Yall need to interact with fanfiction author's more.
So. After the ddos attack on ao3.
I was encouraged to write more comments and make my love known to fanfic writers.
I dont really like commenting. Because im a bit shy and soooo lazy.
Now though. I am writing more comments. And dude. This is so heartwarming. Ya'll need to treat writers better. They are doing the lord's work.
Take for an example, couple of days prior, i was searching for something interesting to read, and found an oneshot quite compelling.
I read it. At the end of it, i was blown away by how good it was. It promised me something and it went beyond my expectations. But then i saw a crime, zero fucking comments!
At that moment, i wasn't feeling up to writing a comment. Because, normally i like to write huge paragraphs. But because im lazy i decided to be brief.
Next day, the author answered that the comment lift their mood for the whole day.
That warmed my heart.
Duuuuuuuude! Write comments! Suport the writers of the fics you like! No need to be something super elaborate. Just give your thoughts. Freak out. Ramble. Ask something. Make theories. Compliment. Make a joke about how you wished to give kudos every chapter but ao3 sucks(not true bby) and won't let you.
Truly. Just. Comment. It can make someone's day. And that is part of the apeal of writing fics. Interacting with people.
Just give love to fanfic writers yall. They deserve this and so much more.
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al-haitham’s the kind of guy who tilts his head slightly for a kiss before you even lean in to give him one. he just knows it’s coming. expects it. trusts it’ll happen.
he’s yawning when he sits at the table for breakfast, hair slightly disheveled from sleep. he sits down and when you place the mug of coffee in front of him, his head angles a little for that kiss you place on his cheek.
he’s drowned in endless paperwork at the akademiya when you stop by to visit, chuckling when he gives you that look of despair at the all the work he has to do. you don’t even manage to walk up to him fully before he’s leaning in and waiting for the kiss to the top of his head.
he’s shirtless in the bathroom, brushing his teeth at night when you walk in to brush yours too, bumping hips with his as you giggle. you don’t even have to turn before he’s tilting his head so he’s exposed and ready for that gentle peck you leave at his jaw.
“have you ever noticed how demanding you are for these,” you chuckle one day, pressing a kiss to his cheek to prove your point.
he grunts, leaning in and burying his head into your neck as you greet him at the door after a long day. “what makes you say that,” he mumbles.
“you’re ready for one before i’ve even come close,” you grin, “what if one day i don’t kiss you?”
“you’d stop kissing me?” he asks, squeezing your hips as he nuzzles into your neck. something tells you he already knows your answer.
and he’s warm. he’s close. he’s here and he’s everything all at once. he’s all you need and everything you’ve ever wanted. he’s the messy hair of your mornings and the pouty lips of your afternoons and that shirtless back of every night. he meets you halfway—maybe even takes the first step so you don’t have to.
he leans in for that kiss before you do. because he needs you, wants you, loves you—and he never lets you forget it. so you turn your head, press your lips against the side of his head and run your fingers through his hair as he sighs in content.
“no,” you hum, falling in love all over again, “no i’d never stop kissing you.”
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Ever since watching The Wire for the first time, my brain has doggedly kept working away at the Especially the lies of it all, and specifically at how much the structure beneath the different stories Garak tells contributes to the overall meaning of what he’s trying to say. While the contradicting narratives of course expertly obscure the factual circumstances of his getting exiled, using them also allows him to tell aspects and facets of the emotional truth I don’t think he ever could have, if he’d simply told the actual story of what happened. (It’s very Varric-core of him honestly.)
The first story — the ‘oh, you think you know me?’ story — says I have done things that would sicken you if you knew any detail of it. It’s clearly meant to scare Bashir away so he’ll leave him to die shamefully in peace already lol. But it’s also one of his (probably much-needed lbr) little lessons to Julian that are so frequent in the beginning, given while Garak still has some hold on himself — “Don’t be so quick to forgive me if you don’t even know what I’ve done; what would you do if this really were the sum total of what I am?” (And Julian seems to surprise him by going ‘Well, exactly the same thing, because no matter who you are I am a doctor. But I sort of take your point.’)
The second story — the letting the orphans go story — says I have failed to smother my soul in its cradle when it was required of me, and I regret that more than anything I’ve done. To my ears this is the one most shot through with active self-loathing too, which is interesting. He’s officially lost the control he’s been clinging to and it’s about to get ugly. His TL;DR is ‘Sentiment is the greatest weakness of all’, even all the way back here. (Which is the one lesson Julian steadfastly refuses to learn, which I think in turn does some serious rearrangement of Garak’s soul over the course of the show haha. Get uno reversed into the process of loving and being loved without shame asshole.) This is also where he builds up to admitting to having any sort of need for companionship or closeness at all and — so much worse — that Julian’s role in his life actually has fulfilled some of that need, and he’s DRIPPING with defensive venom over it b/c well I get it Garak vulnerability is scary it can take a person like that.
(I also feel there’s something honest and forbidden in ‘Suddenly the whole exercise seemed utterly meaningless’. I suspect ‘actually… why the fuck are we even doing this???’ is not a welcome sentiment in an Obsidian Order water cooler environment, no matter what you’re saying it about lmao. The very first seeds of him deconstructing the things he’s been taught about Cardassia and his work might be hinted at here, though they of course take a looong time to come to any real fruition.)
The third story — the ‘Elim was my best friend’ story — says hey, remember that thing you said once, about how sometimes, you have to be loyal to yourself before you can be loyal to anything else? Well. guess what. I couldn’t even be that lmao. It also furthers that thread of being divided from yourself, split, that having ‘Elim’ as a separate person around in all versions of the story brings in. He’s in control of himself again, but he essentially hands his life and soul over to Julian to decide what should be done with them.
I’ve done horrible things and it finally caught up with me, I’m getting what I deserve → I let sentiment master me and the fact that I’m too weak to do what’s needed of me shames me more than the evil I’ve done → I fucked up. I betrayed myself and everything I held to, all for nothing, and I have no one to blame for it but myself. But it’s very nice that you’re here anyway, Doctor. (Wow. I didn’t realize quite how isolated and lonely that last one was before right now. The way Tain has shaped him really has just… locked him completely into himself, huh.) We can also see a movement through from a completely professional context in the first story, to an intensely interpersonal and internal context in the last one — even his fake stories spiral in towards intimacy, which I think is what he longs for here even if he can’t quite like. Touch that without the stories as a buffer yet, it’s clearly like touching a hot stove for him to interact with it too directly.
And you know what I find incredibly interesting the whole way through? Even on his deathbed, where he’s dying from the thing Tain had put in his head, he’s protecting Tain. He puts all the blame for where he is on himself (‘My future was limitless, until I threw it away’), even if he has to employ a strange twisty logic where he’s split himself into two to do it. Don’t get me wrong, Garak has done horrific things all on his own haha, but it’s notable that he almost isolates Tain from that. ‘Tain was the Obsidian Order. Not even the Central Command dared challenge him. And I was his right hand.’ Tain in Garak’s stories is this infallible implacable weirdly distant figure, even now. Indeed, as will make a lot of sense with the revelations further down the line, more than anything it seems the gaze of an abused child desperate for recognition looking up at an idealized (if not in any way nurturing) parent.‘He was retired at that point; he couldn't protect me’, Garak says, as if what he’d need protection from in the first place isn’t Tain himself lmao, as if Tain had no active part in any of this. He never lets blame touch Tain at all. At this stage he would rather consider himself a broken flawed tool than accept that the hands that have wrought and wielded him have ever had any fault in them. AND in the middle of it all, with plausible deniability, on death’s door and knocking meekly to be let in before he must finish the mortifying ordeal of being known and test the even more daunting possibility of being loved, Garak at the same time manages to drop the breadcrumb trail of clues to make it possible for Julian to find Tain if he so chooses and gets in the ‘sons of Tain’ thing too for future dramatic irony purposes. Truly he is the Michelangelo of lying. Every falsehood a multifaceted masterpiece. Elim ‘achieving a state of intertextuality in real life is possible if you work hard and believe in yourself’ Garak. I love him so much.
I think all of this is why “I forgive you. For whatever it is you did,” works so well, because it too works on a structural level. It’s such a deceptively multilayered response — it has the syntax of a joke, in a way, and it is kind of funny even under the circumstances, but delivered with such earnest warmth and fondness. It’s both recognition and acceptance (forgiveness!). It’s saying ‘I finally understand enough of what you’re trying to tell me beneath and through all that, in whatever way you’re capable of, I see you’ and ‘my answer hasn’t changed (bitch)’. The forgiveness Julian offers here is complete — on principle, and out of personal feeling and empathy (only one of which Garak deigns to respond to during the second story, where he calls it ‘smug Federation sympathy’, placing it more completely on the principle side than it probably is. ‘Dude you’re my friend please don’t just lie down and die in a completely avoidable way on me, who else is going to not only tolerate but actually gleefully enjoy me being annoying as fuck over lunch’ seems to be the subtext that’s a lot harder to acknowledge and invite in for both of them. And yet Tain seems perfectly clear on the fact that Julian is Garak’s friend, which, y’know. Must be fun living with the knowledge that Tain has eyes everywhere looming over you every day haha guess you’d just have to tune that out.)
Most of all — ’Don’t give up on me now, Doctor’... and he didn’t! He didn’t. Augh. Ow.
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if there’s one trend i hope dies in the future it’s making fun of light mode users
there’s a lot of valid reasons to use it (including, y’know, just preferring it) but i personally use it because i have cataracts that make reading small light text on dark backgrounds on really difficult sometimes and it sucks being made fun of for using what is to me an accessibility aid
anyways i don’t think a lot of ppl think about it tbh. i know i certainly didn’t before i had to start primarily using light mode! so i figured it was something worth bringing up 🤷
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IJSUT OHSYCIALLY FID A FIST PUMP AT THOSE TAGS. MY AGENDAH IS SPREADING NOEN OF U FUCKERS R SAFE (but also ohmygod based as hell. imsoglad to see a fellow. doll enjoye :)
A littol noll doodle for u teehee <3
Spider lillies are dolls fav flower. trust
U are a genious for shipping them. Enemies to friends to lovers, except there is healing and forgiveness along the way. They aren't perfect together but no healthy relationship is perfect. They make it work and they love eachother very much ^w^
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