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#it's legitimately nostalgic to me now
dsgustng · 2 years
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U ever see someone who acts super open-minded online, anti-racism and "politically correct" or whatever but then they're extremly into south park. It's insane. like how r u into the most racist and antisemitic cartoon still currently airing and not bothered by it enough to like.. stop enjoying it and still draw cutesy fanart of the characters being gay and trans and not... realize the problem??? 😐 Do u know how much fuckin damage this show has done 2 literally like every minority group especially Jewish ppl. I'm pretty sure this cartoon was a fuckin gateway to a whole new generation of white supremacists n/zis. This is coming from someone who briefly had a phase where I admittedly liked south park and drew fanart for it... when I was in middle school ( mostly because some artist I looked up to was into it tbh) and even back when I was a toxic anti-sjw teenager and "liked' the show a lot of shit in it made me deeply uncomfortable to the point I struggled to watch it.. soooo what's these ppls excuses?
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riizebabie444 · 8 months
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𝙧𝙚𝙖𝙙𝙞𝙣𝙜 𝙮𝙤𝙪𝙧 𝙫𝙞𝙗𝙚𝙨 𝙥𝙖𝙘 🌠
🌠 ─── hello and welcome, today’s tarot reading will be a sort of vibe check, basically what vibes me and my cards are getting from you at the moment.
🌠 ─── picking your pile: take a deep breath and allow your soul to centre itself. when you feel your mind balanced and cleared, allow yourself to be drawn to an image. your eyes may gravitate to one, or you may close your eyes and feel which image is calling out.
🌠 ─── be sure to check out my other readings and don’t forget to share and give feedback. disclaimer: all readings done are for entertainment only. please do not use my tarot readings as a replacement for legitimate advice.
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🌠 ─── masterlist. paid readings. exchange rules.
donations. games/events. feedback.
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𝙥𝙞𝙡𝙚 𝙤𝙣𝙚 🌠
firstly, i'm getting pile one that you are in creative energy right now. you could be experiencing a bout of inspiration and expressing yourself creatively, such as with art, writing or music. it could also be creativity with problem solving or coming up with a project idea. but i'm sensing there is something playful and personal to you, whatever creative thing you are doing or are planning to do is something you will enjoy. perhaps it is something you did when you were younger. it's going to bring out your inner child, help you understand your deepest passions. it's very nostalgic.
for some of you, you may be spending too much time daydreaming. you have a vast imagination which is a wonderful thing but too much of your time is being spent on what if's and unrealistic desires, such as fantasising about your life as a celebrity when in real life you have homework due that you've not yet completed. like i said, it's great to have a wild and creative imagination, but this is your check in to get control of your mind because it's affecting your productivity and efficiency. you can be ambitious, but be practical also instead of doing things in your head but not in real life.
𝙥𝙞𝙡𝙚 𝙩𝙬𝙤 🌠
for some of you who chose pile two, you may be feeling like your life is chaotic right now. i think for a number of you, not all of you, you may have experienced some conflict recently. perhaps an argument with a family member or falling out with a friend. because of this, you feel like your life is falling apart. for the most part, you guys are going through a strengthening experience. you're stronger than you've been before, and more confident. you may also be struggling to adapt to a new change in your life.
overall, there is shifting energy, like changes are happening in your life. they could be big or small but the majority of you will get through this quickly. even still, you're feeling quite balanced. some of you might be learning something also, or getting ready to learn, such as preparing for the new school year or investing in personal classes. you might be feeling restless, like in an excited way but still nervous for something new. but again, you're handling your anxiousness well. i'm getting calm and balanced energy, but for some of you, you need to get over this tower moment before you can find balance and clarity again.
𝙥𝙞𝙡𝙚 𝙩𝙝𝙧𝙚𝙚 🌠
some of you are stuck in a shell, others are coming our of your shell. have you been feeling introverted lately? those kinds of moods where you don't want to leave your bedroom or home. you kind of just want to wallow in your own energy and avoid people and situations. i feel like most of you who chose this pile are homebodies anyway so you don't mind being stuck in this energy. but at the same time, you're looking forward to a positive energy shift. you're ready to finally leave your bedroom and see the sun. you're energy is being renewed, you're ready to let go of the loneliness and gloominess.
there is enlightening energy walking away from this isolation. i think some of you might be feeling disconnected from the world and from the people around you. maybe some of you got caught in this energy because of a breakup or a falling out. there is separation involved with some of you which has caused an imbalance in your life but you are slowly finding that balance again and putting effort into making things up to yourself. i don't feel this energy is too depressing, or too sad. however, it's definitely lonely and the decision to escape isolation is in your hands. make those plans you've been thinking about all week. focus on those projects that have been begging for your attention. it takes one small step start the shift in energy.
𝙥𝙞𝙡𝙚 𝙛𝙤𝙪𝙧 🌠
are you preparing for something right now, pile four? quite ambitious about something, you're excited for it. i feel like it's taking up your mind for most of the day. you've been looking forward to this. i think for some you're feeling quite practical and productive. i'm getting starting a new job or starting the new school year vibes. you've been looking forward to it. you feel confident. you have in your mind the exact type of person you want to be. you're excited to learn new skills and accomplish what you've been wanting. but you may be having issues with concentration.
for some, i think you have an exam or a project due but you've been neglecting it and it is making you feel frustrated. it's immature on your part. you've also been very materialistic lately, like you want to buy the new trendy thing you saw on the internet or you want to buy a new tech product like a phone or a laptop. you're having thoughts that you won't be happy until you own that thing but the problem is that materialism is like an addiction. you can't keep buying new things that aren't worth the money, it will hold you back. start asking yourself if you really need these things or if you need to start controlling your urges and take time off from the internet.
𝙥𝙞𝙡𝙚 𝙛𝙞𝙫𝙚 🌠
pile five, i think you are feeling quite stubborn art the moment. are you refusing to apologise for something? do you feel like others are ganging up on you? you're very determined but you are experiencing energy that is overbearing. it could be you're attitude to others, or others attitude towards you, or even your attitude to yourself. you want to get away from it all. you're feeling quite detached, however you are also feeling great awareness. you understand that with freedom comes vulnerability, but still, you're willing to make sacrifices as long as you can get away.
the energy and thoughts you are having are very much a double edged sword. for example, you're thinking of doing something which will benefit yourself but at the cost of those around you. be mindful of your ambitions because they can be damaging to yourself also. there is a hint of betrayal here, it's not for all of you. are you feeling defeated? do you feel like you're being forced to surrender? it's quite heavy energy, i think you're really going through it, pile five. but my message to you is to not stop planning for your future. despite all that is holding you back, you need a plan for if you ever decide to make the move to get away from it all. things will brighten up eventually.
𝙥𝙞𝙡𝙚 𝙨𝙞𝙭 🌠
i think some of you are entering a celebratory period. it doesn't need to be for you necessarily, perhaps you are celebrating for someone else's occasion. but i think those who chose pile six are in a mood to be social and meet with friends and family, maybe dance to music and so on. some of you might be feeling weary of others' intentions. perhaps you don't feel comfortable with the way someone is treating you or you're getting a weird vibe from someone. you shouldn't doubt your intuition but at the same time, don't let it hold you back. go forth and meet with your people, celebrate whatever it is knowing that if anyone tries to hurt you, it's a reflection of their own insecurities, not yours.
as much as you want to, don't go picking for drama or calling people out. remain comfortable in your own wise energy and focus on the positivity in your life and of those around you. that is what will make them shut up, because they know their negativity or toxicity can't affect you. you have dreams and you want to reach them, so go for it. don't let anyone hold you back. let things remain a mystery. you don't need to know every single thing. i'm feeling that you want to be a high energy/high vibe person but you're not cutting out the things and people that lower your vibe. you're feeling afraid but just remember, you'll have so much more to celebrate when you do.
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© riizebabie444 — all rights reserved. please do not copy, steal, repost or translate my readings on any site. any act of which will be classed as plagiarism.
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.⋆。Impeachment Part 2。⋆.
Alpha!Rick Grimes x omega!reader x Alpha!Daryl Dixon
Everything was gone and destroyed but she was still theirs
Warnings: angst, death, presumed death of reader and unborn baby, walkers, violence, captivity, malnutrition/starvation, injury, guilt, sort of amnesia
WC: 4.8k
Minors DNI
Library- @hannibals-favourite-meal-library
Life, Liberty and the Pursuit of Happiness
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“I just wanted to come see how you were settling in, I know that being in a new place can be jarring to those who have been on the outside.” As Deanna spoke, Carol slipped from Daryl’s hold and fell in line behind him, as if he was protecting her. 
In an unconscious move, Rick stepped forward, using his body as a shield to block the Alexandrian’s view of the group. “We’re just getting used to bein’ behind walls again. Tends to make us jumpy.” The alpha understood, nodding in sympathy. 
“You're safe now, both from roamers and other people. These walls are strong, nothing can get in.” Rick's hair stood on end. That's what they said about the prison. The air in the small house was tense as an awkwardness fell over the group.
Carol shifted then, the floorboards creaked loudly.
Deanna's brown eyes flashed, catching sight of Carol’s excited state, but said nothing. She walked back out of the house, glancing back only once with a silent warning to stay in the house. “Have a good rest of your night.”
As soon as the door shut behind her, Carol exploded. “Please, we have to go.” 
Rick sighed heavily through his nose. “First, you tell us what happened.” The other's attention flicked back to the omega who was now trembling with nerves.
She glanced around, searching for some sort of approval to take off again, this time with the pack alphas in tow but when she only received looks of confusion and general concern, her excitement died down to a simmer. “I was going to the armoury but something about that woman they had in the infirmary bothered me.”
The house was easy to break into given that there seemed to be no locks in the entire city. Darkness clung to every corner, creating an eerie air that set her on edge as she moved to the basement of the home.
The snarls coming from the back room were downright savage as Carol snuck closer, her shoes not making any sound against the cold concrete. The scent emanating from the room was sour but the undertones were incredibly familiar, like something nostalgic, reminding her of a better time. With a trembling hand, the omega twisted the doorknob, pushing the door open slowly.
Her breath caught in her throat at the sight of the woman curled up in the corner of the room. A tattered shirt hung from her frame, the ripped cloth doing nothing to keep her warm or hide her distended stomach. It looked wrong, the way the huge bump was hanging off her frame, how skinny she now was. The natural softness she carried was now gone, the thick curves she was known for, had disappeared. Her eyes were a bright amber, a tell-tale sign of the omega having gone feral.
But beneath the dirt and grime, Carol could see that young omega they thought they lost, she could see the two claiming marks on opposite sides of her neck, each one with a bite radius matching the two men who had been desperately searching for her.
She gasped involuntarily and the omega's yellow eyes snapped to Carol and a growl echoed through her chest. It was so deep and so unnatural it legitimately frightened the unshakeable woman. A warning. 'Stay away, I will kill you to protect my pup'. 
She took a step back but didn’t leave the room. Her head was lowered, her eyes locked on the woman’s. “I'll be back ok. Stay here.” The answer came in the form of another growl as Carol turned and ran out, gunning straight back to her pack.
“Are you sure?” It was Carl that broke the silence when she finished speaking. His eyes sparkled with tears and stepped closer to her. “Is it really her?” 
“It ain’t her.” Daryl snapped. “She's dead.” Carl swallowed thickly, leaning into his father's side for some sort of comfort. He had lost two mothers less than 6 months apart from each other and he could hardly bear it.
Rick placed a hand on his boy's shoulder. “We don't know that for sure but Daryl's right, the probability that it is,” he tried to say her name but it caught in his throat, choking him, “it's incredibly unlikely.”
Carol snapped back. “I know what I saw and I was around her enough to have her scent permanently etched into my mind. It's her.” 
“No it ain't!” Daryl was red with rage but the tear that rolled down his dusty cheek told an entirely different story, one that everyone in that room knew all-too-well. If she was alive, they had left her behind to die, turning her savage in the process. 
Even before the world fell, there were cases of omega and alphas going feral, even some betas in rare instances. It was a survival tactic. With the brain reverting back to its primal self, anyone could survive the most dire of circumstances. It only usually happened with soldiers or people trapped in an abusive relationship.
But now, Rick supposed, it would be extremely common. “But if Carol's right, there's no telling if we would be able to bring Y/N back. Who knows how long she's been feral for.” Glenn pointed out, somehow managing to make everyone feel worse.
“I'll go back and check it out with Carol. If she's right, we can try to help her. We have both of her alphas and both of her pups, that should do something. And if it isn't her, we can move on.” Taking charge, Maggie spoke up but looked to Rick for approval given the severity of the consequences should two members of their group be found wandering well after dark.
His first instinct was to say no, there was no way he could risk all of their safeties for one person (even if it was his omega and unborn pup) but as he looked over his pack and watching how their eyes lit up with both despair and hope, he knew that he couldn't refuse. “If you're not back in 20 minutes-”
Carol had taken Maggie's hand and was out the door before he could finish his sentence. He huffed. “Y'all go get some more sleep, we don't know what's gonna happen tomorrow.” That appeased the others, especially since they had almost no clue who Y/N was save for some vague mentions of her.
Carl and Daryl stayed in the foyer. “It ain't her.” But Daryl's voice was broken and weak. Conflict swirled in the blue of his eyes. He wanted so badly for her to be alive but to be alive and in that condition because of his inability to protect her- it was killing him. 
“It's not your fault. Or my dad's. This could be our chance to get her back.” Carl almost begged the other man. “Just have hope.” Daryl scoffed and turned his back on them, storming off to a quiet part of the house.
“Go check on your sister, I'll deal with him.” Rick followed after, his own heart heavy with guilt.
Maggie kept her head on a swivel, watching for any movement from the empty streets and dark houses. Carol however, had her eyes locked forwards, speeding back to the infirmary. 
A light drizzle had started, cooling down the warm night air considerably but that wasn't the cause of Carol's goosebumps. They had lost too many already, whether it was from walkers or even other humans, so the prospect of getting someone back was overwhelming. She thundered up the few steps and threw open the front door, Maggie close behind.
Carol was so deep in her excitement that she didn't notice that the yowling had stopped, but the other woman did. “Carol-” She started but her warning went ignored.
The basement door was open just wide enough for the dull yellow light of a lone lantern to illuminate the hallway. The wood slammed into the wall as the door was thrown open by the older omega, making both women freeze.
The room was barren save for a ratty blanket on the concrete ground. “She was here! I swear!” Maggie cautiously inched into the room. She scooped up the torn fabric and brought it up to her nose. 
“I believe you, her scent is fresh.” The silent question was left hanging in the air, 'where did she go?'.
——————
It had taken less than 2 weeks for the relative safety of Alexandria to collapse. The first cracks had appeared on that first night. When Maggie and Carol returned alone but with a blanket that reeked of their lost packmate, Daryl had almost gone mad searching the town for her. He had caught her scent only once and it was outside the wall. It led them all to question the strength of the huge steel plates if a starved and heavily pregnant omega could scale it.
Then Noah was gone and the rift between the Alexandrians and them got even larger. It seemed like nothing could unite the two groups, especially after Rick became de-facto leader after Reg’s death. 
Everything felt so wrong and out of place. With the discovery of the herd in the quarry and the realisation that Y/N was still alive somewhere, those feelings only got worse for Carl. 
Chaos rippled through Alexandria, leaving deep panic and blood in its wake. People had somehow scaled the great walls of the city and had already killed so many of their own. A bulk of the fighters were gone, effectively leaving the women and children undefended and woefully underprepared for any attack. 
Adrenaline coursed through Carl's veins, sharpening his senses but his reactions were still a milli-second too slow. There was already a cut along his forearm that burned and his hands trembled. Enid was silent beside him, Judith pinned to her chest as the three of them darted into another house on the outskirts of town.
The image of that man with the 'W' carved into his forehead flashed behind Carl's eyelids, just the same as every other person he had killed. Enid began to speak but he turned his back on her, instead silently looking through the house for any unwanted guests.
This whole thing was so painfully reminiscent of the Governor’s attack and the only thing he could do was keep him and Judith safe. They would survive just like before.
He breathed a sigh of relief as the rooms turned up empty and quiet. “What do we do now?” Enid spoke up, her voice strained with panic.
“I guess we wait.” Dust floated up from the couch as the teens sat down, finally able to catch their breaths.
Judith cooed at her older brother before looking up at the ceiling and repeating the sound, this time even louder. “Is she seeing ghosts or something?” Edith attempted to joke but instead just got silence back and the baby taken from her arms. 
“She just likes making noises.” As if to confirm his theory, Judith chose that moment to squeal excitedly, wiggling in his arms without taking her eyes off of the ceiling. 
The wood above them creaked, sending a light dusting of plaster down onto the three children. Carl and Enid seized with fear while Judith continued to make noise. 
“Stay here.” With the baby quickly thrust back into her arms, Enid had no choice but to remain on the couch, watching with wide eyes as Carl drew his gun and cautiously climbed the stairs to the second floor. 
He was sure he had checked every room carefully. He knew he did. But as he got closer to the master bedroom and the noises got louder, he began to doubt himself. His steps were light, desperately trying to avoid any creaky floorboards that would alert whatever was hiding about his position. 
His knuckles were deathly pale as he tightened his grip around his gun, the barrel trembled only slightly with his nerves. Carl pushed the bedroom door open with the end of the weapon and once again was met with a completely empty room but the soft groaning was still present and he could now tell that it was leaking from the closet on the opposite end. 
A sudden shout from Judith made him jump but his attention snapped back to the closet when something slammed into the wood heavily. 
“Just a walker, it’s just a walker.” He murmured to himself. His left hand dropped from the butt of the pistol and he gingerly grabbed the doorknob, ready to turn it and then immediately back off to give himself some room for a clean shot. 
Taking in a single deep breath, he steadied his gun and refocused his senses. Then he turned the knob. 
Silence overtook the room but only for a few seconds when the sound of chains shifting emanated from the small dark space. Then a foot stepped over the threshold, and a hand curled into the doorframe as whatever was trapped inside finally pulled itself out. 
The first thing Carl saw was her eyes- bright yellow with the pupils near the size of pin drops as they locked onto him. They weren’t the eyes of a walker. Even fresh, the ghouls supported milky white irises. 
She did not snarl at him nor lunge, instead her head tilted and she sniffed the air. She took another step forward and finally Carl could see her two claiming marks, and more importantly, her pregnant belly. 
“Mom.” The word slipped from his mouth before he could stop it. She froze and a purr rumbled through the room. “Yeah! You know me, it’s Carl. And Judith is downstairs. You remember Judith don’t you?” She blinked at him, there was no comprehension behind her eyes. 
Carl sighed. “We’ll work on it.”
It was only then that he noticed the heavy chain around her neck. There were spots of blood along her collarbone from where the metal had pulled at her skin. “Shit.” He muttered. 
The gun slid easily into the waistband at his back and with his hands now free, he carefully approached her. She watched him but didn’t move which he took as a good sign. 
From what he could tell, the chain had been looped around her neck a couple times and then locked to a hook haphazardly drilled into the side of the closet. He was confident that he could pull it straight out of the wall if he got enough leverage. 
As he moved closer, Y/N shifted to the side, allowing him to slip into the closet behind her. 
The small space was absolutely rancid but he continued forward, albeit holding his breath. She blocked out the light some but he was still able to see where she was bound to the wall. Already one of the screws on the anchor was gone so gathering up some of the slack from her chain, he wound it around his hands and with an almighty tug, it came loose from the drywall. 
“See, that was easy enough.” She stood stock still as he delicately lifted her bounds from around her neck, letting the metal drop to the hardwood with a clatter. 
Her eyes looked down at it then back to him. “E-e-e-zzz-ee.” She repeated, her voice broken and raspy from disuse. 
Immediately Carl lit up. “That’s right! Easy!” The corner of her lip turned up into what he thought was supposed to be a smile but looked more like a grimace to him. 
“Carl? You’ve been up here for a while, is everything ok?” Enid called out and just like that, Y/N was once again hunched over and snarling aggressively. 
“Stay there!” He called out but he was too late. The teen stepped into the bedroom, Judith still in her arms. She froze, her eyes going wide. 
“Who- who is that?” She asked, almost in disgust. She tried to turn away, to somehow shield the toddler in her arms from the sight of the feral omega but as soon as Judith disappeared from Y/N’s eye-line, she let out a deep warning growl. 
“Give me Judith,” Carl urged, “right now.” 
“Are you crazy?” She hissed, clinging even tighter to the unbothered toddler. 
“Trust me.” As soon as Judith was in her brother’s arms, the growling stopped. And when he walked closer, the scent of milk and flowers filled the room. Y/N reached for the pair of them with shaky hands, her fingers just skimming the soft chubby cheek of her daughter. 
“That’s why Judy was making so much noise, she could smell her.” Said girl giggled and tried to launch herself at the omega but Carl held tight. As much as he would love to have them properly reunited, he doubted she could support Judith’s weight in her arms after not eating properly for god knows how long. 
Y/N looked at Carl while grabbing his wrist. He let her pull his hand away from his sister and closer to her belly. She laid his palm flat against the top of her bump.
The baby moved under his hand, softly kicking at his fingers. Relief washed over the boy and he felt a massive weight lift from his chest. “Dad's not gonna believe this.” 
It took some coaxing (ie Carl using Judith like a carrot on a stick) but he was able to lead Y/N out of the master bedroom and down the stairs. He let her cradle Judith's head between her hands as he looked outside, watching for any of those freaks that had attacked them.
Only when he was sure that the streets were properly empty did he carefully open the front door. “Come on. Enid! Let's go!” He called back but the house was silent save for Y/N's purrs and Judith's coos. 
“Goddamnit.” He knew he should go look for her but he also wanted to get his mother to safety and she would not be safe in the house where someone had kept her trapped. So, he walked away, heading back towards the centre of town, hopeful that his father and Daryl had returned.
Her bare feet scraped against the concrete as she trailed behind him. While her eyes were fixed on him and the baby, Carl could see the way her nose scrunched and her head tilted, alert for any sign of danger. 
“Carl!” Rick's voice echoes through the street, panicked and strained.
He looked back at Y/N who had perked up slightly, the yellow of her eyes now holding flecks of its natural colour. He chanced it. “Dad!” Rick rounded the corner, gun at the ready and with a fire in his eyes but as soon as he saw the trio, he stumbled.
Even from a distance, Carl could see the way the breath was knocked from his lungs. Like Daryl, Rick blamed himself for their omega's disappearance. He felt the weight more heavily because he was not only responsible for her but also for the whole pack, his guilt ran deep, infecting every choice he made and slowly driving him mad.
When Daryl would leave Alexandria to search for her, Rick would stay behind, forcing himself to focus on the rest of his pack. He thought that if he could protect everyone else, the guilt would wane, but it never did.
“Omega!” His voice thundered down the street making Y/N freeze. There was some sort of recognition in her posture: her head bowed, shoulders slack but her lips still curled into a snarl and she attempted to snatch Judith from Carl's arms. She only succeeded in tugging both of her pups closer to her body.
“Omega.” He repeated, this time softer and offering her his empty hands. “It’s ok, I won’t hurt you or the pups.” He bowed his head and dropped his eyes to the ground in submission. 
She growled again but it was softer and more confused. “I’m your alpha.” As slowly as he could, Rick extended his left arm and presented her with his wrist. While not as prominent as his neck, his scent still bled from his skin. Her nose twitched and as she leaned forward to sniff at his offered limb while keeping her eyes locked onto him. 
Her brows furrowed and she took a step closer, her hand darting out to grip his wrist. Her cold nose rubbed against his cold skin as she inhaled even more of that intoxicating scent that tugged at part of her mind. 
Carl beamed when she dropped his father’s hand in favour of burying her nose into the crook of his neck. Judith gave a chirp as she was squished between the two grown-ups, still partially in her brother’s arms and her mother’s. 
Rick’s eyes fluttered shut as her own scent washed over him for the first time in almost 2 months, thick with fear and apprehension but it was hers all the same. Her bump pushed into his stomach and he felt like he could cry. She was safe, she was alive and she was back in his arms. 
Warmth flooded their bond, bringing a smile to his face. She licked at the mark she had left on his scent gland months ago so Rick placed his hand on her hip, gently pulling her even closer. He winced as he realised just how malnourished she was. “Let’s go get you and the baby checked out and maybe some food.”
Her eyes remained uncomprehending but she followed after him anyway, his hand held tightly in hers. 
Bodies lay in the streets, both enemies and friends alike as the moans of the undead just outside the walls form a macabre symphony. Y/N snarled under her breath and cupped her stomach while Carl glanced at his father, panic colouring his features.
“Is that the herd?” 
“The plan went sideways but we'll think of a new one.” Rick promised, laying his free hand on the teen's shoulder.
“Enid's gone.” 
His face hardened as he replied sternly. “As soon as we have a clear path out, we'll search for her. Daryl's still out there too.” His eyes flicked back to the omega who currently had her teeth bared at the solid walls. “We'll get them all back.” And he didn't just mean those trapped outside the city.
——————
There was a haze wrapped around Y/N's mind. It was like walking through a dense fog right as dawn broke- the light just barely strong enough to let her see a few inches in front of her but every step she took forward, the world that she knew was swallowed up and forgotten. She had no idea where she was going or where she had been but the tugging in her chest pulled her ever forward.
She had brief moments of clarity, snapshots in time that only materialised for a second before the fog descended once more.
The pop of gunfire and the smell of smoke as she ran barefoot into the woods.
Blood pouring from cuts on her hands as she scrambles up a crumbling lattice, the dead reaching for her, their rotting fingers only inches away from her feet.
Feeling the babe inside her belly kick for the first time. She cries.
Two men corner her in an abandoned warehouse. Their tone is comforting but their words are garbled. She tries to speak but all that comes out is a growl.
Another man, this one bigger and meaner looking, wrapping something cold around her neck. He spits on her face before sealing her into darkness.
But none of those snapshots compared to this moment. 
Reality slammed into her chest like a freight train. Y/N gasped for air as she desperately looked around. She was in a house, a nice house by the looks of it and surrounded by people she didn't recognise.
The smell of copper and death fill the cramped room as people scream at each other, their voices like nails on chalkboard to her sensitive ears. She winced and attempted to curl into herself but was stopped by her huge belly. 
Something about it isn't right but before she can recall why, her attention shifts to the form on the bed next to her. He's no older than 14 but he's tall and his brown hair is long. A white bandage covers half of his face. She knew that face. 
Her hands trembled as she cupped his cheek, her thumb brushing against his skin. He did not react at all, just remained deathly still before her, the only movements of his body was the steady and too slow rising and lowering of his chest.
“Carl.” The name came to her and a second later, so did everything else. “Carl?” He was so big now, already growing into his features. He looked so much like his father. 
His father.
Her head shot up, eyes scanning the now mostly empty room for her alphas. The front door was wide open, letting in the grotesque sounds of flesh being sliced open and bone shattering. The darkness from outside seemed to grow with each passing second as the moans grew louder.
Y/N leaned over Carl's body as if to afford him some protection if the walkers made their way inside but deep down she doubted that she could do much besides buy him a couple extra seconds. She felt weak, she was tired and her entire being ached.
“It's ok baby, I'll keep you safe.” 
Suddenly, bright light streamed through the doorway and an explosion rocked the house. Y/N whimpered and cradled her boy as the sounds of celebration overpowered all else. 
“They actually did it.” A plump woman wearing glasses murmured in shock. “I can't believe it.” 
As an optimistic mood filled the room, the fog began to descend once more and Y/N could feel herself slipping away. “You!” She barked at the woman who quickly turned around, her eyes wide. “T-tell my alphas that I love them.” Her words slurred and jumbled together but the woman nodded anyway.
Y/N smiled in relief. “Tell 'em to be safe.” She looked down at her boy one more time and then everything disappeared once more.
The smell of gasoline and burning bodies only seemed to add to Daryl's frustration. The past few days had been absolute hell- he was tired, hurt and so strung out he felt like anything could set him off. And that's not to mention the weird feelings that constantly flowed into him through his bond.
Fear, relief, anger, love. 
All of it was just too much.
As he watched the horde of walkers burn in the lake, he was consumed by his thoughts. Nowhere was safe, death constantly followed right behind them and some part of him knew that it would always be like that, no matter how hard they tried to change things.
His thick fingers pulled at the fraying threads of the bracelet around his wrist as he thought of his omega. He pictured that she was safe somewhere, holed up in some isolated cabin that had a garden full of food or in an abandoned apartment building that she could scavenge. Carol kept reassuring him that she was alive and ok but each day that passed without him finding Y/N, he believed his friend less and less. Even the blanket they had discovered was quickly losing her scent.
He wanted to get back out there, to keep searching but he was just so tired.
“Daryl!” Rick called over the din. His voice while strained from exhaustion still carried the power of a true alpha. The younger man ignored him though as he continued to watch the slowly dying fire from atop the truck, his hands supporting his weight as he leaned back against them.
Vaguely, he could feel frustration leaking through the bond. “Y/N's here!” That snapped him out of it.
“Wha?” But before Rick could repeat himself, Daryl had jumped down, landing heavily on his already sore legs. “She's?”
His brother nodded. “With Carl but she's feral so we have to take it slow.”
“But she's-” Suddenly he felt like he couldn't speak, his guilt and relief wrapping around his throat in a tight grip.
“She's safe, the pup's safe.” Rick gestured to the infirmary and before he could think, Daryl took off running.
50 days. It had been 50 agonising, tortuous days of unknowing, of guilt and fear. Of imagining the hell which she experienced since the moment that the chain fences of the prison fell.
50 days of self-hate, of knowing he wasn't enough- not strong enough, not fast enough, not brave enough- to save her and the pup. 
50 days of her haunting his every thought.
50 days.
And as he ran into the infirmary, all that time, all that fear disappeared the second he saw her again. The clock reset the moment he stepped over the threshold and her golden eyes locked with his blue ones.
He didn't care that she didn't recognise him, he didn't care that she snarled and planted her hands down around Carl's body as if he was a danger to the boy who was almost like his own. 
She was alive, she was here. And that's all that mattered.
For the first time in 50 days, Daryl smiled.
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myrfing · 4 months
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sorry to add to the #discourse about the werlyt stuff in ffxiv, and feel free to ignore this, but your posts just got me thinking about how the average western consumer of japanese media doesn't know how to spot signs of japanese nationalism in their fave game, movie, anime, etc. For example, I remember a couple of weeks ago on twitter someone said that Miyazaki's works feature prominent elements of japanese nationalism despite not necessarily being pro-war, and both the replies and QRTs were an absolute disaster. ffxiv is a liberal game, its politics are not exceptional; they just aren't (as) egregious
Considering the social locations of people who make a piece of media and how that location affects the way they write things, like politics, isn't an outlandish concept. But ffxiv fans always seem hyperdefensive about this and i cannot understand why
yeah for sure! imo people are getting better about it (don't think it even registered in most of the english-speaking side of the internet's heads that there was a pacific theater for a long time), with more eastern media being translated and gaining popularity that DOES legitimately have leftist authors, but you still have a ton of "how can this work have jp nationalist elements when they say War is Bad 🤨". feels like a lot of this is cause really anime/manga/games were so vaunted as the ultimate escape for americans (not exclusive) and now that people are gaining more of a political consciousness, there's this need for the things that are nostalgic and soothing for them to be "good" media without Problems. which is like. not the point man. though people have always studied and conversed about media trends and the influence of eras on the art created within them and there's always been a knee-jerk You're Being Crazy reaction to it (even though if it's a conversation they're not interested in right now, the people who have this reaction usually can always just...step out lol), I feel like it's just magnified by the way social media uhh does all that. and on top of it a lot of discourse is in bad faith, so sometimes not giving people the time of day DOES seem like the correct and safe option every time but it's like...some people apply it so broadly and blindly that it's basically anything that upsets me = wrong and bullshit.
And you're totally right about xiv LMFAOOO it feels like some people are compelled to do damage control for the game like it's personal. you'd assume that everyone is working off of the recognition that ffxiv is a mass market product and a feel-good fantasy and the writing may not even reflect the totality of a writer's beliefs, but rather what they believe is the median, liberal truth that they're willing to sell. sometimes in oddball places you can find hints of something more genuine but these are exceptions. & acting like it's proofed from this is suggesting that somehow final fantasy fourteen the mmo is interested in breaking any status quos and the whole of its creators have collectively managed to break apart from the time and history they exist in, when in truth it relies on it to guide its writing and business plan. i don't think this is a crazy controversial thing. it's a normal thing. & i cant really speak for how other people are talking about it, but i rarely suggest malevolence in my critiques of the shit I enjoy moreso than I'm saying Le Hegemony Has Arrived....something not even individual people can escape myself included much less a corporation....but the accusation is assumed anyway. What is the worst that can happen by acknowledging some stories and patterns in xiv's story have very liberal takes on topics in which liberalism understands and treats poorly? i dunno the answer to this one honestly I do not understand the fear
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fatuismooches · 10 months
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HIHI!!! it’s 1am but i come to you with that fluff thought i promised ya :DD (..and an angst one, it’s okay!! dottore will wipe all of our tears </3 ). i’m sorry if i’m like!! brainrotting too much!! you’re so fun to hear the opinions of, and i love talking about this
dottore with fragile reader would be so soft, i like to imagine he really does put in the effort for those picnic dates that you always talk about. Does it mean carrying you there and making a spot where it’s much warmer rather than the cold unforgiving winter in snezhnaya? having a segment travel all the way to liyue for a snack? yes. it also means kissing your forehead as he extracts blood from you, clutching your hand when he knows you’re nervous, holding you no matter how busy he is. He can have you on his lap while he works, no matter how sick you are- it’s worth it to hear his true assistants thoughts. You’ve always been the most important. (dottore probably does not like the replacement assistants and purposefully makes their jobs harder…or the segments pester them because they love you just as much).
…on the other hand
on that traveler finding fragile reader note…omegatorre deleting all/most of the other segments probably meant it was much much easier for traveler to even get to that area in the first place. normally, the lab and area would be swarmed with dottores, but because of omegatorre- now zandik will have alot less. He can’t put as much energy into creating segments because he’s focused on the cure, but *now* traveler is with who he loves most, and he has to stop them. you’re right!! la signora, childe, etc had someone that drove them to become their worst to protect their memory, futures, etc- you are everything to dottore. you’re everything to zandik. ofcourse traveler has to win somehow, escape somehow, its their story after all- so now all zandik could do, is grab you, run, and fix this.
- 💌
(x) 💌 ANON OMFG I LOVE U… ANGST + FLUFF THE TWO THINGS THAT WILL KILL ME SOME DAY 😭💕💕 dottore + fragile reader lives in our head rent free huh
oH MY GOSH THOUGH THE PICNICS- You’re so right. Fragile! Reader tends to get super nostalgic about their Akademiya days/when they weren’t sick. So a lot of times they daydream about how they use to catnap and tease Zandik under the sun while he just muttered about how “this is a waste of time” (even though he secretly enjoyed it.) And now you just think about how these things are probably never gonna happen again for a long time :( but Dottore and the clones are like. We’re going to make it happen anyway. Since it’s quite difficult for you to leave the lab, makes me think about how once I said he built a specific room for you to emulate the outside world’s scenery. He literally got the same spot you two used to go to replicated for you 🥺 And hehe you’re so right about the clones. Mfs would do anything for you even if it means going halfway across Teyvat for Fried Radish Balls. (They make it back in record speed too😭 and present to you your snack as if it’s worth more than gold)
I just love the idea of Dottore being a genuine doctor with fragile! reader 😭 like it’s funny and cute to think about him doing legitimate doctor things and not the illegal ones. Taking blood - he’s a bit surprised when he finds out you’re kind of scared of that and needles and such. Doesn’t know what to do at first but he decides to just ramble on about his experiments and discoveries (Dottore knows you enjoy it) to distract you and then gives you a little kith and chuckles when you’re surprised it’s over that quickly. (Now im just thinking abt fragile reader running away since they might not like all the shots and medicine he has to give them) Also checking your heartbeat - every time he gets hella smug and cocky because your heart always races so fast when he’s so close to you “Oh? Is everything alright? Your heart is going rather fast… certainly not normal. I wonder, what could be the reason?”
Sitting on Dot’s lap while he does work >>> Even with all the clones he has he still gets stuck checking some boring papers every once in a while, and you just like. Sit on his lap and peer at them curiously. Also bothers him by pulling his little cheeks and kissing them <3 and nod enthusiastically as he discusses science stuff. (No fr all the dottores despise the regular Fatui assistants and some of them have gone missing 💀)
Okay angst… I’ll never get over the clones being deleted im in tears (I pretend I do not see it) Zandik never missed his clones more than in this instance. Sure, they fought a lot and caused problems sometimes. But he knew that nothing would ever happen to you because they would protect you at all times. And now it just so happens that damn Traveler had to come at the worst time possible, when security was low. Of course he knows the Traveler not trust him whatsoever and he doesn’t like them either, so the idea of you being with them alarms him more than he liked to admit.
No one is immune to desire. Not Archons or humans. And you are what he desires and loves wholly, so he won’t let anything hurt you. He may be at a disadvantage, but he is the Second Harbinger for a reason. 
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collapsedsquid · 9 months
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But for all Mr. Lewis’s political idealism, there was also something undeniably invigorating about conspiracy culture. This was a scene free from the stifling hegemony of sensible mainstream thought, a place where writers, filmmakers and artists could explore whatever ideas or theories interested them, however weird or improper. This radical commitment to resisting censorship in all its forms sometimes led to decisions that, from the perspective of 2023, look like dangerous naïveté at best: Reading countercultural material from the 1990s can feel like navigating a political minefield, where musings about the North American “mothman” and experimental poetry sit side-by-side with Holocaust denial. Conspiracy culture was tolerant of banned or stigmatized ideas in a way many of our interviewees said they found liberating, but this tolerance always had a dangerous edge. Still, Mr. Lewis looks back nostalgically on days when there seemed to be more respect and camaraderie. The aftermath of Sept. 11 and the war on terror presented, he said, a threat to citizens that the conspiracy-friendly left and right could unite over. Now the rift between the two was deep and vicious. He felt as if the ideas that had first attracted him to conspiratorial thought had been “weaponized,” pointing people away from legitimate abuses of power and toward other citizens — the grieving parents of Sandy Hook, for example — and at times involved real-world violence. When I asked Mr. Lewis when he first heard of QAnon, he told me a story about a family member who’d sent him a video that began with what he saw as a fairly unobjectionable narrative of government abuses of power. “I’m nodding my head, I’m agreeing,” he said. Then it got to the satanic pedophile networks. The conspiracy culture that Mr. Lewis knew had celebrated the unusual and found beauty in the bizarre. He had friends who considered themselves pagans, friends who participated in occult rituals. “The vast majority of them are not blood-drinking lunatics!” he told me. Some of his friends were no longer comfortable talking about their beliefs for fear of becoming targets. Others we interviewed told us similar stories: about a scene that had once felt niche, vibrant and underground but had transformed into something almost unrecognizable. Greg Bishop, a friend of Mr. Lewis’s and editor of the 1990s zine The Excluded Middle, which covered U.F.O.s, conspiracy theories and psychedelia, among other things, told me that as the topics he’d covered had become more mainstream, he’d watched the vitriol and division increase. “You’d see somebody at a convention who was frothing at the mouth or whatever, figuratively, and that’s changed into something that’s basically a part of the culture now.” Joseph E. Green, an author and parapolitical researcher, described how in the past, at conferences he attended on conspiracy topics, “there’s always a couple of guys in there who will tell you after they get familiar with you that the Jews run the world.” Mr. Green had no interest in such ideas, nor did he think they ran much risk of going mainstream. But somewhere along the way, conspiracy spaces on the internet had become “a haven” for the “lunatic fringe” of the right wing, which in turn spilled back into the real world.
It used to be more fun man
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thesituation · 3 months
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these back to back car accidents have aged me like 10 years seriously. i’d never gotten in an accident before moving to this town like not even a minor one but a month after moving here i get in my first one and a month later another one & im legitimately like.. nostalgic for the person i was before this. i miss her she was so carefree and had so much faith in the world. now i feel so scared and distrustful and bitter
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whereserpentswalk · 5 months
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Capitalism's narrative of eternal security
Sometimes I think about people who, in 2023, still make covid the main part of their politics. Like people who legitimately want full lockdowns to have been constant for the past three years. It feels like they're still stuck in 2020, like, looking at their posts, their weird shrinking subreddit, makes me feel strangely nostalgic. There's a point where it goes from a coherent ideology (because I think we understand by now that there's not going to be some magic event to make covid go away) to something closer to "the world is terrible and people suffer, so any happiness is morally wrong".
I feel like there's a deeply conservative trend to want to regulate the world into something completely safe. It goes back to 9/11, both in the very tangible things like the no-fly list, and the narrative people had around it. I don't know this for a fact because it predated my birth, but there were people who wanted to cancel Halloween that year, or asked if there would ever be comedy again, after the attack, which isn't logical, but is the type of thing that makes sense to a traumatized brain. This idea that society must be regulated by an overarching authority to keep everyone safe, the idea that everyone's ability to live their life is secondary to a vague idea of security.
Even the idea that a group is unsafe is the core emotion behind a lot of bigotry. It's a big reason why a lot of people want closed borders, it's why a lot of people want to regulate the rights of trans people, it's created a type of policing that disproportionately hurts poor people, poc, and the homeless, its why mentally ill people have basically no rights in this country. There's this idea that the freedom, and often even the life of marginalized people, is limited by standards of public safety. Even going back to covid, the idea that no harm done by covid was acceptable is based on the idea that harm and death from unemployment, abuse, and mental health issues are acceptable. So much of humanity is more confident that we can abolish nature then that we can abolish capitalism.
We always present safety like it's this trolly problem every society must grapple with, with no easy answer. But once you realize it's the freedom of the marginalized, and the safety (or often just the feeling of safety) of the privileged.
In a way the entire system of capitalism is just forcing people to give up their freedom for safety from things capitalism caused. And when people make fortunes off of making people sell their freedom for safety, they end up really hating when you want to abolish the danger they profit off of, rather than just passively "protecting people" from it.
I don't think I'm wording everything well. But I think it's something to think about. I feel like the prime emotion behind conservativism for the average person isn't hatred but fear. And fear isn't rational, it's why it's hard to use rational arguments for any of this. When someone says something like "we need to regulate trans healthcare to prevent any cis children from being harmed" it's hard to defeat that with pure numbers, statistics are only calming to people who want to be calmed by them, you could mention that it's harming trans people to regulate these, but that doesn't help because their fear narrative is about cishet children having their status as socially conforming taken from them, not about trans people being tangibly harmed. The only real way to refute this line of thinking (especially as it starts to infect our own communities on the left, and not just outside ones) is to break the narrative that there's some amount of nebulose harm that takes away our rights. There's a reason why deaths under capitalism aren't a concern for the type of people who say our society should prioritize safety, it's more about
An airport with strip searches would be safter from terrorism. A world where lockdown was a permanent policy for the rest of the foreseeable future would have less people harmed by illness. A world where people were chemically castrated until marriage would have almost no sexual assault. For the most part we reject these worlds, even if they're safer we've decided that there are reasons why we don't want this level of safety if it means being subject to certain conditions. And we can extend that to more radical things too, we can say that we don't care if the world is safter with cops, we still don't want cops to exist. We can say we don't care if the world is safter with borders, we still don't want borders to exist. We can reject more narratives of fear. And that includes ones we see popping up in our own communities.
God this post was long, and I didn't even mention ecofascists being a thing, or the leftist argument against gun control. Maybe next time.
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mytastessuck · 4 months
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Starbomb: Starbomb
Eeeeeyup.
So, to ruin my credibility even further...yes, I am a Game Grumps fan. I started watching them out of curiosity in 2016 and watched them on and off for a while until I fell in the trap of those damn Sleeping Aids videos uploaded by their fans and I've been watching them semi-regularly since.
Are they perfect? Fuck no. They suck at games and Egoraptor is the bad Mike Tyson simile of previously problematic content creators. But you already know I'm a NSP fan and I like Danny's singing voice and some of Egoraptor's raps (have fun finding the ones without the n-word!) are pretty skilled and he has a genuine love for the genre and, somewhat more importantly, those games he's bad at. So there, my justification for being a Starbomb fan...despite the fact I've uploaded Starbomb songs before so this really shouldn't have come as a surprise to anyone. Since the album was uploaded for free, I'm going to upload the whole thing below so feel free to read after every song so that everyone can know how to feel after every song. Now...COMMENCE THE CRINGE!
youtube
Intro
God, this whole thing is nostalgic. The guys introduce themselves and Arin does a rather impressive paraphrasing of a Fair Use segment that shows that 1. since this album is a parody and 2. they acknowledge they don't own the characters, they don't technically need to be sued. as of January 12, 2024, Nintendo and others apparently agreed.
Song Score: 7/10
2. I Choose You To Die
This is the gate: if this song turns you off, you're probably going to hate this album. Starbomb doesn't care about canon, your feelings or even making clever jokes about the franchise: they thought it would be funny if there was a story about Ash going around fucking up Pokemon, going to jail, getting bailed out and shot in the sack by Pikachu. Is it funny? By my standards...meh. It didn't really grab me. My own description of the song is honestly funnier to me than the actual song itself. I don't hate it but it's definitely not how I would introduce someone to the band.
Song Score: 5/10
3. Luigi's Ballad
Here we go, the real shit: with special guest vocalist Rachel Goddamn Bloom (Crazy Ex Girlfriend creator and star), we get crassed up versions of Mario, Luigi and Peach as the brothers fight over her in a hilarious ditty. Arin is having fun, Danny is competent and Rachel is perfect, like always...I'm actually glad that Peach didn't pick a brother at the end because, as douchey as Mario was being, Luigi didn't give an actual reason for being attracted to her. Maybe he was just as shallow as Mario only he was more devious about it? Who cares? Peach is going to fuck a mushroom.
Song Score: 9/10
4. It's Dangerous To Go Alone
A bit darker but still a well-done song (Philly shout-out! Woo! We suck less than Raccoon City!). They gave Danny the lead in this and it works, Arin's freak-out at the end as Link is legitimately chortle-inducing. Chortle-inducing I say. Sexual predation has never been (subjectively) funnier.
Song Score: 9/10
5. Mega Martial Problems
Might be my favorite song on the album. Mega Man and his wife (Roll? Some chick? Who cares?) are being given marriage counseling (sex counseling, actually) by Dr. fucking Wily and Mega Man kills robot masters to get toys to fuck his wife with, ending with Zero being killed by his Mega Dick. Arin is a good rapper and Danny manages to sing distinctly as a german doctor and Mega Man's wife (he raps a bit at the end...it's actually listenable). Seriously, if you're not the biggest Mega Man fan and if canon isn't important to you, go check this song out.
Song Score: 10/10
6. Rap Battle: Ryu Vs. Ken
Hur hur, Ryu rules, Ken sucks, hur hur. That doesn't bother me though. What does bother me is the content of Ryu's lyrics: he's supposed to be talking about how badass he is and he keeps going on about his dick? Forget canon character, if he was just some nobody he would sound like he's eight years old! Once you hear it, you won't unhear it. It's just a bit...desperate? And I can't help but feel like I'm supposed to take him seriously. This song is fine for the most part but...yeah, definitely one of the weaker ones on re-listens.
Song Score: 6/10
7. Crasher-vania
Pretty funny song about Simon Belmont committing hate crimes against the creatures of the night having a Monster Mash. Fun fact: I don't know the story behind this but Arin and Danny did a censored version of this song for a MST3K telethon. See it here:
youtube
Song Score: 8/10
8. The Book of Nook
On a re-listen, this is a competently hilariously fucked up song about Tom Nook being a dickhead mafia landlord...but I'm detracting a whole point for the use of the archaic slur "mongoloid". I guess they didn't want to use "retard" and tried to be smart about it. Sorry guys; try harder.
Song Score: 8/10 (I still gave it a high score so maybe I'm part of the problem.)
9. Sonic's Best Pal
Probably my other favorite song on the album. The perfect Sonic darkfic: Tails snaps due to his insecurity (Hey! A canonical character flaw; I'll wave as I see it fly by.), gets on drugs, fucks whores and shoots Eggman. They knew what they were going for and they got it. Kudos, Starbomb.
Song Score: 10/10
10. Regretroid
Emily Hughes (pretty neat singer and apparently a friend of Danny's...I don't know) stars as an understandably grumpy Samus against the Nice Guy (TM) Kraid in this epic star tale. Awesome tune with a hilariously dark ending (I mean...it's not like the puppies were destined for a good life if space dragons were just handing them out in baskets.)
Song Score: 8/10
11. Kirby's Adventures In Reamland
Either this or the Tom Nook song was the first song recorded for the album and, unlike Tom Nook's song, Starbomb hates this one. Me? Another "meh"....it's crass for the sake of crass but the guys are doing that the whole album so I'm not really affected by it. They spitroast Kirby and namedrop Meta Knight and Dedede. That's it. Move along, barely anything to see here.
Song Score: 7/10
12. The Simple Plot of Final Fantasy 7
Ha! Take THAT, convoluted JRPGs! Seriously, this is one of the better songs on the album and I love how they try to turn Cloud into this smooth talking self-aggrandizing asshole (not a far cry from him in canon, mind) and how they didn't call Ryu by name. He's Ninja Gaiden now. Perfect way to end the album.
Song Score: 9/10
13. Outro
Just the guys being dorks and teasing the second album (Player Select; won't be reviewing that one so I'll spoil my opinion for you: it's not as good as the first one.). It was always fun to hear them fuck around. Reminds me a bit of their Sleep Aids.
Song Score 8/10
Album Score: 8/10
Decent album. As we all know, I have shit taste so that makes my opinion superior to yours. Since this was an album review, I'll be taking a week off to unwind and come back next Friday with the typical song a day schedule. See you then.
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anonymous-dentist · 4 months
Note
Maybe a too random question, but did you watched many movies last year? and based on that...do you think it was a good year for films?
Okay so let’s answer this based off of the movies I saw in theaters last year:
M3GAN- solid 9/10, amazing cheesy horror when a pretty good message, could’ve used more kills tbh but this is what we got with a pg-13 rating ig
Cocaine Bear- 7/10, pretty decent but I went in expecting more humor besides “this bear is on cocaine”, some OUTSTANDING kills though (that entire ambulance scene was perfection)
Dungeons and Dragons- 10/10, you can tell how much effort went into it and how everyone involved in the writing just knew dnd, literally the perfect movie and we need more Now
Mario Movie- 8/10, I really enjoyed it and it was literally so nostalgic and, sue me, but Chris Pratt could’ve done worse, I just think that it could’ve done more with Luigi I think
Renfield- 9/10, I almost wish that that Nicolas Hoult stayed in that old timey 1910s outfit the whole time, but the message was actually pretty good and the action? PERFECTION, and the allegory to an actual abusive relationship was not expected but definitely welcome. Minus one point for not having the MCR song used be the literal song about vampires
Across the Spiderverse- 6/10, the animation was OUTSTANDING but the story suffered from being the second movie in a trilogy. Instead of being its own thing, the entire movie kinda just felt like a long trailer for the next movie, and that lost it a LOT of points imo. Also? It just didn’t know how to end? I was actually bored by the final fifteen minutes. And that’s bad
Barbie- 7/10, objectively excellent but I just personally couldn’t get into the humor, and I wish there was more about Barbie and a bit less about Ken yk?
Blue Beetle- 10/10, okay so I normally actually hate superhero movies but this was AMAZING and it’s actually criminal how badly it bombed. Story was perfect all the characters were likable outside of the villains, and the villains including goddamn Ronald Reagan and all those shitty white guys from the 80s who purposefully destabilized nearly every country in central and South America?? The villain being a white woman??? The villain being capitalism, neo-colonialism, and gentrification?? MY GOD like THAT is how you do a superhero movie!!!
Wonka- 10/10, I legitimately went in with super low expectations and came out with a new movie to add to my favorites list. It’s a kids movie, but it’s also just a fun time okay? Story was actually pretty good, the songs were surprisingly catchy, the visuals were Really Cool. Sleeper hit imo
So, based off what I personally saw this year, it was a pretty good year!
But also? It was a good year outside of this lol. Between Barbie and Oppenheimer and Killers of the Flower Moon and Asteroid City and Trolls 3 (yes, including that), it was a really good year for movies
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betweenthings2 · 4 months
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because i couldn’t choose between the cuddle prompts i went to the other list, the general prompts, and i would love to read 8 (the best friend one) for m&g if you would like to write it! <3
Thank you for the ask!! I don't actually know how this got so long or so angsty, but such is life, I suppose.
8. "You were my best friend before you were anything else, love."
As a rule, Matty tries not to be too nostalgic about things. The therapists he's had over the years have encouraged him to live in the present and his life is good now. He wants to enjoy it, not get caught in the past, in hazy memories that are largely a mixed bag in terms of positivity. There are a lot of things that Matty could be nostalgic about, though, which makes it hard sometimes. There are two things Matty does allow himself to be a little bit nostalgic about: the band and his relationship with George. Still, he tries to frame those as fond memories, rather than nostalgia.
Today, though, it's legitimate nostalgia. He's seeing the past in washes of pink. He's not strung out and petrified that someone will find out or that he'll kill himself, he's having fun, exploring. George isn't begging him to get help, isn't terrified that he won't wake up, but relaxed and happy. There's no sense of impending doom in these memories, no sense of futility, no desperation, no terror, just happiness, excitement.
The past year, too, gets washed in shades of pink in Matty's mind. His memories leave out the panic attacks, the sudden struggle to eat, the seemingly endless bad days, the tabloid articles accusing him of being every horrible thing under the sun, the hate on social media. Instead, he has the sold-out, critically acclaimed shows, the accolades, the love. He has George, in expensive hotel rooms, wrapped in Egyptian cotton sheets. He has George, smoking out the window because they're too lazy to go outside, George, sneaking quiet moments together in empty dressing rooms and bathrooms, George, walking next to him to explore mostly unfamiliar cities on days off. The wash of pink hide the fact that those soft sheets saw more tears than sex, that they smoked out the window because Matty couldn't calm down enough to go outside, that the empty dressing rooms were venues for panic attacks, not quickies, and George stayed by his side to explore wherever they were because there was an unspoken agreement that Matty shouldn't be alone.
Matty knows all of those bad things are there, under the wash of pink, which makes it all the more upsetting that he remembers things that way. He tries to be a realist, generally, though he knows he's prone to both idealism and pessimism, sometimes in the same breath. Matty kind of hates that about himself. Actually, he kind of hates a lot of things about himself, and he has the sneaking suspicion that he's not a very good person, especially after the year he's had.
But there's George, sitting on the other end of the couch, laptop balanced on his knees, occasionally glancing at Matty like a lovesick fool. Matty isn't entirely sure when he and George crossed the line from friends to lovers. A long time ago, yeah, but when exactly, Matty isn't sure. What he is sure of is that he loves George and that he's pretty sure he doesn't say it often enough.
"I love you," Matty says quietly, glancing up from the book he's been staring at but not reading so he can look at George. "I don't think I say that often enough. I'm trying to do better. I'm always trying to do better." Matty pauses, then, "Sometimes I worry that if I don't do better you'll realize I’m actually awful."
"Matthew, love," George murmurs. "That's not at all true."
Matty shrugs. "Sometimes I think it is. I got ripped to fuckin' shreds in the press this year. I ran a lot of people off. People didn't want to associate with us because they didn't want to associate with me because I can't think before I say things."
"The press is unreliable," George tries, setting his laptop on the coffee table. "They takes things out of context and publish whatever gives them a good headline."
Matty shrugs. "I'm just saying.
"Matty," George murmurs. "I know you. I love you."
"Yeah, but there's a difference between knowing someone as a partner and knowing someone as a friend. People who get to know me as a friend leave because I'm awful."
"You were my best friend before you were anything else, love," George says. "You are my best friend. I know exactly who you are."
"'s not the same," Matty argues.
"I know you, Matthew," George repeats. "I've loved you for fifteen years. You've been my best friend for twenty years."
"I don't think I'm a very good person," Matty admits, gaze fixed on his own knees. There's a hole in his sweatpants. "I keep trying to do better, to be better, and then I fuck it up."
"That's not true. You and I both know that's not true."
"I think it is," Matty argues, standing firm. Really, every time he has this conversation with George, and they have it with relative regularity, his resolve doesn't last long and he lets George convince him, but he also hates relenting.
"Matty," George starts, "look at me, Matthew." When Matty glances up, he continues, "You are beloved. I adore you. You're so kind and wonderful and open to all of our fans. You care about people and believe in people. You give. You help. You want to help. You want to make a difference. Bad people don't do any of those things."
Matty shrugs and drops his gaze back to his knees. He feels naked. No, more than naked, he feels flayed, like the very core of his being is on display. Nothing George has said is untrue, but it doesn't dispel the lingering feeling that he's wrong.
"What're you thinking about?" George asks.
"Everything," Matty admits. "But I leave out all the shitty things I've done, but I know the shitty things I've done, I know the times I've made you cry and you don't cry and I think I must be awful if I've done that to someone I love."
George lets out a long breath, then admits, "I have cried more over you than anything else, but that doesn't make you awful. You were unwell. That's not your fault. Would you blame me if the roles were reversed?"
Matty shakes his head.
"I adore you, no matter what," George adds. "You're my best friend. You've always been my best friend. I don't want anyone who isn't you."
Matty glances up and in a wet voice asks, "Even if I'm kinda shit sometimes?"
George nods. "No matter what," he says. "I promise."
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I can understand the argument that someone's background influences their views on politics/social issues, everything and how that transpires in the art they're making, but only using that frame of analysis is reductive. More often working class directors get the recognition for their working class stories, whilst anything above it that gets into privileged teritory will most likely be criticized. Especially in this era in cinema and economic/political climate in which "eat the rich" is now a theme/meme in pop culture.
But I do stand on my opinion that it can be reductive sometimes. I could never look at Visconti's work only thinking that a rich count made all those films. When the entire argument is based on that it might ignore not only elements that are actually working in the film, but also other legitimate frames of criticizing the piece if it lacks in other areas.
I think this applies to Saltburn as well. I've seen the classism critique everywhere. And on one hand it does apply. Yes, the director is this posh woman and it might be argued that the film is a posh perspective on what's the middle class fantasy. Which apparently is one in which pretending to be working class and having parents with addiction might garantee you a spot in a circle of rich friends (and then you can exert all your destructive fantasies on them). At the same time, it's not like the upper class gets unscathed from all this. Yes, they're fun and amusing to watch, but I wasn't laughing with them, but at them. They were portrayed as being ridiculous and utterly sad in their inability of showing emotion, seen here as the typical upper class behavior.
Perhaps a more legitimate criticism coming from me (and others) would be that all explained above would have come across more clearly if the execution would have been done right. I do believe there's some issues with the script. The over explaining of motive through a monologue and going back in time was not necessary and it's more like a gimmick, an easy way to close all the narrative ends. It's not technically a bad idea, but perhaps it is too cliche at this point.
I believe Oliver needed a bit more work in terms of motivation and how that comes across. I felt as if there's more to know. Not in a way that justifies his action, but what is underneath there? This is where I'm reminded of some comparisons to The Talented Mr. Ripley, Teorema or Brideshead Revisited. The stranger who comes in and disrupts the status quo. Who changes the lives of those he "befriends", either for personal gain, for them to get out of their "comfort zone" or both. The methods of infiltration are subtle, but most importantly, the way in which they are portrayed in film or written are what makes them so powerful. Emerald Fennell is no Evelyn Waugh, that's obvious. So I think that mostly here lies that criticism on my part. That at times, the story is told too simplistically, it doesn't go too deep into the relationship between characters (especially Oliver and Felix) and there's a superficiality that comes with a focus on aestheticism.
At the same time, this exact latter criticism can actually be its forte. It's what makes it fun. It's the wanted shock value of a few scenes that definitely makes the audience gasp (particularly those in the young adult range nowadays used to comic book adaptions and other Hollywood garbage). It looks beautiful and it makes us nostalgic of summers in the late 2000s which don't look that bad through rose-tinted glasses. It's how we look at ridiculous behavior and also love watching those people bask in the sun and wear dinner jackets while playing tennis. It's the music! I loved the music and the sparkly kitschy clothes us millenials used to think it were the height of fashion.
The film wants to be outrageous, to make people talk, to bring valid criticism while also looking really good. If its problem is that it has too much style over lack of substance, at least they nailed the style.
My watching experience was a really fun one. It doesn't take away from noticing its shortcomings and that also doesn't make me want to only see its fault and not also the elements that work. Saltburn is somewhere in the middle and I do think we need these types of films as well and it's not hard for it to find its appropriate audience.
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gothicswiftv · 1 year
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Emery’s 2022 SK8 Fanfiction Wrapped
(Really just Renga fanfics if I’m being honest)
These are some stories I’ve read since joining the fandom, so August 2022 - December 2022
Also, they’re all rated G or T but please be mindful of the tags (mostly for violence)
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💠 FIVE FAVORITE FICS
A Moment to Be Real by MissLightBright
some kind of fairytale by arahir
Every Week and Counting by SKayLanphear
My house is a mess (so why don’t you clean it for me) by infinitelink
Yearning for the Freedom of Birds by LaurelNymph
minor spoilers ahead (in my Notes)
💠 FICS I KEEP COMING BACK TO
reki and langa are just friends (maybe) by zukushou
Ring ‘em Up | The One with the School Festival Trope and We’re Throwing These Rules Out The Window by LaurelNymph
Sunset | Cried Wolf | and Just a slime by Sleepwich
SNOW White and Going Once, Going Twice… by EnthusiasticCynicist
he was a skater boy, he said — no, you know what, no, we’re not calling it that by arahir
love signs, baby by discountscoobyart
I Don’t Dance (I Know You Can) by soupthatistoohot
The Dance by Undercoverqueer
The blue flowers up my throat. by zj3bson
💠 FICS THAT SURPRISED ME
The Tethering of Us by MissLightBright
Notes: I was wary going in, I really didn’t think I’d like a story that was a rewrite from canon without containing fantasy elements or something. I guess reading the description, I thought Reki and Langa wouldn’t spend enough time together (like I thought Langa would always be busy) but I was wrong and I was hooked 💗 🙌🏼 I binged this in a day and a half.
Skaters and Rulers by KurapikasScarletEyes
Notes: It was a short story that left me wanting MOAR 😭 the suspense of the sword fight/attack, and Reki and Langa’s interaction was so nice 💗💗💗 applause
Craving motion by livingonyoghurtandspite
Notes: Reki’s reaction was a unique take, fresh (even given the angst) and it left me wishing the best for Renga
Careful What You Wish For by Larisss
Notes: I thought this would be a silly goofy haha funny fic but what it did for Reki I just 💗🥹
💠 FICS THAT MADE ME CRY
If I Only Could (Make a Deal with God) by MissLightBright
Notes: THE 📃✍️ ✉️ MAN. THE 📃✍️✉️ GET ME EVRRY TIME. AND LANGA SUFFERING TOO I- *sobs*
Please Breathe by NevaraRaven
Notes: Langa was so scared T-T and just.. reading about Oliver’s death will never not make my heart hurt
more hearts than just mine. by brokencomatose
Notes: When Langa had to say goodbye ;_;
(…I’m just now realizing in these fics that made me cry, even ones I didn’t list, I would cry the moment Langa broke)
💠 FICS I WISH I READ THIS YEAR
bunny slopes by buzzcut__season
Notes: I wanted to read this before Christmas, but I read other shorter Christmas themed fics first. And then 2022 Renga Secret Santa stories started coming out and so I started reading those and yeahhh. I’ll still go back to bunny slopes asap
Another Cindereki Story by spottedinfinity (redhoodedwolf)
Notes: Same situation as bunny slopes! I read a bunch of shorter Cindereki fics before I could work my way to this one T^T I’m almost there Cindi!
💠 FAVE FIC FROM FAVE WRITER
A Moment to Be Real by MissLightBright
Notes: I’m not even super into fae stuff?? I think the sweetness + angst of their romance, and just the wonder-like/almost nostalgic feel I got throughout the story made my heart happy. Bro the second half of the fic so far *clutches heart* BRO I CANT BELIEVE THEY- [spoilers] 💘💞💗
💠 NEW FIC FROM (relatively) NEW WRITER
Strangers (to lovers) by Larisss
Notes: This one had me squealing “oooooo~ let’s goooo!!” Plus I love reading fics where Miya shows off how legitimately smart he is
💠 FICS THAT MADE ME LOL
Langa Has Fallen and Can’t Get Up by maddisunshine
Notes: omg this one part had me screaming. Langa: *injures leg* Reki: Ok man I’m gonna poke around, tell me where it hurts … how does this feel? Langa: it feels… Nice? (!!!) Reki: OK MAN
How Miya Played Matchmaker Without Actually Playing Matchmaker by wiseterria
Notes: THAT VINE REFERENCE CAME OUT OF NOWHERE AND HIT ME LIKE A SKATEBOARD TO THE FACE. I WAS CACKLING AT 2 IN THE MORNING EL OH ELLLLLL
your eyes, they never lie by kittenyoongs
Notes: Langa and Reki’s banter omggg enough said
Brain-to-Mouth Filter by theseathemoonandthestars
Notes: “Langa Kyan” 😌 Reki I know you’re freaking out rn but your friend is a riot
just thought you should know by egoisticluv
Notes: JUST,,, THE THOUGHT OF EVERYONE LIKE hey what the heck is up with Langa??? ???I don’t know???? haha
💠 FICS WHERE I CANT WAIT TO SEE HOW THEY END
At the End of This Thread by MissLightBright
Notes: When people put spins on the ‘red string of fate’ trope I get all 👀
A Magical Misunderstanding by banditoheart (eldritchpossum)
Notes: PLEASE UPDATE FOR THE LOVE OF GOD LANGA WAS SO SCARY AND COOL IN THE LAST CHAPTER 👁️👁️
Please, I’m Begging You, Check Yes by Sleepy_witch
Notes: High School In The 90s Au?? Mutual pining?? Please… I’m begging you… write more of this (lol see what I did there)
p.s. No pressure to update btw! Just letting you know I REALLY enjoyed what you wrote!
💠 FAVE SCENES
Language Barriers by athellos
Notes: REKI YOURE SO ROMANTIC DO YOU HAVE ANY IDEA
I used to hear a simple song That was until you came along - Cindereki by Marvel4Lifebitch
Notes: There was one part where my swiftie heart went HAYWIRE. Also, the fic heavily follows both Disney Cinderella movies, so near the end when it went off on its own thing I was afraid of what would happen and good God poor Reki ;~; and Prince Langa seeing him like that ;;;~;;;
Frostbite by soupthatistoohot
Notes: Chapter 2, Langa and Reki alone in the coffee shop, maaan 💞 that whole scene 💞💞
Don’t let your thoughts win by ScarletRigmor
Notes: THE WAY LANGA WAS SO SCARED WHEN REKI-
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dear-mrs-otome · 2 years
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Silvio Ricci - Main Story - Chp 06 - His POV
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Standard Disclaimer: I do this for fun. I don’t, and never would, claim to be proficient at JP. There will be mistakes herein. There will be dialogue I choose to smooth out or change, because it feels choppy just straight translating. There will be the occasional snarky aside and irreverence and just plain summarizing. If you’re looking for 100% pure accuracy, without commentary or localizing, this is not for you. If you don’t mind that…then proceed, and I hope you enjoy! And please, support your local localizer (they make this stuff look easy) and Cybird by playing the games and routes when they come to English.
~~~~~~~~
Thirsty.
He doesn’t know the cause, but he’s so parched it feels as if he can’t go on without drinking. No matter how much money he has, how vast his fortune grows…this thirst never fades.
It is ever-present.
“You, just what do you think you’re doing?” Rio demands, kicking in the door and busting into his room, just as Silvio knew he would. All pretense of polite butler dropped.
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Silvio smiles while wetting his throat with a sip of rose wine, and chides Rio for his lack of manners. “Or have you given up on playing meek and mild?”
Rio scoffs that it’s dumb using honorifics and such with him, he doesn’t give a damn if Silvio’s royalty from some other country.
It doesn’t bother Silvio in the slightest though. In fact, if anything, he’s glad. It’s better to have Rio address him rudely, because he doesn’t like the formality of polite speech and it’s weird - he’s not used to hearing it from him.  
Rio storms over, his mad dog expression a bit nostalgic, and demands the key to the collar from him. A request which Silvio mocks.
He remembers the woman telling him at the jeweler’s gathering that if he wanted her to smile, he’d take the collar off. And how he’d told her she’d wear it the rest of her life. She’d railed that she wasn’t his pet, and he’d agreed - she’s not, she’s his possession. A statement that had only angered her further. 
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Putting the collar on her is meant to harass this guy. There’s no point in taking it off that easily. 
And, he’d wanted to see Rio’s reaction. Just how much did the woman mean to the dog? The more valuable to him, the more worthwhile it is to steal her.
He tells Rio to sight tight and watch as he makes her his, and Rio demands he stop treating Emma as a thing to own.
“What are you going to do if I don’t?” Silvio counters, and Rio says he’ll do his duty as his lady’s loyal dog. “As a faithful dog?”
He’s legitimately surprised by the murderous eyes the dog’s glaring at him with, wondering when he learned to look at people like that…and a moment from the past comes to mind.
“Stop! Gimme that back!” a child's voice pleaded.
“If you want it, try taking it back,” Silvio had challenged.
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It’s not as if it’s strange for people to howl and rail when something precious is about to be taken from them…but when it comes to the man in front of him, that’s hardly Rio’s usual reaction.
He says that he figured he’d get a rise out of Rio with the whole collar thing, but this was definitely more than he expected. “Do you care for your mistress as a butler, or…are you in love with her?”
Rio only scowls at him in silence, and Silvio laughs at having his suspicions reinforced, mocking him for possibly being so far gone on a woman.
“So what if I’m in love?” Rio challenges.
In love? This guy?? Silvio thinks.
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This man’s only ever been the sort to have nothing he saw as important, living in a state of apathy. Treating everyone exactly the same, favoring nobody…protecting himself like a coward. 
But now, he turns red. “I love her, and she’s very important to me. So I’m begging you to not get involved.”
It comes out in a quiet, earnest voice…and Silvio wonders if all this is because he’s lost his memory? Or has something happened in the past three years to change him?
Both, perhaps. Though changing who you are isn’t some easy task. 
This is good, though, he tells himself. He hadn’t believed the woman to be worth so much, and he feels a shiver run through him.
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“Given how much I can’t fucking stand you, if you’ve got something important to you I’m not about to just let it pass me by. I’ll make her fall in love with me. That woman will be mine.” He challenges Rio to do something about it if he doesn’t like it, but derides that he’ll only let the woman go if he gets all his memories back. 
You’re a coward, Silvio accuses in his thoughts. The kind of person who never loved anyone, despite being loved by everyone. You’re the one who’s being unfair.
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His throat is suddenly dry - so dry he can taste blood.
Silvio muses aloud that he’s got an interesting idea, telling Rio he’s got a job for him to do tomorrow - no trying to get out of it. “You want me to take that woman’s collar off, don’t you?”
He promises to do just that, as long as Rio follows his instructions, and gives his word as a merchant he’ll follow through with it. Rio agrees, but warns Silvio he’d best not break his promise. 
“You either,” Silvio replies. 
Now then…let’s see how much money it takes to buy that woman, he thinks. Wanting nothing more than to take her away from him. If he can get a love that not even that damned dog can…
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Silently watching Rio leave the room, he reaches for his glass again to wet his dry throat. But it’s empty before he even realizes it. “...Not nearly enough at all.”
Ahh, damn…so thirsty.
~~~~~~~~
<< Chapter 06 | Chapter 07 >> (tbc)
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randomvarious · 5 days
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Today's compilation:
Baby Boomer Classics: Heart & Soul Fifties 1985/1988 R&B / Rock & Roll
Folks, I gotta say, for how short this release is—13 songs that amount to only about half an hour—this might be the most potent 50s comp that I've ever come across in my many years of collecting. See, there's plenty of nostalgic comps out there that just slap together a bunch of chart-busters and then call it a day without giving much of any thought to how much juice any of the selections may still actually have, but when the California-based JCI label put this dispatch from their Baby Boomer Classics series together in 1985, and then re-released it again in 1988 with a replacement of Wilbert Harrison's terrifically catchy R&B classic, "Kansas City," with Joe Turner's "Corinne, Corrina," they seemed to be far more concerned with how good the actual songs still sounded rather than with how well they charted back in the day.
And to be clear, most of these songs still did chart very well themselves anyway, but do you know how many big hits there were in the 50s that don't really sound that great anymore? A whole lot. And JCI didn't end up picking any of those for this album; these selections that they made almost four whole decades ago are still really no worse for wear than they were when they first came out. And that's pretty remarkable, given how much music from the 50s really doesn't quite strike like it used to anymore.
Now, if you already know your oldies like the back of your own hand, you're probably not gonna find much utility in this album, because even though there's no real lackluster filler in this small set, you're likely to be very familiar with these tunes already. But if you're someone who's never really been exposed to much in the way of great 50s music before, I really cannot recommend this album enough as your starter pack. You've got probably my favorite 50s hit of all time on this thing in Lloyd Price's "Stagger Lee"—a song so good that it legitimately has the capacity to turn me misty-eyed, even though I was born long after the 50s and have no personal nostalgic attachment to it whatsoever—as well as one of the greatest pieces of loud and dynamic group doo wop that's ever been recorded too: The Silhouettes' "Get a Job." And on top of that is Little Richard's "Lucille," plus Smiley Lewis' "I Hear You Knocking," which Little Richard would go on to cover himself too, as well as Welshman Dave Edmunds, who would deliver a great blues-rock version of it in 1970 🤘.
But, as seems to be a feature and not a bug with this Baby Boomer Classics series at this point, another one of the best songs on this record, which also happens to be probably its most obscure selection too, is a tune that's not actually from the 50s: Bobby Bland's "Turn On Your Love Light," which came out in 1961. While the rest of the songs on this album were big top-ten or top-twenty hits, this one only made it to #28 on the Billboard Hot 100 chart; so when it comes to this oldies comp wing of the music industry, this is not a tune that you're gonna come across very often. But it's a total gem, with a sweet and uptempo, shuffling drumbeat that's made to bolster Bobby Bland's own soulful voice that hits some really satisfying points of throaty gravelliness throughout 🥹.
I'm really in awe over how well JCI managed to nail this one. An assorted cream of the 50s crop right here in just 13 songs. Not an easy thing to pull off, but these are some really stellar choices 👍.
Highlights:
Wilbert Harrison - "Kansas City" Thurston Harris - "Little Bitty Pretty One" Bobby Bland - "Turn On Your Love Light" Little Richard - "Lucille" The Silhouettes - "Get a Job" Clyde McPhatter - "Lover Please" Smiley Lewis - "I Hear You Knocking" Lloyd Price - "Stagger Lee"
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hopeymchope · 1 month
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Ghostbusters: Frozen Empire is the best Ghostbusters *thing* released since 2009.
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In yet another one of my wacky minority opinions, apparently, I think Ghostbusters: Frozen Empire is fucking GREAT.
Background: Ye olde Ghostbusters movies were something I grew up on and always loved. I even used to watch "The Real Ghostbusters" reruns. And like many fans, I adore the 2009 video game (now available in a Remaster!).
Then we got the 2016 reboot, and you know something? In spite of all the hate it gets, I enjoyed it! I thought it was funny more often than it wasn't... the theatrical version, that is. The "Extended Cut" they put on Blu-Ray later is like, loaded with alternate takes and extended scenes that are painfully awkward and unfunny IMO. But the theatrical cut is a pretty fun time, albeit a bit lacking in new ideas.
I was basically the prime audience for 2021's Ghostbusters: Afterlife, and... I really, really didn't like it. Because: 1) It's not very funny at all? The "Podcast" character was funny and Paul Rudd gets a couple moments, but it's too busy being sentimental about callbacks to the old movies and memorializing Harold Ramis to focus on comedy. 2) The other half of the movie is a blatant nostalgic retread of the original Ghostbusters, except now in a small town instead of New York. Imagine if half of The Force Awakens was focused on blowing up another Death Star, and you'll get it. 3) Why are ALL the new Ghostbusters children? I get that the series gained a lot of kid fans along the way, but the original was never aimed at kids. Doesn't this feel like a backslide, to make the entire new team be under 18? 4) You're telling me that Egon never told Ray that Gozer was returning? Or that Ray wouldn't believe him? *EXTREMELY* OUT OF CHARACTER FOR BOTH, FUCK THAT. And that NO GHOSTS have showed up for DECADES for no fucking reason? THANKS FOR RUINING ALL OUR IMAGININGS OF INTERIM ADVENTURES. I will say, at least, that the performances were all good, and there are some heartwarming moments in here; Egon's apperance near the end and the credits scene with Dana stand out.
....but here comess Frozen Empire to save the day.
We get a returning cast of both ADULT and KID Ghostbusters... yes, even new adult Ghostbusters! MULTIPLE! Paul Rudd and Carrie Coon get upgraded into the family business, and there's even a plot point centered on whether CHILDREN should be allowed into such dangerous work.
There are ghosts randomly running around even when there's no greater threat pushing them forth; no reason is given for the change in lore, but I don't care because THIS IS HOW IT SHOULD'VE BEEN.
A lot of ideas that me and other fans have often discussed/pondered over the years ("Are there any friendly ghosts who fear the Ghostbusters? What do the ghostbusters themselves think will happen when THEY die? Will THEY become ghosts, and if so, won't other ghosts hate them? Or will they immediately become as hostile as every other ghost we meet? Or what?") are made not only points of discussion but even MAJOR PLOT EVENTS!
We get a new, NON-REPEAT threat — and frankly, it's a spooky-awesome one?!?!
Extensive comedy BACK and ACTUALLY FUCKING FUNNY! (IMO, anyway. Humor is subjective, I know. But they do it while still including good dramatic character development with genuinely touching scenes plus legitimately strong spooks.)
The returning classic GBs are not only in-character, but Janine gets to put on a uniform and fight alongside the boys, just like in the old cartoons!
Phoebe's character is expanded upon in ways that make her still endearing but much more unique than just "mini-Egon genius" like last time.
GHOSTBUSTERS II GETS ACKNOWLEDGED AS HAVING HAPPENED, THANK YOU. I wish the video game was somehow canon, too, but I guess I can't have everything? I preferred Winston getting his doctorate over him becoming a finance tycoon, but whatevs.
My only real complaint is like: Seriously, y'all never went back to the New York Library to get that library ghost between the open scenes of the 1984 movie and now? :P And... well, I do wish Walter Peck had grown and changed as a character since we last saw him, but I've got no other issues. EVERYTHING ELSE IS SO WONDERFUL.
This movie is everything I wish Afterlife had been, and THEN some. And yet... people don't seem to care? The reviews are very "meh"? Despite all these new ideas and great stuff?? Did y'all just want the Ghostbusters to stick to the Midwest from now on or what? Is it too soon for people to want more Ghostbusters? I DON'T GET IT.
Except... well, maybe people just don't care because this is an OLD franchise that failed to get a new movie for like, over 25 years, and people just lost interest in that time? Most adults today probably weren't raised on '80s movies like I was. :P Maybe that's all there is to it.
If this series is gonna die out, though? What a note to end us on.
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