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#its pretty obvious in hindsight
hellspawnmotel · 4 months
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this christmas I learned that I'm autistic and the last person in the world to know about it
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I found out I can just use a VPN to access sites intentionally throttled in the hospital wi-fi network. Life is great B)
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secretmellowblog · 10 months
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On the subject of the Titanic ‘submersible’ that was lost in the deep with all its wealthy tourists— it’s so insane/eerie in hindsight to read this article from the Smithsonian that interviews the CEO Stockton Rush long before the disaster.
Despite the Smithsonian supposedly being an organization that cares about science and truth, and the fact that there were SO MANY obvious red flags from the beginning and so many people criticizing the company…..the article is a puff piece uncritically glorifying the CEO’s obviously terrible submersible project. It compares him in glowing terms to Elon Musk. It is an article about how private ventures like those of Stockton Rush and Elon Musk can and should be the future of the world.
We’ve obviously learned now that there were whistleblowers at the company who were warning for a long time that Stockton Rush’s submersible was unsafe— only to be fired and then sued. It makes sense the submersible was so unsafe, because the CEO in this interview is open about how he has no background in underwater engineering and is annoyed by quote “regulations that needlessly prioritize passenger safety.”
Soon after, the private [submersible] market died too, Rush found, for two reasons that were “understandable but illogical.” First, subs gained a reputation for danger. Working on offshore rigs in harsh locations like the North Sea, saturation divers, who breathe gas mixtures to avoid diving sicknesses, would be taken in subs to work at great depths. It was the world’s most perilous job, with frequent fatalities. (“It wasn’t the sub’s fault,” says Rush.) To save lives, the industries moved toward using underwater robots to perform the same work.
Second, tourist subs, which could once be skippered by anyone with a U.S. Coast Guard captain’s license, were regulated by the Passenger Vessel Safety Act of 1993, which imposed rigorous new manufacturing and inspection requirements and prohibited dives below 150 feet. The law was well-meaning, Rush says, but he believes it needlessly prioritized passenger safety over commercial innovation (a position a less adventurous submariner might find open to debate). “There hasn’t been an injury in the commercial sub industry in over 35 years. It’s obscenely safe, because they have all these regulations. But it also hasn’t innovated or grown—because they have all these regulations.”
The fact that Stockton Rush (who was piloting the submarine when the disaster happened) is on record complaining about the evils of regulations that prioritize people’s safety, and the Smithsonian uncritically regurgitated that rhetoric in their glowing puff piece about how rich tycoons like Elon Musk and Stockton Rush are going to save the world is just…..in hindsight of how everything ended it’s just so much horrible black comedy? It’s like a satire about the dangers of uncritically worshipping the rich.
It is mentioned in the article that Rush chose to make his submersible in a different shape, and with a different (cheaper) material than is usually used for submersibles. The article frames this as a result of daring innovation, and not of negligence/ignorance. This passage in particular, which in context is supposed to portray Rush’s critics as joyless naysayers who were proven wrong by the noble tycoon, is pretty foreboding in hindsight:
Rush planned to pilot the sub himself, which critics said was an unnecessary risk: Under pressure, the experimental carbon fiber hull might, in the jargon of the sub world, “collapse catastrophically.”
And then!!
The exact problem that happened to Titan this weekend, happened on Titan’s very first test voyage to the Titanic! The experimental carbon fiber hull had an issue and it caused communications to break down!
The dive was going according to plan until about 10,000 feet, when the descent unexpectedly halted, possibly, Rush says, because the density of the salt water added extra buoyancy to the carbon fiber hull. He now used thrusters to drive Titan deeper, which interfered with the communications system, and he lost contact with the support crew. He recalls the next hour in hallucinogenic terms. “It was like being on the Starship Enterprise,” he says. “There were these particles going by, like stars. Every so often a jellyfish would go whipping by. It was the childhood dream.”
Both Rush and the article writer treat this as a fun quirky story, instead of a serious safety failure and red flag with his experimental macgyvered regulation-flaunting submersible.
Other highlights from the article include:
Stockton rush saying that if 3/4 of the planet is water, why haven’t we monetized it?
Stockton saying we will “colonize the ocean long before we colonize space”
Lots of weird pro colonialism stuff in general??? This article loves colonialism and thinks it’s cool
Rush saying he plans for this to eventually help find more underwater resources for the US to exploit and profit from
Elon musk comparisons. The article writer does not mention that Elon Musk’s rockets explode and therefore it would be a bad idea to get in one of them, because that would imply it’s a bad idea to get into the submersible
Stockton rush seeing himself as Captain Kirk
The article writer comparing the tourists who plan to join Rush to Englishmen who went on colonialist journeys to Africa as if that’s like, a good thing. So much pro colonialism stuff in this article
So many sentences about Stockton Rush being handsome when he literally just looks like some guy
The article beginning with an editor’s note from years later disclaiming that the extraordinary submersible they’re advertising in this article is uh. It’s now uhhhh
But yeah it really does just bring home how so many organizations that supposedly care about scientific truth or journalistic integrity are willing to uncritically platform propaganda for wealthy CEOS. It’s frustrating how easily people fall for the fake myths that careless wealthy people invent for themselves, and even more frustrating that supposedly respectable institutions will platform irresponsible lies that end up getting people killed.
Rush is such an obvious and simple example of this, and his negligence is “only” killing five people including himself. But to me it feels like a cautionary tale to bear in mind when it comes to uncritical puff piece media coverage of similar “daring tycoon innovations” by people like Bezos or Musk.
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toskarin · 9 months
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As someone knowledgeable about MMOs, and given the topic of SAO just came up. If you were to write a .Hack/SAO/Log Horizon style story, what kind of things would you focus on? I personally feel like there are a lot of different elements of MMO culture anyone writing about them could really delve into. So I'm curious what Tumblr user Toskarin would choose.
condensed
back when I played Perfect World, it had some empty spaces. this wasn't uncommon for mmos, and if you can name one older than 15 or so years, you can bet there were vast empty spaces on the world map that existed to pad it
but they were important! sure, they added nothing of obvious value and could cynically be read as existing just to pad travel time, but they also made the worlds feel bigger than you what you were doing in them. and more mysterious.
some friends in my guild and I got a message one day that one member was going to roll a new character and wanted help levelling. a complication: their starting zone was across the sea.
a few friends and I volunteered to swim across the sea to their zone. there were definitely easier ways to go about it, but setting out to do something just to see if it was possible seemed fun
now, they may have changed this since then, but the sea in Perfect World felt strange in a way I haven't seen any game really emulate since. the sky was a dull, and as was the fashion, everything was a bit muted. the sea itself was opaque, and when you swam under it, there was a significant amount of grey-blue terrain that seemed to stretch on forever into the fog
and of course, there was fuck all in it. nothing alive. no monsters until you got close to a shore. just vast empty sea that you swam through, only your friends' characters to break up the odd stillness of it. you probably turned the music off at this point, too, so there was only ambient sound and splashing
this is because you were supposed to fly over it, if you crossed it at all. and because there wasn't really a good centralised source of knowledge on these things, it wasn't really clear if it was entirely empty
the trip there was fine, if a bit boring and lonely. during the trip back, I accidentally clicked on something in the middle of the ocean
now, there weren't supposed to be things there. I had my friends, but I clicked on a monster, and when I swam down to look at it, I saw that it was actually an enormous sea monster
so I pinged one of the guildmates swimming with me and they thought I was lying, so I showed them, and then we repeated this several times until everyone in the group had seen this weird thing that felt like it came from a schoolyard rumour
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Ancient Sea Dragon. 99,999,999 health points and none of us could find anything on it posted online. it was pretty common for players to run into it and be shocked, but we didn't know that
so we naturally let the rest of the guild know, got a hunting party together, and spent the better part of a day just whittling its health down
with the benefit of hindsight and documentation of this thing existing now, I can spoil this and tell you it didn't drop anything, but this long down the line, I still think about how deeply surreal it felt to stumble on an enormous sea monster in the middle of what my brain had come to understand as a liminal space. the sea was supposed to be mostly empty, and here was this thing
which is a very long way to introduce what I think is lacking here: we need more of those enormous empty spaces that leave characters with nothing to do but talk and feel completely isolated. sometimes you get to a sprawling castle city and it's completely empty because the players moved on. sometimes the devs threw an enormous monster in the middle of nowhere just to fuck with you, and that was kind of cool even if it sucked
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silverstonesainz · 4 months
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reader never really celebrates her birthday so what do you think lando would do?
ps tomorrow is my birthday and I’ve never really celebrated it so lol 
happy late late birthday nonnie. i'm sorry this is so late. but i hope your day was everything and more 🤍
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how lando had managed to fuck up a store bought cupcake was beyond him. he could almost laugh it weren't for the fact it was nearly five in the morning and he hadn't slept a wink yet. there was blue icing all over his hoodie– hell there was more icing on his hoodie than on the goddamned cupcake.
he groans softly, swiping his index finger against the fabric, swiping up the icing and leaving a stain in its wake. lando slides his index finger against the edge of the chocolate cupcake, trying to salvage the icing and make it pretty again. in the end, his finger was stained blue and the icing is left a lumpy mess.
in hindsight, he should've bought a couple extra just in case this would happen. but to be fair, he didn't think he'd fuck it up this bad.
he scurries through cabinets and drawers, looking for the pack of candles he bought earlier in the week frantically. your alarm was about to ring and he need to be ready otherwise–
"lando?"
he freezes in his spot, drawer of silverware half open. he looks up to see you, eyes glazed with sleep and your body draped in one of his hoodies. you rub your eyes, call his name again beckoning an answer to what he was doing up so early in the morning.
"you're not supposed to be up," he says hushed, "why are you up?"
"you move so loudly." you begin to walk over to him, arms outstretched and ready to hold onto him.
but lando holds his palm out, "stop stop stop!" you jump at the volume, stopping in your tracks. your boyfriend sighs, "sorry. just. turn around."
"why?"
"too many questions. turn around."
you frown, turning in your place and listening to him rustle through the kitchen once again. lando slams drawers and pushes through cooking utensils roughly. you almost want to help him, hell you try, but lando begs for you to just wait and hold on.
lando finds the candles in a drawer with tape and scissors. he rips the package open, hastily pushes the candle into the mess of blue icing and the already not-so-cold cupcake. he lights it, and slowly, walks over to you. "okay turn around."
when you turn, you see him and the mess he's left. the kitchen is littered with crumbs and blue stains. and lando was worse for wear, with his tired smile and curly hair in disarray. he holds a cupcake with a candle up for you, half the icing on his new hoodie and the other dropped haphazardly back on the cupcake. it's obvious he tried to make it look nice, but the boy could only do so much.
"happy birthday bean," lando says softly.
but he does enough. does everything just right.
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beesmygod · 6 months
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a study came out that might indicate that the benefits gained from medical ketamine are a result of the placebo effect (or as the article makes a purpose of highlighting, "having hope") rather than any specific mechanism unique to hallucinogens. but the way they did the study was really interesting, as they make the point that its nearly impossible to do blind studies of a hallucinogen because its REALLY obvious whether or not you have a placebo.
additionally interesting is the way that researchers discuss and reframe placebo as a mechanism with actual biological impact instead of its general perception as "haha you got tricked into feeling better for no reason dipshit!" in hindsight it makes perfect sense that there's actual chemical stuff going on under the hood
“In some ways, none of this is new,” said Boris Heifets, the study’s corresponding author. “Placebo is probably the single most effective, consistent intervention in medicine, full stop. It’s seen in every trial, and we should probably be paying more attention to the factors that give rise to it.” [...] “Saying ‘it’s just a placebo’ is really a disservice to what placebo is,” Heifets said. “It isn’t ‘I’ll feel better if I say it enough times,’ and it does not imply that there was nothing wrong with the patient.” The researchers settled on the physiological resonance between the placebo effect – which they describe as hope – and how ketamine exerts its effects. Studies have shown that both affect the brain’s mu-opioid receptors, which process pain. “There is most definitely a physiological mechanism, something that happens between your ears when you instill hope,” Heifets said.
article here
probably the same stuff that makes it seem like people improve from prayer. pretty neat!
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hoonvrs · 1 year
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NOONA — 09: we both crode (+written 0.5k)
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if sunghoon was anything, he was a man of his word. so as soon as he saw sunoo walk into the house he instantly tackled him to the ground. whenever sunghoon said he was going to fight one of them he meant it, and although they usually end their fights unharmed this one wasn't the case.
jungwons hallway wasn't exactly the most spacious place fit for two teenage boys to fight in but did that stop them?
absolutely not.
this leads them to continuously bang each other heads into the wall accidentally, "come on guys, you're gonna dent the wall and halmeoni will get mad," jungwon said, successfully causing both boys to stop their little scruffle.
"just know if it weren't for halmeoni i would've fucked you up."
"shut the fuck up sunghoon you fight like a little girl," sunoo huffed, readjusting his school jumper to its right place ignoring the high pitched "BITCH!" coming from sunghoon. in hindsight, jungwon should've known that their fight wasn't gonna end until one of them finally tapped out (usually sunghoon) so he didn't do anything but watch as he sees sunghoon, once again, jump their friend.
"i don't give a fuck about the walls," sunghoon huffed, pushing sunoo further into the hallway causing them both to trip and fall to the floor, tussling around towards the stairs.
"fuck you!" pushing sughoon a little too hard where he fell back and hit his head against the stair railing, hard. a gasp could be heard at the top of the stairs.
"oh my god, are you okay?" 
sunghoon wanted to die.
looking up he can see jungwons sister at the top of the stair, hand hovering over her mouth with an obvious look of concern proving she had seen what happened. no one even had time to react before sunghoon pushed an apologetic sunoo off him and ran towards the storage closet at the back of the house.
yn came halfway down the steps before jungwon interrupted her, "he's gonna be fine you can go back up," she gave him a nod, still looking in the direction where the boy had run.
"okay. if you need anything i'll be upstairs." she left after giving sunoo a glance over concluding he looked fine as he was stood dusting off his pants.
the boys were left with a kind of awkward air, sunoo making sure his uniform was still in one piece asking jungwon to check the back of his shirt with the rest of the boys looking at the stairs dumbfounded.
"so we just gonna ignore how fucking pretty your sister is or what?" jay asked, "she literally made me forget to laugh at sunghoon."
followed by jake repeatedly hitting his arm, "bro same," elongating the end of the word, "but where the fuck did he run off to?" the group slowly started to make their way towards the back of the house, finding the lights in the storage closet on. they tried to open the door but they could feel the weight of sunghoons body keeping against the door.
"sunghoon hyung open the door," niki kept banging against the wood, "don't make me break the door down come on."
a screaming "NO!" came from inside, the embarrassment evident in his voice. “LET ME DIE HERE!”
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previous | m.list | next
S. NOTES: written chap to apologise for the lack of updates 🫶🏼 hopefully it’s not as awks as it felt to write cause it’s been a minute😭
SYNOPSIS: park sunghoon experienced love at first sight when he first laid eyes on his friends older sister. a series of sunghoon desperately trying to do anything in his power to get the girl and yang jungwon cockblocking him for funsies.
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TAGLIST (OPEN) @calijimenez @invusblog @astrae4 @lalalalawon @sserafimez @sfthyuka @miercerise @sasfransisco @annoyingbitch83 @pshchives @dazed-hee @sd211 @makiswrld @lovelypitasworld @kyuupidwrites @jangw2nyo @beansworldsstuff @shinrjj @mariji @shinsou-rii @curly-fr13s @homelycat @seungcheolswife @ilovewonyo @tinyegg @whippedforbeomgyu @adajoemaya @rikisly @sunoo-lvxr @strvlveera @myjaeyunn @meiiiwa @dazedgye @dimplewonie @sxftiell @plasmaticoo @iirene304 @captain-satan @pkjay @j-wyoung @diestheticu @chaeey @rodygr @enhy4me2 @officiallyjaehyuns @liliansun @the-poetic-side-of-me @jjangsims @dudufodd @heeswif3y (bold couldn’t be tagged)
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All of Charlie’s art in Dee Made a Smut film has always fascinated me. But today I want to focuses on a couple that really stood out to me and why I think they help teach the message of the episode.
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This painting shows a woman with dirty blonde hair and a halo ripping out a man’s heart while he’s wearing The Boy footie pajamas from Nightman. I think when Charlie painted this, he intended it to be him and the Waitress—she ripped his heart out when she rejected him after his play but he still sees her as an angel.
But doesn’t it also kind of look like Dee and Dennis? Especially with the messy makeup on the woman, the way the man’s face looks like it can have facial hair or be clean shaven depending on how you look at it. In this scene where the painting is shown, Dee is confronting Dennis with his trauma, showing everyone his bloody ripped out heart and acting like she’s doing him a kindness (killing him while seeing herself as an angel). Also super interesting in hindsight when you consider that in DTAMHD Dennis fantasizes about eating a bloody heart to sooth himself, taking the trauma back into his own body in a sense.
Let’s look at some more.
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A painting of dogs barking (at a human shape maybe? Hard to tell) and a rat covered in blood. To Charlie, I again think these are pretty straightforwardly about his life—he was illustrating Cricket’s dog orgy and the rats he bashes at Paddy’s.
But in the scene they’re framing Dennis, who is in the middle of trying to make excuses for the CSA he suffered. He’s trapped like a rat who’s being bashed, he wants to scream and howl like those dogs but he can’t. And the dog orgy is literally Cricket being assaulted by dogs and then playing it off casually so that’s also a pretty obvious parallel.
In this scene Dennis also explains that he thinks good art is just whatever the “right” people say is good art. Because he’s never been able to connect with his feelings due to his trauma, Dennis has always had a hard time connecting with art on a personal level (in sharp contrast to Frank, who sees himself in art depicting WWII so deeply he has an out of body experience). Like most things in life, Dennis only sees art for its social and commercial value, not as a way to feel connection. That’s why he’s so dismissive of all art that isn’t porn, because porn at least has an obvious tangible use. But even then, even then, when he tries to make “artistic” porn, his mind immediately (subconsciously) tries to express his trauma, using art to express his deepest wounds in a way he isn’t even aware of. And I think Dee sees that and tries to help him through her own interpretation of his art, continuing the metaphorical conversation he started, but she’s also petty, and bitter about him mocking her art at the beginning of the episode, so she does it in a way that’s vicious and public. Art can hurt you, make you think about things you don’t want to, and Dennis hates that. He doesn’t see the emotional connection he could make with Charlie’s art or Dee’s or even his own because he won’t let himself.
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goldenpinof · 5 months
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just gotta say I find the way d&p navigate their relationship fascinating and admirable because like.. if you watch them quite a bit, know the history and stuff it’s so obvious but it’s never so obvious for casual viewers or general public. They can still look like 2 (gay) dudes who live together on the surface.
I think back to what Dan said in BIG “I ain’t exactly been subtle about it have I?” about his sexuality. This feels similar and he’d probably say a similar thing about the ‘mystery’ of their relationship. They’ve not exactly been subtle especially in recent times and back at the beginning. Also the fact they never outright deny anything (yes 2012 times he did but in hindsight we know why) but when asked about their relationship always keep bringing up ‘privacy’ is pretty loud confirmation in its own right. If there’s no romantic relationship to protect or deny why not just put those speculations and rumours to rest?
He knows the people that know KNOW and they seem ok with that & seem to know we understand we’ll never get outright confirmation and that’s fine. But whilst never outright confirming anything they still get to joke about their sex lives/ say stuff like “13 years still keeping it fresh” and joke/pride themselves how well they know each other ect so it must be freeing in a way. Its quite interesting and smart how they handle it
Dan: Why Dan doesn't get married? Because he's scared of commitment.
also Dan: I'm moving into a house with him [Phil].
like, what else do you want, people? he is so loud, it's actually annoying.
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atamascolily · 3 months
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Earlier, I made some broad predictions for Walpurgis no Kaiten, but now it's time for a few more granular ones. One of the great things about PMMM thus far is its use of repetition, which allows for some pretty obvious guesses about what's to come:
An unknown amount of time has passed between Rebellion and WnK; the story opens in media res at the moment before the current system is irrevocably changed. Thus we will not fully understand the world Homura has created until it's about to disappear; however, the seeds of its destruction were present from the beginning, as will eventually be made clear.
The original series opens with a cryptic and as-yet-unexplained prologue, followed by a battle scene that segues into Madoka waking up and going about her morning routine before heading to school. Rebellion follows the same pattern, with a cryptic explanatory monologue from Homura, the first Nightmare battle, and an almost shot-for-shot remake of Madoka's morning routine.
Thus, I think it's reasonable to assume that WnK will do the same; my guess is that we'll have a cryptic Homura scene that may or may not explain what has come before and which will probably hit differently in hindsight, followed by a battle sequence (my guess is Mami, Kyouko, and Sayaka getting their asses kicked when the wraiths start going haywire and/or something with the mysterious hybrid magical girl) followed by Madoka waking up and going about her morning (but animated in the new style and with a few key differences to mark that things are the Same Yet Also Different).
It's unclear to me whether Madoka is in this "dream" or not because I'm not sure what her role is/if she's a magical girl at this point. Based on the previous two installments, the answer is "yes", but we'll see.
Likewise, there will be a Thematically Relevant Conversation between Madoka and Junko in the bathroom while they're brushing their teeth. Would be hilarious if it involved mirrors or reflections (literal or metaphorical) in any way; ditto for teamwork and cooperation, since I suspect they will be major themes in this installment. Also phones and communication.
Is Kyubey initially around? Again, TBD. Could go either way, depending on his circumstances now. My guess is no, though it would be funny to see him watching in the background.
Madoka leaves the house, meets up with Sayaka and Hitomi, as per usual. (You can see in the trailer that Sayaka has bandages around her neck in this scene, which is one reason why I think she's in Madoka's "dream"/fight sequence as described above.) Some playful & thematically relevant banter ensues. The three of them then encounter parasol!Homura as seen in the trailer.
I think the big mystery for the first 20-40 minutes is "What is going on with Homura??" There will be a number of scenes with her where she looks/acts different, and something is clearly off, but it is not immediately clear what it is or even that there are two of them at first, because only one Homura visible in any given shot. This will eventually change, of course, and the reveal where they appear together will be very dramatic and artsy, but until then, I expect SHAFT to milk the confusion and the ominous dread for all it's worth
There will also be a Thematically Relevant Saotome rant once Madoka et al. get to class, of course.
Nakazawa gets one (1) line.
the OTHER established pattern is that there's always a new transfer student on the Day Everything Changes, which raises the FASCINATING question of whether parasol!Homura is just going to roll up and start attending classes now, too. If that's the case, will the "real" Homura be present for this (doubtful, given my speculations above) or is she missing/absent? It would be so funny if WnK pulled a Rebellion and had the "real" Homura in a coma for half of the movie, but somehow I don't think that's where this is going. How does parasol!Homura explain herself? Is she here in addition to Homura (i.e., as a student in her own right) or to take Homura's place entirely? What does Madoka think??
(to be clear: there's no question in my mind that the movie's plot kicks off with the arrival of the doppelganger here, the only question is how they choose to play it. In technical terms, this is the story's "inciting incident", and, in keeping with the established pattern, it's Homura--a Homura, anyway--entering Madoka's world yet again.)
Those are my guesses for the first part of the movie, based on previous structure and established patterns. It's possible the creators might switch it up, but I feel reasonably confident WnK will continue with them, at least at first, if only to lull us into a false sense of security before dropping the ground out from under us. In both the TV series and the movie, this section I've just described is approximately 10 minutes long, which still leaves plenty of time for surprises.
After that point, it gets a little murkier because I'm missing so many pieces, and there's no guarantee WnK will follow the same structure as Rebellion beyond those required by their shared two-hour movie format. That said, here are few things I expect to see at some point:
Mami, Kyouko, and Sayaka reconvene, but they are losing their powers--probably to the hybrid magical girl, who appears to be using Mami's ribbons. Sayaka is missing her healing powers, which is why she's all bandaged in the trailer. Kyouko is probably also missing powers, which is why she looks so pissed. If WnK follows the same beats as Rebellion, this will be at about the same point as the second Nightmare fight, otherwise who knows. The point is that the world is breaking down and nothing is "normal" anymore.
Meanwhile, Homura is being haunted/taunted by her double, who is actively interfering with her and her system. I would like a jaw-dropping reality-bending fight sequence between them a la "Absolute Configuration", but we'll see if I get my wish.
I expect the double to have a lengthy monologue explaining what is going on, though in classic PMMM fashion, this will raise as many questions as it answers. (This could also be Kyubey's job, but tbh I'd rather have the double do it.) But there's no question that there were unintended consequences to Homura's actions in Rebellion and someone has to explain them to the audience.
One transformation sequence for each of the main cast, though one or two might have multiple ones.
By the end of the film, the universe is rewritten again and a new system is made. If we're lucky, this will be the happy Final Ending in which Madoka and Homura are reunited forever; if we're unlucky, it will be Rebellion Cliffhanger Hell all over again, only worse.
But, having established patterns, it's also possible to break them. I don't necessarily expect this for a lot of the big picture/structural stuff, but I can see it happening in a few places, like:
Sayaka tries to spray Homura (original or double) with a fire extinguisher, but it backfires somehow--either exploding in her face, or she hits the other one by mistake. Alternately, she does it and it SEEMS like it worked, only for Homura to loom up unexpectedly out of nowhere and gloat.
Also, this is not a structural thing, per se, but based on Rebellion, I expect there will be 2-3 major twists of ratcheting intensity, at least one of which will make a large percentage of the fandom incredibly angry, but for dramatically different reasons: one camp will claim that it "came out of nowhere" and/or "ruins Homura's character", and the other will argue that it was "too predictable" and "contrived" and therefore bad. Eventually, everyone will calm down and grudgingly accept it the way they've done with Rebellion (if only because the people who hate it the most leave the fandom, or if it's truly the end of the series).
As for me, I feel very agnostic about the whole business--while I certainly have no end of guesses about what is likely and the things I would like to see (two separate but related circles), and it would be very satisfying to be right, I'm not wedded to the idea of canon as this absolute monolith that determines whether something is interesting or not. If I hate WnK (doubtful), I'll write fanfic about it; if I love WnK, I'll write fanfic about it. No matter what happens, fanfic will be written and I will shape the established narrative as needed to suit my needs--I engage in this speculation before the fact primarily because it's fun and a useful exercise for a writer.
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whinlatter · 7 months
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Plss do 5, 22 and 14 for Lily again. I just love her so much😅
5. Best personality trait
one of the things that i’ve always found striking in lily’s letter to sirius in DH is both how immediately warm she comes across, but also how brimming with emotion she is. the ‘thank you, thank you, for harry’s birthday present’ is this lovely, affectionate, slightly dramatic opener. the letter is obviously desperately sad - especially with hindsight - but it’s also emotionally confessional (she ‘cried all evening’ when she heard about the McKinnons), gossipy (‘it seems impossible to believe that dumbledore was ever really friends with grindelwald. i think bathilda’s mind is going, personally’), even spiteful (‘no complaints’ about harry smashing petunia’s vase). her love and concern for james is all over the letter, but so is her concern for peter (‘i thought he seemed down’). even the act of writing the letter and conveying to his godfather how much harry loved his present shows her concern for sirius, too, wanting to make him a part of the moment he missed. i think what i like about it is that if even the letter isn’t a completely truthful insight into lily’s feelings about being in hiding — she doesn’t describe her likely feelings of fear for harry, although we get this little hint about frustrations told through james, and mention of dumbledore having the cloak — it does still give a portrait of a character who feels her feelings deeply and brims with emotion. it’s particularly striking because it also is a rare lapse from jkr’s usual (clumsy, unjust) female characterisations in the series, where female characters are condemned for being gossipy or melodramatic or are rewarded in the narrative for being stoic. that lily ‘cried all evening’ over the mckinnons’ deaths is so indicative of a character who wasn’t yet war-weary (never had a chance to be), so did grief in a very open, unabashed way, and i just love that.
(it also shows how harry, the stoic/emotionally repressed young man, is a function more of his upbringing rather than his parents’ personalities - james is an open book in what little we see of him in canon, and lily clearly was effusive, chatty, heart on her sleeve and had her many emotions right there at the surface. it gives a glimpse of what harry could have been, or could still be, in peacetime. that harry immediately cries when he reads lily’s letter for the first time is this lovely little moment of aspects of the mother coming through in the usually very tightly-wound, repressed son.)
14. Most heroic moment
aside from the - er - canonically lauded and obvious, it’s got to be her joining the order straight out of school, especially as a muggleborn. to put herself at that level of personal risk for a resistance movement age eighteen as a member of a socially marginalised persecuted group is a major slay. lily likely had only been close with the marauders for a year at most (assuming going out with james was the conduit for those friendships, which it seems in canon like it was). so we can assume that she had her own political awakening and her interest in resistance politics wasn’t limited to her association with james and the gang. and i think that is Cool!
22. Best physical feature
if people were still banging on about how gorgeous my eyes were after i’ve been in the ground for a decade i’d be pretty chuffed, let me tell ya! people were falling over themselves/slamming the brakes/stopping traffic/climbing over barbed wire fences to tell lily’s son he had her eyes. those must have been some gorgeous peepers. also you know that hair was fire. that glossy dark red — whew! the potters are a haircare dynasty, remember. they know luscious locks when they see them. it had body, it had volume, it had magic of its own — lily evans’ hair was the moment ❤️‍🔥
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m3ntal-hiatus · 5 months
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JJK AND THEIR COFFEE ORDERS
sk8 the infinity ver. here !
nobara is definitely a frappuccino girly. love, love, loves sugar cookie flavouring, too, in a large cup with a straw because “it feels like i’m a girlboss that way.” she said it, not me.
yuuji is pretty picky with his coffee? isn’t a huge fan of it, but when he does have it, it’s a double-double accompanied by a pastry. he doesn’t adventure too far from his usual order, other than trying out a new or seasonal drink.
megumi drinks it black. straight from the beans. foul creature.
geto gives hazelnut syrup vibes… don’t worry, i will elaborate. he likes an espresso shot with latte foam art and steamed oat milk, all mixed together with two pumps of hazelnut syrup. otherwise, he’s mostly a tea person.
gojo doesn’t even want to taste the coffee’s bitter flavour… he wants it completely masked by sugar and by sugar alone. four-milk-six-sugar-in-a-medium sort of man. drinking straight candy, is what it is.
nanami was a religious coffee drinker back when he worked that 9-5, so he was not particularly partial to any coffee order if the caffeine was doing its job. as long as it didn’t taste like burnt shit water, he doesn’t care all too much. enjoys a nice café trip where he can sit and relax every now and then.
maki is a cold brew enthusiast, but also drinks it black (as in, no milk), though takes a few vanilla shots with it and another sweetener. likes the essence of the coffee taste, but mostly prefers sweetness over the bitterness.
inumaki is an avid iced coffee fan to the point where sub-arctic conditions do not daunt him. he usually rotates his order from an iced psl or mocha with maki or yuuta to order for him (for obvious reasons). he’ll down whatever size they give him. insanity.
yuuta reacts so poorly to caffeine, it’s hilarious in hindsight but i can’t help but pity him… poor boy is already anxious enough as it is, he can’t tell the difference between the coffee jitters and his usual shakiness. plus, he gets the shits. doesn’t like it, but will have one the rare occasion.
panda doesn’t drink coffee. he’s a panda.
mahito would spit it out immediately along with a vile string of profanities if he ever got the chance to even try coffee.
kenjaku (using geto) hated the idea that he was getting used to drinking something so gently-flavored and sweet. had it anyways, but would always order tea if given the choice.
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marches45 · 28 days
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Progress Report #4’s preview clip and how Ashley fit into Andrew’s decision-making
Progress Report #4 showed how Andrew and Julia began dating in high school. Rumors were spreading about Andrew and Ashley, and we can take a pretty good guess what they were about. While Julia told him that the school knows it’s just unfounded gossip, Andrew wasn’t satisfied with just that, or else he wouldn’t do what he did next.
He was the one to make the first move, but leading up to it, he didn’t signal any romantic interest in her and, in fact, nearly revealed that Julia’s ostensible friendship with Ashley, which he had requested Julia to initiate alongside her best friend (and the siblings’ manslaughter victim) Nina in their preteen days, only meant anything to him rather than to Ashley. Julia had caught on to Ashley’s disdain for her and believed she was hated until Andrew’s comment otherwise reassured her that Ashley considered her a friend. What Andrew did do was pick up on her interest in him and throw her a bone. His motive was pretty self-serving, of course.
Andrew is cautious. After fleeing the apartment with Ashley, he would check newspapers to see if there was anything written about what they’d done in their escape. Finding nothing over and over wouldn’t really quiet his worries of eventually getting caught and facing consequences. So Julia telling him that the rumors weren’t believed wouldn’t be enough to quiet his mind. He would have to do something that incontrovertibly proved they weren’t worth considering. So that’s what he did. But right before popping the question of Julia’s availability after school, he sighed behind her back as she anxiously walked away.
It’s clear that his most proximal cause to date Julia was to fend off any social consequences resulting from rumors by permanently silencing them, like he permanently silenced multiple people who posed a serious threat to his sister. But it took me a while of digesting the report content to see that he was thinking about her too when making his choice. I think he wanted to take the heat off of Ashley just as much as himself and self-justified with a thought like this: I’m sorry, Leyley, but it’s what’s best. You won’t like it, I know, but I’m doing it for you. No one’s gonna spread rumors about you on my watch! I shared this idea with a fellow fan in Discord (she’s Ashley fr fr), and what sold its plausibility for her was the sigh he let out before making his move. It was reminiscent of his reaction after killing for Ashley or otherwise bailing her out of a mess in ways he’d have no real problem with if they had no risk of consequences. I also think the idea works with how Andrew functions as Ashley’s parent and only true family. Parents often make decisions for their kids’ own good that are difficult to like or appreciate due to limited perspective on the kids’ part and reasoning not communicated (well) on the parents’.
In fact, the more I thought about it, the more obvious it felt in hindsight, and the less I could believe that he wouldn’t account for her in his thought process. Andrew may treat Ashley as a scapegoat, but he doesn’t throw her under the bus for no reason. When referring to her in her absence, he has, as of yet, never explicitly pointed the finger at her for things he did, and even made excuses for her actions. To the extent that his resistance to blaming her behind her back fails when he starts the path to Decay by admitting he wants to accept his mother’s olive branch, the blame shifting avoids being explicit in his dialogue. More, when he did try to dodge accountability for inaction (the break-up, for example), he failed to appease the other party. Bro can’t get Ashley out of his thoughts, so how could he think of a way to escape the rumors without taking her with him? He may have gotten his mom’s looks and talent for deceit, but not her disregard and apathy for his sister. Maybe she’ll come to really appreciate his efforts when she isn’t…well, you know what those rumors say. But you didn’t hear them from me.
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shakingparadigm · 18 days
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Hey, where did you hear there's traces of something similar to sa in the Anakt Kit book? I don't know what age they graduate Anakt Garden from, but the implications of that are... something else.
I fully believe it's heavily implied Till was sexually assaulted in that scene. I can't think of any other reason the alien would have its clothes off. And I can't think of any reason he'd be sweating like that if it wasn't penetrative in some way. Maybe if he was molested, but I don't think that'd leave him looking so ill. In all the scenes before when he's been beaten and drugged, he wasn't sweating or hazy-eyed like that. And his eyes weren't like that before he was held down either, like they've had the color drained from them. The suggestive way he was held down and his disshelved clothes, while not proof on their own, further support those conclusions. I do think it's left up to interpretation, I just... don't know what any other interpretation would be.
I'm new to Alien Stage, and I'm trying to dig up as much lore as possible. It seems to be scattered all over and the wiki is near-useless. I just want to write angsty trauma recovery fanfic 😭
By the way, do you know if that red alien that grabbed him is his guardian? And when was he being thrown around with telekinesis as you mentioned?
Okay, so there's a photo shared around on twitter apparently from the Anakt Kit Book? It's of an older (most likely adult) Ivan and Till, their faces squished in the hands of what is a presumably a larger alien (the framing of the sketch puts you in the perspective of this alien, only it's hand is visible). The photo isn't inherently suggestive, but the forceful grabbing of their faces and the fact that they both show obvious disdain lead people to speculate that being physically forced is something that happens very often in their position.
Yeah, the pieces for the interpretation are there. With Alien Stage being based off of our own twisted idol culture, it's definitely not out of left field to expect that kind of topic to pop up, especially once the series begins exploring it's darker themes. This is going to be the last time I'll be talking about it on here, though. I'd prefer not to overdo it.
I feel as though that alien is in fact Guardian Urak. We actually haven't seen Guardian Urak properly, save for his shadowed form in ROUND 2. The Patreon posts showed an earlier design of him that matches pretty well to his silhouette in that episode.
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(This was the earliest animated sighting of Guardian Urak)
The telekinesis thing I talked about referred to this scene of Till getting tossed at the wall.
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I assumed it was via telekinesis because Guardian Urak sits upon a levitating chair, and we don't see any other force pushing against Till in this shot. In hindsight, Till probably could have just been thrown normally by someone who wasn't in frame.
Regarding the head alien, I believe it could be the new, finalized design of Guardian Urak, especially since he retains the qualities of a covered face and mainly white design. He also behaves as if he's directly responsible for Till, quickly becoming upset when his own pet won't perform for his guests.
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britcision · 11 months
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Listen I can’t finish it tonight but I’m real real close but next week is gonna be buuuuuuusy so chapter 15 is right on the line of done and we’ll see if I get it up before next Wednesday 👀
If I do, we may not have a WIP Wednesday next week so again, we shall see
This week, have second place from the poll, Waylon and Danny!
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I’ll Take The Highway part vi
Waylon sat back in his seat, back scraping against the wall of the booth as he surveyed the kid in front of him.
Little squirt was tougher ‘n he looked, that much was definitely true. Harley had given him the short run down on their way to the milkshake bar, all the powers she knew he had.
And that he’d been hunted by his folks for a while. Waylon knew how that kinda shit could mess ya up.
He appreciated the heads up too, cuz this kinda shit coming up outta nowhere? Also pretty damn rough. He’d wondered if the kid just wanted to come along for another fight.
If he just wanted another chance to say he’d looked Killer Croc in the eye.
But there was no real bravado there, not even when he challenged Waylon to a rematch. Shit, the kid treated him more normal than most of his henchmen had ever managed to.
Made sense, knowing he was part a ghost an’ fought ghost rogues, but it left Waylon wondering. Apparently he was getting his answer.
Same damn question he’d asked himself a thousand times, ‘specially around the kind of young vigilantes who’d taken a turn to the bad.
Didn’t mean he had a good answer.
He regarded the kid for a long minute, watching the fidgeting, the sudden shyness from a boy who’d literally tackled him from behind on a whim.
This wasn’t just an idle question. Something made him sure of that, and he’d never been involved in all that much of the really weird shit. You heard stories, especially in Arkham.
So he decided to give the kid the best answer he had.
“Cuz I was the worst version of myself. I let myself be the monster they thought I was, got pretty good at it. But it never made me happy.” He paused, mulling it over.
Chuckled softly and looked down into his half drunk milkshake. It was kinda funny how obvious it seemed, in hindsight.
“Shit, there was never even anythin’ I wanted. Not like Penguin, Freeze, or the others. People treated me like a monster so I tried to be one, cuz why the hell not? Couldn’t be worse, could it?”
His gaze shifted back to Danny’s face, watching the kid’s expression. No judgement, which was nice. But he did look confused.
“So you just… got sick of it?” Danny asked, his brows furrowed as he played with his fingers.
Waylon chuckled and shook his head.
“Kinda. Spent a while thinkin’ if people couldn’t treat me with respect, fear’d do. But it ain’t the same. An’ I never had the drive or creative cruelty to stand out in Gotham.”
Danny looked a little incredulous at that, eyebrows rising, but he caught himself before commenting. Snickered and shook his head.
“Yeah, I guess being in a city that’s used to people like Scarecrow and the Joker puts “big and green” into perspective,” he agreed dryly, and Waylon laughed.
It felt good to laugh.
“Oh yeah. City’s got more than its share of low level thugs anyway. I spent a while as extra muscle for the big boys, but I ain’t the takin’ orders sort,” he explained with a modest shrug.
Danny grinned, folding his arms on the table and leaning forward.
“What, a shy and retiring guy like you?” He asked, clearly teasing, and Waylon waved a hand dismissively.
“I’m lucky it was Gotham,” he added after a moment, reflection sobering his mood. “Got sent t’ Arkham. Met Harley. An’ the Bat’s not all that bad. He tried gettin’ me outta the life a couple times.”
Danny cocked his head, a slight frown returning to his face. Following Waylon’s lead.
“How did Batman try and get you out?” There was a little too much intensity for it to be a casual question, and Waylon noted it. Not that he’d figure it out on his own.
Just tryin’ to make sure he didn’t damage the kid.
“Oh, there were a couple ways. Got me moved down to Florida once. Out in the green, away from people. I figured bein’ a wild animal might be more my speed, but it wasn’t. An’ it got messy when I left. Like that whatever he tried, really. There’s lines you can’t uncross.”
Lines like being a cannibal.
Not that he was sobbin’ on a preacher’s shoulder about it. Most of the people he’d eaten were assholes who’d deserved it, and it’d been a preference not a need.
For all people loved to go on about him eatin’ kids and babies, he’d never actually done it. A guy had to have standards.
Made it easy to stop, once he was in a better head space. He and Harley had talked a lotta old shit out.
Kid didn’t need to know those grisly details though, at least not from his own mouth. Watching Danny a moment longer, Waylon came to a decision.
“Look, kid. There’s a lotta reasons people go bad. Some of ‘em can’t be helped. But if they’re not gettin’ anything out of it, if there’s no goal? The appeal runs out. And sometimes all it takes is someone willin’ to reach down an’ haul yer back up to the light.”
He wouldn’t ask if that was the case with whoever the kid wanted to help. Everyone heard stories, ‘specially about heroes meeting their evil selves.
The fear looked personal, but the asking coulda been for anyone. Waylon was in no rush to judge.
Danny mulled over his words for a while, lips moving soundlessly as he frowned down at the table. This time when he looked up, there was a peace in his eyes.
He’d come to a decision. Good for him.
“Thanks, Waylon. You seem like a pretty great guy to me,” he said simply, and Waylon definitely did not feel a lump in his throat.
“This is after years o’ Harley workin’ on me,” he grumbled gruffly. Shaking his head, he slurped down the last of his milkshake quickly.
Nothing like brain freeze to explain being a little misty eyed.
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cpunkhobie · 8 months
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gdd i didnt see it until that other anon mentioned it but i just also wanted to say i am So Glad that you talked about the racism in rise. and honestly the racism that occurs in tmnt in general. like as a japanese person it's a bit insane that i havent totally seen people talk about it until recently. but im glad people are !!!!! because sooo many people are more articulate than me on the subject . and maybe the racism was a lack of foresight or hindsight or whatever but it was still born out of ignorance and im so so glad that people are addressing it. feel free to delete this ive been in your asks a lot recently lol i just wanted to say this /lh -lotitheism
YEAH THATS SO REAL! and dw abt showing up in my inbox a lot lol I don't mind at all
And yeah like, a lot of the racism in tmnt I don't think, or at least I hope to god it wasn't malicious. But whether its malicious or not really Doesn't Matter at this scale, at least imo. Because with a franchise so big that gets So many updated iterations pretty frequently, there really isn't an excuse for why it's still so... like that. I talked abt this with someone in dms, but it feels like the reason it's able to get away with so much racist shit is because it's TMNT and has that nostalgia backing, so it feels like people are nostalgic for the orientalism. Which is so.. it's sooo.
it's one of the clearest examples of how ingrained anti-Asian stereotypes are in western pop culture and GODD. banging my head on the wall. it's also such a famous example of orientalism in media, and so many of its racist themes are obvious if you know where to look.
But then there's also things that are so explicitly based on racism that it's, honestly nuts that after going through so many drafts and editors and People that it got put into the final version. Mostly thinking about the triplet joke in Mutant Mayhem here because I don't think... I am ever going to get over how that joke was put in the film in 2023. (If you don't know what I'm talking about scroll down a bit on my blog and you should find it)
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