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#it's how i fall asleep too
turtledotjpeg · 1 year
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ok logistically this makes no sense but: what if you put little charms on the chains. like a charm bracelet
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mummer · 11 months
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just saw asteroid city last night, pls explain the proposed significance of the kiss!!
answering this publicly hope thats ok! cant do a readmore im on mobile *****asteroid city spoilers below beware*****
i dont remember anyones names so this is gonna sound partly unhinged. okay so the edward norton playwright and jason schwartzman actor (not character, in the black and white parts) are lovers right. tbh i thought this was kind of a gag and forgot about it. but later we find out that the playwright died 6 months into the production. i didnt make the connection that THAT’s why the actor-jason has to suddenly leave the stage and freaks out backstage about how he’s not sure he’s Doing it right. hes not talking about acting!! because he himself is literally grieving his lover while he’s playing a character who’s grieving his wife written by his lover so obviously it’s too much!!! actor-jason is trying to find meaning in his death through his writing but there isnt any meaning in death [gerris drinkwater voice] which is what the play is trying to say anyway. he doesnt think he’s performing grief right even in his own life!!! (and tbh it’s the 50s so he wouldnt be able to perform grief publicly anyway!!!!) the play starts with a car accident… anyone would search for some hidden meaning there, some sign…. so when he talks to margot robbie outside it’s not really about finding the CHARACTER’s motivations it’s about the actor himself being able to process the playwright’s death! and adrien brody director was probably also dealing with that too (him and norton seemed to be good buddies) so the whole “sleeping backstage” thing gets a bit sadder maybe? maybe everyone else got this in the theatre and im just stupid lol but crazy making stuff to me!!! the whole story is about sublimated gay grief that cannot be expressed?!?!
the tweet that caught me onto this was here which posits that the playwright’s death was a suicide but i think that’s pretty stupid and unnecessary because the whole thing about the play asteroid city is that death is random and meaningless. im pretty sure that’s what the alien represents— a shocking and absurd event that isnt outright evil or menacing, not something anyone can predict or make sense of, it’s just a thing that happens to you out of nowhere, it doesnt mean anything. he’s a little black figure, he’s death! giving and taking! aagh
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tunamayojazz · 8 months
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saw that fav ship trope: chronic sleeper x chronic insomniac tweet and guess what! it's them
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buggiebite · 3 months
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Long Day at School
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Daddy! Peeta makes my heart melt. Figured everyone needed some of him to withstand the winter.
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catmanbowser · 1 year
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Justice is gay i know bcs its run by guys like them
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moss-abyss · 1 year
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quiet moments
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sleepanonymous · 3 months
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When you left I walked into the ocean. Not to drown but to be held by something reluctant to let go.
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surreal-duck · 3 months
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happy birthday to the most idiots of all time
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p4nishers · 10 months
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random hc but. crowley being a plague doctor in the 16th/17th century bc he's supposedly "tempting people into death" but he can never, ever bring himself to actually do that so he ends up soothing their pain as best as he can and comforting them in their last moments. one night, after he held a little girl's hand as she passed away, he sits down at the banks of the river thames, with his plague mask discarded on the dirt, and he starts out over the water with tears in his eyes, wondering what the fuck is actually the point? it's not the first time he's asked himself the question nor the first plague he witnessed but, here, now after personally witnessing hundreds of deaths every day, he really wonders what actually is the point of him? why does he exist and why should he keep existing. why does he get to live when so many others don't? how is that fair? how is any of it fair? that's how aziraphale finds him, as he just got back from an assignment somewhere or other and hears crowley is in town, so he discreetly looks for him and finds him there, sitting in the dirt, now with his head in his hands, his shoulders silently shaking and is obviously immediately worried but doesn't know how to comfort him or what's allowed so he just sits beside crowley and watches him try to pull himself together. aziraphale's heart breaks, he put what happened together from the mask and the robes and he obviously knows about the bubonic plague but was convinced it was hell's doing and couldn't have even imagined crowley was out there everyday, helping people under the guise of hurting them. is he surprised? no, of course not but it still hurts to see crowley like this. but he's afraid to cross their unspoken rules so he quietly waits crowley out. he watches the water and doesn't dare look at crowley as he lifts his head and takes a few shaky breaths in. after a few minutes of breathing, crowley croaks out "her name was mary" and nothing else, and aziraphale understands, god he understands. it's one of the things they never speak about after it happens but aziraphale can't forget the night he sat with crowley for hours, till the sun came up, as he cried about a death of one little girl. he holds it close to his chest and never, ever forgets.
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clarisse-doodles · 3 months
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Cass + ballet 🩰 (ft. supportive siblings and good dad Bruce)
I love the idea of Cass enjoying dance. It's an outlet that allows her to express herself without words, and I think she would enjoy the highly technical aspect of ballet combined with its storytelling and emotional side. and as a former dancer I always have fun imagining my fav characters do ballet :)
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sillycyan · 3 months
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someone please tell tiktok that maladaptive daydreaming isn’t some quirky hashtag fun thing to have and go through..
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I have the urge to write a seven-season-long medical drama, so here is a concept for Top Gun Hospital AU with ER hate-to-love hangster AU that no one asked for.
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as a warning: this is a bit incohesive and silly
All the aviators are doctors and all the WSOs are nurses. With the exception of Bradley (but there’s an explanation for it).
Mav — cardiothoracic surgeon; Ice — former neurosurgeon and Chief of Surgery, current Head of Patient and Medical Services (so, entirely admin). I imagine they have the same kind of relationship as House and Cuddy in this, including Ice keeping an entire legal team for Mav’s unconventional practice methods. They've met during med school and had been rivals up until they both finished general surgery residency. Slider is an OR nurse turned anesthesia nurse. Goose was an ER nurse and met Mav during his rotation as a med student and died after an incident in the ER during Mav’s residency (that was the moment he switched from emergency medicine to surgery).
Phoenix — emergency, but she managed the impossible (like Mav) and switched from obgyn residency after the first year (only chose obgyn in the first place because of her mom, a renowned obgyn in Oregon), she's still really passionate about the obgyn field but didn't enjoy the work enough to do it for the rest of her life; Javy — general surgery; Payback — emergency with sub-spec in pediatrics; Friz — respiratory medicine; Omaha — oncology; Yale — ortho surgery.
Bob — a former OBGYN nurse, left because of a toxic work environment, working in the ER six months now, Phoenix's favorite nurse now, duh; Fanboy — started in peds oncology, had to switch because it was too hard on him mentally and is now peds emergency; Halo — started as a palliative care nurse, switched to oncology after a few years; Harvard — OR nurse, switched from general team to ortho
Hangman is the new trauma surgeon starting in their ER. Born and raised on a ranch, was expected to take over the ranch but never wanted to. Thankfully, he had too perfect grades to not send him to college — his parents wanted him to be a vet, which obviously didn’t happen, so he could stay close to the family business. He moved to California for his MD. He has terrible bedside manners with patients and patients’ family, but is surprisingly decent with kids, has lost respect for nurses sometime during his first residency year, and had a terrible case of Ego hit him during his trauma surg fellowship.
Now, about Rooster:
Bradley got into a pre-med program, Mav (who had set up Bradley’s college fund) said he’s not going to pay for it since he doesn’t want Bradley to be a doctor (long hours, lack of work-life balance, burnout, high stress, etc. It was more complicated because Mav still has the Goose trauma). So they had the fallout, Bradley moved out and deferred college to find a way to pay for it and, wanting to gather hospital experience, started working as a CNA in Peds ICU at a children’s hospital which accidentally was having a new CNA intake at the time. He liked it, actually loved it, and started hesitating whether he should continue with pre-med and be like Mav or go for nursing, like his dad. Year after, he got an offer from the hospital that said hey, we’ll fund some of your BSN as long as you work for us while you study and then work for us for another four years after getting your license. So he became a nurse, got certified as peds nurse after working two years in PICU and after another three, switched to the Pediatric Rapid Response Team, where he stayed for another two years before getting a spot as a senior nurse in adult/peds ER in a different hospital.
His relation to Mav and Ice only came to light a few months after the hiring process, as Bradley didn’t even know they worked there when he applied and it’s still a hash-hash topic in the ER. He’s been in the ER for almost three years now and has become an unofficial second-in-command as one of the few with substantial experience.
I imagine he’s definitely one the best nurses you could have as a patient — he’s honest but in an empathetic way, he’s worked in the most demanding environments with the most complex patients (ICU and RRT), he’s skilled and experienced in most procedures. Because he is one of the few male nurses, he’s the one dealing with inappropriate patients, aggressive patients, patients that need restraint, frequent flyers, etc. and he genuinely doesn’t mind — he is the perfect mix of calm and firm that makes him very reliable in most difficult situations. He is absolutely most reassuring and guiding with new stuff, be it new nurses or med students that don’t know what’s happening, and he doesn’t judge. It does help, too, that he was partially raised by two very cocksure surgeons and therefore knows how to deal with doctors that turned a bit too arrogant.
Before I go to the hangster part of this shit, I want y’all to know it all started because I found this Rooster-coded scrubs:
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I imagine that he buys most of his scrubs since the work-issued scrubs don’t fit well on men (most unisex ones are very much just female fit stamped with unisex label) and peds nurses can have lots of cute ones so the kids feel less nervous around them
Also, this is a warning that yes, Bradley is trans in this scenario, too, because I said so. It's relevant to a few scenes, I think?? and there's tw for transphobic OC
Now, a bunch of scenarios I can see for this AU:
On the first day at his new workplace, Jake makes a reputation for himself. He confuses Nat, in her hospital-issued scrubs and with her doctor tag clearly on display, for a nurse and literally talks over her in front of a patient. Same thing happens with Billy because he’s Filipino and there is a large number of Filipino nurses everywhere and he’s stereotyping. Then he makes another patient’s parents agitated. This is when he meets Bradley — he takes over to talk to the parents and calm them down before it can escalate, basically shushing Jake out of the room. Jake doesn’t clock he’s a nurse at first — he’s a big, very fit, very well-built, very handsome dude with a questionable mustache who looks comical in a pastel pink scrub top with a teddy bear pattern and a matching headband on his forehead, but also the sheer shock of how different to all the nurses he looks gives Jake a pause  — so he doesn’t say anything even if it pisses him off a nurse just forced him out of the room.
*
It starts innocently with Bradley though — Bradley comes up and asks, “Jake, can you put the narcotics order into the system for Lily?” and Jake scoffs and corrects, “Doctor,” tapping his full tag with Dr. Jacob Seresin.
Bradley, as the nurse’s tag says, raises an eyebrow and says, “Doctor Jake, can you put the narcotics order for Lily?”  Natasha, standing behind him, snorts. Jake doesn’t even have the time to tell him off because he’s already gone when his brain processes.
*
Natasha drops off a patient on him — a taxi driver who had a stroke while driving and had been in a car accident, that had been thrombolysed but might need emergency surgery because of a suspected GI bleed. He’s stable, so they're going to check if he can be admitted to neurosurg and wait for his turn there or if Jake will need to take over before that.
Bradley hands him a tablet the minute he walks into the room.
“What’s that?”
“Results,” he supplies before going back to setting up an oxygen cylinder at the bottom of the bed.
“I didn’t order that,” he notes. The blood and urine panels are what he would order with suspected operable GI bleed but he’s barely looked at the patient’s case before he walked in there.
“I did,” Bradley tells him as he switches the oxygen from the wall socket to the tank supply. “Faster this way.”
“No,” Jake says, blood boiling. “You do exactly what I tell you to do and only that.”
Natasha raises her eyebrows, high on her forehead. Bradley doesn’t hesitate — waves on Bob from behind the glass wall and they both grab each side of the bed.
“I supposed you want to put the CT order yourself then,” Bradley says as Bob takes the small back monitor and attaches it to the frame. He steps on the bed brake and rolls out the bed, straight into Jake and Nat, fast enough that he moves out of the way on instinct. “Better do it fast because it’s free now and I’m going.” *
“Did you see that? Who the heck does he think he is?” Jake asks Nat.
“Better put that CT scan order,” is all Natasha replies as she walks away.
*
It’s Reuben’s patient, an eleven years old boy with blunt trauma, and Jake makes a verbal order to Bradshaw, who is the boy’s nurse. “I understand but I think that—” and Jake goes, “If I want your opinion, I’ll ask for it.”
The whole room gets quiet and everyone looks to him — Reuben, Mickey, and the technician are wide-eyed.
Bradley just says, “Alright,” in a perfectly leveled voice and leaves the room.
 Mickey is not making eye contact as he quips under his nose, on his way out of the room, “You do realize he basically runs this ER, right? You’re making your life a lot harder.”
*
Jake orders IV fluids for one of his patients which is also in Rooster’s section that day and he bleeps the order info to Rooster. Fifteen minutes later he sees that it hasn’t been filled and is like, hah, I knew there is a reason I hate that guy. Finds him when he passes Jake in the corridor and is like, “I want you to start the IV for room 7. Now,” and Rooster  just tells him, “No, do it yourself or find someone else.” 
They have a little back and forth as Jake follows him down the corridor which ends with another, “No.”
There’s still no charge nurse in the ER (she’s on medical leave that will most likely end with her leaving employment, from what Jake gathers) so he makes a datix and the ER nurse manager (Warlock) following up is apprehensive because obviously, he knows Bradley, and hears about what actually happened — Bradley was getting an igel for a toddler from the peds side and deemed it more important than starting a bag of saline to bust someone's blood pressure.
Jake feels like an idiot.
*
Jake and Reuben are charting next to each other and Reuben gets bleeped his patient’s lab results. Jake, who is also waiting for lab results, complains about how he sent a pod to the lab before Reuben. Reuben just gives him a look and says, “Yeah, that’s because I asked Bradley to put my request in.”
And Jake is like, “What does he have to do with anything?”
Reuben looks at him like he’s dumb and says, “He has more sway with the lab,” and walks away with his tablet.
*
Javy is doing a consult for Nat and stops to chat to Jake (they know each other from residency days) and Bradley comes by and says, “Maggie’s becoming hypotensive again,” and Javy observes as Jake looks at the nurse that came, gives him a very long, very detailed look and licks his lips.
He manages to think Oh before Jake asks, “Maggie?”
The nurse looks seconds from rolling his eyes. “Mrs. Lawrence? Room 5?” 
“That's Margaret.”
“She prefers Maggie.”
And it goes on, with Jake standing there rigid, puffing up his chest and cocking his hip out. “Did you start the fluids?”
“Finshed already.”
“Start another bag.”
The nurse looks unimpressed and instead of confirming says, slowly, like he’s talking to a child, “Her fluid balance is positive. She’s usually on pressors.” Jake’s face gets red and he goes, “Then put an order for her.”
It’s kind of funny to observe and to be fair, the nurse does give Jake a minute to go over what he said, leaning his elbow on the counter, eyebrows raised, before he points out, in that damn slow, unimpressed tone, “I can't put orders for things like pressors."
He hands Jake the closest tablet and starts walking away.
Jake calls after him. "What, you're not even going to draft it for me?"
He doesn't even turn around and Javy is silently shaking from the laughter he's holding in, "I thought I wasn't allowed to do that, doctor."
*
Mav comes down to the ER to talk to Rooster on a slower day — about how they’re about to sponsor a new CRNA for the cardiothoracic surg unit and maybe he could put a good word for their development team for Bradley and yada yada.
It happens like that: Mav comes down, Bradley is charting next to the monitors station, Jake is going over a scan on the opposite side when The Dr. Mitchell himself comes down and stops next to Bradley. He gives Bradley and his pink Paw Patrol scrubs a look and clears his throat a couple of times before Bradley raises his gaze toward him, turning away a second later and ignoring him again.
Jake is freaking out — this is The Dr. Mitchell and one of the reasons Jake wanted to work in this exact hospital, along with the rumored to-be-announced cardiothoracic surg fellowship under Dr. Mitchell he had his eyes on. He’s been thinking about how to make contact with Dr. Mitchell since he started in the ER and here he is, telling unresponsive Bradshaw, “I heard you’re looking to go back for your Master’s in the near future.” Bradshaw doesn’t say anything and Dr. Mitchell adds, “We have a CRNA development spot for—” and Bradley tells him, not turning away from the screen, “I’m not an OR nurse,” and then taps his card on the computer’s reader to log out and walks away.
Dr. Mitchell is a fucking legend, a VIP of this hospital, so Jake just stands there, contemplating how the heck Bradshaw could do that and hears him mumbling under his breath, “Really slick, Mav,” and jumps on the opportunity to say, “I’ll be talking to his supervisor about this, his attitude is unacceptable, Dr. Mitchell.”
And Dr. Mitchell turns to him, raises an eyebrow and asks, “Excuse me?” 
“The nurse you were talking to. He might be senior in here but his attitude’s been horrible and I’ll personally step in. This won’t happen again.”
Dr. Mitchell gives him a look before slowly saying, “I suggest you mind your own business, Dr. Seresin,” and walks away.
Nat is silently laughing a few feet away and Jake asks her what’s so funny. His heart dead-ass stops when she says, “You do know Dr. Mitchell is Bradley’s dad, right? They might not be on the best of terms but that’s still his son.” And Jake has the urge to bang his head on the keyboard in front of him. 
TW for transphobia.
There’s a new nurse practitioner to be (graduated, about to get her cert) that's rumored to be a candidate for the charge nurse position. Izzy. She’s quite young for that, younger than Bradley for sure, must have barely worked in the clinical area before going for her Master’s. Jake doesn’t know if it’s on purpose but the nurse manager and Bradley keep on putting her in his section.
She’s—well, she’s a bit too in his face. She agrees with everything Jake says and doesn’t roll his eyes at him, which is boring, and she’s, for an NP, not that knowledgeable. She doesn’t argue with him, which is a change, and Jake starts to hate it after about five hours. Her voice is saccharine sweet, she keeps on standing a bit too close to him at all times, and she’s decent with patients, but she keeps on asking him about the smallest of things.
Jake’s section is less busy, usually, since he deals primarily with trauma in the ER, but she never bounces off to help others when she is free, like Bradley did. She’s clinging to his section, a little bit, and he doesn’t get why. It’s not like he is any nicer to her than to Bradley or any other nurse.
She is busy taking bloods and Bradley finds him when he has a second alone, finally, and enlightens him about why.
“If you don’t believe me, you can just ask any other nurse. Everyone noticed.”
“If you really think that then why do you keep putting her in my sections?”
“I don’t. She’s senior as an NP, she’s taken over allocation from me now.”
Jake’s mind only focuses on one detail. “You were allocating yourself to my sections?”
“Only because no one wants to work with you and because I’m actually certified in trauma.” That makes sense. It’s not like Bradley would work with him voluntarily. “Look, all I’m saying, you watch out — you fool around with her and then reject her and she’s going to HR. I know the type.”
“The type?”
“You know, the girl that thought she’ll become a nurse, snag a rich doctor and never work again? Well, it’s not always women, there are guys who do that too, but in this case, she’s very much the type.”
“And you think she’s trying to—snag me?”
“She’s certainly not going after the residents that are getting paid twelve bucks an hour or Reuben who is married,” he points out. Which, again, fair, even if he didn’t know Reuben is married prior to this strange conversation.
Jake stares at him, processing, until he blurts out, “I’m gay.”
“Then you’ve got nothing to worry about,” Bradley says after a second, eyes barely noticeably a bit wider, before he walks away.
“Was he bothering you, doctor?”
She calls him doctor, always, and it honestly makes him grit his teeth. Now even more. He’s got a bad feeling about it.
It gets confirmed later when Jake is taking care of a six-year-old girl who had fallen down the stairs. She’s dehydrated and Izzy’s just tried to put a cannula on her three times before Jake told her to grab the bedside ultrasound and not make the girl cry even more.
Bradley passes by the room and Jake’s learned that he can’t leave a distressed child alone, so he comes in and gets the parents and the girl relaxed. He’s about to go in and tell him to leave it alone until Izzy brings the ultrasound when Nat grabs him by the arm and tells him, “He was in a Rapid Response Team, I’m pretty sure he can put a cannula in blind. Just let him do it.”
And he does let him. Watches, expecting the girl to burst into tears at any moment but she never does. Bradley’s literally been in the room for less than ten minutes and it’s all back to calmness.
Izzy comes back with the ultrasound. It should not have taken her so long to grab it. “What is he doing there? That's my patient.”
"He said he can put the IV line without the ultrasound.” Well, Nat said so. Jake can’t believe he’s saying but, “He’s a peds nurse, he’ll be fine.”
“I’m sure the girl's parents wouldn’t want him anywhere near her.”
This sets alarm bells in Jake’s head. “What do you mean?”
"People like him shouldn't be around kids," she says, to his horror. She leans in, way closer than needed, and conspiringly whispers, "Dr. Seresin, haven't you known that he is, you know, a she in disguise?"
He’s dumbstruck. "I'm sorry?"
"He's actually a woman, just pretending to be a man because he's mentally—You're the doctor, I'm sure you know better than I how the brains of people like them work. He shouldn't be around that girl, is what I'm saying. I certainly wouldn't like him around my child, if I had one."
Jake didn’t know this about Bradley but he understands what she means, even with how awful she is about it. This, however, should not be a piece of information thrown around in public if Bradley didn't wish to disclose it, and certainly not in such a manner. "And how do you know that, exactly?"
"Nurses share a locker room, it's not hard to notice how she, you know, mutilated herself."
Jake doesn’t say anything out loud but mentally he is preparing datix report in his head. He catches the ER’s nurse manager before he goes home, too, because that’s some shit he doesn’t stand for. He might be an asshole but he’s not a bigot.
Next time he comes to work, Bradley is back in his section and Izzy is no longer employed.
“Thanks,” Bradley says, when they’re at the station, next to each other, in a relatively slow moment. “If I went on my own, we’d have a weeks-long investigation that would probably end with her or me moving to a different unit.”
“She said this shit to your face?”
“Kept calling me she in front of patients,” Bradley admits after a moment. “I think most of them thought they misheard but—I knew.”
“Well, good riddance then.”
Bradley snorts, but he’s looking down at the tablet in his hands, smiling, and wow, the apples of his cheeks are so round and his eyes so bright and Jake can't breathe for a second.
---
(there might be a second part coming because I meant seven-season-long medical drama literally-- including Jake realizing he's an idiot, Mavdad drama, Jake having his hands inside Bradley (in the literal, surgical sense) and jealousy that could rival the McDreamy/Dr. Grey drama)
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appallinnballin · 7 months
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tabibi habibi
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apolloskazoo · 1 year
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Ellie’s eyes were starting to feel heavy as she poked her head around the doorframe to the living in search for Joel, a blanket wrapped around her shoulders. She spotted him sitting on the couch, book in hand, using the reading glasses Ellie liked to endlessly tease him about. The book he was reading was tilted slightly to receive the light from a nearby lamp, the glow the only source of light in the room, all of the lights in the house turned off to match the darkness of outside.
He glanced up and smiled softly when he noticed her, and she took it as an invitation to stumble over to him and flop down onto the couch next to him, tucking herself closely against his side. He chuckled softly and wrapped an arm around her, causing her to snuggle closer against him.
“Tired?” He asked, glancing down at her. She blinked sleepily back at him and yawned.
“Nope.” She glanced at the book he was holding. “What’re you reading?”
“Nothin’ that would interest you,” he replied, marking his page before closing the book and placing it on a nearby desk. His thumb on the hand he had around her had begun to rub small circles onto her shoulder, and her eyelids began to droop even more. He took his other hand and gently ran it through her hair. “It’s gettin’ late, baby girl. You wanna go to bed?”
“No,” Ellie mumbled, shoving her face into his side and squeezing her eyes shut. “Wanna stay here.”
“You have to go to bed soon, or you’ll be tired tomorrow,” he pointed out, his voice a comforting rumble in her ears.
“Fuck tomorrow,” Ellie yawned. “‘M never tired.”
“If you say so.” He adjusted himself so that Ellie was lying on top of him, face buried into the crook of his neck, one hand between her shoulder blades as he rubbed gentle circles on her back and the other gently playing with her hair. Ear pressed against his chest, she could hear the soft thumping of his heart, over and over again, a comforting thump, thump, thump, and soon she felt the pull of sleep draw her in.
Joel shifted slightly and Ellie clung onto his shirt, making a small noise of protest. He bent down to press a small kiss to the crown of her head and murmured, “I’m not goin’ anywhere, honey.”
Ellie relaxed against him again, and she thought she heard him whisper, “goodnight, baby,” before all of the other sounds around her began to slowly fade, nothing but the soft thump, thump, thump of his heartbeat echoing in her ears before sleep finally took her.
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asofterhibou · 4 months
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This post from @spiders-hth-is-an-outlier making it as good a time as any for a The Magicians brain dump I guess: like the post says the Qualice reunion scene is a weird and weirdly perfunctory scene, and honestly who knows what the writers were smoking for those last two episodes, but. in the secretly good show in my head, the scene is perfunctory and not particularly romantic because it's not really supposed to be, or at least the main purpose of the scene is not exactly Quentin and Alice's romance. To me the narrative problem/tension of Qualice at this point in the show is not whether they love each other. They do. They've said it and shown it in multiple ways, there's not really any need for romantic declarations. In fact Alice made a romantic declaration at the end of s3 on the muntjac, saying that Quentin was the one she loved etc. And then still destroyed the keys in Blackspire, which Quentin clearly takes as a personal betrayal, why he can't trust her. In s3 Alice loves Quentin but she doesn't trust him, not with her feelings, or with her secret plans. Which is where the many many parallels of Alice and Eliot in s4 begin! If the plot of s3 (magic gone and fairy takeover) is mostly the consequences of Quentin and Margo's choices in s2, the plot of s4 (the monster and the library) is mostly the consequences of Alice and Eliot's choices at the end of s3 (with help from Fogg). In s4 Alice and Eliot are both prisoners, and they both escape their prisons, in different ways. And a lot of the tension of this scene for me, which is linked also with the flower scene, is - can Quentin escape his prison? He's repeating the same story he told himself in pilot episode, that false dichotomy: there is the escapist dream of Fillory/fantasy/magic where Quentin finally finds the secret door and becomes someone he wants to be, where his life becomes something he wants it to be, which is childish and must be left behind for the cold hard wasteland of the adult world, of harsh reality, and you just have to suck it up and deal with it. I don't think this scene feels particularly romantic because it's not supposed to be: Quentin says he can forgive Alice, can change his notions, his expectations, but he's still trapped. He can't see the third option yet, in the garden he says: isn't the idea of Fillory enough, but does he see it yet? It's not the idea of Fillory, it's his idea of Fillory, Quentin's idea, when it says in the magicians books that the world might be a wasteland but we are not, we're the source, there's no oasis out there waiting, we create the oasis ourselves.
Tldr this scene has Quentin and Alice getting back together but it's not actually about them, it's about Quentin's fucked-up-ness. Does the show actually know this? could not tell you if you paid me.
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pixiiipie · 3 days
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zayne keeps beating me rly rly badly at the kitty cups game…. i wanna punish him for it.
he’s so sweet deep down and he works so tirelessly but he wins too easily. i think edging him for every time he’s won against me will do the trick. as well as just teasing him a little in general too like not being able to touch me but not tying his hands (every time he does touch me, that’s another edge). when he stops being so prideful and apologies i might consider going easier on him (if he does the same for me)
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