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#jackie burroughs
kent-farm · 9 months
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—Smallville, “Hourglass”
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didanagy · 8 months
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ROAD TO AVONLEA (1990-1996)
created by kevin sullivan
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deathbypufferfish · 2 years
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the twins started a little voidcritter club!
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yetihideout · 8 months
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Food of the Gods Part 2
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letterboxd-loggd · 2 years
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Lost and Delirious (2001) Léa Pool
September 17th 2022
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lobbycards · 1 month
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Willard, French lobby card. 2003
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twowitchescottage · 7 months
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Road to Avonlea TV Series
Season 1, ep. 6
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nem0c · 2 years
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Jackie Curtis and William S. Burroughs in Burroughs: The Movie
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I got bored so i did some research on Bruce Wayne's kids. Feel free to let me know if i missed any or wrongly added one (last updated April 2023)
Someone: how many kids do you have?
Bruce: legally, biologically, or emotionally?
The answer is 42 children
Key
bold = the "main" kids
* = at some point this timeline and/or universe was "erased" from existence
** = ambiguous universe (ex: was it a alt timeline or just a dream?)
Legally
aka adopted and/or fostered at some point in time
Dick Grayson
Jason Todd
Tim Drake
Cassandra Cain
Duke Thomas
Jarro
Alina Shelley (Batman: The Dark Prince Charming)
Lance Bruner* (Earth-One)
Turner Hayes (Gotham Knights)
Kal-El (Batman: Last Knight on Earth)
Roger Burnim Jr.* (Brave and the Bold #98)
Nyesha Burroughs Wayne** (Batman '89)
Stepchildren
Jackie Napier (mother: Harley Quinn) (Batman: White Knight)
Bryce Napier (mother: Harley Quinn) (Batman: White Knight)
Stephanie Trevor (mother: Diana) (Batman/Superman Generations)
Biologically
Mother = Talia al Ghul
Damian Wayne
Athanasia al Ghul (Injustice)
Tallant Wayne (Batman: League of Batman)
Ibn al Xu'ffasch (Earth-22)
Unnamed Son
Mother = Selina Kyle (Catwoman)
Helena Wayne (Earth-2)
Aion**
Bruce Wayne Jr.** (Batman ’89)
Tivali Wayne** (Batman ’89)
Mother = Diana (Wonder Woman)
Kull (Dark Nights: Death Metal)
"Batman" (JLA #90)
"Batwoman" (JLA #90)
Mother = Other
Bruce Wayne Jr. (mother: Kathy Kane) (Earth-154)
Bruce Wayne Jr. (mother: Unnamed Wife) (Earth-3839)
Kiki Wayne* (mother: Helen)
Genetically Engineered
Terry McGinnis (Batman Beyond)
Matt McGinnis (Batman Beyond)
Emotionally
aka other people Bruce has mentored/gotten attached to
Barbara Gordon
Stephanie Brown
Harper Row
Cullen Row
Carrie Kelly
Rui Aramiya (Batman and the Justice League)
Barbara Wilson (Batman and Robin (1997) movie)
Drake Winston (Batman ’89)
Mia “Maps” Mizoguchi
Claire Clover
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senor-plume · 2 months
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Beat-en
I couldn't write like a Beat nor could I grow a goatee or a beret
(my finger snapping abilities were through the roof though)
Ginsberg’s hot oil poetry and old Jacky K's chopped up prose captured my sense of optimism and fueled my young desires …places where I dreamed of going…of doing
ah, to drink from a cheap bottle in the backseat of a flying car was for me…a dreamy paradise
I couldn't blow a horn or bop on the bongos with a steady beat
no hip momma by my side offering apple pie and vanilla ice cream
but I had my dollar store Buddhism and ponytail hair
carrying a tweed purse filled with books and pens and notebooks
I wanted to be beat, so bad
but…alas..I was born with nerdy DNA
even with a Burroughs covering my face as I read at the diner I was still lame
that odd boy who drinks coffee after coffee and has his fleshy nose stuck in a book
you know…that nervous long haired kid
I knew my fate… but I kept alive, a sliver of maybe
that I would be cool someday
I carry that sucker like deadweight hope
across everything I do
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activitesparanormales · 10 months
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Pas vraiment d'ici
C’est Ralph Binder qui le premier a pointé le fait au début des années 90. A savoir l’absence totale de références à la seconde guerre mondiale dans les écrits des écrivains de la Beat Generation que furent Allen Ginsberg, William Burroughs et Jack Kerouac. Binder était un critique littéraire spécialiste de leur œuvre et leur avait déjà consacré plusieurs études. Le fait aurait pu lui sembler anodin s’il n’en avait pas déduit une hypothèse qui, il faut le dire, ne possédait pas à l’époque où il la formula toute la vraisemblance d’une vérité.
Lorsque Binder établit ce fait la chose pouvait sembler sans importance. Après tout ces trois écrivains n’avaient jamais eu pour but de se faire les historiens de leur époque. Mais il faut bien se rappeler ce que disait Binder. Il n’affirmait pas seulement que Ginsberg, Burroughs et Kerouac ne s’étaient pas intéressé au plus grand évènement du 20ème siècle. Il pointait le fait que dans leurs écrits, ni la seconde guerre mondiale, ni ses causes, ni ses effets, ni rien de ce qu’elle avait pu imprimé au monde n’y était perceptible.
De cette constatation irréfutable et d’autres données il en tira l’article publié il y a maintenant plusieurs années dans Future Memories. Ralph avait attendu longtemps avant d’offrir au public le fruit de ses recherches. La prudence dont il avait fait preuve plaidait en faveur du sérieux de son travail. Ceux qui l’ont bien connu l’ont même souvent qualifié d’esprit pointilleux et tatillon à l’excès.
Ceci explique pourquoi son article, en dépit de ses folles affirmations, fit l’effet d’une bombe et suscita un œil attentif de la part des spécialistes de ces trois écrivains. Que disait Ralph Binder en substance ? Tout simplement qu’il leur avait été impossible de parler de la seconde guerre mondiale puisque celle-ci, dans leur monde, n’avait jamais eu lieu.
Mais comment pouvait-on l’expliquer ? Ralph Binder affirmait que les trois écrivains avaient vécu dans deux mondes parallèles différents, le nôtre et le leur où la seconde guerre mondiale n’avait pas eu lieu. L’explication quant à l’interpénétration de ces mondes parallèles était à l’époque impossible à formuler pour Binder mais il supposait que l’usage fréquent de la psilocybine par les trois écrivains avait pu créer un trou de vers mental leur permettant de passer de l’un à l’autre.
Toujours selon Binder, l’existence de ce monde parallèle expliquait la vie aussi bien que l’oeuvre des trois « voyageurs des mondes » ainsi qu’il les appelait. La poésie échevelée de Ginsberg, l’errance pathologique de Kerouac, les disparitions inexpliquées de Burroughs et son absence au réel prouvaient bien qu’ils n’étaient pas vraiment d’ici. Binder allait plus loin. Dans le monde parallèle qui pouvait communiquer avec le nôtre, la mafia Nova existait vraiment.
Les années passèrent et l’intérêt pour l’article retomba jusqu’à ce que l’évènement singulier survenu en 2033 dans le grand collisionneur du CERN ne vienne confirmer la folle théorie de Ralph Binder. Ce dernier était déjà mort lorsque le 21 juin 2033, une surtension non contrôlée provoqua l’explosion partielle de l’accélérateur. On sait maintenant que l’incident dramatique provoqua la formation d’un trou de vers stabilisé reliant un monde parallèle au nôtre.
Dans le chaos et la panique qui suivirent personne ne remarqua les silhouettes chancelantes qui s’éloignaient des bâtiments en feu. Nul ne leur demanda leur identité et ils s’évadèrent dans la nature sans laisser de traces.
On connaît maintenant leur identité. Sammy the Butcher, Green Tony, Iron Claws, The Brown Artist, Jacky Blue Note, Limestone John, Izzy the Push, Hamburger Mary, Paddy The Sting, The Subliminal Kid, Blue Dinosaur, Mr. and Mrs. D., tous membres éminents de la Mafia Nova, profitèrent du trou de vers pour passer dans notre monde.
Leur but ne faisait aucun doute. Nova veut infecter la Terre et prendre le contrôle des opérations. Cette guerre est la guerre ultime. L’infection gagne toujours plus de cerveaux chaque jour qui passe.
Ginsberg ne fit que nous divertir, Kerouac opta pour une fuite éperdue, William Burroughs – Inspecteur Lee de la Nova Police – se lança quant à lui dans la bataille. Chacun de ses écrits tenta de nous alerter. « The purpose of my writing is to expose and arrest Nova Criminals. I show who they are and what they are doing and what they will do if they are not arrested. [...] With your help we can occupy The Reality Studio and retake their universe of Fear Death and Monopoly. ».
On comprendra mieux maintenant pourquoi William Burroughs aimait tant les armes.
DH juin 2033
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deathbypufferfish · 1 year
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The twins ditched the prom halfway through to go to the club considering it was also new years eve. Lunara and Beau also rendezvoused in a bush to celebrate... 👀
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rantreader · 2 years
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I went through my house and collected most of the books that I have not read. There are more, but I wrote a list of the 100 books that I want to read relatively soon. If I start the challenge today, it can progress throughout this year and go into next year. By the end of 2023, I want to have read all these books.
Assassin’s Apprentice by Robin Hobb
A History of the English Language by Albert C. Baugh & Thomas Cable
The Power of One by Byrce Courtenay
Hogfather by Terry Pratchett
Nevernight by Jay Kristoff
Beyond Good and Evil by Friedrich Nietzsche
Criminology – A complete Introduction by Peter Joyce and Wendy Laverick
The Silmarillion by JRR Tolkien
Heidi by Johanna Spyri
Tarzan of the Apes and the Return of Tarzan by Edgar Rice Burroughs
Adventures of Huckleberry Finn by Mark Twainn
When Fashion Really Works by Marnie Fogg
Go the Distance – A Twisted Tale by Jen Calonita
The Museum of Things Left Behind by Seni Glaister
Trinity by Leon Uris
The Count of Monte Cristo by Alexandre Dumas
Makers of Rome by Plutarch
A Game of Thrones by George R.R Martin
Difficult Women by Helen Lewis
The Wreckage by Michael Robotham
The Twelve Caesars by Suetonius
Traitors by Frank Walker
A Fortunate Life by A.B. Facey
Traitor to the Blood by Barb & J.C. Hendee
Memoirs of a Geisha by Arthur Golden
Great Expectation by Charles Dickens
Heddy & Me by Susan Varga
No Silver Spoon by Katie Flynn
The Dance of Death and Other Stories by Algernon Blackwood
The Secret History by Donna Tartt
Wuthering Heights by Emily Bronte
Carrie by Stephen King
My Royal Story – Marie Antoinette by Kathryn Lasky
Theories of Race and Ethnic Relations by John Rex and David Mason
The Little Book of Psychology by DK
The World’s Greatest Idea by John Farndon
Don Quixote by Cevantes
The Survival Handbook by DK
Yes Yes Yes – Australia’s Journey to Marriage Equality by Alex Greenwich and Shirleene Robinson
The Grapes of Wrath by John Steinbeck
Wonder Woman Warbringer by Leigh Bardugo
The Fire of Joy by Clive James
Monsoon by Di Morrissey
Hamlet by William Shakespeare
Conquerers’ Road by Osmar White
The Art Book by DK
How to Garden by DK
How Science Works by DK
German for Everyone by DK
The History of the World by Alex Woolf
Cathy by Cathy Freeman
Song of Survival by Helen Colijn
Pet Semetary by Stephen King
The Crime Book by DK
The Bone Collection by Kathy Reichs
Basic Mandarin Chinese by Kubler & Wang
A Vindication of the Rights of Women by Mary Woolstonecraft
Joyland by Stephen King
The Jungle Book by Rudyard Kipling
The Scarlet Letter by Nathaniel Hawthorne
A Thousand Pieces of You by Claudia Gray
Gulliver’s Travels by Johanthan Swift
Eleanor Oliphant is Completely Fine by Gail Honeyman
Japanese Myths and Tales by Epic Tales
Eleni by Nicholas Cage
Psychology of Human Behaviour for Nurses by Dennis
Moby Dick by Herman Melville
More Rules for Life by Kitty Flanagan
Watership Down by Richard Adams
The Little Book of Politics by DK
Jews Don’t Count by David Baddiel
The Road by Cormack McCarthy
A Royal Duty by Paul Burrell
Jurassic Park by Michael Chrichton
Dracula by Bram Stoker
English Grammar Usage by McGraw Hill Education
Night at the Circus by Angela Carter
The Confidence Booster Workbook by Martin Perry
Ancient Egyptian Myths by Catherine Chambers
The Girl in the Picture by Denise Chong
Encyclopedia of Dinosaurs and Prehistoric Life by Miles Kelly
The Prince in the Heather by Eric Linklater
Simple Astronomy by DK
How to Kiss a Crocodile by Max Walker
The Fitness Instructor’s Handbook by Mark Coulson
Mool-nya-moonya Dreaming by Julie Tuckey
The No. 1 Ladies’ Detective Agency by Alexander McCall Smith
Pennies for Hitler by Jackie French
Boy Swallows Universe by Trent Dalton
Jane Eyre by Charlotte Bronte
The Shortest History of England by James Hawe
Mental by Dr Steve Ellen and Catherine Deveny
War and Peace by Leo Tolstoy
Work by Louisa May Alcott
Deranged Marriage by Sushi Das
Stranger the Dreamer by Laini Taylor
Emma by Jane Austen
The Alchemyst: The Secrets of the Immortal Nicholas Flamel by Michael Scott
The Book of Dust by Phillip Pullman
321 Seriously Smart Things You Need to Know by Mathilda Masters
Wish me luck.
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welcometopulpland · 1 month
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Tarzan, Jane, Korak and Meriem
It’s clear that, even by the standards of both his adult life and heyday, Edgar Rice Burroughs himself was too much of a British Aristocracy fanatic, sheesh. The Disney’s Tarzan franchise can be just as wild as the ERB canon that it spun off from.
Daniel Frogson will play a convincing CGI Tarzan, who brachiates with his hands, tree surfs with his handy feet, and yells out really loudly while pounding his chest.
Madison Wolfe will play a gutsy minded, CGI Jane Porter, a blonde wrench archaeologist who dares to protect herself when in distress.
Milo Mannheim will play a powerful CGI Korak, Tarzan’s ‘Soap Opera Rapid Aging Syndrome Clone’ who grows up rather too fast, from toddler to tween to adult just within his likely first six years of life, which is perhaps attributed to the famously egregious writing of Edgar Rice Burroughs.
Dalila Bela will play a wily CGI Jeanne Meriem, Korak’s equally badass and memorable French girlfriend/wife who will bear him two kids, Gilbert Jeannot ‘Jackie’ and Suzanne.
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redcarpetview · 4 months
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Recording Academy® To Honor Music Industry Icons With 2024 Special Merit Awards During Grammy® Week
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The Recording Academy®’s Special Merit Awards Ceremony celebrating the 2024 Lifetime Achievement Award, Trustees Award, Technical GRAMMY® Award, and Best Song For Social Change Award recipients will return during GRAMMY® Week on Feb. 3, at the Wilshire Ebell Theatre. The Clark Sisters, Laurie Anderson, Gladys Knight, N.W.A, Donna Summer, and Tammy Wynette are the 2024 Recording Academy Lifetime Achievement Award honorees; Peter Asher, DJ Kool Herc and Joel Katz are the Trustees Award recipients; Tom Kobayashi and Tom Scott are the Technical GRAMMY Award honorees; and “Refugee,” written by K’naan, Steve McEwan, and Gerald Eaton (a.k.a. Jarvis Church), is being honored with the Best Song For Social Change Award.
  “The Academy is honored to pay tribute to this year’s Special Merit Award recipients — a remarkable group of creators and industry professionals whose impact resonates with generations worldwide,” said Harvey Mason jr., CEO of the Recording Academy. “Their contributions to music span genres, backgrounds and crafts, reflecting the rich diversity that fuels our creative community. We look forward to honoring these music industry trailblazers next month as part of our week-long celebration leading up to Music’s Biggest Night®.”
  Lifetime Achievement Award Honorees: This Special Merit Award is presented by vote of the Recording Academy’s National Trustees to performers* who, during their lifetimes, have made creative contributions of outstanding artistic significance to the field of recording. See past recipients here (*through 1972, recipients included non-performers).
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The Clark Sisters – an American gospel vocal group initially consisting of five sisters – Jacky, Denise, Elbernita, Dorinda, and Karen – have been taking the world by storm since the early 1980s. Credited for helping to bring gospel music to the mainstream, the Clark Sisters are considered pioneers of contemporary gospel. Their biggest crossover hits include: “Is My Living in Vain?,” “Hallelujah,” “He Gave Me Nothing to Lose,” “Endow Me,” their hit song “Jesus Is A Love Song,” “Pure Gold,” “Miracle,” and their largest, mainstream crossover gold-certified, “You Brought The Sunshine.” The Clark Sisters (Jacky, Elbernita, Dorinda, and Karen) have won three GRAMMYs (two awarded to the group, and one to Karen as a songwriter for “Blessed and Highly Favored”), and with 16 albums to their credit and millions in sales, they are the highest-selling female gospel group in history.
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Laurie Anderson is a writer, director, composer, visual artist, musician, and vocalist who has created groundbreaking works that span the worlds of art, theater, experimental music, and technology. As a performer and musician, she has collaborated with many people including Brian Eno, Jean-Michel Jarre, William S. Burroughs, Peter Gabriel, Robert Wilson, Christian McBride, and Philip Glass. In 2002, Anderson was appointed the first artist-in-residence of NASA which culminated in her 2004 touring solo performance, The End of the Moon. She has been nominated for six GRAMMY Awards® throughout her recording career and received a GRAMMY® for the release Landfall in collaboration with the Kronos Quartet at the 61st GRAMMYs®.
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Gladys Knight is a seven-time GRAMMY® Award winner who has enjoyed No. 1 hits in pop, gospel, R&B, and adult contemporary, and has triumphed in film, television and live performance. Knight has recorded more than 38 albums over the years including four solo albums. She appeared on ABC’s 14th season of “Dancing With The Stars” in 2012, and in 2019, she competed on the inaugural season of “The Masked Singer.” Knight has sung the National Anthem at several major sporting events, including at Super Bowl LIII in Atlanta in 2019, and at the 2021 NBA All-Star Game. She was a National Endowment for the Arts 2021 National Medal of Arts Recipient and received a Kennedy Center Honor for Lifetime Artistic Achievements in 2022.
N.W.A was a rap group from the Compton district in Los Angeles who are credited by many with inventing gangsta rap. The group, consisting of Eazy-E^, Dr. Dre, Ice Cube, DJ Yella, and MC-Ren, developed a new sound, which brought in many of the loud, extreme sonic innovations of Public Enemy while adopting a self-consciously violent and dangerous lyrical stance. In 1988, N.W.A released their album, Straight Outta Compton, a brutally intense record that became an underground hit without any support from radio or MTV. This negative attention worked in their favor as it brought the album to multiplatinum status. Although the group was short-lived, gangsta rap established itself as the most popular form of hip-hop during the mid-1990s.
Donna Summer^ rocketed to international superstardom with her groundbreaking merger of R&B, soul, pop, funk, rock, disco, and avant-garde electronica, catapulting underground dance music out of the clubs of Europe and bringing it to the world. Summer holds the record with three consecutive double albums to hit No. 1 on the Billboard charts (the only solo artist to ever accomplish this), and first female artist to have four No. 1 singles in a 12-month period on Billboard’s Hot 100 chart. A five-time GRAMMY winner and 18-time GRAMMY nominee, Summer was the first artist to win the GRAMMY for Best Rock Vocal Performance, Female (1979, “Hot Stuff”) as well as the first-ever recipient of the new GRAMMY Category for Best Dance Recording (1997, “Carry On”). Summer was the first female artist to win GRAMMY Awards in four different genres: dance, gospel, rock, and R&B.
Tammy Wynette^ first hit the musical scene in 1966 with “Apartment #9” after moving to Nashville and teaming up with record producer Billy Sherrill. Together, the duo wrote songs that reflected the yearnings and the things Wynette felt were important in her life. In 1968, Wynette released “Stand By Your Man,” which sold more than five million singles and became the largest-selling single ever recorded by a female artist. By 1970, she racked up five No. 1 country hits, was named the Country Music Association’s Female Vocalist of the Year three times, and won two GRAMMYs. Wynette was the first female country music singer to sell over one million albums and has sold more than 30 million records grossing more than $100 million, earning her the title “The First Lady of Country Music.”
Trustees Award Honorees: This Special Merit Award is presented by vote of the Recording Academy’s National Trustees to individuals who, during their careers in music, have made significant contributions, other than performance*, to the field of recording. See past recipients here (*through 1983, recipients included performers).
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Peter Asher’s career began in 1964 as one-half of Peter & Gordon, whose “A World Without Love” topped the charts worldwide. Nine more Top 20 hits followed before Asher became head of A&R for the Beatles’ Apple Records in 1968, and discovered, produced and managed James Taylor; later adding Linda Ronstadt, Neil Diamond, 10,000 Maniacs, Cher, Diana Ross, Kenny Loggins, Bonnie Raitt, Robin Williams, Stevie Nicks, Lyle Lovett, Morrissey, Steve Martin & Edie Brickell, Ed Sheeran, and more to his roster. Asher won the GRAMMY for Producer Of The Year in both 1977 and 1989. He hosts a hit radio show “From Me To You” on Sirius XM and is much in demand not only in the studio but as a performer, speaker and author.
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The legendary Rock & Roll Hall of Fame inductee DJ Kool Herc is consistently credited as the founder of hip-hop. His mastery at the turntables is known worldwide, as are his positive contributions to the evolution of hip-hop culture. Herc’s popularity rose by playing long sets of assorted rhythm breaks strung together. Unlike any of his DJ counterparts, Herc is not a rapid rapper who keeps your head spinning with a patter, but he is a musical innovator to the turntables. He first introduced using two turntables to make the beats last longer, creating the illusion of one long break for the B-Boys to show off their skills. Herc has received a great deal of recognition during his lifetime, including his induction into the 2023 Rock & Roll Hall of Fame, and recognition from the New York Landmarks Conservancy as a 2023 Living Landmark. 
Joel Katz has played a profound role in shaping the entertainment industry through his work in facilitating entertainment-related corporate acquisitions and mergers and consulting multi-national and multi-media entertainment companies. Katz was ranked Billboard magazine’s No. 1 entertainment attorney in its “Power 100” list of most powerful executives in the music business and has been called “the dealmaker who thinks outside the box.” At Kennesaw State University, Katz endowed and began a commercial music program – one of the largest music education programs in America with over 500 students. He has authored and co-authored many articles and commentary on topics concerning entertainment law. In honor of his work, the University of Tennessee College of Law dedicated its library in his name, the Joel A. Katz Law Library.
Technical GRAMMY Award Honorees: This Special Merit Award is presented by vote of the Producers & Engineers Wing® Advisory Council and Chapter Committees and ratification by the Recording Academy's National Trustees to individuals and/or companies/organizations/institutions who have made contributions of outstanding technical significance to the recording field. See past recipients here.
Tom Kobayashi^ and Tom Scott met at Lucasfilm’s Skywalker Sound in 1985, when the duo joined the company and completed the building of the Skywalker post-production facilities in both Northern and Southern California. Together, Kobayashi and Scott launched the Entertainment Digital Network, also known as “EDnet,” which employed fiber-optic networks to send high-quality video and audio great distances. Its then-revolutionary technology enabled the industry to link together talent, executives and production facilities at great cost savings. For 25 years, that company connected hundreds of recording studios worldwide in the days before the Internet could handle high-quality audio. EDnet became a part of Onstream Media, and over the decades, tens of thousands of long-distance collaboration sessions were facilitated for the music, advertising, TV, and cinema businesses.
Best Song For Social Change Award Honorees: This Special Merit Award honors songwriter(s) of message-driven music that speaks to the social issues of our time and has demonstrated and inspired positive global impact. The recipient(s) are selected annually by a Blue-Ribbon Committee composed of a community of peers dedicated to artistic expression, the craft of songwriting and the power of songs to effect social change. See past recipients here.
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In June 2023, singer-songwriter K’naan released the inspiring single and accompanying video “Refugee,” co-written by GRAMMY Award-winning songwriter Steve McEwan and GRAMMY-nominated producer Gerald Eaton (also known by his stage name, Jarvis Church). “Refugee” stands out as a distinctive musical endeavor, skillfully interweaving personal and political narratives, and serving as a tribute to refugees around the world. With the single, K’naan drew inspiration from his personal experiences, aiming to redefine the traditional perception of the term “refugee” into a symbol of resilience and strength. The song was written with the hopes of encouraging individuals to embrace the word “refugee” proudly and to give those made homeless by conflict a song that felt like home.
^Denotes posthumous honoree. 
For breaking news and exclusive content, follow @RecordingAcad on X, "like" Recording Academy on Facebook, and join the Recording Academy's social communities on the following: Instagram, YouTube, TikTok, and LinkedIn. 
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twowitchescottage · 7 months
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Road to Avonlea TV Series
Season 1, ep. 6
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