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#not death by dying
basketcasemp3 · 1 year
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this doesnt seem like a popular opinion on here but sometimes i like when characters die. sometimes its needed to raise the stakes and sometimes its the end best befitting of the character and sometimes its needed to move the narrative forward and sometimes its the only way a character would believably leave their story behind and sometimes it just spices things up a bit. sometimes its fun to watch characters die . sorry
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stromblessed · 5 months
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Mizu, femininity, and fallen sparrows
In my last post about Mizu and Akemi, I feel like I came across as overly critical of Mizu given that Mizu is a woman who - in her own words - has to live as a man in order to go down the path of revenge.
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If she is ever discovered to be female by the wrong person, she will not only be unable to complete her quest, but there's a good chance that she'll be arrested or killed.
So it makes complete sense for Mizu to distance herself as much as possible from any behavior that she feels like would make someone question her sex.
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I felt so indignant toward Mizu on my first couple watchthroughs for this moment. Why couldn't Mizu bribe the woman and her child's way into the city too? If Mizu is presenting as a man, couldn't she claim to be the woman's escort?
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However, this moment makes things pretty clear. Mizu knows all too well the plight of women in her society. She knows it so well that she cannot risk ever finding herself back in their position again. She helps in what little way she can - without drawing attention to herself.
Mizu is not a hero and she is not one to make of herself a martyr - she will not set herself on fire to keep others warm. There's room to argue that Mizu shouldn't prioritize her quest over people's lives, but given the collateral damage Mizu can live with in almost every episode of season 1, Mizu is simply not operating under that kind of morality at this point. ("You don't know what I've done to reach you," Mizu tells Fowler.)
And while I still feel like Mizu has an obvious and established blind spot when it comes to Akemi because of their differences in station, such that Mizu's judgment of Akemi and actions in episode 5 are the result of prejudice rather than the result of Mizu's caution, I also want to establish that Mizu is just as caged as Akemi is, despite her technically having more freedom while living as a man.
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Mizu can hide her mixed race identity some of the time, and she can hide her sex almost all of the time, but being able to operate outside of her society's strict rules for women does not mean she cannot see their plight.
It does not mean she doesn't hurt for them.
Back to Mizu and collateral damage, remember that sparrow?
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While Mizu is breaking into Boss Hamata's manse, she gets startled by a bird and kills it on reflex. She then cradles it in her hands - much more tenderly than we've seen Mizu treat almost anything up to this point in the season:
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She then puts it in its nest, with its unhatched eggs. Almost like she's trying to make the death look natural. Or like an accident.
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You see where I'm going with this.
When Mizu kills Kinuyo, Mizu lingers in the moment, holding the body tenderly:
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And btw a lot of stuff about this show hit me hard, but this remains the biggest gut punch of them all for me, Mizu holding that poor girl's body close, GOD
When Mizu arranges the "scene of the crime," Kinuyo's body is delicate, birdlike. And Mizu is so shaken afterward that she gets sloppy. She's horrified at this kill to the point that she can't bring herself to take another innocent life - the boy who rats her out.
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MIZU'S ONE MOMENT OF SOFTNESS AND MERCY, COMING ON THE HEELS OF HER NEEDING TO KILL A GIRL TO SPARE HER THE WORST FATE THAT THIS RIGID SOCIETY HAS TO OFFER WOMEN, AND TO SPARE A BROTHEL FULL OF INNOCENT WOMEN WHO ARE THE CASTOFFS OF SOCIETY, NEARLY RESULTS IN ALL OF THEIR DEATHS
No wonder Mizu is as stoic and cold as she is.
And no wonder Mizu has no patience for Akemi whatsoever right before the terrible reveal and the fight breaks out:
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Speaking of Akemi - guess who else is compared to a bird!
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The plumage is more colorful, a bit flashier. But a bird is a bird.
And, uh
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Yeah.
I like to think that Mizu killing the sparrow is not only foreshadowing for what she must do to Kinuyo, but is also a representation of the choice she makes on Akemi's behalf. She decides to cage the bird because she believes the bird is "better off." Better off caged than... dead.
But because Mizu doesn't know Akemi or her situation, she of course doesn't realize that the bird is fated to die if it is caged and sent back home.
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Mizu is clearly not happy, or pleased, or satisfied by allowing Akemi to be dragged back to her father:
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But softness and mercy haven't gotten Mizu anywhere good, recently.
There is so much tragedy layered into Mizu's character, and it includes the things she has to witness and the choices she makes - or believes she has to make - involving women, when she herself can skirt around a lot of what her society throws at women. Although, I do believe that it comes at the cost of a part of Mizu's soul.
After all, I'm gonna be haunted for the rest of this show by Mizu's very first prayer in episode 1:
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"LET" her die. Because as Ringo points out, she doesn't "know how" to die.
Kind of like another bird in this show:
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czerwonywilk · 4 months
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the best part of a coilhead killing you and moving to the next person is situations like this
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violottie · 2 months
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This would not have happened had it not been for America, the UK, the West and "israel" and their genocidal intent and action. THIS WOULD NOT HAVE HAPPENED OTHERWISE. NEVER FORGET THAT.
"A toddler in northern Gaza has died after bread, made from animal feed, poisoned him to death.⁣" from Al Jazeera English, 27/Feb/2024:
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you-makestedehappy · 6 months
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𝒾𝓉'𝓈 𝓃𝑜𝓉 𝒶𝒷𝑜𝓊𝓉 𝑔𝓁𝑜𝓇𝓎. 𝒾𝓉'𝓈 𝒶𝒷𝑜𝓊𝓉 𝒷𝑒𝓁𝑜𝓃𝑔𝒾𝓃𝑔 𝓉𝑜 𝓈𝑜𝓂𝑒𝓉𝒽𝒾𝓃𝑔.
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monoidea · 6 months
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ourflagmeansgayrights · 6 months
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actually can we stop talking about “deserve” when it comes to characters dying in fiction. not everything is a fable with a moral lesson to be learned. romeo and juliet didn’t “deserve” to die. bambi’s mom didn’t “deserve” to die. izzy dying in the finale doesn’t mean ofmd is saying that certain types of queer people “deserve” to die. fictional death can serve more narrative purposes than just punishment for the character doing the dying.
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teddytheartist · 30 days
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Zukka for the win my guys
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attyattlaw · 4 months
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ace on gouache more like gouace(??)
anyway happy birthday
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diana-andraste · 4 months
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Sculptures by Luis Perlotti, 1928
At the entrance to Cementerio de Luján, Buenos Aires, Argentina
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saycheeseandsmile · 1 year
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faglaios · 1 year
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one detail I really liked that I haven’t seen anyone touch on is how death only ever showed up when puss was close to potentially dying, which lead me to realize puss was probably going to drink himself to death at their first meeting
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jewreallythinkthat · 2 months
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Something I really don't understand is this obsession the anti-Israel crowd (in the West) have with death and martyrdom. All they care about is dying, and often killing for their cause; I see nothing about building a better future that isn't based on the murder of 9 million Israelis.
It's easy to die for a cause. The challenge is living to make a better tomorrow.
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symphonyofsilence · 17 days
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What drives me even more insane about this scene is how you'd expect Gojo to imagine High school era! Geto in the crowd. Or at least not the cult leader, worst of all the curse users Geto Suguru. But no, it's the cult leader Geto. It's Geto as Gojo last remembered him. As Geto last was. Whatever choices Geto made, wherever his choices led him and them, however he was, whoever he was, traumas and messed up ideas and bad choices and ill reputations and scorns and all. Gojo wanted Geto Suguru there. Not any ideal version. Not any "what if" version. Not any "at some point in time before things went downhill" version. Not any "when your hands weren't stained with innocent blood" version. He knew very well what he wanted. And he wanted it all the same. He wanted Geto Suguru. However he was. He just wanted him to be there. He just wanted him to be.
And he didn't want him to help him, he didn't want him to fight with him even if they were strongest together and always fought together for a while. He just wanted him to be there in the crowd and cheer him on. He just wanted him to stand there and give him one of his sweet, heartwarming smiles that shaped his eyes into crescent moons. He just wanted him to be. Then even if Gojo had died in the end anyway, he would have been satisfied. It would have been worth it. Only if Geto was there.
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"I always thought legalizing euthanasia was a no-brainer. 
It always seemed to me like an individual choice people ought to have, akin to legalizing abortion or same-sex marriage. 
If someone is in such pain that they decide to end their life, I thought, who are we as a society to tell them they can’t? 
There’s also a harm reduction component. If someone is dead set on ending their lives, shouldn’t we give them a relatively safe, effective option under medical supervision? It would be cruel not to. 
This was the rationale behind the 2015 Supreme Court of Canada decision in Carter v. Canada, which determined prohibition of medical assistance in dying (MAiD) was unconstitutional. 
But the legalization of MAiD has brought to the fore some disturbing moral calculations, particularly with its expansion in 2019 to include individuals whose deaths aren’t “reasonably foreseeable,” which opened the floodgates for people with disabilities to apply to die rather than survive on meagre benefits. 
I’ve come to realize euthanasia in Canada has become the ultimate neoliberal policy — we’ll starve you of the funding you need to live a dignified life, demand you pay back pandemic aid you applied for in good faith, and if you don’t like it, well, why don’t you just kill yourself? 
The problem with my previous perspective was it held individual choices as sacrosanct. But people don’t make individual decisions in a vacuum. They’re the product of social circumstances, ones often out of their control.
Tim Stainton, director of the Canadian Institute for Inclusion and Citizenship at the University of British Columbia, told the Associated Press that Canada’s MAiD policy is “probably the biggest existential threat to disabled people since the Nazis’ program in Germany in the 1930s.”
This sounds hyperbolic, but there are endless examples of people with disabilities who were offered euthanasia rather than live a life of pain and exclusion. And with the impending expansion of MAiD to include people with mental illnesses, the problem is only going to get worse."
Full article
Tagging: @politicsofcanada
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duztys · 5 months
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Cereal after school>>>>>
I have so much motivation to do artwork of these two but 0 ideas, can I maybe get some scripts or scenes ☀️👇👇
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