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#it’s great that they get this movie
beanie-twink · 10 months
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Thoughts on Barbie as someone transmasc btw. If you even care
Seeing some of the reception about Barbie as someone transmasc is a bit isolating and I wish more people who were transmasc were speaking on it. 100% understand the whole “womanhood experience” that a lot of people are saying about being represented in Barbie but I wish cis women understood that its not exclusive to them. Afab trans people relate to a lot of what is being discussed in the film because of how we were socialized and how unfortunately we get perceived as women. I don’t think it’s fair to label the film as strictly a womanhood experience because I’m not a woman. It’s frustrating because I relate to so much of the movie but then I feel isolated since a lot of people talking about it are saying how it’s about womanhood. And like I said I 100% get it because a lot of women experience what’s being discussed in that film of course. But I wish transmasc and afab nonbinary people were included more in the discussion of the film.
With how people keep saying what’s being described is a woman experience, it makes me want to denounce what I’ve been through because saying I relate makes people see me as a woman. And I don’t want to be seen as a woman. But I can’t denounce those experiences because it’s shit I’ve gone through.
And honestly that’s something I’ve struggled with in my gender journey. A lot of my experiences have been tied to being afab because of how men treat me so there’s been a part of me resistant to stop identifying in feminine terms because that trauma and treatment is apart of me. The trauma I speak on often resonates with women, so I feel like I have a connection to womanhood in that way (which makes me feel invalid about being trans but that’s a whole other can of shit)
I’ve gone through the idea of having to be perfect. Of being criticized no matter how I exist. Of mistreatment from men. Of sexualization and objectification from men. Of being underestimated. Of double standards. This is the reality for afab people. Not just women. And I guess I wish that was being said more.
Ultimately I’m glad so many women are finding joy and happiness in this movie. I really am. I just wish afab people who aren’t women were included more in the conversation in a way where we’re not seen as a women yet still have our experience represented
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pokimoko · 10 months
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I can't keep being fundamentally changed as a person by animated movies, it's just not sustainable.
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Abby has another great FNAF lore question for Michael,,
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Vincent Price guest stars on
The Muppet Show (1977)
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stevebabey · 6 months
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personally love the interaction in the start of s4 where steve goes “ugh, you know i don’t do double vhs.” when robin suggests doctor zhivago. like ugh robin!!!! we’ve talked about this before!!! steve has a limited attention span and if robin puts on something too long, he will start shooting her with rubber bands
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horang-07 · 6 months
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FNAF SPOILERS! SCROLL! TALKING ABOUT THE SPRINGLOCK SCENE!
i’ve seen so many people discussing the springlock scene in both negative and positive ways and i think it brings up really cool points about how matthew played that scene and balanced fan expectations with his own characterisation.
i think the discussions around this movie have rlly exposed the disconnect between fanon and canon in fnaf, especially talking abt the core games in isolation, bc frankly in the game universe (ignoring the books) we get Very Little characterisation for William other than the obvious, but Matthew managed to add so much in the way he talks and his body language.
in the reveal scene, we see afton at arguably his peak. in his first scene, he comes off as somewhat demeaning and judgemental until he recognises mike’s name, at which point he seems to have this nervous energy, rushing to cover it up but stumbling slightly, his reaction to the tables being turned even slightly is massive.
this is a man who committed multiple mrdrs in essentially broad daylight, hid the bodies in the most obvious place, and still got away with it, and then kept the crime scene as a trophy of his actions, and an ongoing prison sentence for his victims. he has been in complete control for decades, and is confident that he can deal with any kind of threat quickly. his confidence in his reveal is palpable
it changes when vanessa shoots him. the whole parallel with vanessa and the animatronics is hugely interesting too- how william refers to the animatronics almost endearingly as “kids” when he wants them to obey, how both vanny and the animatronics have an unearned loyalty to him, almost a pseudo-adoption through what he did to them, taking them from their parents and keeping them under his thumb, forever stuck as naive, forgiving, obedient children. vanessa breaking from that control shakes him, but the mask slips back into place almost immediately.
then, he’s outsmarted by the brother of one of his victims, and the child he planned to end next. his pseudo-children turn on him and he can no longer manipulate his appearance or shed his skin to escape. he explodes on them, and his language is incredibly telling that he is being dishonest.
he calls them small, trying to belittle them into submission, even though they are ten feet tall metal animatronics powered by rage. he is grasping at straws to regain control, and failing miserably.
finally, the springlocks go off. the locks in the movie look more like a ribcage, so the first two likely puncture his lungs. they’re slow, and painful, but he doesn’t scream or beg or sob. he grunts and groans, gritting his teeth and only letting out sounds of pain that sound almost involuntary. there is no way in hell he would visibly let himself show weakness or pain in front of these creatures that he believes he has control over. he isn’t brought to his knees until there are eight metal spikes embedded in his abdomen. he doesn’t let the mask fall for even a second, until he literally PUTS THE ACTUAL MASK ON and finally collapses. even then, he’s fighting for consciousness, twitching and writhing with no control over his body. william afton thrives on control, and his soul will not rest until he gets it back.
it’s why he keeps the pizzeria- he always comes back. he can’t help but return to the scene of the crime, putting on his old costume, continuing his killings. he revels in being a constant threat on the horizon. and now, he knows he is going to die, and he knows the suit will bring him back, and noone will be able to get rid of him then. so he puts the mask back on, and waits.
in terms of the sfx- they’re pretty accurate. with stab wounds, you need to leave the knife in the wound as long as possible for best chance of survival, as it stops the blood from escaping. in terms of the springlocks, there wouldn’t be copious amounts of blood as the locks are keeping the wounds filled- which is good because it means a slower, more painful death.
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metalotaku-da · 5 months
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Dick and wally were sitting at the wayne family dinner table with their joint families announcing their engagement. Just before desert their was a knock on the front door. Alfred went to tend to it. Nobody thought anything of it till Alfred came back to dinning room with a large meta with him and two scruffed young kids hanging from his hands.
"I believe you have a guest master dick, master wally." Alfred said looking at the red head with a bit of judgment.
"You." The large meta with a goatee and flaming seemingly flaming hair. Motioned to wally with one of the kids who protested. "Well shit you are all here." He looked around the table. "Good I only need to do this once then hopefully. Quit fucking with the time stream." He ignored the throat clearing of the butler and the half raised from the seat posture of most of the dinners guests. "I'm tired of cleaning up all these timeline collapses you speedsters cause. So here is the deal." He sat the protesting kids down in to wally's lap. By phasing through the table. "I'm going to pull all your kids who would cease to exist from the now failed timelines and drop them all in your laps. And I don't care how many it ends up being. You want to cause me problems. You're getting all of yours 10 fold." As he backed out of the table. He pointed an accusing finger at the speedsters. "Do not try me! Oh and By the way. Congratulations on your engagement." He gave a rough pat to alfreds back. "Thanks old man." And then he vanished from sight.
The bats stared at the speedsters. "Care to explain that?"
"Who was that guy?"
"OH my god I'm a dad!" Wally said in shock looking down at his two kids. Ignoring Barry arguing with half the bat clan.
"What are your names?" Dick said all smiles at the two little kids sitting in wallys lap.
"Jai"
"Iris"
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truly we are in the midst of a Tennaisance
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the-woman-upstairs · 10 days
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Really fucked up that, when they’re young, Patrick and Art are SO tactile with each other, so comfortable sharing the same space. Art lets Patrick touch him and move him and physically overwhelm him and easily acquiesces to it, if not outright enjoys it.
Then in the present, they’ve been so far out of each other’s orbit for so long, held such animosity that when they have their moment alone in the sauna, Art physically recoils from Patrick’s close proximity! It’s so painful to watch because even as Patrick’s goading him, it’s so obvious he wants to be able to get back into Art’s space. But Art has erected all these walls around himself, he refuses to give Patrick an inch or even admit to missing how close they used to be!
AND THEN we see Art and Tashi later and he wants her to hold him, to be gentle with him, and just TOUCH him. Like, he does miss that kind of close physical contact! He either doesn’t know how to ask for it or is uncomfortable being that openly vulnerable. Worth noting that he pretty much always defers to Tashi in regard to initiating physical intimacy (with their first kiss, though he does state his desire, SHE has to be the one to make the first move). And it seems pretty obvious that Tashi herself isn’t comfortable providing that intimacy, whereas Patrick actively seeks to provide it (the hug/forehead kiss after their win together in the early years, dragging the stool closer to him).
Art has tried very hard to act like he doesn’t need physical affection and even though his discipline and devotion to Tashi has made him a stronger tennis player, it’s made him a hollow person, which, in turn, has kept him from becoming a GREAT tennis player.
All of this, of course, is why the ending hits so damn hard.
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lobotomyladylives · 7 months
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Actresses being tortured on the set by male directors is a massive historical and present day scourge of the film and TV industries and it's really SO common when you look into it. like from Kubrick terrorizing Shelley Duvall (and only her) on the set of the shining to Tarantino strangling Diane Kruger until she passed out to Hitchcock replacing fake birds with real birds after Tippi Hedren rejected his advances (in order to scare and physically injure her as a punishment for not fucking him) to James Cameron almost literally drowning Kate Winslet to an actress on GOT being waterboarded ten hrs straight to get like a minute of footage to Brando improvising an unscripted rape scene on the last tango in Paris set with the directors permission that ended up traumatizing Maria Schneider (in fact quite a lot of the gratuitous, graphic rape scenes in film were included for the sadistic pleasure of the male directors at the expense of the actresses).
The list goes on and on and I could seriously talk for ages about how revolting it is that these men still have active careers bc the industry just tolerates it. No piece of art is worth inflicting this disgusting and unnecessary abuse on actresses (and it's ALWAYS the actresses isn't it, never the actors. Hmmm wonder why). We call these men auteurs and geniuses but they're really just pathetic abusive sacks of shit. I want to impale every male director who behaves like this and I want their rotting corpses displayed as a part of the universal studios tour.
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mewharley · 6 months
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After rewatching Trolls World Tour, I just realized the relevance of the high five at the start of Trolls Band Together <3
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It means they have a strong connection!
On the second movie he failed to talk with Poppy about their relationship and then she called him a friend. He got so caught up on that, that they failed to make a connection and having a good high five.
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Failing miserably.
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Just look at him, he feels so bad
Also I love how easy the confession was at the end
Just so casual
"and I love that we are different"
"And I love you Queen Poppy" the way he says it, so simple yet clear
"And I love you too Branch" and Poppy and her little smile, that was the smile she used to give Creek before the whole fall out, she´s now smitten with Branch :) and she loves him too, what else can you ask?
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the love was always there, they just needed to have a better connection, you know, the whole thing where she wasn't actually listening to anybody because she was too focused trying to be a good queen
Also I love seeing Branch happy, it´s so tender
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And they finally have their perfect high five!
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Wait, did she hug him at the end? 🥺
I hadn´t noticed
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I love their relationship, since the first movie and how it evolved
it´s just so tender and wholesome
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zer0point5ive · 7 months
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“But what do voyeurs see when they look into the mirror?” // saw (2004)
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zu-is-here · 6 months
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in a messy poster mood cause bang bang ♪
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beetlemp3 · 7 months
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equinox cafe 🌕☕🍂
A whimsical autumn little coffee shop in mid-nowhere built over wiccan grounds... must be why their coffee tastes like magick!
✿Gallery ID: beetlemp3   ✿Cafe ✿  30x20 ✿  No CC
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zhaolusi · 6 months
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FIVE NIGHTS AT FREDDY'S (2023)
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iwasbored777 · 6 months
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I think Branch has abandonment issues because of everything he went through and Poppy knows this.
Yes, both are true and I HAVE to talk about Poppy's behaviour in Trolls Band Together more cuz she doesn't get enough appreciation for her character development and for how much she loves her boyfriend.
At the beginning of the movie she wants him to give his brothers a second chance because she wants him to be with his family. He's not happy about it at first but later he is and she's super happy because she thinks everything is perfect just like he thought.
Until it wasn't. When they both learn at the same time that his brothers don't want to see each other again after rescuing Floyd he leaves and she realizes that this means to him way more than it means to them so she doesn't waste time arguing with them (Branch already did that) and she goes with Branch. She loves him, she doesn't need her favourite boy band to reunite anymore, her priority is making her boyfriend happy again and that can only be accomplished by saving Floyd. But when she finds Branch again he is cold because he's hurt and he doesn't want her help because he thinks that she will abandon him too just like they did. I can only imagine how much it hurt her when he said that, she thought that he believes her that she loves him because she really does. She was already betrayed by a guy she cared about in the past (remember Creek? Ugh I hate him). But instead of focusing on her feelings she's focusing on his because he needs reassurance now more than she does. She trusts Branch, she loves him, she knows he loves her and she tells him that she's with him and reminds him that they've always been there for each other.
She even put his feelings before her sister, when she had to choose. No one's saying that she would never come back to find Viva after the mission is done but she came here to help Branch and that's what she's gonna do above all.
Yes, Branch is an amazing boyfriend, and I'm so thankful that the writers made him this way. I'm not saying that he doesn't deserve the praise he gets, he really does. But I'm saying that Poppy deserves more praise in general. She's so amazing and so underrated.
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