What if a fic where Eddie finds Steve so pretty and cute and at times downright adorable that he keeps wanting to bite him, but he can't because they're friends. Eddie isn't even out to Steve, doesn't want to risk it. So instead of biting, he ends up grinding his teeth a lot.
He starts getting a lot of really bad tension headaches, which brings Steve even closer into his orbit because Steve is very sympathetic (and secretly, selfishly, kind of likes having a headache buddy, because it sucks but at least they're not, like, alone). Which means Eddie grinds his teeth more and ends up with more frequent headaches.
But trying to avoid Steve results in Steve showing up outside his door with over the counter painkillers, tea, Gatorade, Pedialyte, hot and cold compresses, high quality sleep masks for cutting out light while he rests, essential oils, anything he knows that works for him when he gets a migraine. He offers scalp massages and times his compress use and refills his cup of whatever he's hydrating with and even guides Eddie to the bathroom when he doesn't want to crack an eye open to navigate the hallway.
I don't know how it ends, but at one point Steve asks Robin if migraines are contagious. She wants to grab him and shake him a little bit because what no, but he just looks so earnest and concerned and maybe a little guilty, it'd be like kicking a puppy.
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Imagine Astarion with ears so sensitive that he's never willingly allowed anyone to touch them except for you. Imagine laying next to him in your bed, facing him, lifting your hand up slowly for that first touch. His eyes on yours, the rapidity of the breath he doesn't need to take, but still does reflexively. Seeing that he's nervous, but that he's trusting you, feeling his shaking hand come to rest on your waist. The audible sound he makes- half a moan, half a gasp- when you finally brush your thumb over the soft skin at the tip of his ear.
You trace the long shell of his ear and watch his pretty eyes, deep red like velvet in the moonlight, flutter shut. He says your name softly, as close as you've ever heard him to prayer. You pinch his earlobe gently, and his hips roll forward involuntarily, the jut of his hipbone pressing against your thigh as he makes himself still. Heat flares low in your belly, but you tamp it down as quickly as possible- likewise, Astarion makes himself still against you. This isn't sex and won't become sex, you'd promised each other (though that's not to say that you won't explore this thoroughly during one of your hours-long lovemaking sessions. He is all about experimentation these days, after all).
You lay there, touching him in his most vulnerable place, with reverence and grace and occasionally disbelief that you could be here at all with this beautiful, horrible, ridiculous and wonderful man, that you could be trusted so completely. You take in his every shuddering breath, the flexing of his fingers in your shirt, the softness of his mouth when he presses his lips to yours and tells you he loves you. If you have your way, if he has his, if somehow your utterly insane lives hold together for a year or a decade or ten, it will always be like this.
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running on the assumption that everything was truly an act purely bc of the humour of it rn and having a blast thinking about Dazai and Chuuya planning their Meursault mission like:
Dazai: and then you bite me in the neck just to make it seem real
Chuuya: what
Dazai: what
Chuuya: ???
Dazai:
Dazai, dejected: okay we’ll leave that part out
or imagine Dazai just casually slipping it into the conversation and moving on thinking Chuuya was just gonna let it slide like:
Dazai: you're gonna shoot me in the head
Chuuya: ok
Dazai: then you'll bite me in the neck and i'll pretend to twitch and
Chuuya: PAUSE. run that back
Dazai: i'll pretend to twitch?
Chuuya: before that
Dazai: you'll bite me
Chuuya: ew
Dazai: wdym EW
Chuuya: why would i do that
Dazai: FINE
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The sensation of waking up next to you ❤️💙
+bonus doodle:
…and they mimir’d happily ever after the end. ❤️
(ID under cut!)
Miles is roused from sleep by sunlight shining on his face. Slowly, his eyes adjust to the light, until finally, his scope of awareness broadens to a body he had been sleeping on.
Page 2
Miles looks up to the figure that holds him, and upon seeing, his eyes widen in recognition.
Miles looks up to the figure that holds him, and upon seeing, his eyes widen in recognition.
The bottom panel of the page shows minimal details of a window shedding light onto the bed and blankets as seen from a higher view in the room.
Page 3
On the other side of the bed, Phoenix rests, his head propped by the headboard. His hair is messy from sleep, and his expression is thoughtful. The light of the morning highlights his features.
The sun shines through the blinds of the window.
Phoenix finally notices his observer, and turns to look at him.
Page 4
Phoenix takes Miles’ hand in his, and lifts it to gently kiss the ring on Miles’ finger. They both move to share a kiss, and their hands shift to hold one another. Miles’ ring sparkles in the sunlight.
Page 5
They link their fingers as they kiss, and the morning creates a quiet atmosphere around them.
They part, but remain close, their fingers fully interlocked. Phoenix greets “Good morning,” with a tender, loving expression as he looks at Miles. Miles’ own expression is soft, unguarded, and fixed on Phoenix.
Page 6
Phoenix and Miles settle back into their shared bed; the morning sun illuminates them. They both smile softly, seeming happy and at peace. Miles rests his head under Phoenix’s neck, and his hand on Phoenix’s chest. One of Phoenix’s hands rests over Miles’ own on his chest, while his other hand holds Miles closer, revealing a matching ring of his own. Both rings shine softly in the sunlight.
Bonus image
A small simple drawing of Phoenix and Miles having fallen asleep again while holding each other as in the final page of the comic.
End ID.]
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idk if i'm way off the mark on this, but the way some people are responding to that Guillermo del Toro interview about the decline of studio animation is a bit frustrating to me. specifically the bit where he talks about "emoji animation" and how everything is over-animated and pushed too far and things are rarely allowed to not be ultra-cartoony (y'know, because animation always needs to be marketable to children who are never trusted to have attention spans, right?). like, i think he's generally correct about it! but some folks are taking the wrong message away from that.
i've seen people going off about how "soulless" and "corporate" various recent examples are, and talking about these pieces of media as though they're the result of some kind of personal failing or lack of skill/range on the part of the animators, and it's just like. do people realize that's the only animation you're usually allowed to DO in the industry, unless you get incredibly lucky and land yourself on a project/studio that's unusually cool?
when i was in college for animation it was literally drilled into us nonstop that everything had to be pushed more, that exaggeration was not a guideline or a sometimes-treat but a hard rule that always had to be applied regardless of what was going on, because the viewer couldn't be trusted to pick up on subtlety and we sure as hell couldn't be trusted to convey it. you ever wonder why there's such a specific vibe to a lot of self-directed student films, particularly ones that are focused on character acting/interaction or deep emotions and introspection (especially when there's minimal/no dialogue)? it's because for a lot of young animators, they haven't had the freedom to experiment with realism and subtlety up to that point and they're likely not going to have it again for a while (or at all, unless their career path leads to higher positions where they might have more creative direction over the things they work on. which also becomes a lot less likely if they're anything other than a cishet white dude, for what it's worth).
i would LOVE to see more nuanced, realistic, understated motion and acting in animation. i WANT more characters to be able to express what they're feeling through natural body language and facial cues and for scenes to allow me to breathe instead of spelling everything out in giant bold flashing text all the time. what del Toro wants to see changed in the animation industry sounds great, and i hope others join him in seeking to revamp what modern animation is allowed to be.
but as things currently stand, and as they've stood for a long while now, most artists doing the grunt work on the shows and movies you see are completely at the mercy of corporations and networks who have a vested interest in producing a very specific kind of marketable and cost-efficient media all the time. (and by extension that style is ALSO what's taught in most animation schools, because their job more than anything is to grind you down into a perfect little sweatshop worker who will bend over backwards to meet quotas and get your work approved and not question the higher-ups, even if you have little to no personal investment in the projects you're working on, so that the studios who employ you can maintain their good reputations or whatever)
anyways idk what my point was here, this really just sorta became a rant and my views have undoubtedly been coloured by my own personal experiences (this kinda shit is largely why i dropped out before my last year of animation school, for the record).
i guess just be kind to folks in the animation industry? they've had it fucking rough nonstop for well over a century (the majority of them are still not unionized and there's HUGE pushback against doing so in many places). i assure you they are doing their best to infuse the latest uninspired illumination flick or weird spinoff kids' show with literally any amount of soul they can. you don't have to like the stuff that gets produced by any means! be a hater! i'm certainly not gonna stop you. just remember where these creative decisions come from and why these conditions exist, and consider that when YOU watched something and thought "hmm that could've been done better", you can bet your ass someone actually working on it probably thought the same thing but couldn't do anything about it. these things WILL change as the industry itself improves, but in the meantime folks have to pay their rent, and that usually means doing what they're told and working in a way that will minimize revisions and meet quotas so they can keep their jobs. it sucks, but it is what it is.
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