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#i'm coming back for this okay

theminecraftbee · 5 months

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thinking a LOT about etho jokingly telling cleo "you make the most interesting relationships" in episode one of secret life, back when that was a joke about the bizarre variety of frienemies cleo was making, in the context of this past session, her bond with etho, her Thing with martyn, her friendship with scott, her connection with grian, her relationship with bigb, her frienemyship with the heart foundation--she makes the most interesting relationships. and often, they look unstable from the outside. right up until the moment you test them. then, though...

#secret life smp #secret life spoilers #zombiecleo #OKAY I NEED TO SIT DOWN AND BE NORMAL FOR A BIT BUT #I FIND MYSELF INCAPABLE #AS A CLEO FAN I'M EATING SO GOOD THERE'S SO MUCH TO SINK MY TEETH INTO HERE #just. cleo she acts SO sarcastic and unapproachable. BUT SHE'S NOT.#AND WHEN PUSH COMES TO SHOVE PEOPLE OFTEN REFLECT THAT TRUE INNER LOYALTY BACK AT HER.#not always. there are plenty of people who don't.#BUT FOR SOMEONE WHO /ACTS/ UNAPPROACHABLE SHE SURE. SHE MAKES A LOT OF INTERESTING RELATIONSHIPS ALRIGHT.

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yourcrumblingsaikiisnotmyproblem · 3 months

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my Roman Empire is how Andrew was drugged and laughing and unable to react any other way when he was assaulted but even through that haze he fucking pushed everything aside to grab Aaron in his bloody hands and ask his brother if Drake touched him.

#yeah no I'm not okay #aftg #andrew minyard #aaron minyard #i always come back this series #rereading aftg #aftg neil #aftg andrew #neil josten #kevin day #all for the game #all for the gay #minyard brothers #twinyards #the foxhole court #the raven king #the king's men

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archangeldyke-all · 4 months

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How would Sevika react to her baby being born? Like listening to reader scream curse words at her as she pushes and Sevikas smiling cause she’s never heard her sweet wife say such words.

Then when the baby is finally born they look just like Sevika and she can’t help but stare in amazement and love. Kissing reader all over her face and saying words of affirmation

HAHAHAHHA

men and minors dni

she's never been more in love with you than she is in this exact moment, with you sweating through a paper hospital gown, screaming bloody murder, and clawing through the skin on her hand as you push your daughter out into the world.

sure, she just witnessed you shit yourself and you look like you're mid-exorcism. sure, she nearly passed out when she took a peek between your legs and saw your cunt stretched and bleeding. but you're the most beautiful thing she's ever seen.

"what the fuck are you smiling at you smug motherfucker?!" you snarl as another contraction wracks your body. she grins, ducking down to kiss your sweating temple, and if you had any more strength in you you'd smack the smile right off her face.

"you're amazing." she says with wonder, a sparkle in her eye. "you're the sexiest, strongest, most powerful woman i've ever met. i'm so in love with you." she says adoringly.

"you're never, ever touching me again, you piece of shit!" you growl. sevika just laughs and nods.

"whatever you want, baby." she says, still smiling.

"i fucking hate you!" you scream as you push through your contraction.

"i love you more than i've ever loved anything." she replies.

"i can't believe you did this to me!"

before she can reply with an annoyingly soothing response, the doctor gasps from between your legs. "ten centimeters!"

you whine, tears racing down your cheeks at the horrible searing tearing feeling between your legs.

"it's time to push, baby." she whispers soothingly.

"stop fucking talking to me!" you growl. sevika laughs, kissing you again, then she crawls into the hospital bed behind you to hold you from behind, both of your hands in hers, her legs enveloping your torso, your back against her chest, just like you practiced in your classes.

"i'm gonna marry you once this is all over." she says in your ear as you catch your breath from your last contraction. you barely get thirty seconds between the waves of pain, but you manage to bark out a laugh at this.

"we're already married." you say. sevika continues to kiss your head and neck.

"so we'll renew our vows." she says. "and our baby can be there. she'll be the officiant." she says. you laugh again, and it quickly turns into a moan of pain.

"i'm divorcing you for this." you cry out. sevika laughs and kisses your head.

"i'll win you back." she says. you elbow her as you sit forward for your next push, getting a little satisfaction at the little grunt of pain she lets out.

"i can see the head!" the doctor says. you scream and sevika gasps, and then--

the sweetest, tiniest little cries you've ever heard start up between your legs. you gasp, and sevika gasps, and the doctor rises from between your legs with a slimy, blood covered, wrinkly lump of flesh flailing in her arms.

"a beautiful, healthy baby girl." she says, grinning as she walks the baby over to the head of the bed for you to gawk at.

at the sight of her scrunched up sobbing face, all the pain in your body seemingly disappears. an entirely new type of tears well up in your eyes, and you almost tackle the doctor when she turns away with the baby in her arms. it's only sevika's hold on you that keeps you in place, her voice in your ear gently reminding you that they gotta clean the baby first.

"you wanna cut the cord, mama?" the doctor asks, looking over her shoulder at sevika a she and the nurses quickly wipe up your crying baby. sevika chokes on a sob from behind you and nods, pressing a solid kiss against your head before scrambling out of bed to stand beside the group of medical professionals, shakily snipping the umbilical cord, officially separating your baby from your body.

when she's all clean sevika holds cradles your daughter into her arms, gasping down at her crying little face as you deliver the placenta and the doctors clean you up.

nothing hurts anymore. they quickly hook you up to a steady stream of morphine, and the hormones flooding your body make time all floaty and make you all spacey.

one minute, there's a gaggle of nurses surrounding you, the next, it's just sevika, standing beside your hospital bed, cooing down at your daughter.

she gently makes her way back in bed with you, placing your little girl in your arms, hooking her chin over your shoulder as you both grin down at your crying little girl.

"holy shit." you whisper. sevika giggles from behind you.

"she's gorgeous."

"she looks like a raisin." you whisper. sevika bursts into laughter, pressing endless kisses to your face.

you burst into tears, and sevika coos behind you, squeezing you to her chest.

"she's so perfect." you cry. "it's our baby sev. our daughter." you cry.

your baby girl's calmed down now, seemingly recognizing your voice, her little eyes blinking up into space. you know she can't see yet, but it seems like she's looking right up at her moms.

"oh fuck." you cry. "she looks just like you." you say through tears. sevika's sniffling behind you, seeming to realize the same thing.

she does look just like sevika. even though she's only a few minutes old, and her face is so itty bitty-- she's got sevika's eyes. and sevika's nose. and sevika's lips. and two or three wisps of sevika's ebony hair decorate her head.

"shit, this is no fair. i'm the one who carried her for nine months and she comes out lookin' like your clone!" you cry. sevika chuckles behind you, reaching down to gently press one of her fingers against your baby's palm.

"just means she's gonna have your personality, babe." she says. "another sweetheart."

you giggle, leaning back against your wife.

both of you laugh as your daughter grunts and smacks her free hand against sevika's wrist.

"no way, she's all you. she came out swinging and everything." you say through laughs.

sevika snorts and kisses your head.

"i love you so much." she whispers. you sigh, turning your neck to press your lips against hers.

"i love you too." you say.

"you're not gonna divorce me?" she asks, laughing against your lips. you smile.

"no, i guess not. she's worth all the pain." you say, looking back down at your daughter. sevika smiles against your head.

"welcome to the world, little fucker." sevika whispers.

in your arms, your daughter coos.

taglist!

@lesbeaniegreenie @fyeahnix @sapphicsgirl @half-of-a-gay @ellabslut @thesevi0lentdelights @sexysapphicshopowner @shimtarofstupidity @love-sugarr @chuucanchuucan @222danielaa @badbye666 @femme-historian @lia-winther @gr0ssz0mbi3 @ellsss @sevikaspillowprincess @leomatsuzaki

#okay u guys have to help me come up with a name for our baby with sev i cant keep calling her little fucker 😭#ok it's nap time for me now but i'll be back to finish more requests once i wake up!! :) i'm having a writing day it's so fun i love u guys #sevika #sevika imagine #sevika arcane #sevika x reader #sevika x you #soft sevika

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justanotherwriter140 · 2 months

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Kung Fu Panda 4 - The Movie

The last really, really long discussion post (for now).

Major spoilers ahead!

This review is full of spoilers, so please refrain from reading through it until you've watched KFP4. I would highly suggest doing so, as I want everyone to form their own opinions without my influence. The movie has its flaws (some of which admittedly being a bit distracting), but it's a fun film that has things to offer.

Kung Fu Panda 4 is a fun movie (take that as you will) that takes its audience on an action-packed, surprisingly funny, yet relatively contained adventure on which Po doesn't really do much. It's an inconsequential, safe sequel that doesn't really hurt the franchise but adds close to nothing.

I had a good time watching the movie. It was obviously produced with its theater experience in mind and the action scenes especially reflected that priority. The humor was actually funny sometimes and I enjoyed Po and Zhen's dynamic. During the film, I was able to put most (most!) of my grievances aside and take the movie for what it is. I've discovered that the best way to watch KFP4 is with low expectations and an open mind.

I have a lot of things to say about KFP4, both complaints and compliments (though the former might be taking the forefront in this review), and I hope this review can help those of you who have seen the movie organize your thoughts. I've been having a lot of trouble with that specific aspect of things myself. Those who get it get it.

With that said, let's get into my full review of KFP4! I've been waiting for nearly 2 years to write this and I'm so excited to share every single thought.

I'm going to follow the format of my first discussion post and curate a bulleted list of my thoughts, followed by an analysis of each of these points. Keep in mind that everything I say is IMO and this is more of a rant post than anything else.

Here are my main points:

The Furious Five's role is comically minuscule in the context of the film. Their actions are inconsequential and add nothing to the plot (a confirmed last-minute add), and they have 30~ seconds of screen time. Shifu is also largely irrelevant.

Mr. Ping and Li's presence has little to no effect on the movie (though I won't complain too much because they were pretty fun to watch and this movie has bigger problems). In almost any scenario, I am adamantly against having characters present that don't add anything to the narrative; however, Mr. Ping is an exception. I love Mr. Ping. James Hong is a gem.

Zhen's screen time is not utilized well and her character is underdeveloped. She definitely wasn't annoying, but I didn't find her either compelling or funny enough to warrant the screen time she was given, especially considering it wasn't used to establish a backstory/strong motives. This makes me feel bad for the character because the movie kind of screwed her out of any substantial development.

The Chameleon, while complimented greatly by Viola Davis, is an underwhelming villain. Viola Davis is amazing in this film and I would suggest watching it for her performance if for nothing else, but the Chameleon is underwhelming considering the super cool concept behind the character.

The film feels very rushed. Apologies to those who disagree, but I think the pacing is atrocious and the final fight is anticlimactic. The movie felt like a word-vomit with no discernible intermissions that stops abruptly when the film ends.

I felt as though Po didn't change/grow as a person and the audience never had a chance to either bond with or relate to his character. His internal struggle is kept to a minimum and we don't spend a moment alone with him as an audience, which is disorienting and distracting. Watching the film felt like running into an old friend at the store who's too in a rush to have a real conversation.

The action scenes were strong with few exceptions. Creative art direction was utilized and I thought the martial arts choreography was entertaining and dynamic. I love the color palette of the film and many scenes were very impressive visually.

With my main points established, I do believe it's ranting time. Strap in, folks.

Let's start strong with the Furious Five: I'm gutted. Chagrined, despondent, crestfallen, etc.

The lack of the Furious Five negatively affects KFP4 so much, because not only does their absence hurt the atmospheric integrity of KFP as a franchise, it also forces KFP4 to bring in a slew of different characters—all while still noncommittally including the FF at the very end because I believe the marketing team required it—that clog up the cast a bit. It all goes to show how important strong, established side characters are.

The Furious Five are side characters, but the role of "side character" does not equate to being irrelevant, expendable, or exchangeable. I recognize that the Furious Five aren't super developed as characters beyond a handful of lines that allude to traits sprinkled sparingly among the members; however, I believe that the tiny bits of development we have been given have proved impactful in the past. Tigress's development in KFP2 is a prime example of how much narratively conscious changes (however small they may be) can positively affect these movies.

Because of limited runtimes, the Furious Five often operate as more of a singular unit than five individuals. Even so, I don't think discarding them is valid. They're so important to the KFP universe (to Po's universe!) and not having them with him feels so wrong. The Furious Five are fully integral to the heart of Kung Fu Panda, which is why I believe a lot of those who have seen the new movie have expressed something feeling "off" or something being missing.

I agree with this sentiment. To me, KFP4 didn't feel like a KFP movie. I don't need a Furious Five spin-off movie and I can be fully content with a KFP5 centered around Po's journey as an individual as was intended from the beginning, but he can't carry an entire movie on his back. As strong as he is in every sense of the word, he is only one character. He's the centerpiece of the franchise, but a centerpiece can only go so far without the rest of the design, so to speak.

For me, the Furious Five's absence is one of this film's biggest faults. It's huge and glaring. I know I'm not the only one who feels this way, either, because the friends with whom I saw the film refused to talk about any other aspect of the movie after seeing it. Seeing them at the end was better than nothing, of course, but it was a disappointing culmination after eight years of waiting.

That all is to say I feel robbed. Despite all of this, though, I understand that there were reasons why the Furious Five weren't included in the movie. I don't believe the production team would exclude the Furious Five unless they weren't given a choice.

Shifu and Po's dynamic continues to be thoroughly delightful but their interactions are short and simplified. I would have loved to see more of them in this film, especially considering the extreme relevance of teacher-student relationships in KFP4. I (somewhat) digress, though, because the idea of Shifu having to live at the Jade Palace with only Po for an extended period of time is hilarious enough on its own. Maybe that's what the short film is about!

The comedy is odd but has some jokes that stand out. Po maintains a healthy relationship with his inner sass, which I think makes him more fun to watch and kind of eradicates the man-child verdict. Some jokes don't land, of course, but I genuinely thought KFP4 had some funny moments. Mr. Ping was consistently awesome and Po had some good lines sprinkled throughout the film.

As for Mr. Ping, he and Li Shan are the subjects of the film's B-plot as they follow Po to Juniper City out of shared concern for their son's safety. In my mind, they don't add anything to the story that couldn't have been brought about by other characters, but they had their moments of being entertaining. I enjoyed their silliness and thought they had a cute dynamic if nothing else.

Speaking of other characters, I want to discuss KFP4's deuteragonist and why I genuinely feel bad about the way her character was treated.

I want to let it be known that I'm still not on board with Po passing the Dragon Warrior torch to another character. While I agree that his arc is now calling for him to have a student, I disagree with the notion of him retiring from his DW role.

As I stated in my first discussion post:

Didn’t the initial significance and nuance of the title come from the fact that there is only one person who can be the Dragon Warrior, because the concept of the “Dragon Warrior” isn’t so much a title as it is Po himself? The universe (Oogway) must choose the Dragon Warrior because they are a singular being of legend. It is one person, and that person is Po. Wasn’t the point of the first film that the title ultimately doesn’t really matter because there is no “secret ingredient,” so to speak? The title doesn’t actually give Po anything. “It’s just you,” Po says, and that was the resolution.

When it comes to Zhen as a character, contrary to what I predicted I would think of her, I thought she was okay. While I was still a bit distracted by how out-of-place her design looks, I wasn't truly annoyed by her at any point and she and Po had some cute moments. Even so, I think their relationship could have been a bit more refined and developed.

While it's evident that Po and Zhen are meant to have a teacher-student/mentor-apprentice dynamic, I think their relationship feels half-baked. There were parallels that contradicted one another and ended up being confusing come the film's conclusion, and the nature of their relationship seems to vacillate depending on the scene. Additionally, the strength of their bond goes from zero to one hundred within thirty-ish minutes and left me with a bit of whiplash.

We're shown that Po and Zhen care about one another, but we're never shown why. They have a brief conversation during which they bond over being orphans, and Zhen says at one point, "You're actually a good guy," but that's it. This obvious lack of development is a bit disorienting because we're later led to believe that Zhen and Po care very deeply for one another when there's almost nothing to back it up.

A scene that sticks out to me when discussing this is when Zhen attack-hugs Po in a way that explicitly mirrors Tigress's hug from KFP2. This happens around the beginning of the third act, and while it had the potential to be an endearing moment, I think it fell flat.

The impact of Tigress's hug was brought on by her character's hardcore nature and reputation of being heartless, further strengthened with the knowledge that she was hugging Po (which was obviously way outside her comfort zone) as a show of companionship and fundamental understanding. Tigress hugged Po because he needed someone to recognize his strive for closure.

Zhen's hug had little to no impact because she had no reason to do it and it didn't indicate growth. She hugs Po because she's sorry for betraying him and doesn't want him to be killed by the Chameleon, but neither of these things are newly-established via this hug; we have already gathered by now that Zhen regrets betraying Po and doesn't want him to get hurt.

The hug is far from the movie's weakest point, but I think it's unnecessary given the context. I'm big on hugs in movies (an underutilized form of platonic affection, in my opinion), but it didn't fit here. I don't hate it, and I see it as an honest effort to bring emotionality to Po and Zhen's relationship, but it seems arbitrary.

Zhen and Po's relationship has a lot of potential and I'd be open to seeing more of them in the future, but I think some more thoughtful development needs to occur before I can humor it further. Even so, I can see myself featuring Zhen in some future post-KFP4 one-shots—sparingly, of course, because we have a lot of Furious Five content to compensate for.

Overall, they had a cute dynamic and some sweet moments but I'm not attached. I'm on board with Po having a student but I think their relationship needs a lot more development, something that this film unfortunately didn't give them time to either accomplish or earn.

Now, onto the Chameleon!

The concept of the Chameleon's character is admittedly super interesting. She's the deuteragonist's fastidious mother figure who feels that Zhen owes her a debt and as a result holds her to an impossible standard. That dynamic had the potential to be so interesting but I didn't think it was explored at all. There is no indication of Zhen having any internal conflict about fighting the Chameleon, no emotional complexity between them at all; it's disappointing because I think it would've added a bit of earnestness to the film.

Additionally, the idea of a shape-shifting villain is versatile. A shape-shifting villain gives those telling the story a lot of room to experiment with the protagonist and different ways in which the main character can be challenged and tested. It's yet another good idea utilized poorly. Just one idea: the Chameleon could have disguised herself as one (or several) of Po's family, friends, etc. and brought to fruition a new arc with his character (seeing as he arguably doesn't have one in this film), but she only disguises herself as Zhen very briefly in the movie.

Furthermore, the Chameleon completely relies on the powers of previous villains to pose any sort of threat to the main characters. She summons Po's former nemeses from the Spirit Realm (despite there being little logic in doing so considering Kai's literal evisceration) and takes their kung fu abilities for herself.

An excerpt from my first KFP4 discussion post that I think is relevant to the point I'm trying to make:

I don’t think it would be in the best interest of anyone if the past villains were to come back in any way that’s not a flashback (even then, I’m not sure I’d see the point). In all honesty, I thought that the whole point of the villains was that they died and stayed dead. They were defeated by Po once and for all as a testament to the idea of establishing Po's character growth and journey as a person through the bad things he’s able to overcome. It’d be highly contradictory to the messages of the other films if these villains were to suddenly come back.

While there was an honest effort made to portray the Chameleon as intimidating, I never felt as though any of the characters were endangered by either her or her army of lizard henchman. She's a visually appealing character (aside from her eyes, which I thought more resembled those of a gecko than a chameleon) and I greatly enjoyed Davis's performance, but overall I don't see the Chameleon as a notable villain.

The return of Tai Lung (had he been on his own) had the makings to be an excellent story, especially considering the importance of teacher-student dynamics in KFP4. To see him interacting with Shifu would have been incredible and could have led to further closure on Tai Lung's end (because I think that's kind of what the team was going for anyway), but it didn't happen.

It was nice to see Ian McShane reprise his role, but I wish Tai Lung's characterization had been more reminiscent of the way he was in the first film and more complimentary of his overall character arc. Tai Lung isn't a one-dimensional villain with a singular goal and motivation, and I couldn't help but feel as though the complexity of his character was simplified for the sake of KFP4's narrative.

Tai Lung's presence in KFP4 may be odd, but Shen and Kai's appearances are even more so. Kai, if I remember correctly, was fully obliterated by Po, reduced to literal particles on screen (which is kind of wild now that I think about it). Shen being in the Spirit Realm makes sense all things considered; however, Po and Li had no visible reaction to his presence, which seemed a bit unlikely considering Shen's deeds. This plot hole can likely be attributed to the fact that Shen and Kai's cameos (to my knowledge) were last-minute additions to the movie.

I have to talk about the pacing. I have to. I'm sorry, bear with me.

To me, the film's pacing is erratic and disconcerting. While I can appreciate a quick-moving narrative that doesn't dawdle on storylines that aren't interesting/important, KFP4 kind of flings itself too far in the opposite direction and ends up being frighteningly fast-paced. Once the credits began, I felt like I had been holding my breath for the entire movie.

KFP4 is confusing because while the runtime is standard for a KFP movie, it feels incredibly short. At the same time, the film's story moves at a breakneck speed and leaves little time for heart and development. These things culminate into a barreling boulder of a movie that simply doesn't have time to let its characters, story, or audience take a breath.

A fast pace is not inherently negative, but I don't think it worked in the favor of KFP4. The KFP franchise has always been very emotionally grounded (and just very grounded in general), so to see a film in which emotion/heart takes an aggressive backseat in comparison to action and comedy is jarring. While I think it's unreasonable for fans to expect the same emotional integrity as the original films to be present in the current and upcoming ones, I still think there's room for Po to grow and I felt as though the notion of him developing further was brushed aside in this film.

As for Po's growth, I felt it was nearly nonexistent. The previous trilogy wrapped up his character's journey beautifully and I know that KFP4 was bound to struggle with this particular aspect of making another KFP film; however, just because the strongest pillars of Po's character are established doesn't serve as a valid excuse to reverse his development and repeat what he learned in KFP3.

In KFP3, Po learned firsthand that he is capable of spreading wisdom and teaching kung fu. He also learns that he is constantly growing and that change is inevitable; there is always something more to learn.

"If you only do what you can do, you will never be more than you are now."

"I don't want to be anything more, I like who I am!"

In KFP4, Po pushes against this narrative despite fully accepting it in KFP3, actively reversing crucial parts of his character development achieved in the latter. KFP3 was non-ambiguously about learning to cope with change and responsibility, and I can't help but feel like KFP4 is simply copying this message while not adding anything to it.

Additionally, I felt that KFP4's Po generally felt less personal than he has in the past. In every KFP movie up to the franchise's most recent addition, I felt very connected to Po as an audience member. I felt like I was truly seeing the world of KFP through his eyes. I consider this to be one of the franchise's most impressive feats; it's incredibly difficult to build a universe around a character without making the audience feel limited to one perspective and one part of the world.

With KFP4, I felt both limited and disconnected. The world didn't feel as vast and all-encompassing as it has in the past and Po didn't seem fully like himself. This could be me nitpicking (as I'm prone to do), but I can't recall a single moment in the movie in which Po was alone on screen. Scenes like these are crucial for me because I see them as a meet-cute between the character and the audience, a moment for us to cross the bridge into their world in a way that's silent and intuitive. These little bonding moments are absolutely integral to feeling connected to a character.

Po's dream sequence in the first KFP movie is one of the best examples of this. It presents his aspirations, alludes to his way of life up to the point of the movie, and showcases his personality. During Po's dream sequence, the audience is quite literally inside Po's mind; we're there with him, seeing what he sees, subsequently feeling what he feels. Po is a dreamer at heart and makes the audience feel like dreamers, too.

In KFP4, I felt like I little to no point of reference when it comes to how Po was feeling. I didn't feel immersed in him and his world.

I know I've been very "doom and gloom" throughout this post, which is an exhausting mindset for everyone involved. I want to end my critique with something positive because I think some praise is deserved. Let's just say the movie could have been a lot worse, the details of which I'm sure you're all well aware.

The color palette of the movie is beautiful and somewhat reminiscent of the first film. While the animation style of KFP4 is far more simplistic than its predecessors, I was very impressed with its use of shadow and light. Po's many faces were also hysterical, props to those who helped make him as expressive as he is.

Additionally, the movie's action sequences were clearly thought out and discussed in great detail. The experimentation with camera angles was really fun to watch and I enjoyed the majority of the film's fight scenes. They were fun, bouncy, and entertaining, and quite likely reinstated audiences's love of watching a cuddly panda kick butt.

Congratulations, you've reached the end! Thank you so much to all of you who took the time to read this unnecessarily long and detailed review. As long as I help someone translate their conflicted feelings into coherent thoughts, I'll call it a win.

I want to reiterate that I don't hate Kung Fu Panda 4 and I had fun while watching the film. It has its flaws and there are a lot of aspects that I dislike, but the effort of the crew is obvious and I greatly admire and respect the hard work put into the film by those who worked on it. This does not at all excuse my issues with the movie, but it's worth saying.

As for the future of the series, I only hope that the next installment is more considerate of the franchise's origins and why Po's story is being told in the first place. I fully believe that another sequel could be good given a strong, passionate crew with a great understanding of the characters and world (and I wouldn't be averse to some previous directors returning, just to put it out there).

Thanks again to those who took the time to read this crazy excuse for a movie review. Feel free to either disagree with me or add things in the replies/reblogs, I'm always looking for more thoughts to think.

Until next time!

#kung fu panda 4 #kung fu panda #dreamworks animation #kfp #kfp 4 #movie review #i'll add the actual picture of the furious five's cameo when i can get ahold of one of decent quality #my time has come #it wasn't THAT bad #i didn't love it #but it is what it is #it's a tentative 6/10 all things considered #free the five #perhaps i treated kfp3 too harshly #don't get me wrong the movie had good qualities and i can tell a lot of work went into it #a lot of missed potential imo #a lot of characters done dirty #i didn't even mention the score but i thought it was just okay #i wasn't wowed #i know close to nothing about composing though so i should probably just not even go there #credits were the best part both cinematically and musically #i feel mean but i'm not going to be dishonest #bc obviously you all simply must know how i feel about the silly panda movie #a more detailed version of the grievances i have w the dragon warrior plot can be found in my og discussion post if anyone's interested #as well as my thoughts on bringing back old villains #might make some edits to this in the future but this is all i have to say for now

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amiharana · 9 months

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just so obsessed with the idea of revali silently loving link and pining so much for him, but holding back because he's already created this facade that he despises link, because zelda and mipha already loved him first, because why would link ever choose him? so revali keeps it all inside and tries to display his bitterness at unreciprocated love as jealousy and arrogance at the imbalance of their roles, and tries desperately to fall out of love with link.

but it's as though the little hylian won't let him.

link, who practically insists on staying by revali during battle, who stares at revali with that wide blue-eyed gaze, who naps peacefully with his head in revali's lap when they're alone. and revali should be ecstatic at how close they are, but it hurts more than anything. this isn't fair to him, to be so tantalizingly close to link but to never be able to have him more than this. it's so suffocating, revali doesn't think he can stand to do this any longer, or else it might kill him.

but he continues to let link do whatever he pleases; silently tagging along after revali to the archery range, sitting beside him at mealtimes and letting him sneak more bites from revali's plate as though revali doesn't see him, even going as far as to let link sleep with him in his hammock after what revali assumed to have been a very bad nightmare. no one says a single word when revali and link arrive late to breakfast, with link clinging sleepily to revali's wing and revali looking strangely peaceful.

try as he might (he's not trying at all), revali can't say no to link (and neither does he want to), so he supposes he might as well endure this suffering a little longer.

"why do you let me do all this?" link whispers to him once, in the dead of the night, wrapped around revali in his hammock. and revali is silent for a moment, trying to come up with some sort of answer that could defend his actions. but he can't.

"i don't know," he says simply. he can't tell link the truth.

"does it bother you?"

"do you think you'd still be in my bed practically choking me to death with how tightly you're wrapped around me if it did?" revali winces at how biting his words are, but link just hums and snuggles deeper into revali's neck. he doesn't stop link.

"if it bothered you, you'd tell me, right?" the little hylian murmurs.

revali thinks about it for a moment. and he decides, no, i wouldn't. if you wished to be warm, i'd let you use my body as fuel for a campfire.

"go to sleep," he says aloud instead, softly, gently. he couldn't tell link that either, and he probably never would be able to. he wouldn't ever have the chance. "we have battles to prepare for in the morning."

revali wraps his wings snug around the blond, and link practically purrs in content, dozing off immediately into the warmth. like this, the rito almost smiles. if burning himself alive was the only way to have link, even for just a moment that couldn't always be guaranteed, then revali would just have to make sure he stayed alight; to be the bonfire keeping link warm throughout the night.

#revalink #loz #botw #loz botw #legend of zelda #amihan's revalinkverse #this is a draft from APRIL folks. finally finished it up #alexa play the truth untold by bts #revali coming up with every excuse why link shouldn't ever love him back #and link refuting all those excuses with a solution or straight up saying he doesn't care #revali: we can't be together we're not even the same species i can't give you blood kin #link: that's okay i'm fine with adopting #to #revali: we can't date because ah. Uh. erm. ah see there! that spot on your neck!#i hurt you so deeply it left a mark it MUST mean that we weren't ever fated to be!#link: .... revali that is a hickey i willingly let you give me because i wanted it.#i was initially going to stop the post right before the dialogue #but i think it's very revalink of them to acknowledge all of it but continue as is #link thinks that they're fine and that their relationship doesn't need a label #meanwhile revali is straight up going WHAT ARE WE??? WHAT ARE WE LINK?????#q

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theminecraftbee · 6 months

Text

hermit horror week day 1: season 8 or game mechanics

His teeth still taste like blood.

He's locked inside the belly of the Octagon. He doesn't know when he got there, but whoever wrestled him into it was smarter than Ren. They realized the full moon's light didn't reach the wiring. They realized it would give him time to down wolfsbane and silver nitrate. It also gave him time to throw it all up in the corner. If Doc were here, he'd be scolding Ren on the fact that silver nitrate is still a toxin and a disinfectant, and he should still be taking it in small doses, no matter how badly he wants to poison the wolf.

He curls up, shuddering, against the wires and pipes that power the shop. He feels thin and gaunt. He hopes he has not had much to eat. He doesn't have a phone or communicator on him. He doesn't know the day. It doesn't matter what the day is. The moon's visible during the daytime, too. It may have only been a night. It may have been weeks. It's probably at least been days.

He throws up again, because wolfsbane is poisonous too.

Most things that can keep a wolf down are poisonous. Ren doesn't have to take them often. He's normally... controlled. A tamed wolf on the full moon. He has a pack to run with. He doesn't need to poison himself to keep the wolf at bay. He doesn't need to take silver nitrate like it's a medicine and not a reagent.

But none of this is making his teeth stop tasting like blood. His shirt is covered in it, too. His legs. His face, he thinks--he can't see his reflection in here. He wouldn't know. But it would have to be. There's so much blood on him.

He doesn't have a scratch on him.

The only thing that stops him, then, from taking more silver nitrate is that if he respawns from the poison damage, he'll respawn out under the moon. He'll respawn back out there. And then--

He shudders. He folds himself into a tighter ball against the belly of the Octagon. In a shaking voice, he cries out for Doc again. Doc has to be nearby. Doc has to be nearby. Because if he isn't--

No one answers. Ren doesn't know who locked him in here. He wonders if it was a struggle.

He's covered in blood.

It smells horribly good. Ren feels dizzy. He's gaunt. He's so hungry. He'll hold that to his chest. He's hungry and sick, not simply sick. If he weren't hungry--if he weren't hungry--

But he's not as hungry as he should be, if it's been days, and he's covered in blood, and he resists the urge to howl, a long, mournful thing. He doesn't want to howl, or bark, or anything else right now.

Instead he cries, a human thing, and holds onto it tightly while he waits for the pain in his stomach and the shudders over his skin and the grey stains where he'd grabbed the bottle and the vomiting to end, so he can take another dose, and force the wolf further down. Down enough to be safe.

Down enough that he didn't maul his friends to death.

Down enough that he can know if he did.

Down enough that he won't try to leave again, as he knows he will, as the moon shines outside, and as soon as someone tries to open the door to rescue him, letting that light back in.

#hermithorrorweek2023 #a bee fic #hermitcraft #rendog #okay so if i'm gonna do a prompt week apparently i have to ease into it gently. by going back to my horror wheelhouse #and simply doing Weird Big Moon Stuff #i fought for TOO LONG to come up with game mechanics as a prompt when season eight was RIGHT THERE #anyway. more stories where the horror of the werewolf isn't that there is a wolf.#but that you are a wolf. and you do not know what you have done.#anyway. ren the werewolf during big moon huh.#gore #horror #emetophobia #self harm #...this is basically just whump more than horror but LETS GO I NEEDED TO WRITE THAT TOO #moon's big #ask to tag

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