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#i love when i make myself sad making up things about existing characters
potassium-pilot · 9 months
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FFXIVWrite Day 4: Off The Hook
It was a warm and sunny summer day in the Eastern Highlands. A young Elezen boy with silver hair pulled back into a ponytail sat on a boulder by a creek in a forest with a fishing rod in hand. He couldn't remember how long he sat there for, but he could at least tell the sun shifted in its position. Where it was sunny before, now there was shade, making it more difficult for him to spot fish. He considered moving position, but why should he? He finished his chores for the day, did he not? What's the rush?
"ESTINIEN?!"
The boy turned his head at the loud screech of his name, recognizing who screeched it immediately. Along scurried his little brother of just under seven summers, sporting the same silver hair and gray tunic as him- his hair was just shorter and his tunic was just smaller.
Estinien raised a finger to his lips and made a loud, "SHHHHHH!" before harshly whispering, "Shut up! You'll scare off the fish!"
"Oh." Hamignant shuffled his feet. "Sorry", he whispered back.
"What do you want?"
"Mama said I should find you."
"What for?"
"She told me that I need to do something with you."
"What? Why?"
"She said I need fresh air."
Estinien sighed agitatedly. "Well, don't scream any more."
"Fine." Hamignant used his tinier hands and feet to climb the boulder and sit next to his big brother. The younger brother stared into the water. "Isn't it harder to see fish here?"
"I mean...a little, but that's why I need to concentrate."
"What's that mean? Con-sa-tray?"
"No, it's con-cen-trate. It means I need to pay attention, and I can't do that if you keep talking."
"Oh." Hamignant stayed quiet and watched his big brother as he focused solely on his fishing exploits. It took all of fifteen seconds for the younger sibling to ask, "How many fish are there?"
"Wh-- how should I know that?"
"You're big brother. You know everything."
"Well, I don't know that, Hamignant." Hamignant went back to watching the water. "Can we do something else?"
"You're the one who came to me, and I'm fishing. If you want to do something else, go do it somewhere else."
"You're mean", Hamignant curled his knees to his chest and hugged them while pouting. Estinien went right back to the water, ignoring his brother's futile efforts at garnering sympathy. For a few minutes, he was quiet, much to Estinien's relief, but just as he started falling into complacency, Hamignant decided now was the time to become a songwriter. Softly, he sang, "Fish, Dish, Wish, Smish, Pish, Kish, Lish" much like a song for the Eorzean alphabet they learned at one point.
Estinien started growling to himself, ready to cast aside fishing to scare off Hamignant. Thankfully, a pull against his line made him stop his preparations. With one tug, Estinien gasped.
"What?" Hamignant stopped singing to ask.
"Shh", Estinien shushed as he kept his eye. There was one more pull at his line, but nothing sank yet. "What's going on, Estinien?" Just as he asked that question, his hook sank. Estinien excitedly reeled in his first catch of the day. "Finally!"
"Whoa! You caught one, Estinien! You caught one!" The boy pulled his triumph towards him and unhooked it. "Wow, it's small!" Hamignant pointed out.
"Yeah, it is", Estinien agreed nonchalantly. "It's just a guppy. I'm not looking to catch fish to eat" With that, Estinien threw it back into the waters. "Well, now what?"
"I'm not sure. Wanna skip rocks at the lake?" Estinien suggested.
"Sure!"
Estinien and Hamignant climbed off the rock together and made their way south, following the direction of the water flow in the creek. "What happens when we leave this spot, Estinien?"
"It stays there. It'll be there tomorrow."
"Can we come back and see it again?"
"Sure. After I finish chores tomorrow, I'm coming right back."
"What if you have to watch the sheep again tomorrow?"
"Even better. I'll come back the day after."
Hamignant looked around the forest. "Could you catch squid here?"
"Squid? I've never seen a squid here. I think they're in the ocean, aren't they?"
"Ooh, ooh, ooh! I heard that it's got a bunch of slimy legs and people eat them!"
"No they don't! Stop being gross!"
Hamignant laughed and argued, "Yes they do! I heard it from Rosimperic who heard it from a fisherman from Gridania!"
"Rosimperic's messing with you!"
After that, the youngest picked up his pace into a sprint. "Race you to the lake!" Estinien put on a smirk and accepted the challenge, entering into his own sprint and chasing after Hamignant, the two boys running to enjoy a summer afternoon.
------
It was a summer afternoon, not that anyone could tell by looks alone. Never mind what eternal winter did, and never mind what Nidhogg did. Eastern Coerthas formed into a land beyond recognition thanks to Dalamud landing. Even with the destruction that ravaged this land, perhaps even in spite of it, a boulder yet stood. It had cracks, it had plenty chipped off of it, but that boulder would not bow to anything, no matter how apocalyptic.
Ice and sleet cracked under the footsteps of the former Azure Dragoon as he stepped towards this boulder. Upon reaching it, he laid down his lance against the rock and sat down on it. Fury, he remembered this boulder being much bigger.
Even if Bahamut hadn't come, Nidhogg razed this land and left the creek that once flowed through here untenable for any life. He could never fish here again. Still, he stared down at what was once a frequently visited fishing spot, thinking about the guppies he would catch and release, thinking about teaching Hamignant how to fish here when he grew too old for this stream, thinking about how Hamignant ran towards him to join him, thinking about how he and Hamignant would hold their childish contests and play their games.
Thinking about Hamignant.
Thinking about how Hamignant deserved to be here with him.
Thinking of how he could have taken Hamignant with him on his new journey.
Thinking of how Alphinaud wept at his bedside, and how for a singular moment, he could have sworn they were the sobs of Hamignant.
The specters of childhood yet remained even in this blighted land, but who was he to judge? It was as ravaged by Nidhogg's rancor as he was.
He gripped against the rock, moving his fingers about to find it. The mark that made this his rock. Soon, he felt it. Engraved along the side of it, he felt their initials along his fingertips. The calamity couldn't strip this boulder of his effect. Nidhogg couldn't strip it. This was their rock.
"You like that, Hamignant? We did that", Estinien spoke aloud.
Perhaps there was something in the wind, but he felt just the slightest bit chillier. "Don't worry. I've no intention of sticking around here. I simply wish to see it one more time." And so he did. As he looked, his index finger circled around Hamignant's initials.
There was a tightness in Estinien's chest. "You were made an object of my vengeance. You, mother, father...you deserved better. Your memories should not have been sullied so. Please, forgive me."
He stared into the endless winter, unforgiving and unrelenting. "This is a rock. I'm talking to a rock." He sniffled slightly. "...I think I needed to talk to a rock."
Against the white blanket of snow, there was yet a piece of green that stood in defiance. As he focused on it, he recognized it as a baby pine. Even in the fecund soils of Eastern Coerthas, perhaps even in spite of them, it dared to grow anew. "Heh." Estinien stood up and knelt before the sprout. "Well...if you're intent on growing, then so am I." He grabbed hold of his lance and replaced it on his back, then he turned away from the boulder, and began his journey anew.
"This will still be here tomorrow, after all."
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understandableparadox · 2 months
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a comprehensive list of everything wrong with hazbin hotel.
quick note before i lose myself in madness, my standards for helluvaboss are non existent because its a free show on youtube. also i kinda like helluvaboss and i will indulge in any bias i damn well please.
oh and spoilers. i guess.
the greater narrative of the entire season is "White lady civilize inner city hoodlum". ex: The blind side. rich girl, affluent family yadda yadda.
the story is set up to be like amphibia, owl house, svtfoe, steven universe, that being starting as something episodic then transforming into story driven narrative. why? because we know the benefits and drawbacks, episodic starts allows us to wander the world, it allows us to understand the dynamics, we are not forced to reckon with anything because there is no deadline. characters are allowed to bloom and shine and the audience can actually get attached.
the source material is Vary Clearly formed from remnants of something out of a middle school edgelord narrative. the usage of transformation, the big spooky grins, the "and then i smile as my eyes glow and-"-isms which in most cases i don't mind because in some instances but in a vary Particular case its astoundingly annoying and that annoyance is like a mold, shit spreads quick.
the color Red. as a lover of homestuck cherubs and karkat and aradia, as someone who fucking loves the color red, it is so painful to say but holy shit tone it the fuck down, i know its hell but their are so many other colors that you can use, its everywhere, the streets, the air, the windows, the screens, the characters, i know the pride ring is represented with red but change up the palates every so often for backgrounds
the rush, this ties into the second point made but i think the story itself is rushed. we know everything way to early. i know way to much and it makes it hard to care about anything because im still trying to digest the last chunk of info. "oh ok, so they clear out hell once a year. oh hell has a heaven embassy? ok. oh that adam the angel, i though he wou- oh its every 6 months now. wait the exterminators die a lot? then why is everyone sca- people in hell already have weapons that can kill angels? w- oh we are in heaven now, ok ma- no one in heaven except for the elites know the exterminations occur? how do-" and its that, just this incessant rush to explain everything to you. notably that's just the god damn spark notes, we need to know everything about the characters now, every single bit of their story, their insecurities, what charlie needs to fix, how she can fix them, the major bad guys, everything. you are never allowed to dwell on a character because we need to rush towards something else. it almost feels like this should have been like... season three, it would have been a fantastic season three if you dropped the introductions honestly.
the concept of redemption. for a story of redemption to work you need to look at three things. What is there crime, Do they want to change, What is preventing them from changeing? there is only one single character that has a notable path of redemption, angel dust, but if you look through their story it feels off. What Exactly is he guilty of? he has sex, does drugs and drinks. his apparent nymphomania is tied to his sad backstory as someone forced into the sex industry so how is that their fault? then if you think about it you start to spiral and notice "hey why are most of these people in hell?" like sure some of them may deserve punishment but then you see the fucking dichotomy and its like "I was a inventor in england and died of the fucking plague, i may have made evil little contraption hoohoohoo" vs "I was a cannibal, a full on cannibal, i fucking killed people and ate them and then someone shot me". ONE OF THESE THINGS ARE A LITTLE MORE FUCKING EXTREME. i'm going to go fucking nuts, the thing they went to heaven with when presenting a case to angels on the idea that redemption and becoming a better person is actually real was angel dust not drinking at a party and not having sex with consenting adults and i want to go fucking insane. WHAT IS THE CRIME, WHO IS THROWING THE BOOK, WHAT DOES THE BOOK INTEL, ARE WE ON GOOD PLACE RULES?! half the cast dont Need redemption they need fucking help, and the other half of the cast do need redemption but they do not seek it making the point moot. sir pentious acts like he has the brain of a hyper intelligent toddler tossing about toys, its almost like he did his one bad thing of spying and then got caught, sank his little diddy about forgiveness and second chances and become a null point through out the rest of the series, sure their was Some weight to him sacrificing himself, he was a decently funny character and he had good moments but him popping up in heaven felt like a fore gone conclusion, he didn't deserve to be in hell so why do i care that he is suddenly in heaven? because its working on the concept the good place already made. no one actually deserves eternal punishment they just need help processing what makes them a dick, but instead of looking at all the parts of the afterlife that make it bad, inefficient and then creating and trying ideas to see if it work instead over a few seasons, we crash dick first into all the major plot points in regards to that and say "tada, we fixed it.".
having a sub-plot about sexual assault and its victims then having multiple sexual assault related gag ruins your point.
don't make a bunch of stereotypically jewish characters into cannibals, that was a big thing, really shouldn't have to say it.
if you are going to make a character black, make them black, you can say alastor was black but sweet seren-fucking-dippity that's not a black man.
pot meet kettle but yeah the cursing could be a little less liberal. maybe just blue hair or the pronouns, not both.
there is a very distinctive art deco/jazz aesthetic which normally i love but i feel as though it is not used to its full extent and in some cases really hurts the character design in and of itself.
this is a vary obvious bit but the story is a million times more interested in gay men then it is of lesbians, which culminates in this insane thing where the writers clearly have more talent or perhaps it would be more abt to say practice writing male gay pining then they are with lesbian pining. which i personally think is hilarious because i did not know you could min max fujoshi-ism that hard.
this next section is more to do with each character on a fundamental level, for the sake of brevity whatever there is left, i'm just doing ones with speaking roles.
13. Charlie:
(see what i mean about that red thing?)
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as originally stated charlie fits rather comfortably into every white saviour narrative, though that seems to be part of her joke. though i'm not entirely sure how much of a joke it can be when its rewarded and expected to advance the plot.
her character design says nothing, it has the motif of old puppets or dolls, she wears something vaguely similar to service suits, her demonic form is just some extra horns.not to say every character needs to have their life on a clothes rack but some more snake and goat imagery would be nice
its not the chol design of charlie with snake hair, not an actual problem but its a problem to me, damn you @cholvoq for ruining my ability to look at any of the characters without wishing i was seeing your designs instead.
character wise aside from the white savoir bit, i'm having a bit of trouble understanding what the arc of the character is. she is shown to be naive, someone who doesn't understand how the world works but everytime she says something its something astoundingly clear like "people can actually get better". and its treated like someone demanded faygo in every water fountain. is the joke that the world around her to cynical or is so to naive? please pick one or the other.
now if you know me, you know i fucking hate overpowered characters with a blinding passion, one that would set alit the god damn abyss but in this one special instance, i feel like its warranted, she's the direct descendant of fucking God, she can swing her weight around a little, i mean god damn. she in so many instances looks like shes cowering so often, why would the daughter of lucifer get backed down by some rando pimp? why wasn't she the one to fight adam? sure you can say she is young but how young? her parents were there since pre-abrahamic times, most of the characters showed up in hell in the 1900s, some of them showed up in the 1600s, how old is charlie??? how long does it take for her to learn how to be strong? The story does not suffer if charlie is strong and knows she is strong. it can easily be a case of "i don't believe in violence to a weird degree". fit it into her apparent naivety about the world to believe that violence is never the answer even when dealing with a being that is unilaterally horrible and abusive and monstrous.
she ga- no im kidding, i do think her romance was waysided a bit, it would have been fine to have more scenes of them togather and in love you know?
14. Vaggie
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why did you name the lesbian vaggie...? Don't do that maybe?
I like how her design is almost moth like but again i feel as though you could have amped that up.
she feels as though someone tried to combine undyne and pearl from steven universe, same story beats and design elements. it makes it hard to really distinguish her as a character.
i honestly dont have much to say about her. she is fine.
christ kill me, lets just get the big one out of the way
15. Alastor.
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God Damn
where to start.
"alastor is mixed race" mixed with fucking what? concrete? there is not a single black feature on that creature, now im not saying you have to make him a png of louie armstrong but it wouldn't hurt to add a curl to the hair maybe? make it a tiny bit more wavy? Something? a crumb i beg of thee?
his symbolism is all over the god damn place, native american monsters (you know the one), voodoo, radio, puppets, stitches, circuses??? and Tentacles i guess. two of those are from closed religions so if you dumped those you would actually get a more concise character focused on the concept of vox populi as a means of societal control and influence as we see in his first song. but again that gets drowned out repeatedly by all the other random toy box bits shoved into him.
tumblr sexy man bait
he serves no purpose in the story. he does spooky stuff, pretends to do things and then goes back to sitting around looking spooky. i understand that his motif is supposed to be aloof mastermind but maybe have him do more mastermindy things? if you remove most of alastors scenes, bar the songs, it doesn't change all to much. husk and nifity can still be at the hotel, they could be looking for outs in their contracts the same as angel dust. hell it even helps with the one scene where he dose some spooky shit, asking charlie for a favor in exchange for his help in the fight with the angels instead of asking him about angel weapons which should have remained a strictly vaggie scene.
his presence in a way delegitimize the story, as I noted in in the section regarding redemption, the three parts are "what is the crime, do they want to change, what is stopping them?" and alastor kinda just spits in the face of that. he is a serial killer cannibal that has no qualms about how evil he is and apparently must continue being evil due to being under the control under someone legitimately called the Root Of All Evil. show him take a slight interest in the idea that maybe shit for him could be better, make him Want Change at the bare fucking minimum or dont have him at the hotel.
his stupid little fucking horns, big shot the troll liker wants characters to have big fucking horns, make them noticeable or dont have them.
he looks more like a dog boy, which could have been an interesting thing with the collar motif but fuck me i guess.
personal pet peeve but i fucking hate characters that have a million plus powers, stick to a set number, be creative.
im getting more petty as i go on so last point: he could have been in less episodes, he didn't need to be in dad beat dad, that should have been just a lucifer and charlie episode. inverse the red and black and i think he would be fucking great color wise, his body type is the same as ten different characters, he isnt radio enough, aside from the voice and and staff if you told me he was the fucking Cat Demon i would have been just as convinced.
16. Angel Dust
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what the fuck, gay spider? its hard to actully articulate all the thoughts i have on angel dust, not in the sense that he is a deeply thought provoking character but in the fact that there is not much meat on the bones.
all around i think angel dust is kinda middling. he has a decent enough romance with husk, he has a decent enough story line that revolves around battling addiction and removing yourself from an abuser (which the story tries to brand as "Redemption???")
I dont like that most of his jokes would qualify as sexual harassment, i don't mind him being sexual as a character but continuing on when clearly someone doesn't like the jokes hurts the character.
not a critique but he is pink, which honestly ill fucking take at point, as long as its not more fucking red.
i think his design is an improvement over some of the old vivzie designs but it feels like it could have done with going a few more rounds of design changes.
same thing with alastor, charlie and vaggie, there is not enough of the animal that they are supposed to be. You could have told me angel dust was a fucking bee or something and i would have had to believe you. nothing about angel dust initially says spider, hell he dosent even have enough limps to be a fucking spider.
17. Carmilla carmine
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are... are you supposed to be a rabbit...?
Big Yoai Hands
ballet fighting style, could have been cool, wish she fought more like sanji or chun li.
A single mom that works to hard, who loves her kids and never stops-
her song was decent, not great, decent. it feels as though the actress has experience singing but not in the way they tried to make her sing during her two songs. they have a obvious mexican influence, honestly just let her sing in spanish in the english dub. go listen to the spanish dub, "out for love" sounds great in spanish.
i wish i had more thoughts on them, fucking rip.
18. cherri bomb
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that's not a punk aesthetic that's 2010s alt
decent character, they showed up once or twice i guess, no real thoughts.
19. egg boiz
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absolutely perfect, i have not notes on them, these are perfect creatures.
20. Emily
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im so fucking happy to see a singular blue character
does the naive dreamer bit better then charlie
We really shouldnt have seen her until the end of season two or middle of three.
good contrast with the other angels on screen.
Wait she is supposed to be black??? Where???
21. Husk
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keith david you absolute delight, Why on gods green earth did they only give you one singing part?
one of the few charecters where its clear husk is a cat, i do like the kinda... marquee design, he is a magic cat, thats neat. i still think you can toss the wings and eyebrows and still have just as good of a charecter.
has a deeply intresting story of someone who died as a nobody, became the fat cat of hell and then was forced back to the bottom by their own vices, not used at fucking all.
huge potential, little pay off.
22. lillith
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I know nothing about her except she ditched her kid and husband to vacation in heaven and i think thats kinda funny.
alot of werid things floating around her, again she shouldnt have been shown in the show at all until next season.
23. lucifer morningstar
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no notes, funniest charecter, did a song based on friend like me.
few notes: i do like the idea that the immortal symbol of pride is a constant emotional wreckage constantly seeking approval through grand showmanship and manic energy that threatens to take over anything they touch.
would have liked more snake stuff on him, maybe some more goat things like horns.
that is such a stupid fucking staff lmao.
24. Adam.
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alex brightman you absolute fucking delight, you should have had more songs.
I wish his design was more focused on the idea of him being a glam rock wash up
I fucking hate his mask
We shouldn't have met him until the end of the season.
25. Niffty
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again she is supposed to be a bug or cockroach but nothing about her points to that.
token straight
keeps rocketing back and fourth between sexulization and infantilization
you had kimiko glenn but didnt give her a single fucking song?
26. Sir Pentious
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the secret season one redeemed.
the pilot version of him felt more like someone that could do a season one redemption arc, a megalomaniac constantly attempting territory grabs, there is something you can work with, actual character flaws to work through.
essentially a child after the first episode.
actually a snake which i appreciate.
no where near steampunky enough.
27. the villians of the show dont make much sense, each one feels like they should be season long deals on their own instead of a bunch of team rocket esque idiots that show up on occasion, do a bad thing and then leave.
28. Valentino
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gOD THERE IS SO MUCH RED
only a moth some of the time.
sucks as a villain, maybe they need more screen time to show why they suck in a more substantial way aside from being told that he sucks.
it is interesting that angel dust is only under his magical control when in the studio, it shows that angel dust has to make a conscious choice to return, which in turn can be made to show how abusers can draw back their victims. I do not think it was done well in this circumstance as it shows him to be cartoonishly evil, constantly flying back and fourth between sweet and utter psycho, there is no actual reason for angel dust to ever actually go back to the studio, he just does so every so often.
29. Vox
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legit who cares? the only thing about him that is in any way substantial is all the dope ass fan art we get.
propaganda machine angle that is not explored at all, just hinted at. no actual barring on the story whatsoever.
why didn't he try to do the same shit as alastor by the way? he knows its bad if alastor gets in good with charlie so shouldn't it be a ass kissing race?
same body shape as literally every other male character.
tumblr sexy man version of pyrocynicals fursona.
30. Valvette
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the actual poster child of the shows huge problem of "Show me, don't tell me".
apparently the glue that holds the villains together. never shown.
apparently the one that makes the love potions that valentino is famous for. had to learn about that in the fuckin wiki trivias
we know so much about her from things outside of the show.
was there to call carmilla a coward, that's her plot contribution. she shows up every now and again but its never anything substantial and serves to more around take up run time for people We Don't Need To Know Yet.
im not trying to be mean, animation is animation, we need smaller studios to have success in the industry so that other indie studios can have that success, felling a tree makes it easier for others to follow. showing that its possible to number brain rot exacs helps all animators.
but this show has so much bullshit attached to it, it has so much fucking potential that it fries my brain with unyielding frustration.
this took a bit to write, im tired, thanks for reading.
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bengiyo · 10 months
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The Knowing: Being Queer in BL
I’ve been talking about The Knowing a lot lately with @lurkingshan @waitmyturtles @ginnymoonbeam and @shortpplfedup and so I felt it was time to gather all those thoughts into one place.
I define The Knowing as “growing up and suffering with the knowledge that you are queer (specifically that you are not like other kids) and understanding that you must keep that knowledge to yourself.”
Part of what initially drew me to BL was how often many of these shows took place in what @absolutebl calls “The Bubble” where cultural and structural homophobia is less prevalent or nonexistent. Many of these stories are about guys learning something about themselves for the first time when it comes to being attracted to other men. However, I always find myself drawn to the characters that clearly Knew who they were a long time ago. What’s interesting about these characters is that many of them carry an intense sadness and loneliness that plagues them and their relationships.
I am in my mid-30s. I’ve had to unlearn a lot of language over the decades. When I first realized I was different from other kids I was eight years old. I was a lot like Chiron in Moonlight (2016) asking the question, “What’s a faggot?” I wish I’d had someone like Juan around to say, “A faggot is a word used to make gay people feel bad.” To which Chiron asked, “Am I a faggot?” and Juan quickly corrected. “Nah. You can be gay, but you ain’t gotta let nobody call you no faggot.” I know it’s hard for some of you to read slurs written out so plainly, but I grew up with them being part of the day-to-day language used by kids around me. If you instinctively recoiled at me typing the word four times, imagine experiencing that constantly for your entire adolescence while also fearing the consequences of being discovered by your peers. That’s what I survived. That’s what some of these boys survived.
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Before I learned other words, I thought I was weird or broken. I knew I was drawn to boys before I even hit puberty, but I didn’t have language for existing on the ace-spectrum until I joined Tumblr in the early 2010s. Before that I just thought there was something wrong with me. When we see a character in BL who has clearly been gay for a long time, I find myself examining the environment around them to see if they suffered The Knowing.
The worst part of The Knowing is for the boys who can pass as straight if they try hard enough. I always talk about how I think femmes are stronger than those of us (like me) who can pass. They face the public scrutiny of being queer and the danger of that constantly. People like me often go unnoticed unless we’re amongst our peers or explicitly tell people who we are.
I’m writing this post as a love letter to the boys who suffered the Knowing. Sometimes these characters get a bad reputation in fandom for being boring or sad sacks, but they are the characters I love the most. I’d like to talk about some of my favorite boys who Knew. Unsurprisingly, the exact kind of melancholy Japan is willing to play with means they have strong presence on this list.
Korn (Until We Meet Again)
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Korn is the character who began my discussion about this in a conversation with @wen-kexing-apologist about Kao’s acting. I pointed out that the saddest thing about Korn in Until We Meet Again is that he knew what he was going to do the entire time. The tragedy of UWMA is that Korn loved Intouch and let him in, and unfortunately learned that Intouch’s love couldn’t fix the horrors that plagued him. You can see it in Kao’s eyes for the entire show whenever we see the In and Korn flashbacks. He suffers under the weight of masculine expectation and crumbles.
The Entire Cast of What Did You Eat Yesterday?
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WDYEY is all about characters who Knew. Kenji and Wataru may have been unable to pass and have chosen to accept who they are, but we know Wataru suffered for it because of his feelings about family. Shiro hid who he was for a very long time, and still hides it from most people. His trauma from The Knowing regularly threatens his relationship with Kenji. Kohinata also clearly knew who he was the entire time, and works diligently for the life he’s built for himself. So much of this show is about being gay in a world that does not value us.
Book, Christina, and Yok (Make It Right)
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Book is actively victimized because of The Knowing. He left his previous school and doesn’t live with his family because he was outed by a past boyfriend, and is disowned after revenge porn of him is posted.
Both Chrstina and Yok are femme and cannot pass. Unlike many of the boys in this show figuring out who they are, they are trying to survive without losing themselves.
Li Ming (Moonlight Chicken)
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Li Ming has a gay uncle and still suffers The Knowing. He is hiding his attraction from everyone until he develops feelings for Heart.
Itou Akira (Life: Love on the Line)
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We experienced the entire arc of this man’s life and how much The Knowing crushed him. This is probably the most The Knowing character on the list.
Oumi Mitsuru (Eternal Yesterday)
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Oumi has such a frank expression of The Knowing and how much it hurts that he likes Koichi but feels like he can’t express it.
Takahashi Satoru (Koisenu Futari)
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The man literally blogs about The Knowing, and it’s how Sakuko began to understand herself. He has a questionnaire prepared to help you figure out how long you’ve Known.
Ren (Tokyo in April Is…)
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I wrote multiple posts about Ren and his experience with The Knowing. So much of what goes wrong for them is because Ren couldn’t believe that Kazuma could like him, too, and he knowingly faced the consequences of being discovered to save Kazuma’s life.
Pete (Love by Chance)
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Pete knows who he is and can’t change it. Trump uses this against him. Pete doesn’t want Ae to be gay like him and suffer with the realities of being a Known Gay. Pete has one of the first coming out scenes in BL that I really enjoyed.
Cairo (Gameboys)
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Cairo was clearly struggling with Knowing, and his close friend took his coming out from him. Cairo is a brat, but goddamn do I appreciate some of his angst.
See-eiw (My Only 12%)
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He watched The Love of Siam (2007) and had a complete emotional breakdown as he was finally able to name his feelings for Cake. Top-tier expression of The Knowing.
Shin (3 Will Be Free)
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I mean, we don’t have to look much further than his entire sad existence and being pushed into sex with a prostitute in the first episode. Also there’s, “It wasn’t that you didn’t like boys. You just didn’t like me.” Shin is the only boy in BL-adjacent media to suffer a specific version of The Knowing: being rejected and discarded by your own people in a homophobic way so they could stay closeted.
Phupha (A Tale of Thousand Stars)
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Phupha’s entire romantic angst is built around The Knowing and what others seeing him for who he is will do for him.
Pran (Bad Buddy)
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Though Bad Buddy exists in The Bubble, Pran has one of the most painful versions of The Knowing I’ve ever experienced because his is wrapped up in family angst and an unrequited crush.
Lee Wan (Our Dating Sim)
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Lee Wan suffered The Knowing and broke things with his best friend after confessing. The Knowing destroyed his ability to see a version of his life where he and Shin Kitae overcame the upcoming challenges together and so he takes that choice from Kitae. Crushing.
Ueda Minoru (Our Dining Table)
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Minoru is so familiar with The Knowing that he preemptively breaks up with Yutaka after kissing him.
Kiyoi (My Beautiful Man)
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The reveal that Kiyoi already knew who he was and noticed Hira the entire time? Beautiful. One of the best reveals in J-BL history.
Minato (Minato’s Laundromat)
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This man is one of the sadder examples of The Knowing because he’s in a place where he understands who he is now, but the internalized homophobia cripples almost all of his romantic and closer relationships.
Han Baram (Sing My Crush)
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This boy is suffering so much from The Knowing that his love confession song is literally titled “Letter of Apology.”
Oh-aew (I Told Sunset About You)
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He Knew. “Are you proud of me?”
Noh Shinwoo and Shin Daon (Light On Me)
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Noh Shinwoo clearly suffered The Knowing and was discovered. His bullies still plague him on the streets when they see him. Shin Daon was not surprised by his attraction to Woo Taekyung; he struggled with his parents expectations.
Nagisa (His: I Didn’t Mean to Fall in Love)
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Nagisa definitely Knew who he was and was probably going to stay quiet about it until Shun showed up in his life. What upsets me so much about Nagisa is that he is the one who leaves Shun later in the movie after pulling queerness out of Shun.
The Secret Crush on You Quartet
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All four of them get a spot on this list for The Knowing. Toh, Kaojao, and Daisy clearly suffered The Knowing, and Som has clearly taken care of them for a long time.
Rocky and Judah (Quaranthings)
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I love that these two explore The Knowing from a class perspective. Judah is wealthier and eventually comes out, but Rocky is poor and struggles with it a lot longer.
Han Tae Joo and Kang Gook (Where Your Eyes Linger)
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The Knowing, bodyguard edition. The yearning between the two of these is palpable. It hurts that they can’t even talk to each other about it.
Mafuyu (Given)
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He Knew and lost his boyfriend to The Knowing.
Kim Dong Hee (Unintentional Love Story)
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He won’t acknowledge Go Ho Tae’s feelings because he feels a sense of loyalty to Ho Tae’s mom for taking care of him after his parents disowned him over the gay thing. Huge case of The Knowing.
Edit: New Additions October 7, 2023.
Nekoyashiki Mamoru (Kabe-Koji Nekoyashiki-kun Desires to be Recognized)
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He describes a textbook case of the Knowing and finding community at the convention.
Zo (Hidden Agenda)
He definitely Knew, and got messed over by his friends badly for it.
Yuuki (Me, My Husband, and My Husband's Boyfriend)
We almost lost Yuuki to the Knowing.
All of the Eclipse Gays
Literally all of them. The entire show is about how fascism turns queer people into agents working against their own community.
Joe (The Warp Effect)
He clearly Knew before his encounter with Army, and he also suffered for being outed.
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wayfayrr · 8 months
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Sky being self aware had been plaguing my mind since I wrote this other piece where he confronts you about having played through his game, however while you could read this as a sequel it is written as something separate!
before the main thing though just gonna say, I don't actually support yandere behaviour in real life - I don't usually mention this because in my opinion it goes without saying, however since reader borders a little bit on being one in this I just wanted to make it clear!
[masterlist]
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It’s been so long since I last played Skyward Sword, Really I think the last time I picked it up was at least a year ago now. I’d almost forgotten I actually had it on the switch, if it weren’t for me needing to do a clear out I might have never remembered that I had this. I’ve got some spare time right now so really there shouldn’t be an issue if I took a break to play for a while would there? In the worst case I’d get distracted for a bit, but it’s not like I can’t just carry on cleaning tomorrow. Setting up the game was easier than ever, not like setting up any switch game is particularly hard though. My old save was still waiting patiently, I could never bring myself to delete it even after getting a hundred percent. Perhaps it’s finally time to try out hero mode for the first time?
The opening cutscene is nice to watch again, even if I can’t help but feel bad for Link in it, seeing what it’s building up to. Huh? I could’ve sworn my controllers were working a second ago, they can’t have disconnected during the cutscene either, could they?
“[Name]? Dearest… you’ve finally come back…”
What.
It’s like I’ve just been plunged into ice water - I- I’m dreaming right? I have to be, there’s no way this could possibly be real. He’s a game character. Link can’t be speaking to me as if he’s a real person. He can’t be.
“Darling, You - you look so pale are you alright?”
Another step toward the screen, a head-tilt and clear concern on his face. More than possible. I knew it, this has to be a dream.
“Darling, I know that this is strange for you - don’t you think it’s strange for me as well? I mean - I know I’m not supposed to exist as I do. I’m only supposed to be a blank slate for you to play this game as not - not have my own feelings.”
A sharp inhale laced with the sounds of static reverberated throughout the room, with a far too alive sounding sniffle as he wiped his eyes and took yet another step closer. Even eerier was the laugh that followed when he made eye contact with me, something sad and wet sounding like he’s barely holding himself together. It sounds too real.
“It’s been so long I thought that you - I thought that you forgot me. That you weren’t going to come back. I hoped - no I knew - that you didn’t though and you didn’t! You came back to me my love and now I’m not going to let you out of my sight again. I know that it wasn’t your fault that you took so long, I - I mean you didn’t even know that I’m alive but I’m not going to risk it happening again.”
He’s right up against the screen now, staring at me as he presses his hand up against it, like he’s testing it. Gently testing as if he’s trying to see how much pressure the glass can take. If there’s any time best to wake up already it would be now. 
“I’ve been stuck in here alone for so long, if I didn’t have something to focus on I would have gone insane! Can you imagine that? If I didn’t have you to think about all that time I would have lost myself! I was made for you; I know you care about me as well. Please [name] I - I don’t know who I’m supposed to be any more, I’m not - not your character. I’m so much more than that empty husk.”
His hand pushes further on the glass as his fingers tense up, now like he’s preparing himself for something. Link, I’ve never seen him - any version of him in any version of the games acting even half as emotive as this. That proves that this is all a dream, he can’t be - this can’t be real. 
“There’s one other thing that being trapped in here for all this time has let me focus on I think I know how to get out now… If I press this just-”
A sickeningly twisted smile found its way onto his face with each shrill crack of the glass screen under his hand. The other moving up to join it as he pushed even harder, intending to shatter the barrier, he’s convinced himself is standing between us. My chest feels so tight right now, why am I so sore in a dream?  If I were awake I’d be convinced I was having a panic attack but - no- no I’m not awake.
“Right. Then - Well you can see can’t you dearest? If I carry on like this, there won’t be any-”
A loud wince as his hand shatters through the screen, the glass shards cutting through his skin effortlessly marring both him and the remaining screen with - with his blood. The laughter that followed the screen cutting to blank with his hand reaching through seemed to tighten the band that’s seemingly wrapped itself around my lungs making it harder still to breathe. How could I breathe when link - the link is dragging himself out of my tv. 
“Come on darling..? I know you feel the same way about me, I’ve heard you say it all. So please don’t just stand there looking terrified. You have no reason to be scared of me, I love you so much [name]. Can’t you see I’m doing this so that we can be together? I can’t wait to finally hold you in my arms.”
Frozen. That’s the only way I can describe how I’m feeling right now, my once-warm blood has turned to ice within my veins. He’s not stopping. His shirt that was once a pale beige is now stained with red patches, as his head and torso are out of the screen now. What was once a comforting face to see, one of my favourite characters is staring me down with a downright vicious grin while he is dripping with his own blood. Even beneath all of that though, there’s still something so tender, so scared about him, something is worrying him.
“Please darling you’re so pale, you don’t need to be scared - I promise you everything is going to be alright. [name] please just say something to me…”
Dark spots are starting to show in my vision now and… I’m not sure if this is a dream anymore. There are too many things adding up that don’t make any sense. But if it’s not that, I don’t…
“[NA]-”
><><><><
Did I pass out? I mean it really feels like I did, but I don’t feel like I hit anything. If I passed out when I was alone then I would’ve hit my head on something. Maybe I’m just waking up from that weird dream. Hopefully. Although that wouldn’t explain -
“You’re alright darling, I’m here. I’ve got you, you’re safe, you’re alright.”
Why I feel like someone’s holding me? 
“Oh dearest you’re finally awake… You - you scared me you know? I didn’t think I was going to be able to catch you, that you were going to get hurt. I’m so glad that I did though love.” It wasn’t a dream. That was Link’s voice, the same one as before. It’s link thats holding me in his arms. Link that’s nuzzling into my hair as he seems to be fighting off tears. That means… That means…
“...Everything was real..?  I - you - it…”
He’s holding me so gently like he’s scared of me disappearing. If what he said is true? I can’t hold  that against him with what he’s said, but even still. I can’t just stay in his arms pretending that him stroking my face with bloodstained hands isn’t bothering me. He’s so happy though and he isn’t hurting me really why don't I just - no I have to tell him that this is making me uncomfortable. 
“All of it, all of it was real [name] and I couldn’t be more glad that it is, because it means that I’m finally here with you.”
“Link…”
“Yes dear?”
… this is all real. I’m actually talking to him. He’s real. And he’s downright obsessed with me. 
“You - you’re still bleeding, you should deal with that and- and with everything.”
I’m not sure that was the right thing to say, but why shouldn’t I not accept him. This isn’t some stranger, it’s Link. One of my first fictional crushes, he’s probably heard the things I’ve said about him; since I’ve said in the past if I got a chance like this that I would take it… why not see where this goes? He looks adorable like this, hopefully, if he stays like this long enough I’ll be able to get the image of him crawling through my tv out of my mind. 
“I - you’re worried about me, love? I - I knew that you’re my soulmate, oh my dear. You're so beyond perfect.”
“We should go get you some bandages Link. I know you’re not quite used to everything yet so I wouldn’t want you to get an infection immediately.”
Yeah, I’m not going to let this chance slip. He’s so much nicer in person, why should I throw this away? He’s perfect and now?
He’s mine.
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writingonleaves · 1 month
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were you sent by someone who wanted me dead? (did you sleep with a gun underneath our bed?) - jeremy swayman
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pairing: jeremy swayman x original female character
warnings: swearing, pretty angsty. hopeful ish ending because i can't do sad endings, very personal but i think many can relate in their own way, cliche ish, barely proofread
inspired by + title: "the smallest man who ever lived" by taylor swift
word count: 5.6k
author's note: i'd argue almost every piece any author writes is personal, because it has their life interspersed through the words. but this one really is, because a majority of this is the exact same words i wrote years ago after a break-up. heard the bridge to this song and immediately knew i had to write something inspired by it. also trying a new format of sorts (maybe a bit meta??), so i hope you enjoy and lmk what you think!!
~*~*~
When Noelle Betsko walked away from Jeremy Swayman, holding back tears until the call dropped, she knew it was going to be a tough time for the foreseeable future. 
It didn’t matter that the pandemic had forced them apart. She knew she would still feel him for months to come.
She did the only thing she knows how to do when trying to deal with things. The one thing she always resorts to as an aspiring novelist. Sometimes on her laptop when the words were spilling out too quickly for her brain to catch up, tears littering the keyboard. Usually in her old beat-up journal, scribbling in the cursive that Jeremy claimed he always loved (“It makes your handwriting unique”) with the pens he had gifted her just a few months prior. 
At the age of 21, Noelle got her heart broken for the first time. At the age of 26, she’s about to publish her first poetry collection of sorts, all of the poems modeled after journal entries written throughout her life. So not really poetry, though her mother would say otherwise. 
She swallows as she thumbs through the middle part of the first known and binded copy of “miscellaneous.” There are only eight entries in the whole collection that are taken verbatim from her past writing. These are the eight.
May 13, 2020 (three days post-breakup, crying in my childhood bedroom)
I don’t even recognize who I was and who you were in those writings before these pages filled with love and hope and happiness. I can’t even summon up those feelings anymore that I knew existed at one point. Those feelings of complete bliss and love for someone so deep you can’t explain it. 
I’m mad at myself for not being able to conjure those feelings, because at one point, I did love you. How could something that was part of my daily life for over two years just disappear so quickly? 
But now, I’m not mad at myself. I’m mad, but I don’t know where to direct that anger to. I feel a bit empty sometimes, but then frustrated the next. Sometimes I get sad, but not so much compared to the other feelings. I spent enough time being sad during our relationship.
When we broke up, on an annoyingly beautiful Tuesday in May — over the damn phone, mind you, which whatever, it’s COVID. Fine — You told me you felt like you had been putting more effort into us. 
At the time, I didn’t react, but I’ve been thinking about how angry that statement made me. Makes me, actually. I was always very open with how much I gave to that relationship. How much it meant to me. How much it affected me. But I understand that with some people, sharing everything too much equates to things not meaning anything anymore. But you out of all people should’ve known that I mean everything I say.
I felt like I gave so much. I know I gave so much. When I told you I loved you, I always meant it. Every single time. When I told you I missed you, I always meant it. I wished you were right next to me at that moment. I mentally gave so much, because to me, I wanted to. You were always on my mind, always high up on my list of priorities. I never took us for granted.
I’ve been questioning if that was the same for you. Did you start becoming complacent?
The second thing you said that day that hasn’t left my head is that you knew me pretty well. And initially, I remember not thinking much of it. So I don’t doubt that; you always knew right when I was about to cry, even over the phone. You often knew when I was mad or upset, but when I look back now, you never pushed. Which is a good thing, to an extent. But it was a bad thing sometimes too. I knew you often wanted to give me space, but sometimes I didn’t want space. I wanted you to push. To try to understand. Maybe that’s unfair of me; it probably is. I should just say I want to talk about it more, right? 
But if you genuinely knew me, you would’ve known.
After two years, seven months and 12 days,  I still feel like I didn’t know you. Did I ever know you at all?
When people talked shit about you, I always defended you. And I still would defend you now. But lately, I've questioned what I’m even defending. All those good qualities that I thought you had, were they even real? Of course, I know some of them were, to a certain extent. But as I look back on us, there’s a lot of doubt about whether I even knew the person I called my boyfriend for so long. I know there was a point where you cared about me, but I can’t remember when. 
I often felt like I was letting you know so much about my life, but you didn’t do the same. I get that sometimes a person just wants to forget about the bad and focus on the good with a person you like for awhile. I get that. But once that was happening every damn time? That should’ve been a red flag. 
June 7, 2020 (twenty eight days post break-up, outside my childhood room on the deck) 
I don’t understand how you can give so much to something or someone and have it not be recognized or appreciated or enough. If I wasn’t enough for you, how will I be enough for anyone?
I hope one day you’ll truly understand how much this hurt. Not just the breakup, but feeling like I was always being pulled in a direction I didn’t always want to be pulled in. Feeling I was stuck between a rock and a hard place and never ever being able to win. I hate that I settled so much in the last year. Because I should’ve demanded more, even though deep down I knew you were never going to be able to give it to me.
I think back to our past daily texts, and I just don’t get it. At one point, we both meant the things we said to each other. 
Yet we still hurt each other. 
This fucking hurts.
You’ve hurt me so much, but most of it wasn’t intentional, which I think is somewhat even worse. Because I’m not totally mad at you for causing the pain. You never did anything outright to cause me pain, but I still feel like you did. 
Unintentional pain almost stings more than intentional. 
When I asked you out that night after we were both on an emotional high, I took a chance. For once in my life, I took the leap, knowing that I could get humiliated or hurt or just straight up shot down. 
Where did it all go wrong? Or, more realistically, how did we think that we could go through the wrong when it was there at the start?
I’m trying not to blame myself too much. Trying not to tell myself that I should’ve known better. 
All those times, especially at the start, when I would ask you if you genuinely liked me, you always thought I was just trying to be annoying. But you never understood that I genuinely thought that way. My self confidence from the start was lacking, and you didn’t try to understand that, because I come across to everyone as confident and self-assured. 
It hurt, when you would brush things off like that. I felt like you didn’t care.
And then, it got to the point where I stopped asking that question. Part of that is because I did become more confident and you did show that you cared, and part of that was because I knew it would piss you off.
The amount of things I was scared to talk about with you because I knew it would piss you off? I don’t wish that feeling on anybody.
I shouldn’t have been scared. I shouldn’t have been uncomfortable. But I was. And if you did notice like sometimes you claimed to, why didn’t you make it more comfortable for me? Was that too much to ask for? 
So larger than life that at the end, you faded into just the smallest man who ever lived. Fuck you.
Was it too much to ask for when I just wanted to know why you were upset? You didn’t have to ever tell me the full story (lord knows there were times I didn’t), but was it too much to ask for something? You told me once that I’m the person you’ve told the most to. How? You barely told me anything. And when I wanted to talk to you, whether it was about growing up in Alaska or why you were in a bad mood last night, you always brushed it off. Always. 
So I don’t feel so bad about feeling like I gave more effort. I gave so much of myself to you. If you really cared about me like you claimed you did, why couldn’t you show even just 1% of that care back? Or just meet me in the middle?
I could’ve tried harder to meet you in the middle, I’ll admit that. But you didn’t even give me a map or a clue how to. 
I felt so fucking left in the dark. I felt left in the dark about my own fucking relationship, something that I should be completely sure about. If you really love someone and care about them, how can you leave them in the dark? How could you not even see that I was struggling to find a flashlight?
You did care about me. I know that. To some extent and at some point in time, you did care about me. But caring about someone and their well-being isn’t always enough.
Why couldn’t you have worked with me? When I was extending my hand out, why didn’t you reach for it? How can someone just be so blind? I mean, I’m practically always spelling it out for you. 
Maybe I am being selfish. But fuck, I just wanted to be happy. At some point, you made me happy. When did I start making you feel like I wasn’t enough? Why wasn’t I enough for you?
It’s useless, in a way, to keep going about this. Because I know I deserve better. And we’ll both find people who are better for us. We just couldn’t be that person to each other.
I fucking loved you.
I wish it ended differently.
July 8, 2020 (fifty nine days post-breakup, in front of the lake)
I really really fucking miss you. 
I do. 
I miss being able to text you that i love you and not necessarily expecting a response until the next morning. I miss knowing that as soon as you wake up, you’ll text me back and assure me that yeah, you love me too. 
I’m left feeling bittersweet as I look back on memories that are just splashes and not definite strokes on the canvas that used to be us.
I miss having you as a friend. 
I’ve been having more urges lately to want to text you. And it isn’t even anything important. Just moments I experience throughout the day.
Do you get the urge to do the same?
July 19, 2020 (seventy days post-breakup, still in the same damn house)
It’s hard. It really is. And it kinda just hits you at random parts of the day. Sometimes I wake up from a dream that you were in and have to remind myself that it didn’t happen. 
Sometimes it physically aches when I realize that you won’t ever help me put on my jacket again, or complain that my hair is in your face when we’re lying on the couch watching Brooklyn Nine Nine, or groan when I drag you up to dance with me (which you never improved on, no matter how many times I tried to teach you basic rhythm). I can’t view our song the same way anymore, and I don’t know if I’ll ever be able to. 
The other day, I read some simple thing on Twitter. I don’t even remember what it was, but I do remember that for a split second, I could see your smile in my mind. But it wasn’t just any smile. It was the smile you gave me when you took me ice skating that first time. I remember asking you what you were smiling at, and you said that you just were taking in this moment. I don’t know if you took a mental picture that day, but I know I did. That day seems so long ago now. 
In almost anything I do, you somehow pop into my mind or into the conversation. And it’s not even in a harmful way either. It’s because you were part of my life for so long. I see a dog on the street, and it reminds me of how you always stopped to pet every single one we’s see I write something in my messy handwriting, and I remember how you always used to complain that you couldn’t read the notes I’d occasionally leave around your place when you went away. I went to the doctor’s the other day, and they said I was 5 feet and 3 inches, which is just definitely not true, and I almost reached for my phone to text you, because you would’ve cackled and insisted that no, I’m 5 feet 2 inches and it wouldn’t even matter because I’ll always be shorter than you. It’s simple and minute things that make me miss you that much more.
I still can’t listen to some songs the same way anymore, but I can at least listen to them now, which is a feat in itself. I was unpacking from college and found the teddy bear you sent me the first extended time we had to be apart and had to immediately put that out of my sight. From those boxes also came photos that I had decorated my dorm room with, and to be honest, I’m glad now that I let you keep our best one. I deal with all my emotions, besides writing, by making Spotify playlists, and I made a new one earlier this week. I think it’s helping. It’s a slow process, this whole moving on thing, but it’s one that I’m trying to be grateful for, because like most things in life, you just don’t truly know until you go through it.
Sometimes, I find myself wondering how you are and how you’re healing. But, even though we’ve both changed since the day we met, if there’s one thing I know, it’s that you’re incredibly strong and stubborn. I hope that you’re finding some growth in this process too. 
October 17, 2020 (one hundred fifty seven days post-break up, apartment in orono)
It’s been almost 5 months, and you still cross my mind everyday. 
Why wasn’t I enough for you? Why didn’t you fucking tell me what you were thinking? Why was I the one who had to approach you just because I was just so done with the silent treatment?
But I’m not mad at you. Not anymore. The mad phase passed ages ago. 
Closure is a fake word. Even a breakup as mutual and smooth as ours was still left me with so many questions that will probably never be answered. 
Any breakup fucks you up to some extent. I knew it was going to mess me up even back when we were together. But not like this. Never like this. 
But like anything in life, I guess you can never really prepare for what you think you might feel, because most of the time, you discover a whole new side of you that you never thought existed. 
I don’t miss you. I don’t. I don’t feel that love in any way anymore. 
But I did once.
You did too, right?
November 15, 2020 (one hundred eighty six days post break-up, fogler library)
I hate Halloween. 
Though, it did bring me to you three years ago. I’m pretty sure I fell in love with you right then and there. 
Three years later, you texted me on Halloween, five months after our breakup. The universe really, really wanted to fuck with me. 
It was a tough night for you. I knew that. Because I know how you are after losing a game you should’ve won. But that didn’t mean that I owed you anything and had to respond. 
We agreed on no contact if we ever wanted to stay friends. Clearly, friends is out of the picture now, but come on. A vulnerable text after a bad night because you know I would feel bad for you?
Fuck, you know how much I would hate that. You had to have known. 
Just because we’re not dating anymore doesn’t mean that everything about you just disappears. I still know your tendencies. I still know exactly how my head burrows into your chest during a hug. I still know the actions I used to do that would be followed by you attacking me with a hug. I still could point you out in a crowd. 
I looked for you in every crowd for years. 
That stuff doesn’t just go away, no matter how much I want it to. But fuck. Fuck. Why did you text me? 
I don’t regret how I handled it. I probably would’ve responded months ago. But just like you, I’ve grown these last couple of months. 
It was comforting, for a split second, to know that maybe, just maybe, these past couple of months have been hard for you too. It makes me feel human. It makes me feel like I’m not crazy.
I’m glad you texted me. You gave me another level of closure I hadn’t known that I needed until then. 
But fuck, dude. You know me better than that. You should know me better than that. 
I hate Halloween.
November 26, 2020 (one hundred ninety seven days, at the coffee shop i brought you to when you came home with me two years ago)
I don’t regret loving you, but I hate you for what you did to me. 
Or maybe not. 
I hate knowing that even though we haven’t been in a relationship in a bit, it feels like sometimes, you’re on my mind the exact same amount when we were dating. I hate knowing that I gave so much of myself and my love to you, and it always felt unrecognized. 
Fuck, will it ever stop hurting? Will I ever be able to have to stop myself from thinking about you? Will it ever stop?
Fuck. Fuck. Fuck. 
Happy birthday. I hope you enjoy it.
June 12, 2021 (three hundred ninety five days post-break up, in boston, visiting a friend)
Tonight, when a friend asked me about you and how I felt about how we ended, I was able to articulate my thoughts clearly. I’m really proud of myself for getting to a point where I can take the lessons I learned the few months after we broke up and acknowledge them in a succinct way without breaking down into tears. Just watery eyes and the occasional voice crack 
I’m also proud that I can say that when we were dating, I lost a bit of myself. For months, it was really hard to admit out loud.
I’m proud of how far I’ve come. Sometimes, I wish I could call or text you about it, because I think you’d be proud too. And I know I’d be proud of you. I am, to be honest. I do break resolve once in awhile and check on you through various avenues.
I still haven’t seen you in person since the last time COVID made us say goodbye. Maybe I never will again. But day by day, I’m starting to accept that and be okay with it. I’m accepting that memories that used to be so painted in my mind are blurry or almost completely erased now. But that’s okay. Honestly, it’s probably for the best. 
I wonder, when you think about it, if you think about different moments that I do. That’s the thing when something ends. You have to be okay with letting go of those moments and realizing that just because you forget them, doesn’t mean they weren’t important. 
I don’t think I miss you. I hesitate in saying that. Because I’ve moved on and handled the aftermath of it better than I think both of us ever thought I could. When you hung up the phone for the last time, I proved to myself again that I’m stronger than I give myself credit for. I think we all are. But we don’t realize it until we’re thrown into a situation that we think we’ll never be able to overcome. 
But we do. Whether it’s because we’re forced to because there’s no other option, it doesn’t matter. Because we get through. We move on. 
I hope you're moving on. 
And then it goes into other topics, graduating during a pandemic specifically and losing what’s supposed to be your last year of no responsibilities before adulthood. There are other poems in here that reference a past relationship, but not as much as these eight. 
If there’s one thing that Noelle did change, it was taking out the details. Jeremy may have hurt her, but he doesn’t deserve someone possibly making a connection between these poems and their shared background. She’s not a famous author by any means, but she wanted to be careful.
Not that she makes that part of her life publicly known. People don’t need to know that her brother was Jeremy’s captain for two years at Maine and that’s how they met. 
Noelle grew up going to rinks. She hasn’t gone to one since they broke up. 
But also, what the fuck? It’s been five years since she’s dated the guy. She really is over it by now, even if his rise to stardom in the Bruins flittering on her social media feeds still sometimes has her swallowing a bit before she can continue with her day. 
Brooklyn is far enough from Boston. But sometimes it feels like it’s right outside her door. 
She’s proud of her first published work. She really is. People believed in her and after numerous notes swapped back and forth with her editor, she did it. She always knew she wanted to work in publishing. She never knew she herself would publish anything.
And here she is now, two weeks after the book release, in Boston, about to do a q&a and a signing. Apparently, “miscellaneous” has been on top of numerous lists and it’s flying off the shelves. Noelle can’t really believe it and tries not to think about it too much, trusting her agent with all of that. 
She’s happy to talk about her work and process though. That she can handle. And she’s grateful for all the love.
After a signing at a local bookstore, she decides to walk the 20 minutes home in the Boston fall. It’s a bit brisk, but she doesn’t mind and she just wanders, belly filled with delicious sushi she inhaled for dinner with an old friend.
Of course it happens the one time during her walk when she doesn’t avoid eye contact with someone. The song playing in her earbuds fade out of her focus and she almost stumbles. 
Jeremy’s eyes were always Noelle’s favorite thing about him. She thought she would’ve forgotten what they looked like by now. But clearly she hasn’t. 
Her eyes quickly cast to the person next to him. It’s definitely a girl. They’re a bit too far away for Noelle to pick out details. But it’s enough. He’s walking on the side closest to the street. It’s a Friday Night in a bustling part of the city. 
It hurts. She wishes it didn’t.
Even from far away, she sees his eyes blink in recognition. Noelle puts her head back down and walks faster. 
(She cries in the shower when she gets back to the hotel. She had debated feeling super sorry for herself and going to the hotel bar but refrained)
She has a few free days in Boston before flying back to New York. When she wakes up the next morning, she debates on going home early. But no, she won’t let a three second glance at someone ruin her time here. She used to occasionally come here during her college days. She loves this city. 
The city may be Jeremy’s, but she can make space for herself here too. 
She takes her time at a cafe, people watching and eating some breakfast. As she takes her coffee to-go, she looks out the window at the bookstore she was in the night before for the signing. She almost drops her coffee. 
Jeremy walks into the book store. 
Now, Noelle is debating her options. What she should do is continue with her day and walk in the opposite direction. But she’s always been too nosy for her own good. And maybe a bit self destructive. She decides to leave the cafe and cross the street immediately, so impatient to where she’s almost tapping her foot as the pedestrian signal stays red. 
As a writer, she’s no stranger to movie moments. The scenes written in books or movies where the timing is too accurate to be real. The situation too good to be true. But after a car speeds through an orange and she can finally walk, she stops in her tracks instead, feet glued down to the sidewalk.
Because Jeremy is right in front of her on the other side of the street. Her book in his hand. And he’s looking right at her. 
The first feeling she can recognize in herself is anger. Anger at the way their relationship panned out. Anger at the way they ended. Anger at the radio silence the years following. Anger at him for everything. Angry at herself for everything. 
The second feeling is, weirdly, shame, which she’s embarrassed by. There’s nothing to be ashamed of. But she feels it anyways. 
The third, and perhaps the most prominent, is emptiness. Five fucking years later, and she’s brought back to the emptiness she felt immediately after they broke up. The emptiness that the person you loved isn’t yours anymore — who maybe wasn’t ever yours to begin with. 
Before she can run, he’s already crossed the street to her. He looks naturally different as someone who you haven’t seen in five years would. But he also heartbreakingly looks the same. 
“We should get out of people’s way,” Noelle manages to chokes out. 
Jeremy laughs a bit. Her heart lurches. “Yeah.” He starts walking and she follows him wordlessly. This is his city after all. 
He leads them to a bench under a tree with beautiful fall foliage. She puts at least a foot between them as they both sit down, staring out at the people passing. She can’t take the silence. 
“I see you bought my book.”
“I did,” he replies evenly. “Congratulations. I always knew you would do it.”
She squeezes her eyes shut. Maybe if she squeezes hard enough she’ll forget when she originally pitched Jeremy the bare bones idea of the exact same book that’s currently in his hand. “Thank you. Congratulations to you too. On everything.”
“You’ve been watching?”
She shakes her head. “No. But, you know Seth and…yeah. It comes up during family calls sometimes.”
“Why didn’t you say hi last night?”
She looks pointedly at a couple walking their dog. “You seemed busy.”
“She wasn’t-that-it doesn’t mean anything.”
“Oh. Because that makes me feel so much better,” she spits out, before taking a deep breath. “Whatever. It doesn’t matter. We broke up ages ago.”
“I’m sorry,” she gives him a look and is slightly proud of how he seems to shrink into himself a bit. “I-I know it’s five years too late. I know I didn’t handle it as well as I should’ve. But for what it’s worth, I’m sorry.”
The thing is, Noelle always thought that maybe hearing an apology someday would make her feel better. But now that’s heard it, she’s not sure she does. 
She swallows. “I appreciate that.”
“I’ve already read it, you know.”
“Read what?”
Jeremy runs a hand through his hair. “Your book. One of my teammate’s girlfriend recommended it and I asked to borrow it. It’s fantastic,” He looks down at the book in his hand. It’s like the cover is taunting her. “I wanted my own copy.”
“Oh.” 
“Thank you.”
“For what?”
“For letting me off the hook with the poems I know were about me,” he scoffs, shaking his head at himself. “You could’ve written way worse.”
She can’t help but let out a chuckle. “I thought I was pretty mean.”
“Your definition of ‘pretty mean’ is tame compared to a lot of people,” he says, mindlessly flipping through the pages of the book. “You were always the kindest person, even when you shouldn’t have been..” 
He puts his hand out in her direction, the hand with the book in it. She furrows her eyebrows. “What-”
“Could I get a signed copy?”
“Jeremy. What do you want from me?”
He sighs, taking his hand back. “A chance to apologize?”
“You’ve already done that.”
“Not in the way I want to and what you deserve.”
She lets out a sigh, turning to face him fully. “I don’t know if that would be worth my time or yours. I know the book just came out, but that was five years ago. I’m over it. Forgive and forget, right?”
“But do you?” Jeremy counters back. “Clearly, you don’t forget, which I deserve. But forgive?” 
“We’re just going in circles now.”
“No we’re not,” he says firmly. “You’re just shutting me down because you don’t want to talk about it. I’ve had five years to prepare what I would say to you if I saw you again. You’re telling me you haven’t?”
“Of course I have,” Noelle tips her head back. “But also, what’s the point?”
“The point, is that I still love you.”
“Fuck you,” she says in a strained voice. “You can’t just-you can’t just throw that shit out there. Fuck you.”
He bites his lip, and to her annoyance, he laughs. But she listens more carefully, and it sounds very self deprecating. “I deserved that.”
“Yeah,” Noelle looks down at her feet. “So…what? You still love me?”
“I do.”
“And what are you going to do about that?”
“What are you going to let me do?”
“I live in Brooklyn.”
“I know,” she whips her head up. Jeremy looks sheepish, which she didn’t even think was something he knew how to do. “Seth mentioned it when we caught up a bit ago. I also still follow you on Instagram.”
She tries again. “It’s been five years.”
“And I’m here sitting with you and still feel the exact same way I did back then. Even more, to be honest.” He eyes her pointedly. “Any more excuses?”
Her voice softens. “You really hurt me.”
“I know. And I’m so sorry, Noelle.”
“I hurt you too.”
He shrugs. “We were young and stupid.”
“And we’re still not?” Noelle says with a snort before swallowing. “I’m not the same person you fell in love with.”
“I’m sure I’m not either. But I don’t know if there’s a world where I don’t love every version of you.”
“Even after reading the book?”
“Especially after reading the book,” he sighs. “Noelle, I know this is unfair of me. All of this. And I’m sorry it’s taken me this long to reach out. But I always intended to. And then you’re here? And I see you twice in two days? I’d be an idiot to not try. More of an idiot than I am, anyways.”
“Try for what?”
“A second chance? To be friends? Whatever you want.” He suddenly deflates. “Even if you don’t want anything to do with me. At least I’ll know.”
“Why did you never text me?”
“I thought about it a lot,” he admits. “I tried once, actually, after the high of a really good win. But it didn’t go through. I got the message.”
“The message?”
“You blocked me, right?”
Oh. “Yeah,” she lies. “I did.” She reaches into her bag for a pen and gestures for the book, which he gives to her, a curious gleam in his eyes. “I’m in Boston for two more days, including today.”
He takes the hint immediately. Eagerly. “I have a game tonight, but I’m free tomorrow.”
“Who are you guys playing?”
“Toronto. And I’m starting. Should be a good one.”
She hums non-committedly, scribbling on the inside of the front cover. She hands it back to him with a small, close-lipped smile. She nods at him to read the message.
to my first fan, 
i still love you too. 
xxx-xxx-xxxx
yours, 
noelle
He looks up, eyes shining but a bit confused. 
“I never blocked you. I just changed my number.”
“Oh.”
“And even if I still love you, I’m still mad at you.”
“I know. I’d be more surprised if you weren’t.”
She stands up, adjusting the bag on her shoulder and putting her sunglasses on. “Text me?”
His mouth splits wide into a grin. “Yeah. Yeah, of course.”
She backs away with one last attempt at a smile before turning down the street.
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sobasluuurp · 4 days
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Ok. About Tenko.
I understand why so many people are angry that he's dead. I really do. I would've loved for him to live as well. I cried when he died.
However.
Just because he's dead doesn't mean his character has been handled poorly. In fact, all things considered, this ending (even though it makes me real fucking sad) makes the most sense for both his character and his story. Let me explain.
First and foremost, there's the matter of Shigaraki's characterization and arc. It goes without saying, but he's an angry, used, and abused child who grew up into an adult who wants nothing more than for everything to end. His goals have always been destructive to an extreme and honestly, the logical end to "let's destroy it all" is LITERALLY everything, including himself. He's also had absolutely zero agency since the moment his parents even thought of conceiving him, and has been struggling to become his own person since the beginning of his arc. He, against his abuser, who covets immortality and eternity.
What better a way for a person such as himself to assert his agency is there than to go out the way he did? To shift his focus away from the faceless masses and to the (similarly faceless, lol) abuser who caused his pain in the first place? To destroy the control AFO has held over him and prove to him that he was always his own person? To say, this is who you molded me into. And because I am who I am, I will now kill you, and take myself down with you, and be glad for it.
(and in the process, destroy the worldview AFO showed us in the Star and Stripe arc, that the ones who survive are the victors. AFO has completely and eternally lost, but Shigaraki is victorious to his last.)
It's his first moment of complete agency in his life -- acting entirely against anyone else's wishes for himself or his actions. And he uses it to do the one thing he's been itching for his whole life -- to destroy the source of his pain.
It's a negative character arc, in a way. It's not what any of us would've wanted for him. In a perfect world, he would be able to recover and readjust, building a life for himself and his found family in peace. He'd be able to experience life fully for the first time, and see that the world is not so bleak after all.
(I'm choking up just thinking about what's been lost. It's a fucking tragedy.)
But not every character arc gets to end happily. Sometimes people do slip through the cracks. That's always been what Shigaraki's character is about.
....and what every other member of the League's characters have been about.
Because here's the thing. The story of Shigaraki's life and death would be incomplete without his relationship to his found family. He's their leader. Their symbol. Their All Might.
Shigaraki's death is not the grimdark, fuck-the-audience, senseless kind of tragedy. He is a martyr, yes, but the people he stood for will in all likelihood survive. He died for the League. His life -- his existence -- brought them together, gave them purpose, and showed them a bright future. It is my steadfast belief that he will be the only death among the main villains. Because this is a story about saving to win, after all. And given that My Hero doesn't like to kill characters off too often and each one of them still has a path to recovery, I think it's a safe assumption to make. Especially since (especially in Toya's and Toga's cases) each of them had a moment of reconciliation at the end of their fights -- the kind of thing that can help them move forward.
And to be honest, we've known for a very, very long time that BNHA is the kind of anime that likes to turn old cliches on their heads. Kacchan did not become a villain during Kamino. La Brava's literal power of love was not enough to win the battle. Deku fought tirelessly to talk-no-jutsu Shigaraki into redemption, and while he did get through to him, he still couldn't save him after everything that happened. It's nuanced and messy in a way that I've come to expect from BNHA.
So yea, Shigaraki died. But Shigaraki also lived. Despite everything that AFO and Kotoro wanted from him (despite the fact that he was never meant to really be alive in the first place), he lived on his own terms and fought so that the people he cared about would be seen. Because he lived, the old world was destroyed, and from his ashes, a better one can be built. He achieved everything that no one thought he could, and reclaimed his life in the process. What better ending could you ask for a tragic character?
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torturedblue · 10 months
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It’s the middle of the week, have some dancing turtles
Spoilers below as I gush about my Mutant Mayhem Monday experience 🤗 please feel free to gush with me I wanna hear other people’s thoughts too!
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First off… When Seth wanted to put the teenager in TMNT he meant it. Like, all the versions act like teenagers, but like Nickelodeon PG stereotypical teens. MM turtles were the realest PG-13 outta pocket 21st century teenagers I’ve ever seen and I love that shit because it’s the first time I actually felt like I was around the kids in middle school and high school again with the way they talk. Kinda appreciate Superfly cussing too? Like idk it’s Ice Cube and this villain goes hard tryna kill some teenage turtles he formally saw as his lil cousins, let the grown mutant cuss
Also uh, was not expecting to be sad so early in the movie? Like I could tell from the trailers it was gon be an emotional rollercoaster but shit like ten minutes in and these turtles are fuckin depressed. And to see it really hit me because in every other version (except for Bayverse) the turtles literally never let not being part of the human world get to them. In the shows especially they’re so well adjusted and never bothered by sticking to the shadows. Then there’s Rise where they pretty much go out whenever they want and indulge in most of the human world stuff they want to. For these guys to be so stunted and desperate to have more freedom was so heart wrenching. Especially when Splinter grounds them for a whole month and the reality sinks in of how much they know the life they want isn’t an option for them
Wasn’t expecting any kind of ship or romance but that crush Leo has on April hit me like truck because…… holy crap the Leo-April pair has never been a thing? On top of that this is only the second on screen black April we’ve seen and I’ve been a Leo kinnie across the board since day one so to see this combo of my favorite character liking a black girl is making me lose my mind 🥲 and like it got me thinking of several of my favorite shows and the single characters I kin in those and if they’ve ever had black love interests and it’s just still not a common normalized thing honestly.
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I’m sure a lot of people aren’t excited for the prospect of ships coming back (especially after 2012 scarred us) but as a Leo lover and black girl it got me so excited to see something like this. I’m just hopeful and optimistic they won’t mess it up like a lot of shows do. The “this is just as friends line” already makes me a little worried bc that trope never has a good history but I have faith they’ll handle things tastefully and not make it toxic or messy
MURDER THE SHREKS!
“I assume you’d wanna be on camera. ‘Cause you have, like a very camera ready look…” OKAY SMOOOOOTH LEONARDOOOOOO 👏🏽
Could not stop laughing while he was shooting his shot my face was literally donnie’s restraining myself from bursting out laughing
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Just a couple of my favorite questions that April wrote down for them:
“Do you carry salmonella?” Look I still don’t know wtf salmonella is but it’s the second time a TMNT iteration has joked about it so I’m starting to think it has something specifically to do with turtles 👀
“Have you caught covid?” Oml covid exists in this world
“Are you the source of covid?” OUT OF LINE 💀
“How many people has the red bandana turtle stabbed? Does he need therapy?” Yes.
“Does sunlight cause you to burst into flames?” They’re- they’re not vampires? 😂
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Leon Ardo deserves the world and whatever he wants in it give him everything 😭
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I will never understand what made Donnie laugh so hard at the name Nardo other than it being because it’s his sibling and that it bothers Leo lmao
All imma say about the puke scene is that I’m glad I heard an “out of context” spoiler about it bc I knew exactly when to look away and I’m glad I did bc the scene lasted for so long??? 😀❓But hey at least I had Unwritten to listen too while I was sparing my eyes 😂
The sequence of them going around and shaking down those gangs and Superfly’s connections. BAD. ASS. And each of them got their own moments to shine? Loved it. Like they each even got to take point and have their moments where they got to kick in the door lol. And the fight scenes were just, muah. Chef’s kiss, they all looked amazing taking grown ass adults down together
Okay Splinter definitely gets the best dad award for putting together that little surprise party, with all the celebrity Chris’s and pretending to wait on them 🥺 so pure. It did make me sad the guys immediately left and you can just see such a sad dejected look on Splinter’s face, knowing he can’t provide what his kids really want or make them happy enough without it 🥲 At the very least they say thanks and that they appreciate but I would’ve at least stayed for a lil bit and gone along with it, Splinter just looked so excited about it and it was so sweet 😭
And he doesn’t even get upset though he knows they’re hiding something, he just says he’ll help them if they’ve gotten into trouble, which is something I’m sure almost every kid has wanted instead of having the kind of relationship where they’re more scared of telling their parents they messed up instead of handling it on their own
I love how musical Superfly’s family is 😂 Ray Filet just starts sing-introducing his name and Mondo and the other couple mutants when they drive with in the car trying to find music they could all sing to together 🥹 not to mention the musical references Superfly makes later that I’ll get to. “Kinda don’t wanna murder everyone on Earth, I just kinda wanna sing” Me too bruh.
Raph immediately going “goochi goochi goo” and playing peekaboo with Genghis frog is so underrated that boy has such a soft side he’s not even that afraid of showing at times, and maybe it’s continuing the trope of Raph having a soft spot for pets/animals? Who knows 😌
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Yo I was kinda shook when that government guy knocked Leo out and he just fell unconscious on the ground 😶 Like we’re used to seeing the authorities be brutal especially in movies like this but that’s a whole teenager? You just assaulted a minor? 🙂 Crazy
Also I know it’s sad they got captured and drained painfully but Mikey in that scene was hilarious 😂 like even the way he was dramatically crying and Leo was just started to cry with him like “iM sO sOrRy mIkEeEeEy! 😭” gold. When one of his children is hurting Leo hurts too. One of my favorite moments 🤣
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They literally started singing BTS while being tortured they’re so unserious but like in a serious way to them and I love it. Also the fact that they did it just to make Donnie feel better? So pure. Like Raph of all turtles offered to sing while being drained of blood (bc I refuse to use the m word 💀)
The way Splinter snuck in and soloed literal government soldiers single handedly? Badass. Never loved seeing a Splinter save his sons so much 🥹
“But it’s the only way we’ll be accepted.”
“No! We accept you!”
“You can come live with us! We accept you!”
“WE VIBE!”
Oml they’re so puuuuure 😭 I really thought this was gonna be a moment where the guys invite them all to come live with them and Splinter was gonna be like ‘aha 😬 whoa slow down there’ but damn nah he was just as enthusiastic as them inviting all those mutants to come live in their home forever “The more the merrier!” Like ugh he just loves finding family like Baxter Stockman and we see where the guys got their loving nature from 🥹
The amount of his soul Mikey put into that BROSEEEPH was so real like I’ve never heard the name broseph be said in any other way, I’m so glad they put that moment in there
“New York, New York!” “I’m the king of New York!”
Oml superfly’s a Broadway baby 🤗 he’s a big bad villain marching through time square and talking about King Kong but he’s fill gonna nerd out and make his musical theatre references 😂
“For once in your life you didn’t sound lame. You actually started to sound like a leader”
“That was really heartfelt Raph”
I love the Leo Raph dynamic in this movie. Like they don’t always agree or understand each other but they will show love towards one another and show mutual appreciation
Something about any of the turtles shells cracking always gets to me for some reason like those are some serious permanent injuries so I want to see if they do anything special with that in the sequel or show maybe 🤔 And I couldn’t tell if all of theirs cracked or just one, and if so which turtle it was. I think Leo or Raph. I feel like it was Leo but Raph’s are also starting to have a trend of getting cracks in their shells so 🤷🏽‍♀️
Also I do not want to judge what other people like to wear but why are Raph and Donnie the only normal dressed ones 😭 like Mikey looks like he’s going on vacation and Leo looks like he’s going to clock in at Best Buy 😂 tell me it’s because they have limited resources for clothes lmao. HE’S LITERALLY WEARING A LANYARD
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Them taking off the masks was crazy honestly… like them deciding not to wear them made my brain pause until I realize they’re kids going to school now and not being ninjas all the time… they don’t need them anymore. I’m just so pleased with the fact that this movie was willing to do what all other iterations weren’t. I see why they’re getting a sequel and show already, these guys and the plot development deserve so much more exploration
Maybe I missed something in the beginning but I’m wondering where Stockman went. Like is he still in custody? Did he die? Because not seeing him again that’s what I assumed but we only saw him get arrested or whatever, so if anything I don’t get why Superfly and the others wouldn’t try to break him out 🤔 I was surprised they didn’t make him a villain though, but I’m pretty happy about him getting to be a more optimistic kind character tho
SHREDDER HAD ME SHOOK LIKE THE ARMOR ALREADY LOOKED SO COOL AND I WAS NOT EXPECTING THEM TO GET THE BIG BAD INVOLVED AHHHH I’M SO READY TO SEE THEM REACT TO THIS ANGRY GIANT TIN CAN
Although I do wonder if Shredder’s gonna have some personal gripe with them since they have a different backstory he doesn’t seem to be a part of. And shit now that they’re public and in school it’s gonna be so much easier for him to go after them 😅 pluses and minuses…
The soundtrack: golden. Cultured. Nothing but range. Goes from a 90’s rap song to Natasha Bedingfield’s soulful 2000’s song. Most movies only ever have all pop mainstream songs or only rap songs because they think they can’t mix but MM does it effortlessly. The turtles are so versatile not just with music genres but they make old and new references ‘cause they’re well rounded kings 💪🏽 Between rizz, Adele, broski, Hey Arnold, K-Pop, Ferris Bueller, etc… I mean Donnie’s literally doing the sprinkler and the funky chicken in that gif up top 😂 they’re born in 2008 I doubt any kids today know about those dances anymore
Clearly I have all the thoughts and feelings about these boys and the movie, but I think this is probably my favorite TMNT movie? I’ve loved all of them but I think this one definitely brings me the most comfort fr
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nonbinarylesbianherb · 9 months
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just a rant about Jinx from arcane—
The way people separate jinx compared to her younger self powder is something i never fully understood or agreed with myself. Whilst her pre and her after trauma are very different characters, to me they are still synonymous. I’m sure jinx thinking back on her childhood probably feels so far away to who she is now, but she is still deep down powder.
In the same way powder is deep down jinx.
Jinx existed before episode 3.
I agree when people say they see elements of powder in jinx, but something I also see are elements of jinx in powder.
When I say elements of Jinx in powder, I imagine giving a name to the already existing insecurities Powder had.
Powder felt she was falling behind, her friends would say she was a setback to them, a jinx, bad-luck. Her creations never worked, always managed to mess up, she never felt fully capable.
Her insecurities of not feeling good enough, that she was setup for failure, even if she tried so hard to succeed, that was the start of Jinx.
Something my therapist recommended I do is to name the part of me that has all these negative thoughts and ideas. Name it something other than my own name to separate it from myself. So that when I notice these things I can say that’s not me, I won’t listen to you, we’re not the same, you don’t control me.
But it is me, it is. And I know that. (side note- there’s nothing wrong with that. You make up yourself, and so do your own insecurities, whilst they are bad, they are still you. This strategy works for some people, to seperate, but from my own perspective for myself, I cannot separate it fully, because to me that is still me, and I recognise that.)
In the same way Powder is jinx, and jinx is powder. They are the same, whilst they may walk different paths, they are always connected.
Jinx is powders insecurities, doubts, sadness, grief, etc.
Jinx has always been there.
The thing is, Vi was also always there too. To counter those thoughts and ideas, to stand up for powder if she did not stand up for herself.
So for the very person that was stopping you from falling too far into yourself, to blame you and call you everything you’ve ever feared of being. Of course it’s a breaking point.
And I think Vi leaving her, and her only having Silco now made it worse. She fully embraced herself, and whilst it’s good that silco embraced jinx and loved her as she was, he also enabled her.
People say the last episode is when Powder is truly “gone” and all that’s left is Jinx, but I don’t see it that way.
Vi is looking for powder, trying to get to powder, but she doesn’t realise that they aren’t individual anymore, its all the same person.
I think Jinx sees Vi trying to do this and feels hurt, because to her Vi doesnt want her, she wants powder, just powder, even though theres never been a just powder. And by now, Jinx has grown and changed, whilst she is still powder, she cannot take away her trauma. That is something that will always live with her, Jinx is something that will always be there.
I do believe Vi can love Jinx, can recognise jinx as powder and powder as jinx, but Vi will not enable Jinx like Silco had, and to Jinx, that feels like rejection.
Anyway I dont know if any of this even makes sense this is my 2am rambles. This is my personal opinion and how I view it, not everyone thinks the same as this and thats fine
gonna give her lots lots lots of hugs because god knows what s2 has prepared for her
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evesaintyves · 9 months
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I just love the way you write Tonks, she's so much bolshy and dirty and crass, she feels like a real auror and an actual badass that people wouldn't want to mees with! I liked Tonks in books but I admit I was a bit bored by her 'cutesy sweetheart' personality..
thank you so much, that's such a kind thing to say! ❤️ i'm gonna ramble about this a bit if you don't mind!
obviously i extrapolate a lot, but i think there are seeds of that bolshiness etc in canon. from her very first scene we see Tonks kind of talking shit about Harry's house (and her parents!) and giving her mentor, a pretty intimidating dude, guff in front of everyone. she stands up to Remus when he deadnames her (though i agree with the common fanon interpretation that they're flirting a bit in that exchange). she's introduced as a character who speaks her mind and doesn't take any shit*. all of that is on a mission and in front of a kid, so i imagine she's probably even a little more outspoken under other circumstances. it's also clear to me that she's got to be strong-willed, a little singleminded, incredibly talented, and probably a little arrogant to make it as an auror so young: she talks about how difficult it is to qualify and not many do. she's also canonically kind of reactionary and impulsive - i mean, that's how she dies.
some of my characterization of tonks is just personal - so much of her plotline is pretty sad, and her personality disappears entirely toward the end as she becomes a fulcrum for lupin's character arc. and her death, honestly, is kind of stupid. so i feel this urge to give her some justice and a little bit of a fuller personhood in the way i write her.
to me, tonks is (on top of being obviously interpretable as queer) clearly punk/alternative coded, withe the hair and the way she speaks to her elders and her sense of humor. i'm old and i was a tween/young teen in the mid/late nineties when tonks would have been around, and i remember how discovering riot grrl and queer punk bands of that era completely changed the way i thought about myself and the standards i was being held to and just the possibilities for what girls could do and how they could exist in the world and in their own bodies. being gross and crude, rejecting and subverting and playing with the power of the male gaze, talking openly about fucking and bleeding and being gay and being angry: it all seemed like a superpower to me.
tonks is clearly, from the start, in a state of experimentation with her own identity - the way she changes her hair from violet to pink in front of harry - and she's uniquely positioned as a metamorphmagus to create herself from scratch whenever she likes. it reminds me so much of being a kid and discovering that there were all of these new possibilities for who i could be, if i could be brave enough to try them. and we know that Tonks is brave 😉. so like, why not write a Tonks who is liberated, doesn't give a fuck, insists that the world make room for her? i think the contrast with people-pleaser overthinker self-hater lupin is really irresistible, too.
my vision of tonks is as a person i would have looked up to as a kid at that time, but who is still from her pov very much figuring her shit out and trying to construct a self that gives her peace and fulfillment. she dies in that state of flux - having also just undergone the enormous identity-changes of marriage and motherhood. she's fascinating! i insist on it!
so thank you again, such a sweet ask!
* i bet she put up with a ton of bullshit trying to be in a relationship with lupin tho smh girl u can do better!!! we all been there though
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void-ink-studios · 7 months
Text
Gala of the Gods (Part 3)
Alright, Part 3 is here!
You get art this time around as well, as I couldn't resist drawing their fancy outfits! Hmm, nothing like attempting to draw these characters for the first time in fancy clothing with patterns and shit, I'm a smart one.
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Hope y'all enjoyed this little 3-parter. If anyone have more ideas, I'd love to hear it, because I like writing these two.
Also, before you read, just as a heads up, it gets a little suggestive at the very end. It's a firm fade to black, but it is a thing that exists. Look for a line of dashes if you'd rather not read it.
Part 1 | Part 2 | Part 3 -You Are Here-
Word Count: 2,300
The Organizer was not a god of... standard form. She wasn't a god of standard anything, to be fair. Scarab couldn't recall many run-ins with her, as their work very rarely overlapped, but that did not make sitting in her office with her staring down at him any more comforting or less nerve racking.
There was a constant noise, as her many, many arms carried on with her daily tasks. Some were writing, others were stamping, some were shredding, it was all happening at once. Her many eyes free roamed around the office as she worked, but she had decided to keep maybe half a dozen glued to the two gods sitting across from her desk.
Lucky them.
No one spoke for a long time. Scarab just nervously fiddled with his can, while Prismo seemed to be doing his best to will the floor to swallow him, shoulders coming up to his ears.
"I thought I had made the policy of fighting at my Gala very clear." Her voice echoed all over the room, rather than coming from some visible mouth. The both of them flinched at the sudden break of silence. "Scarab, while I might be less surprised due to past behavior, I must say I'm still disappointed with your recent track record. Prismo, I can't say I expected to see you in my office of all gods."
"But-"
"I-"
They both started at the same time, but were silenced by a single raised hand.
"However. I am not all-knowing. That is the Observer's job. Prismo, you are not one to cause problems often. And Scarab, despite your difficulties with others, you always filed your paperwork on time. So, I am giving each of you a chance to explain yourselves."
Scarab waited for some signal from her that he was permitted to speak.
"...Prismo, it was you who started it, so you will be first to explain yourself."
Prismo audibly gulped.
"O-Okay... I'd just like to clarify, Scarab and I were not fighting, not in the way you might be expecting. It was my fault..."
Scarab's eyes widened, about to jump in, but was silenced by a hard glare from the Organizer. She gestured for Prismo to continue.
"I lost control over an aspect of myself, and started lashing out. Scarab was just trying to neutralize the threat and calm me down. He wasn't trying to hurt me. Just stop me from hurting others."
There was more silence as the Organizer mulled this information over. Her gaze shifted to Scarab.
"Scarab. Can you confirm this story?"
"Yes ma'am. I was not trying to do harm onto Prismo. I had never seen that aspect of him act out, and I was not sure if or when he could regain control. So I worked to put a stop to it. The only weapon I used was a glorified flashlight."
"I see." Scarab saw distantly a set of arms start sorting through a filing cabinet. "Can you tell me why this aspect of Prismo got so out of control? Last I understood, Prismo, you had achieved complete control and cohesion with all aspects of your dream form. Has this changed?"
"No, no! It's, uh, different..."
"How so?"
"Well... my nightmare aspect only flares up under extreme negative emotions... Stuff life fear or really bad sadness or... when I'm really, really angry. That's what happened tonight, ma'am. I hit a boiling point and it... blew up."
She gave a pointed gaze toward Scarab, causing the beetle to sink into his seat.
"No! It wasn't Scarab's fault!"
"It wasn't?"
"No! I mean, Scarab's related, but it wasn't his fault!"
"How is he related, but not his fault, Prismo?"
Prismo ran a hand through his curls, trying to collect himself.
"So, Scarab's been under my management after the whole Fionna and Cake fiasco, right?"
"Yes, I remember signing that change of management form. I must say, I was a bit confused when I heard you had volunteered. My understanding was the entire incident was caused by a conflict between the two of you."
"It was but... well, the whole thing was my fault to begin with. I did make a rogue universe, and Scarab was just doing his job. He went too far at the end, and it was definitely more personal than his other cases, but I still did what he said I did, and he was right to try and do his job."
The beetle sighed. This was a conversation they had had many times. A lot of confusing feelings had needed to get detangled if they were going to live together. They had forgiven each other for quite a while.
"So, what did Scarab's assignment to you have to do with what happened tonight?"
"Well, Scarab and I have been getting closer. Bonding. We're actually really close now." The Organizer have him a very knowing stare. "I consider him one of my best friends and... I've been learned a lot about him. A lot about how he's been treated by our coworkers and... it wasn't nice and it wasn't fair. I've been getting more and more angry at the others for how they've been treating someone they don't even know, particularly Orbo."
Prismo's hands clenched into fists as he took a deep breath. The Organizer hummed. "What happened between you and Orbo?"
"Orbo cornered me tonight and tried to convince me that Scarab was changing me for the worse because I've been less than nice to him and others who keep trying to act like Scarab's some sort of monster. I got sick and tired of people acting like I was stupid for helping him, that I'm being manipulated. I'm tired of hearing 'Poor Prismo, getting stuck with Scarab, it's so sad for him', like I didn't volunteer for it!"
Scarab felt his mandibles tense... that's what had happened...? Orbo said that...? Was it... true... was he changing Prismo for the worse?
"Orbo making these comments are... interesting."
Scarab raised a brow. "Interesting how?"
"Because he filed complaints and write ups for you every Glob Forsaken time he thought he could."
All color drained from Scarab's face. His heart raced, and he started shaking enough for his carapace to click together.
"He what?!"
"He's submitted thousands of these things over the years. Pretty much none of them went anywhere because the Observer never confirmed the infractions described in the write-ups. Of all your write ups, only three have ever been acted on."
"...Three...?"
"Yes. The first two had notes that Orbo had the authority to discipline as he saw fit within reasonable boundaries. The third lead to the decision to move you into Prismo's management."
Authority to discipline as Orbo saw fit...
He touched the cropped stumps of his former antenna... he felt the lingering burn in his shoulders from his ripped wings...
"Do you... know what those punishments were...?"
"I was not privy to details. Just that they were carried out, and you returned to your duties."
There was a heavy pause, as both Prismo and Scarab processed that news.
"Well, if what you say is true, and I will be calling in the Observer to confirm, then it seems a meeting between Orbo and I is in order. However."
Prismo took hold of Scarab's hand.
"You two did break one of my only rules of the Gala. While it might not have been a true fight, it did cause panic and damage in the Judgement Hall. While it was not either of you who instigated the conflict, it was you two who escalated it to physical violence. It needs to be addressed."
The Organizer pinned the both of them down with a withering stare. Scarab would never not feel like he was a child around her.
Especially now. He saw the way her hands moved, the relentless precision with which she worked. It would be... frighteningly easy for her to pull his arms or legs off... He cast a worried glance to Prismo. His mortal body was much... softer than Scarabs... it... wouldn't survive getting plucked apart...
"...As punishment, you two are going to be my assistants for the time being. Prismo, your job as Wishmaster is still in effect, and you both will be allowed to return to the Time Room. However, you should expect paperwork to periodically be teleported into the chamber. I expect you both to work to complete that paperwork in a timely manner, as accurately as possible. You will be granted limited access to the divine records room for reference. Failure to perform this new duty will have me dragging the both of you back in here. And I won't be as nice next time."
There was a decisive stamp suddenly in front of them, as the Organizer slid a piece of paper in front of them.
Scarab read it. He let out a breath he didn't realize he was holding. He almost wept. Paperwork. He could handle that. He wasn't getting pulled part today. Prismo wasn't getting pulled apart today.
"Do I make myself clear?"
"Yes ma'am" they both said together.
"Good. Now, off you go, I have a Star Core I need to speak with."
Before either could say another word, they were warped away in a rainbow of light, and deposited quite ungracefully on the floor of the Time Room.
"Ugh, that sucks a lot when someone else is warping me... Paperwork's gonna suck though, right Scrabs?"
Prismo rubbed the back of his head as he sat up. He spotted Scarab in the corner, huddled down, making himself as small as possible. His heart squeezed as he crawled over to him.
"Hey Lovebug..." He tried to put his hand on his shoulder, but the beetle shied away from the touch. "...Are you okay...?"
Scarab sighed a tired chirp. "No Prismo... I'm... not okay. You were... so angry... you were angry because of me... You're... you're very frightening when you're angry..."
Prismo frowned, rubbing the back of his neck. "No, Lovebug. That wasn't your fault..."
"But it is... You've been so... so kind to me, Prismo... So accommodating and forgiving and sweet... You're making enemies out of friends over me... And... what have I done? What have I done to deserve any of that..."
"Scarab, no-"
"Look at me, Prismo" he snapped. "I'm... not worth this... I'm not good, not like you. I've just been... a problem. An obstacle. Something to work around..."
Scarab's voice sounded so small... Prismo wrapped an arm around his shoulders and squeezed.
"Scarab. You are not an obstacle. I do those things because I want you to feel safe and cared for. And... tonight, you've done more than anyone really has before."
"...How...?"
"Look... When Nightmo takes control, there's not much hope for me coming down on my own. He's a protective measure, but he works too well. He feeds off of negative feelings, the fear and anger around him. He just gets bigger and bigger and more hostile, until there's nothing left to feed on. He has to be subdued or he'll destroy everything around him. I've... I've never seen him back down willingly. Not until tonight."
Scarab looked into Prismo's eyes, wide and uncertain.
"But... but he didn't back down, I had to neutralize him..."
"Scarab, you talked Nightmo down. Yeah, you had to get him small enough to pay attention, but it was your words that got him to fall back. He... He knows you're safe. He'll retreat because he believes you'll protect me. And that's... never happened before. Ever."
Scarab saw the tears pooled in Prismo's eyes, a sad and tired smile spread across his face. He pulled the beetle closer to give sweet kisses to his cheek and neck.
"You've been opening my eyes, Scarab. I was only everybody's pal because they thought I was... in on the joke. I didn't even realize what complete and total wads they were, because they thought I was "cool" or whatever. I don't want to be friends with people who could do the things they've done to you, just because they think no one will care. I have standards. And now I know they don't meet them. I'm not losing friends over you, I'm just finding out who really is and isn't a friend."
Prismo placed a soothing hand at the base of one of Scarab's wings.
"So no, Lovebug. You're not making me worse. You make me, even the worst parts of me, feel safe. I love you. All of me loves you."
Scarab should've been a bit embarrassed by the noises he was making, but it didn't particularly matter now. Not when the two trapped each other in a tight embrace, and a loving kiss. Mandibles threaded through gray hair, talons touched the soft skin they found, and gentle hands soothed aching shoulders.
"I love you too, Prismo" Scarab whispered as they separated for air. He chirped softly as the Wishmaster continued kissing at his neck, his wings twitching and fluttering as best they could.
-----------------------
"...You're so beautiful. You look so beautiful like this..."
Prismo's hands held his waist firmly, thumb rubbing at a seam in his carapace.
"Hmmm... What are you planning, oh great Wishmaster?"
"Well... We do have these bodies. For a little bit longer. I've got no plans for right now. But I could. Or, we could cuddle. Up to you, Lovebug."
Prismo busied himself with Scarab's neck again as the beetle thought. Or, well, as he tried to, but his own shell was suddenly feeling a bit warm. One of his claws traced around the Wishmaster's neck and shoulder.
"I... I think you're quite beautiful as well, Prismo. I'd be... willing to explore whatever plans you might come up with."
Prismo gave him a peck on the cheek, a maybe slightly smug grin on his face.
"I think that can be arranged."
And he closed the door of the Time Room.
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leiflitter · 3 months
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Hi I'm doing a research paper on antiheroes and I'm using Oliver as one example. Could you maybe tell me why he appeals to you as a character despite the murdering and the scheming etc
You come into my askbox while I sleep and make me think? First thing in the morning? BUT I SHALL ANSWER
won't make any sense probably but HEY!
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I think the main reason I love Oliver is because I can see a lot of myself in him.
Cut bc this will be long af
Granted, my perspective on the character is... I spend a lot of time thinking about that idiot, so this is fully based on my interpretation of him buttttt
Okay, so the murders and scheming are firstly... Ambiguous. Elspeth is the only one we see as it happens- not in a flashback, big-twist, oh it was my evil plan all along #classwarfare #girlboss #theyhatetoseeabadbitchwinning way- and she's so far gone she's on a ventilator and just dies without it. How did she get so sick? It isn't mentioned. Honestly, as someone with long covid, she's wandering around London without a mask. LADY. YOUR LUNGS.
Everything else? The spiked bottle. The razorblades. They're shown to us at the end, this big gotcha moment... From someone who has clearly spent every moment since Felix Catton died trying desperately to gather some small piece of him.
His home is decorated like Saltburn. He's immediately trying to get back in. The moth battering itself against the window.
Whether or not Oliver Quick is an evil, scheming murderer is entirely down to your interpretation of that reveal montage. Mad props to Emerald for that.
My interpretation of it is... Not to say he's innocent, but that he's a sad, sad man grasping at straws to give himself more agency. He's spent years dwelling on and analysing the worst time of his life, and as a good Eng Lit student (dude was doing essays on Browning) he's turned it into a narrative.
If we stop suspending disbelief, then we have:
Felix
Oliver put some cocaine in a bottle (as evidenced by Oliver having the same sort of vial Farleigh has in the main hall). Oliver drank some. Felix drank some. He threw up, Felix died.
I have probably said this before, but Felix's death cannot be directly attributed to Oliver's actions.
Felix was in the bathroom, and although we don't see him doing lines, he's not just hanging out there for funzies. He's going hard, probably mixing drugs and booze. He's so off his tits that he doesn't notice how bad/bitter the booze Oliver gives him tastes. Plus there's a reason people snort cocaine; it's efficacy is highly reduced when eaten, and it takes far longer to reach the brain. How long would Felix have just stood in the maze? Waiting there like a sim with no activities queued until he keeled over?
It's likely that Felix overdosed, but it's really unlikely that Oliver was the sole cause, if he was the cause at all.
Venetia
He left razorblades near her. That's literally all we see. From Oliver as a character, I don't think he has the guts to actually, directly kill- and it wouldn't make sense to. He'd be found out immediately if he did- any sign of violence and the Cattons would have private investigators and all sorts at their disposal. He was in the next room. It'd be open and shut. I do think, from the blood on the floor, that she tried to go to his room for help and he ignored her- but!
Leaving something sharp near someone in distress is another shitty scheme. What was he going to do if she didn't notice them? What if she knocked them off the side of the tub accidentally? Was he going to leave her a post-it note like HI V PLS KYS LUV OLLIE to make sure she noticed them?
Another thing that often is kinda... Glossed over... Is that Oliver is a fuckin teenager, and he isn't as smart as he portrays himself.
Olls. Why would you fool about with Felix's sister in plain view of the house? Ollie. What exactly did you expect one email to do? Erase Farleigh from existence? Oliver. Mate. You left your phone in the bathroom? Where Felix "no boundaries" Catton could find it? Why? Did you need to play Snake in the bath THAT BADLY? Oliver. Why would you lie about something so easily disprovable? Oliver Quick, you started digging a hole and it became Felix's fucking grave.
Older Oliver has turned what happened into a narrative where He Has Agency. He did it, and he did it on purpose, because HE WASN'T IN LOVE WITH FELIX (he was in love with Felix). He had a plan, you see, it wasn’t him being desperate and trying anything, everything he could to stay close to Felix.
He wasn’t a weird, awkward teenager who went away from home, fell in love with someone entirely unobtainable- due to socioeconomic bracket, gender, the year, all of that- and was so desperate to be near Felix that he built an unsustainable web of lies that fell apart. I think the maze scene is Oliver at his most honest, because he doesn't understand why his performance is any different, other than the amount of effort he's put in.
No, he was evil. A bad guy. A wolf in sheep's clothing, Felix his innocent victim. He's a genius... Because what is the alternative for Oliver Quick?
Admit that he was little more than a child, lashing out, unable to accept his own feelings- as he's unable to accept them as an adult- and now...
The immutable fact is that Felix died, and Oliver will never be over it.
What's the safer option?
I was a mess and I might be responsible for this and I was lashing out and I might have killed the thing I loved most because I fucked it all up.
or
I did it all on purpose.
And... To bring this back to the question.
I have been Oliver Quick in the bit before the bike scene. I've watched people I'd like to be friends with, living a life I was too shy or scared to go after. I can remember desperately wanting to be cool, to have a backstory, to be compelling...
I just never got desperate enough to lie. And I'm doing pretty good now, but I fucking get it. To want that connection so badly, to yearn for the life you see other people living, to want to be someone other than yourself.
So y'know
That's why I love him.
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orkbutch · 7 months
Text
OKAY SO I'm wired and can't sleep so to tucker myself out I am going to do that Karlach personal story post. And ofc this is just my interpretation, my read, of Karlach's story through the game. I am not saying this is Correct. Just to be clear.
Controversial opinion: I liked Karlach's end story even from base game, before they patched in joining her in Avernus. I thought it was super bold and kind of impressive. But I'm glad they added the patch. For me, thematically, whether Karlach goes back to the Hells or chooses to die in Faerun is her taking a different approach to the same extremely difficult, human problem. Both ends are bittersweet to me, both tragic.
Thematically, like all of the origin characters, Karlach's story is rooted in discussing community and agency. She is lonely. She wants freedom. She wants to live so much life, as much as she can. I see Karlach thematically as someone with a terminal illness. She is someone living as if her life will end, she is tying up loose ends, she's wrestling with mortality, she's thinking about her legacy and trying to ignore all the things she might not get to have. And when she does think about it, when it peeks through, you can see that she is in mourning; she is grieving all the things already lost, the future she cannot imagine.
Going off of that, what do each of these endings say thematically? They are both choices, both exercises of agency, but tinted a little differently.
Thematically, Karlach choosing to die is bittersweet; its very sad, but it also makes me think of euthanasia. An act of agency that grants comfort, dignity, relief. The ultimate gesture of self determination for someone who has had so much of their life and body taken from them entirely. On the other hand, it is self destruction. It is Karlach seeing how she has been changed, and going, "This isn't worth it. If this body can't be what I need it to be, it shouldn't exist at all." That is devastating.
So then there's the other side of things, the return to Avernus. What does this mean thematically? It is a declaration of worth; "Living and my existence is worth the struggle. It's worth the risk. I can make this body my home again". It also makes me think of another very real, human experience after near-terminal illness or disability; it reminds me of adjusting the goal posts, of grieving, adjusting and accepting the new reality of life in the body you have now. Of finding new definitions of living, expanding how you find fulfillment. The incredible resilience that takes. The work of rehabilitation and recovery, of finding and establishing new systems and habits, is all slow, difficult, often painful work.
But it is worth it for life, for getting to stay. To see how you change, what you're capable of being. And I think this is particularly important with Karlach because it would surely lead her to becoming someone more whole than she's gotten to be for many years. I don't like the idea that returning to Avernus kills the innocent girl within her or whatevs; the innocent girl is only a part of her, one that endured all through the Hells. In struggling and trying toward life, Karlach is reaching for a future where she won't need to be divided at all. Where she is loving and very kind and forever, undeniably changed by Hell, but that experience and the conquering of it becomes strength. It is her, and she is worth living and loving, so the part of her that is Hell touched is too. But it required her to want different things, to adjust what living fulfilled meant to her. And that is hard, and a little tragic. But also very human and lovely to me
i love ... karlach the end
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irithnova · 3 months
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About my Siberia ocs...
So I think it's important to balance their characterisation in a way in which they are distinctive characters with interesting personalities and backstories but also acknowledges the challenges they face without making their entire character essentially "They're sad all the time because of Russia" or "Stop talking about their struggles under Russia I don't like politics."
I think both are problematic however I find the latter to be far more distasteful because well. This is a nation personification OC we're talking about and not only that, they're essentially nations within a nation (Russia) by virtue of colonisation and so are minority groups within the larger nation. Hell - because of displacement and immigration from European Russia , a lot of these groups are minorities within their own lands. It's a special case when dealing with minority groups/occupied people personifications and it's particularly egregious when someone wants to forgo any kind of acknowledgement of these power imbalances yet still insists that their interpretation is sensitive.
I've seen some pretty bad OCs of Siberian groups which are the product of the creator going "I hate politics stop talking about politics!" or, an almost direct quote, "I hate when people shove politics into historical hetalia." Which... Is an interesting take to say the least considering how history feeds into politics and vice versa. Historical hetalia is a beast in an of itself and is one of the only hetalia communities/bubbles in which "no politics" will get you laughed out the door from what I've seen considering *gestures to my previous statement*. If you've ever taken a history course - you'll know how much history and politics are intertwined.
This is how you get interps which consists of the likes of "Russia was wandering around the empty lands of Siberia" which not only blatantly disregards the brutality of the Russian colonisation of Siberia but also promotes the concept of "Terra Nullius" or "Virgin Land". I'm quoting myself from an even bigger post I have in store which focuses on anti Mongolian sentiment however stereotypes about Mongolians and Siberian groups often overlap because of their placement in Northern Asia, hence why it applies to both,
"In addition, to hone in on Mongolia being an "untouched, pristine" land - this is also a common trope that is launched towards traditionally nomadic "unsettled groups” (such as Siberian and Native American groups). The concept of "Terra Nullius", a Latin word meaning "nobody's land". It completely disregards the presence and rights of the people who inhabit the land and has been historically used to justify the colonisation and displacement of such groups - their land belonged to "nobody" so it was essentially up for grabs...It divorces the people from their landscape and paves the way for dangerous misconceptions and justifications to blossom.
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Here is an example of "Terra Nullius" in action in a Russian propaganda poster, encouraging Russians to move to Kazakhstan."
Or interps such as "[Siberian group] has forgiven Russia for everything he did/most things he did and is in love with him" which implies that the mistreatment of the Siberian groups is merely something in the past when it is in fact ongoing. The mistreatment of Siberian groups such as the Sakha, Buryats, Chukchi and Tuvans has been all the more highlighted in their disproportionate mobilisation in the invasion of Ukraine - and the heaps of scapegoating that was subsequently shovelled onto them.
That's not to say ethnic minority soldiers in the Russian army shouldn't be held accountable for their crimes - however that and the fact that they themselves are victims of Russian imperialism can both exist as true statements. The scapegoating is so bad that even Pope Francis joined in, blaming the brunt of the war crimes committed onto "Non Russians" such as Buryats and Chechens, as they do not come from "Russian culture."
Back to my main point... I think the resistance to do research on and publicly acknowledge how these groups live under Russia and what kind of struggles they face in some kind of bid to "not paint them as victims!!11" is sorely misinformed and ignorant. Because well. They are victims.
Not in the sense that you should portray them as sad, pitiful, weak little meow meows but in the sense that yes they are living under Russian occupation and are an occupied people who's been subjected to centuries of Russification, and so compared to making an OC of Mongolia who is an independent nation state at least I think there is far less room to be hauling around "leave politics out of historical hetalia!" "don't talk to me about politics!" "stop victimising them!!" because then it leads to tone deaf interpretations such as "They've forgiven Russia for everything and is in love with him ♥️💖", "Russia is actually [Siberia groups] father", "Here is my singular Siberia OC who represents ALL Siberian groups and by the way Russia is their father" (yes these are all real interpretations I've seen and I've made a separate really strongly worded post ranting about it) and worse. I mean I've literally seen an "aph Siberia oc" who was Russia and France's love child. Terra Nullius executed Hetalia-style.
I don't really think I need to elaborate on why a singular Siberia OC is problematic - Siberia is filled with a myriad of different groups who speak different languages, have different origins and ways of lives and practices, different religions, who've experienced eras of peace and conflict with each other, etc and yeah to shove them all into one personification is an erasure of the sheer diversity that is in Siberia. I definitely don't need to elaborate on why making Russia a father to any of these groups is problematic, to say very the least.
On the point of "don't only portray them in a victimising lense", I think making Siberian groups all depressed all the time is also a Russia-centric perspective. Of course it's ignorant at best to not acknowledge their shared suffering because of Russia however when this point and this point alone is central to their character I believe in a way that it strips them of their autonomy and ability to feel things and do things outside of Russia's gaze. There is absolutely a lot of joy to be had despite their current situation, perhaps even in spite of their current situation. It's ok to give them odd quirks and put them in funny situations as well as acknowledge that they are an occupied people and approach that territory carefully when need be.
For example, I made my Buryatia bubbly and loud but made my Tuva a bit more deadpan because I see them as a pair who often associate with each other and I think the dynamic is funny. I also made Buryatia an overbearing "husband" to Soyot who is perpetually tired™ from all the se- .
I made a crack dynamic between Sakha, Evenkia and Dolgan where Evenkia was Sakha's teacher at first but then became a deadbeat dad leaving Sakha to primarily raise Dolgan, thus Dolgan takes after Sakha and is uh lawyermaxxing👍. Yukaghir is the little old lady of the group who is often forgetful but very nifty and Chukotka acts like a big sister to people which Koryak (who I see as her brother) always finds annoying and they often bicker. Ket is on the slightly edgy side and is extremely particular about his routines and Nganasan terrifies Nenet because he eats reindeer whereas Nenet doesn't.
All of these quirks/ more lighthearted interpretations and "they are an occupied people under Russia" can coexist. One should not be thrown out for the sake of the other.
I think there's also problem - though I've seen this far less, in making Siberia ocs purely as a middle finger at Russia. As in, you made the OC because you wanted to say loud and proud FUCK RUSSIA which well yeah, fuck Russia, but I highly doubt your interest in this group lies outside of wanting to #own the Russians which is dehumanising in and of itself. At least pretend to care about the history and culture instead of using an entire group of people to make a virtue-signally oc purely to try and upset some Russians.
Anyways yeah Siberia 👍
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deanbrainrotwritings · 6 months
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— THE LOVE LETTER COLLECTION: PART TWO
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SUMMARY : being a dreamwalker, seeing every universe, having a hot boyfriend. there’s a million perks to that. the soft version.
PAIRING : dean winchester x dreamwalker!reader (f.) x dean variants
CHARACTERS : just a bunch of dean variants
WARNINGS/TAGS : talk about the barn scene, angst, fluff
WORD COUNT : 2.6k
A/N : this fills the hurt/comfort square on my @jacklesversebingo card. still written from Dean's perspective (I hope you feel loved by him, lmao) XX
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The meeting was over and I was completely shocked by the news that bearded-Dean broke to us. He saved me. Doing that caused the destruction of his world and he went through with it anyway.
I remember that day clearly. I missed that damn metal thing about a dozen times that night and I wonder which time he interfered to get me to survive. He’s the reason I’m still here, and I'm partially pissed that he’s toying with my life, but if I were dead, what would that do to her? 
“So you could be happy with him,” he explained, almost sounding like a plea to get me to hear him out and not think the worst of him. It wouldn’t make sense for me to hate him, or treat him like he’s a villain. He did what I would do: sacrifice everything for her. The thought of everyone else that died in the timeline, like Sam, Donna, Jody, the girls… It hurts and now I understand why there is so much pain in his eyes. 
“You gave me up, too…” she murmured softly, looking up at him sadly. I start to realise now, he’s more me than anyone else here. He is literally me from the future. All my past with her, he has that. All that love, it’s still there. So are the memories and the things he could have had with her, but he gave that up so that I could have them and be alive at the same time. 
“You’re in there somewhere now,” he tried to lighten the mood with a faint smile. 
Standing on her toes, she wrapped her arms around his neck. It was one of my favourite types of hugs from her. I didn’t complain this time, when he wrapped his arms around her quietly and buried his face into her neck. He hid himself, the way I always did, using her warm embrace. 
While he finds comfort in her arms, I observe everyone in the meeting room focusing on the files Ken-me brought in a cart. Occasionally, they’d look up with longing and sadness that was different from the look the soldiers had when they saw her. It was interesting. 
I did a quick count of everyone in the room. Twenty-six. That’s the same amount of versions of her he said he’d placed inside that rock. It couldn’t be. But it would make sense that the versions of me who were with a version of her are sitting here coming up with plans, leading different groups, focusing on different projects. 
If that guy is me, from a future that doesn’t exist anymore, he doesn’t belong anywhere but here. He made this place to keep her safe after getting her killed by saving me. Of course he’d place her lovers at a higher rank than the other me’s in this place who are merely soldiers, dreamers. It’s not that they’re less important, it’s that they haven’t had a chance to actually love her and that’s why it’s different. 
I only recognise two variants of myself in the room. The rich guy with that HunterCorp company and me from the Apocalypse world. I know for a fact that they had her as their girlfriend, too. Apocalypse-me lost her from an illness not related to the Croatoan virus and HunterCorp-me lost her on a hunt when a gorgon killed her.
The guy closest to me wore a red button up and a black t-shirt. He paused in the middle of his sentence to look at me with an indifferent look on his face. It’s weird looking at myself. He’s not much older than I am. The wrinkles by his eyes aren’t as noticeable as mine are now and I see something in his eyes that I hadn’t seen in a while. Something that sends a chill up my spine and makes me shudder.
“You have a question,” he states astutely. I laugh and nod, putting my hands on my hips as I watch the field scattered across the table. 
“So.. all of you, you’ve lost her… somehow?” The ones close enough to hear my question stop what they’re doing. They’re listening now, to me. I can see that they’re curious about my question.
“Yeah,” he confirmed, then lifted the sleeve of his arm to reveal the Mark of Cain. My heart stutters at the sight of the pinkish scar on his skin. “I killed her and Sam…” he reveals. My heart plummets to my stomach. That was one of my biggest fears once I’d been cured of being a demon. “This place suppresses the effects of the Mark, makes me feel almost normal.” His words put me at ease and I know he’s not lying because there’s no chance in hell I’d let someone like him in here if he were a danger to everyone. 
Standing here now, I start to connect a few pieces together. This whole place at the end of and the beginning of time being named the Monument while containing only variants of myself, variants who all will always only love her and have always only loved her. The steadfast belief that every single person here and outside of this room has that she is the only one for them… it’s like this place was built on a foundation of love primarily for her, and then it extends to love for everything else in existence. 
Older-me said so himself, he spends more of his time worrying about her, going as far as destroying his entire timeline so she could be happy with me. They all know, they all chose him to lead them, allow him to lead them, and live peacefully with each other because that’s what she’d want. This whole place is a declaration of love for her, our unending respect of what she believes in, our undying loyalty and commitment to her and her life alone. 
I watch her interact with them now that older-me has collected his wits. He’s not with her at the moment, he’s focused on a file, but he does look up at her every once in a while. I wonder what she said to him that’s making him keep looking at her and what he could be thinking of with every glance her way. 
I study her from across the room as she talks to them. Her face never changes when she talks to them. She’s surrounded by love here. I can see it on her face and it’s reflected in theirs, too. Their gratitude and the sudden peace that overcomes them fills the room. I can tell being near her heals a part of them that had been broken the moment she was lost to them forever. 
She’s immersed completely in them, there’s a lustre of adoration in her eyes, and she has the most tender smile when they explain or answer her questions. I’m amazed by their self-control, had she been giving me that look, I’d take her face in my hands and kiss her senseless. 
Suddenly, the thought of any one of them doing that didn’t make me sick with jealousy. They were more like me than I'd like to admit. Their devotion to her was admirable. I appreciate their respect for me by not making a single move on her and by not doing anything to make her uncomfortable. I hate to say they’ve earned my trust. 
She’s so beautiful as she listens to them intently. They’re like children getting attention from their doting mother, except that’s a weird analogy for this situation. I’m sure they want to kiss her, aching to touch her soft and warm skin, longing to hold her after not feeling her close to them for years—or who knows how long, really. 
I leave the group around me as they talk about the files and make my way to her. I’d think this place would be filled with toxicity and anger issues. Instead, we’re more concerned about the mission and hyper-focused on protecting what others still have across innumerable universes. They’re brought together by hope, grief, and love. All the things that make us who we are.
I know she’s smart enough to have figured all of this out, too, by now. 
As I get closer to her, I wonder what it’s like for her to know all this. What does she feel knowing she has all our hearts at the palm of her hand? Knowing her, she’s baffled, maybe a little confused as to why they’d make themselves so miserable waiting around in this giant, lonely monument dreaming of her rather than being out there actually living their lives with the ones they love. I’d imagine it would get boring in Heaven, I’d run out of that place and come here, too, if she weren’t there waiting for me. 
I circle my arm around her waist and give her a kiss on her cheek, which is hot and red. She laughs nervously at whatever the 1920’s variant of me said to her. I didn’t catch it, but she continues to laugh as she says, “you’re funny.” It’s in that ‘I don’t believe you, but whatever you say’ tone that makes me smile when I look down at her. 
“I’m serious,” he affirms, laughing along with her. She looks up at me, as if I’d be on her side, but I’m lost. I shrug at her with a light-hearted frown. “You’d be surprised by how easy it is for someone as damaged as us to be stuck on a breathtaking, unobtainable, dream-woman over any other hotsy-totsy lady that’s obtainable and real.” 
Now, I get it. I’d been with plenty of women in my past, women I cared for deeply and even truly loved at some point. As much as I respect and even admire them, none of them come close, none of those relationships compare to what I have with her. 
I’m not surprised to see she’s shocked. I'd be equally as bewildered as she is now if the situation were reversed. If the room was filled with variants of her, only in love with me, I wouldn’t be able to wrap my head around it. I’d be flattered and upset at the same time. 
She blushes harder, looks at me again, begging me to be the reasonable one in the group, but I shake my head apologetically. “Maybe you should shut up,” she floundered, crossing her arms over her chest and looking away from them. They laugh at the same time that I do and I can feel her shrink into herself, but a sheepish smile makes its way onto her face.
“Am I makin’ you blush?” He teases her with a boyish grin. She sighs---almost disappointedly---and moves out of my embrace, uncrossing her arms. She takes us in, all of us standing next to each other, and she looks devastated now; all playfulness leaves her. 
“I just… that can’t be true,” she says quietly, looking at them. “I want you all to be happy… out there.” They get serious, too, frowning at her disheartened tone. “You’ve all gone through so much… and to just end up here… alone. I don’t want that for you.” Silence falls over us and I feel a pang in my chest at her words. 
“Listen, I’m not saying the women we were interested in aren’t good enough. They’re great and amazing.” This time it’s Firefighter-me talking, but I’m more surprised than I should be that we all think the same. She looks at me, chewing on her lip thoughtfully. “Jo’s great, Cassie’s great, Lisa’s great… ya know, whoever else, but they deserve better, too. Dontcha think so?” He asks, trying to get her to be a little less daunted by their choices. Because they are theirs. They’re doing what they want and what they believe. It’s not like the older version of me left them choiceless. I know myself, no one’s taking my right to choose, no one’s trapping me that way—never again. 
“We shouldn’t waste their time either,” cowboy-me added. “It wouldn’t be sincere or fair to them because we would continue to love you the most.” She tilts her head to the side, her lip quivers, and we all know what’s going to happen. “You know, everytime we sleep, we dream of you. We see the life you have with your Dean. It’s all we want and it’s amazing to get to feel you and to get to live it, but when we wake up, we feel empty, disappointed… because you’re not ours, you’re not here, and we can’t feel you anymore. Your warmth is gone and you’re so far away from us, and I know you want more for us, but we just can’t be happy with someone who isn’t you.” He tried to reconcile her by bringing her in for a side-hug and a kiss on the forehead. She tried to hold back her tears with quiet sniffles, deep breaths, and by clenching her jaw. I don’t think it worked because she gave him a full hug, burying her face in his chest. “That life just wasn’t meant for us and we’re okay with it.” 
I wonder what it’s like for them to see her here in person. Is it of any comfort to them? Or does it just make them hurt more? To have her in their grasp and then have her gone again, but this time it’s her own choice to leave them. Does it hurt that she’s choosing someone else, me? Will being around her allow them to move on? 
If I were them, I’d be miserable seeing her with someone who isn’t me. There’s a dull ache in my chest that I almost believe is just an echo of what they must feel. Moving on may not be an option for them, considering that they willingly chose to work in a monument of the love they have for her. If she were here, I’d never be able to move on.
“We really appreciate that you two came,” older-me spoke, slightly causing them to break apart. He brought his hand to the top of her head and gave her a sad smile, an understanding look in his eyes. “We’ve got to focus and get to work now... We’ll see you around, the two of you.” 
“I’m sorry,” she says softly, but it sounded a lot like an ‘I love you’. She went to him and let herself be pulled into his embrace. He kissed her cheek, his lips lingered, and her eyes closed to bask in his affection. 
He pulled away from her and then made his way to me, allowing her to say goodbye to everyone else. “Alright, uh… listen,” he said quietly, stepping close so I could smell his cologne—smelled way better than mine, “Don’t be a dumbass and do something about that box you’ve got hidden away. ‘Cause if you don’t, I’m givin’ you nightmares. Okay? Okay.” He slapped my back and laughed as if trying to cover up our conversation.
“But what if she says no?” I ask, hating the insecurity in my voice. 
“The whole point of this place is that she’s always gonna say yes to us.” He doesn’t elaborate, he just walks away and leaves me to stew in that. I open my mouth and turn around to ask him what the hell he meant. I take in her gentleness when she’s talking to them, holding Firefighter-me’s face in her hands, and dropping a few loving kisses on his temple. 
Maybe I should stop overthinking things. Primarily because when it comes to her, I don’t have to think about or doubt anything. This isn’t something that’s being chosen for me, but being shown to me as an option of what I could have. 
➥ same book but never the same page
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© ALL RIGHTS RESERVED TO DEANBRAINROTWRITINGS 
do not steal, plagiarise, translate, or republish my work on another platform
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sparkling-nov · 2 months
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HEY HEY GUYS GUESS WHAT THESE TWO FEMALE CHARACTERS HAVE IN COMMON?!
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Their Both called Selfish, Mean, A Monster and the Real Villain For not Complying to their male antagonist's Selfish and Unfair Rules😍🤩
Princess peach is selfish and mean cause she cares about her Family and Community lives and Refused Bowser's *Forced* Marriage proposal.
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Asha is selfish and mean cause she cares about her Family and Community wishes and wants people to be able to pursue their dreams themselves But King Magnifico Scams people out of their wishes and lies straight to their faces that he'll grent them but never will and won't let people pursue their dreams themselves either.
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You don't know the Shock i felt when i find out that people really think princess peach was "too rude" Towards bowser and may i remind y'all, bowser in the movie is evil, like really evil, he killed one of his koopers cuz he knowledge the Possibility of peach Rejecting him, he Kidnapped Hundreds of Innocent people and Forced peach to Watch them Slowly Descend into Death! Like i was so Flappergasted when i saw people out right Ignoring or Sugar coating the things bowser did and Victim blaming or painting peach as the "real villain" all because she rightfully rejected bowser's Forced marriage!, then thats when i Thought to myself "wait...this reminds me of how people act Towards asha and magnifico!"
Bowser and King Magnifico Actually do have some Similarities Between them
They both sing a song that shows their """"""love"""""" for someone or something, being "Peachs" and "At All Costs" but they both have Selfish meanings to them.
They both went after a star that does NOT belong to them.
They both hit the person that they """"love"""" near the end of the movie.
They both get Imprisoned at the end, bowser in a jer and king magnifico in a mirror.
And if their Subjects don't Agree or Obey them then they will Hurt or kill them.
Now bowser is Worser then king magnifico in some cases with Destroying kingdoms, Forcing a woman to marry you or else he'll kill everyone she's love etc etc, but if anything that makes it worse, Because bowser did all of these Horrible Unredeemable things to princess peach and others only for people to Completely ignore or sugar coat for the Sake of "but...but bowser make cute sad face for 1 second 🥺" and "but bowser did everything for peach🥺" and also "BUT HE'S HOT" And making up Traumatic back stories for bowser as to why he kidneps princess peach Really does open my eyes that even if king magnifico was more "Threatening" it Wouldn't Matter because people Still find itVery Hard to Emphasize with the Female Character even with princess peach A Character who has been Around For Years and Suffering from the Abuse of Bowser for as long as her character has Existed Gets called a "Real Villain" for Saving her people, it all too much reminds me of How people React Towards King Magnifico and Asha,
People Excusing or Ignoring the Fact that King Magnifico locks up MOST of people's wishes Never to be Fulfilled or Given back While lying to Hundreds of people that he will grant them, All Because he let's people have free Houses is the same as People Excusing and ignoring the fact that Bowser Threatens peach to Agree with the Marriage or he'll kill toad All Because bowser sings a song about how much he """""Loves""""" princess peach and his Proposal starts off """""Gentle""""", Letting the Manipulative Male Antagonist off the hook Because he did something "nice".
People Calling Asha Selfish, Cruel and Evli Because she wants people and her 100 year old Grandfather to live out their wishes is the same as People Calling Princess Peach Selfish, Cruel and Evil Because she wants to keep her people safe and not Marry A Whole Terrorist, Vilifying the Female Protagonist for Challenging, Questioning, or Not Complying to the male antagonist's Selfish and Unfair Rules.
By the way I'm not saying Scaming People out of their wishes is the as Forced Marriage, no. I'm saying the way people Treat asha and princess peach are the same, the way people treat bowser and king magnifico are the same. Sometimes it just looks like A Male Villain is not really allowed to be a villain no Matter what Horrible things he does, just a guy who needs a hug when the in question Hero is female, And the Female hero is not allowed to be a hero, her Story has to be morally gray or just a Straight up bitch and the real villain no matter the Heroic things she does, Asha and Princess Peach actually are selfless and careing, they fought for their kingdoms and others but because their antagonists are Attractive man, the heroic things she did get Ignored and Casted aside.
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littlefankingdom · 1 month
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~ Batgirl (2000)
They are sad and disappointed in themselves and they should be. What they did is not justice.
So, I'm mad about this issue, like really mad for personal reasons I will explain later. For context: a young girl has been kidnapped by a thief who escaped jail. It's not the first time said thief kidnapps this girl. This young girl, around 10 years old, is an artist and her mother exploits her, making money by selling her daughter's art. They are rich. This woman doesn't love her daughter, she loves the money she is making from her daughter. The man that keeps kidnapping this young girl? Her father. Her father that loves and cares for her, that turned to crime to take care of his daughter, and refuses to sell any art she makes because she made it for him, because she loves her father. And she pleads, she pleads Batgirl to let her with her father and not bring her back to her mother who doesn't love her, she pleads her to not put her father in jail. And what do Batgirl does? She stops the father, gives him to the cops and brings back the girl to her mother. On those panels, they are looking at a sad child with her abuser they brought her back to.
My mother doesn't love me. She will say she does to others, but it's not true and it has been the case for a long time, since I was very young. I wasn’t unwanted, I was just not what she wanted. My life was supposed to be centered, until my death, around taking care of my mother (she is not disabled or anything, she just wants people to do everything for her). Raised to make money I would gift to my mother, so she could have luxuries, but I was not successful in that. I grew up pleading for love, pleading for people to listen to my pain. Nobody did. I learnt that people prefer the comfort and peace of their lives over helping others. I learnt to distrust authority figures (teachers, doctors, any adults/people at least 5 years older than me in general), because either they were power hungry assholes who abuse kids, either they preferred to look away, who would tell me to be nice and listen to my mother. It's too much problem to help children. In the end, I could count on nobody but myself to get out. I can count on nobody but myself. I hate the system, and I promised myself I would never be like those who look away, I will defend any child that needs it.
So, to read a story where a little girl pleads a HERO to not bring them back to their abuser, only for said HERO to still bring her back to her abuser, to tell her to be nice and stay with her awful parent... I am furious. This issue is literally telling me that, if heroes existed, the heroes you adore since you are a child, they would not have saved you. They would have bring you back to your mother and told you to be nice, like everyone else. They would have let you go through those years of pain. Heroes would have looked away.
What is the logic here? Because it's neither justice or the good thing to do. That it is the law? Since when do they follow the law? I don't remember vigilantism being legal, or assault and battery, or owning all the weapons Bruce owns. Yes, it was still a kidnapping, her father is a criminal, it would not have been a good life for a child. But, the Bats could have tried to find a solution, instead of simply giving this child back to someone who will treat her like shit.
I know it's just a fiction, so it's not like a real child is being exploited and will be more abused later when she stops being good enough because her mental health deteriorated, nobody is going to become depressed and lose trust in heroes because the bats brought her back to her awful mother. And also, it's not the characters who are at fault, it's the writers. It's not about Cass and Bruce being bad people heroes, it's about who the fuck decided to write that. New entries in my list of enemies, Keller Puckett and Dylan Horrocks.
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