#klaus theory

[bonzos-number-1-fan]

What DPHW Means, and Its Relationship to Smirke's 14

The following contains spoilers for all of TMA, TMP (eps 1, 2, and 3 released currently if you’re in the future), and the ARG. Spoilers for all of this are throughout so I would advise against reading any of this unless you've listened to everything mentioned. It could also spoil episodes of TMP that have yet to release but if it does I don't think it will be a major spoiler. If I'm right I think I'm only right about a fairly trivial piece of information. 

Theory of Fears; or, Zur Furchtlehre

Part 1: Opticks

Smirke's 14 isn't the truth. With or without Dekker's +1. It is, however, necessary and correct. It has also been talked about ad nauseam and isn't a topic I want to dedicate a lot of time to. Smirke's 14+1, or even TMA in general, isn't the focus of this theory nor is it that relevant past its necessity as a point of comparison.

There aren't 14+1 distinct entities in the TMA cosmology. There is a singular entity that has been given divisions by fear and labels by those that have witnessed it. There is no objective line in which to draw these divisions. No matter where you put them or what you name them these concepts will always bleed into each other. Aspects of one Entity will manifest in another because the labels are invented and Fear is a storm of concepts crashing into each other. That's not a flaw in Smirke's list but its strength. A single entity of that scale is impossible to discuss in meaningful terms, the concept has too much gravity to be properly conceptualised and so an entire spectrum of fear must be divided in order to combat it. Categorisation is a vital part of TMA's cosmology and Smirke was as correct as anyone to put those lines down where he did. The real flaw with Smirke's list is forgetting the spectrum exists and stopping seeing the shades in between the Powers.

Finding a way to categorise this concept is important, but the methodology isn't. Smirke's 14 isn't the truth. The only truth is there is a singular whole. But branding goes a long way both in terms of research and in terms of following. This branding lacks accuracy though, it is in large part arbitrary and by its nature removes the shades and the bleed. TMP takes a different approach, one only hinted at, but one that I think is now fully explainable. 

Part 2: Lost in Translation

Perhaps the most interesting mystery in TMP thus far is DPHW. However, I think based on episodes 1 and 2 of TMP (and now 3), and the Klaus excel sheet from the ARG, we have all we need to explain its utility.

In order to show that conclusion in a satisfactory manner some basic facts need stating, and the order of my thoughts on those facts needs explaining. Firstly, each DPHW is 4 digits. Secondly, each DPHW is read as 4 numbers rather than, say, a pair of 2 numbers. Thirdly, these numbers can change independently of each other. Fourthly, incidents may share CAT#R#'s but have a different DHPW as found in the Klaus sheet (a German document listing OIAR-style incident reports). Finally, the German equivalent of DPHW is TSHU also found in the Klaus sheet. We can use those facts to determine something important. Each letter of this initialism is paired with a digit meaning that DHPW is a group of 4 categories. If that is true we can intuit some of its meaning. It is likely that these numbers are a rating of sorts for each category there. To prove that's the case we would need to know the categories and fortunately we have a starting point to understanding it, German.

If the categories that DPHW describes start with the letters TSHU in German then what needs to be done to find the categories is quite simple. You pair each letter up and then find a suitable word to categorise the supernatural whose first letter starts with the respective letter from the initialism in its language. D/T, P/S, H,H, W/U. After some brainstorming in the Statement Remains PLUS Discord server we had come up with strong candidates for 3 of the 4 pairs.

The first was Deadly/Tötlich, a seemingly solid start that gave this theory some legs. Next was Painful/Schmerzlich which was a distinct enough category for the threat of an incident that proved this was a strong direction to head it. H/H proved more troublesome. To my mind the two strongest contenders here were Hypnotic/Hypnotisch or Helpless/Hilflos. Both sound very reasonable but that in itself is a problem. However the last one was found relatively easily as Weird/Unheimlich. With 3 of the 4 it seemed like this was all but correct at this stage. However, I had been thinking about this backwards and it wasn't until I had a revelation that the pieces really fell into place.

Unheimlich sounded familiar when it was suggested but not in a way I could place. It wasn't until the next day that the aforementioned revelation happened. The ARG had a huge focus on Germany, and Ep 1 of TMP revealed why. FR3-D1 uses German source code which makes German the original language for the OIAR's methodology. Meaning DPHW is the translation, and I now think it's a shoddy one at best. The reason unheimlich sounded so familiar to me is because it's a fairly important part of psychology's history.

DPHW's Weird isn't weird, DPHW's Weird is uncanny. A direct translation could give you weird but a more accurate one, especially in this instance, gives you unheimlich. Unheimlich as in Jentsch's "Zur Psychologie des Unheimlichen", and Freud's "Das Unheimlich". Both of which are essays on the uncanny. It's all about the fear of the unfamiliar, and a central example of this is Olympia from Der Sandmann, a seemingly living doll.

The German word unheimlich is obviously the opposite of heimlich, heimisch, meaning “familiar,” “native,” “belonging to the home”; and we are tempted to conclude that what is “uncanny” is frightening precisely because it is not known and familiar... - Freud, The Uncanny

This is incredibly relevant to a lot of what has been discovered so far. The uncanny as a topic in psychology was kickstarted by two Germans, and a central part of their essays was the German Der Sandmann, and a German, SSandman, was a large presence in the ARG. The strength of this connection all but solidified this theory in my mind. And, briefly, this is also related to Masahiro Mori's uncanny valley hypothesis which I'm sure I won't need to explain.

The obvious way to test this is to take the few W ratings we have been given and compare them to the incident to which they're assigned. The first is from Ep 1, “dolls comma watching”, and was given a 7. This is a good start both in that a 7 feels appropriate as an "uncanny rank" but also that a doll is a focal point on the essays on the subject. Also in Ep 1 is "Reanimation (Partial)", again with a 7. Another very appropriate number. The last in Ep 1 is "Transformation (eyes)" with a 5. Certainly less uncanny than the previous examples so this is still strong. In Ep 2 we get a 5 for Bram Stoker's Dracula, which seems more than fair for a strange man like him, and a 7 for Frankenstein which gives parity for another story of the resurrected dead. Finally we get "Transformation (full)" at a 7, more uncanny than "Transformation (eyes)" which tracks nicely.

With what I felt was such a strong theory for the W/U pairing it helped clarify the ideas of the others. The final digit rating the uncanniness of an incident gives an idea of how these categories work and the breadth of their definitions. Up until this point I was leaning towards Hypnotic/Hypnotisch for our H/H pairing. But giving it more thought, and comparing it to TMA's own groupings, it becomes apparent that Helpless/Hilflos is more appropriate. Hypnotic effects are too aligned with things that would already be very aligned with Uncanny ones, the Stranger's Not!Them alter memories and prey on the fear of something being not quite right, so as a categorisation tool I think it makes less sense because of the greater overlap. Helpless on the other hand works better for things like The Dark, The Buried, or The Lonely. Aspects which I don't think show up in our current other 3 groups. But given the current definition of the strongest category, the fear of the uncanny, I think that helplessness is a more apt label. The fear of helplessness. Which makes H Helplessness/Hilflosigkeit.

With this level of breadth established re-examination of the final two categories is warranted. Painful/Schmerzlich is more likely to be Pain/Schmerz. Not just incidents that are themselves painful but the fear of pain, possibly including the emotional. A comparison to TMA gives this rating a strong affiliation with Entities such as The Desolation, The Corruption, or the Flesh. Similarly Deadly/Tötlich should now be broadened beyond the fear of things that will kill you, to the fear of death in a broader sense. Which makes D/T Death/Tod instead. To compare again to TMA this is The End, The Extinction, or The Slaughter. Although, while I might be describing these ideas as the fear of ____ I think it's important to know that they do appear to be more conceptual in nature rather than just if something is scary or not.

Comparing each of these assumed categories against current DPHW’s strengthens this argument. “Dolls, watching” scored 1157. It’s a very low fear of death and pain, but they present a medium fear of helplessness and a high fear of the weird. For a fear that’s rooted in paranoia that makes good sense. “Reanimation (Partial)” got a very similar rating, at 5257, but it being a corpse cranks up its fear of death. “Transformation (eyes)” got 2155 which, again, seems to fall in place with what we know. It’s more human than the doll is so it’s less weird but a physical and alarming transformation naturally seems like more of a terminal concern. Combine that with some good ol' internet death threats and it's not nothing, but not much.

As a small aside, while it's not come up in the episodes so far the Klaus sheet shows DPHW's are 0-9. There is a good bit of evidence to suggest 0 might be read as 10 here. 0 most commonly showed up in that sheet for P and the incidents often had the notes "Kriegsvolk". Literally "war people" but more accurately "army/soldier". So pain of 10 for those would track better than P of 0, and it explains why things like the watching doll rate a 1 for D and P instead of a 0, and Dr. Webber's infection is a P of 1 despite entirely removing physical and emotional pain as it goes. Because 1 is the lowest.

For Ep 2 we start with Dracula scoring a 7465, he’s undead and a killer for high death, if he kills you it hurts but it’s not extreme, he’s both hard to physically stop and has mental tricks, and he’s just a weird dude in general who always seems off somehow. Frankenstein at 5337 has aforementioned parity with the reanimation incident as you’d expect but notably less on the helplessness rating as he is just a man. Next is “Transformation (full)” at 1567. This is generally a more severe rating overall than Transformation (eyes) and you’d expect that, but I think it does show something interesting. At no point did Daria want to end her own life. The transformation is far more severe, arguably looks more life threatening, and was clearly more painful but it is explicitly and repeatedly not about dying. I take that as a suggestion that these ratings take into account more than just the mundanely observable nature of the incident. She looks very sick which would make you think of death but it rates low for it because of the emotional, or maybe supernatural, purpose of the incident. She didn’t want to die, the manifestation didn’t try to kill her, and so despite its appearance it’s low on death.

Then finally in Ep 3, we have "Infection (full body)" with a 8175. (Although I'm assuming that's a misfile and it should be Infection (Arboreal)). I think D and H here are more interesting to dig into. P is pretty obvious it's the lowest rating because it seemed actively pain-numbing as it went. W being 5 tracks too is certainly uncanny and has strange geometry but it's not full Distortion levels. So with those two out of the way we can get to the good stuff. D is the most interesting of the two to me. Because while it's pretty clear he died I don't think that's got much to do with it. Rather I think the 8 is more specifically about the way it deals with death, decay, and rot in relation to new life and the growth of other things, plants and insects. Thematically, I think there is a lot more emphasis on death as a broader concept beyond the terminal nature of the infection. For Helplessness there is also an additional element beyond whether or not he was able to do something about the infection, and that's whether he wanted to. As the symptoms worsened his desire to treat them decreased. Initially he was worried about the infection and determined to seek attention when able, then he was happy to let someone else help instead (a hallucination, which makes things more helpless), before finally wanting it to happen. These sorts of elements are things I think we're going to see factor in quite a lot.

In summary; it is my belief that DPHW is a way to rate incidents that the OIAR catalogue based upon the strength of the fear they elicit in the categories of death, pain, helplessness, and weird (uncanny). This system is effectively the TMP equivalent to Smirke's 14 from TMA. Rather than assigning each statement to an Entity each incident is rated for those qualities. These systems are distinct methodologies but each is a way to categorise the supernatural.  

Part 3: On Analogy

That is the juicy bit of this post out of the way so now I have to put a bow on it and touch upon the overarching analogy here. As alluded to by the title and some turns of phrase, it's colour theory. It's a somewhat common analogy for TMA's fears but I think it applies in equal measure to TMP and taken together might provide an insight into how the cosmologies will differ. So, to me, colour theory is not only the perfect lens in which to view the Fears as a whole, it's the perfect lens to view these methodologies.

Smirke is Newton. He broke up a singular spectrum into wide chunks. The Dread Powers themselves are very analogous to a colour wheel. Colours bleed into each other and the boundaries of where one stops and starts is up for debate but red is still red, and blue is blue. That is a useful context for them, it aids discussion. Try talking about red without ever saying red and only referring to a representation of a divided whole. But all too similar to Newton's 7 colours Smirke's 14 lacks nuance, it lacks shade.

On the other hand we have DPHW and this is all shade. DPHW is CMYK. It's not one thing or another with DPHW. You don't have the pitfall of Smirke's methodology where one manifestation is in one arbitrary box. Here, assuming I'm correct, each incident is made up of constituent parts. The OIAR, and presumably its German forebear, are less interested in Smirke's occult ancient gods and more interested in bureaucratic precision. Smirke was doing research while the OIAR are doing administration. As such DPHW takes a wholly different approach. It's now all shades. This has its own problems in that it's harder to discuss in broad terms. It's such a specific methodology that it's lost a lot of what Smirke triumphed with. This is well represented already given that no one has been shown to know what it means at all yet. But if there is a truly different cosmology at play here we might see the axes of DPHW being where alliances fall.

All that leaves us with is a comparison of these two. The only way to really do that is to talk about how Smirke's 14+1 would fit in DPHW's system. This is something I touched upon briefly. Death is strongly related to The End, The Extinction, or The Slaughter. Pain to The Desolation, The Corruption, or the Flesh. Helplessness to The Dark, The Buried, or The Lonely. Weird to the Stranger, or the Spiral. But that's not all of them and even within those it's already clear that something like The Vast isn't just about helplessness, and we've already seen Daria who would likely be an avatar of the Flesh rank highly in Weird. Which hits upon what I feel is the most interesting aspect of this entire theory. We've seen what happens with Smirke's boundaries on the Entities. We don't know if Entities even exist in this setting, or if they do exist whether they'll be the same ones, or even if they're not the same ones whether they'll function under similar rules. But now we get to see what happens when there aren't those boundaries. We get to see much broader mingling than TMA showcased. It was hinted at there, especially early on before the lore really settled, but now that mingling seems to be the whole point.

And as a brief mention, and to further labour the theme, I don’t think there is enough information to really discuss how CAT#R# works but there are some analogies to work with here. From the Klaus sheet we can infer that CAT# has the following values 1/2/3/12/13/23/123. Or three non-mutually exclusive groups. What those groups are is hard to say right now. There is some soul/body/spirit stuff for the alchemic tria prima that's got some nice connections but doesn't map well now that Ep 3 is out. Either way, this is RGB. An incident can be all red, or red and blue, etc. R#'s values we can infer to be C/BC/B/AB/A/S with maybe an AS in there too. That's a linear scale of similarly unknown value but could represent something like potency/threat. If that is the case then R# is saturation. Some things are more intense than others. We also know from the Klaus sheet that CAT is the German from the "kategorie" meaning "category" the R was from the German “rang” meaning “rank” and so probably has more meaning to it than currently implied.

#the magnus protocol #tmagp #tmagp theories #tmagp theory #tmagp speculation #the magnus archives #tma theory #Reposted because I'm a human now #I was human before but Tumblr disagreed #klaus = kl4-u5

[autismprotocol]

TMAGP Theory Board (S1 EP 7)

Dang that episode was a RIDE Hope everyone had a relaxing week because after the newest protocol episode I am screaming!! so lets get right to it

What Happened in Episode 7: Give and Take

Celia seems to know something about the powers with her references to the buried and the flesh in the opening conversation with Alice

Celia recognizes Chester's voice!! since the introduction of Celia's last episode, I wanted to see how she would react to hearing Chester and Norris and we got that in this episode. It's safe to say that Celia recognized Chester's voice as Jon. This piece of evidence makes me almost 100% sure that this Celia is the same Celia/Lynne from Archives

Jon is Back!!! after Chester's statement (more on that later) we learn that Sam has been getting emails from someone named Jon. He also mentions it in an internal email. This helps support the theory that Jon and Chester/FR3-d1 are fused somehow which is what I (and a lot of the fandom) have been thinking. This leaves me with a lot of questions how else can Jon communicate through FR3-d1 with the outside world? Are Martin and Jonah sentient as well? Also, my big question is if this is the first time Jon has been able to signal to the OIAR Staff or if he has been trying to get them to listen since he manifested in the world and Sam was the first one to notice him or is this his first attempt to make contact. I'm interested to learn more about how Jon will continue to influence Sam. I think he's either trying to warn Sam about the OIAR's true intention or is he looking for some way to escape FR3-d1 and needs Sam's help.

This week's statement involved a place called Hilltop Centre branch of the Oxford people's trust. if you were like me and my roommate all your lore alert bells started ringing the moment Hilltop was mentioned. for people who are new to the Magnus Universe Hilltop Road is a major location for avatars (usually web-aligned ones) and also was the childhood home to the desolation avatar Agnes Montague. Hilltop is a big deal in TMA. Hilltop Centre being located in Oxford also lines up nicely with where we know Hilltop Road is located. I'm interested to know if we will hear anything about the house at 105 Hilltop Road being student housing because if that is true then we can connect the statement giver Anya Villette From MAG 114 to being from protocol's world. if that's true there could be a way to get to the Archive Universe through the gap in reality (a wormhole that exists where the house was built) Anyways definitely will have to listen for any more mention of a place called Hilltop in Oxford 

Gwen was promoted by Lena to external liaison and is officially "In" It's time to learn the OIAR's secrets! after doing some research into the job title of external liaison it seems that Gwen is almost gonna be acting as a messenger between the OIAR and another party which is unclear at this time. my guess is it has something to do with Starkwell which was the private military contractor that was mentioned in Episode 4 but that's just a guess and me trying to fit in pieces that have not found a snug place in the lore yet. could be someone else (I'd love to hear your thoughts)

Remember our Buddy Klaus from Episode 4 who we thought was killed by Lena? turns out Klaus is still alive we learn through Gwen and Lena's conversation, that Lena was paid by someone to kill Klaus but failed.

Colin is more paranoid than ever! could be because of the eye or the institute but he does not want to be near technology right now.

Ooh boy that was a lot I'm still reeling from this episode so I'll leave it there for now. honesty I'm most stoked to hear Jon's back in the story and excited to see what role he'll play in Protocol.

Hope you guys have a wonderful week ask box and comments are always open and I'll be back next week for the episode 8 debrief/theory crafting

-Echo

#augustus tmagp #chester tmagp #gwendolyn bouchard #jonathan sims #lena kelley #norris tmagp #the magnus protocol #tmagp #lena kelly #sam khalid #samama khalid #alice dyer #colin becher #hilltop road #tmagp spoilers #tmagp theory #chester and norris #celia ripley #klaus tmagp #fanart #theory board #martin blackwood #jonah magnus #the magnus pod

[gammija]

Gwen is gonna get what she wanted and be forced to learn very quickly about all the weird and horrible stuff at the foundation of the OIAR and either lose her mind or take to it like a duck to water, and i cant wait to see which one its gonna be

#who's her source? #im gonna say. her dad. no real reason #could also be Klaus #but itd be fun to hear an Elias without an Edwardian immortal piloting him #tmagp #tmagp s1 #tmagp spoilers #tmagp theory #ish #the magnus protocol #magp07 #magp007 #gwendolyn bouchard #gwendolyn

[morgane-art]

Klaus : Do you know how I'm statistically most likely to die ?

Elijah : At the hands of your brother ?

Klaus : An accident.

Elijah : That's how I'm gonna make it look.

#elijah mikaelson #klaus mikaelson #the originals #the originals incorrect quotes #Elijah is so sick of him #source : big bang theory

[shybiii]

tma 197 / tmagp arg masterdoc

Alright! Everything is normal!

#tmagp #tmagp theory #the magnus protocol #annabelle caine #something ..... is cooking.......... #Sandmann is also most likely Klaus the former IT guy

[woonwijken]

collection of things that are connected to me

The Glass Essay - Anne Carson / Boot Theory - Richard Siken / I Like To Collapse - Joseph Ceravolo / Cain - José Saramago / Suzanne - Leonard Cohen / Take Me to the River - Talking Heads / The Cold Song - Klaus Nomi /

#words #mine #idk.... this is just pure feeling #also i hate that theres no clear image of the boot theory & i like to collapse poem... #the glass essay #anne carson #richard siken #boot theory #i like to collapse #leonard cohen #klaus nomi #webweaving #poetry #<- okay whatevr. #mike.txt

[whogavemoththerighttohyperfix]

Hi yes another friendly reminder to the umbrella academy fandom that because five found the eye in Luther’s hand means that Leonard went back to the academy and pissed them off so damn much that they ripped out his godamn eye, I feel like we all ignore this fact too much cause I wanna know how that went down

#the umbrella academy #umbrella academy #the umbrella academy theory #viktor hargreeves #five hargreeves #klaus hargreeves #alison hargreeves #diego hargreaves #luther hargreeves #leonard peabody #harold jenkins

[i-seeaspaceshipinthe-sky]

reginald lied to klaus about his death in 3x07. in 3x06, when klaus comes to visit him, it’s a day; it’s still a day when reginald electrocutes him to death:

it’s night, when allison comes to the academy with harlan’s body in the trunk (and there’s also klaus’ body somewhere in the academy):

and it seems only the NEXT DAY reginald takes klaus out for training. in 3x07, reginald tells klaus he remained dead for 22 minutes. so, klaus probably thinks it’s still the day when he told reginald about the white buffalo suite; the last thing he remembers is being electrocuted. reginald also adds that klaus was totally vulnerable, and he could’ve taken any of his organs. klaus is shocked, because why good ol’ reggie would do that, right?

the training starts at 1:15 p.m., reginald writes it down. logically, klaus’ 22-minute-long death should be listed as 001, but:

it’s 004. 22 minutes - lower body (something something), and LACERATION? before that, 003 - failure (?). 

between klaus’ FIRST electrocution and the bus-ball training, reginald had killed him not one, but four (FOUR!) times. and, most likely he did indeed try to cut him/cut out his organs (?) to check on how/if his dead body can heal itself. spoiler alert: klaus CAN HEAL HIMSELF even when he’s dead. later, we can see it in 3x09 when he comes back to life when the wound on his stomach has ALREADY healed. (so no one could steal his falling out guts, right? reginald knew. old bitch fucking knew). 

so, i think reginald kept electrocuting klaus all night between 3x06-3x07 (with the method reginald chose, it could probably mess up klaus’ memories? he literally doesn’t remember shit except for being electrocuted one last time?) until he made sure that: a) klaus comes back fairly quick now (attempt 003 says 26 minutes, not bad, not bad!) and b) his body heals from any injuries so haha getting crashed with a car is not a big deal.   

#the umbrella academy #tua meta #tua theory #klaus hargreeves #reginald hargreeves #tua #umbrella academy #meta

[thermodynamic-comedian]

we already had the evil eldritch horror manager that puts you in danger. it was fun. it was cool. but now i want something new and exciting. which is why i'm wishing lena ends up being something completely different. i hope she's not the big bad, i hope she's the weakest link. the type of character that's technically antagonistic, but not very good at it. easy enough to persuade, even easier to sympathize with.

and this might just be confirmation bias, but i feel like i'm not reaching all that much with that statement. if you look at the way she acts around the others, it almost kind of feels like she's trying to protect them all from something.

the footage gwen found actually makes me even more convinced of this; lena doesn't sound like she ever wanted to kill klaus at all. "you don't have to do this." "we both know i do." those aren't the words of someone completely emotionally ready to commit murder. and when he eventually escapes, there's something so specific in the way lena shouts "klaus!" after him. she sounds scared and desperate. she never wanted to do this at all, and now the option's been taken away from her entirely. she failed, and she knows what'll happen if they find out she did, but a part of her must be a little relieved. she was never ready to take someone's life. and even if i'm just hearing what i want to hear, a hunter never calls its prey by its first name.

but lena kelley is no hunter. she's the weakest link in a chain of command we have yet to explore.

#i have a degree in yappology sorry guys #if im wrong im gonna make a yapology video #and then move to yapan #man im on fire rn someone call the fire yapartment #ok thats enough goodbye #tmagp #the magnus protocol #tmagp meta #tmagp theory #tmagp spoilers #tmagp analysis #lena kelley #tmagp klaus #oiar

[unfortunatetheorist]

Is Jacquelyn at fault in the Netflix series? (NCT)

Jacquelyn Scieszka is one of the most notable differences between Book- and Netflix-Canon. Her character is often portrayed alongside Larry Your-Waiter, with the pair acting as 'noble', working against Olaf and his accomplices, throughout the series.

However, there is one point I have picked up on to argue that Jacquelyn caused the heinous events of The Wide Window to occur: Jacquelyn chased Olaf onto the SS Prospero, and this was, arguably, one of the greatest mistakes made in this show.

Of course, as viewers, we understand her intentions:

Bring Olaf to justice, as nothing can happen once he's in Peru (even he knows that!)

Bring back Klaus' half of the Baudelaire spyglass

But this act made Olaf jump into the water below, where he would've made it back to shore, to meet with his troupe, before taking a boat out onto Lake Lachrymose, where The Wide Window's events begin.

If Jacquelyn did NOT get onto the SS Prospero, this would've happened:

Olaf sails away to Peru on the SS Prospero, to (in his words) "wait for the manhunt to die down, eat some cuy"

The Baudelaires go to live with their Aunt Josephine

Poe gets his promotion (probably)

Manhunts take YEARS to die down; Osama Bin Laden's - for example - took 10-15 years, before the US Navy tracked him down to a compound in North-West Pakistan.

So, here's the real genius of this part: by the time Olaf returns because the manhunt has died down, the Baudelaires already have access to their fortune!

As the phrase goes,

"It [was] a wicked thing to do, for a noble reason."

Did she have a choice?

¬ Th3r3534rch1ngr4ph, Unfortunate Theorist/Snicketologist

#asoue #lemony snicket #vfd #a series of unfortunate events #snicketverse #asoue netflix #theory #jacquelyn scieszka #count olaf #ss prospero #peru #the reptile room #the wide window #larry your waiter #the baudelaires #violet baudelaire #klaus baudelaire #sunny baudelaire

[dreadfulgirls]

Predictions/Things I’d like to happen in S4 of TUA

• In every season, there’s a main villain, such as the apocalypse in S1, the Commission in S2, and the Sparrows in S3. It’s kinda obvious that Reggie is the villain in this upcoming season, but I’m curious if Abigail(Reginald’s wife) will be a big deal. Like, will she be as bad as Reggie or a sweeter version?

• Like I said above, there are different villains, but there are also different locations. The Academy in S1, Elliott’s house in S2, and Hotel Obsidian in S3. My guess is that the main location will be an apartment. Like, I know that sounds basic and obvious, but in every season, the main location is always a homelike place. (Mansion, House, Hotel, Apartment?) It doesn’t seem super far off, and it could maybe be one of the Brellies apartment.

• Their powers!!!!! I’m so curious about their powers and stuff. So, at the end of S4, we see that the universe is reset(I think???) and so are their bodies. They have no tattoos, powers, and Luther’s body isn’t that of an ape anymore. I think that they’ll maybe find their powers somehow. Maybe there will be a fight, or Reginald has their powers with him? Idrk.

• Ever since I first watched the show, I’ve been super curious about the 43 children with powers. Like, we’ve seen 14 of them (The Umbrellas and Sparrows) but that still leaves 29 of them. It’d be so cool if they involved them. Like, maybe they get important in the timeline bc the Hargreeves seek them out for help? We don’t know if other super powered people are there, but it’d be really interesting if there was.

• I’ve seen a fee people on here say that there is a 6 year time jump in S4, and if it is true, how will they explain what happened to everyone? Will Luther be looking for Sloane all the time? How has he adapted to have a regular body? Diego and Lila’s kid will be born and 6 years old and they’ll be together(I hope, I love them so much). Allison has Ray and Claire, but how will she react to this? We know that she was an actor/celebrity, so maybe she’ll be in the spotlight. I have ZERO clue what Klaus will be doing. He’s so unpredictable, he started a CULT in S2, for gods sake. I’m genuine curious what Five will be doing bc he’s an actual genius. I feel like he’ll have gone to some bigwig college and will be actually successful in life. I’ve seen some sources say that the Ben we saw at the end of S3 was Sparrow Ben, and I love that idea. Sparrow Ben is such an asshole, but he’s so hilarious I can’t be mad at him. I feel like he’ll try and live a normal life, but it’d be hard since well…he’s Ben. I NEED Viktor to lead a nice life, poor boy. I think everyone collectively agrees that we need Viktor to play violin this season without blowing the moon up.

• That paragraph was… a lot, but here’s the final one. It is official that S4 will have only 6 episodes, which is so sad, but that just means that things will happen quicker. I really hope that we’ll have longer episodes. Regularly, the TUA episodes are 40-45 minutes long, but I’d love if we could get episodes that are an hour or more long.

#tua #the umbrella academy #five hargreeves #allison hargreeves #klaus hargreeves #luther hargreeves #diego hargreeves #ben hargreeves #viktor hargreeves #theories #predictions #text post #i yap too much #professional yapper #give us a good season steve blackman please!!!

[bonzos-number-1-fan]

JMJ: Frankenstein; or, the Modem Prometheus

Originally this was going to be titled "So Your Favourite Couple is Dead." but that would probably be a better outcome.

Spoilers for The Magnus Protocol episode 1, and all of The Magnus Archives by implication, below the cut.

This is going to be building on a couple of ideas I've seen throw around. Too often to cite any particular source, unfortunately, but I've not seen this conclusion reached and I think it might have more backing to it. Additionally, it's built upon the assumption that because "Chester" and "Norris" share VA's with Jon and Martin that they are Jon and Martin. Which naturally leaves that other J for "Augustus" being Jonah.

A very common thread in the conversations around episode 1's incident reports is that they're foreshadowing the major themes/beats of the show. The second one is obvious enough; don't got to the Magnus Institute. A sentiment we can all get behind. The other, a story of partial reanimation, has been taken to be a warning that the people you love don't always come back the same. I think that's likely the implication but a potential clue hasn't seen any attention AFAIK.

Before we get there though I need to briefly explain the history of JMJ. If you were a part of the ARG you'll know all about Colin's Code Collection. For those who don't know out favourite OIAR code monkey kept a selection of projects on the OIAR servers and through some covert means we gained access to this. Lots of it was normal stuff like Colin thinking he could improve Linux. However there were several encoded strings left by _6A1F7106A_$. These strings contained a few things but of importance for us is a few code blocks encoded in a monoalphabetic substitution cipher where the ciphertext was alchemic symbols. 6A1F7106A itself is an encoded string but unlike the rest of the ARG it was encoded in three layers. 6A is hexadecimal for "J", while 1F710 is Unicode for "🜐", and 🜐 was "M" in the aforementioned alchemic cipher. JMJ.

Now back to that incident. Coming back wrong was the entire premise of why that incident was scary. JMJ have come back too., and as that incident was about partial reanimation everyone ran with that idea mapping onto JMJ. But "Reanimation (Partial)" wasn't the only option for it as it could have bee "Reanimation (Amalgamative)".

This whole time they've been saying JMJ. It's not ever just been J, or M. Even before we knew it was JMJ it was 6A1F7106A. Always one string; like one name. We've been talking about how shunting the Fears through the portal could've mixed them together but they're not the only ones that could've happened to. So what if it's not about JMJ coming back wrong, but coming back pieced together into a new whole?

It's not just the naming either but how they act. An amalgamation of Jon, Martin, and Jonah vying for control. Jonah, again presuming Augustus is Jonah, is the rarest of the three because it's 2-on-1. Jon and Martin can try to suppress him. Additionally, the .jmj error also makes more sense if you treat them as a single entity rather than three entirely separate ones. The trailer initialises them all as separate things but any effects of them we see is a single name and given all the above they don't seem to be able to act independently. The reason the trailer mentions errors and undefined drives for the master–slave drives would then be because there is no singular consciousness in control of the whole. There is a lack of authority, no truly dominant aspect to them, no hierarchy. So they're vying for control and causing those errors. The .jmj error, the encrypted text when plaintext would have been more useful, Fr3-d1 breaking down, the fact they seemingly can only manifest single personalities at once, Jonah's rare appearances. There is an obvious conflict at play here.

The opening to this wasn't a joke either. I was planning on writing about how they're likely dead for real. We've known Elias' VA wasn't coming back for a long long time so if it's Jonah in there it's OG Jonah. OG Jonah who doesn't have a body, which means more than likely whatever has trapped them hasn't stored their bodies. They're in there forever. No getting out. No returning to life at all. Just a cyberspace hell.

But at least they've got some close company.

#I didn't make a typo #The title is a pun #It's like an ogre #the magnus protocol #tmagp speculation #tmagp theory #tmagp #the magnus archives #klaus = kl4-u5

[mr-mentally-ill]

Woah Mr Mentally Ill posting twice in one day??

...who cares lol

Anyway– I'm here today to talk to you about the use of color in ASOUE. So let's get into it!

Okay let's start off with basics: yellow represents innocence and purple represents evil. In the early days of the first season, Sunny wears yellow colored clothes. As she gets older however, she wears more colors like pink and grey.

Purple is the color that Esmé wears at the opera. It's also the color that the man with the beard but no hair and the woman with hair but no beard wear. In the scene wear the baudelaires help burn down the hotel and help Olaf get away, Violet wears purple.

Again, going back to yellow, look at the island. Now this might be a bit of a stretch, so take it with a grain of salt. So yellow and red make orange right? So someone with not much knowledge on the subject might think that orange and white makes yellow aswell.

This is where the stretch comes in, Ishmael wants to recreate that innocence like we see in Sunny at the start. That's what VFD was supposed to do, keep childlike innocence.

While you would think red would be a color associated with evil in ASOUE, but it doesn't. It mainly represents good. The uniform on the Quequeg is red. In the show, Kit wears it at the opera. In the books, the baudelaires wear it while working at the Hotel Denoument. Klaus also wears it in some early episodes.

Blue would usually be associated with childlike innocence, but in ASOUE it's usually the loss of childlike innocence. Beatrice wears it when she throws the dart that kills Olaf's father. Klaus wears it when they steal a boat, get arrested, in the movie, and all illustrations. Sunny also wears it in later seasons, showing how she is no longer innocent. It is also the color of the sugar bowl.

Green is a neutral color. The hypnotized mill workers wear it. In the show, the baudelaires wear it when they spy on bad people. Olaf wears it in the song "Not how the story goes".

Black and white funnily enough, aren't black and white. They're blurred, both bad and good characters wearing it.

But hey– that's just my two cents!!

(If you guys wanna send me theories to talk about, send me them!)

#im gay and tired #asoue theory #asoue #a series of unfortunate events #a series of unfortunate events theory #sunny baudelaire #violet baudelaire #klaus baudelaire #count olaf

[sentience-if]

Whats something they all need to hear, want to hear and dread to hear?

oh I love this one

Klaus

Need: "It's okay to care about things, actually."

Want: "You're making the right decisions."

Dread: "Thaddeus doesn't need you anymore."

Ira

Need: "Being yourself isn't a sin."

Want: "You aren't crazy."

Dread: "You were always going to end up right where you started."

Kat

Need: "This trajectory isn't sustainable."

Want: "Your mistakes aren't fatal."

Dread: "There's nothing to go back to."

Val

Need: "You can't ignore things to death."

Want: "You CAN ignore things to death <3"

Dread: "Everything was a trap you were too naive to see."

Connie

Need: "You are not a blunt instrument."

Want: "You were right to be wary."

Dread: "You were right to be wary."

#ask #sentience if #val #constantine #klaus #ira #io theories

[gammija]

the old German IT specialist with a lot of tattoos = the Klaus Gwen saw Lena threaten on the old vid last week

#tmagp #the magnus protocol #tmagp spoilers #i mean not 100% certain but. why and who else would she be asking after #tmagp s1 #gwendolyn bouchare #klaus #TMagP theory

[snicketstrange]

Sunny's Age and Lemony's Lies: An Investigation into the Great Hiatus

So, more and more my theory of the Great Hiatus seems to make more sense. Recalling, I defend the idea that the Masked Ball where Lemony was arrested happened many years after the main events described in TE. The Ball happened between the publication of the book TWW and TMM in the asoue universe. An important concept is that the books were originally published over many years.

Although TBB began to be written during the main events of asoue, TBB and TRR were only published at least 2 years after the main events described in asoue. TWW was published sometime shortly after TRR. But TMM was published many years after the publication of TWW. These years of hiatus, is what I call the Great Hiatus. Some events in the asoue universe that happened during the Great Hiatus were the Masked Ball, one of Lemony's false deaths, one of Lemony's escapes abroad, the closing of Prufrock-Prep, and evidently the sending of the original TMM to the editor.During the Masked Ball, Lemony tried to tell a supposed Beatrice something about Count Olaf.

According to this chronology, the only thing that would be relevant for a supposed Beatrice to know was the fact that "Count Olaf is Dead." Olaf died on a desert island. Olaf's death was not known to the general public, but it was known to Lemony, as evidently Lemony was on the island.

But the right question is: why would Lemony think it important that this information should reach a supposed Beatrice? That's because the reason that would lead a supposed Beatrice not to expose herself to the public was the fact that, in theory, Beatrice believed that as long as her death was accepted as true, at least one of her children would be kept alive by Count Olaf so he could recover the inheritance when the surviving child turned 18. If Beatrice showed herself alive, the inheritance would not be any of her children's but Beatrice's herself. So none of the children would have a reason to be kept alive by Count Olaf. Therefore she, in theory, needed to be regarded as dead. And that's why Lemony emphasizes so much that Beatrice is dead, even though he believes she may be alive. He tries not to alarm her and reinforce her pretense.

I want to make clear that all this is valid both in the case where Beatrice survived the fire and in the case where she died in the fire. Because it doesn't matter the truth, what matters is what Lemony believes to be true, and what he decides to do with his beliefs: reveal them or distort them for a greater good he believes to be a greater good. Lemony believes that lying is sometimes good and necessary. Even if he were right to say that Beatrice was dead, when he wrote that, he believed she was alive. So, he lied when he said she was dead. And all this can be seen by analyzing Sunny's age.

How old was Sunny when she arrived on the island? I can say more than 1 year, because of her behavior and the events mentioned in the story. Lemony claims he spent 14 years trying to talk about Count Olaf with Beatrice. But we have a limit for this subject to be relevant. When Sunny turned 18, if she was still in Olaf's clutches, he would find a way to cash the money and kill Sunny afterward. So, it wouldn't make sense for Beatrice to hide from Olaf anymore. If after discovering Olaf was dead, Lemony still tried to pass this information on to Beatrice, it's because he believed Beatrice believed Olaf had killed Klaus and Violet and preserved Sunny to cash the money. (It is interesting that Olaf tried to do exactly that at the end of TCC). Considering that Sunny spent 1 year on the island and Lemony didn't get there during that time, we can conclude that Sunny was at least 2 years old when she left the island, with the most likely being that she was 3 or 4 years old when she left the island. If Lemony got to the island during the year that followed and then found out that Olaf was dead (and also found the Baudelaires' notes), we can conclude that he spent the next 14 years trying to pass this information on to Beatrice, according to his own words, until the day of the Masked Ball.

This means that in the meantime he published 3 books, purposefully lying to the general public by saying that Beatrice was dead, when he believed she was alive.

That's why he couldn't complete the sentence for the general public. "Count Olaf is dead" would reveal that he believed Beatrice was alive.

It is interesting to note however, that evidence points to Beatrice in fact dying in her house fire, and that the woman Lemony thought was Beatrice was actually an imposter. Apparently that's what R meant to Lemony in the letter recorded in LSTUA chapter 2. "That girl was flammable." "Analyze these photos." "Impostors nearby in disguise". "Beatrice is far from reclaiming lost property." These hidden messages seem to be trying to tell Lemony, "Beatrice really is dead." And R only had to pass this message on to Lemony because he believed Beatrice was alive. This belief of Lemony's also explains why he was so alarmed when studying the city's underground, because he investigated possible survivors of fires hidden in fountains.

This deepens our understanding of the concept of unreliable narrators. Lemony Snicket becomes one of the most unique examples I've come across. He embodies the following notion: "One can tell an untruth without lying, simply by being mistaken. And one can tell the truth while lying, also by being mistaken." This intricate interplay of perceptions and realities adds another layer of complexity and intrigue to the narrative.

#asoue #asoue theory #asoue theories #count olaf #olaf #sunny baudelaire #sunny #lemony snicket the unauthorized autobiography #lemony snicket: the unauthorized autobiography #lemony snicket #beatrice baudelaire #a series of unfortunate events #lstua #masked ball #violet baudelaire #klaus baudelaire #duchness of winnipeg