15. The good heart. Extra points cuz he got beat
16. Flatscreen. Funny. That’s all I can say
17. Too young to be a dad. Genevieve? Seriously? Do better Paul, do better.
18. The fabelmans. Good but I thought it was boring
19. The guilty. We don’t see his face but I can hear him! Crazy plot twist
20: where the wild things are. Pretty good. He got beat.
21:being Flynn. BORINGG!
22: Taking Woodstock he got like no screen time but his long hair was cute
23: Fast food nation. Don’t get me started. I hated this, Paul Danos emo character was there for one scene and didn’t come back. Too much sex. I get what they were trying to say with it I just didn’t fw it.
BONUS: sensei rainbow and the dojo kids. Gets no screen time but he was still really really really awesome. We got to see baby Paul dano.
Those are the only ones I watched I don’t think I will watch any more Paul dano hyperfixation was in may I still love him with all my heart but disappointingly not as much 😒
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soulsforscrapbooks · 2 years
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Dracula: The Play and Its Legacy
While we’re waiting for the Final Updates leading into the Final Battle, I wanted to let people know about the stage adaptation of Dracula, because it established a lot of tropes that are still in use among adaptations of the material today. Sometimes, honestly, it seems like more adaptations pull from the play than the book. Okay, so:
The original adaptation of Dracula for the stage was written in 1897 by Stoker himself! Here you can see the manuscript in his own hand:
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Apparently he hated how it turned out, because he called it “dreadful” and it was performed only once and then never again. Interestingly, the role of Mina was played by Edith Craig, a well-known figure in the suffragist movement and the daughter of Ellen Terry, whom Stoker mentions in the book. The next attempt at adapting the novel would not be until the 1920s, after Stoker had died.
The 1924 adaptation by Hamilton Deane stays fairly close to the events of the novel, though the plot has been streamlined and the entirety of the action takes place in the Harkers’ house. Mina and Jonathan are already married, Dracula is already in England, and the storyline involving Jonathan as a prisoner of the Count has been omitted. To accommodate the female members of his theater troupe, Deane changes Quincy from male to female. Her name is still Quincy, and she is described as “feisty,” and is a close friend of Jonathan and Mina. (There don’t seem to be any photos from the 1924 play, sadly.)
It is in this first major adaptation that the idea of the Count as suave and debonair is brought into existence. Deane made this change to allow Dracula to interact more easily onstage with the other characters, whereas in the book he stays an offscreen threat for large amounts of time. Deane also created the image of Dracula wearing a high-collared pointy cape, which was originally done to hide the actor better whenever Dracula had to “disappear” through trapdoors. 
Here is Raymond Huntley as Dracula in the 1924 stage adaptation:
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The play was a success, which meant that there was inevitably a version produced for Broadway. 
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This version, adapted by John Balderston, was a complete revision not just from the book but from the 1924 stage play. Here is a summary of the changes:
Quincy, Arthur, and MINA have been removed from the story. Mina is mentioned as having died mysteriously before the play takes place.
Jonathan’s relationship to Dracula has been completely removed. He is not involved with bringing the Count to England at all. He is also now wealthy, and has traveled Europe extensively, where he has heard folktales about vampires.
Lucy is now engaged to Jonathan, and her last name is now Lucy Seward. This is because........
John Seward has been aged up and is now Lucy’s father. 
The action takes place at Seward’s house/asylum.  
Renfield is allowed to just sort of...wander around Seward’s house when the plot requires him to be there. He gets dragged away by attendants whenever he needs to be offstage. He also survives. 
The Broadway version also made large changes in characterization:
Lucy is weak and feeble when we meet her in the play. She is helplessly preyed upon by Dracula, and yet is sexually tempted by him when under a trance. She and Dracula share a passionate kiss at the end of Act II, right before she willingly exposes her neck for him to bite. 
Jonathan is still concerned for Lucy as she is slowly turned, but he is more wary of her and goes along willingly with Van Helsing’s ideas regardless of how Lucy feels.
Renfield is portrayed as actively malicious, through fearful and subservient to the Count. 
Seward believes in Van Helsing more readily, and is seen as a strong-willed father who leads his asylum with a firm and confident hand.
Despite these massive revisions, the Broadway adaptation was a hit, partially due to the charisma of Bela Lugosi, who originated the role on Broadway. (Here is Bela Lugosi as Dracula along with Seward, Van Helsing, Jonathan, and Renfield on the floor:)
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Bela Lugosi, of course, would go on to star in the 1931 film adaptation. Other famous stage Draculas include Jeremy Brett and Frank Langella, the latter of whom would star in the 1979 film version of the Broadway play. (Langella’s revival would also give us this amazing Edward Gorey art that I have to share:)
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So we can see that the stage plays influenced many versions that would later come, as well as the idea of Count Dracula in pop culture at large. It’s kind of like playing Whisper Down the Lane, where motifs and themes we expect when we hear the word “Dracula” were actually the creation of people who came after the literal death of the author. 
Personally, MY favorite adaptation was the one my school staged, with acclaimed, ovation-worthy moments such as:
The mechanical bat not working and flying into the scene when Dracula was onstage
My Jonathan (I was Lucy), 14 and a full foot shorter than me, forgetting he was supposed to tenderly wake me up after I faint and instead yanking me by my arm off the couch and dragging me to the floor
Renfield jumping back in surprise when he sees Dracula and accidentally banging his head on the fireplace, making Seward laugh out loud
Dracula getting mad at both of them in the dressing room afterward and telling them they were ruining the play’s atmosphere
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