at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"
like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.
"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."
... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.
and i'd still keep writing.
i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.
i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley
"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"
and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.
it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.
you create because you're greedy.
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Thinkin' of WOF Au for DC, but like, it's a Gothamite and Fawcett thing. (And Amity Park if crossover)
Like those are the most magical areas in the world, even if Gotham is cursed as fuck. An unspoken secret of sorts that while they present themselves as human to outsiders, they are all Very Much Not.
Which means hilariously in the league, when everyone expects Batman to be suspicious and short with the new guy- even made bets on it- they are then shooketh when both visibly relax and start talking.
And half the shared complaints don't make sense!
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Now Gotham technically has no Queen, nor does Fawcett, but Batman and Captain Marvel are the closest things. Not in the traditional sense of back when they were in separate tribes (& maybe from a different dimension but shh that was millennia ago) but in the sense of, they're the ones patrolling and protecting the cities along with calling the shots in disasters.
Which does sort of change the dynamic they both have in their city. If one of them calls to arms, the city would follow them. They could declare war, and their cities (begrudgingly in Gotham's underbelly's case of strongest is in charge) would follow.
And while Billy is oblivious, both Marvel-the-not-hivemind and Batman are. They know they have to be very careful.
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I'm sure we all want Nightwing Bruce but no. Bruce, like both his mother and father and father's father and so on before him, is actually an Icewing.
The Waynes however, have a case of melanism running in their bloodline. Thomas Wayne? Only his quills and part of his back were darker, but Bruce? Practically pitch black scales that shadow his eyes.
Now Alfred on the other hand, is a Nightwing. No special powers there, though you would hear many a child protest with how he seems to know everything.
Commissioner Gordon is a Mudwing, big stocky and very tired, which translates to his human disguise as a large trenchcoat. He finds this very amusing.
Barbara similarly, is half Mudwing. Her mother was a Hivewing, making her a hybrid between both. Which does ironically mean that Batgirl does in fact have insectoid wings. Though that does ponder the question on if they'd all go by their original vigilante names.
Dick is a Silkwing. Wingless as he watches his parents fall and unable to do anything despite this place supposedly being safe for beings like them. He grows into his own, and his wings, when they come in, are dark Gotham colors through and through, with the deep blue of the sky he's come to crave.
Jason is a hybrid between a Mudwing and a Skywing. He's also an animus- not that he knew that. He doesn't find out until he's dying, telling himself to not die, to get back to Gotham, to his dad, his family-
And then he wakes up in his Coffin, alive.
Now Cass, raised to be the perfect killer, is also a hybrid, just one between a Nightwing and a Rainwing, egg set out under the moon. Which succeeds, partially. She can't straight up read minds, but combined with her talent in reading body language on both human and inhuman bodies, it's a near thing.
Tim is a Seawing, borderline abandoned by his parents who seek treasures and more wealth as he's trapped back in a city where the water is dark and poisoned. But he's Gothamite, through and through, and he adapts. Scales darker than the original blues he was born with, and glow shifting to that sickly white of the Gotham's Bats.
Now Steph, is a full-blooded Rainwing, and can in fact change her scales, but can mostly be found in purples and golds. Though for a short time she was in another set of colors, thought dead before she slithered out of the shadows older and wiser than before.
Damian is his father's son, but he's also an Al-Ghul. The not-quite dragonet is half Icewing, and half Sandwing. And struggled to adjust at first, to a place so different from his first home where the only other dragons were blood related. But like any Wayne before him, he adjusts, and he adapts.
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Billy wasn't a Beetlewing originally, and perhaps he would have hesitated if he'd known it would change him, would change his body and the last thing he had of his parents. But his friends, his Team and new family help.
And he can pass as a Silkwing like their sort-of foster mother. All six of them can do so now, even if the others look more like hybrids themselves thanks to not being the Champion. They might not be, but they're his family.
And that's enough.
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💛 seb/lewis :-)
(kiss fic prompts!)
a little epilogue to rabbits are chasing :)
Lewis's flight lands at 8:02PM, which means that by 7:31PM, Seb is parked outside the airport arrivals door, drumming his fingers against the steering wheel and scanning the sky for approaching planes.
It's quite silly, getting here so early, but it's not as if there's much left to do at home. There's roast vegetables waiting in the oven, the cauliflower steaks that he started marinating earlier this morning chilling in the fridge. Mina and Ellie are safely ensconced in their duck coop with the heater turned on for the night. The sheets on the guest bed are freshly washed.
The car parked behind him starts up. Its headlights illuminate Seb's cabin. For a moment, he catches a glimpse of himself, harried and too-bright, in the rearview mirror. He scrubs his hands down his face. Christ. Get it together, Sebastian. He is a full 39 years old. Far too old to be getting the same jitters that he did the first time he invited a girl over at age 17, agonizing about what album to have playing when they came back to his room. Lewis is far too old for Seb to be doing all this. Lewis might not even be gay.
His phone buzzes. Seb nearly jumps out of his seat.
Lewis
just landed
getting my luggage now
hows it so freaking cold here
The inside of the car is already fogging up. When he'd asked Lewis to send dates he could come visit and Lewis had said just so you know the next few months are kind of crazy for me, Seb had expected late fall, maybe the holidays. Not the middle of slush season, when all the roads up the mountain have a 50/50 chance of being so muddy that they're undriveable.
Sebastian
I'm outside, in the blue Infiniti :)
He glances back up at himself in the mirror. The scab from where a wood chip caught the corner of his eyebrow while he was sanding the new planter box is almost healed over. His hair looks as good as it's ever going to. If Lewis asks whether he's been using conditioner, he's fucked.
It shouldn't feel like this. Seb beat Lewis to Senna's record, and Lewis still laughed at all his jokes the next season. Lewis watched Seb DNF twice in five races and still said in the media pen that he was waiting for the day Seb would be back up on the podium with him. When they inevitably auction off Lewis's Le Mans racesuit, it'll have to be with Seb's snot all over the front of it, because Lewis let Seb sob all over him and then laughed as he wiped sweat off of Seb's cheek with the sleeve. After all that – the fact that he's about to be in Seb's house for the next week shouldn't make Seb feel like he's standing in front of Lewis naked, without even the promise of a fast car or a good competition to distract Lewis from looking right at him.
His phone buzzes again.
Lewis
outside i think
Seb peers through the windscreen. Lewis – or rather, the blurry figure lugging a giant suitcase behind him that he assumes is Lewis – waves at him from the sidewalk. Seb flashes his lights at him twice.
The back door opens and Lewis's head, along with a burst of cold night air, pops in. "Hey," he says, a little breathlessly. "I don't think this is going to fit in the back."
It does, eventually, but not without a fight that involves Seb having to climb into the trunk alongside Lewis's suitcase and physically wrestle it into place while Lewis shoves from behind. They're both out of breath by the time they finally climb back in the front and slam the doors shut.
"You know, there are beds at the farm," Seb points out. "You didn't have to pack your own."
Lewis shakes his head, tugging off his gloves. His coat collar is turned up around his neck. He's wearing an an ear warmer headband, held in place by two butterfly pins. Every other bit of uncovered skin is pink, even with the heat in the car up at full blast. Lewis shoves his fingers in front of the vents and sighs with relief, closing his eyes. "Ugh, thank God," he says. He sounds exhausted. "Listen, you're lucky I fit everything into one." It sounds far less like a joke than Seb would hope. The fact that the fondness in Seb's chest still manages to outweigh the exasperation is probably a sign that Seb's beyond salvation.
"Next time I'll bring a trailer so you can fit your bathtub and toilet, too," he says, reaching for the keys. The engine purrs to life as he flicks the lights back on, then leans forward to scrub the worst of the fog off the windscreen. The thermometer on the dash says it's still 3 degrees outside. They might still be able to make it back before the slush freezes over. "Okay," he says, sitting back down and twisting around to reach for his seatbelt. "Ready to go?"
Lewis doesn't say anything. When Seb looks over, he's staring out the front window, playing with one of his rings.
"Lewis?" Seb asks.
Lewis's head jerks around. "Hm?" he says. "Oh. Yeah." He doesn't move to put on his seatbelt.
Seb frowns. Kills the engine so he can properly turn in his seat. "Lewis," he says. "Is everything –"
Lewis leans across the console and kisses him.
It's barely half a second. Seb still hasn't moved by the time Lewis sits back down on his side of the car.
"Uh," Lewis says, after a second. He clears his throat. "Sorry. I just – Shit. Sorry. The whole way over, all I could think about was – I had to get it over with before I chickened out."
He's fiddling with his rings again, but his eyes stay fixed on Seb's. His jaw is set. He still looks half-ready to bolt through the door behind him, out into the night.
"Well, you don't have to make it sound like taking your medicine, Christ," Seb says hoarsely, and drags Lewis back across the console to kiss him properly.
Lewis's lips are still cold. When Seb opens his mouth, Lewis sighs, pressing in closer with a soft sound that makes Seb want to go twenty years back in time and kick himself for not figuring out how to make Lewis make that noise sooner. His hands settle on Seb's wrists, holding him in place. Seb slides his own hands up, cradling the back of Lewis's head, to return the favor.
When he finally pulls away just far enough to catch his breath, Lewis follows him, close enough that their noses bump. His eyes are wide. This close up, Seb can see the dark circles under them more clearly.
He closes his eyes. Lewis is still there when he opens them.
"How long have you been awake?" he asks.
Lewis blinks. "What," he says. "Are you talking about."
"Sleep deprivation," Seb says. His heart is pounding hard enough that he feels it in his throat. "People start to get delirious when they're tired enough –"
"I was awake for 24 hours and I didn't kiss you at the end," Lewis interrupts, his eyes sharp and bright. "I'm not making the same mistake twice."
Seb opens his mouth and nothing comes out. He tries again. Still nothing.
"Fuck," he says, closing his eyes. "Okay. Okay." He drags himself back upright and reaches for the keys. "We can – tomorrow. But we should – you need to shower. And sleep." Lewis's hand settles on his leg. Seb rests his own on top of it; after a second, he squeezes Lewis's fingers gently. Lewis flips his hand over and laces their fingers together.
"Yeah," Lewis says. His thumb traces over Seb's knuckles. "That – tomorrow sounds good."
The slush crackles under the tires when Seb starts to move. Ahead of them, the headlights carve a path through the darkness. Lewis's hand is a solid, steady weight against his leg. "Okay," Seb says, to himself, to both of them, to no one. Lewis hums softly from his side of the car. He squeezes Seb's knee gently.
Seb closes his eyes for a second. "Okay," he says quietly. "Yeah. Let's go home."
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