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permafusion-stevonnie · 3 years

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So this idea isn’t leaving my head. While I’m not going to get it started for now, since I want to concentrate on my current Stevonnie comic, ideas are still ticking away and I just really wanted to draw this cover for the idea.

Maybe I’ll get its own page started in time. I’ll let you know if I do. But even if I did, I wouldn’t expect regular updates to it, not while I’m working on Together Forever.

I want to quickly say something that I think some people may have gotten confused about when I was talking about the Fallout Universe before:

Crystal Gems are still called Crystal Gems, but their role is similar, but not the same as the Brotherhood of Steel. In that they are isolationists, who will try to protect humanity from dangerous gem technology, and corrupted gems. they aren’t bothered with human mutants, human problems, or human technology. But I feel that, ove time, Steven will help their character growth away from this and help them, at least, start opening up to the local comminuty and helping where they can.

Homeworld Authority is still called Homeworld, or The Authority, but take on a similar role to the Enclave. They view themselves as the rightful masters of earth and they’re automatically more superior to any other lifeform by birthright.

I have been thinking over what could have occurred to create this world, how’s this for a (work in progress) backstory: (ended up a lot longer than I thought it would, so I’m space saving by putting in this break)

The Gem colonisation of earth happened later than it did in canon. A couple of thousand years, maybe. Unlike the 6000 years ago in canon, it was perhaps 5000, or maybe 4000 years ago. Enough for a bigger human civilisation to take part in the gem war for earth.

Pink still gets her colony started, still changes her mind about it, and finally chooses to become Rose Quartz to lead the rebellion. I think the human zoo will still be made, because I like the idea of that being around to give a mash-up of the human zoo and the mother ship zeta dlc from Fallout 3.

What really diverges from the timeline is when the rebellion starts fighting back with larger groups of human allies. 4000 (or 5000) years ago we are talking some good military strategies, chariots, bows and arrows, cavalries and tactics, etc. Some research will be needed to really flesh out the lore.

Homeworld, facing a bigger threat than a hundred or so rebels, puts a little more effort into research and development of newer technologies to counteract the human strategies. Nothing develops technologies quite like war.

Rose and the others start capturing some technologies from Homeworld and start studying them to not only understand them, but even attempting to reverse engineer them. They obviously won’t be able to replicate the weapons in form, but hope to do so in function.

This is where Scribes would come in for the Crystal Gems are the replacement for the Brotherhood of Steel that I’ve talked about before. Some Gems and some clever humans, would dedicate themselves to trying to understand the newer Gem technology they’re starting to see.

With inventive people like Bismuth to build their own version of it.

The actual Gem Technology will be locked away in the temple- or whatever name I may give it- but the remake versions that the Crystal Gems turn out will be spread far and wide.

I’m just thinking off the top of my head, but it’d be like- if they tried to make their own version of the gem destabiliser, it would be like a giant tuning fork hooked up to something similar to a large Baghdad Battery (google it, it’s kinda cool) that they would carry in a backpack.

The war would carry on like that, with Homeworld making new tech to combat the threat, sooner or later the rebellion captures some, they make their own version of it, and Homeworld makes new tech to combat the threat.

This drain on resources does take its toll on Homeworld though, and their war against earth is perhaps much shorter, between 300 and 800 years, I haven’t decided yet.

Things do play out similar to canon though. Homeworld decides to abandon earth as a lost cause, implant the Cluster so they’ll get something out of the deal and the three Diamonds blast the earth with their powers as a final middle finger to the rebels.

Gems are destroyed, except for the original Crystal Gems, and Bismuth! Canon Bismuth made a lot of regular weapons and armour and the rebellion was still losing. She was driven to making the Breaking Point because she didn’t think they had a chance of winning any other way. In this new canon, however, because Bismuth was working on newer and newer weapons all the time, each one she was confident would help turn the tide of the war, she never had chance to work on the ultimate weapon of the Breaking Point. She may have designed it, or may have the idea kicking around the back of her mind, but never got around to building it.

Rose does her thing of finding somewhere isolated to live in both peace and regret for the war. This is where the Crystal Gems become isolationists

With the Gems gone, humans are left to their own devices with all this more advanced technology than they should have in this point in history. Tech continues to develop with this head start.

Fast forward to the year 1929 and people are living lives as you’d see in the Fallout universe in the 2070′s. Nuclear fulled cars, robot assistants, laser rifles and power armour and all that other stuff.

The reason I chose 1929 is two-fold. The first Fallout game was set 84 years after the nuclear war, and 84 years after 1929 is the year 2013; the year Steven Universe first aired.

The failing of the world is the same reason the Fallout universe failed. Resources started to become scarce, wars started over what remained and the whole thing was escalated by a race that may have been too young to fully understand the forces they were really dealing with, having come a long way, but still too fast, thanks to the ancient interference.

Nuclear hellfire rained down and some people took their shelter in the vaults, while everyone else had to find ways to survive outside.

Rose and the Gems stick to their isolation as humanity all but wipes itself out. Rose is heartbroken to see the beautiful world that she fought so hard for, so easily destroyed. There can be a lot to explore there. Maybe Rose will leave the group, maybe she’ll just wander off and be alone a lot but still return to the temple eventually. I haven’t decided yet.

Perhaps all the gems will have some additional guilt, knowing that their old tech is what pushed humanity so far so fast.

Fast forward 70 years and Rose meets a travelling wastelander named Greg. They fall in love. I’m not going to go into a lot of detail here mostly because I haven’t really thought too much about it, but partly because I know I want it to be explored within the story itself to show how different from canon it would be. Not just the flashback elements from “Story for Steven,” and "We Need to Talk," with a Fallout flair. I want to work out some other nice adventures to bring them together.

Rose and Greg come back to Beach City with Rose expecting their baby.

Steven is born and the Gems immediately take custody, with the logic that their secure base is a better place for Steven to grow up than the harsh wasteland. Greg is allowed to visit as often as he likes, but not stay there. Nor is Steven allowed off the base. They want to protect the legacy of their leader, Rose.

I’m going to say that Steven starts showing hints of Gem powers around 10 years old. Nothing he can control. Perhaps his Gem glows when he’s really happy, if he falls down some steps his bubble forms but immediately pops so it’s just enough to save him from injury. Little things like that.

But this serves as a point where The Gems start “encouraging” Greg to visit less and leave the raising of Steven to them, as his upbringing has now become “Gem Business”

Steven may have snuck off the base once or twice to see the world beyond the base, but after this he’ll do it a lot more often to see his dad and the Beach City settlement.

I think Bismuth suspects he sneaks off but both can’t prove it, and doesn’t want to try and prove it, Garnet knows but says nothing, both of them are letting Steven have his fun, and Pearl has no idea he does it.

Amethyst is not part of the group in the beginning, she’s out as part of a raider gang somewhere. Thank you to theyarheeguy for giving me that idea, and many others, to work with.

A total of 84 years after the bombs dropped, Steven is now 12 years old, sneaking off the base for another visit to town, when he spots a pretty young girl dressed in a strange blue jumpsuit, emerging from a hidden trapdoor that was underneath the old Beach City water-tower.

Steven is 12 because I believe that’s how old he was when the show started. Based on the timeline, the passing of the seasons and so on, he has to have a 13th birthday that we don’t see on screen, before we do see his 14th birthday.

#art #my art #cover #fallout #Fallout AU #Steven Universe AU #long post #lore dump #work in progress #wip

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kinsey3furry300 · 3 years

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A very confused Star Wars Fan desperately tries to justify their belief that “Caravan of Courage” shows the way forward for the franchise. No, really.

Ever since I was a little kid, I’ve loved Star Wars. And I mean, all of it. The books, the games, the Lego, the spin-offs: I even enjoy the Holiday Special in a The Room so-bad-you-just-need-to-see-it sort of way. But particularly the films. But here is when we run into the big problem: I’m just the wrong age. The original trilogy launched before I was born, the prequel trilogy hit cinemas when I was already a teen and while I went and saw them and enjoyed them, I was at that age where I was self-conscious about seeing a “kids” film, and hyper-aware of how silly and cringy those films were in parts. So my indoctrination, my inoculation with the Star Wars bug didn’t happen in the cinema, and it didn’t happen with any of the main franchise works. It happened on home video, on a skiing trip in the French Alps in the early 90’s. I’d have been about 6, and this was the first time I’d ever been abroad other than to see relatives in Ireland. And I loved it: to this day I love skiing, but more than that, I have very, very fond childhood memories of this trip. This was shortly before I lost my biological mother to cancer, she’d have received her diagnosis just after we got back from the trip. This was when my younger sister stopped being an annoying screaming thing and became and became an actual person I could talk and play and share ideas with, this was before the combination my mothers long illness and my father having just launched his own IT start up meant I didn’t see him or her any more, despite the fact they were in the same house as me. This was this wonderful, nostalgic child-hood bubble when my family was intact, and nothing could ever go wrong. I skied all day with mum and dad, and would come back to the chalet in the evening. It was an English speaking chalet, I met my first real-life American there, and having grown up in the 90’s in the UK nothing was cooler than making friends with an actual American my own age. He had a hulk Hogan action figure with springs in the legs so if you put him on a hard surface and punched his head down, when you let go he’d jump really high in the air. We used to play with it together in the bath, back in that weird 90’s time-bubble when it was possible to convince two sets of parents that this kid you’d just met was you best friend in the world and of course shared bath time was, somehow, normal and appropriate. And fresh from bath time, tired from the day, the parents would give us some hot coco, dump us kids in front of the tv and grab the first shitty low-budget VHS they could find to keep us distracted while they went to the bar. In this particular time, in this particular place, that shitty low budget cartoon was the complete set of the 1985 Lucasfilm/ABC Ewoks cartoon, plus the two spin off movies, and to this day that cheap, kitschy, kind of bad series has a special warm and cosy place in my heart. I remember being enthralled by the world, in love with the characters, applied by the bad guys and the injustice they caused (to this day I’m still irate about that time Wicket lost his set of beads documenting his progress towards becoming a full warrior and the older Ewoks basically said, tough, you need to re-earn all those merit badges from scratch. This struck me as exactly the sort of bullshit an adult would pull, and pissed me off) and on tenterhooks about what would happen to the characters.

It was also, by a coincidence, the first ever Star Wars media I was exposed to, and the above combination of events probably explains a lot about me.

So I was surprised, the other day, when scrolling Disney+, to find they’d added Caravan of Courage AND Battle for Endor to the roster in my region. Surely Disney wouldn’t want their slick, cool brand associated with this old trash? Surely there could be no place for this in the post-Mandalorian Star Wars cannon? Surely this is a horrible mistake some intern made, right?

Unless…. What if I’ve miss-remembered? What if it’s not just rose-tinted nostalgia goggles, and it’s, in fact, secretly really, really good?

I rushed to my comfy chair, got a blanket, dimmed the lights, made some coco (with rum in it, because why the hell not?) and sat down to re-examine this lost gem.

And wow: it’s every bit as shit as you’d expect.

It has aged exactly as poorly as you’d expect a cheap, mid 80’s direct to video spin-off to age. Caravan of Courage? More like Caravan of Garbage, am I right?

And yet… I still enjoyed every moment.

And it was sitting there, in my pyjamas, watching a cheaply made direct to video cash-grab from just before I was born, seeing it again for the first time in nearly 30 years, and I realised something.

It doesn’t really matter if this film is bad, so long as I enjoy it. And if it doesn’t really mater if this is bad, then I, like many Star Wars fans, wasted a huge amount of time and emotional effort on being butthurt about stuff I didn’t like about the Rise of Skywalker and it’s ilk. Because somewhere, right now, a tired and frustrated parent is putting Disney+ on to keep their kids quiet for two hours. And they won’t think too hard about what they put on, so long as it keeps little Timmy busy for a bit. Somewhere, right now, a kid is watching Rise of Skywalker, and it’s the first Star Wars media they’ve ever seen.

And that’s okay. Because we don’t know what that kids home life is like. We don’t know if it’s good or bad. Maybe it’s great, maybe it’s about to take a dramatic plunge like mine did, and this moment here will be the cosy, warm memory they look back on in 30 years time, and that’s beautiful. They’re getting introduced to a fun, wonderful fantasy world that could be with them all their lives, through good times and bad, and as fans we should be happy about that.

Star Wars will never, die: it’s too darn profitable, Disney will never let it. And while I hope they learn from their mistakes and make sure every future Star Wars is a timeless gem of story-telling, statistically, if you keep making enough films, some of them will be bad. And while I’d like them all to be great, it’s still okay if they’re bad.

Because nothing can take away my memories of that week in that chalet. Nothing can take-away my memories of when they put the original trilogy on in cinemas for the special edition and I had my jaw hit the floor with how good it was on the big screen, not knowing or caring who shot first. Nothing can take away you memories of the Original Trilogy, the Prequels, or the Clone Wars. Nothing can tarnish the bits of the sequil trilogy that you like, and there are good bits in there.

But wait, what about continuity? What about the sacred, perfect written time-line that used to exist?

Well, what about it? Have you seen any other big, epic fantasy universe before? They’re all a mess. A work of fiction, particularly fantasy, can be extensive, or tightly written, but not both. Harry Potter is only seven books, and the last two feel, tonally, like they’re from an entirely different series. I love them, but the grim-dark kicked in so fast you’ll get whiplash. The Hobbit is a perfect written self-contained novel, and LOTR is *The* big boy high-fantasy trilogy: fast forward 50 years, and Christopher Tolkien is desperately squeezing every last drop of money out of his father’s corpse by finishing and publishing every unfinished note JRR ever wrote right down to his shopping lists. Even Dune goes of the rails with sequels. I can only think of four fantasy works that are both extensive and consistently tightly written, Song of Ice and Fire, Wheel of Time, Malazan: Book of the Fallen and Brandon Sanderson’s Cosmere universe. And even then, the prequels and spin-offs mess with the timelines: the Dunk and Egg novella’s change some character’s canonical ages and timelines, Wheel of Time was going slowly off the rails even before the Jordan died, Forge of Darkness made what was a good metaphor for the creation of it’s world into a literal war deep in the past, and Sanderson’s first Novel Elantris got a re-write to bring it more in line with the rest of the shared universe. The MCU, oft held up as the modern example of tightly planned, well thought out ongoing storytelling, is a lie: it was never as pre-planned out as Disney wants us to think; the first Iron Man, apparently, barely had a script, with Downey ad-lib-ing most of his scenes. None of the MCU films are direct sequels to each-other other than Infinity war and Endgame. There are three Iron Man films, and Three Thor films, and none continue an ongoing story line across multiple films, and the Cap films barely continue an arc, but only where Cap’s relationship with Natasha and Bucky is involved. Much like these, Star War’s cannon is a complete, nightmarish, confusing, tangled, illogical mess. And it has been since 1984, as Caravan of Courage proves. It was never consistent and well planned.

And that’s okay.

I used to care about plot holes. I used to care about which works were cannon in Star Wars lore. I’m over that now. I’m happy to imagine the books, films and games not as a blow-by-blow historical account of a galaxy far far away, but as campfire stories from within this fun, imaginative world that we’re all invited to listen to. Stories that are in-universe myth and folklore, that we can all snuggle up and listen to while drinking highly alcoholic rum and remembering better times, knowing that wherever the future throws at us, no matter how the world goes to hell around us, we’ll still have the memories, and the ability to make our own new stories in the wonderful Star Wars world we all share.

And that’s okay. No, more than that: that’s beautiful.

Also Star Wars is completely unambiguous on the fact we’re allowed to kill fascists no matter how many times they keep coming back with a new logo, so that’s timely I guess.

So, there’s my hot take two-years after everyone else stopped caring about this stuff, as per bloody usual. Tell me why I’m wrong below, and does anyone else have any truly awful spin-off shows that they kind of have a nostalgic soft spot for?

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naktergalen · 4 years

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Rivamika Fic Suggestions List

Hello! First time posting on the Rivamika side of Tumblr. I just wanted to leave some of my personal recommendations for Rivamika fan fics on here to possibly help pass the time. I know that some people in the Rivamika chat will ask or put down some fic suggestions and it sucks that the messages get deleted after 1 week. Some of these stories are widely known in this community and some I think need a little more love lol. But I hope that you enjoy these stories as much as I have. I’ve split this list up into four categories. I wanted to let people know the status of some these fics in case they did not want to start an incomplete or in progress story. I know that many people are going to noticed that the Western Passage is not on this list. Sadly, I never got around to reading it when it was written for Levi and Mikasa and I can’t seem to find it anywhere for the life of me.

All of these fics can be found on AO3. I would link them but Tumblr apparently has an issue with links. If you guys want another list of fics, just let me know or you can tell me to GTFO and I will take the hint lol! If you have any fic suggestions for me, feel free to message me with them and I can add them on to the next list if anyone wants that. If any author sees their story on here and they want me to take it off the list, please let me know I don’t wish to make anyone feel uncomfortable. Also, last thing, I highly recommend leaving comments and kudos to the authors. I know that they greatly appreciate it and it helps them with improving their writing through feedback. I’ll shut up now.

DISCLAIMER: I know that not all of these stories are not for everyone, these are just my opinions and suggestions.

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Completed:

- Finding Comfort in Burning

Author: LittleWhisperer

Rating: Mature

This is a classic Rivamika fic and I know that the community loves it (as do I). If you are looking for superb character development, look no further than this baby right here. LittleWhisperer’s writing is so well done I can’t believe that this ain’t just a famous author writing in their spare time (oh wait I think they are). They’re so descriptive with the environment that you feel as if you are there watching as the scenes unfold. It’s a captivating story from start to finish and the building of Mikasa and Levi’s passionate relationship is soo scrumptious.

- Part of Me

Author: kenken_chan

Rating: Mature

Every Rivamika fan out there has to read this story!!! I cannot describe how absolutely wonderful this fic is! I was literally left speechless after finishing the last chapter because my mind was just blown away by the conclusion of Levi and Mikasa’s relationship. This really takes you on an emotional roller coaster and you can really grasp each character’s emotions through out the story. I will give a warning before hand, there are heavy subjects and situations presented that some people may not feel comfortable with. I personally think those subjects and how they are handled is what makes this fic such a diamond in the rough but if you are feeling uncomfortable then I understand that as well. I also know this fic has been out before and that the author had made changes to it since it was first released. If you haven’t read the edited version of this story, I would say give it another read now. I would love to hear what people think after they finish reading this gem.

- A Dangerous Game

Author: LittleWhisperer

Rating: Explicit

OMG! What a ride this story was! Once I started to read the first chapter, I could not stop! It just sucked me into the story’s world and I felt like I was actually there seeing the action and environment that the author was describing. This story keeps you in suspense and on your toes for what is going to happen next in this crazy Mafia AU. The relationship between Levi and Mikasa is magnificently done as they come to realize they have more in common than they think. I enjoy LittleWhisper’s work and I recommend checking out more of their works.

- The Taste of Pomegranate

Author: alienheartattack

Rating: Teen/Explicit

I have to say that I would have not expected me to like a Ballet AU story for Rivamika, but I absolutely enjoy every second while reading this one. The way the author creates the tension between Mikasa and Levi is splendidly done in this story. There are two more one-shots that follow after the original fic but they honestly feel like two more chapters that are just continuing with the story. I would certainly read the two one-shots after your finish reading part 1, you will not regret it!

- The Song Remains the Same

Author: MoraLeeWright

Rating: Mature

I enjoy MoraLeeWright’s writing so much! I think I binged read this story in about a day, I couldn’t stop myself. This fic does a really great job of slowly building the relationship between Mikasa and Levi. It gives their perspectives on the challenges they are facing together as well as the conflicting feelings each have about the growing bond between the two of them. I know that this is a Rivamika classic among fans but if you have yet to read it, definitely check this story out!

Ongoing:

- Who Are You Calling a Bitch?

Author: xx_ciela

Rating: Mature

I was terrified that this fic would not ever get updated again, but good news its BACK! I am so excited to see where the story leads and whats going to happen to Mikasa, Levi and the other characters that are present. WAYCAB does an amazing job of mixing and twisting many different types of lore together to pull you into this fantasy type AU. Just when you think you have finally received the answers to your questions, it only lead to more questions lol. This story will keep you pensive and excited to find out what exactly is going on in this city. Its a slow burn in regards to Mikasa and Levi’s relationship, but I have a feeling that the wait will be well worth it. Undoubtedly recommend checking this out and leaving a comment for the author telling you want more!

- I Just Miss A Good Cup Of Tea

Author: EJelly

Rating: Mature

I discover this fic because of how it was blowing up in the Rivamika tag on tumblr lol. I’m soo happy that I decided on checking it out because I binged read the 28 chapters that were out already. Attack on Titan meets The Walking Dead in this baby. The way that EJelly writes action is spectacular, it feels like I’m watching a TV show. I also love the way they write in each character’s POV in order for you to understand the mind set of the characters during this zombie apocalypse. The relationship between Levi and Mikasa is beautifully built over the course of this story and I cannot wait to find out what lies ahead of them. Again, another slow burn that I have a feeling will be well worth the wait (it already has been)! Go check it out and leave a comment telling EJelly that you are excited for more!

- Just Until The Storm Has Gone (?)

Author: MoraLeeWright

Rating: Explicit

Put a question mark by this one because I’m not sure if this is still ongoing or not. Regardless of that, I urge everyone to go read this indescribable work of art. MoraLeeWright’s writing has just blossomed into such beauty and she does nothing but keep getting better as time goes on (I don’t even know how that is possible but she doing the damn thing). JUTSHG is in a class of its own, for me, in the world of Rivamika fics. This baby is from Mikasa’s perspective and it delves into her psyche as she is dealing with the after affects of war. Her relationship with Levi is so mesmerizing in this story and the way that MoraLeeWright creates their smut scenes is so yummy I just want to eat it for lunch. I can’t even call it smut because its so much more than that. You can feel the connection of two souls finally finding the other they have been looking for as well as passion they have for each other. I could go on about how much I LOVE this story but I’ll stop. This one is on my top 3 favorite Rivamika fics of all time.

Incomplete:

- No Rest for the Wicked

Author: Hallow17

Rating: Explicit

Freaking love this story and I’m SOOO SAD that its incomplete! Mikasa has to deal with the paranormal while also running a business in this fic. The budding relationship between Levi and Mikasa is well paced and so gracefully displayed that even though it is an incomplete story, it’s well worth reading the 19 chapter that have already been published. Everything you could ask for in a paranormal story is presented; ghost, action, spirits, and lots of angst! This is such a unique story its literally burned into my brain and I will never forget it. I hope that Hallow17 miraculously comes back to finish this baby off one day!

- Romance and Rivalry

Author: AmayaOkami

Rating: Explicit

I AM SO HEARTBROKEN THAT THIS STORY IS NOT COMPLETE I CANT EVEN BEGIN TO EXPLAIN MY FEELINGS!!! Ugh, this story is soo freakin good! I know that this is another story that is popular in the Rivamika community but I have no choice but to put it here! The build up in this story is amazing that you can’t wait to read the next chapter to see what happens with Mikasa and Levi. This is such a great take on a typical romantic trope but AmayaOkami puts so much personality into the characters that it gives off such a fun and exciting vibe. The comedy and awkwardness is displayed so well that I have to stop reading because I get bad second hand embarrassment lol! Omg please read it even though its incomplete, its too much fun to pass up on. AMAYAOKAMI PLEASE I BEG YOU COME BACK AND FINISH THIS RIVAMIKA ROMCOM I HAVE TO KNOW WHAT HAPPENS!!!!!

One-Shot:

- Intertwining

Author: Livysan

Rating: Explicit

I’m staring off these one-shots with two of my favorite Rivamika “smut” stories. This is such a wonderfully written love scene between Mikasa and Levi. Livysan really expresses the yearning passion that Levi and Mikasa have for each and unfolds it in such a sweet and loving way. A must for any Rivamika fan to read.

- Until the Stars Disappear

Author: noiresetoiles

Rating: Mature

This is just an exquisitely done love scene between Levi and Mikasa I almost have no words for it. Its just down right BEAUTIFUL that pretty much all I can do to describe it. I really enjoyed how noiresetoiles decided to not use any dialogue in this story, it really shows how Mikasa and Levi’s actions tell how they really feel about each other. Again, a must read for Rivamika fans.

- Clean-Shaven

Author: hashire

Rating: Mature

The cute domestic fluff that we need from Levi and Mikasa! This is a one-shot but it is part of hashire’s Happily Ever After collection. The whole collection is about the domestic bliss between Mikasa and Levi after the war has come to an end. I definitely recommend reading the entire collection, you will not be sorry.

- Pure Dawn

Author: sulkyfuckingcat

Rating: Explicit

A Holiday AU that has sexual tension and smut? Count. Me. In. Pure Dawn has all the build up and smutiness that any Rivamika fan needs if they are craving it. Go check it out if you haven’t, I know that its pretty popular in the Rivamika community and I can see why lol.

- Begging for Thread

Author: villanelle

Rating: Explicit

I believe that this one has been talked about a lot in the Rivamika community but I still have to leave it here just in case someone hasn’t heard about it. Its a must read. Written from the perspective of Levi the story explores his mindset as he is trying to deal with his emotions towards Mikasa. Mikasa has some taunting tendencies in this fic which I love as well.

- Looking Into the Heart of Light

Author: hashire

Rating: Explicit

Again, another domestic bliss fic about an eventful evening between Levi and Mikasa. Its a pretty quick read but its too cute to pass up. If your looking for a quick Rivamika fix then this is the fic for you.

#rivamika #levimika #levikasa #mikasa x levi #levi x mikasa #rivamika fic #fanfic #im bored in quarantine #so im reading

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thoughtfulpaperback · 3 years

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CHARMED EPISODE 03X05 SPOILER REVIEW!!!!!

Okay absolutely loved this episode. Can I just say I was afraid that we wouldn't get to see much of Jordan outside of Maggie and I really like that they are developing him outside of romantic relationships. Anyways, I enjoyed the theme of "you do you" which as the show shows is a lot easier said than done, but ultimately satisfying (although not without consequences IRL). The episode was entertaining, and although not really giving much on lore or this mystery (where these monsters coming from?!?), it still did a fun play on mythology like the Medusa episode of season 1. Solid 8/10. No real complaints.

So instead of dislikes i will do possible theories and worries.

WORRIES

The pattern, in my opinion, is that Charmed seasons tend to start of strong, get sloppy and lazy in the middle with the occasional gem episodes towards the end. I always like the first episodes of a new season i am worried that the Charmed writers haven't really upped thier game especially with the uncomfortable "suffering as protest" idea that went on further than "look! the abuser/bully is changing see! Awesome story!".

Just in my opinion though. I feel about as comfortable with that as last seasons handling of suicide. But it just makes me worry about how the writers will continue the storylines.

POSSIBLE THEORIES

1) the poisoning of the magic tree caused these ancient creatures to arise.

I hope they don't go this route because I personally couldn't see how the death of all magic could bring about ancient magical creatures, but hey as long as they actually explain it maybe I'd buy it.

2) Abby is behind it (fully or partly)

The end of season 2 (officially not the epsiode they had to leave off on) Abby seems to have reunited with her demon face and seemed to be ready for some mischief. We could be looking at a number of situations such as

Abby being the full on villian

Abby having unleased the evil but then taking it back and joining the Charmed ones to fix it.

Or if she isn't behind it (and CoVId and scheduling allow Poppy to return) we could get a she joins the villian later or joins the good guys in response to the threat.

3) they are not going to explain it but we will finish off this threat by mid season

If they do continue as the writers have done in the past seasons. We should expect an other villian or a bigger bad/mastermind to show up sometime mid season or after it. Right now the monsters are an issue not the big bad so we could expect to see a reveal of a villian within the next few episodes and the wrapped up for what should have been season 3s mid season and then get ready for another threat.

LIKES

1) Jordan's screen times and struggles

Already mentioned in the beginning, but I can't get enough of this. This is where the Reboot surpasses the OG as far as developing side characters. I will always say OG did Darryl (Morris) dirty and I wished to see more of him in a different compacity other than unfortunate collateral. Keeping Jordan around to help with the magic world, but also showing his own struggles in the real world, briefly and without blinding him or having him almost die, healed my soul.

Plus I identify so heavily with that situation, trying to fit in when you will be the only non white/not-part-of-the-club person around, and I love his simple act of expression was not wearing a tie. I think some people forget that clothing, hair, and other outward expressions of self and culture can be thier own form of disruption and attempt at change.

2) Macy Inheriting Safe Space.

Now on one hand I was really confused. When the hell did Julian have time to update his will?!?! That crap has to be notarized and everything.

I do think the smarter thing would be to retain ownership but create a better position (with a bump in salary) for swan to take charge of all that other stuff which could get in the way of focusing on solving all these dang magical mysteries.

But I have chosen to ignore that for my sanity. I like that It's a convenient plot add in for the Power of 4 to own safespace and keep the tree safe. And I think in a small way it it is a call back to Piper who in becoming the oldest ends up in a career of Club owning although her OG career as Chief was different from that. So I dont mind putting that on Macy as long as she still keeps the science up.

I do think it would have been smart of Macy created a better paying position for Swan that put her in charge of all the other inconvient aspects of the business which get in the way of solving those dang magical mysteries.

3) Addressing the age criticism

Now I think the age criticism is and always will be crap in the case of Hacy, but I do like that they bring it up in away that allowed for more Jordan/Harry bonding. In the end they said the same thing many of us have: "It's Macy's choice! And his knowledge because of his life experience is not a deterrent to attraction or even power dynamics."

EPISODE HIGHLIGHTS

Maggie hiting me with those dance moves

Maggie and the struggle to find a research topic

Mel commenting on Harry's age

Julie calling Omon handsome

Give me that greek mythology reference!

Everyone sticking it to society/hierarchical structures/self-doubt

#hacy #charmed spoilers #harry greenwood #harry x macy #macy vaughn #charmed reboot #macy x harry #charmed cw #charmed remake #cw charmed #charmed 2018 spoilers #charmed 2018 #mel vera #maggie vera #jordan chase

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nyxshadowhawk · 4 years

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Best of Nox Arcana Playlist

Nox Arcana is by far my favorite music artist, and since I’m desperate for Halloween season to begin and can’t wait any more, here’s my Best Of playlist! I think every album is represented here except for the collab albums, the Doctor Arcana soundtrack, and Blackthorn Asylum (since that’s the only main album I don’t have a single song from). This list is about three hours worth of music, so strap in!

1. We Are Legion, Legion of Shadows: Every Nox Arcana album begins with a narration track that introduces the album’s theme and story. Of all of them, I decided to go with this one for the Best Of playlist, because I think that it encapsulates Nox Arcana and those who love it.

2. Night of the Wolf, Transylvania: Nox Arcana’s most famous track, by far. Also one of their most distinctive! The lyrics translate as, “The moon is the mistress, werewolves of evil / powers and destroying, incarnated wolf. / Wheel [or chariot], life, nightmare, vein / Sea [or likely “nightmare” again], devil, death, life.” (volkodlak, which means werewolf, is Slavic. “Mara,” meaning nightmare, is Germanic. “Dracul” speaks for itself. The rest is Latin)

3. Labyrinth of Dreams, Grimm Tales: My personal favorite Nox Arcana track, which I first discovered through this video. It is so ethereal and haunting, and absolutely screams “Halloween” to me.

4. Into the Night, Legion of Shadows: Another personal favorite of mine, and a really spooky piece. I love it for its fast pace, and I think it sounds both unsettling and exciting.

5. Shadow Dance, Season of the Witch: This is the best Season of the Witch track, in my opinion. I actually like a lot of Season of the Witch tracks, but I left most of them off this list. Season of the Witch sounds kind of like a Spiritual Successor to Grimm Tales, with that same distinctly autumnal and Halloweeny atmosphere. This piece in particular epitomizes that.

6. The Quest Begins, Blood of the Dragon: Nox Arcana has a tendency to start sounding the same after a while, but about once per album there’s a piece like this one, that sounds completely unlike anything else they’ve written. This piece is unique for how unusually optimistic it sounds. If you knew nothing about this piece, you could easily guess that it was about noble knights setting off on a quest, couldn’t you? I love the drums, and the dramatic vocals work really well.

7. Legacy of Sorrow, Shadow of the Raven: The title of this piece sounds like it could be Part 3 of Soma Cruz’s story, but I think it’s kind of an underrated gem. I like its melancholy, lilting melody, and I also like the organ that comes in midway through. This piece is just kind of everything you’d expect in a Nox Arcana track.

8. Echoes of Elise, Ebonshire: Nox Arcana’s haunting rendition of “Fur Elise,” which is very ethereal and eerie. It also has the same “aesthetic” of falling snow that permeates this album. It’s really beautiful.

9. The Hidden Realm, Legion of Shadows: One of two pre-existing tracks to be used on the Doctor Arcana soundtrack. It’s spooky, but also kind of calming and peaceful. It’s also definitely got a fantastical flavor to it.

10. The Raven, Shadow of the Raven: The title track, named for Edgar Allen Poe’s classic poem. This was the first Nox Arcana track I downloaded once I rediscovered it, almost by accident. I love this piece. Its melody is simple and repeats over and over again, but it works, almost resembling the structure of a song. I love the violin solo in the middle, which sort of acts as the “bridge.” My one complaint is that it’s much too short to actually recite “The Raven.”

11. Ebonshire, Winter’s Knight: Back before Ebonshire was an album unto itself, there was this track from Winter’s Knight. This piece definitely calls to mind the image of a spooky forest with tall, straight black trees and slight snowfall. It’s a very different vibe from the autumnal forest of Grimm Tales. It’s also peaceful and mystical, like “The Hidden Realm.”

12. Hearthside Lullaby, Ebonshire: What a gorgeous piece. This is another outlier among Nox Arcana’s music in that, while it’s still a haunting piece, it isn’t grim or sinister. It’s soft, almost cozy, like snuggling into a blanket by a fire when there’s a snowstorm outside, and drifting off to sleep. It’s another one that sounds like it should have lyrics. This is my favorite Ebonshire track.

13. Masque of the Red Death, Shadow of the Raven: “There were much glare and glitter and piquancy and phantasm [...] There were delirious fancies such as the madman fashions. There were much of the beautiful, much of the wanton, much of the bizarre, something of the terrible, and not a little of that which might have excited disgust.” The lilting waltz, the spooky organ, the sinister chiming of the clock. The multitude of dreams! This is the ultimate dark masquerade music, if you ask me. It totally does Poe’s story justice. You can totally imagine the masked dancers twirling, the dimly lit colored chambers, the infiltration of the deadly disease... you know what, never mind, that hit a bit too close to home.

14. Haunted, The Dark Tower: I think The Dark Tower is my favorite album, because there are more tracks from that album on this list than any other one (including Legion of Shadows). This is among the Nox Arcana pieces that I would call genuinely unsettling, as opposed to just spooky or dark. This piece is creepy and almost threatening, like something is out to get you.

15. Haunted Carousel, Carnival of Lost Souls: One of the highlights of this album for me! Carnival is definitely the most unsettling album. Listening to “Calliope” alone in the dark put such disturbing images in my head that I actually stopped listening, which is saying something. That’s not on this list because I don’t like to listen to it, but this one is, because I like this one a lot better. It’s plenty creepy, and it sounds like a nightmarish carousel. Even if you didn’t know the album theme, you’d know after listening to this.

16. The Dark Tower, The Dark Tower: ABANDON ALL HOPE, YE WHO ENTER HERE. The title track of The Dark Tower, and an awesome track in every sense. This just perfectly encapsulates the sinister majesty that is the Dark Tower and all the lore that goes with it.

17. Magic and Moonlight, Winter’s Eve: I think most fans agree that this track is one of the best on this album. What really needs to be said? It’s all in the title. I have to say that some of the most breathtaking moons I’ve seen have been at the beginning of February, with fresh snowfall. There is nothing like the shadows of trees on snow in the moonlight. You just know that the gods are meeting up to dance in it when you’re not watching.

18. Crimson Thirst, The Dark Tower: Why did I put this one on here? It’s pretty unremarkable, since there are a lot of other tracks like it, but this one sticks with me. This one gets stuck in my head and haunts me through the rest of the day. Honestly, all the Dark Tower tracks are excellent.

19. Virtuoso, The Haunted Symphony: The Haunted Symphony is Nox Arcana’s most recent album, and I’ve been slowly warming up to it. Its soundscape is similar to The Dark Tower and Legion, with a truly gothic flavor. This piece is just so impassioned, I can completely believe that it expresses the mad inspiration of a tortured artist (as it’s meant to in-universe).

20. Necromancer, Theater of Illusion: Theater of Illusion is a great album, and I’m really glad it’s getting more of a presence (and maybe even new lore?) in the Doctor Arcana games. This is another really fast-paced piece. I honestly think the beginning with the fast chimes is the best part.

21. Born of the Night, The Dark Tower: I mean, come on, it’s “Born of the Night”! It kind of speaks for itself, doesn’t it? Creatures of the Night rising to take over the world, shadowy choirs, the hordes of nocturnal beasts silhouetted against the moon, a Dark Lord or Dark Lady commanding them all from his/her castle, young vampires swooning in the rapture of fresh blood... There’s something so ecstatic about this piece.

22. After Hours, Carnival of Lost Souls: I wasn’t really sure if I should put this one here, but honestly, its clock-like, rhythmic chiming so jarring that it doesn’t matter where I put it. This is another really unsettling piece, both because of the chiming and also because of the creepy whispers, and I’m not exactly sure what it makes me think of. Wandering a dark labyrinth, probably. In some ways, it reminds me of The Night Circus, although the Night Circus isn’t sinister. This piece definitely stands out.

23. Dark Desire, The Dark Tower: What is this piece about? Lost love? Insatiable lust? A forbidden romance? Bloodthirst? All of the above? Whatever it is you desire, it’s clear that you’re fighting it, and you’re losing. It’s going to overtake you soon, and when it does, you’d better pray to whatever god you believe in that it doesn’t end badly for you.

24. Lords of the Night, The Haunted Symphony: This one’s along the same lines as “Born of the Night,” but stately rather than frenzied. This one is more like vampire lords and ladies gathering on a hilltop on black horses, preparing to tear off across the countryside in pursuit of prey.

25. Noctem Aeternus, The Dark Tower: This is the only concluding track from an album that I’ve put on this list, and if you’re familiar with Nox Arcana, you know what that means. I was genuinely spooked the first time I listened to this all the way through. I remember I was lying in bed reading Tales From the Dark Tower, and it went quiet, and... well, I won’t spoil it.

26. Nocturne, Transylvania: This is one of my favorite Nox Arcana tracks. It just strikes me as perfect. It’s dark and sinister, it’s atmospheric, it’s memorable, and it comes right out of the darkest depths of Überwald.

27. Pandora’s Music Box, Carnival of Lost Souls: Definitely one of the best Carnival tracks, and one of the best of Nox Arcana’s selection of creepy music box pieces. It has such a distinctive melody. Slowly, other instruments and vocals arise to compliment the music box, keeping things interesting even as it repeats itself.

28. Velvet Darkness, The Haunted Symphony: The first thing that comes to mind when I hear this piece is an empty candelabrum covered in cobwebs, sitting in front of a mirror in a corridor that is completely dark except for a bit of pale, diluted moonlight coming through clouds. I take the candelabrum almost instinctively even though it has no candles in it, and walk down the corridor...

29. Castle Dracula, Transylvania: What an underrated piece! I actually like this one better than “Night of the Wolf.” It screams “vampire.” It perfectly captures the dark majesty of Dracula’s Castle, it’s towers, its dusty halls, its freezing crypts, its gothic windows, its flickering sconces and floor candelabra that are just begging to be hit with a whip... And the Dark Lord on his throne, with a wine glass...

30. Ritual of Fire, Season of the Witch: This piece is oddly catchy. It has a great rhythm to it, and I like the percussion. It would be so much fun to dance naked around a Samhain bonfire somewhere deep in a secluded wood, with a bunch of other witches and maybe an incubus or two, or five... We’re definitely summoning or worshipping something, but ultimately, it’s just a party. It’s sinister, but a fun kind of sinister.

31. Rogue’s Hollow, Blood of the Dragon: I was pleasantly surprised when I found this piece. I love medieval-style music. This sounds like the kind of thing your Bard would play when you and your party are resting around a fire in the woods, in the middle of an epic quest. It’s peaceful. It’s a breather, maybe even a calm before the storm. It would be really easy to do a simple circle dance to.

32. The Forgotten Path, Grimm Tales: This piece sounds very... mystical? Mystical and seductive. I don’t know. It sounds a little like you enter a dark, smoky, perfumed tent and are seduced by scantily-clad women who probably want your blood, or your soul... It also sounds a bit like being escorted to an initiation ceremony by veiled women down a dark forest path, with little golden lights twinkling around you... It would make a great belly-dance piece. It’s a bit of a departure from the general fairy tale theme of the rest of the album.

33. Unhallowed Halls, Gothic: I think this is my favorite piece from Gothic. I don’t know why, it just is. It’s got a nice mix of piano, organ, strings, and harpsichord. And spooky vocals, because of course. Overall it’s a pretty standard Nox Arcana piece, but like “Crimson Thirst,” it stuck with me.

34. Mysterium, Theater of Illusion: This is the piece from Theater, and I will never understand why it wasn’t used anywhere on the Doctor Arcana soundtrack. I guess because it’s used for the album puzzle? But there isn’t a single track from Theater on Arcana’s soundtrack, even though the game ties into the lore of Theater. Anyway, this track should have been there. It should have been there because it just sounds occult, distinctly mystical, eerie, vaguely threatening but more weighty (like an initiation) than unsettling. This is an auspicious ritual, and you’re here to witness its secrets.

35. The Nameless City, Necronomicon: I haven’t listened to too much of this album, but this track really stood out to me and stayed in my head. It’s based on Lovecraft’s story of the same name, in which an explorer finds an ancient, ruined city and descends into its catacombs to discover it belonged to a lost civilization of pre-human reptile people. Because Lovecraft. This piece really sounds like film soundtrack, the track that plays when you’re on the cusp of discovering the information mankind was not meant to know. The paranoia that permeates all of Lovecraft’s work is definitely there, but it’s kind of exciting, too. You just have to know! It builds and builds until it ends with a gong.

36. Twilight, Grimm Tales: This is what I meant by “autumnal.” You can hear it, can’t you? It’s sunset in the woods, and the orange glow of the setting sun is magnificent through the mostly bare trees. The leaves crunch underfoot, with their distinctive crisp smell. The night creatures are coming out, some benign, others not so much.

37. Once Upon a Nightmare, Grimm Tales: This is one of my favorite tracks from Grimm Tales. I don’t know why I love it so much. It slowly gets more dramatic, alternating between the glockenspiel and the strings, with male backing vocals for once. It’s just the right mixture of adventurous and spooky. I love listening to it in the forest at dusk.

38. Memento Mori, Transylvania: One of the best chime/music box pieces, in my opinion. I don’t think it’s as good as “Pandora’s Music Box,” but it really grew on me after I got Transylvania.

39. Saturnalia, Winter’s Majesty: This is such a great piece to dance to. I love how it starts as a slow, medieval-ish circle dance and then picks up! There’s even clapping sounds on the rhythm. Although it’s still spooky, it puts you in the mood of a fun winter festival.

40. Gifts of the Magi, Winter’s Eve: I don’t actually know why I picked this one. I like a lot of tracks on Winter’s Eve, and “lighter” Nox Arcana pieces in general. My favorite is “Greensleeves,” but that one felt too “Christmasy” for this list. This one is better, being a bit spookier and kind of mystical whilst still being on the lighter end. It sounds like it casts the Three Kings more as wizards than kings or priests.

41. Veil of Darkness, Darklore Manor: One of only two tracks I have from Nox Arcana’s debut album. It’s a pretty standard spooky Nox Arcana piece, but a good one nonetheless.

42. Lullaby, Winter’s Knight: Another one of my favorite chime/music box pieces. Unlike “Hearthside Lullaby,” it sounds less like an actual lullaby, and more like a piece to accompany an animatronic ballerina.

43. Nightshade (Single): One of the newest wintery pieces from Nox Arcana. I like this one almost as much as “Hearthside Lullaby.” It’s also on the lighter side of things, but I like that it’s more otherworldly than spooky. It’s like exploring a frosty garden during a light snowfall.

44. Undying Love, The Dark Tower: Wow, what an unnerving piece to be titled “Undying Love.” It sounds downright threatening, and maybe a little tragic. That handsome vampire you’re dancing with is definitely going to sink his fangs into your neck. Or maybe this vampire’s sunk into despair because the humans killed his wife again.

45. Brides to Darkness, Transylvania: Speaking of vampires and their loves, there’s this haunting tribute to Dracula’s brides. They are beautiful, ethereal, and dangerous. I love that this piece is almost entirely vocals in the first half, and then the creepy harpsichord comes in.

46. Legion of Shadows, Legion of Shadows: The title track. Plenty spooky with that organ. Similar to “Born of the Night” in that the night creatures are rising up to take over the world or get vengeance, but this time you’re the night creature and it’s something to be proud of. Honestly, I wish this album had more context. Who’s Lorelei, and what happened to her?

47. The High Seas, Phantoms of the High Seas: This was one of the standout tracks from this album for me. Like “The Quest Begins,” it sounds distinctly adventurous, but more sinister than optimistic. We’re setting out over sea instead of land this time, and the sea is brutally unforgiving.

48. Dreamscape, Legion of Shadows: Another really spooky piece that’s kind of unlike anything else Nox Arcana has produced. It definitely has the quality of exploring an eerie, surreal landscape, like an alien planet. This isn’t the Poe album, but it sort of reminds me of Poe’s poem “Dream-Land,” which I think is super underrated.

49. Black Sails, Phantoms of the High Seas: Another piece from this album that really stood out to me. I really like the instrumentation. I like the harp, and the stringed instrument in the middle that sounds like the guitar used in the “winter” pieces... is that what it is, a guitar? Whatever it is, it has such a unique sound.

50. Grimstone Manor, Gothic: This piece lives up to the album’s name. That church organ really hits you. This is another classic example of Nox Arcana, with the organ and piano and vocals and everything. It’s one of the best pieces from Gothic.

51. Shadowplay, Theater of Illusion: This is definitely my favorite piece from Theater, and one of my favorite Nox Arcana pieces overall. I love how energetic and fast-paced it is, and I can easily imagine an umbrakinetic dancing on a stage, manipulating the shadows on the wall as they do. They conjure writing tendrils, shadowy dragons, swarms of bats and crows that they send out into the audience with a flourish... I think this piece is just so much fun!

52. Gypsy Caravan, Transylvania: There are a lot of these types of pieces across Nox Arcana’s albums. Like “The Forgotten Path,” it sounds seductive and smoky. This would also make for a great belly-dance piece, and it’s fun to listen to while reading Vargo’s Gothic Tarot or the Madame Endora deck.

53. Highland Storm, Blood of the Dragon: What’s this? Nox Arcana does a Celtic piece? With bagpipes? There is absolutely nothing else like this in Nox Arcana’s repertoire. It sounds so unlike their usual work, I probably wouldn’t guess it was Nox Arcana if I didn’t know better. I love it. It makes for a great medieval-battle-style piece, and was a lot of fun to listen to in Scotland.

54. Temple of the Black Pharaoh, Necronomicon: This is a really spooky Egyptian-style piece, that instantly transports you to dusty sealed tombs that almost certainly have curses. The whispered chanting consists of the names of Egyptian gods, and Nyarlathotep. (Nyarlathotep, Atum, Osiris, Set, Amon-Ra. Nyarlathotep, Khonsu, Anubis, Set, Amon-Ra.)

55. Sanctuary of Shadows, Darklore Manor: Another really creepy organ piece, and the other one I have from Darklore Manor. I’m not sure whether it makes me think of the atrium of a haunted Victorian mansion, or a secret temple where shadowy people conduct rituals, or vampires and their attendant beasts, or what.

56. Autumn Dusk, Season of the Witch: I don’t know why I chose this one over “Bell, Book, and Candle” or “Mystic Circle” or any of the other ones I like from this album. I guess the clue is in the name. Like “Twilight” and “Shadow Dance,” it just sounds like autumn. Like the setting in Over the Garden Wall, but even spookier.

57. Pax Terra, Winter’s Eve: Another piece that sounds unlike anything else Nox Arcana has produced. It’s almost entirely choral, except for the sound of church bells, and it’s pretty. It has a kind of bittersweet optimism to it, and it’s moving. I’ve actually cried listening to it. Its lyrics are Latin, and translate as: “Everlasting God, life on the forest floor, eternal sacred earth -- tree glory, life [of] the nourishing mother, eternal sacred earth -- incarnate, hail blessings, glory to Nox Arcana [night secrets] -- To the threshold of time, follow the song, glory to Nox Arcana!” The grammar isn’t perfect, but it’s still beautiful, profound, and usually uplifting.

58. Dark Embrace, The Haunted Symphony: I remember when this album was released last year, and I thought to myself, “Have they seriously not written a piece called ‘Dark Embrace’ yet?” And man, what a piece for that title! This is definitely my favorite track from this album. Technically, it’s the same melody as “Virtuoso,” but with strings instead of piano. While “Virtuoso” sounds like a standard (although memorable) Nox Arcana piece, this one is unique and striking.

59. Toccata, Legion of Shadows: What better to close off with than “Toccata and Fugue in D Minor”? I actually have no idea how this piece came to be associated with vampires; its first use in film was for a Jekyll and Hyde adaptation, meanwhile the famous Bela Lugosi Dracula film begins with... the Swan Lake theme, of all things??? So, I don’t know how this became the “vampire music,” but I’m glad it did. Nox Arcana’s cover begins with the classic organ, but most of it is piano with some strings, eventually bringing in harpsichord before returning to the organ. There are spooky vocals and some tolling bells for effect.

If you made it to the end of this list, I commend you, and I’m interested to hear what everyone else’s “best of Nox Arcana” playlists include. Nox Arcana is the best!

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midnight-marimba · 3 years

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Mar’s DQXI Fic OCs

It’s Dragon Quest OC And NPC Week, and I’m going to approach it from the other direction than what’s described in the event proposal, because I rarely end up inventing a detailed character without context, but I often find a specific need for a character in a piece of fanfiction and build them up out of that prompt into something better than a footnote. So I’m going to take the opportunity to talk about some of my fics and the original characters and NPCs who wandered into them and made themselves interesting enough that I’m eager to share a little extra detail or commentary about them. (Under the cut)

Hair Tie That Binds

A comedic story about Hendrik recruiting Erik for a heist to help fix his own mistake. (9k words)

I needed a minor villain, so I invented Lady Druzy (named off of an obscure corner of a gem list, so as to suit a minor Heliodoran noble). She is petty, spiteful, vengeful, and apparently my favorite archetype of OC to write. She is awful and I loved writing her.

After Rain, The Sun Will Shine

A Sylv/Hendrik one-shot involving Hendrik’s memories of Sylv’s mother. (8k words)

When I wrote this, I had not yet heard the detail from the voice drama (please somebody translate the whole thing?? <3) that Sylv's mom's given name was Gerbera and her stage name was Sylvia (that is, exactly the same stage name Sylv took in the Japanese version of the game). I had only heard a broader rumor about the drama and Sylv choosing a stage name in honor of their mother.

So when I went to write a story about her, I looked at a list of Dutch names (to match Arnout and Hendrik — Zwaardsrust is Dutch) and hunted for one a name with a "Syl" sound. I landed on Silke, which is also satisfying from a word association perspective (since it looks like "silk" which sounds highly appropriate for a "famous Zwaardsrustian beauty" — one of the few canon details we get for her).

I tried to make her stubborn and determined, inspiring and willfully optimistic for the sake of the people she had under her leadership. Sylv-like, but with a slightly more intense philosophical flavor than canon Sylv, as she’s walking out of an arguably even greater tragedy (or at least more personal at a larger scale?)

Silk and Swagger

Faris/Reader, from the point of view of a Heliodor guard. (1.7k words)

The guard is nameless and the fic is relatively short, but my goodness it was fun inventing someone who is instantly smitten with Faris and believes the best of him at all times.

When Home Isn't Marked on the Map

A Sylv/Erik longfic set a couple years after the end of the game, in which Erik is coming out of a period of self-imposed isolation after a disastrous attempt at confessing his one-sided romantic feelings for the Luminary, and he begins by going looking for Sylv, the one old companion he dares hope won’t yell at him for his absence. (74k words)

Since the ultimate seed of the idea behind this fic was "Erik would be protective towards orphans and Sylv would like that about him" I needed some kids to put in the story. There are two sets of four that I named and included.

First is the group from the rural area near Puerto Valor, and thus they have Spanish names: Isabella, Serafito, Paz, Ana. I'm pretty sure I named the younger ones with shorter names to help myself keep them straight. In my head, they have a darker complexion than the rest of the kids in the story, since I always wish the DQ world was a little more diverse on that front, but I fear that I forgot to actually write that detail in. (Room for improvement...)

The second group is an expansion of the four child NPCs you can find playing hide-and-seek in downtown Heliodor. I could only find a canon name for Cammo (the King of Hide-and-Seek) so I gave the rest of them stone related names, figuring the pattern from Cobblestone might extend around Heliodor into the poorer and less formal areas of the kingdom (Ruby the innkeeper notwithstanding). So they are Flint, Crystal, and Mica.

There are so many of them that it was tough to give all of them a lot of characterization, but I tried to distinguish each of them at least a little. Isabella, the leader of her group, blunt in a way that reminds Erik of Mia and Veronica. Serafito, a little bit of a self-sacrificing caretaker. Paz, young but outgoing, and Ana, even younger and a little shy. Flint, the canny, cautious, and slightly manipulative leader of the Heliodor gang. Cammo, sneaky and adventurous and clever. Crystal, strong and brave and protective. Mica unfortunately ended up being most notable for the ordeals he goes through.

My favorite among them ended up being Crystal, from the instant she decided she was after Hendrik's job.

Diamond

A Sylv/Serena and Sylv/Dave fic, from Serena’s point of view. Set after Act 3 as Serena chooses a mission to research and perform healing around the world, travels alongside Sylv’s new circus troupe, and they both get to pursue some missing character development. (118k words, technically 1 chapter short of an intended ending but may not be continued.)

Mind the tags and content advisory if you go into the fic itself, because (1) for reasons of 2020, a story about a doctor-hero was simply not an ideal story to begin in the year 2019, and (2) it is NOT a utopian style world — many characters have prejudices, others are closeted in some major ways, and not all of that is gone by the end of the story. I 100% understand many folks not wanting to go roll around in that kind of fiction, and while there’s a discussion about Representation I could shoehorn in here, I’m going to set it aside for the sake of on-topic rambling about fun OC development.

For this fic, I wanted Sylv and Serena to be traveling the world together. Serena was to be motivated in part by the allure of getting to meet more new people, and also, I think it’s useful for her personal growth to spend a little time away from her blood family and most of the people from whom she would naturally take direction. I also wanted to explore Sylv as a leader in a way that’s not so easy within the canon party, and in general, I imagine Sylv both being friendly to every stranger and also having old friends pop up everywhere he goes.

Between the two of them, I ended up needing to plop in OC's left and right, both for Sylv’s new Act 3 circus troupe, and in every town they visited. Because I’m a nerd, I expanded lore for some of the regions too, and I will mention some of those details here with the characters.

Sylv’s troupe:

Chill, a contortionist from Sniflheim, where people get kind of uncomfy about magic, especially when it looks too close to evil witchery. Like, say, Zing.

Samir, a short, round bard from Gallopolis who can do amazing things with a variety of instruments, and his partner Grey, once a guard from Heliodor until he decided that job was even more bland than his name, and he ran off to Gallopolis to join the circus.

Maria and Mateo, a couple of quiet, short and slender dancers from Puerto Valor (in my head, Mateo is about 5 feet and Maria’s a couple inches shorter, though I keep gravitating away from talking in Modern Earth units of measurement when writing for this fandom). Their kids, teenaged Leo and toddler Lena, aren’t (yet) performers, but are present because I thought it was interesting to plug some kids into a story about a traveling circus troupe, and because I wanted to give Sylv an excuse to interact with kids.

Francine. A classically beautiful acrobat from Octagonia, where the only work she could find was being a bunny girl handing out flyers. She’s had a crush on Sylv, which didn’t work out, and in the aftermath she’s a little bitter and is predisposed to dislike anyone else getting too close to Sylv. She is rude and spiteful when she does not like someone (though she may do so in an overly-sweet tone), and she awkwardly overcompensates when she wants to prove she’s moved on from something, and she ended up being my favorite OC here.

Some other notable OCs in the world:

In Sniflheim: Healer Heather, the doctor who would really rather not have any magic in her house, so she doesn’t get a mob coming after her next time the tide of public opinion turns against witches.

In Lonalulu: Nohea, the charming and handsome hula dancer who isn’t quite as nice as he seems, and Pika, the shy, plain, and clumsy but kind-hearted net weaver. Both are there as potential love interests for Serena (and for contrast against Sylv, of course).

In the Inner Sea: Coral the mermaid, a singer. She's here for advancing Serena's character development, but it was fun to have other OCs react to a mermaid, and trying to write plot-advancing mermaid dialogue raised my respect for the localization team 1000%.

In Gallopolis: Doctor Zel, who is very scientific and good at her job, never makes eye contact, and lacks a comforting bedside presence. (Happily they have Faris to help with public relations during a health crisis…?)

This is only about half of the OCs and NPCs named in the story, but they’re most of the ones with the most screen time, and most of the ones that stand out in my mind. But the outgoing and friendly Sylv and Serena I was trying to write, both of whom wanted to engage with the people of the world at large, just spawned new characters around them as they went. You know those stories about mythical people where flowers bloom after them everywhere they go? This pair was like that, only with OC’s instead of flowers.

#dqxi oc npc week #dqxi #dqxi fanfiction #dq11 fanfiction #my writing #these stories are old but if you comment I will still love you forever

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shinneth · 4 years

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what is your absolute favorite ship? How did you start shipping Stevidot? And rant about any ship you feel like, good or bad? :))

… you fool

OH GOD ALL-TIME FAVORITE SHIP YOU SAY. YOU KNOW DAMN WELL I CAN’T CHOOSE ONE.

(it’d probably be Stevidot anyway; objectively I’ve done more for it than anything else I ever shipped in my life and it’s absolutely precious both in platonic and romantic forms)

BUT IN THE INTEREST OF FAIRNESS… and attempt to tone down redundancy, let’s see what other ships earned the “OTP” label from me!

I mean, I pretty much had to lowkey ship Mamoru Chiba x Ami Mizuno because Usagi/Mamoru is basically what Connverse wishes it could be as far as the Ultimate Ship goes. So at the height of my involvement in the fandom (you know, late 90s era), I was never brave enough to make anything for this ship. But the few times they get to interact in the classic anime is legit adorable stuff and I wish we could’ve had more of it.

Before Gem Ascension, before Travels of the Trifecta, my greatest multichaptered epic was a Digimon Tamers fic called By My Decision. I was a hardcore Digimon fan in my early teen years well before I ever got into Pokemon, in fact. And I shipped shitloads of pairings in Adventure and 02 - I can only imagine how many of those would be demonized by the new age fandom puritans of Tumblr nowadays. You can actually see literally everything I ever shipped on my FFN profile here.

But I didn’t really make anything for the first two seasons. Tamers was what really sparked my inspiration, because Takato and Jenrya… honestly, they’re just adorable together. They get to bond a lot, they’re really in touch with their feelings (contrasting to token girl Ruki who was a stiff hardass most of the time), and I often got the impression that Jenrya, unlike Takato, really doesn’t have any other friends.

So of course, I tormented these two on the regular in my story. I of course didn’t forget Juri (for I love her dearly); I was kinda trying a love triangle subversion with Takato angsting over loving both Jenrya and Juri… while Juri’s still got so much PTSD (story is 2 years post-series), shipping is hardly on her mind, and Jenrya’s outright in denial of his feelings for Takato to the point where it very literally screws him up and awakens some inner darkness of his own. I even had Jenrya and Juri bond, but it was pretty platonic stuff.

Still, this ship was way down on the totem pole at the height of Tamers’ fandom. Very frustrating. Takato/Ruki and Jenrya/Ruki were way more popular and I hated both of those ships something fierce. I love Ruki, but I just cringe at the idea of shipping her with either of her fellow leads. Then Jenrya/Ryo got something of a cult following that I couldn’t stand; admittedly I was jealous it was getting the representation that I felt Takato/Jenrya desperately needed more, and I also didn’t like Jenryo in its own right, anyway.

But yeah. Jenkato is a very underappreciated ship that I loved dearly and invested many of my teenage years into.

So, here’s a fun fact: While I played the classic games (my cousins had a Sega Genesis), the way I was mostly raised on Sonic was via the first two cartoon series and the Archie Comics version of the franchise. Archieverse was largely based on the SatAM cartoon; Amy Rose also didn’t exist in the show and it took about 25 issues for her to show up in the comic.

So I was big on Tails x Amy. For a long-ass time. And really, the ship was really only feasible in the Archie continuity. There, Tails is actually older than his usual depicted canon age and Amy is introduced to be around his age before she artificially aged herself with a magic ring so that she could later take on her Sonic Adventure design.

Before that… in these years, Sally was the most well-known love interest of Sonic in the west. So Sonic/Sally seemed like a lock (none of us knowing how Sega felt about that at the time) - and in retrospect I honestly believe it’s a far better Sonic ship than his more well-known modern alternatives.

So, because of Sally’s prominence, Amy was relegated to Sonic’s fangirl and her crush wasn’t really that big a deal. Honestly, that was for the best, as I by far found Amy way more tolerable in Archie’s incarnation than the majority of her other canon contemporaries (Sonic the Comic Amy Rose is more of a competent badass, though).

Tails and Amy had some good banter in Archieverse and the few times they were allowed time to do stuff together as a duo, they were very cute and endearing and I loved them.

Tails also had a lot more going on in terms of character development and backstory in Archieverse. Like, a lot more going on. He even had a “Chosen One” deal that sadly didn’t have a very good payoff, but. It’s more than what they really do with Tails in any other continuity.

Bear in mind, I started on these comics when I was eight or nine years old. Yet I followed this comic well into my late teens and even part of my early twenties, so you can tell Archieverse Sonic has shitloads of lore to it to have that long of an ongoing narrative.

After Sonic Adventure was released, then the Sonamy shipping started to explode. Amy was front-and-center in the spotlight, Sally became the obscure figure in the fandom, and it’s more-or-less stayed that way ever since.

But I was like “It’s okay! Tails and Amy are still tight in Archieverse! Sucks they have to adjust to Sega’s many changes but they’re still best buddies who’ll hopefully get married one day….”

Then 25 Years Later happened and for some goddamned stupid-ass reason, Tails was paired with Mina the Mongoose and I believe Amy was suspiciously never ever mentioned in the future timeline stories (as Sonic and Sally did become endgame in this little series).

Tails and Mina had little to no interaction, and Mina was largely there to be a potential Sonic love interest, and even after she moved on, she got together with another character and still didn’t interact with Tails.

I was sooooooo pissed off. Archieverse was my one hope for Tails/Amy becoming a thing and they ruined it for me. :(

I did get a consolation prize in Geoffrey St. John x Hershey becoming so canon they actually did marry. That’s another one I shipped ever since they first interacted years and years ago.

Of course, Hershey was then “killed off” - and was set for a major comeback, but Ken Penders put a stop to that and had them both erased from reality because fuck Ken Penders, I actually got a nice thing and you yanked it right out of my hands.

Genis Sage x Mithos Yggdrasill from Tales of Symphonia, a ship I hardcore loved enough to write about. Also a ship I think Tumblr would burn me at the stake for shipping at all, but you know what? Fuck Genis x Presea. It’s a boring-ass puppy love ship that in its own right should be lambasted similarly according to anti logic.

…. did I get sidetracked? I did? Pfff. Okay, let’s try and get to another question.

How I started shipping Stevidot?

Pretty simple story, really. I binged SU all the way up to Escapism (Change Your Mind hadn’t aired yet) last December/January. Also watched a looooot of Youtube clips. Most involving Peridot.

And inevitably, most involving Steven as well.

When I started getting into Peridot and SU as a whole enough to seek out fanfiction and whatnot, I didn’t really have any set shipping preferences at first. But when I made myself think about it… honestly, Stevidot just felt the most natural to me. I wanted to see stories about antics with those two specifically - I never liked Lapidot and Amedot did nothing for me ever. So Stevidot was like, pretty much the only thing I really focused on after a while.

Then I found A Gem Like You. And suddenly, INSPIRATION! I developed headcanons for Watcher’s fic, I started reading as much Stevidot as I could, and I was convinced it was the best pairing in the world and fucking hell I need to give it some representation after I noticed how relatively niche it was in the fandom.

And so, Stevidot consumed my soul for all time. I hope those clods are happy.

Rant about a ship, you say…

Good god, that really does need to be its own post. I have so much to say about various ships in general, I may need a bit to… uh, figure that out. Or throwing out some random ones I’d know about would help my focus, fff.

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benisasoftboi · 4 years

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Unorganised thoughts on Silver Snow:

When I finished Golden Deer, I said that it had felt like a more traditional Fire Emblem story than Blue Lions. Silver Snow is that but even more so (though GD is still the most trad-FE cast, IMO)

Having already played those two routes, it felt very much like a whirlwind tour of them both, plus another battle thrown in at the end - a battle that probably should have been harder, but I (completely accidentally) built the bulkiest Byleth imaginable, especially resistance wise, plus high magic - and so, by pairing high defensive stats with Nosferatu, I tanked every attack that came my way

Gaming, for me, is just doing whatever the hell I feel like, stumbling into good results, and then pretending that I did it on purpose

I spent the whole battle with the Dragon Tales theme song stuck in my head. Kind of killed the mood

I really enjoyed that after wrapping up both the Edelgard and TWSITD plots, they basically Persona 4 you by trying to convince you that the whole game’s done now and all that’s left is to chat with everyone - though unlike in P4, there’s very obviously something left to do because they give you a whole month of prep time, rather than just one day

I felt the same way about this on Golden Deer - none of the characters are appropriately shocked by Rhea’s highly questionable actions

Also - she says she’s going to explain the whole truth! And she doesn’t! Only the Byleth creation stuff! The other revelations from Golden Deer are missing! Rhea! Why! Are! You! Like! This!

This is actually a problem I have with this game as a whole - they want to keep certain lore and secrets exclusive to certain routes, but it results in every story feeling in some way incomplete. Like, Fates gets a lot of crap, but at least you did get a full story from your half (third? never played Revelation) a game for the price of a whole one. Blue Lions gets the worst of it, I think

Plus, when you know some of said secrets, it makes characters who refuse to share them in other routes seem weirdly (and sometimes, contrivedly) cagey about things they really do not need to be cagey about. See: Claude refusing to tell Dimitri and Byleth in Azure Moon that he wants to End Racism, and instead vagueing about ‘achieving his dream’. This is not Edelgard wanting to conquer Fodlan and dismantle the entire social structure, Claude, your ideals really are not so controversial that you need to be this coy. Dimitri and I are cool, we getcha

My one sentence review of the whole game is basically: Great characters, great world building, great gameplay - but really, really frustrating plot structure

I’m also really upset that Seteth does not have a dragon form

Speaking of Seteth, I married him this time around. I mostly decided to do it for laughs, but while Byleth/Dedue is still my number one Byleth pairing, I came to really, genuinely like them together. Seteth is one of my favs, now more than ever

It helps that romancing Seteth feels a lot less... creepy than romancing most of the students. I like Linhardt, but romancing him felt very weird to me because I couldn’t get over Byleth having first known him as a 16 year old under their care. Dedue, for the record, doesn’t elicit this response because he doesn’t really feel as much like a student to me? Role-wise he feels a lot closer to the knights, and it’s just that he's been enrolled as a student for convenience’s sake, which makes him and Byleth feel more equal than they do with most of the other kids. Helps that he’s also on the older end

Anyway, Seteth and Byleth would be the nerdiest couple ever, is the impression I got from their ending. The confession scene made me laugh in how ‘oh we’ve got a lot of work to do - btw wanna get married? - sweet, now let’s get back to work’ it was. Mark Whitten is a gem

It’s also the the first time I felt like the game was actually shipping me with a main lord (Seteth taking that role in the absence of the box lords on this route). Haven’t done Crimson Flower yet, so no opinion on the Edelgard/Byleth relationship yet, but regarding Claude and Dimitri my (pretty damn controversial, possibly a bad idea to put out there) opinions on them with Byleth are that

Claude and Byleth are platonic bros, regardless of Byleth’s gender. I just don’t get any feeling of romance from their relationship at all, and so pairing them off feels weird (to me, personally - I don’t hate the ship or anything, though)

Meanwhile Dimitri 100% had a crush on his teacher at school, but after more than five years of enduring trauma after trauma, and then half a year of beginning to heal (whilst fighting a war culminating in the execution of his step-sister), Dimitri is nowhere near ready for a romantic relationship. And when he is, I wouldn’t want him with any of the main cast, Dimitri x Village Girl OTP. I guess if it has to be anyone, I’d be okay with Mercedes, maybe Marianne - hell, maybe even Claude - but really, I just want him to get a fresh start. I think that’s the healthiest option for him, in the end

I do think it’s a pairing that could work in an AU where Dimitri doesn’t have any of the experiences he has in canon, though

And again, this is just my personal reading

I’ll also admit that I may be influenced by the fact that his two most popular pairings are with Byleth and Dedue, who I greatly prefer with each other. Mostly because I love Dedue with all my soul and his ending with Byleth is by far his happiest, in my eyes at least. It’s the only one where he puts some distance between himself and Dimitri and evens out the power balance in their relationship, which makes me happy because oh boy, the Dimitri/Dedue relationship is super interesting and compelling, but also (again, by my reading) all kinds of unhealthy as it’s presented for most of the game - power balance issues like I say, the fact that they tend to indulge, even encourage, each other’s worst instincts and behaviours, mutual guilt complexes - like I say, it’s fascinating, but damn screwed up. IMO, they’re one of the best examples I’ve seen of how unhealthy relationships aren’t always the result of one bad person, and how two good people can end up being very bad for each other

Though it is, again, a pairing I can see working (and actually being incredibly cute) in an AU where they’ve lived less horrible lives

And it’s not like I don’t want them to be friends, I just want them to also develop healthier boundaries and equal levels of respect

oh my god none of this has anything to do with silver snow what am I doing

But hey, speaking of Dimitri - I flip flopped on whether I thought his death was handled better or worse here than Golden Deer. It was given, I felt, more appropriate gravitas, but again suffered from ‘Dimitri’s dead! No, Dimitri’s alive! Oh wait, now he’s dead again’ in like, three successive scenes. And then you see his... ghost? I guess?

Dimitri really seems to get the short end of the stick on routes outside his own. Claude’s non-Deer roles were, in both cases I’ve played, much stronger and more fitting, and Edelgard is Edelgard

Maybe he’ll be good in Crimson Flower. Please. I miss Dimitri mattering. He’s probably my favourite of the three

There’s a point - obviously I don’t fully know Edelgard yet, but from what I got from the White Clouds section, above anything else she strikes me as an incredibly realistic depiction of a slightly edgy, extremely idealistic, but also highly naive and short-sighted teenager

Her whole goal, it seems, is meritocracy. She hates the crest system and the nobility, and she wants to create a system of equal opportunity. I can get behind that, but I really hope she’s prepared to accept the fact that true equal opportunity is basically impossible without recreating The Giver, as inequality is always more complex than one single factor being to blame for everything. Has Edelgard considered other limitations that make true meritocracy difficult to achieve? Has she been working on, say, a comprehensive benefits system? Or is she more of a libertarian type, and so primarily all about negative freedom and removing direct oppression? I hope Crimson Flower goes into detail on this, I’d be genuinely interested to know

I also find it interesting that she gets very angry about the fact that people hurt her and her family as a means to their own ends, so she decides that her own ends are to eliminate the system that lead to that happening - and she doesn’t care who she has to hurt in the process

This isn’t a CinemaSins *ding* plot hole observation, I genuinely think it’s interesting, and not actually that unrealistic

I also suppose her goal is no less naive than End All Racism By Being Nice To People, but Claude isn’t killing and persecuting people in attempt to achieve that, so it invites less scrutiny

I do wonder if I would have felt more strongly positively about her if she’d been my first playthrough. I do believe she’s a person that sincerely means well, and she’s certainly sympathetic, but - hmm. I’ll make my mind up when I finish CF

Anyway, paired endings. A few that I got include Raphael and Bernadetta (by far my favourite Bernie ending so far, seriously, what is that Caspar ending), Shamir and Leonie, which was cute and goofy (as Leonie’s endings tend to be, I notice, I do like that girl), Felix and Dorothea (not my favourite for either, but cute), Sylvain and Mercedes (the same but even cuter), Cyril and Petra (which felt wrong, partly because I love Cysithea a hell of a lot, and also because despite knowing there’s only about a year between them, Petra looks so much older pre-time skip), Ferdie and Marianne (super wholesome and sweet), and Linhardt and Caspar (my boyyyyssss that I refuse to ever separate again)

Not sure what I’m going to aim for on CF aside from keeping those boys together and also Ferdie/Hubert, as I’ve Heard Things

Flayn and Manuela have an A support so I figured they had a paired ending and it turns out they do not, which means Manuela was alone forever and Flayn ran away because apparently she hated having Byleth for a step mother I guess, rude

My Byleth (Myleth?) was prepared to be the best step mother in the history of the world, so offended

I realised ‘Javelins of Light’ is one of my absolute favourite tracks in the whole game. Mostly because it sounds like something out of Danganronpa, which made me nostalgic

I also like ‘Guardian of Starlight’ for somehow managing to sound like a Danganronpa/PMD: Explorers crossover track

I love how out of nowhere the Immaculate One fight is. It really does just feel like they needed something to distinguish the route from Verdant Wind outside of Claude not being around, so they just had a map that was less cool in every way except for the dragon

Is there an explanation for why Nemesis doesn’t show up on this route?

Also - I didn’t mention this in Golden Deer thoughts but I also found that final battle way, way easier than it was probably meant to be because I’d made everyone into a flier and so the floor damage hazard was meaningless

Which I totally did on purpose and not so I could make a stupid joke post about my all-wyvern team

Anyway, in conclusion, Silver Snow was a good route, I enjoyed it more than I thought I would (I’d kind of thought it was just going to be GD without Claude, which isn’t... totally wrong, but it’s got some other stuff going on too), I liked Seteth getting to have a bigger role, I thought it had the best final boss (if not the best final boss map), and I liked that I got some more Dragon Lore (never a bad thing)

please don’t yell at me for my controversial shipping opinions

#fire emblem #fe3h #silver snow #silver snow spoilers #golden deer spoilers #verdant wind spoilers #blue lions spoilers #azure moon spoilers #long post

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makotokino · 5 years

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sunguard - one year

It’s mind boggling to me to realize that I’ve been back in WoW for over a year. When I left at the beginning of WoD, I was pretty certain I was never coming back. The game had lost a lot of love in my heart, partially because of personal circumstances but overall, I was burnt out. BFA’s trailer brought me back in November of 2017, and I spent some time on the outskirts until I poked my head into S.O.S. While the experience was great, I do have some mixed feelings on it now - but one thing I am grateful for is that it brought me to the Sunguard.

This past year has been an absolute boon for me in a lot of ways. Being a member in Sunguard has challenged me creatively, and looking back over my writings last year to now - I can already see an improvement. Not just in how I write, either, but how I create. I spend so much time brainstorming with stories I love, and that’s lead to so much more creativity even outside of Warcraft writing. I’ve started writing original content again, I’ve picked up painting; I’m excited to challenge myself in the future because I feel confident and creative. For someone who has struggled with creativity and especially feeling confidence in my work, this is so wonderful.

Y’all have given me a place to create and express my characters, to grow their stories. So many parts of Sanarissa - a character I’ve been writing for eight years - have grown into something more nuanced, complex, and interesting. I’ve also had the opportunity to create more characters who I love, which I’ve never really done before - being someone who focused only on my main.

So I wanted to say thanks - to everyone I communicate with, write with, and share the experience of TSG with on a daily basis. I also have a few special thank you’s because I’m a giant sap. But for now, thank y’all for this amazing year and I can’t wait for more.

The Officer Corp, with special thanks to Felth @felthier, Jess @jessipalooza, Mel @stormandozone, and Azzy @azriah: From the first moment applying to the Sunguard, the officers made me feel welcome and wanted. That was a huge thing for me. Along the way, y’all have always been supportive, attentive, and nice to talk to. Especially the four of you I mentioned, I feel like I can always come to at least one of you with questions or concerns. So thank you, for making the guild a great place for not only me but everyone else - and for always being there to answer my (sometimes) dumbass questions. Not to mention y’all inspire me so much with your work.

Tiah / @forever-afk: Tiah, you are one of the reasons I joined TSG to begin with. Between you and Thomas after S.O.S., that’s really what pushed me forward. I know we haven’t gotten to RP in a loooong time due to our own lives not meshing, but I’m still so glad Sana and Vaelrin are buddies.

Aimee / @thanidiel: I know we don’t talk super often but I am very glad to have you around to jabber at, get advice and critique from, and joke around with. Having you around during S.O.S. was a boon, and I’ve enjoyed being able to make old MG veterans memes with you sometimes. You inspire me so much to be a better writer, creator, roleplayer, dude.

Cari / @retributionpriest: So I was devastated when Lirelle died without ever really getting the chance to interact, besides like one social event with a couple sentences, because of my own Anxiete. But I am soooo so so so glad that we’ve started talking and roleplaying a little back and forth. Being able to chat with you over Elementalist stuff and the brief RP we’ve been able to do has been so fun. I look forward to so much more in the future.

Harm / @thelaughingvulture: Fave Light cultist, bar none. But honestly, Brae is such an interesting character and I love her and despite the constant Brea/Brae confusion, I am glad we’ve gotten to talk and RP more over the last few weeks. I’m SAD that Sana is a traitor again, but the interactions we are keeping were so good - plus we’ll have bards we can write, or Light nerds. I’m super excited to keep on truckin as your buddy.

Veli / @ocarina-of-what: Hi. I love you. RP with me at some point. No, but really, having gotten to know you a little bit over the past few weeks has been absolutely incredible. You’re such a gem and a darling, I love you to pieces already. I hope we get to know each other much better AND ACTUALLY GET TO RP SOON. LOVE YOU.

Matt / @captainswingbeard: Hello, I know I’m a horribly slow RP partner, but your kind words and genuine interest in my stories are so wonderful and great. I was soooo surprised when you took interest in wanting to RP with me but it’s been so fun and interesting. I love reading your stories and I’m so interested in how everything will play out for the Old Man. And I swear, I’ll reply soon (unless I already have because I wrote this ahead of time - ha!)

Larry / @trained-trainwreck: I genuinely cannot like, preface enough how much your friendship means to me. You are one of my best TSG buddies and you mean a lot to me. We are Team Southern America and that’s important to me to have someone who comes from a similar background and history that I can share my experiences with. On top of that, being able to write with you is one of my favorite things, despite us not having much time to do so. Larry and Sana’s parallels are so interesting and I’m sorry she has yet again betrayed his trust. Also, I love big murder boy and I swear, at some point, I will be able to accept your invitation to level in ESO together.

Jase / @veloestian: Hey. You mean a lot to me. I know I communicate to you in gently bullying terms a lot, but you’re a dear friend to me. I love writing with you even though I’m slow and a horrible partner. You were the first person I wrote Melori with and so much of her grew from the interactions we had early on. You help me feel better when I’m sad and you send me dumb memes and I love that. You’re a good bean and I cherish you.

Gibby / @please-respond: Bridge troll or not, you are like my brother. My horrible gremlin brother who I sometimes want to kill, but brother nonetheless. Our relationship has been based a lot more off of friendship than RP, which makes me sad sometimes - but I’m glad we’re getting to RP and write together. I love the things you create, I love the opportunities you’ve given me towards my character arc for Sana, and I’m thankful for all the advice and talks we’ve had. Thank you.

Archer / @pyrosophist: Hey. Hey Archer. Hi. You’re my favorite fetus in the universe probably. I am so, so honored and consider myself truly lucky to count you as one of my closest RP partners. Of course, I can talk about Team Fel and how much I have loved seeing them grow from enemies to tenuous allies to friends to lovers to ENEMIES AGAIN, how much their natural, organic growth has fascinated me, how much their parallels hurt my soul, how much I enjoy writing them with you and what will come of it in the future.

But there’s so much more than that. It’s become routine to just talk to you everyday, about creation and headcanons and ideas - you have such a creative energy and you inspire me by even being near you. Digging into headcanons and character work with you and throwing ideas at the wall to see what sticks has quickly become one of the highlights of my day; right alongside of planning what kind of stupid shit we can do in roll20. I even love hurling stupid pinterest posts and songs at you, it’s all part of the friendship.

Being able to share lore, ideas, AU’s, and RP with you means so much to me. You’ve made such an impact on my time in the Sunguard, and I can’t thank you for that enough. I can’t wait to see the storylines you unfold, now and in the future, and be there to experience them. Also, you always draw me wonderful things and I cry a lot.

Thomas / @jonathan-nevermore-smith: I had to save you for last, goober. From the moment we started writing together a year ago, I knew that I was in for something special. Writing Ash and Sana with you has been a rollercoaster that I have been happy to be on, even now. They mean so much to me. You’ve given me so much opportunity to revisit and grow the character that I love so much.

But it isn’t just Sana. Because of your brilliant ideas, I’ve gotten to create multiple characters that I love and adore. It was your urging that pushed me to make Melori a fully-formed, true character. It was your fanon lore that brought me Zaerise. You’ve always encouraged my ideas and thoughts, even when I thought they were extra. You’re always excited to talk with me about things - and that means so much to me.

You’ve let me take a lot of your fanon and just run with it. Being able to work out the religion, culture, and history of the Ridges - its customs and what makes it tick - has been such a fulfilling thing for me to do. Not to mention the Coven, and how much I love and adore them and all that you’ve let me do with your inkling of an idea.

You’re way more than an RP partner though. You are one of my best friends. Talking to you everyday just feels like part of the routine - always have to check in and talk with Thomas. You’ve become such a common point of reference in my life. You share my Hulu account with the real life squad. You’ve been there for me in some of my hardest points this year; you’ve listened to me cry, heard me drunk, and you’ve been there for me every moment in between. I’m more thankful for you than I can easily put into words. So thank you, Thomas, for a year of amazing friendship and roleplay, and here’s to so many more.

#tsg #ilu guys

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the-crippled-god · 3 years

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Steam Next Fest, October 2021

Here’s a few sentences on the demos I’ve played thus far. We’ll see if I get to more...

A=B: Of the genre of 'Esolang programming games' (of which there are many), this might be one of the easiest to get into. However, nearly all the fun is going to come out of weird tricks you can pull off with the new instructions added in each section, which kinda defeats the premise. That being said, I was pleasantly surprised at how clever the game let me be with the the base 'one instruction'. It's not really programming, it's pattern matching and replacing (that being said, folks are starting to work out that well implemented pattern matching is one of the most powerful tools a programming language can have), and a condition that if a rule matches, the instructions start over, rather than continue. I wonder if there's any real world langs that behave like this, but support regex patterns (including capture groups), it might actually be a neat way of building things like custom file renaming rules... Games like this always feel like I'm doing work while not at work, but the simplicity of the base instruction makes this feel more like a puzzle game than something like TIS-100 or Shenzen IO, so provided the extra instructions don't make it feel more like programming (avoid adding branching, don't let me loop beyond the base loop, etc.), I'll probably enjoy this. Verdict: interesting, I'll probably buy it if it's cheap.

Galaxy's Extreme: This is another "Nintendo won't make a new F-Zero game so we'll do it ourselves", and it's... fine. Momentum feels good, and the controls feel good, it's just, too simplistic. I really feel like a spiritual successor to F-Zero needs the strafe and slide turning of GX (or some equivalent), without absurd goofy snaking, it's just, not the same, let alone an escalation of the style. You also only seem to leave the ground and prescribed points, rather than behaving like a hover craft, which doesn't quite feel right. Verdict: I'll probably pass on this one, if it gets rave reviews on release, and has online multiplayer, I could see grabbing it to play casually with friends.

Rayze: There's a good idea here, this isn't a good implementation of it. Momentum feels weird, and the game doesn't use raw mouse input, for some reason. An 'Aim racer' feels like a good idea, but this is more of a puzzle game where you're trying to work out how the level designer wants you to click things. Verdict: pass, absolutely not for me.

Dread Delusion: Open world immersive sim, focused on being weird. Seems alright, demo is a little too limited to tell, and I allocated my stats wrong to be able to see all of it (you seem to need high Lore to get to a few areas), but I enjoyed what was here, and will probably pick it up as just a weird thing to explore. Verdict: neat, be interested to see how the full version is.

Titanium Hound: This one looked cool, but it's really not good. Sounds in the menus are ear piercing, control scheme makes no sense on either the keyboard or controller. None of the attacks feel like they have impact. Controls are floaty and weird, like everything is on ice. Enemy sounds are muted, music is boring. Verdict: Really disappointed in this one, hard pass.

Transiruby: C...Cute... This seems like a fun light hearted metroidvania. Dialogue is witty, Siruby and pals are cute. Music is charming. Controls are tight. Graphics lean a little to simple for my tastes, but otherwise no complaints. Verdict: I'll probably buy this, seems like a good coping game for me.

Gastova: The Witches of Arkana: Meh. Some of the cutscene and character detail art is cute. Writing feels like it has a good premise, but could use an editor to punch up the jokes and quips a bit, since they don't quite land. It's almost like English isn't the writers first language, they have a good grasp of how to put words together so they're coherent, but they're not great at pacing dialogue so it feels natural. Gameplay is, bland? This feels aggressively like a 3rd party SNES platformer, like a Super Adventure Island or something. This is in all respects. It eats inputs randomly, attacks have no impact, enemies take too many hits, basic platoforming requires you stand on the very edge of the platforms, etc. I'm sure there are people who will get a kick out of this, but it's not for me. Verdict: pass.

Ex-Zodiac: It's a Starfox clone! Kinda halfway between SNES and 64. It's pretty good, not really doing anything original, but it plays well. Only weird issue I noticed is that enemies behind you can shoot at you, and there's not really a way to avoid it. Other than that my main complaint is the camera feels a little tight, definitely more like Starfox SNES, and it's a bit annoying. Verdict: I'll wishlist it, purchase is going to depend on the length and price of the full game.

Exo One: Interesting, likely not for me. I dig the movement scheme, though certain aspects of it suffer from the minimal UI/HUD. Manoeuvring through big wide open Unity terrain maps is not really compelling to me, I think I'd really like this if it was a more concentrated experience. Verdict: Pass, but I'll keep an eye on it.

POSTAL Brain Damaged: Hell yeah, this seems good. Think I like it more than Postal 4, at least in its current state. Writing is very Postal, except weirdly more subtle than usual? Dunno, this I like it more than Postal's usual crassness. Weapons are all versatile and cool (in the demo the rocket launcher weirdly feels the worst), and level design and aesthetics are on point. Didn't finish the demo cause I'd kinda rather play this on release, but really liked what I played. Verdict: Wishlisted, to pick up next time I'm in the mood for a boomer shooter.

Hypnagogia: Boundless Dreams: I was expecting something different. This seems to be a mostly linear 1st person platformer set in a childish dreamscape. It's fine for what it is, but at least as a demo, it didn't grab me. I think Anodyne 2 did this aesthetic better, this kinda feels like someone looked at Spyro the Dragon, and decided that's what dreams looked like. Maybe it gets weirder later, but I'm not sure I want to wait around to find out. Verdict: Pass for now, but I'll check the reviews when it comes out.

Cleo: A Pirate's Tale: It's alright, for a one person game, it seems pretty dang good. But, I don't think I'll play it. Everything about it is just a little off. Writing isn't quite funny, voice acting has weird intonation and direction, controls don't quite work intuitively, art style feels a touch unrealized, etc. Definitely give this one a try, especially if you liked old LucasArts games, you might love this, but I didn't. Verdict: Pass, but I have a few friends I'll probably recommend this to.

Hunt the Night: There's a good (potentially great) game here, but it leans just a little too into being difficult/punishing for my taste. You can animation cancel into a dash, except when there's hit stun from contacting an enemy with your sword, so you can't dodge ranged attacks while you're engaged in melee? Sometimes enemies are hit stunned by your attacks, sometimes the same enemies can attack through your hits? There's no stamina bar, but there's like 4 different meters to manage, and they work pretty well at forcing you to use all the options available to you. The weapons I found seemed to only differ in attack speed, melee combos did not change meaningfully, which is disappointing, but I didn't experiment much. Otherwise, for a 'bloodborne but as top-down zelda' it seems pretty great. Story seems interesting enough, if predictable, gameplay has a lot of good ideas, but it maybe needs another round of polish. A range indicator on the dash, and a solid explanation of if I'm suppose to be using it to dodge (and when I can cancel into a dodge and when I can't), along with a clear timer on how long I need to hold the heal button, would go a long way into making the game feel more fair. Verdict: On wishlist for now, because the trailer makes it look really fun, but I'll likely take a look at the reviews on release.

Anuchard: I swear I've seen this main character design before, I think they were a cameo design in CrossCode? Oh wow is English not the writer's first language, grammar issues all over the place. Thankfully, not so bad as to be incomprehensible, but I really hope they get an editor fluent in English before release. Gameplay wise, this seems a little too simple? Combat is satisfying, but you can stun lock the boss? And while the shield/heavy attack system seems like a good idea, it doesn't add much depth. Puzzle solving by bouncing the gems around feels bad. You can't aim in more than the 8 cardinal directions, and even that's inconsistent, and hit detection requires you to be really precise. Art is cute, writing seems like it has potential, if it gets a good proof read, music was interesting to good. Verdict: I think I'll pass, but I'll look into it after release.

Marmoreal: Can you tell this game wanted to be a Touhou fangame, but the art was worse than even ZUNs so they couldn't get the license? Joking aside, ignoring every art asset in this game (except the animation, but we'll get to that), this game is great. Gameplay feels really good, though I feel I need to re-map the abilities buttons a bit, I kept hitting them at inopportune times. And, the animation in cutscenes, along with the writing, make this a stupid ridiculous romp that nearly had me falling off my chair in laughter. This game knows exactly what it is, and I'm here for it. Verdict: Wishlisted, and I'll probably play more of the demo, since it's pretty substantial.

Transmute: A very clearly inspired by Axiom Verge (and maybe Environmental Station Alpha) metroidvania. My biggest complaint is the writing falls flat. Crazy shit is happening to and around the protag, and she hardly reacts (the writing puts more emphasis on her being 'anti-colonialist' than it does on the fact that she'd been in stasis for several years). Game plays well, though not being able to shoot at an angle, or downwards feels weird. Has an augment and retrieval system like Hollow Knight. the augment system even let me combine 2 things I didn't think it would allow me to. Difficulty spikes up after the 2nd boss, so I peaked my head into the 2 areas that open up, but wasn't really interested in banging my head against them when I know I'll have to start over when the game comes out. Verdict: Seems pretty well put together for a metroidvania, I'll wishlist it.

Tunic: This seems so close to brilliance, but it's just not there. The game looks adorable, but here's the issue: There's a massive amount of latency to the controls, you constantly feel like you're manoeuvring through muck. Even the most basic enemy can react to you faster than you can to it, enemies do a lot of damage, healing is very limited, and it has retrieval mechanics on death. This game feels really difficult for no reason. It's clearly trying to look like zelda, why does it play like a wannabe took-all-the-wrong-lessons-from-dark-souls game? If this game played closer to a 2d zelda game, it'd be a lot of fun, but as it plays right now, I have no interest. Verdict: Pass.

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entergamingxp · 4 years

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Celebrating Blackness in Gaming’s Past, Present, and Future

June 9, 2020 2:30 PM EST

During times like this, it’s especially important to highlight and celebrate black heroes, casts, and developers themselves in video games.

With what’s been happening in the past and especially in light of current events, it’s important to reflect on the video games that have centered or been inclusive of black characters, as well as games led by black developers. Representation has been an ongoing conversation in video games (and other forms of media), and the desire for new stories told from the perspectives of diverse voices and backgrounds has only continued to grow.

In recent years, more games have been releasing that highlight black characters or have been created by black developers. A large chunk of those games are created by independent developers, who have far more creative freedom to craft the kinds of characters they would like to see in games. Even rarer are games led and published by black developers, with many of these narratives still being told by white creators.

But compared with the amount of white protagonists (and all or mostly white casts) that we often see in video games, there’s still so much work to be done. As we’ve been seeing in the past week, plenty of black creatives have been given the long-due spotlight to showcase their talents as opportunities from companies are finally opening up. I truly hope this will lead seeing more blackness reflected in both the games that we play and their internal development talent.

That said, there have been notable black characters and stories told through video games that are worth highlighting. Below, here are some of the most prominent games of the past several years that either star a black character, have a significant (as in mostly) black cast, or were made by black developers.

Telltale’s The Walking Dead

Many fans were enraptured by the first season of The Walking Dead, which introduced two lead black characters: Lee Everett and Clementine. Their relationship and overall story arc–backed by some seriously powerful writing–gave birth to one of the greatest narratives in gaming I have ever witnessed. After Lee’s death, seeing Clementine grow far too fast as she fights for survival while reconciling her perceived role in her father figure’s death is moving and harrowing. Most of all, Telltale’s The Walking Dead creates a sense of constant urgency and dread that completely sucks in the player and doesn’t let go until the very end.

Mafia III

Set in 1968 New Orleans, Mafia III follows the exploits of Lincoln Clay, a war veteran who aims to build a new criminal organization while seeking revenge on the Italian mob. The game holds an extremely uncompromising gaze at systematic racism while allowing for the black protagonist to empower himself and take back power from those who would strive to oppress him. The characters are compelling, and the setting and story of Mafia III offers a rare gaming experience that interweaves the experience of actual blackness in its narrative.

Chromatose

Chromatose is an upcoming indie title by a black lead developer going by the moniker Akabaka. A visual novel and JRPG blend influenced by Persona 3, it follows the protagonist as he awakens in a strange nightmare after a fall that should have ended his life. Amnesiac strangers are also trapped in this world for their own unique reasons. The haunting visuals filled with strong color contrast convey a tale filled with danger at every turn. Between a captivating and diverse cast, excellent monster designs, and a fast-paced battle system, Chromatose seems to be shaping up to be a gem of an indie game.

Watch Dogs 2

Watch Dogs 2 takes place in a fictionalized version of the San Francisco Bay Area and stars Marcus Holloway, a hacker who works with the hacking group DedSec to take down the city’s advanced surveillance system known as ctOS. Having the black hacker Marcus taking the lead role in this game adds a unique perspective on the plot that deals with fighting back in a system designed to strip away power and silence its citizens. Seeing him fight tirelessly and slowly gain traction against the city government is incredibly empowering and strengthens the overall narrative even more.

Murder By Numbers

For fans of the excellent Ace Attorney series comes an indie game with a similar approach to storytelling, over-the-top characters, and investigative gameplay. Murder By Numbers takes place in 1996 Los Angeles and stars Honor Mizrahi, an actress on a hit TV detective show. Unfortunately, her boss winds up dead just moments after he fires her and she finds herself forced to investigate his murder in order to secure her own innocence. Putting aside the harsh reality of black women being kicked out of their own careers, the game does well in emulating the fun and often ridiculous style of Ace Attorney while establishing its own charm. Much of that charm is attributed to Honor herself, who’s plucky, determined, and resourceful, as well as her interactions with her robot sidekick SCOUT. Murder By Numbers is a fun and lighthearted foray complimented by Picross-style puzzles that’s worth checking out.

Apex Legends

Seemingly (but officially unconfirmed) in response to the Overwatch controversy surrounding its lack of playable black women, the free-to-play Battle Royale game launched with two black women characters: Anita Williams and Ajay Che. Not only that, but these two were and still are front and center in the marketing of Apex Legends, which is very notable. While the game is light on lore (as games in this genre tend to be), both of them have very separate upbringings, personalities, and combat proficiencies. From what we know of them, they have well-fleshed-out motivations for why they fight. And I really love the touch that Ajay is a healer, an archetype you don’t tend to see associated with black women characters.

She Dreams Elsewhere

This indie title is a true rarity in that the entire party is black and stars a black woman protagonist. She Dreams Elsewhere is a surrealist adventure RPG where you traverse protagonist Thalia’s dreamscape along with her friends. She must come to grips with and confront her mental health conditions, and escape from a never-ending coma. One part Undertale, one part Persona, it’s a game made beautiful through its retro simplicity and haunting soundtrack that combines black music such as R&B, funk, and jazz. Not only do we have that level of diversity and culture, but the characters themselves–especially Thalia–are fleshed out and fully-developed. When pitted against the well-designed monsters using abilities grounded in reality, She Dreams Elsewhere truly ups the surrealism surrounding its setting and atmosphere.

EQQO

EQQO is a unique title, in terms of both its passive storytelling and gameplay, as well as the fact that it’s inspired by Ethiopian mythology. This game is the tale of a mother as she weaves a great story of her son born blind yet full of life and love. The puzzle-based exploration and gameplay is presented as a mythological legend slowly unfolding as the mother, playing as the narrator, tells it. Gorgeous orchestrated music complements the visuals in a harmony that gives even more depth to the narrative. Seeing this level of care and detail with a mythology that is rarely represented in gaming gives me hope that the future will bring more games like this one being created and given proper attention.

Cyberpunk 2077

It’s exceedingly rare to find a triple A title’s universe created by a black person, and yet the upcoming Cyberpunk 2077 is just that exception. Mike Pondsmith is best known for his work for the publisher R. Talsorian Games, where he developed a majority of the company’s roleplaying game lines. His most recent project is the collaboration between himself and CD Projekt Red, Cyberpunk 2077, which takes place in his own Cyberpunk RPG universe. Pondsmith’s involvement in the video game’s development mostly focuses on the game world aspect and mechanics as well as his general input, such as shooting a bulletproof backpack to test just how a bullet would react with it; for implementing in the game properly, of course.

Streets of Rage 4

The triumphant return of the wildly popular 2D side scrolling beat-em-up franchise, Streets of Rage 4 stars a cast almost entirely of black/POC fighters including newcomer Cherry Hunter. Wood Oak City falls under the control of a new crime syndicate led by Mr. X’s children, the Y Twins, who are planning on brainwashing the city with the use of hypnotic music. The plot, while simple, is a great excuse to beat up some mooks and the character designs, animation, and music are phenomenal. Also that’s not to mention that Cherry, Floyd Iraia, and Cherry’s father Adam Hunter are featured very prominently on the cover and the general advertising. It’s great to see a beat-em-up starring so many cool black characters.

Earthnight

A love letter to classic fast-paced 2D platformers (think Sonic the Hedgehog), Earthnight uses the genre to tell a tale of a bleak dragon apocalypse where humans have been exiled to space, forced to live in orbit above the planet. Protagonists Sydney and Stanley team up one day and decide to skydive back to Earth, taking out as many dragons as they can along the way. The 2D animations are breathtaking; everything from the ripples in their clothing, to the fluidity of their general movements, to the colorful and insane monsters that can take up nearly the entire screen are stunning. It’s clear there was a lot of love and effort put into this game. I also need to mention how much I love Sydney’s design and the way she’s front and center in the trailers. How can you beat a game that lets you fight dragons because a little girl and a dude had enough?

Broken Age

Broken Age released back in 2014 and 2015 as two separate acts by Double Fine and starred protagonists Vella Tartine and Shay Volta (played by Masasa Moyo and Elijah Wood, respectively). While initially their narratives are completely separate from each other, as the story unfolds you realize how intertwined they really are. What makes the storytelling so satisfying is that because the protagonists are kept separate for so long, their individual character arcs can develop in a satisfying way without interfering in the overall story. Vella, the young black girl, in particular had a very strong and compelling story worth experiencing. In Broken Age, seeing her deal with traumatic events as she fought back against a seemingly unavoidable force of destruction made for an excellent real-life comparison to black struggle.

Here are some honorable mentions of other games featuring black/POC characters that, though they didn’t make my list, are worth checking out:

Assassin’s Creed Origins

Half-Life: Alyx

Afterparty

Treachery in Beatdown City

Where the Water Tastes Like Wine

Dishonored: Death of the Outsider

Beyond Good and Evil

Remember Me

If you’re looking for more black indie talent, check out this Twitter thread as well as this one. For a huge directory of black game developers and their projects, check out the Black Game Developers website and consider supporting them.

And finally if you’re a Black, Asian, and/or Ethnic minority, Code Coven is offering scholarships for their Intro to Game Making Course, which will be open until June 10, 2020.

Are there any games or developers you know of that deserve a mention? Feel free to sound off in the comments!

June 9, 2020 2:30 PM EST

from EnterGamingXP https://entergamingxp.com/2020/06/celebrating-blackness-in-gamings-past-present-and-future/?utm_source=rss&utm_medium=rss&utm_campaign=celebrating-blackness-in-gamings-past-present-and-future

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macabrecabra · 7 years

Note

Sombra and D.Va meeting online after the hate mail incident, and D.Va having no clue that Sombra's with Talon, but it doesn't really matter because the two talk about tech and gaming, and D.Va just smiles really widely and Sombra thinks she just fell for her.

I can give a little something surec:Title: Digital CrushRating: PG

Relationship: Budding Sombra/D.Va

There were a lot of people on theinternet who had shit personalities. That was just the long and shortof it all. People vague posted insults and acted like they were aboveothers, tried to hide how awful they were behind prettyblogs,banners, and pretty words, and overall just being insulting one way or another. That was just a truth of the internet.

D.Va though, she was a rare gem. Shewas blunt and honest, always telling it how it was and wearing herheart on her sleeves. Even when she was at her worse, cussing outopponents in a game, there was still that genuine spark that remainedburning bright. D.Va had a confidence that could not be contained andcould not be dimmed it seemed and with every push forward, every bossovercome, she just showed more of that elegance that had Sombrawatching her stream after stream.

It honestly surprised Sombra that shecould have haters. Such a concept seemed strange given that D.Vadidn't do anything offensive and actually did police her humor andthe like. She didn't isolate groups but always made her stancequietly understood and at times even made an effort to open a bit ofdiscourse with her teammates, all of it handled honestly better thanmost older supposed adults would. She never put anyone else down touplift her opinion, never resorted to petty insults, and even towardsher haters and perhaps comments meant to incite, she bore them with astoicism that made her seem untouchable.

That trait alone, that confidence, musthave been what drew all the horrid wretches of the internet out to tryand rip her down, trying to twist her words and drag her totheir level of self-pity and contempt.

Sombra had taken things into her ownhands to start dealing with all of that. Usually such individualswere ignored. They weren't worth the time to acknowledge. Feeding theunderbelly scum of the internet tended to just validate their horridattitudes, which in turn had others think to act like them, which inturn perpetuated the cesspool that was the internet.

Like hell though was Sombra going tolet someone as bright and good as D.Va be another victim of thatcesspool!

Those haters were taken down one byone, and given their dues. Their accounts were locked, content deleted,and the promise of obscurity implanted onto hard drives to wash awayall that they had done in the most extreme cases of haters found.Some of them were awful to a lot of people and deserved every second.In a way, Sombra had felt like an internet hero, the dark knightwhich hacked in the night. Maybe more an anti-hero given that afterher internet troll cullings she was right back to doing Talon's dirtywork.

Sombra hadn't realized that herdealing with haters and filtering out hatemail combined with hersmall encouraging e-mail to D.Va would actually earn a chance to meetthe internet gamer idol. It seemed a strange dream come true, hardlybelievable and even sitting there now in the cafe with a milk teawarm between her hands and said internet idol sitting before hersipping on a some sort of lemonade, Sombra could scarcely believethis was true.

“You know, you are exactly how Iimagined my internet hater protector to look like,” D.Va said atlength, grinning a bit, “All cyberpunk techno,”

“Heh, really? Most people's firstresponse is that I'm not a chico,” Sombra commented with a slightsmile of her own.D.Va snorted, “I like it better you aren'tsome guy. Heh, my one friend said you would turn up wearing a fedoraand greeting me as milady!”

That earned a laugh from Sombra whogave a shake of her head, “What? The day I wear a fedora is the daymy co-workers finally leave their goth phase,”

“Goth phase?” D.Va asked with anamused grin.“Oh yes. All black and purple and red, allsuper edgy like they can't be touched emotionally,” Sombra let outa chuckle, “Even when off work they dress like they are about to gohang out behind bleachers, smoke cigarettes, and complain about thepain of life,”

“Man, that sounds like it could be apain to work with at times. I bet they don't got a single ounce ofhumor,” D.Va said before taking a long slurp of her drink.Sombralaughed, “You don't know the half of it. Once hacked a door toclose in front of one of em and you thought I had shot him orsomething. So angry! But enough about my co-workers, how about you?Any new games on the horizon?”

“A few yeah. Avoiding big companygames though. A few of the latest releases have been so buggy that it makes playing them almost impossible,” D.Va shook her headsolemnly, “I'll never forgive what they did to Star Voyagers. Youcan practically feel the writer going 'like these characters! Theyare hip and cool' half the time. It had so much promise and hype!”

“There is no such game as StarVoyagers. We do not speak of that,” Sombra said quickly, “Such agame cannot be spoken of or you shall be cursed with shittycharacters in all the games you doth play,”

D.Va shuddered, “Don't even jokeabout that! I may like good gameplay but if it has a good story too,sign me the fuck up six times over. Black Nights of Aidal was good.Loved it even if it did break my heart ten times over,”Sombranodded, grinning, “That game was a work of art! Difficult but god,the lore and characters! That boss fight against that dick sorcererwho went mad and his artificial dragon was epic. Remember? Thatknight sweet heart character, Kelniaus right? He jumps in to fightthe dragon while you take on the boss and the whole battle he'scrashing in and apologizing as he's trying to slay a dragon?”D.Vasighed, putting a hand to her heart, “Kelniaus is my gay knightprincess and I love and support him and what happened to him in theend,” she let out a sigh, “I was in tears and whispering prayersto the gaming gods to make it happier,”“Black Nights ofAidal? Happy? You speak nonsense! They crush our feels and give usonly a glimmer of hope the sequel will give us more joy,” Sombrasat back with a smile, “Hopefully the sequel turns out allright,”“Hopefully! They got the same lead designer atleast to write the story,” D.Va glanced up smiling, “This isactually really nice, you know? Just talking like this. I don't getto do this all that often. Always work or streaming or both,”

“Yeah, it is nice,” Sombra agreed,looking into her tea with a smile, “Really nice,”It wasnice to forget work and who she was and just be with someone on apersonal level, just to talk about small things like games and thelike.

It was really nice and D.Va herselfspoke about all of it with such passion.... Sombra couldn't fightthat little glow of warmth in her chest knowing that in that moment,she may have honestly just fell for D.Va.

Sometimes a digital crush could lead tofinding someone that completed you entirely.

#Overwatch #Overwatch fanfiction #Shipping Snacks for Hungry Shippers #Sombra/D.Va #Sombra #Hana D.Va Song #fluff #gamer talk

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panic-in-tarir · 7 years

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One year in review

That’s it! The OH IT’S BEEN ONE YEAR post is here!

The closer my first anniversary was, the more excited I got, and the more thoughts I gathered for one “summary” post. Now that it’s time, suddenly, bam, all of them gone. :’> *wipes sweat*

Recently I had someone asking about my progression and how I managed to get there (???? where? derp). Well, I guess, I could just start telling about my first deeds in GW2, and then see if I can add something.

This might or might not be relevant, but I come from Wakfu, a colorful 2D game with turn-based combat. It’s cool visually, but also has terrible management issues, lack of developer care, one of the worst customer supports ever, list goes on.. I played it since 2012, and year by year, only grew angry, disappointed and hurt. That was like an abusive relationship I couldn’t get out of. I refused to try different genre and engine games. Finally, @aketan / @flame-squad / Rika got me lowkey interested in GW2 (she was commenting expressively while playing, and I peeked over her shoulder), I decided to try it. And stayed. Migrating to a real-time 3D game wasn’t easy! Yet, it was my lifesaver decision. GW2 has everything that I wish was there in Wakfu. It took me several months, if not a year, to get fully “healed”, to recover from the bad game and start believing that good games exist. When I had to contact GW2 support, I was touched to tears.. Everything and everyone is so nice here.

That wall of text was a foreword! Or explanation why I’m so excited and grateful about every aspect of GW2.

I started without putting too much thought into the char creation, as a result, now I have yet another main whose name is literally foreign language swearing or pun. GG me. After having been completely lost and confused by the controls (I LITERALLY ran backwards and yelled), after having a short but comprehensive lesson from bff, I started derping around on my own. I think I was only guided until lvl 5 or so, then my buddy let me do whatever I want. I come from a sandbox-wannabe game so it didn’t take me forever to get comfortable and set my first goals. Of course, I had a shit ton of questions, which I didn’t hesitate to spam Rika with. It’s cool to have someone ready to explain you the basics and patiently show you things. :D My several first days, or even weeks, were intense. I didn’t rush levels, but was eager to see the world. It was so amazing to me that I was spending 8-10 hours a day, running around, completing maps. I started in Metrica but quickly wandered away to Caledon (”oh! a portal?!”), where I spent a handful of time then.

With such a desire to discover and observe, and after having seen the title you’re awarded for 100% world map completion, I set it as my first ultimate goal. I approached it rather seriously, and had an incredibly fun time, at least until I had only Orr left undiscovered. x’D As a squishy (and slow, and dumb) ele, I was frightened and a bit discouraged by the amount of, well, deaths here. If I recall correctly, I still wore yellows at that time, although I was 80. Rika helped me and accompanied me for a bit. Orr was tough and I legit cried out of anger and frustration when I was alone, but that was the only unpleasant moment in entire year, and only because I wasn’t good at the game yet.

In the meantime, I was leveling my first alt, human engi. Do you actually remember that f2p accounts only allow 2 chars? Later, after buying HoT, I finally got loose.

They say, you always remember the place where you finished your first world map. For me, and oddly enough, for Rika, it was Field of Ruins. We reached the last POI at the same time, and, boy, did it feel great. My first big accomplishment. It dropped like.. Like a norn fart in a moot (c) Jory \o/ I still use the title btw, “been there, done that”. \o/

Then, there was a relatively dull period before buying HoT. I focused on doing my personal story, maxing out my alt and getting into crafting. The latter quickly became addictive to me. It’s so smooth, fun and exciting in GW2. Artificer was my first discipline, and after getting the hang of it, I breezed through 100-500 in a single day’s course.

That’s what the progression of my first 4-5 months looked like! I still was f2p, did only open world content and had one person to play with. I’m my own boss so it’s up to me to decide if I want to spend 30 minutes or 8 hours ingame.

HoT was a blessing in every aspect possible! I never regretted buying it, never regretted taking my time and not buying it earlier though - I needed that f2p scrub time to learn the basics, and to appreciate all the convenience and QoL improvements that come with HoT.

That’s where the real game starts, if I could say that. Core Tyria is by all means amazing, but you can go only this far if your account has those market and mail restrictions.. I used to enjoy playing market in Wakfu (while it was still alive) and I was excited to try it in GW2. When I bought the expansion and got my account fully functional, I got some skins and dyes ahead of all, then proceeded with crafting since I was really addicted to it and excited to max all the disciplines as my medium priority goal.

GW2 is encouraging altoholism! So I found myself leveling a third character (tried revenant and didn’t notice how I got her to level 20-ish and it was too late to delete), then fourth, fifth, then more char slots.. You see my weakness. I quickly realized the perks of having alts: storage, gathering, alternative personal stories, so on. When you’re an altoholic, plus you have yet to finish gearing up your main, plus you can barely hold yourself from leveling another crafting discipline.. RIP GOLD. I never had more than 30-100g at that time period.

Since market and wealth are one of my biggest passions ingame, I learned ways to earn me some coins, one by one. It’s not that hard if you’re a patient gatherer like me. Just run around, chop trees, collect ore and herbs.. I enjoy it so much, maybe it’s grind for someone, but I find it relaxing. Also it brings you gold. \o/ I found a few niche crafts that I could keep making and selling, then got familiar with market flipping, still not doing it like “big daddies” do, I might be too inefficient and lazy at it. But still, I found my own stable sources of income. Not gonna lie, the game just seems to like me and spoils occasionally. I don’t wanna brag, but there was like 4 precursor drops for me, 2 from mystic toilet, 2 practically dropped from the sky. I might be a little luckier than the average player. But that’s well deserved given how much suffering I had in Wakfu. :’D

When we talk about luck, we can’t avoid mentioning gambling. I learned about mystic toilet quite early, but never was a slave to it. Tarrktun has a bit more power over me, but I’ve never lost too much, only gained little by little. Black Lion Keys are the most evil gambling aspect if you ask me, I’ve spent quite a bit of money on those, though sometimes got nice things in exchange. Either gold to gems or gems for real money, I don’t mind spending it on Anet since they very, very well deserve it.

Given my passion, patience and luck, you must think I should be filthy rich by now.. Hah. :’DD Sadly, I’m just as good at spending as I’m at earning! I blew a lot of money on my own “needs” and “wants” and “why not”s, I keep investing into long term sales, I also often buy gifts for my buddies, mostly Rika. Money comes, money goes. GW2efficiency says my account is worth 14k gold currently. Not a bad progress for a year, I suppose.

So.. My biggest interests and playstyle are gold wars, fashion wars, altoholism.. I became quite a lore geek, completed PS, LS2, available LS3 episodes & most of current events, most of HoT? I should finish it but I procrastinate for some reason.

My current achievement number is 7610, mastery rank is 129 iirc. I’m not a casual derp anymore, but still too afraid to fail in front of strangers so I don’t really do dungeons or fractals. I mean I DO, when my bff literally holds my hand and goes there with me, then 3 strangers vs two of us is tad bit less scary. My combat skill, my reflexes and reactions are rather pathetic, even if I got significantly better after HoT and LS3 maps. I must train more, so recently I made a tanky character to practice, I hope to get good enough to clear story mode dungeons and low level fractals alone. Maybe I’m being too hard at myself, but combat skill has practically the biggest influence in this game, so I must git gud, at least acceptable, so I don’t feel ashamed to play with other people and don’t let them down. :’D

I’m a pve trash. Tried WvW and don’t mind coming here again, but not too much. PvP is a big no-no. Just.. Not my thing. Never. Not with my current skill and mindset (people = stress).

I’ve still got a mind-boggling amount of things to do. Personal goals, mere achievements, secrets and mysteries I’m yet to uncover, lore things to read. Maybe I’ll play GW1 one day, if there’s ever a discount sale. \;w;/ I’m super curious about every tiny bit of lore, also want some skins that are exclusive to GW1. That pleasant, sweet feeling that there’s so much interesting things ahead. I will take my time and never grind anything to frustration, for example, I’ve been working on my first leg, Sunrise, on and off and I’ll wait several months more, until I get all the clovers from the monthly chest. I don’t sweat it and just enjoy the game however I see it. Feelsgoodman.

I hope I managed to answer that person’s question, how did I get where I’m currently? Just took my time, learned my own pace and enjoyed every minute I spent online. Love the game, and it will love you back. \o/

#blast from the past #whew that was quite a novel hahahaha #gw2 #guild wars 2

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hermanwatts · 4 years

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Sensor Sweep

Gaming (Goodman Games): To the casual RPG fan, D&D is steeped in Tolkien lore. The original game (1974) contained direct references to ents, balrogs, orcs, and of course hobbits. Due to the popularity of the game, this eventually resulted in a cease-and-desist letter to TSR. Later editions featured hobbits renamed as halflings (a more generic term, used by Tolkien himself), the balrog renamed balor, and treants replacing the ents. It seems clear that the original ranger character class was based on the character Aragorn as well. For more information and an in-depth discussion on these proceedings, the reader is directed to Jon Peterson’s Playing at the World, which goes into lengthy details of such.

Fantasy (Matthew J. Constantine): The final Prydain book doesn’t feature Taran or his companions. Instead it’s a collection of six short stories about Prydain that flesh out some of the concepts and history of Lloyd Alexander’s world. “The Foundling” expands on what the tree Witches told Taren about “Little Dallben.” With “The True Enchanter,” we get a vision of Eilonwy’s mother (I believe…perhaps an ancestor…I’ll admit that I get easily confused by lineages…don’t even get me started on Tolkein). The story I enjoyed the most was “The Sword,” which dives into some ancient Prydain history. The other stories are various myths and morality tales.

Foundations of Fantasy (DMR Books): While Kipling’s influence doesn’t quite match the sweeping strength of H. Rider Haggard’s, Rudyard had his admirers amongst the First Dynasty of S&S scribes, as well as many more among the authors who followed in their footsteps. A century ago, in the years just before the publication of Robert E. Howard’s “The Shadow Kingdom”, Rudyard Kipling—even moreso than his friend, H. Rider Haggard—was ubiquitous and read around the globe by both children and adults. He had won the Nobel Prize for Literature in 1907 and his poem, “If”, was known and loved in all the lands of the Anglosphere. Edgar Rice Burroughs profoundly admired his work and H.P. Lovecraft considered Kipling a “first-rate “ author.

Magazines (Pulp Net): With a new, lower price, but the same number of pages, Bold Venture Press has put out a new issue of Pulp Adventures, #33 for Fall 2019. Under a very nice cover by Harry Rosenbaum (not sure the source), we get a wide range of stories both new and classic pulp.For classic pulp fiction, we get several pieces by a variety of authors. Another crime tale from Charles Boeckman, the late jazz musician/pulp author is “Death Speaks Softly” from New Detective in 1950. A meek bank teller leaves his job for a new life, but gets pulled into crime.

Publishing (Jon Mollison): I’m actually curious about the sudden shift. For years thee Wendigs and Scalzis of the internet have been enamored of the leftwing control over the big social media spaces. The rallying cry of “make your own space” has echoed from the right since at least the 2016 election. They know something is up, and they know their current favored son status is at risk, so they are once again following the smarter and faster thinking dissidents. You can expect them to leap in front of this parade with claims of starting the retreat soon enough. That’s easy enough to see. What’s harder is figuring out WHY they are shifting their strategy to follow that of we independent hordes.

Gaming (Scifi Movie Page): Wizards of the Coast and Tuque Games are proud to announce DARK ALLIANCE, a third-person action RPG, will launch worldwide on PC and consoles in Fall 2020. DARK ALLIANCE is an exciting, action-driven, hack-and-slash adventure filled with iconic monsters, legendary characters, and epic loot. In an all-new trailer that debuted during last night’s Game Awards, Jeff Hattem, Founder of Tuque Games introduced millions of players to the game’s unique take on Drizzt Do’Urden and his legendary companions.

Asimov (Public Books): Isaac Asimov loved large numbers. He was born a century ago this month, and when he died, in 1992, he was both the most famous science fiction writer in the world and perhaps the most prolific author in American history. Asimov groped or engaged in other forms of unwanted touching with countless women, often at conventions, but also privately and in the workplace. Within the science fiction community, this is common knowledge, and whenever I bring it up in a room of older fans, the response is usually a series of nods.

Fiction (Dark Worlds Quarterly): To Science Fiction fans, the name Leigh Brackett is heard with the sound of the blaster or the hum of an energy sword in the background. She wrote the first version of The Empire Strikes Back and many classic space opera stories. (For those go here.) But commercially speaking, the Mystery genre was much more rewarding for Leigh. It got her into the movies.

Writing (Pulprev): In the name of realism, many artists today chase the darkness. Every vice is elevated, every taboo broken, every blasphemy committed. Nothing is sacred, everything is false. There are no heroes, only degrees of evil. No saviors, only monsters wearing the masks of men. No virtue, only the will to power. The intelligentsia claim this is ‘dark’, ‘gritty’, ‘realistic’. It is the defining aesthetic of our times, a relentless march towards deeper depths of degradation and desecration.

Fiction (Davy Crockett’s Almanac): This is my first encounter with the REAL Saint. I saw Roger Moore pretending to be him on TV when I was a kid, and over the last couple of years I’ve seen him in Golden Age comics on Comicbookplus.com. But I wasn’t intrigued enough to seek out the real deal until a couple of months ago, when I saw the first of the movies, The Saint in New York (1938), recently on TCM. Louis Hayward – a guy I don’t recall seeing in anything else – portrayed a character I wanted to see more of. He was tough, fearless, devil-may-care, and every bit as suave as James Bond, but with a quirky sense of humor that made Roger Moore seem bland.

Pulp Fiction (Pulp Fiction Reviews): We really appreciate little introductory books like this one written by award winning journalist and editor Jonathan W. Sweet. It offers a very clear-cut explanation of what pulp fiction is and its history in American Literature. Divided into definitive sections, the author introduces new readers to the most famous of the Golden Age pulp writers.

Fiction (DMR Books): Since I had omitted mentioning Leiber in my “Forefathers” post on Haggard for the very reason that I couldn’t find any Haggard-Leiber connection online, I quickly asked what Brian’s source was for this info. He replied that it could be found in Leiber’s “Fafhrd and Me” essay, which, in Murphy’s case, he read in the de Camp-edited Amra anthology, The Spell of Conan.

Amazons (John C. Wright): So I am given to understand that Andrew Klavan, pundit and author, publicly said that women could not pick up a sword and rush off into the thick of combat facing doughty warriors of the masculine persuasion, similarly armed, in a medieval setting, and hope to survive. Apparently, this cause a fury and a twitterstorm and a blithering argument of those who disagree.

Fiction (Wasteland & Sky): Recently I’ve been going back and reading men’s adventure from past decades. I discovered some gems, including the amazing Big Red’s Daughter by the unfortunately forgotten John McPartland, but most of this material is out of print or difficult to find. Not to mention that after the 1980s, the genre just sort of stops. It is as if the entire adventure genre simply got up and walked out the door in the ’90s.

Sensor Sweep published first on https://sixchexus.weebly.com/

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smokeybrand · 6 years

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Level Up

I’m a massive fan of RPGs. I usually don’t play games just to “have fun” but to be entertained and to be entertained, i need some sort of pathos and resolution to feel fulfilled. Except for Basketball games. Ball is life but i digress. I didn’t always play RPGs. I actually got into them rather late in life. Up until i was in the 10th grade, i passed on them hard. I mean, i knew what they were, mostly because i admired the art and creativity, but i always assumed they were boring. Back then, when you said RPG, you thought of tabletop DnD games. I had played DnD as a younger youth and it was corny so i hard passed on the entire genre. That was a mistake

When i was, like 15 or 16, my brother bought home Final Fantasy IX from a friend and i figured, “What the hell? I’ll give it a shot. Change of pace from the fighters and sports games or whatever.” Yo, i have a goddamn revelation. FF9 was my first real RPG and my first real Final Fantasy game. And it was GOOD. So f*cking good! Zidane’s odyssey changed my entire perspective of narrative in games. I was legit shook that something so campy, could be so profound and emotional. I needed more. Within a year of playing FF9, i had played the entire line up until X. XI was online and it would be a few year before i got into that one but the rest were f*cking phenomenal. Sure, the quality of the gameplay varies wild between titles but the narratives never really disappointed, they were never not uninspired. The characters, the world, the circumstances and interactions; they were always so rich. This is what i needed in my games. This is what i wanted to experience. This is exactly what i had been missing for years! But it was Final Fantasy VII that made the most impact. VII became one of my All Time favorites. It is exactly what an FF game should strive to be. Also Sephiroth. F*cking Sephiroth, man... Because of FF, i went out and bought Kingdom Hearts, day one. Like, my brothers and i saw a commercial and i instantly got in a car, drove to my local Gamestop, and dropped 60 on the game. I’d never done that for anything in my life but FF left that great of an impression on me.

One of the things that my lady and i have in common is our love for these games. She was light-years ahead of me in that regard so when we hooked up, i had a legit library to work my way through. Man, i played some real gems like Breath of Fire V, Dragon Warrior VII, Disgaea 2, Ar Tonelico, the Hack series, particularly G.U.,and Wild Arms 3. I first played Chrono Cross when we first started dating and Legend of Dragoon not long after that. One of the first things i bought her as a gift was Digital Devil Saga and, similar to the firs time i played an FF game, i had an emotionally experience. DDS was the my first experience with a MegaTen title and i LOVED it! That sh*t was unique, and wacky, and grim, and ended on one of the lowest notes in gaming. And if you know me, you know i’m about my tragedy, man. This sh*t was right up my alley and i began to work my way through them sh*ts. Eventually, i got to the Persona series and my first title in that line was Persona 3. My god, the tragedy in that one is profound. Just like my discovery of FF VII, P3 became one of my all-time favorite games. And then Persona 5 happened and i had to do a comparison to figure out which i loved more. It was P3 but P5 is the closest of seconds. Also Shin Megami Tensei III: Nocturne but that’s not a Persona game. You should still play it. It’s f*cking amazing.

I would be remiss not to mention my adoration for the Tactics end of this spectrum. Tactics games are just that; tactics titles. It’s like playing a games of chess with pretty graphics and real consequences. The field is set up like a board, characters and attacks can move in a set pattern, and usually there is a job system you can evolve to get better options. They’re f*cking incredible and almost always has Super deformed art in gameplay. It’s adorable because these titles almost always deal with war and loss but they’re little adorable sprites wouldn’t never lead you to believe it. I touched on that a little bit with my mention of Disgaea but there were two, solid titles, that changed me entire perspective on these types of games. The first was Final Fantasy Tactics. Anther FF title, right? f*ck yeah, these things are great, man, and Tactics is one of the best! The War of lions needs to be experienced by anyone who calls themselves an RPG fan. It’s f*cking ridiculously deep and that narrative would put actual, golden age, European history to shames.

The second title? Fire Emblem: Awakening. Holy sh*t! This is another one my brother put me on. He got one of them on the old GBA ad sore by it. I never got an opportunity to play but i did pick up a 3DS on the suggestion of my lady because of Tharja. Yes, i bought a game because of a female character that my chick suggested i’d like, because Tharja reminded her of herself. My lady is a little bit conceited and she was a alot-a-bit right because Tharja definitely reminded me of her. I adored our in-game interactions because they felt like interactions i’ve had in my real life relationship. It was ridiculous but it got me into the series and i am thankful for that. The thing that sets FE apart, though, is Permadeath. You lose a guy in battle, you lose a guy for real so you have to be on your sh*t. You have to be a great general or all of these characters you love will die. Forever. It’s super real out here in this War against Grima. Play More Fire Emblem. You’ll thank me later!

Play more JRPGs, man, they’re f*cking spectacular. American RPGs like Dragoon Age or DIablo or Jade Empire are okay, so are the Euro RPGs like The WItcher. Oh, god, The Witcher! Just, play more Witcher. Those are all great games but they are so different than what got me in to the genre as a whole. I mean, i think they’re fun but the narratives are almost never as good and they are heavy on the fantasy/medieval world aspect. I’m not a huge fan of that aesthetic so it takes a something really special for me to actually engage and that usually doesn’t happen with the ARPGs. American sensibility focuses too much on the builds and technical aspect of games, rather than character development or narrative. They all try to emulate that tabletop experience which i never really got into. Often times, to eschew even that, ARPGs skin their games with another, more popular genre completely. Mass Effect is a great example of this. ME is an RPG. It hits all of the hallmarks; rich world, endearing characters, sprawling narrative, magic (or Biotics because science) enhanced combat, a leveling system, and an absolutely dope protagonist. But ME is a goddamn shooter. It’s a cover shooter like Halo or COD, set in future-space times. Mass Effect is f*cking amazing (The first three. Andromeda was disappointment) RPG but Bioware made it a shooter because ‘Murrica! I mean, i’m not mad, the narrative and Tali, was more than enough for me to distract, but, bro, really? Still, Mass Effect gives me hope for Cyberpunk, an RPG with a shooter skin, made by the guys who made The Witcher series. F*cking full circle, bro!

RPGs are f*cking amazing. They effectively blend narrative and development with fun gameplay and strategy. That sh*t is rare in the game world. Hell, even my beloved fighters and sports titles are doing it. NBA 2K releases a story mode in all of their titles now tht emulates the superficial RPG experience. You have an antagonist or rival to defeat, a leveling system that has been corrupted by microtransactions, and a n actual narrative you follow. In a basketball sim. Hell, Mortal Kombat and Injustice have some of the richest lore in gaming now! It’s insane how far these titles have come. Their influence has been profound on gaming as a whole and i love how bright the future is for these things.

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