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#maki zen'in
numelfanclub · 1 day
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I CAN FINALLY POST THESE BECAUSE I FINISHED NOBAMAKI RAGAGAHHA
oh my god i'm obese with resurrection au bro
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also bonus stuff!
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happybirthdayanime · 4 months
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January 20th
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bakugoushotwife · 7 months
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kinktober day twenty-seven: car sex
>>> no one will read these anyway based off of the reception for nobara, but i wanted to give the ladies some love this time around <3
>>> starring: maki zen'in x curvy!f!reader >>> cw: jealousy, homophobia w the zen'ins, making my own cannon, oral and fingering, car sex, semi-exhibitionism? i don't think so but just in case >>> wc: 1.8k >>> event masterlist:
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formal events were the bane of her existence. she hated all the ritualistic steps of looking presentable for a clan celebration, of all things. maki has never been celebrated amongst her clan and she knows they won’t start anytime soon—so why did she have to show up and celebrate them? even worse, why did she have to drag her girlfriend to such an event? she knows half the elders will spend their time whispering about either her supposed powerlessness or her lesbianism, and the other half would be thinking about it all night long. she hated having to subject you to such nonsense, but her mother insisted–and she knew she’d never hear the end of it from her if she didn’t just suck it up and go. 
so here the two of you are, shoved into the zen’in family banquet hall in a tight fit. maki was absolutely uncomfortable, forced to mingle with people she can’t stand while trying to keep a possessive hold on you. despite the controversial relationship, she wouldn’t let it be lost on anyone. you weren’t here as a plus one or just a friend, you were here as maki’s partner and she wasn’t shy about it. they hate her already, she couldn’t give less of a fuck. her anger will make her the perfect protector too, she won’t allow them to say anything offbeat to you or their reckoning may come early. 
she also hated formal wear. it was impractical and stuffy, and she didn’t like being painted up to the nines, either. at least you looked amazing. you might be enough to make her rethink all her earlier opinions. seeing you tucked into a gorgeous kimono was definitely a lifeline to get her through the night—naobito’s birthday celebrations could perhaps pass harmlessly by with nothing more than the memories of how good you look. the silk highlights your body for days, tight around your chest and flowing down your legs. whereas maki feels completely out of place with rouge and lipstick on he skin, somehow it makes you look even more elegant and graceful. you’re flawless, evidence that maki is indeed good enough to deserve happiness. she keeps your hand in hers for the better part of the evening, fake smiling to some clan members while she keeps her scowl for others, you couldn’t quite find a rhyme or reason to her reactions. it isn’t until she’s pulled away by her sister that you’re able to understand. 
of course you were familiar with the atrocities of the zen’in, and it made you more than just a little uncomfortable to be surrounded by them, but with maki by your side, you knew that no harm would possibly come to you. but with her gone, well. now you’re left wide open. 
they don’t waste any time, a wall of zen’in has formed around you with various men bidding for your attention by offering you drinks and compliments, swearing that a zen’in man could give you a much better time than any woman—but especially one as weak and powerless as maki. their sentiment makes you snarl, but you don’t know how far maki is—meaning you don’t know how crude you can be with all these disgustingly vile creatures. 
“weak? naobito’s birthday or no—we can test that theory.” her sharp voice cuts through the cacophony of others. the men are quieted instantly, and you feel yourself smirk. they start rattling off excuses as to why there should be no fighting here tonight—but you hear the real reason: they’re afraid. 
maki has always been far more powerful than they deign to acknowledge. she’s a talented fighter, and you knew most of these old fuckers would be dead to rights if she really wanted to cause a scene. her presence is scary enough, brows set with a menacing look in her eye. she stares above their heads, making eye contact with you. 
“come. i think it’s time we left, dear.” she extends her hand for you to take, holding the stare of the disgusting old men that came to hit on her girlfriend the moment she stepped away. you skip forward to take her hand, almost giddy at her demeanor as she squeezes your palm in hers. you knew that she was pissed. she was mad when she woke up this morning and remembered this stupid fucking party was today, but now she’s irate. everything she thought would happen, did, and she didn’t feel like subjecting you to any more ogling eyes. she starts to drag you both towards the door, hoping that the hour and a half she had managed to occupy the same space as her family would please her mother enough. not that she quite cared anyway, hearing your little giggles of excitement told her that you knew exactly how she would remedy her bad mood. 
maki has a track record of jealousy, and you knew this time was no exception. this time may be the worst of them all, your girlfriend’s grip on your hand tightening as the driver brings the car around. her mind was racing with the harassments from the crowd, different cousins and uncles offering to show her girlfriend a good time after the party. tch, she didn’t have to wait. she would have you now, the windows of the car are tinted anyway. she opens the backseat of the spacious suv, jutting her chin out to the backseat. 
your feel your face heat up as you obey her, crawling into the back on your hands and knees. maki turns to give the chauffeur a tip, patting his knowing shoulder. she doesn’t much care if people know what she’s about to do to you in this car. in fact, she hopes rumors spread about it. the windows being tinted was all she cared about—no one would get to see her pretty little girlfriend’s faces of pleasure but her. she steps into the car after you and pulls the door closed behind her. she’s thankful for the air conditioning and radio humming lowly in the background, your noses pressed together for a brief moment as she adjusts your seat, pushing you back and ensuring she has enough space in the floorboard. 
you giggle a little, parting your thighs to give her room to sit between. she slinks between them easily, resting her hands on your knees as she peers over her lenses. you lick your lips in anticipation, seeing that anger in her eyes. 
“worked up, babe?” you tease just a little, resting your hand on her head. she raises a brow at you, quietly warning you to watch your attitude. you grin a little, knowing you could push her to her limits after the night that you’ve had—but you’d be the one to reap the consequences. so you lean back against the seat a bit, easing your cunt closer. she looks down at your middle at the movement, but she nods. 
“yeah. i’m a bit worked up.” she groans, bunching your silken skirt up by your thighs. her mouth salivates the closer she leans to the apex of your thighs. she catches your scent, grinning at the arousal already leaking down your legs. “they’re all just dying for a chance at you, hm?” 
you roll your eyes with a satisfied little grin, shaking your head at her. you pull your skirt up some more for her, but you know not to worry about anything further or you’ll further irritate your already ticked off and overzealous girlfriend. “just too scared of you to come around.” you decide to stroke her ego instead. 
she scoffs a little, amusement sparkling in the vast darkness of her emerald eyes. her fingers stroke over the center of your panties, and she hums approvingly at the dampness she can feel beneath. her lips tilt into a smirk, “and you like that?” 
“i love that.” you purr, scratching her scalp a little bit. she smiles softly and pushes the flimsy fabric keeping your cunt from her to the side. she gives you a breathy chuckle, watching the strings of your arousal stick to your panties as she peels them away, she’s enamored. 
“and i love that sloppy pussy, pretty girl.” she whispers, letting her fingers spread your lips apart. you take your lip in between your teeth in anticipation. she lets her slender thumb drag figure eights along your clit, face focused on your hardening tits and shifting face. you’ve always been so sensitive, it’s one of maki’s favorite things about you—how you jerk into her hand as she’s barely touched you, little moans coming from your pursed lips as the sounds of tires squealing outside overtake the music in the car. maki grins—you’re holding up the line, leaving the other zen’in’s no choice but to pull around maki’s signature suv. she chuckles a bit as she leans in, attaching her pink lips to yours, letting her fingers work their magic over your bundle. 
your body drowns in warmth, looking down at your sexy and strong girlfriend giving you head never got old. she always knew how to get you going, possessively shoving you in the back of her car was on the list. you grip at her hair as the pressure from her fingers intensifies, tongue slipping past your lips and straight into the hole—and she moans at the taste of you. your head rolls against the rest behind you, hands weaved into green locks in an effort to grind yourself down on her tongue inside you without moving her fingers. one of her hands pushes your thigh away, keeping you from breaking yet another pair of her glasses. 
she works in perfect time, knowing exactly how to send you over the edge without much work at all. she knows no man could tend to you so easily—making you cum like it was chewing gum or breathing. that’s why only she gets to wear the remnants on her face. you buck into her mouth, whines going high pitched. she taps your thigh, giving you express permission to cum on her face. 
you whimper, the affection in her eyes was enough to send you toppling over the edge. your hips shake, the dam breaking in your gut—your release covers your girlfriend’s tongue as she curls it inside, gathering all the taste of you that she could with a few animalistic moans as she sucks you clean. 
she pants a little as she pulls away from your cunt, tucking your panties back over the mess with a little smile of arrogance. “did that make you feel better, sweetheart?” she asks, pulling your skirt back down as she leans up toward your face. you bend down to meet her, she was still on her knees after all. 
you chuckle, giving her a soft kiss. “i meant to ask you that.” 
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linkspooky · 1 year
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Thank you for @oakyvii for the cover of my Jujutsu Kaisen Fanfic, a pre-culling game YutaMaki fic giving them more bonding time before separating for the culling games and explores the relationship of both characters.
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mugiwara-shuenobi · 4 months
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luxites · 7 months
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A sweet peace offering 🩵✨
my piece for @zenintwinszine !
leftover sales are open now and there’s a lot of lovely work- check it out
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strogelen21 · 1 month
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I've said it before, they're fine, really.
(Well, at least one of them is)
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jauffre · 4 months
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jujutsu kaisen (呪術廻戦)
↳ jujutsu sorcerers 1/-
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numelfanclub · 29 days
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this is an inside joke but i wanted to post it here anyways
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storekn1fe · 4 months
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maki!! [id in alt]
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linkspooky · 2 months
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Maki Zen'in vs. Ryomen Sukuna
The past two weeks Maki has faced off against Sukuna. While it seems that Maki and Sukuna's face-off has followed the traditional formula of every individual Sukuna has squared up against so far. That being Sukuna fights them trying to bring out their best, praises them before swiftly defeating them. It's followed the formula so far, with Gojo, Kashimo, Higuruma, and Yuta. Yuta surveys their "taste" as unique sorcerers, and then quickly consumes them.
However, I am going to argue that there's a reason Sukuna takes a special interest in Maki that differs from Gojo Kashimo, Higuruma and Yuta and it's because the two of them foil each other.
1. Skin and Blood, Bone and Marrow
To badly quote Kant, and Johane Fichte thesis and anti-thesis are both necessary in order to make a statement.
Immanuel Kant's Critique of Pure Reason (1781) created the thesis / antithesis dyad, within two statements.
Thesis: "The world had a beginning in time, and is limited in regars to space."
Antithesis: "The world has no beginning and no limits in space, but is infinite, in respect to both time and space."
Fichte turned this dyad into a triad. A set of two contradictory ideas that is resolved with a third statement, synthesis. In order to make of synthesize a new idea, thesis and anti-thesis must meet first.
Are synthetic judgements a priori (before / precending) possible?
No synthesis is possible without a preceding anti-thesis . As little as antithesis without synthesis, or synthesis without anti-thesis, is possible; just as both cannot be born without thesis.
In other words no idea cannot exist without the opposite idea, and no new statements / judgement can be made without exploring these two ideas in opposition to one another.
I spent so much time explaining this philosophical concept because fights in Jujutsu Kaisen aren't just excuses for Akutami Gege to add more elaborate rules to the power system, and give the power-scaling bros more material to argue about. They are a clash of ideals between the two characters fighting, oftentimes with both characters embodying opposite philosophies. At this point it's not subtext, but literally text, Sukuna calls fights a clash of ideals.
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Sukuna is not just fighting to physically conquer Yuji, at this point he wants to win in a clash of ideas to, he wants to disprove the ideals Yuji carries in his heart and all that he represents.
Mahito too, all the way back in Shibuya, called his fight with Yuji a clash of truths, rather than the fight between good and evil that Yuji imagined it to be.
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Thesis and Anti-thesis are both necessary to make a statement. Yuji cannot prove his ideals to be true, without clashing with Sukuna first, and the same for Sukuna, Sukuna can no longer disprove Yuji's ideals as false without recognizing his ideals and fighting them head on.
There's a statement on twitter I want to steal that summarizes the matchup of every mini-arc in the Sukuna fighting arc so far.
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To summarize Lmfalolawholebunchanumbers point, Mahito and Sukuna acting as antagonists challenge the ideals of the protagonists, but while Mahito represents the reverse of humanity's ideals, Sukuna is against the concept of hodling onto any consistent ideology himself. Sukuna in fact believes that all the ideals of the sorcerers that challenged him in the past were false and flimsy, and is troubled by the fact that Yuji holds onto his ideals no matter what.
I already somewhat explored this in this meta, Sukuna's Anti-Enlightement. Where I argue that Sukuna's ideals resemble nihilism, but even then I wouldn't label Sukuna a nihilist because Nihilism is still a set of beliefs and Sukuna doesn't seem to hold onto any consistent ideology or belief system at all. Trying to assign any human branch of thought or motivation to Sukuna doesn't quite work, because Sukuna's point of view isn't one of a human, but more like an inhuman curse, or even a deity. In other words a calamity.
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"Whoever fights monsters should see to it that in the process he does not become a monster. And if you gaze long enough into an abyss, the abyss will gaze back into you.” Beyond Good and Evil Part IV Frederick Nietzsche
Nietzsche used the abyss as a metaphor to summarize the unknowable psychological complexity of human beings. You stare at the abyss trying to comprehend it. Which means when facing the abyss, the abyss forms in your mind. Anyone who tries to understand humans must face the fact they are incomprehensible. Anyone who tries to create some meaning to life must confront the fact that the world is so ridiculously overcomplicated and random it's impossible for the human mind to fully comprehend.
The abyss as it exists is a place of danger where it's easy to lose sight of your search for meaning, or even yourself, but in order to grow you have to confront the deepest, darkest part
Anyone who tries searching for the truth, risks confronting the idea that they may be wrong, risks questioning their values, risks confronting the fact that what they believed meaningful might have no meaning at all - and therefore the abyss widens inside of them, they might abandon idealism all together.
Anyway, enough boring philosophy more or less every single person who fights Sukuna risks having their ideas feel false. Or to paraphrase the twitter user I quoted above, most of the characters that try projecting their own human ideals onto Sukuna, find not only do they misunderstand Sukuna entirely, but Sukuna doesn't care about their ideals and disproves them.
Gojo and Kashimo (and before them Yorozu) all try to fight Sukuna, believing they could make Sukuna understand them and understand Sukuna in turn only to find they were misreading Sukuna entirely.
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Gojo makes a big deal of trying to bring out Sukuna's best to prove that Sukuna is not alone standing on the top, only to be met with Sukuna basically going "I don't really care."
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When you confront the abyss, the abyss opens up inside of yourself and your ideas may prove to be false. No one who's faced Sukuna so far, has been able to conquer that abyss, in fact Sukuna keeps rendering their ideals to be false. Perhaps because they are just projecting ideas onto the abyss, looking at Sukuna instead of looking at the abyss inside of themselves.
They want something from Sukuna that Sukuna can't give them, they're looking externally for Sukuna to give them easy answers instead of looking internally. Not one of them is able to form a new idea or make a statement because they're not willing to confront anti-thesis.
The exception to this pattern so far is Maki. There's a reason I've been hammering on about the abyss so much, it's because in this most recent chapter Sukuna calls Maki "a true void."
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In one sense, there's the technical power system reason why he calls Maki a void. Maki is someone who gave up all cursed energy in order to strengthen her physical body, whereas in comparison Yuji who also mainly fights with his body and super strength, but unlike Maki, Yuji hasn't broken away from cursed energy and is instead soaked in Sukuna's cursed energy.
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However, not only has Maki cast off cursed energy, unlike Yuji who has suppressed his own identity to become a cog in favor of his ideal of having a role and supporting other people, Maki has let go of the idea of protecting others and instead focused entirely on the idea of improving her own strength.
Though, not entirely by choice as Mai sacrificed herself, but Maki's awakening and becoming of herself happened when she let go of Mai, and protecting Mai or reforming the Zen'in for Mai's sake. Not only did Mai take cursed energy with her when she died allowing Maki to break free of cursed energy, but she also let go of her ideal of protecting Mai. Losing her cursed energy went hand in hand with losing her "goal" and almost immediately afterwards she loses her goal of trying to prove herself to the Zen'in or become clan head and just exterminates them entirely.
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Everything Maki lived for is gone, so what does Maki live for now? Herself mainly, and the concept of total freedom that comes with no longer tying yourself to others.
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In that way, I'd say that Maki almost resembles Sukuna the most, because if Sukuna represents the void that others must confront Maki is the only character that has opened up the void inside of herself. As Sukuna said unlike Yuji who's half-assed in his idealism, Maki's shaved away everything and is contemplatng the void. Almost to reflect this, Gege's done away with most of Maki's internal narration and most of her internal dialogue is focused on either how to win, and how to bring out the fullest of her abilities.
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Maki's opened up and contemplated the void inside herself, and in that way she's done away with self-doubt like most of the characters are facing, she's not projecting her anxieties onto Sukuna or wishing for him to answer or resolve her identity crisis like Gojo and Kashimo. She doesn't even have an identity crisis.
In fact, Maki and Sukuna resemble each other so much by both having a void inside of them it makes me wonder if Twin Theory is true that Sukuna also achieved his perfection in Jujutsu by either fusing with his twin in Uterus or cannibalizing his twin somehow.
Even in the fight itself, Maki's the one who's most laser focused on winning, whereas Yuji and Yuta's strategies fail because they're too concerned with saving Megumi who himself at the moment does not wish to be saved. (Saving Megumi is a good thing though, I'm just making a point that Maki much like Sukuna only sees herself winning the fight and prioritizes that above everything else. It's not like she's against saving Megumi either she didn't argue against Yuta and Yuji taking a shot at it). It's just she's the only one who like Sukuna only sees the fight in front of her and doesn't worry about other people. She's laser focused on the win is what I'm saying).
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I don't think it's just the fact that Maki has cast away cursed energy that's drawn Sukuna's attention, but the fact that while she represents his anti-thesis focusing on only strengthening the human body, they also share many similarities between them.
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They're both the void.
Sukuna even says that Maki's existence denies Jujutsu itself.
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Sukuna says that Maki is the only person who's forced him to have a role, and in a way that's true, because by denying Jujutsu, she represents the void that Sukuna has to contemplate now. In a way she's played an uno-reverse card to Sukuna's philosophy of revolving his entire life around strengthening Jujutsu and being the height of Jujutsu.
Sukuna now has to prove Jujutsu's superiority and contemplate the fact that is ideal might in fact be wrong.
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Sukuna and Maki both represent the ideal of what one can achieve in the pursuit of strengthening the body, versus strengthening Jujutsu, Hajime even comments that Sukuna's body is absolute perfection.
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Not only that, but they both represent the opposing philosophies established by Kenjaku and Yuki, Kenjaku sees the future evolution of humanity as optimizing cursed energy, and Yuki envisions a future of breaking away from cursed energy entirely and even namedropped Toji and Maki both as examples of those ideals.
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There's a reason that Gojo is troubled by Toji and remembers his loss to Toji years after the fact, Toji deeply troubles Gojo not because he beat him in a fight and caught him off guard but also because his existence challenged everything Gojo believed to be true.
Gojo is the first inheritor of the six-eyes, and Limitless in hundreds of years, he exists solely for Jujutsu as Nanami said, he was also someone who was arrogant at seventeen and was handed everything at birth, who has always been held up on a pedestal by Jujutsu Society. Yet the only person who seriously challenged Gojo and forced him to evolve before Sukuna rolled around was Toji, someone who is the scapegoat of Jujutsu Society, and who is looked down upon by the the three clans. Suddenly, the inherent superiority that Gojo believed in, all the things he thought made him great b/c he was the peak of the Jujutsu world was called into question if a mere monkey could challenge him.
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Toji too, stuck around and fought Gojo because he felt a pressing need to disprove the philosophies and ideals that Gojo represented. However, Toji in this fight lost because he succumbed to the void.
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He deviated away from his set of ideals and fell prey to his inferiority complex rather than staying true to himself in face of the void.
Gojo's enlightenment itself comes from facing the void that is Toji Zen'in, and then conquering that void by conquering his own biases against Toji that made him let his guard down. Yet, his defeat against Sukuna comes from the fact that he couldn't conquer the void, he couldn't find his own answers instead relying on Sukuna for an answer and because of that Sukuna reduced him back to a human being again with the world cutting slash that cut through the infinity.
In other words in just two chapters Maki vs. Sukuna have embodied a philosophical battle that has been raging in Jujutsu Kaisen since basically Hidden Inventory, and maybe even the beginning of the manga itself and it is what do your ideals, the ideas you live for mean in face of the void / death. Are they worth holding onto, can you create a synthesis from confronting and overcoming your antithesis, or will you too succumb to the meaninglessness that Sukuna represents?
How do you find meaning in a world where death is random, where anyone can die at any moment, a world that is inherently unfair where good things happen to bad people, and selfish monsters like Sukuna get whatever they want who win because they are selfish and step all over people and take what they want.
Confronting Sukuna means confronting the fact that the world may be empty, and we may all be just killing time until we die.
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The lines skin and blood, bone and marrow which is what Sukuna uses to refer to the source of is strength (Jujutsu) and the source of Maki's strength (the physical body) are a reference to Bodirahma asking his disciples to understand his teachings.
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"You have attained my skin. You have attained my flesh. You have attained my bones. You have attained my marrow."
In other words neither Sukuna and Maki are entirely right, the true understanding comes not from Jujutsu, or the Body, but from both, from skin, flesh, bones and marrow.
In other words, a statement requires thesis and anti-thesis. It's not Maki and Sukuna that are right, and something can be learned from the clash of their ideals.
What I'm saying is basically that JUJUTSU KAISEN is a story with THEMES and I love it.
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silvadour · 6 months
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"One who had inherited the curse of the Zen'in clan from birth, and one who could not completely cast off that curse, both stood in witness to the one who cast it all off now manifested in raw flesh...and taking action." Jujutsu Kaisen S02E15 - "Fluctuations, Part 2" Screenplay: Hiroshi Seko (瀬古浩司) Storyboarder(s): Takao Abo (阿保 孝雄) & Isuta Meister (椅子汰) Episode Director(s): Isuta Meister (椅子汰), Ryouta Aikei (愛敬 亮太), Hayato Kurosaki (黒崎 隼人), Fei Hung (鸿 飞), and Teppei Okuda (奥田 哲平)
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mugiwara-shuenobi · 3 months
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readtilyoudie · 1 month
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Jujutsu Kaisen 0
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amayassm · 2 months
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Forgot to post this quick maki I made for a friend.
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noname-nonartist · 9 months
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I would be so scared too man lmaooo! XD
OG VIDEO
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