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#if anyone feels like betaing this for ao3 posting send me a message
nevertheless-moving · 15 days
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I wrote it. They ask.
"So you're essentially an expert on honor, right?"
Kaladin blinked at Shallan, unsure what to make of the question. The three of them had finished eating, and had moved to a smaller, shared table for drinks, secluded from the rest of the building by a hazy curtain. The conversation had been drifting lazily from the city's latest scandals to squire hijinks.
"What?" Kaladin finally said, slightly confused at the abrupt change of topic.
"Of course you are, you're the first person chosen by an honorspren in thousands of years!" Adolin said enthusiastically.
"I mean—"
"And you always figure out the right thing to do!" Shallan said.
"That's definitely not—"
Adolin nodded. "Never murder anyone in cold blood, even when they deserve it."
Kaladin sighed heavily. "Where are you two going with this?"
Shallan coughed into her freehand. "Well, you see, we've been having a little debate about...honor."
"And we were hoping you could settle it. Impartially," Adolin said, tone serious.
Kaladin squinted at him. There was something off about his expression. "Can't you ask Syl?"
Syl was meeting with some of the honorspren with newer bonds tonight; she had insisted that she could handle it on her own, and that he should take the night off, but he was sure she would be happy to switch places to come by and give her opinion on other people's business; that was practically a hobby for her. He wasn't sure sure where pattern was, come to think of it; he hadn't heard him buzz in a while.
"Actually we did!" Shallan said brightly.
"She was our first choice, no offense," Adolin said. "I don't think she entirely understood the dilemma."
"It's a bit too, well, human." Shallan took a large sip of her wine, emptying the glass, but didn't waive over a server for more.
Kaladin felt dread start to coil low in his stomach, the fragile relaxation of the evening starting to slip away. "...I'm going to regret hearing about this, aren't I?"
Adolin leaned towards him, turning wide, pleading eyes his direction. "Please, Kaladin?"
Shallan matched him. Stormfather. Not so long ago ago, lighteyes looking at him like that would have filled him with derision at most. What had happened to him.
"Fine." Kaladin leaned back in his seat, giving in. He was a little curious, even though he knew he wasn't going to be happy with whatever he was about to hear. "What is it?"
Shallan straightened, as if to give a presentation before the Queen. Storms, I have a really bad feeling about this.
"Well, as you know, I'm a lightweaver, and can change mine or someone else's appearance, such that they exactly resemble another. I can also create an illusion, so that it appears that an individual is present, when in fact, they are not."
"...Yes?" Was Shallan nervous? Adolin didn't kill another highprince, did he?
"Now, obviously, practicing lightweaving by pretending to be someone else, when done entirely in private, I mean just me, myself, and I, practicing my radiant abilities, can't possibly be dishonorable."
"I guess?"
Adolin leaned forward now, one hand gesturing sharply. "But what if I'm there? I mean, no ones suggesting that it would be acceptable for Shallan to assume a specific private individual's form in public."
"Unless it's to save lives," Shallan said.
Adolin nodded. "Unless of course it's to save lives."
"Or as part of my crown assigned radiant duties."
"Or that, can't forget to mention that."
"Or with said individual's consent."
"Naturally, consent makes all the difference."
"Quite a few shades of grey."
"Truly, once you think about it. Infinite nuance."
Kaladin pinched the bridge of his nose, scowling to keep from laughing. "Did you rehearse this?"
Shallan waved her hand in his face, forestalling any other objections. "In any case! Would we be disrespecting an individual, let's call this person 'Lin' for short, would we be behaving dishonorably towards Lin, were I to assume Lin's form, or have Adolin assume Lin's form, or have Lin appear while both of us are present, soley within the privacy of our chambers?"
Kaladin waited a few seconds for Adolin to chime in, but he just continued staring intently at Kaladin.
"...This is about Lyn?"
"No, not Lyn, Lin," Shallan corrected primly. He could just barely make out a difference. "Neutral born unto. Just, we don't want to say her — say their name specifically, but I thought saying 'the individual' would get unwieldy."
Ok, probably not about Lyn. Unless they're using a confusing fake name to make me think that. He started to feel a throbbing at the base of his skull.
"Is there some specific reason you want to look like... Lin?" He dropped his voice slightly, rubbing his temples. "Is it for a practical reason? Or do you want to make fun of her — them?"
"Definitely not to make fun of them!" Adolin said, voice dropping to match Kaladin's.
"Many people would consider it flattering," Shallan whispered. "For their form to be assumed in this specific context!"
"We're just not certain if Lin would think that, and we're worried that it would be worse to ask."
"So we decided to ask you instead, since again, you're —"
Kaladin waved a hand at her before they could jump into another bizarre routine. "Honorable, yes, whatever, fine. I get it."
Adolin put a hand on his arm, expression earnest. "Look. If you think we should just directly talk to Lin then we'll do it. We just...don't want to embarrass them, or hurt their feelings in someway. We genuinely aren't sure how they would react, and I mean. You don't have to ask someone's permission for thinking about them, but this is a step up from that, and it's not like there's many people who have had the option, so...hence the uncertainty, and asking for a neutral, completely unconnected, third party opinion."
"Alright, I...guess that makes sense? In an extremely weird way." Kaladin looked between the two of them. Shallan's expression was open and honest, but unfortunately that didn't mean much. Adolin was earnest, but there was something weird about his posture. Guilty? Excited? "But why do you want to see a lightweaving of Lin in private so much?"
Shallan pretended to take a sip out of her empty glass. "I assume you can guess, bridgeboy. Is it really necessary for us to say it aloud?" She had just a hint of red staining the tops of ears, but she colored easily. It could just be the alcohol.
"I really don't know," Kaladin said, baffled. "Is this a lighteyes thing? Like you want to, I don't know...model fashion on them?"
"Ooh." Adolin suddenly looked far too eager. "That's actually not what we were thinking."
"I didn't think it was a lighteyes thing," Shallan said. "But I suppose it could be. I don't have a significant enough sample size to presume." That was clearly a joke there that Kaladin didn't get.
Adolin cleared his throat. "Well." He made another sharp motion with his hands, letting Kaladin go. "As you know, Shallan and I are married."
"Yes, I was at your wedding," Kaladin said dryly.
"We are married," Adolin repeated, talking over him. "And that comes with certain... duties and privileges."
"Among which—" Shallan was definitely blushing now. "—and I suppose this could be considered an, ah, 'lighteyes thing,' is well. The need to create an heir."
They can't possibly be asking me this. Kaladin looked desperately to Adolin, but the man just gave him a sheepish, apologetic grin.
A small part of Kaladin curled up and died.
Blood Of My Fathers.
"No," Kaladin said. "Absolutely not. You are not asking me about something to do with your sex lives."
"You see," Adolin said. "I know you've said you don't have interest in, well, any of that. But for many the process of creating an heir is not just—"
"ARGH." Kaladin threw his arms up, crossing them over his head.
"— a responsibility but a pleasure which—"
"Almighty's Tenth name!"
"—can be performed creatively—"
Kaladin pressed his head to the table, burying himself in his arms to hide his too warm face and probably disgusted expression.
"Stop. Please. Stop." He knew he was whining in a way ill befitting a Windrunner of his Ideal, but the booth they were in was private, and Adolin and Shallan had seen him in far less dignified circumstances.
"Sorry," Adolin said, patting him on the shoulder. "Just wanted to make sure you understood."
"Well I don't!" Kaladin said, looking up but not lifting his chin from his arms. "And I don't storming want to! Why can't you just look like yourselves! I thought you liked how each other looked! I've literally caught you drooling!"
Adolin frowned. "I don't drool, bridgeboy."
Shallan's face was nearly as red as his face felt, but her expression was significantly more gleeful. "I…there may have been one sparring session I observed…that may have generated a small amount of moisture."
Adolin cocked an eyebrow, and smirked. "Moisture, huh?"
"I hate you two," Kaladin lied emphatically.
"Sorry, Sorry." Adolin patted him on the shoulder again. "So? What do you think?"
"I think Rlain is right and its a storming miracle humans have managed to accomplish anything when most of us are permanently stuck in mateform."
Adolin heaved a dramatic sigh. "About our question, Kal, come on. We know you don't like talking about this stuff but that's exactly why we needed your opinion! You're unbiased!"
"And honorable, yes you said. Have I mentioned before that the rewards for being honorable blow?"
They turned twin pleading expressions toward him and he caved immediately. Storms, he had gotten weak. "Battar and Shallash, fine," he snapped. "Fine, give me a minute, alright. Just stop talking. "
The two waited, Shallan only opening her mouth to make a joke twice, Adolin successfully nudgeing her quiet each time; Kaladin lifted himself up, elbows on the table and head in his hands as he looked down, forcing himself to actually give it serious consideration. Wait, I thought Veil was the one who was attracted to women. Oh. Right.
"Alright," he finally said. "I get that people can't always help what they...think about. That's fine. And I also know that trying not to think about something sometimes makes people think about it more, so."
Adolin and Shallan nodded. "You have no idea," Adolin said. "Seriously, I love Shallan, I've absolutely tried not looking at other women's — anyway. It's so much easier to just forgive eachother the occasional wayward glance or errant thought." They squeezed each others hands.
Kaladin sighed. "Right. Sorry if I came off as judgemental."
"No, no, you've made it very clear that you don't like talking about such things, it's completely reasonable to be unhappy. We are sorry for the times we...overshare in front of you."
"It's fine," Kaladin said curtly. "Really. I know you try. Anyway. I also understand that people sometimes, er, fantasize. That way. About things or people they don't actually want in real life. And. Uh. Sometimes people... act that out."
Kaladin stared determinedly at the table, face hot. There was a swirling pattern in the marble that he hadn't noticed before.
"You do?" Adolin said, sounding surprised.
Kaladin coughed. The swirling pattern kind of looked like a river, viewed from above. "There. Might have been an incident, early on in the army, when I heard a couple and, er, overreacted slightly. They took the time to explain things in... painful detail. It's fine. None of my business."
"That's. Very open minded of you," Shallan said, sounding slightly strangled. "Tell me, when the couple was explaining things — oof." Kaladin didn't look, but he was fairly sure Adolin just stepped on her foot, something he was infinitely grateful for. It had been an extremely mortifying lesson. The pair had said they weren't mad about being interrupted, but he was fairly sure they were lying, considering how much detail they went into in their explanation.
"Honestly, the whole...dressing weird, or calling eachother names or using ropes or whatever—"
Adolin made a choking noise. Kaladin kept looking at the little river pattern in the table. If he squinted there were mountains and farms too.
"—all that stuff isn't more or less...unappealing. To think about. Then just regular sex." Kaladin paused. "That is not permission to talk about that sort of thing with me. Please don't share anything about your sex life with me, ok?"
"Of course!"
"We know."
"So," Kaladin continued, rubbing his cheeks to try and get rid of the blush. "Wanting someone isn't breaking your vows. Neither is thinking about them. Probably talking about them is fine too."
He ran his finger along the small river in the polished stone. He could practically feel two sets of light eyes drilling a hole in him.
"My concern, of course, would be for Lin. If playing around with their image would affect the real person. My main concern is it will impact the way you two interact with them."
"If we thought it did then we'd stop immediately," Adolin swore without prompting. "The real person matters far more than our...baser feelings."
"Absolutely," Shallan agreed softly. "We truly don't want to hurt them. That's why we've been struggling with this."
"I believe you," Kaladin said, scrubbing a hand over his face. "Alright, so you've already been...thinking about them, while together, and it hasn't impacted your interactions with the real person."
"No!"
"Trying not to think of them that way was worse," Adolin said ruefully. "I am...fairly sure they have not noticed any feelings on my part, and even if they had they've ignored them very politely so...like I said, if messing with lightweaveing changes that, we'll stop right away, but I don't think it will. We know who they are."
Kaladin studied the marble some more. He was pretty sure he had flown over somewhere in Alethkar that looked a bit like that riverbend, but he couldn't remember where.
"You cannot do this anywhere someone could possibly see or overhear," Kaladin said, looking up to make brief, serious eye contact with each of them. "Not visiting another city. Not where guards or servants could overhear, even trusted ones. Not in the duelist preparation chamber — yes I know about that. Not while exploring the less used parts of the city — yes, I heard about that too. Not in your sitting room or against the door, where someone passing by could overhear. Just in your own bedchamber, door locked."
"That sounds reasonable," Shallan said, flushing but solemn.
"Very reasonable," Adolin agreed, nodding sharply.
Kaladin grimaced, looking back down at the table. "I think...while part of me says you should ask Lin directly...that also sounds somewhat humiliating for everyone involved. I mean, again, it's more similar to thinking about someone than anyone else, and even if they were, er, flattered... It's not like you would actually be able to sleep together anyway, with your marriage oaths, so it would be a moot point."
"...Right," Adolin said unconvincingly. Kaladin decided not to think about that.
"So... it's alright?" Shallan said hopefully. "With those conditions? Not dishonorable?"
Kaladin forced himself to look up again, and immediately regretted it. They both looked far too eager.
"Not dishonorable," he sighed, closing his eyes and leaning back.
"Thank you!" Adolin said, with way too much passion.
"Thank me by never speaking to me of this again, and never asking me anything like this for the rest of our lives."
"Yes to the first one, no promises to the second," Shallan said gleefully. "Well. Now that we've discussed that matter, how about we get back to talking about—"
"Leave. For the love of all that is good, please leave," Kaladin begged, not opening his eyes. Shallan took advantage of this by kissing him lightly on the cheek. Adolin hugged him from the other side.
There was the sound of spheres tossed on the table and rapid movements, and then they were gone.
Kaladin opened his eyes, shaking his head. One of them had knocked over a glass in their haste to leave. They had, of course, left a small fortune to pay the bill.
He left the winehouse feeling...bemused mostly. Maybe he'd go find Rlain and they could gripe about humans and mateforms together. He would probably not make eye contact for Lyn for the next week, even though he was fairly sure they were talking about Isnah or Beryl. Best not to guess. He kicked off from the ground, the rush of wind immediately clearing away discomforting thoughts or lingering stress of the day.
He smiled, speeding up and feeling his heart race with the exhilaration that only the sky could bring, with no pressing meetings or appointments to get to. Syl had been right. It was good to take a night off every now and again.
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httpsserene · 6 months
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𝐡𝐭𝐭𝐩𝐬𝐬𝐞𝐫𝐞𝐧𝐞'𝐬 𝐟𝟏 𝐤𝐢𝐧𝐤𝐭𝐨𝐛𝐞𝐫 𝐬𝐩𝐞𝐜𝐢𝐚𝐥
𝘂𝗽𝗹𝗼𝗮𝗱 𝟳: 𝗽𝗶𝗲𝗿𝗿𝗲 𝗴𝗮𝘀𝗹𝘆 𝘅 𝗿𝗲𝗮𝗱𝗲𝗿 | 𝘄𝗶𝘁𝗰𝗵𝗰𝗿𝗮𝗳𝘁
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📖𝘀𝘂𝗺𝗺𝗮𝗿𝘆: witch!reader and potions master!pierre run a cute little shop to fulfill anyone’s magical needs. it’s nearing valentine’s day, and the shop is bombarded with desperate humans looking for love charms & potions, even though there’s no magic spell strong enough to replicate true love. oddly, news travels from a few villages over that there’s a potions master who managed to make a real love potion. pierre has to get his hands on it—for the bit, obviously. there’s no way it will work.  📖𝗰𝗼𝗻𝘁𝗲𝗻𝘁 𝘄𝗮𝗿𝗻𝗶𝗻𝗴: 18+ only. explicit. not beta read. witchcraft. familiars. cunnilngus. aphrodisiacs. inherent dubcon. vaginal sex. unsafe sex. sudden orgasm? desperation. coming inside. vague structure and explanation of magic. 📖𝘄𝗼𝗿𝗱 𝗰𝗼𝘂𝗻𝘁: 5k words. 📖𝗽𝗮𝗶𝗿𝗶𝗻𝗴: pierre gasly x fem!black!reader 📖𝗴𝗲𝗻𝗿𝗲: oneshot. 📖𝘀𝗼𝘂𝗻𝗱𝘁𝗿𝗮𝗰𝗸: need to know • doja cat
𝗽𝗿𝗲𝗳𝗮𝗰𝗲: inspired by amortentia. what can i say at every fanfic writer's core, they’ve read an unhealthy amount of hp ff’s, i don’t make up the rules. we know pierre is a fiend, but uh, i do not even feel like i truly tapped into his true unhinged power with this. n joy, loves !!!
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cross-posted on my ao3, htppsss
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the shop has been open for fifty-five minutes and it’s already been overwhelmed by desperate humans. valentine’s day is tomorrow; and every naive soul is scrambling to get a love charm or potion. the problem with that is: there’s no magic spell or potion able to mirror true love. however, nobody coming into the shop appreciates that answer. 
after the third time a customer hysterically screamed at you for saying there’s no such thing as a ‘love spell,’ you made a slight tweak to the doorbell. now, every time the door opens a bass-boosted audio of you screaming, “LOVE POTIONS, CHARMS, OR SPELLS DO NOT EXIST” echoed through the shop. unfortunately, that message did not seem to help. you had to change the way you welcomed customers when they stepped up to the counter.
“good morning! welcome in to runes and brews; if you’re looking for a spell of true love, it doesn’t exist. nor does a potion or charm. the most i can offer is a hyperfixation charm, which makes the subject pay more attention to you for twelve hours. this charm doesn’t affect their emotions, you still have to make them attracted to you with your, hopefully, natural charm. are you interested in one, they’re buy-one-get-one free for valentine’s day?”
your customer service grimace smile is stained across your lips as you parrot the same words to each customer. you’ve become an npc. the customers try to interrupt your spiel, but you act as if it’s a piece of unskippable dialogue. if they’re going to come here and harass you over their inability to rizz somebody up—they’re sure as hell going to listen when you speak. at this point, you’ve adopted the ‘it is what it is’ mentality. you’re selling a record number of hyper-fixation charms, you think you might run out of your entire supply hours before the store closes. 
at first, you felt a little guilty about selling these charms to the desperate souls. all they want is true love and you can only offer a temporary fix. but after you’ve been screamed at countless times for telling these non-magiques that you can’t supply them with what they’re asking for, the guilt quickly transforms to ‘idgaf.’ with a twitching eye, you kindly told the customers inside the store to wait just a few seconds while you adjusted the door’s charm. 
you grab the outer doorknob with a hand covered in lapis powder, and imbue it with your aura to edit the current protection spell. thankfully, you remembered to meditate this morning, so casting comes easily. you breathe deeply, before releasing the handle and you make your way back towards the customers. and suddenly, the amount of people entering the shop decreases dramatically.
you have such a manic grin on your face that the customers inside the building stare at you in mild terror. one of the humans swallows their fear, and asks the question they’re all afraid to hear the answer to, “w-what did you do to the uh- to the d-door?”
the lights brighten around you as your grin grows larger, and you nonchalantly answer, “the door reads your intentions before you step inside. if a customer plans to come in and harass me over what is magically impossible, they get cursed.”
the humans gasp in fear, and you’re eyes widen in realization, “oh! no-no, don’t worry, it’s nothing bad! it’s just a floating rose that screams out ‘i have no rizz’ to every person they talk to for the next forty-eight hours. they’ve ruined their own valentine’s day with their terrible manners,” you state proudly.
the mass of customers inside thins out pretty quickly after that. 
thankfully, the door charm seems to do the trick with keeping out unruly folks. you’re able to start working on requests from your usual customers—the barkeep needs her rune for a bottomless keg replenished, the butcher needs his new set of utensils charmed with sharpness, the baker’s assistant needs your help working on the heating charm for the warming-tables, and so on and so forth. you get a new vampire customer today, requesting a sunshade potion—they indulge in telling you that they’re planning to spend valentine’s day outside with their human partner as a surprise. you coo at the vampire adorably as you check them out, and you see their cheeks faintly tint with pink—they must have fed recently. this is why being open for valentine’s day is worth it to you; customers like this remind you that true love still exists.
you wish him luck with his surprise, and hand over the potion, which was made by your true love, pierre. who was supposed to be helping you in the shop about thirty minutes ago. he claimed to have to run out and get a few extra supplies to be able to fulfill all of his orders, but that he’d be back before the shop opened. when he shows his face, the true love between you two may not exist anymore. because you’re going to kill him for hanging you out to dry. you sigh, and make your way into the back storage closet to get a fresh box of dried peonies for the new batch of hyperfixation charms, when you hear the doorbell scream the warning message.
you call-out, “give me one moment and i’ll be right up to help you out! feel free to look around in the meantime!” you summon the box of peonies forward, and spell it to float after you as you make your way out.
turning the corner, you automatically begin your npc introduction, “good morning! welcome in to runes and brews; if you’re looking for a spell of true love, it doesn’t exist. nor does a potion or charm. the most i can offer is a hyperfixation charm—oh, it’s just you—ohmygod—how did you pick up my door curse??”
pierre stares at you in a mixture of bewilderment and amusement, as the rose screams “I HAVE NO RIZZ,” at you. you can only laugh, and summon your phone to your hand to take a video. pierre laughs in reflex, still not sure what’s going on, and suddenly he’s being climbed over like a cat tree by your familiar.
“aha!” you exclaim. “i’ve been looking for you all day, ma’am. what pocket of the universe were you hiding in? you always disappear when the non-magiques come around instead of defending me, cat. what kind of familiar are you?”
pierre struggles to wrangle cat off of his head from where she’s fucking up the rose hanging over him. he side-eyes you heavily when he still sees you recording the whole interaction, and you put the phone down before you step over to get cat off of his head. “madame catalytic converter!” you yell with the force of your ancestors.
yes, you named your familiar catalytic converter, cat for short. it makes perfect sense, she improves your efficiency and decreases the chance for any harmful side-effects when you do magic; just like the car part. pierre says that’s why she never listens to you, for giving her a terrible name. when you asked him what he would’ve named her, he said, “probably, escargot, or something.” you said that’s probably why she hates him more. 
you remove the curse from pierre with a quick touch of your hand to his forehead, and the rose poofs away. madame catalytic converter, hops away quickly, uninterested in either of you again, and struts away to sit on top of the box of peonies you brought up. you narrow your eyes at your familiar, “oh—so you’re not even going to explain yourself? where were you?”
cat stares at you dead in the eyes, before she looks away and starts licking her calico fur clean, dismissing you. you scoff, rolling your eyes, and turn to pierre, “and where were you, monsieur?” you ask, poking a finger to his chest. 
pierre presses a kisses to your cheek in greeting, and raises the one bag he has in his hand as part of his answer, “i told you i was running errands, remember?”
you purse your lips at him, and he smiles at you, wrapping an arm around your waist to try and pull you in for a kiss. you smack your teeth disapprovingly, gripping his jaw with your hand, and holding him back, “yeah, you told me you were getting extra supplies. plural. and, that you’d be back in time to open the shop.”
pierre avoids your eyes, chuckling anxiously. 
“i’m not sure if you’ve noticed, but, you’ve only come back with one item, and it’s well past the time the shop opened,” you pause, letting pierre simmer, “explain yourself.”
“okaysoilied,” pierre rushes out, and you hum in shock sarcastically, gesturing for him to continue, “but—but! mon amour, i’ve come back with something that could potentially level up my potion making skills!”
you stare at him unamused, “oh ok—well, show me, what is this wonderful thing?”
pierre shifts on his feet, and you are suddenly afraid to know what he’s bought. if his confidence is faltering, you know whatever’s in that bag cannot be good. 
“so, you remember how people were saying the potion shop a few towns over has actual love potions,” pierre starts eagerly, you nod in resignation, already knowing where this is going, “i bought one! well, two actually. i tried to bug the potion maker into telling me what he put in it, but he was so shifty about it. which is completely understandable, if i made a new potion as great as this, i wouldn’t tell anybody my secrets either.”
“okay, pierre,” you sigh, rubbing a hand across your face, disappointed, “why did you buy two of them?”
“oh,” pierre begins, his usual ludicrous smirk returning to his expression, “one for me to study, and one for me to take! the best way to see if it works is to test it out myself.”
you tug his hand off your waist, and step away from him, pointing at him in vindication, “that’s why my curse worked on you! you’re harassing me with this goddamn love-potion shit—you snake, we both know it’s not real!”
pierre groans, following after you as you storm back to the front counter, the peony box floating over as well, cat yowling at the sudden movement. 
“oh, come on, mon amour,” pierre pleads, brandishing the love potion at you, “where is your hunger for magical breakthroughs? aren’t you curious to learn how it works?”
“pierre, babe, it doesn’t work! that’s why i don’t care! and, why would it work on you? we’re already a true love’s match. we’re soul-tied!”
“so, there’s no harm in me taking it,” pierre claims, like he’s found a loophole. 
“pierre, you shouldn’t,” you warn him. the potions master deflates at your words, and you sigh at the sight of his point. you take a few steps to press your lips to his in a sweet kiss, and your aura swells with pierre’s love passing to you.
“if you do end up taking it, which you probably will anyways, at least take the time to properly study it. you don’t know if they’re any weird side effects,” pierre perks up, his blue-green eyes losing their saddened look immediately. he happily presses a few more kisses to your lips, and pulls away before pressing a kiss to your hand.
“i will! i’m going to go to the back now and start studying it—“
“uhm, no you are not! you still have to help me run this store, sir! i have plenty of things for you to do. starting with cleaning our cauldrons!”
pierre groans in disgust and whines like a child, “mon amour! please, you know i hate doing that. you can do it with a snap of your fingers, why do i have to do it with manual labor?”
you arch a sharp brow at him, and gently remind him of his behavior, “you shouldn’t have lied to me then, hm?” pierre sulks, and moves towards the back to get started on cleaning the cauldrons.
“don’t look so sad—i could’ve had you collecting the eyes of spiders!”
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pierre cringes when he accidentally slams the drawer of his desk closed, pausing cautiously to listen for any movement in the house. it’s late, and you’ve gone to bed hours ago; he’s stayed up trying to identify what exactly this so-called love potion is made out of, and what order of processes it was created with. the frenchman is certain that there are at least seven ingredients in the brew: mature peonies, smashed pearls, crushed dates, powdered rose thorns, rose water, and a potion base of moonstone and lapis. it’s odd, because to pierre the potion smells like warmed vanilla, shea butter, a dash of espresso, and a brush of peppermint—but with every extraction he makes from the potion, there’s no sign of those ingredients. in addition to that mystery, he can tell that this potion took a few weeks to prepare and that it needed constant stirring. he can figure out when ingredients were added to the potion based on how much affect the cooking and heat had on them; the dates and pearls were first, followed by the rose thorns, and it seems like the peonies were added last—he just can’t figure out how they were integrated in the brew. were they added in batches, all at once, did they need changes in stirring motion, etc.. 
putting aside all the unknowns, there is one thing that pierre is sure of: none of the ingredient combinations in this potion would cause any harmful side effects. the powdered rose thorns and crushed pearls are a rare sight in potions but, they create the base of hyperfixation charms and he hasn’t heard of any reports of strange or harmful reactions from these two ingredients. so, the only responsible option for the potions master is to drink the concoction and see if it lives up to be the ‘true love’ potion everyone is claiming it to be.
pierre knocks the draft back quickly and hums pleasantly at the taste, a curious eyebrow raised at how it doesn’t mirror the scent at all. the flavor is sweet and tangy, with a lingering dash of saltiness—it’s delicious. he finds himself wishing he didn’t waste the first potion with experiments so he could taste it again. 
the potions master rocks back and forth on his feet impatiently, he expected the brew to take immediate effect, alas, he feels nothing. pierre shrugs, the potion may take longer to kick in if it’s replicating one of the strongest emotions. he leaves his study and makes his way to the bedroom, and right before he enters the bedroom, he stumbles over cat. your familiar looks at him reproachfully, before she pauses and comes over to sniff at pierre. in the dark, he can see the calico’s eyes shrink into pupils and suddenly she hisses up at him, before she apparates into thin air. pierre scratches at his scalp in a confused manner; cat hissing at him and then disappearing, is not out of the ordinary (it reminds him of the you first brought him home and he tried to charm her with a laser pointer—the familiar stared at pierre like he disparaged her family name), he doesn’t know if that was a reaction just because of him, or if it was a reaction to the potion. 
he continues with his usual nightly routine before he joins you in bed, dressed in a pair of old sweatpants alone. you pout in your sleep, pierre can feel your aura calling to him, unhappy that he’s not curled up against you. he tucks you into his chest when he settled comfortably on his back. he feels your magic calm, the air relaxing when the force of your influence fades. 
the potions master tries to stay up for as long as he can to see if he notices an effect from the brew, but deflates when he doesn’t feel any changes. he knows the chances of this potion working was slim to none, however, he kind of hoped it at least had some effect on him. pierre’s eyes flutter shut as he drifts to sleep, and his last conscious thought is that you were probably right, the potion may not have an effect on true love’s matches.
you squirm awake. it’s boiling hot under the sheets and it shouldn’t be, you placed a cooling charm on the bed. as the fog of sleep unfortunately fades from your mind, you notice that the heat is radiating from pierre. turning around in worry and slight annoyance, you check in on your boyfriend, and the annoyance disappears when you examine his state.
he’s still asleep, but he’s drenched in sweat. his brow is furrowed in what must be pain, and his body squirms across the bed in discomfort. you press a hand to his forehead and hiss at the burning heat from his skin. you groan, already knowing what happened to your dumb potions master—he should be stripped of his title after this. he was working on the damn potion before you went to bed, and he fucking drank it, ignoring your warning, and now, he’s suffering the consequences. you take the same hand that was on his head, and bring it to his shoulder to gently shake him awake. pierre, on the other hand, awakens dramatically, jackknifing upright like you’ve poured water all over him.
the man pants desperately, chest heaving with his stuttering breaths, tongue swiping at his upper lip to clear the sweat gathering there, his teal irises swallowed by enlarged pupils, and his hair is matted and curling against his forehead from the mixture of sweat and heat. his eyes are glazed over, you can tell he’s not quite aware of what’s going on—that’s probably thanks to the incredible fever he’s running—but there’s a hidden glint to them that you can’t puzzle out. 
“oh, pierre,” you lean forward, hands coming to grasp at the sides of his face, steadying him, “you fucked around and found out, didn’t you? there’s no chance you’re capable of telling me the antidote to this, it seems. maybe a spell can alleviate the effects briefly enough…”. as you ramble on, mostly to yourself, you fail to see the look in pierre’s eyes change. the hidden intentions you weren’t able to make out are as clear as day now. the haze over his stare is still present, but the confusion has disappeared. only hunger remains.
you startle when pierre’s trembling hands grasp at your waist. you quirk a brow at him in question, but don’t receive an answer, a verbal one at least. you’re suddenly knocked flat on your back and pierre bodily shoves himself between your legs, hovering over you. and the intense look in his eyes is made aware to you; you’ve seen it before, but it’s never felt this ravenous. you press your eyelids closed and whimper under your breath at your revelation: the ‘true love’ potion is a fucking aphrosodiac.
pierre is so hot. he feels his body shivering dramatically as he holds himself on his hands above you. his muscles weaken from the strain of the fever, and he collapses on top of you. his head lands in the valley of your neck, and he moans at the cooling feeling of your brown skin against his face—he needs more of it, he needs you naked. reinvigorated, pierre attempts to wrangle your clothes off, but he’s unable to do much with his shaky limbs. he begins to anger when your sleep shirt fails to disappear, and tries to rip it down the center. you force his hands away, and tug the shirt up and away before tossing it aside, leaving you in just panties. his anger dissipates, and he presses his body against yours again, and a choked groan escapes him at the relief your naked torso gives him, he goes boneless. 
the relief lasts for less than a minute, before he starts squirming desperately again—he needs to be closer to you. he suckles marks into your neck, moaning lewdly when he feels your hand tangle in his hair, pulling at it firmly. he fights your grasp, unsatisfied with his unfinished claim on your neck and chest, but he submits when he notices you’re guiding him to your lips. 
the meeting of your lips is messy, he can’t manage to find any of his usual finesse. he pants into your mouth in between sloppy, wet kisses, if you can even call them that. his tongue fights against yours, and his hips buck forward at the feeling, which reminds him of the fact that he still has sweatpants on and you have on panties. pierre jerks away, resisting the urge to continue kissing you when you whine out for him so prettily, chest arching upwards, nipples perky and egging him to bite, the bruises on your neck blossoming with reds and purples—he shakes his head erratically, and focuses enough to tug his sweatpants off; he’s never been so happy that he’s not wearing underwear. the skin contact must have done him well, because his hands aren’t shaking anymore as they grasp at your panties. he may not have torn apart your shirt, but the cotton undergarment doesn’t stand a chance, he rips through it like water.
the sound of your shriek at his actions is muted in his ears, and he barely registers the feeling of you shoving at his shoulder in irritation. pierre can only see your pussy. a broken whimper escapes him as he stares; his eyes tunnel to your throbbing hooded clit, the way your entrances tightens and relaxes, like you’re taunting him to fill you up, and you’re soaked for him, lips shining with your wetness—he should just get a brief taste, before he fucks you. he lays between your legs, hands coming around to grip at your thighs to firmly hold you against his mouth, and he’s eating you out like he’s never had a meal before.
the potions master vaguely hears a pleasure-filled scream burst from your chest as he broadly strokes of his tongue against your vulva to collect any wetness you’ve spilled. he muffles his moan into your pussy at the taste, and shifts downward to prod his tongue inside of you to coax more of your juices out. he feels your hips try to buck him off of you, and he growls into you, tightening his grip on your thighs to allow you no escape. you leak steadily into his mouth, even as you try to run from the constant barrage of his lips, tongue, and teeth. pierre’s brow furrows with the effort he puts into eating you out—your taste is addicting. it’s a mouthwatering combination of sweet and tangy, with lingering saltiness. he has a small lapse of deja-vu at your flavor, but it’s quickly dismissed at the drag of his cock against the bed. 
pierre whimpers into you at the pleasure flaring behind his eyelids, as he begins to hump against the bed. he switches from forcing his tongue inside of you and moves his attention to your clit, suckling and twirling his tongue on the button. it sounds like he’s making out with your cunt. your thighs to clamp shut around his head, your hand scrambles to tug at his hair and hold him exactly where you want him, and you start rubbing your pussy against him. fuck, how did he not realize how hard he is. pierre sobs into your pussy overwhelmed, he wants to keep eating you out, and the friction of his cock against the bed feels so good. he knows being inside of you would be better.
the frenchman breaks free from the grasp of your legs, and scrambles back upwards, not giving you time to register the change in position before he breaches your entrance. when the head of his cock pops inside of you, he throws his head back and moans erotically at the feeling of your cunt fluttering around him. he starts to burn hotter. pierre struggles to hold-off from thrusting into you in one smooth motion—he’s usually cautious when he fucks into you for the first time because he’s well aware of his size and how you struggle to take it all in one sitting. he whimpers hotly, and picks his head up to look at you—and all sense of waiting for you to adjust leaves him head. a line of drool has slid down your cheek, your eyes have rolled back in pleasure, and the sounds of your squeals of pleasure from just the tip of his cock break his restraint.
the man drives his cock deep inside of you in one smooth thrust, and he shudders on top of you, humming in satisfaction at the pulsing grasp of your cunt. pierre feels how he forced the air out of your lungs, your corresponding scream still rattling in his eardrums, but he can’t help how he grinds his cock into you, one, two, three times. he groans out, and starts making proper thrusts into you—he needs to fuck you properly. one of your hands sneaks between your joined bodies and presses at his navel in a weak attempt to halt his movements. pierre knocks it out of the way, before he brings both of his hands to tighten on your waist and starts fucking you with a purpose. it’s selfish and dirty; in a way pierre usually isn’t. he uses himself as a tool to make you cum first all of the time, but you can tell tonight, this is all about him—your orgasm is just a byproduct. he gathers you up in his arms, making sure there’s no gap of air in between you, and starts pumping his hips into you deeply, not pulling out of you any more than a few centimeters.
it’s feels so pleasurable that it could be torture. he’s applying pressure against that spongy spot on your walls so consistently, that you’re legs have already started shaking. he’s fucking you up the bed with the force of his thrust, and he’s conscious enough to place a hand on the headboard to make sure he doesn’t shove you up to hit your head. pierre’s making these sweet, whiny, whimpers, that he attempts to muffle into your neck as he feels himself start pulsating inside of you, dancing along the edge. he feels your nails claw into his back, and it’s like his senses are suddenly returned to full strength from where they were clogged with fuzz. he can hear you try and moan out for him, but his thrusts are so powerful that you keep choking on your words.
he catches the ending of your warning, “pierre-oh—m’ gonna cum! oh, fuck!”
the clenching of your orgasm pushes him into his own, and it’s the most intense crash of pleasure he’s ever felt. his vision whites out and it feels painful in a way only too much pleasure can give. his whole body shakes through each wave of pleasure, and he feels lightheaded at the feeling. pierre can’t even do anything more than jerk his hips forward to pump through the aftershocks, he falls limp on top of you, pinning you under him. his skin feels raw and blown open, and there’s a ringing noise in his ears. he whimpers against your neck, tears leaking from the corners of his eyes, and then he’s pretty sure he faints for a few minutes.
when he comes back to the present, you’re humming underneath him, hands rubbing up and down his back in a soothing motion. pierre brokenly moans against your throat, oversensitive. you shush him, and scratch at the nape of his neck, just the way he likes but won’t admit to. his breaths slowly even out against your skin, and in a croaky voice he starts talking, “the potion—it smelled like the shea butter of your lotion, the vanilla and coffee of your perfume, and the peppermint of your aura.”
you pause in your motions, and softly ask, “really?”
pierre shifts, hissing at the jostling of his cock still inside of you, and settles again, raising his head up to make lazy eye contact with you, “yeah,” he whispers quietly, before carefully pulling out of you and falling onto his stomach next to you.
you nuzzle up to his side and press kisses against his shoulder, before you offhandedly mention that his fever’s gone down. pierre’s fighting the call of sleep, and mumbles something into the pillow that you can’t make out, and he turns his head to the side so you can hear him, “i dunno how, mon amour, but it tasted like you too.”
you stare at him with wide eyes, neither of you are aware of an aphrodisiac of this caliber. pierre falls asleep, and you close your eyes in a quick prayer—this potion better have run its course, you won’t survive another round of that.
taglist: @lorarri @soph1644 @jaydensluv @fanboyluvr @nissaimmortal @redgonerogue @hollie911 @saintwrld@buendiabebeta@butterfly-lover@lana-d3l-rey@dylan1721 @spicybagel14 @dhhdhsiavdhaj@miahgonzalez16@jjaekin @dkbj14 @f1lover55 @f1lov3r @mindless-rock@biancathecool@barnestatic@sweetpiccolo-blog@my-ylenia @zaynzierulez@reblog-princess-blog @lovingaphroditesworld @katekipshidze @darleneslane @inloveallthetime
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© httpsserene 2023
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notjustsmutficfest · 2 years
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writer & beta sign ups for the not just smut fic fest begin today !!! :)
once again, this fic fest is inspired by the fic them butterflies by the lovely and talented @gaycousinlarry! the concept is "smut as a means to character development".
if you'd like a more in depth recap of what this fest is, you can check out the announcement post: here
rules:
this is a nsfw fest, therefore you must be 18 years of age or older to participate.
any fics submitted this round will not be moderated content wise; please use common sense & best judgment when it comes to things like tagging your fic correctly/appropriately. whether the next round's fic content will be moderated is completely dependent on how participants do these things.
there is no minimum word count for this fest.
this will not be an anonymous fest; you can absolutely post snippets of your fic as you're writing. tag this blog & use the hashtag to be reposted as well!
fics are allowed to have more than one author - if you want to write with one or more friends, go for it
this is a one direction fic fest, so you can write about any pairing - or ot3/ot4/ot5 - you'd like!
you can write about any & all forms and variations of one direction; this fest thrives on inclusivity, variation & exploration!
schedule:
sign ups begin today and will end october 14th.
send in prompt submissions until the first week of october!
deadline for submitting fics to the ao3 collection: february 6th
posting begins: february 8th
deadline for moodboard creator sign ups: october 31st
moodboards due: janurary 31st
deadline for beta sign ups: november 26th
*extensions can be granted for writers if need be, please contact me if you feel you need an extension and we can work something out!*
forms & links:
you can find a list of fic examples if you're unsure & looking for guidance: here
you can check out the prompt submission list: here
you can sign up to write for this fest: here
you can sign up to create moodboards for writers/help them create moodboards: here
you can sign up to beta fics for writers: here
i will create a separate post of links to all the pages for mobile users to easily to check out the list of betas, moodboard creators, etc around mid november so everything will be mostly organized and compiled by then!
if anyone has any questions, please feel free to send me a message or ask on here! my main tumblr @alwaysxlarrie can also be used for communication if need be.
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quordleona03 · 24 days
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Hi, if you have time, I'd love to ask a couple of things:
How do you and your beta/proofreader share texts? Do you use email, Google Docs, or a different app? Just curious as someone who is starting to write and trying to get a feel for things. I'd also love to hear any advice you might be willing to pass on about posting and writing.
When I finish a section in All We Know, I send the latest version of the entire document (though once we got into dealing with March, and all the sections up til the end of January had been published, I split the manuscript into All We Know 1962 and All We Know 1963 - all of 1962 was now on AO3 if Jakrar wanted to check back with an earlier section.
On posting and writing, well: my advice is to sit down and write for an hour every day for ten years, and at the end of that time, you are a writer. (I use the site 750words to get my hour-a-day in, no matter what.) When trying to write a story: unless it is a very short story, plan it out ahead of time, chapter by chapter - what has to happen when. Let yourself be flexible, of course: sometimes the characters will tell you things about themselves as you write that mean the story changes direction. And then write: get the shitty first draft down, and then pause for at least a day - sleep on it, definitely - re-read, make what changes seem good to you, repeate - and finally, find someone to edit/proofread, and, hopefully, to beta-read. A beta-reader tells you their emotional responses to the story. Pay attention to their reactions. A sensitive reader picks up on what you meant, and what you want, and what they feel. The beta-reader's changes may be more difficult to introduce, more painful, but the work in doing so will generally make the story better.
I use LibreOffice, and save as a .doc file, and email that .doc file. For convenience, the .doc file is indexed with a table of contents and each section has a comprehensible heading, so that sections can be easily found.
Jakrar sends me back a .doc file with sections from my manuscript quoted, and her proofreading notes and comments underneath, identified by page number in the file.
What this can look like is (my original text in green, hers indented):
Mulcahy could have told Mrs Hunt he was going to see his sister - that was true: but he didn't think he could explain to anyone who knew what his salary was as a teacher, that he planned to fly to California tonight, and home on Monday. That hardly seemed real to him either, though their flight was at seven. He was looking forward to it with a wincing kind of anticipation, but beyond the flight, he had to meet BJ Hunnicut, who he needed to talk to, and Kathy, Maria Angelica, whom he both wanted and did not want to talk to.
In the first sentence: you might consider changing “that” in “that was true” to “it” I’d suggest changing the colon after “true” to a dash I’d suggest putting “(at least,” right after “anyone” in “could explain to anyone” I’d suggest changing “who knew what his salary was as a teacher” to something like “familiar with his teacher’s salary” I’d suggest changing the comma immediately following the word before “that he planned to fly” to “)”
Jakrar will also note contradictions in the text:
Page 368
Hawkeye got up when Mulcahy came in - paused a moment - presumably for Mrs Jamieson to close the door - and then came round the desk and took Mulcahy briefly into his arms. He let go, moved back, looked down.
At the end of the first sentence, delete the extra blank space following “briefly into his arms.”
Page 368
"Okay, wait," Hawkeye said, still holding on to him. "It did not escape my notice that when we flew up to Boston back in October, your ears hurt."
First, three paragraphs up, Hawkeye takes Mulcahy briefly into his arms and then lets him go and moves back, but here Hawkeye is still holding on to him. You need to change one or the other or have something in between where Hawkeye takes hold of him again. Second, they flew to Boston and had their interactions with Charles and Martine in November.
Sometimes, she'll also include comments on the text itself.
Page 431
"Fantastic," Hawkeye said, very cheerfully. "Lucky chance you knew that guy." "Never saw him before in my life," BJ said. "You knew him, didn't you?"
beats head on desk How have these guys survived this long?
Page 431
Hawkeye stopped short, turned, and looked at BJ. His eyes were wide and his eyebrows raised. "BJ? He's on the convention staff. I handed my dress bag in at the desk this morning, and asked them to find me at the mezzanine after my seminar, and take me to a room I could change in. He showed up with the bag and a key to that room, and I told him to come find me after the banquet. That is the sum total of our long-standing unacquaintance. When you called him 'Jack' I thought you knew him."
Near the end of the fifth sentence, delete the extra blank space after “take” in “the mezzanine after my seminar, and take” In the eighth/last sentence: put a comma after “Jack” (before the closing single quotation mark) I’d undo the italics on “him” (but leave the italics on “you”)
I used to be a stellar proofreader myself. But, since my glaucoma diagnosis, I've had to accept that I will no longer be able to notice if I've missed small issues in the text. Leading to comments such as these:
Page 432
BJ gave Hawkeye a beat of silence Hawkeye looked amused "Okay - "
Put a period after “silence” Put a period after “amused”
Sometimes, I disagree with Jakrar's suggestions (my comment text in red italics) and I often add notes on the decisions made in guiding the plot of the story.
Page 98 (from the AWK 193 doc)
"Hey," BJ said, calmly. "We couldn't invite all four kids, one of them a boy about Erin's age. We're not inviting any kids." And they had heard from Erin about that, at the top of her voice. "We just couldn't make an exception for Lorraine Blake. Anyway - "
In the fifth sentence, you might rearrange “We just couldn’t make an exception for” to “We couldn’t make an exception just for” The reunion just became a thousand percent better.
To me, the suggested placement of "just" sounds dismissive of Lorraine - "just couldn't" sets the emphasis on "couldn't for anyone". Does that make sense?
When I was discussing with Ajay65 how to plan the reunion at the end of the story, Ajay65 pointed out that if the party included children, the hotel had to be bigger, events had to be organised for parents-with-children, a sitter-service had tbe available for the banquet or the entire event had to be child-friendly - and I conceded the point and abandoned any ideas about a family reunion.
Page 398
Hawkeye was sitting bold upright and plainly indignant. "Beej, everyone there would know the circumstances."
In the first sentence, change “bold” in “sitting bold upright” to “bolt”
Page 398
"I didn't," BJ said. "And a lot of people who only remember Colonel Potter wouldn't either. Anyway, Hawk, if you'll cool down and listen to me, I heard back from Lorraine Blake, and she's now Lorraine Reynolds."
In the second sentence: you might consider rearranging “people who only remember Colonel Potter” to “people who remember only Colonel Potter” put a comma after “wouldn’t” in “Colonel Potter wouldn’t”
"And a lot of people who only remember Colonel Potter wouldn't either."
To me this (the above) sounds a more natural way of saying what BJ is trying to say than
"And a lot of people who remember only Colonel Potter wouldn't either."
The above comments are all editing or proofreading. Anyone experienced enough to know what correct grammar, spelling, and punctuation are, and with a good enough memory to catch glitches, can proofread your story. It is always easier to have someone else read your manuscript and catch errors than for you do it. This is because - unless you set the story aside for a few weeks - you yourself know what you meant to write, and your mind's eye will produce that for you on the page, even if that's not what you actually typed. A proofreader is only responsible for picking out the typos, punctuation errors, grammatical errors, and so forth: an editor will track things like "Hawkeye and Mulcahy actually flew to Boston in November". But in fandom, if you are fortunate enough to have someone who will be both proofreader and editor, they can and should do both.
But - when your editor/proofreader loves your story enough to read it with fannish appreciation, they will also notice things like this:
Page 471
"When did you tell him to go back?" Kathy said. She was beyond astonishment. That Ben might have been a voice urging Francis to return to the priesthood was not something that had ever occurred to her. She was bewildered, but she could not disbelieve him.
"A couple of times in Crabapple Cove. In New York...." Ben shrugged. "A few times. I don't remember. He told me to stop, last year. He told me he wasn't ever going back, they wouldn't let him be a priest, and I had to stop saying it, or he'd be angry."
"So you could get him to go," Sister Maria Angelica said, with delicate care, "if you weren't afraid of making him angry?"
It could be just me, but it feels like Maria Angelica's switch here, from the shock of realization back to manipulation, is a hair too quick and smooth.  Maybe if there's a hint of pause at the start of the third paragraph, before she's all composed again, and delicately trying to get Hawkeye to see things her way...?
Jakrar was right. A beta reader notices emotional mistakes in the text. So I amended my text (new text in bold):
"A couple of times in Crabapple Cove. In New York...." Ben shrugged. "A few times. I don't remember. He told me to stop, last year. He told me he wasn't ever going back, they wouldn't let him be a priest, and I had to stop saying it, or he'd be angry."
Kathy stared at Ben. She wasn't sure what to say. She moved her hands togeher under her scapular, and summoned herself to go on.
"So you could get him to go," Sister Maria Angelica said, with delicate care, "if you weren't afraid of making him angry?"
And sometimes, a good editor can save your life. On Page 516 of the total WIP so far (Page 210 of the 1963 version), there's this:
But it wasn't even seven in the morning in New York: the call rang out, with no one there to answer in the empty offices. Hawkeye stared at the San Francisco telephone directory, and thought of making prank calls.
It’s going to be three hours later in New York than it is in California.  But if it’s about nine in the morning in San Francisco, it’s about noon in NYC, so maybe there’s a lunch break and no one is answering the phones at the office because of that?
I said "OH SHIT!!" out loud when I read your email, and M, who was passing, said "What?" sounding very worried.
I said, "no no, nothing important," and then correcting myself "nothing in the real world - I got the time difference between New York and San Francisco exactly BACKWARDS"
"Oh," said M, sounding very relieved, "oh well shame on you, tut tut" and went on downstairs to make more tea.
I don't have the red cloak and magical comic book powers to reverse the direction of the Earth and besides people might notice if I did, so i guess I have to rewrite that bit.
Thank you.
*sobs with relief*
Thank you.
Will send you corrected and updated version ASAP.
Love and huge appreciation
Result: But he ate, and asked the waitress where he could make a long-distance phone call. He might as well call Shirley Mason and get it over with. A man answered the phone. He said Miss Mason was at lunch. He did not offer to take a message. Hawkeye stared at the San Francisco telephone directory, and thought of making prank calls. He called Charles's office. The hospital switchboard passed him through without comment: Charles's secretary, who always reminded Hawkeye of a very well-bred robot but with less warmth, said that she would inquire if Doctor Winchester wished to speak with him. Finally, Charles's clipped Boston voice said, "Afternoon. What is it, Pierce?" "Good morning, Charles," Hawkeye said. "Pierce. What is it?" Charles paused. "Are you in California? What do you want?"
Ah, that's a question...
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succubusphan · 9 months
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Two Man Team - Chapter 1
Summary: This is the story of two struggling friends who after many trials and tribulations find their way back to each other and build the life they've always dreamed of.
Or how Phil changed his life by talking to random strangers on the internet.
Rating: E
Tags/warnings: Friends to lovers, Friends with benefits, mental health issues (mainly anxiety), Slow burn, Dan is a psych student. Canon divergence (the timeline is altered and some things never happened), Slutty Phil, Angst with a happy ending. The fic spans many years.
Author's Note: Written for the OSPBB 2023 @oldschoolpbb. Thank you @effingmeteors for being my life saviour and beta as usual and to my artist Lin @anironsidh.
Edits and the art will be added at some point, we are busy bees.
POSTING EVERY DAY UNTIL IT'S COMPLETED.
Total Word Count: 75k ish
Read on Ao3
CHAPTER 1: Somebody to Love
June 2005
Phil threw himself onto his bed and looked around at his neon green walls and carpet thinking how little time he had left in his childhood bedroom. He had one last summer in his hometown before uprooting his entire life and moving to York for uni. It was weird, in a way, to be in this sort of limbo where his basic education was over; he no longer felt like a child but didn’t feel like an adult either. It could be because he didn’t feel like he was fully himself, not to anyone he knew - not even his friends.
Could he really call them his friends if they didn’t know who he truly was, if he couldn’t share his attraction to boys like the others shared their crushes on girls and their flings? Maybe it wasn’t fair to think of them as near strangers, it was not their fault that he didn’t feel ready to talk about it. They had all been there for him his entire childhood and he still wasn’t ready. That was on him.
On the other hand, York presented him with a new opportunity, a chance to live his true life and finally get a boyfriend. That’s all he wanted, just - someone to cuddle with. Ok, also other stuff, but he wanted a proper boyfriend. It didn’t hurt to start looking now though.
Phil sat up and reached for his laptop, lifting the screen and connecting to the internet. He clicked on the Explorer icon and waited for everything to load for a few minutes. He logged into a random Yahoo chat room as per usual and greeted the 60 strangers chatting and sending emojis in the hopes of catching someone’s attention.
Snowdude: Hi. Anyone around 18? ;)
A private window popped up immediately.
DanTheMan: hi snowdude XD i’m dan
Snowdude: Hi. als?
DanTheMan: 16/m/reading. u?
Phil hesitated for a moment. It wasn’t often that dudes messaged him. Still, “Dan” was too young and still in school. Well, he didn’t have anything better to do than speak to him.
Snowdude: 18 m York. Are you in school?
DanTheMan: yeah just the A lvls to go. What’s ur favourrtie game?
Phil’s eyebrows shot up at the typo and he snorted. 
Snowdude: Final Fantasy 7 is ace.
DanTheMan: ace XD favourite show?
Snowdude: Buffy obviously. What is this, an interview? What’s your favourite subject in school?
DanTheMan: ouch, geography and psych and theatre.
Snowdude: hate geo, you act?
DanTheMan: don’t laugh. i always have but i’m cool.
Snowdude: nothing wrong with it. I’m a terrible actor. 
Looking at his ceiling, Phil felt bad for making Dan feel insecure by bringing up school, pointedly marking their age difference. He knew what it was like to be looked down upon by the older kids. He quickly typed another message.
Snowdude: I signed up to art because I thought it would be easy and almost failed. Seems like i suck at art.
DanTheMan: ROFL. ur weird.
DanTheMan: let’s be friends.
Snowdude: Lesbifriends
DanTheMan: forget it lol. I regret asking.
Snowdude: noooooooooooo 
DanTheMan: i have to go my mums calling. add me on msn i’m [email protected]
Snowdude: Rawr xD. ACe. Good luck with homework
DanTheMan: fuckoff with your capitalistion and good grammra ttyl
And just like that, Dan exited their chat. Phil smiled and logged into MSN, hesitating only for a second before adding his new friend.
Ian opened their conversation with a buzz as per usual and invited him over to play games with the girls. He hesitated, but another notification popped up and it brought a smile to his face.
GoThic chiK (Anja): coming or not phL?
Phil rolled his eyes, at least Anja would be there and even if he didn’t like girls like that, Anja was always cool. She was like a girl, but also not. Well, she was a girl of course, but she felt like a guy, but not - like him. He didn’t fit in as the kind of man his dad wanted to see in his son and Anja didn’t impress her mother either. Maybe they were losers but they still had each other.
Phil Strikr: omw Annie tell Ian
GoTik chiK (Anja): told you to stop butcherin ma name.
Phil laughed and sent her a buzz before logging out and getting into his favourite blue jeans and a green T-shirt.
--
The night went by in a breeze, with loads of pizza, drinking and a few rounds of TEG that ended in disaster. He mostly enjoyed it until the topic of dating came up yet again. All the guys had some sort of girlfriend or arrangement and Phil had barely anything to show for. For the umpteenth time, Phil considered coming out to them but he could never bring himself to do it. Maybe one of these days when he was drunk enough.
“Phil, Phil!” Someone said.
Anja snapped her fingers in front of his eyes, startling him and causing him to drop the dice he had been shaking for who knows how long. “Mate, what is it with you today?”
“Uh, nothing. I was just thinking about Buffy,” he said.
Anja gave him a look that let him know she was not buying it, but the rest rolled their eyes and continued with their conversation. For a moment Phil thought he was off the hook but Ian looked at him expectantly.
“What?” Phil asked.
Ian sighed heavily. “Sandra asked about you again, mate. When are you going to ask her out?”
Phil tried not to look like a deer caught in the headlights. “I think it would be weird to date your cousin, we are like brothers at this point.”
Ian snorted and shook his head. “We are like brothers but not actually. It’s not like incest or anything.”
“Ew, don’t say that,” Phil said, paling at the thought of Sandra and her wandering hands. He was not going to repeat the mistake of asking her out. One sloppy kiss was more than enough.
Richard, Noah and Keith laughed at the face he pulled but Ian merely smiled at him.
“Oi! Phil is mine, let him be,” Anja said, shuffling closer to him and resting her hand on his thigh.
Phil’s eyes widened but she gave him a small wink before looking back at their friends.
“What? Are you his girlfriend now?” asked Richard with a frown.
“Yeah,” she said, looking uncomfortable at the question. Anja didn’t like Richard like that, she loved him as a friend, but he had a huge crush on her and he was terrible at hiding it. Phil didn’t need to read her mind to know she didn’t want to break his heart or risk their friendship but it was bound to happen eventually.
Wrapping his arm around Anja’s waist loosely, he set his head on her shoulder. “Tell Sandra I’m taken,” Phil said and Anja relaxed against him, letting her head gently rest on his.
Richard looked disappointed but didn’t press the issue any further.
Eventually, the board games stopped being fun and the alcohol ran out so they declared the party over. As soon as Phil said goodbye and stood from his spot Anja followed him, making the others laugh and howl at them, half whispering about what they were going to do in Phil’s bedroom.
Once they were out, Phil turned to look at her. “Do you want me to walk you home?” He asked, hopefully.
“Nah, I was expecting to crash in your bed.” She began the walk back home and Phil followed her.
“What?” Phil squeaked.
Anja laughed and turned towards him, but her eyes looked a bit misty. “Don’t be daft, it’s not that.” She poked him gently, looking into his eyes. “I just feel sad and I don’t wanna be alone right now. I know I can trust you like that.” 
“Alright,” Phil said, still walking at her side. “Do you want to talk about it? What happened?”
Anja looked away from him, her eyes focusing on the moon for a moment as she spoke. “I was dating someone but they are not sure about it anymore and it sucks.”
Phil stopped walking and pulled her into a hug. “An- you know you can tell me anything, come stay with me too.”
“I know.” She returned the hug tightly only for a moment before stepping back. “Come on!” She said, grabbing his hand and pulling him along. “Kath will be fuming if we are not there before midnight.”
He snorted and laced their fingers together. “I’ll tell my mum you call her Kath behind her back one day, you know?”
“Meh,” Anja shrugged. “She loves me. I’ll live.”
They stayed silent for most of the 20 minute walk home and had to sneak in, but soon enough they were in his room. Phil gave Anja a big T-shirt and a pair of joggers and slipped into his own pyjamas while she changed in the bathroom. 
Five minutes later they were looking up at the ceiling as they lay under the covers in the small bed.
“Hey, Phil?”
“Yeah?”
“Do you think Richard will get over his crush eventually?”
Phil turned on his side to look at her. “Probably, he has gotten over the others.”
She nodded. “Are you seeing anyone that you haven’t told us about?” she asked in a drastic change of topic.
Phil sputtered. “As if anyone would be interested.”
“You have pretty eyes and perfect eyebrows. I wish I had your eyebrows,” Anja said. “You should dye your hair black though, it would make your eyes pop.”
“I don’t know… Would you do it for me?”
“Of course, ginge,” She laughed.
“I’m not a ginger!” Phil whined.
“Course not.” She poked at his stomach. “Good night.”
“Good night, An,” he said and shut his eyes, letting sleep claim him.
---
It was a weird summer. Anja remained sad for the majority of it but refused to talk about her boyfriend, choosing to focus on giving Phil an extreme makeover instead. She dyed his hair black, took him to the mall to pick up black skinny jeans and to the stylist that had given her her emo haircut to tame his mane.
By the end of it, Phil had perfected a nice image for his MySpace page. He had even ventured into eyeliner for some pictures when he’d gotten bored waiting for Anja to get ready for a party. He’d enjoyed the results and even Ian and the guys said it looked cool on him. Even Dan thought he looked really cool when he saw the pics.
He got to talk to Dan quite a few times as well before going off to uni and caught up with life. It was amazing to learn that they were actually super compatible, liking many of the same games, music and shows. The best part was that Dan said there was a chance he would go to York like him so they could hang out and Phil liked the sound of that, even if Dan was still a full year away from it. Dan was honestly super cool and Phil really had come to consider him a friend in the last few months so it would be super fun to have someone close to hang out and play games with. It sounded like a great plan.
Daydreaming about their potential meet-up was a nice distraction from Dan’s home life, which seemed to be in constant turmoil as Phil came to find over time. There was a reason Dan barely mentioned his younger brother and he had vaguely complained about his father’s rage issues, so Phil always let Dan talk first, and let whatever was troubling him be aired so that he could offer his support or advice if it was needed. Phil also shared some of his issues and insecurities, but his problems were not nearly as bad as Dan’s so he tried to keep things on the positive side and help Dan out.
But Phil wasn’t expecting to catch Dan in a lie only weeks later. As it turned out, Dan had never been 16, he was a 14 year old kid. It was a silly lie, but it still hurt Phil, so he asked Dan to never lie to him again. Dan was very apologetic and begged him not to break their friendship, which Phil had briefly considered, but decided against, especially because of the kind of bullying Dan suffered at school on the regular. After the initial shock had worn off, Phil reassured him that they could be friends, even if they would have to be long distance.
Dan deserved to have supportive friends. He needed someone to be there for him and Phil knew he could be that someone. At an appropriate distance, of course.
It was a bit of a rough patch between them, but after they had resolved the issue, life went on as usual. Phil dived head first into his uni life and there were so many changes. He moved into the dorm and met new people at uni, but sadly, he wasn’t able to stay in touch with his friends back home as much as he’d have liked due to his schedule. In a way, he had inadvertently severed most contact with his life back home, but no matter how much things changed, some stayed the same: his lack of a love life and being trapped in the closet.
He decided that it was time to take his life by the horns and that marked the beginning of a new chapter for him, an exploring phase of sorts. After some consideration, he opened a profile on a dating website, hoping to find a nice guy he could date. His new look did seem to help a lot, but his popularity applied mostly to MySpace. The dating scene seemed a bit dry, or maybe he was just too awkward. There weren't a bunch of messages flooding his inbox by any means.
To be honest, he was starting to get really discouraged, thinking he would never meet someone, but his luck finally changed on a mighty weekend when in a hidden corner of a pub, he got his first taste of freedom. He was blonde and tall and three years older than Phil and his lips were on Phil’s, quickly taking him to heaven, making his blood rush south and his stomach tingle. His hands were inside Phil’s T-shirt and struggling with his jeans’ zipper in less than five minutes. It wasn’t too rough or something that Phil didn’t want, but the speed of it all scared him a bit. It was too much too soon and he wasn’t ready even though he wanted to be, so he took a step back and apologised.
“I’m sorry,” he said, still trying to catch his breath. “Listen, I’m not out yet, not even to my friends back home, my new uni friends or my roommates.”
The guy nodded and smiled at him. “That’s alright,” he said. “Could I get your phone number? Maybe we can meet up some other time.”
Phil nodded and saved it in the other’s phone, but he was not going to trick himself into thinking he was going to get a text. His chances were slim.
They parted ways with a quick kiss, which surprised Phil. He let out a deep sigh as he watched the blonde disappear into the crowd and surveyed the pub in search of his friends. 
Towering over most people did come in handy and allowed him to locate his roommates in under a minute. Phil tried to put on a brave smile as he made his way to them and accepted a beer, taking a zip and groaning at the bitter taste. It was performative and he knew it, but he didn’t know what else to do, so he followed along with what everyone was doing. He got drunk - and even made out with a girl briefly just out of boredom. 
He felt nothing, nothing at all, but his roommates cheered him on and the girl seemed happy enough. 
That made one of them.
--
Once back in his room, Phil put his phone to charge and turned it on. There were a few missed calls and texts from Dan, asking if he was free to talk. Phil got a bad feeling about it and tried to call him but Dan didn’t pick up. Maybe it was too late and he had fallen asleep. Biting the inside of his cheek, Phil hesitated before sending a text.
“I’m sorry I missed your calls, I was out until just now and my phone had died X.x . I’m free to talk in the morning!”
Phil lay in bed for what seemed like forever, the room spinning a bit around him, as he thought about the blonde guy, the boring night, the girl he kissed - and Dan. He wished he would have stayed home and talked to Dan, maybe played some games, or talked about school. It was sad that he got along better with a 14 year old than his own friends. What did that say about him? He fell into a fitful night of sleep just as the sun rose above the clouds.
The talk with Dan didn’t come the next day, or the following one. In fact, Dan stopped replying entirely for over a week and Phil’s stomach was twisted into knots. Over twenty messages unanswered could only mean bad news, right?
The following weekend, Phil sent yet another text: “Please, Dan. Just let me know that you are ok.”
Ten minutes later, his phone finally vibrated. “im ok. stop.”
Phil’s eyes welled up with tears. “I’m so sorry, Dan. I’ve been worried about you. I went out and had so many calls and missed texts, I thought something had happened and you needed to talk. It’s ok if you don’t want to, I just didn’t want you to think that I didn’t care. Sorry I missed your call.”
His screen lit up with a call immediately and Dan’s raspy voice greeted him on the other side. “Hey, sorry. I didn’t mean to scare you.”
“It’s ok,” Phil said, trying to calm himself down, rubbing his eyes with the back of his hand. He swallowed thick and attempted a small smile, even if Dan could not see it. “What did you want to talk about?”
Dan was silent for a moment, but then he let out a tired sigh. “Nothing much, it’s fine.”
“You can tell me, you know you can,” Phil said with a frown.
“Last weekend I went to the mall and I had some problems with the usual shitheads…” he trailed off.
“Did they throw rocks at you again?”
“Yeah, but I didn’t care. And on Monday -” Dan paused.
“What happened on Monday?” Phil asked, frowning at the pain he could hear in Dan’s voice.
“One of the idiots grabbed me by the neck and slapped me for like 5 minutes,” Dan mumbled. “And I know what you’re going to say, one of the teachers saw and did nothing. He even laughed.”
“Dan,” Phil said, his heart breaking for his friend. “I’m so sorry, you don’t deserve any of that. I wish I could be there to help you.”
“It’s fine,” Dan said in a monotone voice. “I didn’t react, I didn’t want to give them that satisfaction.”
“It takes a lot of courage not to fight back. You were very brave.”
“I wouldn’t say that,” Dan muttered. “Almost gave them another satisfaction.”
“What do you mean?”
“I’m so tired sometimes, you know? Just so tired.” Then, Dan cleared his throat. “Anyway, I’ve been staying with my grandma since Tuesday, so I’m ok.”
Phil had to clear his throat too, trying not to get choked up by what Dan was implying. “You have to get good grades so you can get into uni and we can hang out, ok?”
Dan snorted. “As if you would hang out with me. You’re cool and I’m just a 14 year old loser.”
“You’re not a loser. You’re kind, and funny, and one of the coolest people I know. I know that one day you will be a great guy. Maybe you’ll be a famous actor, like you’ve always wanted.”
“Yeah… maybe,” Dan said. “Wanna play Mario Kart later? I have homework.”
Phil looked at the time, it was already late, but a few races wouldn’t hurt. “Sure. Text me when you’re done.”
“Thanks, Phil,” Dan said and Phil could picture a little smile on his face.
“No problem. See you later.”
“Yeah. Hey, can I follow your MySpace?” Dan asked.
“You can follow me anywhere,” Phil said. “We are friends.”
“Yeah, ok,” Dan snorted. “See you later, Philly.”
Phil rolled his eyes and hung up the phone.
Letting out a deep sigh, he decided to do the “adult thing” and study a little more for the exam he had the following morning so that he could join Dan online later. It was not a lot, but he felt better now that Dan knew Phil was on his side and he cared.
That night, Phil stayed on his DS until 4, but he managed to get a passing grade on the exam anyway. He rewarded himself with a 10 hour nap afterwards.
--
All through his first term at uni, Phil tried his best to keep in touch with Dan, but with his tight study schedule, the weekends pretending to be straight and attempting to not stress himself half to death with his new chaotic life, it was getting increasingly difficult.
Before long, Phil had to make a drastic choice. Something needed to change and he knew exactly what was the worst stressor for him: his straight-sex-maniac persona. And so it was decided. 
He invited his four roommates to their very limited common space and paced in the square foot of floor he had available to himself waving his hands around without uttering a word until one of the guys asked if he was ok. 
No, Phil was not ok at all, he was nearly crawling up the wall, so instead of giving a carefully planned and rehearsed speech, he stopped short of the wall, turned around and said: “I lied… I am not super experienced, I don’t have a lot of sex experience. In fact, I have zero experience, because… because I’m gay. I’m sorry that I lied, I just wanted you guys to like me, you are all so cool. I wanted to be your friend. I didn’t mean for it to get so out of hand. I-”
Peter got up from the armrest of the sofa, causing Phil to take a step back just in case, and gave him a hard pat on the shoulder. “It’s ok. We are all figuring things out,” he said. “Also, Sarah will be happy to know that you are not disgusted by her presence, you’re just thick as all fuck and gay. Right, Sarah?”
“You like me?” Phil squeaked, turning towards the popular blonde girl. She was super nice and also pretty, but she was still not a guy, so there was not even a chance.
“I do. I did, but it’s ok. We can be friends,” she said with a smile.
“We can?” Phil croaked.
Sarah nodded. “You’re a good guy, Phil. Why wouldn’t I want to be your friend? And the fact that you are not opposed to a little makeup also plays in your favour.”
Peter clapped once and rushed to the fridge. He got the Malibu out of the freezer, messily pouring the alcohol into various glasses and mugs and other liquid-holding implements before turning around to face the group and raising his glass. “To Phil, the gayest emo York has ever seen - and a good friend too!” He downed his drink without waiting for anyone else.
Sarah walked over to the kitchenette and grabbed a shot glass, raising it towards Phil with an encouraging smile. “Cheers,” she said and downed her drink. She then passed a repurposed laundry detergent cap full of Malibu to Phil. 
“Thank you,” he said, hoping that his eyes could convey the gratitude he felt. “Cheers,” he said and drank the entire thing.
Jimmy and Callan, who had been quiet until now, stood from the sofa and grabbed a mug each, raising them to Phil. 
“To Phil, the gay emo,” said Callan with a smirk.
“We can still be friends even if you’re gay and your willy is bigger than all of ours,” Jimmy said with a nod and necked his drink.
Phil laughed. “Stop talking about my dick, Jimmy. You saw nothing!”
“I will when it stops looking back at me every time you sit,” Jimmy cackled. 
Phil threw the laundry detergent cap at his head, hitting the target and causing the group to laugh.  Hours later, he crawled into his tiny bed and felt the effects of all the alcohol he had consumed rock him gently, like the waves in the sea. He let out a sigh of relief, a smile appearing on his lips as he remembered how the night had started. His coming out had been awkward but still a success. Now he could truly be himself, at least in York, and he couldn’t wait until he was able to live his life fully everywhere.
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I am a new reader of your blog, and that is something I want to know (but it's totally okay if you want to ignore this ask!) why you stopped liking [with you]? Is there something in particular that bothered you about this fic?
That... is a question with a loaded answer.
The quick answer is:
I put way too much pressure on myself with [with you] that caused terrible burnout and I couldn't do any creative writing for a long time after; a small portion of my readers were pretty hostile about slow updates; there were criticisms about the story that I had a hard time with; and there are a lot of story beats and writing decisions I made with it that I'm very critical of. All of those things combined, I now have a lot of negative feelings associated with [with you].
The not-so-quick answer involves a lot of self-criticism about my prose, poor choices, the criticisms by my readers, and some behind the scenes stuff. I'll put all that under a "keep reading" for anyone interested in more detail.
When I started [with you], it wasn't meant to be a 50k+ story, it was just going to be a simpler story told in a couple parts... that I then kept expanding. I'm pretty sure every note I have on the original version posted on here starts with, "hey y'all, this story is this many parts now whoops haha"
I had very little planned out, I was just discovery writing my way through everything. I wrote a chapter, read through it a couple times, said, "yeah that's good enough," then posted. Y'know, like what a lot of people who write fics do. "no beta, we die like Ben falling down the bell tower" and all that.
I had ideas of where I wanted to go, but I didn't start an outline until I was well into the story. It was bloated. I felt like I needed to add every single idea I had, and needed to expand on every character, even if it didn't do anything to advance or enhance the story... and that became overwhelming for me to keep track of since I wanted it to all tie together in the end and please my readers.
When I read through it now, there is so much that can be cut that no one would miss. It would flow better and be easier to read.
My prose [the actual writing style] is all over the place and reads like a first draft, especially in earlier chapters. Spelling errors, run-on sentences, whole paragraphs that I should've cut. While I feel better about my dialogue, there are some conversations that read as awkward.
Honestly, the best part of the entire fic is Clementine and Louis' story, which... yeah. I'm pretty happy with the way I portrayed their dynamic, dialogue, and romance. I just wish I hadn't bogged it all down with everything else, like... that's all it needed to be, it just needed to be about clouis.
Oh, and I still like the dream sequence. That's probably one of the better chapters, if not the best chapter.
Now, when I say I made bad choices with this story, one of those choices I'm referring to is my "big rewrite." This was incredibly stupid. Past CJ thought it was a good idea but she's a dumb ass. You can't listen to anything she says.
Basically, I got the brilliant idea that I would take [with you] down and rewrite the whole thing before I wrote the final chapters. I wasn't satisfied with how it was written. I felt I could do so much better. I was going to trim unnecessary fat, expand on important details, make some heavy changes, improve everything, and then repost it with the ending.... so I deleted it off AO3 and got to work.
Terrible idea. Don't ask me why. What I should've done was discontinued that version, made a note that it was old, and then published the new version separately. But I didn't. And a lot of people were pissed at me. Shocking.
I should've just finished it. I should've finished it, posted it, and then went from there. But I didn't. Ever since then I've gotten a lot of readers who would go on anon and send me messages about [with you] that are passive aggressive or guilt trippy. That soured my feelings about the story and myself as a writer tremendously.
Then there's Violet.
I wrote the first few chapters before Ep4 of TFS was released, meaning I wrote Violet before we found out that she's blinded in the explosion in her kidnapped route. I took the "Violet despises you" route, and a big plot point of the story is Violet dealing with all these conflicting feelings about Clementine, hating her but also not, distancing herself from the group, the strain it put on her and Louis' friendship, etc.
I don't like how I portrayed Violet for a number of reasons. I know what I was trying to do, and I knew I couldn't [or wouldn't] scrap everything I already wrote about her and rewrite in a blind Violet on friendly terms with Clementine... because sure, I wanted to do this grand rewrite that sounded easy enough on paper, but in practice that was so much work that intimidated me.
Because behind the scenes fun- for the rewrite, I wanted to do that. That was a major change that would've cut so much from the story I wasn't happy with, and would've been a more positive portrayal of the character. But then I saw just how much would be cut and how much I'd have to write and it scared me off from the idea... so I tried to work with what I had and I still hate it.
Violet's very antagonistic in the story. She attacked Clementine after the boat explosion. Everyone thinks she'll attack her again. Mitch calls her a traitorous bitch and doesn't trust her to not stab Clementine in a conversation. There's even a point where it's mentioned that in the past she slapped Louis during a conversation. She just has a pissy attitude throughout the story but then berates herself for it and I just... I was going for a slow burn recovery that explores her trauma and ends with her reconciling with Clementine... but it doesn't come off that way? Some parts I think I executed better than others but most of it I look back at and say, "...No, past CJ, that doesn't read like you think it does...."
But that wasn't my only criticism I got about the way I wrote Violet, and this one is... a little complicated? And something most probably wouldn't take issue with or even notice unless you're a major Violet stan... but I pretty much gave Mitch [a character I loved at the time] a lot of Violet's canon character points and explored them more positively, then turned around and made Violet more antagonistic, which......yeeeeeah.
The only defense I have for this is it wasn't intentional. It really wasn't, but I understand and think it's a valid complaint. Like... I used to get these anons who would tell me this and I'd quietly delete them because, "...nope, not touching that. If I don't acknowledge it, it doesn't exist."
Lemme explain: In my fics, Mitch is gay. He had feelings for his best friend and roommate, Justin, before he died to walkers, and Mitch hasn't trusted "gross feelings" ever since... until James shows up and Mitch has to face the fact that he has romantic feelings for him while not being completely over Justin...
...y'know, totally different from Violet who is gay, had feelings for Minerva before she "died," and hasn't trusted mushy feelings ever since... until Clementine shows up and Violet has to face the fact that she has romantic feelings for her while not being completely over Minerva....
It's surface level stuff since they are written differently, and it's not like you're not allowed to have more than one character with character beats like that, but it's enough of a similarity that I get why it would rub Violet lovers the wrong way. Especially since nothing about that is canon with Mitch's character, y'know? It's the character I gave him.
I don't think it was coming from the Violet crowd [the aggressively obnoxious fans no one likes], I think it came from people who were genuinely bummed or put off by my more antagonistic portrayal of her, only to see similar traits portrayed positively with Mitch.
And that bothers me. I do like the way I wrote Mitch, but I hate the way I wrote Violet. It's made me step back and analyze why I wrote them the way I did, y'know?
But the BIGGEST criticism from readers I've gotten?
[with you] is unfinished.... valid, but there isn't anything I can add that. Sorry y'all, it's discontinued, I'm never going to finish it.
The best I can give you is what I planned: a big wedding scene where Clementine and Louis exchanged vows and kissed. Violet showed up and made amends with Clementine. Clementine talked Mitch into dancing with her even though he hates dancing. Aasim tried to ask Ruby to dance, panicked, and asked Mitch instead who was like "...Fuck no, RUBY COME DANCE WITH AASIM!" Louis and Clementine left early to head back to their room and it probably would've ended with some sappy line about being together to the end.
So... there ya go? It's not a final chapter but that's the gist of what would've happened.
But moving on, I was also going through a lot of things in my personal life that I won't get into. I was working on other writing projects that I had more interest in, so [with you] was put on the backburner. Then, over time I grew more sour about it the more pressure and guilt I put on myself, added with the pressure and guilt put on by my readers.
I do want to clarify that it's not like ALL of my readers were like this. Most of them were sweet, supportive followers who only had nice things to say. But you know how it is... you could get ten comments/asks, nine of them positive and one negative, and it's the negative one that's going to stick to you.
So, to my lovely readers, I am sorry that I let you down by not finishing it. To the rude readers, I'm less sorry because y'all were dicks.
Y'know... I can look at all of my other works and either be like "Yeah, I'm really proud of that story," or "Eh, it was one of my earlier works, so I can't be too hard on it."
But [with you] puts me in a crisis of "oh god I'm a fraud, I was never a good writer, what am I doing??? why?? why are you like this??"
and I have to snap myself out of it. That's why I'm so like this about it now.
There are other little things I could go into, but this answer is long enough. I figure if anyone has any further questions or criticisms, they'll send 'em in and I can answer them that way.
I've moved on from all my twdg writing, I'm writing dragon age stuff now, and it's finally working for me so it's not like [with you] has me all hung up still. Plus, I think it's good to go back and learn from mistakes made in old works, y'know?
#asks#[with you]#twdg clementine#twdg louis#twdg violet#twdg mitch#twdg ruby#twdg aasim#twdg james#i have a lot of feelings about my old writings and trying to not repeat mistakes sksksks#because hhhnnnggggg... i made mistakes#but it's fine#it's fine i am different now and current cj has improved.... she said through gritted teeth#no but really i'm doing so much more writing these days and it's actually *fun* again... writing hasn't been fun for a long time#and writing da fic is like... a totally different experience? because it's a very different world/fandom than twdg... obviously sksks#plus i'm just a lurker in the shadows of the fandom and i haven't posted any writing yet so there are zero eyes on me#there was a point where i felt like stagnant with twdg? like i wanted to branch out and write different kinds of fics but was too worried#about my readers and followers judging me for it or that no one would want to read it because it wasn't tfs stuff#like.... ugh do i dare share this? ....it's in the tags and no one reads those so i'm sure this is a safe place for confession... sksks#i entertained the idea of writing a long fic about david and lilly meeting and joining the delta together#that would've dealt with much heavier mature themes than any of my tfs stuff did#...don't look at me like that okay I KNOW sksksk livid was a huge meme on this blog and behind the scenes i was like#'...wait what if though??' and never did it because i *know* how it would've been received and frankly i didn't wanna deal with that#plus i had so much other shit to write and [with you] constantly on the back burner screaming at me sooooo.... yeah#but anyway... i'll stop venting in the tags and thank anon for the ask and for reading my stuff#despite my hang ups with it i do truly appreciate you for reading my work and hope my answer makes sense
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screadingchallenge · 2 years
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Behind the Keyboard Volume 24
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Behind the Keyboard is a series of interviews with different Schitt’s Creek fanfic authors. The series will last as long as there is interest (from authors) and capacity (from me). If you are an author from the Schitt’s Creek fandom who would like to participate, send a DM to this account.  
Each author was given ten questions. The first five questions are the same for every author, the last five will vary.
Let’s meet our next author:
@stereopticons​ / stereopticons
How many fics have you written? 
I’ve published 32 Schitt’s Creek fics! Not counting the numerous WIPs or things I wrote for old fandoms. 
When did you publish your first fic on AO3? 
October 2021! 
Describe your writing process from “Oh, I have an idea” to pushing publish on AO3. 
This really depends on the fic! Sometimes I will get an idea and go immediately to pouring words into a doc. If it’s a longer or more complex fic, I will write out some notes or a vague outline (for 5+1s, I usually write out the general theme of each of the 5 things). I tend to write very linearly, so I’ll start at the beginning and work my way through, though sometimes I’ll get ideas for later scenes or lines of dialogue and if I don’t put them down, I will definitely forget! Once I have it written, I will read back through it a couple of times, or make someone else read it for me, and then post. 
Tell me about your most recent fic? 
What do you love about it? Is there anything you think you could have done better? My most recent fic was the ocean grew hands to hold me which was written after I spent two days sitting by a lake! I really like how it turned out and I definitely poured a lot of my own feelings about water into it, so it’s a really personal fic for me. It was one of those fics that I just started writing and I didn’t spend a lot of time editing or developing the idea, so it probably could have used some more editing! And maybe I would have expanded on the end some more, but I like the way it ended and maybe I’ll delve more into it later
What advice would you give to someone who’s thinking about publishing their fic for the first time? 
I have two pieces of (potentially contradictory!) advice: first, write for yourself. You don’t owe anyone this part of yourself. Write what you want! Your stories will be better if you write something YOU want to write. The second piece of advice is to just put it out there! I know putting your work out for everyone to see is scary, especially if it’s something really personal to you, but even if you write for yourself, hearing people’s comments and reactions and kudos definitely help 
Do you use a beta? Why or why not? Do you beta for other people? 
I do sometimes! For shorter fics, I usually just make one of my friends look over it quickly though if it’s really short, I sometimes don’t even bother with that. For longer things, I definitely try to get someone to read it first. My brain moves faster than my fingers when I type sometimes so even if it’s just to catch the words I forgot, it definitely helps to have someone look at it! I do beta when people ask, and am open to beta-ing for others, feel free to send me a message!
Would you rather find a title or write a summary? 
Oh god, neither, lmao. I guess title? I have a running list of potential fic titles on my phone (song lyrics, mostly) but somehow they never seem to fit? Sometimes you just know what the title is going to be and sometimes it’s the hardest thing. Summaries are my enemy. I do not know how to make my fic marketable in a few lines! I am also bad at elevator pitches in general!
In what way are you most like your favorite Schitt’s Creek character? 
I am filled to the brim with anxieties, just like David. And I can’t control my face. 
Who is another fic writer you admire and why? 
Oh, there’s so many! If I name specific people, I’m sure I’ll forget someone. I admire people who can build whole worlds using the characters we know so well. I admire people who know these characters inside and out and you can see it in their writing. I admire the people who write with such elegance that it makes me want to cry. I admire everyone who takes their very specific interest and writes about it. I admire the people who put little pieces of themselves in the things that they write. 
What is the favorite scene you’ve ever written? 
This is so hard! I can’t pick one (they’re my bebes!) I’m going to go with the first kiss scene from the lie between your teeth, the “I never stopped loving you, either” scene from if i’m not beyond repair and all of yeah i’m afraid (but i’ll follow you anyway) 
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sheetbeat · 1 year
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hi! i'm leslie, a multifandom nut.
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SheetBeat is my main, AO3 is 24HoursRemain (◕‿◕✿)
this is a chonky post! sections are a heads-up, my stuff, characters and links.
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I'm 19, based in the UK (BST/GMT) and love a ton of things. Honestly, this post is here mainly to keep my brain sorted, with satisfying anyone's curiosity as a plus.
I'm very into DQXI, Banana Fish and especially Hunter x Hunter. That's not an exhaustive list. The following won't be either, but it's a start!
In the following fandoms I'm less active, but I don't love them any less. If you want to talk to me about these things, that would be just as swell!
- ffvii (mainly the original)
- jjba
- cardcaptor sakura (haven't seen clear card)
- ace attorney (haven't played dgs/gaa yet)
- fallen london
-monster and mawaru penguindrum (these I don't read fic for but I do read a bunch of analysis posts!)
- and reading outside of games / manga (sometimes)! Peake, Poe, Le Guin...
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☆.。.:* a heads-up .。.:*☆
Should've used one of the many appropriate specific hxh image references for this, like the Troupe's coin-tossing habit and what happened at the Arena around the Succession Contest time. Darn. Anyway...
- My main is SFW, but many of the series I'm into includes more heavy stuff. And my AO3 (sometimes NSFW) bookmarks reflect that, I think!
- Will make it a habit to tag properly. Please let me know if I slip up! Just be aware that I'm a fan of Banana Fish, which is an animanga series that takes a stab at very sensitive and potentially triggering topics. Take care - I'll be as clear as I can with tags so you can make informed judgement calls.
- The same goes for tagging major spoilers. I'll tread even more carefully with ongoing series and manga spoilers.
- By the way, any HxH fan who hates Gon, thinks he's bland /a psychopath / a monster? I respect your opinion, but we're never going to see eye-to-eye on that one 😅
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☆.。.:* my stuff .。.:*☆
I have work to do, but fandom is more fun.
- Betaing. I only do one fic at any one time.
At the moment, I'm very busy and very happy working on a HxH!BB entry :D
- HxH nerdcore recs including geek music from Brazil. Gets my minimal language muscles going and transcription is real rewarding. Plus, I get to share some cool songs!
I still need to start my nerdcore recs ^^"
- Greed Island writing prompt fills, provided by the server. It's a great community giving out HxH writing prompts based on the G.I cards among a ton of other challenges.
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☆.。.:* characters .。.:*☆
I'm a fan of quite a few characters. Naming all of them would take a while. Here are the ones I read about / analyse / think about the most.
Roughly in order, but love isn't a science. I do like a bit of cheesiness.
HxH Gon, Killua, Leorio, Hisoka, Melody/Senritsu, Bisky, Kurapika, Machi, Netero, Knuckle.
DQXI Sylvando/Sylvia : the wholesome jester who is actually a jester.
FF7 Barret and Aerith.
Jojo Josuke, Jolyne, Johnny and Gappy.
Banana Fish Am basic. Ash, Eiji, Shorter, Max.
CCS Tomoyo, Sakura, Syaoran, Toya
Ace Attorney Phoenix, Edgeworth, Maya, Apollo, Larry, Gumshoe, Athena
Monster Lunge, Eva, Tenma, Johan, Grimmer
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☆.。.:* check out my links .。.:*☆
...If you want! There's a couple of blogs I've not properly fleshed out. Shorter To Sing and Sheet Dump are pretty empty sideblogs. These are my links:
24HoursRemain is my AO3.
SheetBeat (hello! you're here!) is my main. It's for general fandom shenanigans - mostly HxH.
pop me a message - i love a natter!
Due to timezone tomfoolery and life getting in the way, I don't know when I'll be active. But I love rambling about fandom and hearing others do the same. Feel free to send a DM my way. We can talk about about some amazing series!
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mppmaraudergirl · 2 years
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Hi!
I was wondering if you had any advice for fanfiction authors who want to get their works out to a larger audience. I currently have some stuff written but it isn't really taking hold on Tumblr or AO3...
I guess what I'm asking is if you have any advice on getting stuff out to a larger audience; maybe you could share your own personal journey through gaining a decent fanbase, etc.
Hi there!
I'm not certain I'm qualified to give the best advice here but I will walk through my fandom experience and hope it helps! I know it's going to be long so I'll put it under a read more.
I wrote my first fic in 2003 as a young teenager and have hopped in and out of the fandom ever since. Notably returning in 2015 then 2018 then back in 2020 to cope with life in the pandemic. If you would have told me in 2015 that I'd one day have a fic that got over 1000 kudos I would've laughed, thinking that type of response was never going to happen. And to be honest, I think luck definitely has a part to play in those things happening so don't discount that either.
But one of the things that is different now compared to any of my past forays writing/posting fic in the fandom is that I have been extremely active in the fandom in the following ways:
Joining the Jily discord—I've made some great fandom friends, and some I consider friends beyond the fandom now; I've chatted with people about random silly questions (like, between James and Lily who ignores the expiration date on food and who is a stickler for it; and, what do James and Lily use as bookmarks for their textbooks); beta read and had people beta read for me; taken prompts, submitted prompts, talked about some completely ridiculous prompts (@mabeltothknows and her Lollipop lady murder mystery fic). It is also a place where anyone can post fic recs (their own or those they've read and adored). The discord is 18+.
Joining Jily challenge/writer fests—Similar to the discord, joining these types of fests have gotten me to meet and chat with more people in the fandom. I've done Christmas exchanges, jilytober fest games, jily challenge monthly fic themes, and even joined in with a few others to make Shirtless JP May a thing in 2021. Those who put effort into running these fests (Clo, @siriuslychessi, @joyseuphoria, @theresthesnitch, @clare-with-no-i to name a few) are not only encouraging but also connect people with each other and boost the content out.
Engaging with people on Tumblr—I know this can be a daunting thought, to have an active blog, to send asks and messages with a name instead of on anon, but that's really a great way to get to know people in the fandom. And I acknowledge that may sound like you have to be "in" to get your fics read, but from my perspective, most people want to find new stories to read and don't purposefully ignore newer writers. I don't want to speak for anyone else, but I know for me, I struggle to keep up with the amazing writers in the jily fandom with all of my real life obligations and the free time I try to spend writing. That means I don't spend a ton of time hunting for new fics to read. It does not mean I don't want to find new fics to read.
Anyway, I think this comes down to the fact that fandom is a community and the more I've engaged and made friends, the more people have engaged with me.
If you want to reach out to me directly via messaging or another non-anon message to share your work or talk about anything in more detail please feel free to! :)
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silverinia · 2 years
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-- Dear Nina , how is the letters project going ? I feel mine ( and only , since it's been hard for me ) to CB , is going to come to an end next few weeks ! -- Can I send it to you , to the email Berfin posted ? I feel like I will be TRULY putting my heart on your sleeves when doing it ! One note and just my thoughts , but couldn't we make the dead line sooner ? I mean at least in late July . I feel Christine might appreciate them coming as soon as possible . ( . . )
(...) I honestly can NOT describe what it means to me that she will be receiving my words & for that , I THANK YOU & ALL THE GIRLS in advance & send much love ! LadyD ( Bella & Billie might know me from Ao3 ) .
Hey hello, first of all, you're so so sweet, thank you! I sent your message to the group and everyone was super happy! ♡
To answer your first question, I haven't even started my letters and I know I'll be a complete mess once I do. Glad to hear yours is coming together though and even more happy that you're participating in the first place!
Second, yes, you should send it to the email address Berfin mentioned in her thread. It's the address I only use for fandom related things (tumblr and ao3 notifications and the occasional beta read), so I can 100% make sure that it won't be lost or anything. Berfin and I are the only ones who are going to see it apart from the respective person you're writing it to. I know this can be very personal and it's a lot of trust you're putting in our hands, but I promise we'll treat it with all the care and respect we have between the two of us.
As for the deadline, I'm afraid we can't make any changes there. It's set and it's been set for weeks now, people are planning around it and especially Berfin needs it to schedule the workload awaiting her. I hope that's okay with you!
Again, thanks for participating, I really love the idea of this project and I'm sure the result will be wonderful. If you (or anyone else) have any more questions, feel free to reach out to me again any time! ♡
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thelucyverse · 3 years
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How To Interact With Beta Readers - for Fanfic Authors
I wanted to make posts both for fic authors and beta readers, because I realized in several recent interactions that some helpful unwritten rules of fandom seem to have become lost to people who are new to it.
This isn't meant to be a call-out post against anyone to say 'you did it wrong!' (really, how could anyone be mad if you just didn't know any better), and there aren't even any definite rules for anything - but I just thought these things might be nice to know and helpful to share around. This first part will be @ the authors, the second part is @ the betas.
Asking for a beta reader
When you want someone to look through your fic, whether you ask in a tumblr post, @/helper in a discord server, in the notes of an already posted work or anywhere else, it's important to state both a) what the work that you want betad is and b) what you want from a beta reader.
The facts about the story.
The first most important facts about the story are a) length (in wordcount, as that is the most-used measurement for fanfiction - you can see it below the tags of an ao3 draft, or at the bottom left of a Word document), and b) rating and warnings. No, please don't just ask 'i have a fic for xy ship to beta' - that's nice information, but not helpful for someone who needs to decide whether they a) have the time to work on the length of fic and b) are willing to be confronted with the kind of content you have written.
In addition to that, you should of course also write what fandom, characters and dynamic it is about, because most beta readers are only willing to beta stories they would also usually read for fun. To make sure that the right people find the ask for a beta reader, you best target the post to them, so tag a tumblr post with the fandom and ship etc, and on discord share the request in a server or channel for the fandom, not an unrelated one.
What format is the draft in?
A word document you can send them via e-mail, a copy-pasted text in a direct message, link access to a google docs? Not everyone is comfortable with all of these methods, and you need to figure out one that works for the both of you.
Also, do you want the changes made directly in the text, in comment functions of the document, or as messages to you? If for example you send someone a Word document, and don't want them to change anything directly in your text, but they aren't comfortable working with the comment function there and end up writing you separate messages telling you what page and line the edits are one, that's going to be a lot more work for you to look through than you might have liked, so make sure to communicate it all beforehand and figure out a way that works properly for everyone.
What do you want from your beta?
'Well, to look over the story, duh?' but it's not that easy. Do you want the beta to:
- Only check for spelling and grammar mistakes in comments next to the text, No other suggestions at all because they would make you feel bad about your work/you don't have the time or want to spend the time on editing anything but honest mistakes/ any other reason?
- Grammar and spelling checks but also suggestions for word flow, repetitive words and phrases that could be changed and stylistic things like adding paragraph breaks (which are always nice to have for mobile reading)?
- [same as above] and also point out possible logic flaws and places where you might want to move a scene forward or back, or suggestions to things you could add to the story, with explanations as to why?
- [same as above] and also give suggestions for text you could cut that is unnecessary to the story or interrupting the flow of a scene in the opinion of your beta reader?
- Include nice messages as to what the beta liked best of the fic, or stay completely objective?
- Point out things they subjectively didn't like and would change about the story if they wrote it themselves, or not?
- Make corrections directly in the story, so afterwards you barely need to look at it anymore before you can publish it, or only give suggestions in comments or messages?
All of these are things some people welcome and others find incredibly annoying and/or hurtful! So make sure to communicate exactly what you are looking for. You don't have to do so in your initial public request, but once you have found a potential beta, you should text them the details before giving them access to your fic.
Do not be afraid of cancelling on a beta if you don't think it is going to work out! Whether because they aren't comfortable using the format you like to use, are a language teacher who can't stop correcting the long sentences you choose to keep as a stylistic choice, or just someone you don't vibe with, whether it's before or after they have started beta reading - be kind, but let them know that it just isn't working out, and that you would rather stop now before either of you wastes any more time and effort. If they want you to, you can tell them what you would have liked them to do differently, but don't ask someone to change how they are, and don't give unsolicited criticism, no, not even to a beta reader.
Decide on a time-frame
When are you going to send them the fic? Chapter by chapter over the next days, or the entire work? When do you want or need the work to be beta read? Is it for a challenge or gift exchange and needs to be finished on the same day, or can they wait for the weekend? Even if you don't have a specific deadline, when do you want them to send it back at the latest?
Working with a beta reader
After - or, if you are in for example a google docs at the same time, while - your beta reader does the corrections, you should look at them and decide which corrections you want to keep, and which to disregard. This is entirely your decision, it is your story, you don't need to feel bad if you don't take all of the suggestions for your work, even if you end up only correcting the spelling mistakes and ignoring everything else, it's your decision and this is fine.
If your beta gave suggestions for additional scenes or sentence changes, you can let them know once you have new text for them to correct, but keep in mind that they might no longer have time or energy to beta now, and don't be disappointed if they tell you this or don't reply. They already helped you, and you can always look for a new beta if you feel that your story still needs it.
Crediting your beta reader
Where are you uploading your fic, and how does your beta reader want to be credited? You best talk about this beforehand as well, as some betas only want to work on something when they will get the credit on a platform they are also on.
When posting on tumblr, it is usually expected to @ the person who helped you and write their url or tracked tag in the #s as well, but make sure to ask beforehand, as maybe they don't want other people to know they beta because they don't want to get swamped in work requests/ they don't want their url associated with for example explicit work/ they want you to tag a sideblog for the fandom instead of their main url.
On ao3, you can link to another author's dashboard or profile page (ask which one they prefer) in the notes by first going to the work text - rich text, writing their name, clicking the link symbol, pasting the url, going back to HTML text and cut-pasting the code to the note you want to have it in. You can do the prep work in a new work instead of your actual draft so you won't accidentally cut any of the work text. Again, ask the person beforehand whether they want to be linked there, or just want a nickname or their tumblr url credited.
You can also gift people works on ao3, and while this is in no way a requirement and most beta readers won't ask for it, just about everyone is happy to receive ao3 gifts! You can ask them beforehand if they want that, but as people can accept and refuse gifts on ao3 themselves, you can also let it be a surprise.
If your beta put a lot of work into your fic and wrote parts of it themselves, you can also make them a co-creator of the work on ao3, but only do this if you know and trust the person, as they will gain access to the fic and will be able to edit everything just like you.
Let me know if I missed anything, and I will update the post!
Tips for beta-readers themselves here!
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notjustsmutficfest · 2 years
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good morning !! just a quick reminder: writer sign ups end this week - specifically, friday, the 14th!! if anyone is interested in signing up, but hasn't yet, definitely do so by friday night !! i'm excited to see who else signs up :)
just as a fresher as well:
rules:
this is a nsfw fest, therefore you must be 18 years of age or older to participate.
any fics submitted this round will not be moderated content wise; please use common sense & best judgment when it comes to things like tagging your fic correctly/appropriately. whether the next round's fic content will be moderated is completely dependent on how participants do these things.
there is no minimum word count for this fest.
this will not be an anonymous fest; you can absolutely post snippets of your fic as you're writing. tag this blog & use the hashtag to be reposted as well!
fics are allowed to have more than one author - if you want to write with one or more friends, go for it
this is a one direction fic fest, so you can write about any pairing - or ot3/ot4/ot5 - you'd like!
you can write about any & all forms and variations of one direction; this fest thrives on inclusivity, variation & exploration!
schedule:
sign ups end october 14th.
deadline for submitting fics to the ao3 collection: february 6th
posting begins: february 8th
*extensions can be granted for writers if need be, please contact me if you feel you need an extension and we can work something out!*
forms & links:
you can find a list of fic examples if you're unsure & looking for guidance: here
you can check out the prompt submission list: here
you can sign up to write for this fest: here
i will create a separate post of links to all the pages for mobile users to easily to check out the list of betas, moodboard creators, etc around mid november so everything will be mostly organized and compiled by then!
if anyone has any questions, please feel free to send me a message or ask on here! you can check out the #faq as well to see if i've already answered any questions you might have! my main tumblr @alwaysxlarrie can also be used for communication if need be.
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Exchange Posting Guide
Hello, friends and frenemies! We are less than three days away from the collection opening, which means I have a tension headache every morning I wake up and remember that I have to finish my exchange fic. The no-fault defaulting deadline has passed, but if you realise you will not be able to finish on time please, please let us know ASAP anyway so we can get a knight writer to write your recipient a gift.
On the other hand, if you have completed your exchange fic draft, please remember to tell us before the 1st! About a third of the participants already confirmed they’ve finished their fic, and we say:
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Okay, now with the collection opening soon, here’s some FAQ on posting!
First off, how dare you?
Honestly, I ask myself that all the time, and the answer is there is no answer. We knew what an exchange would be like. Chances are, you did too when you signed up because many of you were here last year. We have no one else to blame but ourselves.
How does posting work?
The exchange portal will open on August 1st at 12pm AEST. Once it opens, use AO3 to upload your fic as usual:
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Most of the upload process will be exactly the same as usual, but you need to fill in the following two fields:
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Fill in the first with “JaimeBrienneFicExchange2021” (It should autofill, but please be careful to select the right collection! This one is the one we're using. Alternatively, you can go straight to that collection and click the “Post to Collection” button on the top right under the banner once the collection is open.)
Type in your recipient’s AO3 name in the second field. Double check your original prompt to ensure you have the correct name. A few people have different tumblr/AO3 names and we don’t want any fics to go awry.
If you've already made an AO3 draft before the 1st, make sure you add it to the collection and put in your recipient's username in the fields we mentioned above, and make sure you change the date when posting (or your fic will be buried). Be aware it can cause some shenanigans where the fic may not appear at the top of the page.
After that, it’s as simple as clicking post! Your fic will be submitted to the exchange and automatically be made anonymous. As the author, when you open your own fic, it will say ‘YourUsername (Anonymous)’, but to other users it will simply say ‘Anonymous’. Author’s names will not be revealed until August 21st, when we click the button to reveal them.
Feel free to reply to comments during that week. As long as you are logged into the account that posted the fic, all of your comments will also be anonymised.
If any of this process is confusing to you, PLEASE reach out to one of the organisers (nire-the-mithridatist/slipsthrufingers/firesign23/samirant/im-auntie-social)! We’re happy to hold your hand through the process 🤗
What about Lil’ Oathkeepers?
I’m glad you asked, imaginary exchange participant that’s totally not me talking to myself! A Lil’ Oathkeeper is a gift that can be any size and shape. It can be art! A video edit! A moodboard! A fic shorter than 1000 words! Or… a fic longer than a 1000 words, but you probably know that. Anyone (you don’t even have to be signed up to the exchange) can make and gift a Lil’ Oathkeeper. We’ll be releasing the prompt spreadsheet and posting instructions on the 1st!
Why is the exchange opening a day earlier than you said?
Because Slips has set the time on the exchange to suit her own timezone. She has to stay up till after midnight to watch F1 cars go vroom vroom and had to deal with being spoiled for every single episode of Game of Thrones on Tumblr and Twitter because it aired in the US while she was at work. This is her own petty little vengeance and she will not apologise for that.
Also it’s easier for her to keep everything straight in her head this way. Mathematics is not her strength. We’re kindly moderators though, so here’s a handy timezone conversion for you.
Why do I need to let you know by the 1st that I’ve finished my fic if I can post it anytime during the following week?
So we can find a knight writer ASAP. The sooner we know that you won’t be able to complete your fic, the sooner we can find someone to fill in for you. We don’t want anyone to be disappointed.
Do I have to post ON the 1st of August? I’ll be AFK for the day because my cat has a piano recital!
No, you can post it anytime between the 1st and the 7th. If you can’t or don’t want to post it on Sunday, then you can absolutely wait until later. We anticipate that the bulk of fics will be posted over the weekend, but if you want to post it on the 6th, then that’s absolutely your choice. Just be mindful that your recipient may be worrying why they haven’t received one.
Also tell your cat we’re rooting for them!
I really overshot the 1k limit and need to post multiple chapters. Should I post them together and drop my 40k prompt fill in the tag all at once, or can I stagger it throughout the week?
You must have a complete posted story by the 7th of August, unless you have reached out to us to make alternate arrangements. If you want to post your story over the week, you can. If you want to post it all at once, you can. As long as your prompter gets a completed fic in the posting window, we don’t mind.
(Also, look at your life, look at your choices! It was a 1k minimum!!! Buncha overachievers in this fandom, I swear 😂😂😂)
Can I thank my beta in the notes of my story?
Absolutely you can! The betas of the fandom be working HARD this week, they definitely deserve recognition. Just be mindful of including anything in your notes that might reveal who you are. You could choose to name your beta, or just thank them generally and add their name after authors have been revealed.
What if I don’t receive a story?
It might be because your author hasn’t posted it yet - they have the full week from the 1st to the 7th to post their story. It also might be because your fic needed a knight writer to write it. If this is the case, know that your knight is probably working very diligently to complete it, but might not be able to complete it within the window. If it looks like your fic will be significantly delayed (like until after authors are revealed) we will contact you directly to let you know what’s up.
What’s the etiquette around thanking my author?
A kudos and a comment is pretty standard. It’s up to you how long your comment is; we don’t write comments with our heads, we write them with our hearts. Just keep in mind that a person out there spent time working on something just for you and make sure you show your appreciation, even if the story isn’t exactly what you expected!
Can I promote my story?
Please don’t do this until authors have been revealed through the collection.
Can I rec my gift story?
Absolutely! Share the love! You can choose to rec it while it’s still anonymous, or wait until the authors are revealed. It’s up to you.
I’m not participating in the exchange, but I want to get into the spirit of the week. What can I do?!
Well firstly, read any of the 102 fics we expect to be posted that week! Read them and enjoy them! Leave a kudos! Leave a comment! Leave ten comments! Write rec lists and share them on Tumblr or Discord or TikTok, wherever it is that the cool kids hang these days!
What’s for dinner, nire?
Chicken, seasoned with my own tears.
I have another question that hasn’t been answered in the FAQs
Either send us a message through tumblr, or get in touch with one of the organisers privately. We’ll get back to you ASAP!
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aceofwhump · 4 years
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Hello whump community!
Ive decided that this would be a great time to show you all what I’ve been working on in my free time. It's not nearly finished but I don't care. I'm going to share it anyway. So without further ado, introducing...
Aceofwhump's Fanfic Masterlist!!
This has been a massive, ongoing project of mine for a while now in which I am endeavoring to catalog and categorize every fanfiction I've ever read/bookmarked. I fear this project will never be complete but I’m going to share it now anyway.
Inside, you will find links and summaries to the fanfictions I've read over the years on both AO3 and FF.net (although I am still imputing the ones from FF.net). Each fic is sorted by the specific whumpee that they center on. So there’s a page for Danny Williams, for Mike Warren, for Lucifer Morningstar, and many many more. The fics are 90% whump with a touch of fluffy ones thrown in too. This list is based on the fics I’ve read so it leans heavily on my favorite whumpees and my favorite tropes. 
I've been working on categorizing every fic by its tropes (so theoretically you could search for say seizure fics or sick fics) but that's taking me a loooong time because I have to reread every fic in order to determine what kind of categories to make and to look for the specific tropes. So for now you'll have to make do with the fic summaries and using the search function. I've only gone through like two of the whumpees in terms of categorizing so that part of the sheet is incomplete but when it’s done, each whumpee will have their specific trope categories so you won't necessarily find the same tropes in each category but it should help narrow down the fics better once I’m done. 
The list gets updated all the time so check back in every now and then. There might be something new. I will also update this post when and if I ever get the categories done.
And you all can help me with this as well! If you read a fic on the list and feel like sharing what tropes are hidden inside, send me a message with them. Does it have torture? broken arm/leg/rib/etc.? Does the whumpee cry? Get kidnapped? Have a panic attack? Let me know! Help a girl out! And if I've accidentally missed categorized something please shoot me a message so I can fix it.
This is on Google Sheets and it's a massive document so it may take a moment to open. If anyone needs helps navigating it please don't hesitate to let me know. While you can use it on mobile, it does work best on desktop in terms of filtering and search function, just so you all know :)
And you may all continue to ask me for fic recs as well of course because I'm always willing to do some ao3/ff digging to find what you're looking for :)
Special thanks to @theladyoffangorn for being my beta tester. You're the best ❤❤
I wish you all happy reading!!!
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indiaalphawhiskey · 3 years
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I respectfully disagree with your last post (as an author). I’ve been in this fandom for 6 years and noticed it’s a little bit toxic when it comes to certain issues that should be normal and obvious to anyone.
I don’t get the “I choose the people I want to take criticism from” part. Ok, so why posting your work on a public page for independent writers where every subscriber will be able to read it and comment on it? Just send it to the people whose opinion matters to you and have a discussion about your work with them. If you post your work on a public page made specifically for independent writers, you are automatically posting it for everyone on that site. And every person has opinions on things and feels invited to express it if that particular thing is public and comments are open (I’m talking about respectful opinions, not slurs and offending someone).
If it was only for you and the people you actually want to get feedback from then wouldn’t it be easier to create an “élite” group where you read your work and then discuss it together? Because your post sends a very negative and exclusionary message to people that are reading your work for the first time or without knowing you as an author. It really seems like you are saying “dear readers, your opinion doesn’t matter to me so unless it’s positive I don’t want to hear it because this fanfic was written for me and this list of people.” Then don’t post it. But why making people feel excluded or bad because they did something normal just because they didn’t know it wasn’t written “for them” as you said in your post. And constructive criticism is just an opinion too as long as it doesn’t contain vulgarities, you don’t have to listen to it. Other’s opinion shouldn’t change the way you feel about your work but you also shouldn’t make them feel uncomfortable and bad for expressing it in a respectful way on a public page.
I know that authors on AO3 aren’t paid and that’s just for fun, but that’s what every page like AO3 is about: putting your work out there for other people to read with the possibility to express their personal opinion in a respectful way (I mean, you CAN disable the comments). Why making it public and then complaining and making other people feel bad for expressing their opinion on it? It’s not a diary or a personal Instagram profile.
So, first off, thank you for saying you respectfully disagree with me. I appreciate that you’re trying to be polite. 
There are many different ways I can answer this ask, because there’s a lot to discuss here, however, I’m exhausted by this conversation and have tackled it many times before, so I’ll link things when I see fit and get straight to the point.
My question for you is this: What is the purpose of you posting negative  (even though well-worded, polite, and tactful) unsolicited comments on a person’s fanfic? Why do you do it?
That’s not a rhetorical question, I really want you to think about the answer, because, for something to be called “constructive criticism” (which is specifically what we’re discussing here, versus the opposite “destructive” criticism) there has to be a point beyond just the fact that “it’s a public forum” and therefore, you feel entitled to express your opinion, whatever it may be. (That reasoning, btw, is called entitlement. No one said you weren’t allowed to have an opinion, but if you’re saying it to the author with no constructive, bettering purpose behind it, then at worst, your intent is to hurt them, which is just mean, no matter how politely you word it, and at best, you’re saying your opinions and preference take precedent over the author’s own.)
There are three reasons that I assume one can have when posting constructive criticism on work/art:
1. You want to help make them be a better writer, both now and in the future. 
I, and other fellow authors, explain why this doesn’t work here and here, and there are more posts about it like this one, if you need to hear it from voices that are not from the Larry fandom (which I assume you do, since you said this is a little bit toxic here particularly.) 
I encourage you to read all those posts, to get a better explanation in context, but the gist of them is this: for something to be truly constructive (synonym: helpful), the source, the timing, and the tact is key. Let me demonstrate: There is a difference between telling a friend while shopping, “I wouldn’t buy that dress, it’s not the most flattering on you,” and saying, while you’re out at a club, “Oh, that dress isn’t the most flattering on you, I wouldn’t wear it again.” -- Both are honest, worded politely, and both will achieve the same outcome: she will not wear the dress again -- but only one of them will cause undue stress, embarrassment, and self-consciousness (under the guise of being helpful), and that is all due to tact and timing. At the store, she can change into something else, and won’t assume you think she looks awful the entire day while you’re out. At the club, the damage is done, there is nothing she can do to change it, and you’ve just ruined her night.
The same goes for writing. I have seen people gracefully and willingly rewrite their entire first drafts based on astute and even harsh comments on their work, by their betas. I have never seen someone take down a fic and edit it based on a piece of constructive criticism given by a stranger on AO3. What I have seen based on that scenario, is people taking that criticism to heart and reflecting on whether or not they ever want to write again, because when they made themselves vulnerable, some people looked at it as an opportunity to ask for what would cater best to their own tastes, instead of appreciating the work as a true product of the author’s personal feelings and experiences. That results in less writers for the fandom, less content, and a whole lot of undue discouragement which is not something we want (nor is it actually constructive).
2. You want to engage the author in a deeper discussion of their work.
This is in direct answer to this part of your ask:
It really seems like you are saying “dear readers, your opinion doesn’t matter to me so unless it’s positive I don’t want to hear it because this fanfic was written for me and this list of people.”
You feel passionate (both positively and negatively) about my work? That’s lovely. I say, start a discussion with me. Ask me questions. Learn why I made those decisions. A discussion starts with an invitation to have a conversation (two ways, you say something, I say something, rinse repeat). It doesn’t start with “I didn’t like” or “This could have been better if”, and it certainly doesn’t start in a public forum, like the comments on AO3, where the writer runs the risk of looking like a defensive asshole. 
But India, you say, what if I don’t have the means to have a private conversation/the writer doesn’t have tumblr/they’ve long since been inactive in the fandom? The answers are, respectively: leave a polite comment asking if they’re willing to discuss, if they are willing to discuss, leave a polite comment asking how to contact them, and if they’re no longer active, find other friends with which to discuss your feelings in private.
But India, that seems like so much work. It is, flat out. But if you really felt that strongly about something I wrote, you would make that effort to understand it. Otherwise, why not just walk away?
3. You don’t know better.
I found this part of your ask extremely interesting:
“But why making people feel excluded or bad because they did something normal just because they didn’t know it wasn’t written “for them” as you said in your post.”
The reason I found it interesting is because it means that there are people who assume that all work that is public was made for them, to suit their tastes, which is, frankly, a bizarre way to consume art. I do not go into The Louvre, look at the Mona Lisa and say “I don’t see the hype, it’s not something I would hang in my living room.” I look at it and think “What does this piece say about Da Vinci and his life? What has this brought to the world? How has this helped people/art/culture?”
(No, I am in no way comparing my talents to Da Vinci, I am not delusional. But, I don’t think my work deserves any less thought than that of a professional artist, simply because I’m an amateur and it’s on the internet and not in a gallery, and you have the superpower of anonymity.) You asked me what the point was in posting my work publicly if I didn’t want to hear every single person’s personal (negative) take on it, and the answer is this: I post what I write publicly, because I hope it helps someone. I hope my thoughts, feelings, experiences, loneliness validate someone, entertain them, help them through a tough time, bring them comfort. I post because I want to invite people to lose themselves alongside me, heal alongside me, dream alongside me. 
(Notice how I said “someone” and not “everyone”. How I said “someone” and not “an élite group that discusses my work”, because yes, I do hope that my work positively impacts someone outside of my betas, my friend group. Does that mean someone can leave negative comments on my work? Yes. But should they? That’s a different question.)
I know my work won’t be a positive experience for every single person, but my goal was never to be relevant to every single person. So, my question is, if I’m not relevant to you personally -- if my work doesn’t touch you personally, heal you personally, entertain you personally, why not just walk away and find something that does? Who does your negative opinion really help? How is it constructive? What is its purpose? Why do you do it?
I will apologize for this, though: I spoke on behalf of all writers, and maybe I shouldn’t have. Maybe I should have been clear that though many writers feel this way, not all do. There are some, such as, I assume, yourself, who do view negative comments on AO3 as constructive, whether or not they are solicited, and I’m sorry to have spoken on behalf of you. However, I do still stand by this, though: it is much better to be kind than be right, and that definitely goes for comments on fic.
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Author Spotlight: Gleefulpoppet Day 3
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Author Spotlight: @gleefulpoppet​​
How many times do you usually revise your fic/chapter before posting?
This is going to sound obnoxious and pretentious (cringing). I’d say at least ten-twelve. I know I’ve read it at least half a dozen times before I send it to my beta reader, and then I reread it when I fix it and then again before I post on AO3. And even after it’s published, I’ve gone back and fixed things.
If you were to revise one of your older fics from start to finish, which would it be and why?
None of my fics are even a year old, but there are some things I would change about Pressed Against the Glass. Nothing major that anyone would notice but me. I’ve learned a lot the last year, and I think I could tighten up some of the structure.
What do you look for in a beta?
Well, my beta fell out of the sky like an angel. I couldn’t find one, so I started posting Pressed Against the Glass last October without one (mind you, this is a 250k word story that I was posting one chapter a day), and JayHawkWrites messaged me on Tumblr to say she’d jump in and edit it for me. We worked on it almost as a full-time job for two weeks because every day, a new chapter was posting and one of those chapters was 18k long! She’s stuck with me since, and I am grateful she was so kind to me.
If you could write the sequel (or prequel) to any fic out there not written by yourself, which would you choose?
Oh gosh. I don’t know if I could ever do that! There are so many stories I want more of, though. The ones I can think of are actually ones that have been abandoned, does that count? The two off the top of my head that I would LOVE to read the rest of would be The Nanny by Nellie12 and Night to Night by loveheartlover.
Do you take liberties with canon or are you very strict about your fic being canon compliant?
I take HUGE liberties and write mostly AU. What I find interesting is taking the essential core of a character and then asking myself, “What if?” What if they had grown up in different circumstances? Or if they hadn’t been bullied, or if they met someone earlier or later? It’s taking a character you relate to on some level, putting them inside your own head, and seeing if you can figure them out in a new place or environment. For me, it’s the most fun to think about Klaine out there in a million different realities.
Talk about a review that made your day.
Big heart eyes. Every single comment makes my day. It really does. I wake up every morning with a secret hope that there’s a comment on one of my stories or even kudos. Not out of a need to feed my ego, I promise! It’s because I want to know the story lives on somewhere… That it’s not lost. It’s the feeling like all of a sudden we share this connection. A moment as author and reader where we both know the same story, and there is something about that that makes me so happy.
Do you ever get rude reviews and how do you deal with them?
I haven’t yet (thank you!). I’m not a confrontational person though, so I’d just delete it if it was mean for the sake of being mean. If they had some constructive criticism or a genuine concern or question I would reply to the best of my ability.
What advice do you have to people just starting to write?
Keep going! Dive in! Write it! There is never perfection—only progress. And, the solution and resolution are always in the doing. You are never going to get better at writing stories if you aren’t writing. Jump in; there is ALWAYS room for you!
Which fic do you most like to discuss with other people? Why?
I loved having a few pretty in-depth discussions with people about Pressed Against the Glass. It was wonderful to make some new fandom friends with that story. It was my first multi-chapter fanfic, and people were so kind! That was a fun time in my life to get messages on Tumblr about that story and what it meant to people.
What's one aspect of writing fic that gets you really excited?
That anything is possible. We’ll never run out of words or ideas. There is nothing finite about it. The connections I make as a writer to the characters I create in my head and the connection to the readers through comments. It’s beautiful synergy, and I feel blessed to be on this journey right now with my writing!
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Check out Gleefulpoppet’s Fics
A Glimpse at the Life of Anderson & Hummel [aka Verse Table of Contents] -  We're breaking the 4th wall with this one. Read all the juicy details in "A Glimpse at the Life of Anderson & Hummel," an exclusive story by Sabie Blathers for New York magazine In the Know: An Insider’s Guide to Today’s Fanfiction. It *includes* the first look at the Anderson-Hummel infamous spreadsheet.
Please Remind Me Who I Really Am -  He may feel broken, but is there light on the horizon? A glimpse at what happens to Blaine after Chapter 1 in the Pressed Against the Glass story. (You will want to read at least through Chapter 4 in the main story before reading this one-shot).
Two Pumpkins & Twenty Monkeys -  The boys decide to stay home for Halloween, but when Kurt discovers a mysterious box in the back of Blaine's closet, it turns out to be the best decision ever.
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