#it's probably just because they fit my music and lyrical tastes so so well but i really can't think of a single track of theirs i don't lik | Explore Tumblr Posts and Blogs

doodle-girl · 1 month

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The Monsters of Eastridge: DOAI Playlist

Description: At this point, might as well make a playlist for everything. Welcome to my own personal demon-filled hell, this is mostly based on lyrics, vibes, or both 🎃 (Edit: Due to recent fixations, this now also includes some sitcom au stuff.)

(Yeah this is made mostly for @spookmuth but also just anyone else who’s interested in my music taste/how my thoughts work. Will update the post whenever the playlist updates, have fun! Also footnotes will be in brackets because I like footnotes)

Edit: Now on spotify! Courtesy of @witheredallium <3

“Happy Face” by Jagwar Twin [I have had an animatic for this jangling around my brain for actual several months oh my god]

“Turn the Lights Off” by Tally Hall

“A1 - It’s just a burning memory” by The Caretaker [Yeah idk how well this actually fits since it’s based on a song from like. The 30s. But I think it’s obligatory for any analog horror ever lol]

"I Can't Decide" by The Scissor Sisters [This one I got inspo from havoc-bloom's playlist/clip of Pastra finding it. A few of these are, actually, lol] [Edit: I have now realized just how well this fits Clyde in the sitcom au and I am once again plagued by art ideas 👀]

"I'M Sane" by Axie [Me when I torture the innocent with horrid monsters and become one myself. but I'm a little silly about it teehee~ 😜]

"The Circus" by Toby Fox [This popped up on shuffle when I was drawing Clyde once and my brain refused to let go of the vibes™ ever since]

"Animal Cannibal (Possibly in Michigan)" by Buckshot Princess [I would've put the one by Karen Skladany but it's not on apple music 😔 sad. This cover's really nice tho]

"The Dismemberment Song" by Blue Kid [Same reasoning as "I'M Sane," nyehehe. Also this song really feels like it's ripped out of a musical number. If you told me it was I'd believe you.]

"The Mind Electric" by Miracle Musical

"Horror Show" by K-Modo [You ever just. Think about why Lankmann does the things he did? Like what's his game here?]

"Dance of Corpse (feat. Hatsune Miku)" by Kikuo [this might also spiral into an animatic lol. Anyway do me a solid and go look up the music video, turn on the official english subtitles and come back to me.]

"The Nowhere King" by The Centaurworld Cast

"Nothing Changes" by Jewelle Blackman, Yvette Gonzalez-Nacer, and Kay Trinidad [this musical makes me feel. so many things. And I just think the vibes/lyrics of "why try when you'll only end in misery" might fall into the category of vibes here idk idk]

"Murders" by Miracle Musical

"Kitchen Fork" by Jack Conte [I don't remember exactly why I put this here rn but I just know this is an Alex song. It's so beautifully haunting and passionate stg] [Edit: yeah definitely an Alex song]

"Meet Me in the Woods" by Lord Huron ['kay I know the vibes are probably off but look at the lyrics and tell me it shouldn't go here]

"A Crow's Trial" by Vane Lily

"You're F****d" by Ylvis [Yeah I put this one here as a joke song. Every single character in here is SO doomed by the narrative, I'm sorry Alex but it's true. teehee~]

"UNCANNY / ft. KAFU" by kian [I actually couldn't find this one on apple music but galactinqq was right about this being an Alex song and I'm putting it on the post]

"Raising the Dead!" by Jessica Law [Styx, you madlad, this is SUCH a Lankmann song oh my god]

“Hymn for a Scarecrow” by Tally Hall [“Simon isn’t even in the series yet, though” My guy it’s called Hymn for a Scarecrow and it’s Tally Hall what else do you want me to do. I love Simon so much I miss him already <3]

"Destroid 8 Annihilate" by Excision and Far Too Loud -- Destroid - The Invasion ["But Doodle, wha-" do not question my playlist decisions. Sometimes I listen to one of my other 30 (yes it's that many) silly little playlists and the vibes just come to me. I am right about everything and my brain is huge /lh]

“Break My Mind” by DAGames

“In the Mood” by Glenn Miller [this one was in Vol 1! So I found it and I’m putting it here <3]

“Pictures” by Kyle Allen Music [I mean technically the series is videos but whatever. This song fits sue me]

“Ruler of Everything” by Tally Hall [I saw the words “mechanical hands” on a DOAI fanart once and it jumpstarted an idea that refuses to leave me. Turns out it fits VERY well holy crap]

"I'll Be There for You (Theme from Friends)" by The Rembrandts [shoutout to froggydrawz's own sitcom AU playlist for more material for me eheheheh ✌️ I'll be putting a few of those here]

"I'm Still Standing" by Taron Egerton [sitcom exclusive because canon Alex is fucking dead /lh]

"Digital Silence" by Peter McPoland

"How Far We've Come" by Matchbox Twenty [another sitcom one nyehehehe. This AU has me by a chokehold unlike any other AU I've been into istg]

"Who is She (Reprise)" by Kimiko Glenn [I apologize for those who came here for a normie-ass DOAI playlist, I promise it started out that way but y'know that's fixations for ya. Anyways I added this one on a whim because it gave off veldigun!Alex AU vibes. Might fit with other stuff idk do with that what you will ¯\_(ツ)_/¯]

"Soft Bitch" by Rio Romeo [pretty sure it was spookmuth that made a sitcom AU art inspired by this song and I love it]

"Runaway" by AURORA [secret-spirit if you see this at all just know this was your doing (/pos). This is like, my favorite AURORA song and seeing you do an Alex art in the whiteboard to this song sparked a primal "holy shit" moment in me]

"Lose Control" by Teddy Swims [I was doodling in the DOAI whiteboard when my mamá started playing this in the other room and my brain immediately went "oh my god what if Clyde and Winfrey"]

"Soft Apocalypse" by Charming Disaster [Once again, everybody give it up for Styx's music taste, this is making my brainworms go mad with art ideas 👏👏👏 sitcom AU song, btw]

Side note, might hit a word limit here? So Imma have to continue this list in a reblog, just look through those for more if ya want✌️

#will continue to update as it updates! also feel free to suggest if ya want <3 #dreams of an insomniac #music #playlists #themed playlists #pastra #pastraart #my stuffs

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iwillstabyou · 1 year

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I have a confession.

As my delightful mutuals probably know, I am Swedish. I am a proud Swede. I live in England though, hence the language (men jag förstår lite svenska också). Therefore, naturally I was happy when my homeland triumphed in the Eurovision Song Contest 2023, mostly because my Swedish relatives FaceTimed me to celebrate the win and they were well and truly LEATHERED (and trust me, that is the truest form of entertainment).

As I’ve mentioned before, us Swedes are fucking FERAL when it comes to Eurovision, so the euphoria of the success coursed through my blood like opium. But much like opium, it skewed my perception of things. It blinded me to the true injustice of it all. It rendered me unable to recognise the truth: the fact that the true winner - Käärijä - was robbed of the title he truly deserved. His act had all the things that Eurovision is about: neon outfits fit for a dr Seuss character, lyrics that seem nonsensical but actually have meaning (and bonus, it’s not a depressing meaning), techno-metal mixed with a highly contrasting genre, slutty backup dancers, singing in Finnish, weird staging, etc. I could go on forever.

The point is, Käärijä slayed. He slayed hard. He slayed harder than Loreen could ever dream of. And I may not have registered it at the time, but looking back now, I realise that from the very first time cha cha cha blessed my ears, I was rooting for Finland, despite my Swedish bloodline. In fact, now I can admit that the aforementioned ‘euphoria’ I felt as the win was announced, was shallow. Deep down, I was actually disappointed. The more I think about it, the more I realise that our ‘win’ was a meaningless feat, fuelled by a jury of so called ‘experts’ who are probably mainly boring old sods with a poor music taste (not like that’s a new revelation - this is Eurovision ffs).

And because of that, I can now fully accept that the only real true winner of Eurovision Song Contest 2023 is Finland. So Käärijä, I speak on behalf of all Swedes (yes, all of them. The ones that disagree just aren’t as self aware and haven’t come to this conclusion yet. They’ll see the truth soon enough. Except for maybe Loreen, which is fair enough) when I say that we collectively give YOU the official title of “Eurovision Song Contest 2023 winner” that you so deserve. We didn’t want it anyway. We have ABBA, it’s not like we can ever beat that.

Congrats on the win, Finland!

#eurovison 2023 #sweden #finland #kaarija #käärijä #winner of Eurovision #justice for cha cha cha #eurovison song contest #Käärijä you slayed so hard I wrote a full blown speech #I did not think I’d end up making such a long post about it but I guess Eurovision does things to me #these long posts keep coming #i’m on a roll #today on tumblr

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vendetta-if · 9 months

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Ros and Mc are on a road trip (*cough* evade the police or villains after them *cough*) and Ro is the lucky person to be on the passenger side so it's a dealer choice what music to play during this exciting time

(pss: my mc would play the song Red Flags from Tom Cardy for the irony, I highly recommend it)

Ooh, road trip songs! This would be fun! Also, I heard the song your MC would play, "Red Flags" by Tom Cardy, and I can just picture other ROs just looking at each other in worry (except for Ash) when hearing the lyrics 💀

Oh my God, so many different genres of music in this post... and now you guys will get a glimpse into my messy music taste.

Ash

Ash is a bit hard to find one because they like quite a wide variety of genres and a lot of them you can find on their playlist already. But in the end, I think this song would be fitting. I'd like to picture this is the song that they like to listen to while riding on their bike at night as well.

"Phantom" by Veston Vulture

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Rin

Do not pass Rin the AUX. Just kidding 😆 Sure, Rin loves to listen to classical and instrumental music, but that's not all they love. They actually enjoy some synthwave music too occasionally. So, instead of putting the whole car to sleep with some Debussy or Chopin, they'll probably put this more upbeat song (and also very fitting for road trip considering the title).

"The Ride" by Kalax

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Santana

Santana is another hard one since they don't really have like a specific music genre that they love. They'll listen to any songs that they like. And I feel like this song will be one of those.

"We Are The People" by Empire Of The Sun

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Skylar

I think I've mentioned before that Skylar actually likes Indie Folk/Indie Pop/Indie Alternative songs and I know this song would be one they'd definitely put on on a road trip 😆

"Home" by Edward Sharpe & The Magnetic Zeros

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BONUS:

Luka

Post Punk is one of Luka's favorite genres (other than Phonk and other electronic music), so it'd definitely be this one.

"Тоска (Toska)" by Молчат Дома (Molchat Doma)

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Jackal

Loves Drift Phonk music and some other electric and hip-hop/punk rap music. But his choice for a chill night drive with Luka is this one.

"Night Drive" by Wilee

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#asks #full cast ros #ro: ash #ro: rin #ro: santana #ro: skylar #if: vendetta #vendetta if #if vendetta #if game #if wip #dashingdon #choicescript

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bsaka7 · 2 months

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tagged to post my 9 favourite album with commentary by @mathewbaldzal !!!! we r two peas in a pod i think with having a lot to say about some tunes...

in no particular order...

different class (1995) - pulp. this is not my no1 album of all time because i don't have a favorite album of all time, but this album is in part representative of "getting into music" to me. i love 90s britpop, whatever that means for a random american and this is my fav of em all (though i do actually quite rate this is hardcore in pulp's discography). "common people" is one of the songs of ALL TIME. god jarvis's little sing-song sleazyness gets me. really, really, really great classic performance of it at glasto 1995...for some reason "pencil skirt" also always really hits.

home video (2021) - lucy dacus. the newest album on this list by a long shot, but it's had songs in my top5 year end lists since it came out. i've also seen lucy live <3. this album rises above some of the others in similar company (punisher - phoebe bridgers, the boygenius ep, etc) because i never get tired of it. "first time" "hot & heavy" "brando" and "triple dog dare" are nearly always standbys in my listening history. probably gonna be an album-i-listened-to-in-college classic forever...

songs of love and hate (1971) - leonard cohen. maybe none of my favorite leonard cohen songs are on this album, but as a single work, this album stuns me. possibly the most transfixing 44:21 i've ever heard. his lyricism in particular is -- i can't even describe it. the mix with his voice, the sparseness of the instrumentation at time, the harmonies. i'm not a big stories guy but in this, yeah, the songwriting, the stories. i don't think there's another album like this one out there, really.

if you're feeling sinister (1998) - belle & sebastian. the first time i heard this album, i thought i had never heard an album so perfect. i love songs off of it but i nearly always listen to it whole. i love, love, love b&s's early sound (twee, if you will), and stuart murdoch's lyrics really, really shine. this is one of my favorite albums to listen to when i have a headache because it's lovely to just, focus on but not grating at all. i really love "judy and the dream of horses" and "get me away from here i'm dying". really, a beautiful work

rumours (1977) - fleetwood mac. i was sort of scrolling through some of my playlists trying to decide what to put on this list (it's a bit weighted towards stuff that's in rotation now) and i couldn't leave off fleetwood mac (in part to represent the huge part of my music taste that is like. classics 1965-1980). stevie nicks was one of my earlier music obsessions (the OG was the beatles). so many wonderful songs and riffs. i know this was left off the original 12-inch but "silver springs" is one of my favorite songs forever and ever and ever...

nebraska (1982) - bruce springsteen. when it comes down to it, this is my favorite springsteen album. i do think his 1975-1987 run of albums is pretty much perfect but nebraska is a masterpiece in a way that i find hard to express in words. there's a sense of sparseness and distance in this work (in part bc of how it was recorded) that i find so utterly compelling i can't even describe. "nebraska" - especially this 1984 live version - is a perfect song to me. perfect. i also like a lot of the stuff that went into inspiring this album (notably flannery o'connor) and well. where it fits into springsteen's narritivization of his own life (dude was in the dumps).

all killer, no filler (2001) - sum41. this pick is a little bit representative of the era of my life where i basically exclusively listened to pop punk but if songs of love and hate is an album that's perfectly drawn out, this is an album that's perfectly compressed. like, the title is correct. this album is fucking TIGHT. i used to listen to it at a job i hated to make the 30-min intervals go by. and it's got such classics...."fat lip"..."motivation..." of course, "in too deep." SO good.

what did you expect from the vaccines? (2011) - the vaccines. maybe this pick is a tiny bit cheesy but it is a perfect encapsulation of the era of alt rock it came from. which i love. i really like the vaccines, i think they're super fun and i did see them in concert finally and they totally lived up to that. "wetsuit" is again...one of my favorite songs of all time. "if you wanna" is a perpetual banger.

age of consent (1983) - new order. again, an album that deserves to be listened to whole, despite how good "age of consent" hits alone ever single time. sometimes i think i like another new order album more than this, but i don't. sumner's voice just out-of-tune ringing out over that sound, that new order sound, the bass, that post-punk club vibe. they're a band that don't sound like anyone else, and this is the album most indicative of that. wow, every time.

a few narrow misses

boxer (2007) - the national. i didn't get the national until one day i did. "slow show." my god. hello.

very (1993) - pet shop boys. it's too simple to say this is an album about gay love because it's so embedded in it's context but. this is an album with so much love. psb are brilliant.

the execution of all things (2002) - rilo kiley. jenny lewis CALL ME. also like. you know "a better son/daughter". there's more.

a thousand suns (2010) - linkin park. i used to listen to this at 6th grade cross-country practice. first band i ever got into on my own. idk.

this is not only my favorite albums but a pretty decent summation of the broad strokes my overall taste. thank you again for the tag!! i enjoyed doing this a lot :). idk who has done this/on what blogs so if u have PLEASEEEEE send it to me i want to see!! i tag @lfcrobbo @upthebrackets @girlfriendline @odegoob @amandaleveille @thelittlebirdthatkeptsomanywarm @kritischetheologie @bright-and-burning @a-corn-field if any of u want to but no presh!!!

#i HAVE been listening to albums off some of these that i've seen ppl do (sez i've only listened to wisecrack but more of urs r on my list)#and there have been notable instances of me falling in LOVE with albums off things like these others have done (c mentioning the midnight #organ fight and passive me aggressive you which have become mainstays for me lol)#SO like always if u wanna chat about music or rec me things i'm so here lololol #shshshsh why did i think i had to tag 9 ppl i'm sitting there like oh gotta get 9 and then realized it's just however many u want.#well i want to know everything about all music taste ever so 9 it is...#tag game #yahooo!!!! <33333333333

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paperlovesadness · 2 years

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Miles Kane & Alex Turner as the actual definition of Twin Flames

So I read about twin flames and couldn't get these two out of my mind while doing so. Because of how the article seemed to be specifically about them. So here we are. Miles Kane and Alex Turner fitting all 11 signs of finding your "mirror soul" / twin flame (based on this arcticle. Quotes taken directly) I linked most sources within the screenshots/images themselves. This post could go on forever - so I had to stop at some point. Still, welcome to my most unhinged post yet! Enjoy!

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Definition: A twin flame is an intense soul connection with someone thought to be a person's other half, sometimes called a "mirror soul." It's based on the idea that sometimes one soul gets split into two bodies.

1. When you met, there was instant recognition

When you first encounter your twin flame, Spinelli says there will be an intense sense of attraction, recognition, and longing. "Meeting a twin flame often feels like home," she notes. "They feel familiar—an undeniably intense bond as though you have known them before."

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[screenshot / translation from the lovely @i-m-a-leaf-on-the-wind's post / linked in the image] ____

____ 2. You're very similar

You and your twin flame may find that you have a lot in common as far as values, past experiences, and interests, Spinelli adds. "Both of you will find that your past story has a lot of coincidences and similar experiences."

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And of course: similar taste in music, similar interests, similar goals & dreams & approach to life (still no wives / children? [Alex as the only one in AM] -> Oriented around their own lives/dreams/hobbies), similar sense of humor, kind of similar sense of style honestly (or complimentary) & tons more.

3. You complement each other

In those areas that you aren't similar, you'll find your differences complement each other, almost like yin and yang. Their shadow, for example, will be complemented by your light, and vice versa. And because a twin flame mirrors you, you're likely very aware of how your relationship highlights your shadows, and theirs.

I know they've probably spoken about this / shown it much more. But this post is long enough on it's own. I think we all see they match / complete each other very well with their differences. Very well shown in TLSP - their music and lyrics are normally disctinctly their own style - but they come together and those differences make up something really magical (aka some of my very favorite music). And overall in personalities - where Miles is much more extraverted, outgoing. More talkative in interviews, a charmer with tons of friends. A performer first and foremost. Alex is more of a self-proclaimed introvert, on the calm, quieter side. Didn't even want to be the lead singer - wanted to write and play. Seems to enjoy process/studio more than performing.

4. Your insecurities and doubts are amplified

"The purpose of your twin flame is to support and help you with your divine mission and purpose," notes spiritual author Shannon Kaiser. "So, often this type of relationship will reflect your problems and deepest insecurities so you can work through them to heal and grow."

so obviously we don't know much about their private conversations and such. But honestly the way their differences complement one another (more on that below) - the way they've been friends for years (and close ones - constantly in contact/visiting each othert etc.) and have mentioned they can talk to each other about anything in their lives and also what I take away from some of their lyrics; with all that I just know this is true. Also quite literally they do support one another beautifully in their journeys and purpose in life (which yeah. I believe in big part is music and art). Truly believe there wouldn't be a TBHC or The Car without TLSP influences. Same with Miles' new stuff. (Also TLSP in itself is to me - their most valuable work of all). Also Imma leave some Miles Kane lyrics here. Make of them what you will.

Miscommunication Tailored altercations Sing to yourself at night So come a little closer, dear You know I find it kinda hard to hear When you are whispering like that And you're diving in the deep The world at your feet An oyster but you can't break the shell We're sitting on the carousel, bang, bang My God, I know this all too well

So let me save you from yourself because

Caroline, you're living on the edge this time But it ain't nothing personal, no, no It's something that you need to know It's problematic cosmological

Take my hand And go and lead the life that you've planned 'Cause you're gonna be just fine My Caroline My Caroline

5. They feel magnetic

From the moment you met and still to this day, you feel drawn to them physically when they're near you, as well as magnetically, when you're apart. It's as though their energy is always with you, always wanting to be closer.

UM... Do we even need me to even put any examples here? But ok, ok. Just a few little ones to not leave it empty

and then, for the being apart part, of course:

6. The relationship is tumultuous

Twin flame relationships aren't all smooth sailing, and actually, they're usually not. Being with a twin flame is like constantly being confronted by yourself, namely the parts of yourself you may not like. It can be incredibly challenging, but it's facilitating major growth for both of you.

Well there's:

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which people say shows some tension between them (kind od agree) there's Miles' lyrics from his last two albums, which I am convinced are about Alex and could be taken as light diss tracks honestly. Either way - there've been theories about some tensions between the two around 2018ish? And maybe later. Seems like they've smoothed it out. But song lyrics can say a lot about potential hurt and love between the two. Also if you believe this twin flame thing is about romance - well then the fact they keep being in other relationships is the biggest thing (but still can't keep their hands off each other? potentially?) If you choose to see it as a deep platonic connection only - then just ignore the girlfriend-reference part above. For a bite-size example I'll leave you with some more Miles Kane lyrics here (I think these are most commonly & widely agreed upon to be about Alex). I'm gearing up to start doing some thorough MK lyric dissections / crazy theories soon!

You're walking around, your head in the clouds You're acting as if you're Mr. Johnny know-it-all Mister come and watch me fall

You're feeling alive, a Jekyll and Hyde You're riding the tides and everybody's just doing fine Leading that double life

I'll be right here, I'll see ya when I see ya I'll wait right here, I'll see ya when I see ya You're dancing with death in a bulletproof vest There's no other way to say it, brother Better watch your step Before all goes west

The king and the queen, the milk in your tea The partner in crime you only ever found once in life Don't let it pass you by

7. The relationship is very intense

There's a definite emotional charge between twin flames, says Spinelli, and they often develop quickly because you already feel so familiar. And as Kaiser adds, "Because you are so connected at a soul level, you feel things deeper together, which often makes for more intensity and passion."

I mean here's another one where we don't really need much material, do we? It's just there. And also previous quotes are examples for this one too. About how quickly they became the closest of friends: long conversations on the phone, sleeping at each others houses, getting to know each other's parents etc. And then they write music together (stating that if they met earlier they'd have been a band together for sure) and hop onto a plane to record an album in the French countryside, spending all their time together there. As still relatively fresh friends at that point.

I also needed to include this somewhere because I 100% also perceive Lennon/McCartney as twin flames - and think that this is where many of the comparisons between them lay (and also big part of why Miles & Alex can relate to the two on a deeper level) (we're not gonna talk about the sad ending for those two though. Okay? No).

-- And yeah. Also all that chemistry.

8. You keep coming back together

"The chase" is most definitely a part of the twin flame relationship. At some point, one of you may walk away, out of fear, anger—you name it. But you'll often come back.

"If you're in an 'on and off'-again-type relationship, it could be with your twin flame," Kaiser says. "You'll find that things just keep bringing you together in random ways. Could be months, years, even decades; you just always find your way back to one another."

+See: many of the other things already stated above - but especially under point 6. Also the fact they're in each others lives since they were pretty much kids and still after years chose/choose to spend so much time together, practically living next to one another at one point (Miles moving to LA partially for Alex) and talking about how they never do more than 2 months without seeing each other (and that's caused by big stuff, like tours). Also... I think if someone belives there's more going on bewteen the two then yeah... This seems like a description of what it seems like from the outside (with one of the bigger "on-agains" being around EYCTE era? And off- around TBHC / CDG album eras?)

9. Your connection feels divine

When you find your twin flame, there's a certain larger-than-life quality that likely feels divine or predestined.

"There is a feeling that you have been brought together by a higher power," Spinelli notes, and that creates a very strong bond between the two of you. (These can also sometimes be karmic relationships.)

See stuff from other points: esp. 1 and 2 I guess. All of them though. And just the way they read each others minds... But that's for the next point.

10. You have an almost psychic connection

You and your twin flame can likely communicate with just a glance, and you always know what the other is thinking. You may even feel each other's emotions or symptoms, Spinelli adds.

The way they finish each others sentences, connect via eye contact (like just glancing at the other and suddenly laughing knowingly?) all the mirroring and inside jokes. Yup. We all know all that, there's a lot. Too much. So just a symbolic amount of examples here.

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11. They push you to be and do better

Because twin flames act as mirrors, they challenge us to do better, and oftentimes, your purposes are aligned in a way that pushes both of you to new heights. It's a very expansive relationship that promotes a lot of growth.

“Sometimes it can be a pressure being the fella in the band who writes the songs. Getting together with Miles I’ve got someone to bounce ideas off and that is something new for me. Also, it gives me somewhere to hide because he’s up there singing with me. In the Arctic Monkeys, there’s nowhere for me to hide.” - Alex As stated in another point - Miles is the more extraverted / loud / cheerful one, while Alex seems calmer, more reserved and on the serious-or-even-sad side. Well guess what - when they're together they balance each other out - and Alex is much more happy and outgoing. Even in interviews - which he famously doesn't really enjoy/do well in. (Take this from a fellow anxious/shy/quiet person. It's a GIFT to find a peron who opens you up this way). Miles also definitely gains a lot from Alex's presence and contrasting way of being.

I know that I could put so much more in here and it's driving me a little mad. There's quotes I have in my head but couldn't place and gave up on the search and stuff I probably just forgot too. But Imma let go of my perfectionism and leave this as is - because I believe it gets the message across. Hope you enjoy my insanity with me! XO

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flymmsy · 3 months

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On Repeat Playlist Tag Game

Rules: Shuffle your repeat playlist 10 times and tag 10 people. Tagged by @say-lene! :)

I’m about to be exposed for my terrible taste in music so here goes. To make this more fun for y’all - under each song I will give my Durgetash-flavored assessment, even for songs which absolutely do not fit at all.

Tagging: @defira85 @memaidraws @asteriasfallingstarsandtears @laubritter @neko-rhapsodos @sleepykitty21 @durgeteriormotives @jellymellydraws @abyssalaerlocke (y’all might’ve already been tagged sorry if so!!)

9/10 starting strong. I actually think this fits Durgetash quite well especially with Gortash's built-myself-from-nothing narrative.

7/10 durgetash rating - this is kind of like the song that they both wish they could feel about each other. Like "yea I wanna be the dude who can kiss you all sweet but if we don't rip each other apart in bed Im gonna get lobotomized so"

Oh man I hate that this is here and I'm really not big on Shawn Mendes because he's a little too bubblegum for me but this song is catchy. 8/10 Durgetash rating due to the lyrics - a dark cover of this song would fit durgetash perfectly. Its essentially "I can't believe my murder girlfriend keeps dragging me into the sewers but damn she's hot"

11/10 Durgetash rating. 10/10 for the lyrics and +1 because Enver Gortash loves Panic! At The Disco.

So yea I'm a musical fan and yes this is a durgetash song for me. Let me sell you on the vision first. Durge gets lobotomized and Orin tells Enver and he immediately wants to blow the whole plan to shit because the love of his life is gone but then the whole ass Church of Bane is like nah just like drink her away my guy and so the Banites Party Hard (tm) and Enver is like fine I'll stick with the plan but he's dead inside. 10/10

10000/10 Durgetash rating. My sister Orin says 'Oh she's just being bhaalspawn.' (is this the most embarrassing song that could ever come up? you betcha.)

This is definitely The Vibe for them. 10/10 just Durgetash being nasty. Check yourself for whiplash from the last one.

I wanted to say like 5/10 but "I don't want to keep secrets just to keep you" got me like hmmmm. Also "he looks up grinning like a devil." hmmmmmm. So I'll give it a 9/10 under one condition: default Dragonborn Durge would have to be in the music video for this in a white frilly dress.

This could probably really fit some people's Durges but it doesn't fit my idea of Durge so I'm only gonna give it a 2/10 durgetash rating. However? Orin could rock the shit out of this vibe. 10/10 Orin song.

15/10 Durgetash song. Hot as fuck, could fit both pre and post tadpole. Even mentions a priest. Strong ending.

That's all folks!

#Spotify

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calethelettuce · 9 months

Text

The Sides As ABBA Songs, Because ABBA Slays

I'm on an ABBA kick guys, bear with me- I thought this would be a cool thing to do, plus you get reasons why :3 If you disagree, lmk!

✨Roman✨

Honey, Honey

- Look, it’s as cheesy as ABBA can get. It’s totally up Roman’s alley

- Probably daydreams about Thomas’ crushes to this song specifically

- Knows almost all of the Mamma Mia! lore (Context: A lot of ABBA music was used in Mamma Mia!, a concert-style musical made specifically with ABBA in mind)

- Puts him in the mood to write some kind of romance novel

- Bro is probably obsessed with ABBA an unhealthy amount, to the point C!Thomas starts having dreams about the group members

⭐Logan⭐

The Name Of The Game

- I was originally going to put S.O.S for Lo-gay, but I feel like this one fits better

- Totally jams out to some of ABBA’s chiller songs while reading or while working

- ‘And you make me feel, and you make me show, what I’m trying to conceal’ sounds like somebody is having some funny lil issues hiding something HMMMM???? MAYBE SOME EMOTIONS?????

- Likes to research the members, just to familiarize himself with the artists to better understand

- Probably analyzes every little lyric, but likes this song just a tad more than the others because.. well, he relates in a way.

🌩️Virgil🌩️

Gimme! Gimme! Gimme!

- The purp man, listening to something OTHER THAN ROCK????!?? Holy shit it’s a miracle

- The most emo song made by ABBA by far

- ‘Won’t somebody help me chase the shadows away?’ C’MON NOW

- Really likes the instrumentals, that’s for sure

- Listens to it kinda often, although it’s kinda just shoved in his 12 hour playlist

- For some reason it calms him down a little when he’s really anxious

- Probably makes up scenarios in his head based on the lyrics

- Not a huge ABBA fan, but tolerates their music a good amount

- Would totally go to a concert tho

💙Patton💙

Slipping Through My Fingers

- I ACTUALLY ALMOST CRIED THINKING ABOUT THIS ONE :(

- It’s just- *sniff* PARENT OVERLOOKING THEIR KID WHO’S FINALLY ALL GROWN UP :((((

- ‘Sometimes I wish that I could freeze the picture, And save it from the funny tricks of time’ I CHOKED AND DIED :(

- Pat probably listens to this song sparingly, because he might relate just a lil too much

- He does like it, it’s just he’s a very emotional guy

- Honestly, he probably listens to ABBA just because it’s ABBA

- Jams to Dancing Queen tho

⚜️Janus⚜️

Voulez-Vous

- Come on now. The phrase ‘Nothing promised, no regrets’? Literally Janus in a nutshell.

- Not really his taste, but sometimes puts it on as a boost of some sort (Probably in the morning)

- I mean, this song is just a bop

- DEFINITELY plays the Just Dance version with Remus or one of the other sides

- I lied he likes playing all the ABBA songs on JD okay he just does

- Probably quotes the french in this song (Only Roman gets it, and 85% of the time he just doesn’t remember what it means)

🟩Remus⬛

Does Your Mother Know?

- Do I need to explain?

- This song is just- yes

- Would definitely tease someone interested in him exactly like this song does

- He’s just so silly

- Probably headbangs to ABBA’s more “explicit” songs

- This one though, he likes because of its funny lil’ indications

- Likes Mamma Mia! like Roman, but only because of the dirty jokes and the “funny” content

- Is pissed it’s not on Just Dance

- Most likely changes the lyrics sometimes to whatever weird things pop into his head that works

- Blasts ABBA music in the background when smashing things with his morningstar (need I explain? we all know he smashes things outta nowhere)

BONUS!!!

💤Sleep💤

Money, Money, Money

- You know this dude is about to spend all his money on starbucks

- It’s just- his aesthetic

- Would definitely marry a wealthy man/woman just for the money

- Hardcore ABBA fan, shut up you cannot change my freaking mind

- Knows all the words

- (Begrudgingly) Geeks out with Roman about it every once in a while

- Causes C!Thomas to lose sleep over this fact (Sleep literally just disappears)

- His personal playlist is half ABBA

- Scored Megastar on Just Dance on every ABBA song (Janus and Remus r jealous of his talent)

💗Emile💗

Chiquitita

- The song reminds me of the therapist friend, so ofc the boi himself deserves it

- Prefers to listen to cartoon soundtracks, though will make an exception every once and a while

- He’s such a sweetheart omg

- If C!Thomas and Emile met in some multiverse I feel like this song describes how a later interaction would go

- I forget that Sleep and Emile aren’t sides lolol

- Also really enjoys Super Trouper for some reason even he can’t explain, he just likes it lol

🌈C!Thomas🌈

Angeleyes

- Nico where u at bby gurl :0

- It’s one of those correlations you can’t explain in a simple way

- ‘Sometimes, when I’m lonely, I sit and think about him’ LIKE AWH ik the song is actually about a breakup BUT SHHHH LET ME BE DELUSIONAL

- Probably enjoys ABBA a moderate amount, he doesn’t really have a cohesive opinion

- Is tired of Roman’s bs tho lol

- There is a breakup mentioned in SaSi somewhere, so this song does kinda make sense in a way

- Vibes with Patton to Dancing Queen 100%

#logan sanders #patton sanders #remus sanders #roman sanders #sanders sides #ts roman #tss virgil #ts patton #ts sides #ts logan #ts janus #thomas sanders #ts headcanon #janus sanders #virgil sanders

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naussensei · 1 month

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I’ve been thinking about the kind of music geto might have listened to in high school and I get the sense that he would listen to a lot of alternative music. My first thought for something of that time period is Queens of the Stone Age, Foo Fighters, maybe even some Radiohead.

He’s an Aquarius so I think he would also listen to some bizarre stuff, perhaps something even heavier like Tool. Overall, I think he’d enjoy a wide variety of music in the general alternative rock/prog rock/metal genre, but he’d also be chill with listening to punk rock stuff too. He’d be the type of person that is more enthralled by the actual lyrics rather than only how something sounds, though a sick drum beat and guitar riff is a good initial hook for him. Idk I can go on forever about this really and obviously I’m not very familiar with any Japanese bands within these genres, but let me know your thoughts.

OMG I LOVE YOUR BRAIN! 🔥

And you took the words out of my mouth because I literally had Radiohead and Foo Fighters in my outline for Geto! But also other ones like Coldplay and Björk. Like you said, I think he would listen to a variety of music but also lean more towards the rock/alternative and even some metal/grunge. Also yeah! I’m sure he’d start listening to some rock/punk (probably courtesy of Gojo’s influence hahaha) I feel like Gojo would be into the kind of music skaters were into. More on the punk side but also maybe some hip hop and rock. Maybe some Beastie Boys even? Or something like Faith No More?

And yeah, I’m also not that well-versed in Japanese music if I’m being very honest 🙈I just remember some bands that were popular, even tho I wasn’t that much into them. But I gotta say, I’m having fun doing research on Japanese music and there really are some bangers out there, and I think a lot may fit Geto’s taste!

Thank you so much for sharing your hc! I love that we both thought of Radiohead and Foo Fighters. The shared braincell at work 😂

#SatoSugu #stsg #SatoSugu hc #SatoSugu headcanons #geto headcanons

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perexcri · 1 year

Text

there’s nothing more cruel than to be loved by everybody but you - [byler week - day 5]

yeah so i thought this fit the secret identities thing until i wrote it and realized it uhh. isn’t quite that. so enjoy whatever this is i guess - lots of miscommunication and a fun set-up for potential enemies to lovers

also it’s my personal headcanon that Will is a music snob, so if you don’t like that then uh,,,,i guess skip this one idk

title from: wilson (expensive mistakes) by fall out boy

dedicated to: the listening party for fall out boy’s new album that i went to last week in a city an hour away from me; i came up with this stupid idea on the drive there! indie record store in [city redacted], you were very nice, and thank you for having a decent selection of poetry i could pick from :]

Don’t ask Will how this ended up being his job, because he honestly doesn’t know. One day, they had a meeting for the university’s queer artists’ zine where he was complaining about everyone’s responses to the new U2 album (yes, it sounds different from other U2 albums, but obviously if you look at the lyrical and metatextual themes of Achtung Baby, it’s still very much U2), and then BAM–suddenly he’s in charge of doing the cover art for the zine and writing music reviews.

Sure, he could probably turn it down, but nobody else will take the job.

Also, he’s pretty sure they wouldn’t do it right, because, as much as he loves this group, their music tastes are…well…not everybody has an older brother like Jonathan Byers who makes sure they grow up with proper music opinions.

So, if anything, Will does this to keep the spirit of reviewing and recommending underground artists in New York City alive for the zine, and also because he doesn’t think anybody else could do it justice, no offense to them.

But Will is loathing this job for their upcoming edition. He’s sitting in that weird liminal time between class periods where people are in the chaotic throes of rushing around or throwing their notebooks open to prepare for the lecture; his elbows are pressed into the desk that’s just a little too small, and his head is in his hands. He’s staring down at the one submission he’s been putting off for precisely three semesters, because the president of the zine said it needed to be done before they moved on to new submissions, so could you please just lower your standards for one night and go listen to them play so you can write the damn review?

The Fellowship of the Ring, the submission card reads in faded pencil. Scratched under it in the slightly-fresher ink of the zine’s president’s pen, it reads: Thursday - The Purple Hall - 8 PM.

And, God, Will wishes this show was just gonna be a live reading of the Tolkein book. It would be so much better than what he knows it actually is.

The Fellowship of the Ring is a local, up-and-coming act in the underground venues of the greater New York City area that everybody loves because they sound like Nirvana and, you guessed it, throw out Tolkein references like they’re Led Zeppelin. They’re huge on college campuses, where students pass around live-recorded tapes of their supposedly-legendary performances all the time, gushing about how even the bass sounds, the peeling shrieks of guitars, the way the vocalist wavers between grumbles and ethereal, falsetto howls. They even gush about the lyrics and how they truly capture the experiences of Western youth in these first few years of the new decade: malaise, boredom, this sense that there is no great struggle for the future left for them, only an endless drowning in comfortable excess.

Will had even seen a girl with the band’s logo tattooed on her shoulder.

Which is…fine. He guesses.

If you like shitty music, that is.

See, that’s the fundamental problem here: Will likes doing these silly little reviews for live music around New York because half the time, the music is passably decent, and even if that doesn’t work, the lyrics can make up for it. There’s so much creativity in the air, and people are doing so much with it.

Not The Fellowship of the Ring, though.

Where everybody else sees innovation, Will sees reductivity; where everybody screams about the charm of the lyrics and the pop culture references they sneak in, Will sees a demeaning pandering to an audience. Every single time he has been subjected to the squawks and out-of-tune guitars of The Fellowship, he’s spent his time thinking he would be better off to save himself the time and just listen to Nirvana’s Nevermind for the millionth time, because that’s all The Fellowship’s trying to do, anyway, and at least then Will could listen to something good.

Yeah, Will hates The Fellowship of the Ring, and now he’s squeezing his temples so hard that the letters on the submission card are beginning to swim in his vision.

“Hey!”

Thankfully, Will is saved by his very friendly, incredibly good-looking neighbor in History of the American Constitution, Mike Wheeler.

“Hey!” he says, trying to gain back the energy that seeing The Fellowship’s submission card had unwittingly drained out of him.

And honestly, seeing that flash of Mike’s smile and how the fluorescents dance in his eyes, Will feels like he has enough energy to power the sun now, even if they are going to have to sit through yet another lecture about Article II–whatever the hell that means.

“What’s got you so down?” Mike asks, head tilted to the side, some of his hair tumbling into his eyes, and all Will wants to do is push it away–

But, no, he has to have a coherent conversation right now, so he shakes his head and tries his best to return Mike’s smile. “Oh, nothing…Just something for that zine I work on.”

“Oh, yeah!” Mike snaps his fingers, causing some of the buttons on his jacket to rattle together. He always wears a leather jacket no matter the weather or the rest of his attire, and today, paired with plaid pajama bottoms, held-together-by-duct-tape converse, and a baggy Care Bears shirt, it shouldn’t work, but in Will’s eyes, it does. “I think I saw one of those around! I wanted to grab a copy, but somebody else did before I could get to it.”

“I can bring you a copy of the next issue,” Will says, then, remembering the task at hand, groans and puts his head back in his hands. “That is, if I even survive it.”

“What, are they making you skip classes for it?”

“No, worse: they’re making me listen to a band I hate.”

Mike winces. “Yikes.”

“Yeah.”

“That sucks.”

“Right?”

“Can’t you just, like…push it off?”

“I did. For three semesters.” The professor wanders in with a mumbled greeting and a steaming cup of coffee in hand, and Will lowers his voice in anticipation of the lecture beginning. “That’s why I have to do it now.”

“Maybe it would help if somebody went with you?”

Despite having flirted with each other mercilessly all semester during this one shared class of theirs, they haven’t hung out much outside of it, so to be faced with the possibility of something that could potentially be labeled as a date between them is shocking. For a moment, Will can forget about the future torment awaiting him Thursday evening at The Purple Hall’s listening stage, and he thinks that maybe, just maybe, having somebody to talk to over the drone of the lazily-played guitars could make the evening slightly more bearable.

“Yeah,” Will finally says, a grin stretching across his face. “Of course. Yeah, that’d be awesome!”

Mike returns the look twofold, and one of his legs begins to bounce. “Awesome! When is it?”

As the lecture begins, Will resorts to a torn piece of notebook paper, like he’s a kid passing notes in class again to survive the boredom. He scribbles The Purple Hall - Thursday 7 PM, then hands it to Mike, who responds with a quizzical look at the paper, scratches something out, and hands it back to Will.

The Purple Hall - Thursday 7 PM 6?

Will shoots him a thumbs up, prays it wasn’t too awkward, and then folds the sheet of paper up and sticks it in his pocket.

And if he carries it around there for the rest of the week, then that’s his business alone.

---

The pros: this is one of Will’s favorite music venues, there’s several bands to look forward to tonight, and Mike seems wholly invested in the idea of this being a date, if him leaning closer and the playful hand on Will’s knee mean anything.

The cons: Will has to listen to the fucking Fellowship of the Ring in approximately ten minutes.

He’s able to put the thoughts off for the first hour. After all, The Fellowship isn’t set to perform until 8–he and Mike had met at 6 as planned, and Will has spent the first hour and a half trying to be blissfully unaware of the torturous fate awaiting him.

Even as his skin begins to crawl at the thought of having to hear those plucky, out-of-tune guitars and the lead singer screeching about the Gulf War under the guise of Star Wars references, he does feel a little settled. Mike’s fingers are surprisingly warm, and the alcohol they’ve been nursing makes his chest glow with warmth. It’s easier to laugh, to be focused solely on Mike and these wonderful, looping conversations they’ve found themselves ensnared in.

“This one’s good!” Mike half-shouts over the drum solo of the current act, consisting of just a drummer and a bassist crooning over their heady rhythms. They’re called the Jazz Squares, or something like that. Whatever.

At least they’re not The Fellowship.

“The drink or the band?” Will queries. His own head’s spinning with the beer he’s been sipping on for the better part of an hour, and he already feels lightheaded, because he’s a lightweight, and Mike’s got something to do with these pulses of courage thumping in his chest, right?

“Both!” Mike takes another long sip from his Jolly-Rancher-blue mixer. Will had asked him what was in it earlier, and all Mike had responded with was Coconut-something and a whole lot of rum!

They’ve talked about so much already–their families, their majors, their hobbies. Mike comes here a lot, he reveals, and he mentions that he plays guitar, too. He keeps it a playful secret when Will asks for more information, though: how long have you played? Do you write, too? Are you in a band, because I could put you in the zine if you wanted–

It’s a surpriseee, Mike had drawled in response, a stupid grin twisting his mouth as his fingers had vacated Will’s knee momentarily just to ruffle through Will’s hair.

As the Jazz Squares’ set finally dies down to some spotty applause (this is more of an alternative scene, after all, but a gig is a gig), Will lets out a groan, melodramatically knocking his forehead into the table, and finally drags out his notebook.

“What’s that for?” Mike asks, eyebrows high on his forehead.

“For that review I have to do,” Will grumbles.

“But isn’t that act on in, like, two hours?”

Will blinks a couple of times. He supposes he hadn’t actually told Mike which group he was here for, but he thought the fact that he originally proposed a meet-up time of 7 would have communicated enough that it was somewhere around then. “Um, no? I didn’t say anything, I guess, but I think they’re up next.”

Mike’s fingers begin to nervously tap on what remains of his electric blue potion. As his and Will’s gazes snag together for several heady seconds, he purses his lips, then throws back the rest of his drink, swallowing the last of it in just a couple of gulps.

Will slowly draws his notebook out, flipping to the page he had specifically marked The Fellowship of the Ring with a disheartened, frighteningly life-like frowny face scrawled next to it. “Is something wrong?”

Mike drags his wrist across his mouth, smearing any remaining drops of blue onto his leather jacket’s sleeve. “So this band you hate that you have to review…It’s The Fellowship of the Ring?”

“Yeah.” Will taps the top of his paper. “I didn’t say anything, but…Yeah.”

“Oh.”

“Why?”

“Um.”

Will quirks an eyebrow up. “I mean, do you like them? That’s fine, of course, I mean–people have different tastes and what-not. I’d just have to seriously question your judgment in all matters music-related, I guess.”

“Um,” Mike repeats, fingers now tapping a dangerously fast staccato against their bartop table. It makes the remaining beer in Will’s bottle slosh around. “Um…This is bad.”

“What? Are you a super fan or something?” Thanks to the alcohol, Will feels bold enough to scrunch his nose up with disgust. “I mean, fine, whatever. But seriously, if you want a second date, I’m gonna take you to a record store so you can hear some actually decent music. If you’re impressed by that fucking band’s reductive bullshit, you’ll be positively amazed by a group like The Clash or Smashing Pumpkins or–hell, even fucking U2–”

“Excuse me!” the MC calls over the mic; when the feedback whines, he takes a second to tap at the mic, then announces: “Calling everyone’s favorite up-and-coming group, The Fellowship of the Ring, for soundcheck–their set starts in five!”

The club erupts into raucous cheers. Will has to hide the involuntary groan of annoyance he lets out behind his hand.

Mike casts a nervous glance at Will, then pushes his chair out and looks like he’s going to walk away, the buttons on his jacket clicking together. He nearly trips over the saggy laces of his converse, and through the tears in his jeans, he almost looks like he’s shaking.

“Hey, wait!” Will says, reaching forward and grasping Mike’s wrist. It makes the other guy stop, a blush creeping up into his cheeks, and Will tries to push down his distaste for the band and lets out a sigh. “Listen, I’m sorry–I was being stupid. It’s just a band, after all. If you like them, that’s fine, and I will…” he swallows here, and it hurts, taking on this insurmountable task of trying to push his music-snob’s pride down. “I won’t make fun of you for it. I promise.”

Mike blinks a couple of times before a reassuring grin overtakes his features. “Uh…Nope. That’s okay, Will. It’s not for everyone. I wasn’t like…trying to run out on you or anything.”

“Oh.”

“Yeah. I’m still gonna be here.”

“Then why are you getting up?”

Mike points at the stage, where a drummer and bassist are setting up their instruments, their eyes scanning the room in search of their infamous guitarist and singer. “Didn’t you hear? We have soundcheck. The set starts in five.”

Will slowly nods. “Yeah. Then the next act starts, and I have to scratch down whatever notes I can think of for them, and then we can get back to our date.”

Mike stares at him for several seconds.

And then it all catches up with Will.

“Oh, shit–”

Mike’s grin turns into something playful, his eyebrows shooting up beneath his bangs. “Can’t wait to read your official review of my fucking band’s reductive bullshit!” he says with a two-fingered salute, then spins around to make his way to the stage. He’s bathed in the dim lighting of the stage, hunching over his guitar the second he straps it around his chest, and Will wonders how somebody who was brave enough to wander around in a leather jacket and a fucking Care Bears shirt and look that good could be involved in a band that’s just–

This bad, Will finishes for himself as Mike strums his first cord, its electricity shaking the walls of the club, and he begins yet another signature Fellowship song that’s nothing more than various John Hughes and horror movie quotes juxtaposed over warring drums and guitars.

Of course Will would be stupid enough to fall for the lead singer of his most-hated band in the greater New York City area.

#byler #bylerweek2023 #ficlet #did not feel like messing around with html for line breaks today so sorry for the extra dashes :)))#also the will being a music snob thing is a headcanon so like #pls don't crucify me i just think it's a silly thing to write about #anyway #i think this could be secret identities if i'd been willing to commit more words and planning but i wasn't so <3

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nordleuchten · 1 year

Text

Hamilton vs. History

As most people are certainly aware of, Hamilton: An American Musical is not an exact representation of history and never wanted to be one. But when a pop-culture medium is so widespread and in certain places almost as omnipresent as Hamilton is, there will always be a blend between fact and fiction. Certain aspects of fiction or pop-culture simply make such a strong impression on us, that they shape our view on reality/history. Some aspects appear so much more fun, so much brighter in fiction, that we often do not want to know weather said aspect really happened this way. Some other details are so minor, that they are hard to catch if you are not deeply interested in the topic at hand.

Since I do know a thing or two about La Fayette, I thought I take a little deep dive into his depiction in Hamilton.

As a little disclaimer, while I have read the book Hamilton by Ron Chernow and listened to the official cast recording, I have never seen an actual production and can therefore not take into account what the actors do on stage.

Appearance:

I would have hoped that I do not have to say it, but I have made the experience in the past that I indeed do have so say it; La Fayette was not dark skinned. He was as white as the rest of influential America and Europa at that time.

As to his costume, well, he wears two uniforms throughout the play (plus the white suit at the beginning and in the end and his civilian clothes at the beginning of Act I)

His first uniform is identical with Mulligan’s, Laurens’ and Hamilton’s uniform – not quite right since he was a Major-General and the others were not. A more suitable uniform would have looked something like this:

The second, and probably more prominent uniform, is this one:

La Fayette wore this uniform as a lieutenant general in 1791 towards the end of his military service during the French Revolution, so roughly a decade later, in a different country during a different revolution.

Aaron Burr, Sir

With this song we are introduced to La Fayette for the first time. As a disclaimer, La Fayette never met Hercules Mulligan, had very little contact with Aaron Burr and he also met Hamilton and Laurens at the same time.

[LAFAYETTE]

Oui oui, mon ami, je m'appelle Lafayette!

The Lancelot of the revolutionary set!

I came from afar just to say “Bonsoir!”

Tell the King “Casse toi!” Who's the best?

C'est moi!

I like that La Fayette is speaking French in his opening lyrics because by the time of his arrival in America he only had a very limited knowledge of the English language and he needed a few extra months to feel entirely comfortable. Hamilton and Laurens both spoke French and this circumstance really helped in building their friendship.

La Fayette also makes a remark regarding the legendary (often described as French) knight Lancelot du Lac. Quite fitting, given that La Fayette hailed from a line of literally knights and these were stories and (self-)characterisations that he was quite attached to.

Other than that, the song is a bit too bubbly for my taste. Yes, La Fayette could be extremely energetic and optimistic, but he could also be incredibly self-conscious. He knew that he had no practical knowledge, that he barely understood the language, that his age was working against him, he even told Washington that he came to learn and not to teach – he would have never said “Who’s the best? C’est moi!” And while we are at it, he also did not like swearing.

My Shot

[LAFAYETTE]

I dream of life without a monarchy

The unrest in France will lead to 'onarchy?

'Onarchy? How you say, how you s-oh, 'anarchy!'

When I fight, I make the other side panicky

With my—

I suspect that the first line is directed towards the French monarchy, since France was where the vast majority of his life took place. If so – no, La Fayette did not dream of life without a monarchy. Later, during the French Revolution he was critical of the monarchy but never wanted to abolish it. He was not called a Counter-Revolutionary and Royalist by his enemies for no reason.

While yes, there had been unrests long before the French Revolution, as we know it, started, these problems were at this time of his life not on La Fayette’s mind.

As to making the other side “panicky”, well, La Fayette had no practically military experience at this point so there were very few people whom he made “panicky” (and I think half of them were members of the Continental Congress and Continental Army.)

But once again, I like La Fayette’s struggle with the English language.

The Story of Tonight

[LAFAYETTE/MULLIGANS/LAURENS]

I may not live to see our glory!

This line is rather interesting because while, yes, many of La Fayette’s ancestors have died young, his own father among them, and while La Fayette himself had been wounded early on in the Battle of Brandywine and also had been severely ill several times, he wrote these lines to his Adrienne on January 6, 1777 in regards to the birth of their second daughter Anastasie:

For the rest, if one must worry about the family name, I declare that I have decided to live long enough to bear it myself for many years, before I am obliged to bequeath it to another being.

Idzerda Stanley J. et al., editors, Lafayette in the Age of the American Revolution: Selected Letters and Papers, 1776–1790, Volume 1, December 7, 1776–March 30, 1778, Cornell University Press, 1977, p. 222-226.

He certainly was full of optimism to see their glory.

[LAFAYETTE]

Let's have another round tonight!

La Fayette was definitely not averse to a drink or two or fife with his friends. This line is very much in character.

The Story of Tonight (Reprise)

I would like to preface this song by saying that neither La Fayette, nor Laurens, nor Mulligan nor Burr were present at Hamilton’s wedding. The only guest on Hamilton’s side of the wedding party was Doctor James McHenry, former aide-de-camp to Washington and now an aide-de-camp to La Fayette

[LAFAYETTE]

Let's have another round tonight!

As I said previously, this is definitely something that La Fayette would have said. :-)

[LAFAYETTE]

You are the worst, Burr!

There is no reason to believe that La Fayette, even when a bit tipsy, had any ill feelings towards Burr. In fact, La Fayette had very few feelings towards Burr because he mentions the good Sir almost never. There are six letters in total, both to and from La Fayette, that mention Burr and the earliest is from 1807.

Stay Alive

[LAFAYETTE]

I ask for French aid, I pray that France has sent a ship

La Fayette lobbied extensively for the American cause, even before his first voyage home again to France.

[WASHINGTON]

Have Lafayette take the lead!

(…)

[LAFAYETTE]

As we snatch a stalemate from the jaws of defeat

The Battle of Monmouth was a wild. Washington offered the command to Lee, who was not interested so Washington went to La Fayette, who gladly accepted the command. Suddenly, Lee’s interest was renewed, and he took command after all. The battle itself was disaster but La Fayette never officially took command but instead worked with Lee to try and safe the day and he was also in command of his own little sub-division.

Guns and Ships

La Fayette's most prominent number in the musical.

[LAFAYETTE]

I’m takin this horse by the reins makin’

Redcoats redder with bloodstains

(…)

[LAFAYETTE]

And I’m never gonna stop until I make ‘em

Drop and burn ‘em up and scatter their remains, I’m

[COMPANY]

Lafayette!

[LAFAYETTE]

Watch me engagin’ em! Escapin’ em!

Enragin’ em! I’m—

(…)

[LAFAYETTE]

I go to France for more funds

(…)

[LAFAYETTE]

I come back with more

[LAFAYETTE AND ENSEMBLE]

Guns

And ships

And so the balance shifts

La Fayette went to France in 1779 and returned to America in 1780. He brought with him the promise of “guns and ships” but the French aide needed some time to arrive.

[LAFAYETTE]

We can end this war at Yorktown, cut them off at sea, but

For this to succeed, there is someone else we need:

(…)

[LAFAYETTE]

Sir, he knows what to do in a trench

Ingenuitive and fluent in French, I mean—

(…)

[LAFAYETTE]

Sir, you’re gonna have to use him eventually

What’s he gonna do on the bench? I mean—

(…)

[LAFAYETTE]

No one has more resilience

Or matches my practical tactical brilliance—

By the time of La Fayette’s return to America, Yorktown was not yet chosen, or better destined, to be the decisive battle in the Revolutionary War, especially since Washington and the French commanders had different ideas about how to proceed.

La Fayette did try to mend Washington’s and Hamilton’s relationship, not only by talking with Washington but also with Hamilton. And no, he would have never said, that he was tactically brilliant – because he was not, simple as that.

Yorktown (the World Turned Upside Down)

[LAFAYETTE]

Monsieur Hamilton

[HAMILTON]

Monsieur Lafayette

[LAFAYETTE]

In command where you belong

[HAMILTON]

How you say, no sweat

We're finally on the field. We’ve had quite a run

[LAFAYETTE]

Immigrants:

[HAMILTON/LAFAYETTE]

We get the job done

This is such a lovely scene, isn’t it? But it never happened like that, quite the opposite actually. La Fayette chose one of his former aide-de-camps, Jean-Joseph Soubadère de Gimat, to take command of the storming of redoubt number 10. Hamilton was eager to be given the command but when La Fayette refused he went straight to Washington who decided in Hamilton’s favour and overruled La Fayette’s decision. While in the end this incident did not harm La Fayette’s and Hamilton’s friendship, La Fayette was anything but happy with the situation.

[HAMILTON]

So what happens if we win?

[LAFAYETTE]

I go back to France

I bring freedom to my people if I’m given the chance

As I have now already mentioned a couple of times, at this time there was not really any freedom that La Fayette wanted to bring to France. There were certainly political and social matters that he was interested in and some laws that he would have liked to see reformed – but I feel like these lines imply a fixed agenda that simply was not there yet.

[HAMILTON]

When we finally drive the British away

Lafayette is there waiting—

[HAMILTON/LAFAYETTE]

In Chesapeake Bay!

La Fayette and his troops played a vital role in cornering and keeping the British troops in Yorktown by making a retreat by land impossible.

[LAFAYETTE]

Freedom for America, freedom for France!

Again, freedom for France was not yet on the forefront of La Fayette’s mind.

Cabinet Battle #2

[Jefferson]

Did you forget Lafayette?

[Hamilton]

What?

[Jefferson]

Have you an ounce of regret?

You accumulate debt, you accumulate power

Yet in their hour of need, you forget

[Hamilton]

Lafayette’s a smart man, he’ll be fine

And before he was your friend, he was mine

If we try to fight in every revolution in the world, we never stop

Where do we draw the line?

La Fayette’s imprisonment was a headache inducing topic for many people at the time. Neither Hamilton, nor Jefferson, nor Washington for that matter, had forgotten La Fayette, but there was very little that could be done from their positions. What could be done however, was done and Hamilton and Jefferson both helped. Interesting is here the change of roles – Jefferson accuses Hamilton of not caring while Hamilton himself is rather optimistic. In reality it was Hamilton who did way more for La Fayette, even taking his son in, while Jefferson, although concerned and helpful, sometimes had a mindset of “Well, it is a revolution, shit happens.”

This post is not intended as a critique of the musical or the people who like it and listen to it, this is simply a little note for the curious. :-)

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spiderfunkz · 2 years

Text

BACK TO THE OLD HOUSE

pairings : robin buckley x gn!reader

summary : while working at the record store you stumbled upon a customer with amazing music taste, and she's awfully pretty.

words : 0.9k

warnings : fluff!! (i needed to make it up for the last fic so...), foul language, robin & reader being a gay mess.

a/n : i had this idea in my mind for a while so i wanted to write it!! and plus robin x reader who works at the record store???? i'm literally in love <33 alsoooo another lyric fic because these are really fun to make :) and yes i did change some of the lyrics a bit to make it fit so sorry abt that!!

when you cycled by . . .

"hi! welcome to ronnie-anne's records, how can i help you?" you say, turning around from the counter to face the person, and oh my god. "uh just these thank you." she replies, smiling.

here began all my dreams . . .

you thought love at first sight was just a thing in the movies. but when you saw her, you swore you were about to burst into little red hearts. she was just so, so, so pretty.

the prettiest thing i've ever seen . . .

"oh right-" you chuckle nervously, realizing you were kinda staring at her. "the smiths? nice choice." you smile, grabbing the vinyl. "yeah! they're sorta my favorite band" the strawberry blonde replied. "no way! they're my all time favorite" you stated.

"really?" she asked as you nodded. "well- um if you want, maybe we can listen to it together? if you don't it's fine though, don't be pressured into saying yes though it'll be a dream!" she paused, "sorry i'm rambling." she added.

"oh- no, no, it's fine really! and i would love to listen this with you." you reply, turning red. "oh my god, that's- that's great! i'm robin by the way, sorry i never made that clear."

robin. a pretty name for a pretty face.

and you never knew . . .

"pretty." you blush as she raised her brows. "the name i mean! i mean you're pretty too, really pretty-" you stopped yourself before you could continue causing her to laugh. "sorry.." you say, shaking your head. "it's fine. you're pretty too" she commented.

you were gonna burst into red hearts.

"awh thank you, i'm y/n." you reply.

how much i really liked you . . .

"you've got a pretty name, oh! are you free on friday maybe? friday afternoon if you want to listen to the smiths together." robin asks. "oh yeah, i am!" you reply.

"that's great! when does your shift end at friday?" robin added. "around 5" you reply.

"okay that's great then! works perfectly uh- my shift ends at around 5 as well, it's across from here so i can pick you up after my shift if that's okay with you." robin asks as you nod, "yeah that sounds good!"

"okay then, i have to go now, thanks and it was really, really nice meeting y/n!" robin says, walking towards the door as you grab the cash she placed earlier. "it was nice meeting you too!" you wave goodbye as she smiled.

cause i never even told you . . .

"y/n, hey!" robin waves, walking in. it was around 5 by now and you were about to listen to the smiths with robin.

"oh hi robin!" you wave back as she walks towards the counter. "you still down to listen?" she asks as you nodded. "yeah! that's probably the only interesting thing i'll do today and i'm really excited." you reply, smiling.

"me too, oh and when i told you i'll give you a ride i didn't quite specify and well-" robin pauses causing you to furrow your brows. "you know why don't you just check it out? if you're done with your shift though i can wait" robin added.

"uh my shifts done actually! i'm just cleaning some stuff here." you reply as she nodded. "okay, well um come with me then!" robin smiles, grabbing your hand as she walk towards the hand.

her hand was soft, and her touch felt comforting. a sort of safe feeling. her rings was really pretty too.

"tada!" robin says, gesturing jazz hands while smiling, sarcastically. it was a bike. a nice though, with a basket filled with flowers and the vinyl she bought from you a few days ago. it was painted nicely with a light blue tone with some stickers stuck to it. the bike had two seats, and the one for you had a white ribbon attached to it.

your eyes widen as you smile a bit. "sorry it's not much, the moped i was suppose to bring was being used by my mom." robin explained. "it's alright! this is pretty nice." you say.

"oh these are for you by the way! picked them up this morning." robin smiles, giving the flowers from the basket to you.

"awh! thank you so much, this is so lovely." you thanked, cheeks turning red as you observe the flowers. "i didn't bring anything for you sorry." you frown a bit. robin shook her head, "it's okay! i just wanted to give those to you." robin added.

"anyways! would you like a ride, my love?" robin asks, bowing as she reaches her hand out.

my love.

"i would love a ride, m'lady" you reply, bowing just like her. and with that, you were riding to robin's trailer on her bike as you hold on to her waist.

oh, and i meant to . . .

you arrive at robin's trailer a few minutes later. robin held your hand towards the front door until you reached the living room where her record player is.

'back to the old house' started playing as robin started to sway towards your direction. "do you wanna dance maybe?" robin asks causing your eyes to widen. "yes!" you agreed, nodding as robin smiles.

robin placed her hands on your waist as you placed yours on her shoulder before starting to sway left and right.

"thanks agreeing to listen with me." robin smiles.

"of course" you reply

god, you were so in love.

#robin buckley fluff #robin buckley headcanons #robin buckley blurb #robin buckley #robin buckley x reader #robin buckley x y/n #robin buckley x you #robin buckley imagine #wlw #lesbian #stranger things #stranger things imagine

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kristsune · 1 year

Text

So I had this idea a while ago, to do little reviews for all of Tim Meredith’s songs because I feel like there isn’t enough love out there for them. So last week I decided to just Do It. I finished (including the two new songs he just dropped yesterday) I have it here under a readmore, or if you would prefer, you can just read the gdoc here, I only did the songs that were listed on his bandcamp (which you should absolutely go to) even though there are a few extra early ones on his youtube. These were written in no particular order, basically whichever song I happened to click on next. Anyway, feel free to read and spread the word.

How to even describe Tim Meredith’s music. The way he can adapt to different styles and genres is honestly impressive. It’s probably got something to do with the improv background but it’s amazing how he can just … choose a style and write an incredible song for it. Everytime he drops a new song I am always impressed with what he has managed yet again.

Disclaimer: I don’t have any musical education except being friends with multiple musicians for many years in which only small amounts of information have managed to seep into my adhd addled brain. So I apologize for the lack of musically correct terminology, this is a work of appreciation, not technical prowess. Also lyrics are generally the last thing I hear, so I may mention them here and there, but they aren’t my main focus for this.

Always Here

I can’t quite express what it is about this song that I adore, but it absolutely has something to do with the deep rumble of the bass and the way it drives the song forward relentlessly. The effect on the vocals only adds to this. The fact that it goes minor definitely caters to my tastes specifically. The high tones that come in during the bridge have such a Bowie quality that is delightful and a perfect contrast to the rest of the song. (artwork: the mossy greenery adds such a vibe to the song)

Don’t Look to Me

This has been one of my favorites since it aired. The high vocals of the chorus, with the overlapping harmonies are beautifully done and how they are placed over each other makes me think of something being sung in a large hall or church, big and echoey. Additionally the offset of the lyrics “it’s what you chose” (and to a lesser degree “any other way”) makes it feel like you’re being surrounded, like its multiple people telling you this is what you chose, what you wanted. I adore how the vocals trail out with the music at the end. (artwork: the hot pink neon feels so right for the feeling, the tiles adding to the echo)

Sweaty (Near You)

I know this one was controversial at the release, but I honestly could not then, and still cannot understand why. People are honestly sleeping on this song and it makes no sense to me. It’s got a very sensual vibe without gendered lyrics. Sure “baby” is used, but if you don’t think baby could be used for any gender then that’s on you, not the song. The deep base with the sparse instrumentation with a fun noodly solo is just an excellent combination that works so incredibly well. (artwork: the b&w photo with dark maroon text is a perfect combination)

Lucky Boy

When this song premiered my first thought was the entrance song for a villain in a movie. I could see it so clearly in my head. It’s got drive, and movement, and attitude the way it kicks up into high gear into the chorus from the verse with that fuzz guitar. The incredible layers with all the different synth/organ sounds, paints such an image. Nevermind the vocals that fit so perfectly within all that. (artwork: The maneki-neko is such a perfect choice for this)

Numbers and Lights

This is another one I have difficulty describing quite what it is that I love about it. It’s rather lowkey all the way through and I rather enjoy the… almost the stops and starts, the way it gives pause before kicking back in, like the song needs to take a breath before moving on. Again, pretty sure this one turns minor in a way that caters directly to me. Small detail that really delights me is what sounds like the equivalent to crickets under the “Reid asks Reid tells”. (artwork: gotta love biflag color rep. always a plus)

Limb Controller

This song features Amy and was an early favorite of mine. It feels like a song that could and should be played at a disco, just making me want to dance. The synths are perfect and I love how they gain intensity in the bridge before coming back down for the verse. The contrast between Amy’s higher vocals to Tim’s rougher growly ones is a perfect combination. I’ve always loved the “I’ve already let him in, a puppet on his string” moment. (artwork: when videos were still being made, love the scifi vibes)

Never Loved

Another song that is a bit more lowkey, but still comes through with excellent vibes. This one is really all about the syncopation especially with the drums. Which includes the panning back and forth during certain portions, but especially during the time change. I also really love the effects on the vocals. The occasional splashes of a high stringed instrument, and the crash of a forward cymbal really just add to the atmosphere of the song. (arwork: something about being called never loved with what looks like kintsugi just kinda Hits)

Love Your Mind

The repeating pattern throughout this song is just So Good, I love everything about it, and then how other patterns build on top of it? Impeccable. There are so many layers but it's never too much or loses track of itself, never feels over complicated or discordant. I always end up tapping along to the pattern, sometimes difficult to choose which one to follow. This song is shorter, but never fails to make me smile. (artwork: love the chandelier with the many intricate patterns, feels like it matches the song perfectly in that way)

On Your Terms

Oh that bass line. *chef kiss* Absolutely the backbone of the song, helps create the perfect atmosphere for that distorted guitar. Tim always puts a lot into the vocals, but here it feels like there is a extra level of emotion that feels raw. The way the note is held for “on your terms” just kind of kicks me in the chest every time. (artwork: love that the fire is the only color)

Some Thoughts After Consideration

This song truly resonates with me on a molecular level. I have been working in retail for going on 18 years and I just feel this song in the depths of my soul. Something about the wobbly synths and strong beat with the soft vocals are just perfect. The transition to what almost feels like a … big musical number in a theatrical show for the chorus. Like I can just see big spot lights turning on the stage. Perfection. (artwork: can’t go wrong with a squawking seagull, theme on point)

Falling Away

This is another one of my favorites. It’s so soft and gentle, lilting piano blending so perfectly with the vocals, which build up in intensity for the chorus so beautifully. Again, I think this one turns minor key, though I’m not as sure about it as I am with the others. I don’t have a lot of words for this one, but it’s lovely in its simplicity. (artwork: always loved this one for no reason I can really define)

Regret Me Not

I love how this song starts off sounding like something like a medieval march. The most prominent thing about this song is of course those incredible harmonies all throughout. The whole initial build up, and how it switches halfway through is just incredible. There is so much depth in this short song. I don’t always pay attention to lyrics, but when I did look at them I was surprised and delighted by how uplifting they are. (artwork: another older one with a video. I am a sucker for nature anything, and this just being a series of nature shots particularly appealed to me)

Pacesetter

The deep rumbly bass paired with the panning distorted vocals is just an incredible driving force. This song has the kind of beat that will just go on forever. If it were a predator it would be a komodo dragon just relentlessly following behind, never losing sight, always there stalking forward. (artwork: the starting line for a racetrack is an excellent choice)

The Aftermath

This was another early favorite of mine. The mandolin is the star of this song, but it is surrounded by a wonderful arrangement that allows it to be so. The gentle piano with the soft vocals, the shakers and woodblocks all come together beautifully. I always adored the extended pause about ⅔ of the way through. (artwork: this is my favorite video, and I’m sure it took a lot of work to match all the timing so well. The way it ends with the snuffing of the candle 10/10 no notes)

Arcadia

The light bouncy acoustic guitar is so catchy paired with the light and airy vocals, just makes for a lovely song all around. Truly impressive that so much can be expressed with so few instruments. I always find myself nodding my head along to this one. (artwork: makes me think of marshmallow and then want something sweet, but then I remember it’s a rock face and then that makes me want to climb it. Too bad it wasn’t a marshmallow clifface)

Deep Air

This is one of those songs that I love because it’s so out of the usual wheelhouse. It’s chill and wonderfully lowkey, and truly does make you feel like you are just floating around in space. The NASA audio certainly only adds to that vibe. Even with all that I do really love how it still slowly builds towards a big end. (artwork: excellent space vibes, love it)

A Horrid Angry Goose

I remember the goose game stream quite fondly, and this song in response to that was an absolute delight. It’s a fun and funny song, but it also has genuinely fantastic harmonies, and a strong baseline. The build up in each verse into the chorus is just so good. I love how it tells the story of the game, but in such a delightful way. This song is a guaranteed mood boost and I’m so glad for it. (artwork: Goosey perfection)

What It Says About Me

Adore the intro to this, the panning on the string instrument is perfect, and then when the beat drops and everything just drives on. Again, the way the vocals harmonize is impeccable. Truly impressive. Also adore the almost call and response at about halfway through. (artwork: something about the rusted half visible ship feels sad, though I suppose it’s apt for the song)

Unremarkable Sin

The alternating rhythms for this are just so incredibly good, the way it starts and the way it changes when the drums kick in, giving it a bit of swing that is just really great. I really love the gentle vocals for this as well, they fit between the instrumentation so perfectly. (artwork: i love the vague religious vibes, which somehow also translate into the music but in a not actually religious way)

What’s Due

Another one that just kicks ass right out the gate. The rising synths just gives this song such energy. The layered and overlapping synths and rhythms makes it feel like it’d fit right in at a bar or a scene in a movie (bar scene in a movie?) Again the pause about ⅔ the way through adds such drama and it’s absolutely perfect. The processing on the vocals is fantastic and the delivery only adds to the overall attitude of the song. (artwork: bull terriers are one of my favorite puppies and this one is SO cute, bonus points for bi pride colors)

Breaking

The bass line with the panning distorted guitar is such a good combination. That plus the processing on the vocals, creates such a spacious atmosphere that feels melancholy (Though I suppose the lyrics probably add to that feelings). (artwork: love a good seascape, big fan of corals and anemones, and adds to the vibe of having already “fallen”)

An Imagined Sense

Another song that just makes me want to dance, The way this one goes from just a decent beat to kicking into high gear is so good. Again with the excellent doubled vocals/extreme delay just creating such a great balance with the synths. (artwork: the video for this is extremely hypnotizing and feels like you’re being sucked into the song, which feel right)

Walk Away

The really distorted bass paired with the really light piano synth and gentle cymbals is just a really excellent combination. I really love the repetition for the chorus, plus of course the lovely harmonies make for a really lovely chill song. (artwork: Always been a fan of viewing through an opening, but the broken down interior out into the green outdoors is very pleasing.)

Exquisitely Bad

The groove that is set as soon as the song starts is just impeccable. And that groove just doesn’t stop. I love the contrast of that deeper bass with the higher synths that alternate between ears. Something about how the vocals jump up during with the chord progression is delightful. Really just a killer song. (artwork: love the dilapidated house with green font, fit right in with the Halloween premiere)

Horny for Greece

I know this started as a song from stream, but it is genuinely a fantastic song. That funky piano that gives Stevie Wonder Vibes, the niche but perfect rhymes with excellent vocals, the syncopated drums. All just add up to great vibes. (artwork: having the title cut diagonal over the broken section of sculpture is perfection)

The Eventual

Always a sucker for a song with handclaps. Mixed with the woodwind and the harmonica creates such an interesting atmosphere. There is something about the double beat on the drums that I really enjoy. I also love the strong distortion on the vocals, really pulls the room together. (artwork: took me ages to realize the picture was flipped upside down, that being said, it’s still very visually interesting)

Wretched

The slow build with the offset synths that make almost a round, the drums start and stopping before they fade and the beat truly starts is just so good. It creates such tension. I love how the synths create almost waves throughout the song, pulling it along. I also adore the effects on the vocals, just fits so perfectly with the soundscape of the rest of the song. (artwork: it took me a little bit to realize what I had been looking at, but the textures are so good. Fits with the vibes)

More Time

The hard fuzz guitar is such a strong start for this song, paired with the very rock drums is just perfect. Just has excellent classic rock vibes. I really love the depth of emotion felt in the vocals, and the low doubled vocal is a perfect extra layer you sometimes don’t even realize is there adding to it. (artwork: not sure how or why, but the fire seems to just fit perfectly for this)

Can’t Happen Here

I absolutely love the piano intro for this, it really sets the whole mood. I absolutely love the vocals for this song. The almost call and response, the harmonies, just *chef kiss* fantastic. I also really love the fuzz guitar when it kicks in. Ramps the song to a whole other level. (artwork: love the roiling clouds for this one. Yet again, fits the mood perfectly.)

Kennecott

I desperately love the percussion in this song, both the unusual patterns and the sounds used. It creates such a cool landscape for the song. And the interest doesn’t end there. The part where the sound pans quickly from left to right with the rhythm is just so incredibly good. This song is just an experience from start to finish. (artwork: I never quite figured out what this one was, an aerial shot? of the beach? My brain always just made it out to be an abstract painting but I am currently realizing that is incorrect. Still fits the vibe though, feels scattershot like the song.)

On Notice

(sidenote: I have barely listened to this one, because I tend to listen to my youtube playlist, and I found while making this that this song is only on bandcamp, so I haven’t listened to this one nearly as much as most of the others despite it being released about a year ago)

The sheer amount of Radiohead Vibes for this is absolutely incredible, and as someone who absolutely adores Radiohead, I love it. I love how the vocals come in and out, I love the almost droning instruments in the background. Additionally, on the delay on the vocals is fantastic, and I love the pause like ⅔ the way through. Excellent. (artwork: Love the b&w, looks like black marble. Great look.)

Better from Further Away

I love the simple clean (upright?) bass in the opening, with the soft drums. Again, I am a sucker for harmonies and I love them on the chorus. The juxtaposition of the very chill relaxed song, to the somewhat ridiculous (read: amazing) lyrics is very good. (artwork: Love this video, especially the close up zoom on the sheep when they are mentioned.)

Friend of Mine

I love how gentle and soft this whole song is. The piano and soft drums working so well together with the gentle lyrics. I really love it when the piano kind of goes into double time. (artwork: Love a good red sunset. Excellent.)

In The Dark

I love how this starts out with what feels like very 80’s movie synths, and then just shifts into a very chill song. Not sure why but it does give very 80’s Jim Henson vibes. Like I feel this should be in the Dark Crystal or Labyrinth or something. Maybe it’s the lovely harmonies that I can see being sung by small fuzzy puppets. Also I absolutely adore the horns throughout. Perfect 10/10. (artwork: I think 3 puppets should in fact pop out of the three holes to sing those harmonies.)

Now We’ll Never Know

This song is so very pretty. The simple bass and ringing guitar along with the gentle vocals. Yet again, the harmonies on the “oohs” are beautiful and I love them, especially paired with that gently picked guitar. (artwork: love a good dilapidated staircase. The green lettering is a perfect match.)

#tim meredith #music #my writing #please feel free to reblog

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