thinking about how the hunger games were designed to prove that without society, order, government, someone to rule, we devolve into little more than animals, and how the games themselves prove over and over again that this is not true. We see it in every single game we witness.
Katniss placing flowers around Rue's body in the arena. Thresh sparing Katniss because she was kind to Rue, even though he was making it that much harder for himself to win.
Haymitch going back for Maysilee after hearing her scream even though their alliance had been broken. Haymitch holding her as she dies the same way Katniss did Rue.
Coral's "I can't have killed them all for nothing" when she realizes she's not going home. Lamina cutting down Marcus at great personal risk. And, my favorite moment in tbosas, Reaper collecting the bodies of his fellow tributes, his peers, even the ones who tried to kill him, into a pile. Taking the weapons from their hands. Closing their eyes and crossing their arms in the best approximation of a proper burial he can manage, covering them with the Capitol flag as a makeshift shroud.
The Games bring out the worst in people, yes. But despite the extreme circumstances, despite the exterior pressure of the Capitol, despite the fact that it could mean pain and heartbreak and death, it also shows that people have an enormous capacity for goodness. That even in a situation purposefully designed to make empathy impossible, people can't help but have it anyway.
Snow looks at the Games and all he can see is what's inside himself-- this pure animalistic drive to conquer and defeat. He kills and it feels good and he thinks that everyone else must feel that way too. He doesn't realize (maybe can't realize) that he is the exception, not the rule. He cannot see outside himself, outside his own warped perspective, to realize that the fact that people do show humanity in the games proves his entire worldview wrong.
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the thing about art is that it was always supposed to be about us, about the human-ness of us, the impossible and beautiful reality that we (for centuries) have stood still, transfixed by music. that we can close our eyes and cry about the same book passage; the events of which aren't real and never happened. theatre in shakespeare's time was as real as it is now; we all laugh at the same cue (pursued by bear), separated hundreds of years apart.
three years ago my housemates were jamming outdoors, just messing around with their instruments, mostly just making noise. our neighbors - shy, cautious, a little sheepish - sat down and started playing. i don't really know how it happened; i was somehow in charge of dancing, barefoot and laughing - but i looked up, and our yard was full of people. kids stacked on the shoulders of parents. old couples holding hands. someone had brought sidewalk chalk; our front walk became a riot of color. someone ran in with a flute and played the most astounding solo i've ever heard in my life, upright and wiggling, skipping as she did so. she only paused because the violin player was kicking his heels up and she was laughing too hard to continue.
two weeks ago my friend and i met in the basement of her apartment complex so she could work out a piece of choreography. we have a language barrier - i'm not as good at ASL as i'd like to be (i'm still learning!) so we communicate mostly through the notes app and this strange secret language of dancers - we have the same movement vocabulary. the two of us cracking jokes at each other, giggling. there were kids in the basement too, who had been playing soccer until we took up the far corner of the room. one by one they made their slow way over like feral cats - they laid down, belly-flat against the floor, just watching. my friend and i were not in tutus - we were in slouchy shirts and leggings and socks. nothing fancy. but when i asked the kids would you like to dance too? they were immediately on their feet and spinning. i love when people dance with abandon, the wild and leggy fervor of childhood. i think it is gorgeous.
their adults showed up eventually, and a few of them said hey, let's not bother the nice ladies. but they weren't bothering us, they were just having fun - so. a few of the adults started dancing awkwardly along, and then most of the adults. someone brought down a better sound system. someone opened a watermelon and started handing out slices. it was 8 PM on a tuesday and nothing about that day was particularly special; we might as well party.
one time i hosted a free "paint along party" and about 20 adults worked quietly while i taught them how to paint nessie. one time i taught community dance classes and so many people showed up we had to move the whole thing outside. we used chairs and coatracks to balance. one time i showed up to a random band playing in a random location, and the whole thing got packed so quickly we had to open every door and window in the place.
i don't think i can tell you how much people want to be making art and engaging with art. they want to, desperately. so many people would be stunning artists, but they are lied to and told from a very young age that art only matters if it is planned, purposeful, beautiful. that if you have an idea, you need to be able to express it perfectly. this is not true. you don't get only 1 chance to communicate. you can spend a lifetime trying to display exactly 1 thing you can never quite language. you can just express the "!!??!!!"-ing-ness of being alive; that is something none of us really have a full grasp on creating. and even when we can't make what we want - god, it feels fucking good to try. and even just enjoying other artists - art inherently rewards the act of participating.
i wasn't raised wealthy. whenever i make a post about art, someone inevitably says something along the lines of well some of us aren't that lucky. i am not lucky; i am dedicated. i have a chronic condition, my hands are constantly in pain. i am not neurotypical, nor was i raised safe. i worked 5-7 jobs while some of these memories happened. i chose art because it mattered to me more than anything on this fucking planet - i would work 80 hours a week just so i could afford to write in 3 of them.
and i am still telling you - if you are called to make art, you are called to the part of you that is human. you do not have to be good at it. you do not have to have enormous amounts of privilege. you can just... give yourself permission. you can just say i'm going to make something now and then - go out and make it. raquel it won't be good though that is okay, i don't make good things every time either. besides. who decides what good even is?
you weren't called to make something because you wanted it to be good, you were called to make something because it is a basic instinct. you were taught to judge its worth and over-value perfection. you are doing something impossible. a god's ability: from nothing springs creation.
a few months ago i found a piece of sidewalk chalk and started drawing. within an hour i had somehow collected a small classroom of young children. their adults often brought their own chalk. i looked up and about fifteen families had joined me from around the block. we drew scrangly unicorns and messed up flowers and one girl asked me to draw charizard. i am not good at drawing. i basically drew an orb with wings. you would have thought i drew her the mona lisa. she dragged her mother over and pointed and said look! look what she drew for me and, in the moment, i admit i flinched (sorry, i don't -). but the mother just grinned at me. he's beautiful. and then she sat down and started drawing.
someone took a picture of it. it was in the local newspaper. the summary underneath said joyful and spontaneous artwork from local artists springs up in public gallery. in the picture, a little girl covered in chalk dust has her head thrown back, delighted. laughing.
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List of “things to say after kissing” prompts
“Well… Kiss me more?”
“You taste like my new addiction.”
“I liked that. A lot.”
“Never again—”
“…Wow.”
“That was bad, wasn’t it?”
“I could kiss you forever.” (Forever ingrained in my brain fOR REALLL)
“That was really wet and unenjoyable.”
“Can you not stick your tongue in my mouth like that again? Damn.”
“Consider me madly in love. With the kisses, not you.”
“That just woke something up in me.”
“Yeah, so like… What the fuck?”
“I’m calling the cops on you for that terrible shit you put me through.”
“That felt like my first kiss. Sloppy and weird and just not it.”
“Has anyone told you you’re quite amazing at this?”
“You said this was your first time kissing! You’re either a fucking liar or you’re a natural at this.”
“I made the wrong decision.”
“O… Kay. So should we dissect that? What are we feeling right now?”
“That wasn’t in my itinerary today.”
“I mean, I could do with some more of that.”
“Just shut me up by kissing me from now on, won’t you?”
“Fucking come back here right now.”
“That felt like a crime against humanity.”
“Was that supposed to happen?”
“You’re the only one I’m gonna wanna kiss from now on.”
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༉‧₊˚. — simon 'GHOST' riley; smile for the camera.
warnings .: x reader, smut, mdni 18+, very slight exhibition (i think?), v! penetration, choking, size kink, female reader, unedited.
.: masterlist.
simon has STACKS of polaroids of you for when he’s next deployed. you had bought the polaroid camera, all excited to pick up a new hobby; photography. he thought it was stupid, but doesn’t stop you and your aspiring career. you’re taking pictures of everything for the next few weeks. capturing every memory the two of you shared, and piles of pictures were scattered around each room in the house — random ones, blurred ones, blank ones that didn’t develop right.
when you suggest taking pictures for him one night, he doesn’t seem to catch the hint. why’d he have to waste his precious time and take pictures of you when you’re right here?
he still doesn’t understand. he huffs when you climb off of his lap and scurry into your shared bedroom, the soft mutters of the christmas movie you put on for background noise the only thing that catches his attention — and it annoys him. you come back, your shirt hiked up over your bra and the bulky coral-colored camera in hand.
you sit back onto his lap, shoving the polaroid into his hand and guiding his finger onto the button. he accidentally clicks it, a flash blinding you momentarily and you laugh.
“eager are we?”
he sucked on his teeth, his eyes rolling at your poor attempt to tease him. his free hand moves to your waist and dips his fingers below the hem of your shorts. you swat his hand away with a pout, mumbling something about patience but he’s too horny to hear – or care.
simon lowers the camera as you begin to pull your shirt over your head, you whine and tell him to hold it right. but he snaps back and complains that it’s blocking his view.
it’s your turn to roll your eyes, and you pout and tell him just to listen to you. he begrudgingly listens, muttering a retort under his breath that makes you smack his arm and shift off of his lap. but he’s quick to tug you back, saying he’s sorry and you’re just teasing him too much.
you shake your head, your finger hovering his, over the shutter button. you reach back with the other and undo your bra, letting it slip from your shoulder and into his lap. it’s then when you press down and simon takes a picture, your bare breast developing on the film as it slides out the exit slot. now he understands.
he watches with tight lips, waiting for the picture to develop and practically watching it turn into gold in front of his eyes. simon laughs in disbelief and looks at you, he wonders if this was your plan all along. play with it for a little before using it to make souvenirs for him, what a good girlfriend you were.
the hours blend and he has you bent and folded in every position he knows. it’s so embarrassing, and you find yourself covering your face or squeezing your thighs together, now trying to sheepishly hide from the lens.
but he tuts, reminding you that it was your idea. you can’t hide from him and if you try, he’ll keep you up all night — until he’s filled his album with enough pictures to relive any memory of you in bed.
he’s leaned back onto the sofa, one hand in your hair and one hand holding up the camera. he’s groaning loudly as you gag around his cock, your wide eyes fluttering up to meet his. he’s drooling at the sight, tears staining your blushed cheeks and dripping down your chin.
simon spreads his legs and angles the camera down to catch a glimpse of the way you have a hand wrapped around the base of his cock — too big for you to fit it all in your mouth. he snaps a picture, the flash making little dots cloud your vision.
you giggle, pulling your lips off of him to which he annoyingly grunts, trying to push back into your mouth.
“how many more of these are y’gonna take?”
you ask, pressing your cheek into the inside of his thigh. you’re not even looking at him anymore, so focused on his cock and the way your saliva makes his foreskin glisten.
he can’t resist, simon takes another picture and pulls the developing film from the dispenser, tossing it into the pile with the other pictures he’s taken. your face just looks so small aligned with his cock, the angle making him so much larger than he was.
“m’takin as many as i want. what am i gonna do when i miss you when i’m away and need to release some stress?”
simon tugs at your hair, nodding over to the cushions next to him. his hands immediately find your waist when you stand and he pushes you down into the couch. your hair sprawling over the pillows as you look up at him with wide eyes.
another giggle escapes you, your hand covers your mouth to suppress the laughter. it wasn’t that you were surprised about him being so needy, it’s the way he had a mountain of pictures lazily tossed into a pile. film wrappers crumpled lazily and strewn across the coffee table, the packages once holding refills for the film.
“what’s funny, bun?”
simon’s voice is hoarse, he’s spreading your legs and another picture is added to his collection. the way your cunt is glistening with the flash, your juices smeared on your inner thighs. he swears he’s going to cherish these forever, keep them around til’ they are all tattered and barely visible.
your breath is knocked from your lungs, and you can’t form words no matter how hard you try. he’s sliding his cock in between your folds, nudging your clit with his angry red tip. you whine, your hips bucking up to meet his, needing more friction to ease your arousal; and he takes another picture, how he wishes these images could capture sounds.
he’s pressing his fat, heavy cock against your stomach, a groan spilling from his lips when his tip is leaking just below your belly button. simon smears his precum against your skin, translucent globs dribbling from his slit.
“look at that, gonna be in your fuckin’ stomach.”
simon grins at the sight, but before he gives you the pleasure of filling you up, he’s leaning over you and pressing his lips to your neck. your fingernails dig into his shoulders, crescents forming under your touch, and a slew of apologies is mumbled under your shaky breath.
he hums into the crook of your neck, nipping harshly at your skin before dragging his rough tongue over the spot — soothing the bite. simon trails down to your breast, leaving a path of love bites and covering you in his mark.
while he has you distracted, he shifts his hips and pushes himself into you slowly sinking in inch by inch before he’s balls deep. he leans back and he groans at the sight, you are completely exposed for him with his bitemarks sloppily etched into your skin, a bulge forming in your belly. he slides his calloused hand up in between the valley of your breast and he wraps his hand around your neck, he squeezes lightly, and when you moan quietly as if flustered like it’s the first time he has you filled with his cock — he snaps another picture. afraid that this moment will vanish.
that was the last of the film that he has. but god, it’s worth it. he promises he’ll buy you more in the morning, but he’s dropped the camera and holding you close. his throbbing cock plunging in and out of your squelching cunt, your juices painting his abdomen, shining his muscles under the dim light.
when he has to leave, he gathers EVERY SINGLE ONE and hides it in between the pages of an old magazine. no one would be caught dead snooping through his things, but it was a precaution he took because he didn’t want you exposed for all of his teammates to see. you were his, and he was never one of share.
AN: guys...i don't even have words tbh. just simon and like he WOULD take so many pics i'm just sooo :((( urgh. i hate him. if i missed any warnings lmk!
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