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#not even joking this movie had such an impact on me
tamaharu · 2 years
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What isekai are you reading if you don’t mind me asking?
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okay... but youre not allowed to make fun of me... its called "50 tea recipes from the duchess." korean woman gets fired, gets isekai'd into the body of a duchess who is timid to the point of patheticness and everybody fuckin hates her. is like uggghh well i dont care if im hated as long as i have my special interest: TEA. and with her autistic girl swag (label pending) she makes both the society and her cold intimidating husband love her. 70% of it is her infodumping about tea to the delight of everyone around her.
#ask me no questions and ill tell you no lies#started reading it on tapas bc i was bored and it was free. embarrassingly got invested.#more uhh romance isekai? rather than like an action based one. its cute enough. not really groundbreaking but i like the FL.#we did manage to achieve a conversation between the protag and her body swapped soul so that was fun.#generally i dont support ppl who go on abt art that they only engage w for mindless fun or whatever bc theyre usually talking abt fuckin.#idk marvel movies or the latest army propaganda films or whatever. and generally the media they talk abt verges to harmful.#but i am an avid supporter of reading dumb shit you know is silly. all art has value including stupid stuff.#other dumb stuff ive read: at least two ~sexier~ manga/manhwa. former had surprisingly decent world building.#latter had an INCREDIBLY TOXIC cast of characters. it was absolutely fascinating.#those are the more embarrassing ones and the ones i WONT be dropping titles for.#others include furry shoujo isekai; aromantic shoujo; mousou telepathy (ive mentioned that before)#gag comedy where a dude gets ~magicked~ into a girls body but the joke is hes so lazy that he doesnt give a shit (mood)#stupid bl manga with a hot fat character who is very much the main object of desire#a lot of it is manga/manhwa bc its easier to get into something kinda dumb if its bolstered by having nice visuals rather than like a book#or whatever where you have to slog through it with your imagination alone. even when reading 'dumb' art i try to engage it properly bc i#very sincerely believe that every story has some form of meaning if youre just willing to engage with it#(<- plot of orv btw for an ACTUALLY good story)#like i said the sexi manga has surprisingly good worldbuilding. the toxic story the sexu manhwa was telling was earnestly fascinating.#idk! sorry i know you were just looking for the name but while i do consider it just kinda silly its broader impact has a deep effect on me#this is why i love orv❤️ please read orv. while i already had these fond feelings prior to reading orv it really cemented it for me.#oh and i read romance novels sometimes. i like stuff thats cute and silly! idk. youve been on my blog you can see my icon this isnt news.
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ellemj · 5 months
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Candy Cane: 12 Days of Smut #4
Bucky Barnes x Reader One-Shot
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Warnings: profanity, stuck in an elevator, mentions of death, teasing, oral sex (male receiving), face fucking, MINORS DNI, 18+!!!
Feel free to comment and let me know if this requires any other warnings.
Word Count: 3.4k
A/N: I usually hate everything I write but this sure felt like some good shit while I was writing it. Hopefully it feels the same for whoever may read it. Thank you sooo much to @mashedpotatooooos for this beyond perfect prompt, as soon as she submitted it to me I was SCREAMING. So creative, so inspirational, thank you for feeding me with this brilliant idea.
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A fucking candy cane. A fucking peppermint treat from the 1840s. That’s what’s going to be the Winter Soldier’s undoing? No. Really, it’s you. It’s the way you’re sucking on the damn thing. The way you’re wrapping your lips around it so sensually, savoring the taste with an innocent little gleam in your eye. That’s what’s going to kill him. He’s had enough.
            The sound of a chair scraping along the hard floor breaks you out of your trance. Pulling your half-finished candy cane out of your mouth, you lift your gaze and look across the room to see Bucky silently disappearing down the hallway. God, he’s moody today.
            “I bet that’s why they called him the Winter Soldier.” Sam scoffs. You raise an eyebrow at him as you resume your work on the candy cane. “Because his mood is always so damn icy.”
            “That’s cute.” You say, refusing to dignify his bad joke with a laugh, although you have to admit, it was kind of funny. He’s right though, Bucky’s been a little extra moody this week. You’re not really surprised that he’d be someone who hates Christmas, it’s very on brand for him. It’s only three days away now and he hasn’t said a thing about it. The rest of you have been watching Christmas movies, having hot cocoa way too often, and at the very least pretending to be festive most days. But Bucky’s been staying in his room excessively more and frowning enough to end up on Santa’s naughty list. Something’s up with him. You’d have already asked what was wrong with him if you weren’t so annoyed at his inability to spit it out unprompted. The man is over a hundred years old but still has the communication skills of a teenager.
            Only a few hours later, Bucky’s just finished up taking his frustrations out in the gym when you’re coming back from a run to the grocery store. You needed a few ingredients for the Christmas cookies you plan on baking tomorrow and there’s no better time to hit the grocery store than at night.  Of course, just as you’re coming inside the tower, you see the elevator doors sliding shut. You rush forward, throwing your hand out to hold the elevator. Bucky lets out an audible sigh when he sees you step into the small space. He thinks about darting back out before the doors close both of you in, but he knows he’d have to explain himself if he did something that childish. So, he remains.
            Bucky keeps his gaze trained on the screen above the doors, watching as it slowly counts each floor that you’re carried past. You, on the other hand, keep your eyes trained on him. He’s clearly just come from the gym, as evidenced by his dark athletic shorts and sweaty t-shirt. He doesn’t wear short sleeves often, so you take the rare moment to steal a look at his black and gold arm. That’s when he finally decides to give you a sideways glance. You’re just about to break the unusual silence by saying whatever pops into your mind first when the sound of grinding metal fills the air. You don’t even have a moment to brace yourself before the elevator practically skids to a screeching halt and throws you and your bag of Christmas ingredients sideways into one of the walls. You closed your eyes on impact, and when you blink them open again, you’re thrust into darkness. The power must’ve gone out. After just a couple of seconds, the very dim emergency lights kick on and you straighten yourself up, stepping away from the wall and trying to fully comprehend the situation that you’re in. Bucky’s analyzing you as you stand there, staring straight ahead in thought. You don’t look to be injured or very frightened that you’re trapped in such a small space, so he feels it’s safe to say that you’re not claustrophobic.
            “The button to call the fire department isn’t even lighting up.” You say quietly, more to yourself than to the super soldier who stands a foot to your right. That means you’ll have to try your phones, and if those don’t work then you’ll be trapped in here until someone realizes that you and Bucky have been missing for too long.
            “I’ll call Sam.” Bucky fishes his phone out of the waistband of his shorts and quickly types in his passcode, easily finding Sam’s contact since it’s one of the very few that he has saved. He’s just about to hit the button to put the call through when he notices the top of his phone displays a “no signal” alert. Shit. “No service.”
            “Of course, no fire department and no phone service.” There’s a hint of nervousness creeping into your voice but you try your best to tamp it down. “W-what floor were we on before it stopped?” You know Bucky was watching the floor counter.
            “Fourteen.” Suddenly, you can picture the elevator plummeting all the way down to the ground floor, killing you both on impact. However, the more rational side of your brain reminds you that elevators have emergency braking systems specifically designed to keep something like that from happening. You inhale a shaky breath and try to come up with at least a semblance of a plan in your mind, something to keep you from thinking too much about how you’re trapped so high above the ground in a little metal box. Bucky watches you closely as you move to sit on the floor, letting your back rest against the back wall and drawing your knees up to your chest. You begin rummaging through your little grocery bag and when your hand wraps around what you were searching for, you pull it out and begin opening the small package. Even in the dim light, Bucky can tell exactly what it is. Fucking candy canes.
            “Do you want one?” You hold one out to Bucky but he gives you an almost displeased look as he shakes his head, staring down at the candy cane in your hand with disdain. So, not only does Bucky Barnes hate Christmas, but he even hates the most basic Christmas candy. You almost laugh to yourself at how ridiculous he is. He’s turning out to be an actual scrooge.
            “Fine, more for me.” You unwrap the candy cane and lift it to your mouth, beginning to suck on the straight end of it. You’re not paying Bucky any attention now, so you don’t notice the way his jaw clenches and he averts his gaze as soon as the candy hits your tongue. He remains standing but leans back against the elevator wall, hoping the cold metal against his sweaty t-shirt might have the same effect as a cold shower.
It doesn’t.
Two minutes later, you’re still quietly working on your candy cane while Bucky has gone absolutely rigid. He has the back of his head pressed against the wall now and he stares up at the ceiling actually wishing that the emergency brakes would fail and the elevator would go crashing down to put him out of his misery. Why does it take you so long to eat those damn things? And how the hell do you not realize what you’re doing? Are you that naïve?
“Are you okay, Bucky?” Your voice is the last thing he wants to hear. He doesn’t even make a move to look down at you, because the fact that you’re already on the floor at the level of his dick and the fact that he knows what you look like when you’re sucking on something you really like will only make this situation that much worse. His cock is already fully erect in his thin athletic shorts, painfully so. The only reason you haven’t noticed yet is because you’ve been distracting yourself with your little snack and because Bucky’s shorts are so dark.
“Fine.” He croaks the single syllable out in just the right way to let you know that he is in fact, not fine.
“Okay, what is it?” You demand to know. Did Tony skimp on having emergency brakes installed and Bucky knows your death is imminent? Is the big scary man secretly afraid of heights or small spaces? “What the hell is wrong with you?”
“I said I’m fine.” Bucky repeats the words through clenched teeth. Who would’ve known that such a private man would be such a bad liar? You push yourself up off the floor now and stand to your feet, turning to face him head-on. You’re just about to threaten to stab him with your little candy cane remnant when your eyes land on what it is that’s got him so worked up. The bulge in the front of his shorts is on full display, pulling the seams of the fabric so tight that you imagine Bucky’s incredibly uncomfortable right now. But…why would he be so turned on in such a shitty situation? Is it the fear? The adrenaline?
“Bucky—”
“Stop fucking talking.” He cuts you off sharply, finally snapping his eyes open and meeting your gaze. Even in the dim lighting, you can see the frustration painted over his features.
“No, tell me what’s up with you.”
“We’re stuck in an elevator.” He says plainly, closing his eyes once more. He really does suck at communicating. Obviously, you can see that he’s aroused. He knows that you can see it, but he’s still standing here in front of you pretending like he isn’t. As you stare at the stubborn ass that you’ve just barely come to know over the past year, all you can think about is getting on your knees and sucking the bad attitude right out of him. Maybe that’s what he needs. He clearly needs something. However, the fact that he won’t simply speak his mind and instead chooses to act like a moody fifteen-year-old most of the time still irks you. You want him to open his damn mouth and speak.
“Look at me.” Your voice is so calm and even that Bucky immediately wonders what you’re up to, but he doesn’t open his eyes. You take two steps so you’re standing right in front of him, and then you repeat yourself. “Bucky, look at me.”
“What part of stop fucking talking doesn’t make sense to you?” He snaps, opening his eyes. When his gaze meets your face, he’s met with the sight of you, dragging your tongue along the side of that damn candy cane and he nearly cums right there. He’s thankful that you can’t have possibly seen the way his cock practically jumped in his shorts when his eyes landed on your tongue.
“It’s the part where you think you can mope around here constantly and treat people like shit that doesn’t make sense to me.” You suckle on the end of your candy cane for a short second before pulling it back out of your mouth and adding one bold part to your little tiff. “It’s also the fact that you’re standing here with a hard dick while simultaneously acting like you can’t stand me. That really doesn’t make sense to me.”
Bucky lets out a sound of annoyance at the way you’re matching his attitude. He’s especially annoyed that you actually mentioned his dick, but he’s a lot more focused on fighting the urge to reach out and snap your precious candy cane into a thousand tiny pieces. You see the way his eyes keep flitting to your mouth as you enjoy your candy. Honestly, once you see the look in his eyes and pair that with the huge tent in his shorts, you don’t know how you didn’t put it together before. Maybe it’s because you fear you could die in this elevator, or maybe it’s because you’ve always sort of wanted to know what it’d be like to have such a strong effect on a man like Bucky, but an idea pops into your head that you just can’t seem to shake. You want to make him tell you what he wants. You want to force him to communicate with you, and then you want to reward him with everything he needs. Besides just being an irresistibly hot idea, it’s also a sure way to keep you from thinking about the elevator plunging into the basement at any given moment. You both need this.
That’s what leads you to sink down to your knees at Bucky’s feet. He thinks he’s hallucinating at first, but when he hears your light little laugh as you pop the candy cane back into your mouth, he knows it’s real. Your pretty eyes stare right back up at him as you slowly pull the candy cane out of your mouth, keeping your lips pressed tightly around it.
“Fuck…” Bucky mutters, screwing his eyes shut tightly as he feels a fresh wave of heat rush through his body. You haven’t even touched him yet he feels like he could have an orgasm on the spot. “Don’t do that.”
“Why not? You don’t like this?” You tease. You push the candy cane past your lips once more but he’s refusing to look down at you, so you take matters into your own hands. You hold the candy cane with your left hand while your right hand lands lighly on Bucky’s thigh, dangerously close to where he needs your touch the most. He inhales sharply and snaps his head forward to look down at you again. “Tell me what you need and I’ll give it to you.”
“I need you to stop with the candy canes.” He says harshly, giving you an icy stare. You laugh, but you can’t deny that he actually communicated something. So, you remove your hand from his thigh and fix the wrapper around your candy cane as good as you can before leaning over to drop it back in your grocery bag.
“Was that so hard?” You ask, returning to your position on your knees at his feet. He lets out an exasperated sigh, wondering why the hell you’re not getting back up.
“Are you going to stay down there until the elevator starts up again?” He narrows his eyes at you. You shrug your shoulders.
“Until the elevator starts up again or until you tell me what you really need, whichever comes first I guess.”
“I told you already.”
“Right, but that wasn’t all you needed.” You point out. He watches as your eyes leave his face and coast down his neck and torso, until your gaze lands on the taut fabric of his shorts. You’re perfectly eye level with his hard-on and it’s not making this situation any easier on him. He feels his cock twitch again from the way you’re looking at him. He weighs his options in his head. How bad would it be for him to cross this line? To tell you how badly he needs you to suck his cock the way you’ve been sucking those candy canes the last couple of days? It couldn’t possibly be that bad if you’re already on your knees offering it. If anything, he can at least feel better knowing you crossed a line first. Besides, what if you two never make it out of here? He knows you will, people get stuck in elevators all the time and you rarely hear about it killing people. But, what if? He can’t deny himself this potentially one, final pleasure.
So, Bucky learns to communicate.
“Fix the problem you created.” Bucky’s stare is cold and calloused, but the way his chest rises and falls at a quickened pace and the way his pupils dilate as he looks down at you makes you feel powerful. You test the waters, sliding your palms from his knees up his thighs and then curling your fingertips beneath the waistband of both his shorts and boxers. He remains focused on you, not giving you indication that he wants you to stop. So, you tug his shorts and boxers down until his cock springs free, nearly slapping against his lower stomach as your drop his shorts to his feet. Your eyes are glued to his impressive length, taking in the way precum is beginning to drip down his shaft and the way his balls look so full and heavy between his legs. He’s growing impatient, wondering if you plan to sit there and stare at it or do what you really want to do to it. He’s just about to showcase his impatience with you when you reach up and wrap your right hand firmly around his cock, holding it with just the right amount of grip as you give it one long stroke from the base to the tip. You tighten your fist around the head and let his precum lubricate your palm before stroking back down to the base and spreading the wetness around his shaft. The way his head falls back against the wall makes you feel high. You like having this kind of power over him. You wonder how much more power you might have if you used your mouth, but why wonder? Leaning forward, you continue stroking his cock with your right hand while you plant your left hand on his thigh and press your lips to the tip.
“Shit.”  The curse falls from his lips so freely that you can’t stop yourself. The next thing you know, his cock is sliding past your lips and the tip is brushing against the back of your throat as you nearly fully deepthroat his entire length. You only have an inch left to go but you aren’t sure you can fit it all. Bucky looks down and sees your hesitation. He knows he should’ve restrained himself. He knows he should’ve let you take this at your own pace, but he needed it. He needed to feel your throat tighten around his cock. He needed to see how fucking pretty you’d look with every inch of him in your mouth. So, Bucky gently placed his right hand on the back of your head and applied a little pressure. Just enough pressure to make you swallow the rest of his cock. As soon as he felt your nose brushing against his skin, he pulled you back by your hair. His eyes roam over your face now, checking in to see if you’re okay. Your eyes are wide but your pupils are blown with lust. Not only are you okay, but you’re on cloud fucking nine. With the tip of his cock still in your mouth, you nod up at him, letting him know it’s okay to do it again.
Bucky guides his cock into your mouth again, pulling your head closer and closer to him until he feels your throat tighten as you gag around his length. When he tries to pull you away this time, you grip both of his thighs and stare up at him so hungrily that he groans at the sight. You don’t want him to go easy on you, you want him to take what he needs. It’s only a second later that Bucky puts both of his hands on your head and holds you firmly in place as he begins thrusting his cock into your mouth. He’s slow and careful at first, trying not to give you more than you can handle. But the first time you moan around his shaft, slow and careful goes out the window. He fucks your throat, letting his balls rap against your chin with every deep thrust. The obscene sounds and the way you fight to maintain eye contact with him sends him straight to the edge of his release so much sooner than he expected.
“I’m gonna cum.” He rasps, praying that you won’t want him to pull out. Although, he could easily picture himself cumming all over your pretty face. Your only response is to grip onto his thighs even tighter while you look up at him so submissively. That’s all it takes. Bucky gives your mouth one more thrust and then holds your head in place, with your lips wrapped tightly around the base of his cock. You feel every drop of cum as it trickles onto your tongue and down your throat. After a few more seconds, Bucky releases your head and watches as you sit back on your knees, swallowing everything that he gave you. When you lick your lips he swears he could go for round two already.
“That was so much better than a candy cane, Bucky.”
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hotvintagepoll · 27 days
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Propaganda
Madhubala (Mughal-e-Azam, Barsaat Ki Raat, Mr. & Mrs. '55)—The Venus of India; heart-throb of all who saw her; responsible for the sexual awakening of every single desi lesbian I know (including me!) And my god, she is breathtakingly beautiful. Look at the subtle grace with which she moves, and that smile - the kind of radiant smile that can make you laugh with sheer delight, or cry because of its hidden pain. Those wild curls! That Cupid's bow! The way she tilts back her head and smiles at you with mischief dancing in her eyes! She has a way of looking at the camera that makes you feel she's sharing a private joke just with you; it's something about that quizzical twist of the lips and eyebrows. As an actress, she is inimitable; she seems to effortlessly inhabit roles ranging from a heart-broken courtesan to a laughter-loving socialite. Fun fact : she's had quite the fan following in Greece! Stelios Kazantidis even wrote a song as a tribute to her.
Ingrid Bergman (Gaslight, Casablanca, Notorious)—Where do I even begin with Ingrid Bergman? I fell in love with her with her astounding performance in the 1956 version of Anastasia -- the best Anastasia movie in large part due to her wonderful and touching performance. She's got this amazing, fascinating intensity to her in whatever role she's in. She commits 100%, and she's got this light in whatever she's in that's stunning. She's utterly convincing no matter what she plays, from an amnesiac possible lost princess, from a nun, from a woman taking her revenge on the town that wronged her, to light romantic comedy. She's never missed in any role I've seen her in! Also she became quite the MILF.
This is round 5 of the tournament. All other polls in this bracket can be found here. Please reblog with further support of your beloved hot sexy vintage woman.
[additional propaganda submitted under the cut.]
Madhubala:
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An icon of Bollywood, who was well known for her beauty and has continued to inspire performances and songs into the 21st century. She was at times described as "the number one beauty of the Indian screen" and "the biggest star in the world".
SHE IS EVERYTHING AHHH. JUST LOOK AT HER SMILE-
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She's been nicknamed the Marilyn Monroe of India and was one of the highest paid actresses in the Hindi film industry (the term Bollywood did not exist yet) during the 1950s. Also an extremely talented dancer and singer
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SHE'S JUST SO STUNNING, like seeing her eyes IMMEDIATELY CAPTIVATES YOU, THE DANCING, THE BEAUTY!!!!!!!!! She worked in Bollywood for over 20 years and passed away at a sad early age of 36, BUT THE IMPACT SHE HAD WAS UNMATCHED!!!!!
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That sassy sideways glance she does always has me WEAK AT THE KNEES. And when she's making silly faces at the camera to mimic someone ahhhh my gay little heart <3
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Ingrid Bergman:
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God, she's fantastic. She's both beautiful and a compelling actor who's more than capable of putting the whole movie on her shoulders if necessary. It's worth noting that while her beauty is conventional, she was seen as refreshingly "natural" with more eyebrows and less makeup than many other leading ladies of the time. She's well known for her role in Casablanca, but in Notorious, Spellbound, (both available on archive.org ) and Gaslight (1944) she shows how immensely capable she is.
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I mean...she's Ingrid Bergman. I feel like that should be enough, you know? She's physically beautiful (her eyes!) but watching her is like a transcendent experience. Her voice, her expressions... beautiful woman, beautiful actor.
I'm a gay man but even I understand her appeal. I'll watch any movie she shows up in. Gorgeous woman.
Just try and watch her movies without sighing wistfully, then get back to me!
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Choosing 1-3 movies where Bergman was at her hottest was agony because, of course, she was always at her hottest. Not just because she was beautiful but because she was absolutely willing to go up against the bs women in Hollywood were constantly dealing with. When exiled from Hollywood for having an affair with Roberto Rossellini, not only did she refuse to apologize at any point, but she went on to say that Hollywood's films had grown stagnant and boring to her. Though she said she appreciated her time working there, she wanted to try new, different techniques (hence starring in Italian neorealist films, working on stage, and acting under directors like Ingmar Bergman). She was not afraid to chase after her artistic ideals and go outside the box regardless of what society had to say about it. From her first movie to her last she killed it. There's so much more to say about Bergman's career and life, but I've already written five million words so I'll stop at that.
ion words so I'll stop at that.
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One of the most incredible actors I've ever seen on film. Her facial expressions are so intricate and poignant that I cannot look away. I'm either ace or straight, but damn she made me question that.
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SEVEN TIME OSCAR NOMINEE QUEEN. Girl also PULLED, having affairs with famously hot men Gary Cooper and Gregory Peck IN ADDITION to her three marriages...sexy
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She has a very natural beauty to her, and she's from Sweden!
She left Hollywood and only became more beautiful. You could drown in her eyes. She can look innocent AND like she's seen it all. She is effortlessly elegant. She's played Joan of Arc (automatically hot) AND was in the movie that coined gaslight as a term. And where would we be without that!
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She was known for being a breath of fresh air on the movie scene at the time with her windswept hair, dreamy smile and soulful eyes. I have loved her in every movie I have seen her in - she was just magnetic!
Where do I even start. There's a neighborly quality to this beautiful, talented actress that makes her hotness one of a kind and her looks impossible to forget
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With a career spanning five decades, Bergman is often regarded as one of the most influential screen figures in cinematic history. Known for her naturally luminous beauty, Bergman spoke five languages – Swedish, English, German, Italian and French – and acted in each.
She's hot, don't get me wrong, but I've always found her very approachable, like she could easily be a member of my friend group
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A lot of the time hotness in a movie is just about words and framing. "You're the most beautiful person here" [vaseline lens] well I sure hope so because that's who you cast. But when, in Casablanca, they call Ingrid Bergman the most beautiful woman in the world... they were not fucking lying. And such a dynamite actor too!! I'd only seen Casablanca up until last year, and there she's confined to love interest. But in Gaslight she was maybe one of the most incredible actors I've ever seen!!!! Goddddd shes so fucking hot and cool.
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itsclydebitches · 11 days
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By this point we’ve all seen a hundred “Lucy had a crush on Cooper Howard and doesn’t realize he’s the Ghoul” takes (which feed me during the hiatus, thanks), but just for the lols I’d love to see the reversal: Lucy hates this guy.
Cooper Howard is her personal White Whale. Lucy hate-watches his films and nit-picks every scene like someone is paying her caps to do it. Whatever the opposite of a blorbo is, that’s Cooper. She woke up one day and chose violence against this 200 years dead actor in particular… but, you know, in a PR approved, Vaultie kind of way. Why the hate? Who knows. Probably a combination of her dad showing her Cooper’s debut film right when she hit that tween age where liking what your parents like is soul crushing and the fact that if she didn’t have this emotional outlet she’d probably explode. It’s the one (1) thing goody-goody Lucy is irrational about and Norm takes endless pleasure in it.
So she’s traveling with the Ghoul, right? Not a whole lot to do while traversing the Wasteland, especially when your companion is blatantly ignoring you and the pip-boy isn’t picking up any radio signals. So when Lucy is able to open that wound again she starts talking about her dad. The books he liked. Jokes he told over dinner. His favorite pair of socks. Silly, inconsequential things that don’t touch on the weight of his betrayal.
Eventually, Lucy talks about the movies they used to watch.
Eventually, Lucy is comfortable enough—and bored enough—to segue into epic rants about Cooper Fudging Howard. For hours. Nothing escapes her passive aggressive, couched-as-constructive-criticism bitching. Not his acting (“Really, he’d benefit from learning a gesture other than sticking his hands in his belt”), not his looks (“Who decided to put him in those pants in Master of the Ranch? Although, Dad says Howard is the one who requested them…”), not even his unintentional impact on the family (“I swear if Dad makes me watch A Man and His Dog one more time…”).
All the while Cooper is walking a few paces ahead. Seemingly stoic.
Actually losing it.
What’s he even supposed to do in this situation?? He hates himself, but not like that. Cooper doesn’t have any desire to talk to Vaultie (that’s a lie. He’s good at lying to himself), but suddenly he wants to turn around, finger held aloft in the air (hers), and correct everything coming out of her mouth—whether he truly disagrees or not. Hands-in-belt is a classic cowboy pose. He loved those pants.
Cooper is Struggling™ and they haven’t even hit the strip yet.
Bonus points: Somewhere along the line they get together and Cooper starts angsting over whether Lucy will leave him. Not because of the radiation damage, or the murder, or the cannibalism, but because if she ever finds out he’s Cooper Howard she’ll absolutely abandon ship. Or kill him. Either option seems likely at this point.
Lucy: Are you ever going to tell me your name? Cooper, literally in bed with Lucy post-coitus: …That’s a little personal, sweetheart
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lavendertales · 1 year
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Hi hi hi 🥰🥰🥰 any thoughts on writing a fox on reader and Joel Miller where they have an age gap (obvs) maybe reader is a friend of Tommy’s and Joel is a bit protective over her but they end up fucking and the whole time he’s trying to shut her up from the clickers by covering her mouth, choking her but at the same time talking dirty etc etc I’ll let you live out your thotty imagination with this one xoxo
Hiii love, thank you for the request! Well this one was... phew 🥵 hope you enjoy!
Where you belong || Joel Miller x f!reader**
summary: who would've thought one of Tommy's good friends would have such an impact on Joel?
word count: 2k
WARNINGS: this is FILTH. age gap mention, teasing, some dirty talk, mutual pining, male & female masturbation, choking, unprotected piv, vaginal fingering.
AGELESS/EMPTY BLOGS & MINORS WILL BE BLOCKED!
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gif: @pajamasecrets
Stubborn and harsh as he may be, Joel Miller knows how to appreciate some of the finer things in life.
A good song, a fine illustration, a movie that sticks with him for a while… and then there’s you.
Tommy’s made it clear that you were a close friend of his and Maria’s, and Joel respected that. He stayed within the limits of respect, never crossing the border. But he did enjoy the occasional sneak peek at you, always when you weren’t looking.
He’s not sure why. It just always felt… easier. Just watching you from afar and keeping things cordial between the two of you was always the easy and safe option, as opposed to actually caring too much.
Caring meant loss. And Joel had enough of that. He just needed something nice for a change. Something good, something that wouldn’t be tainted by the threat of harm.
Perhaps that’s why he’d grown so fond and so protective of you. Being significantly older than you was certainly another reason why he preferred to keep his infatuation for you at bay, but it also gave him a reason to be your unspoken protector. You didn’t ask for it, yet he simply provided it. For that, you were beyond grateful.
And frustrated, too.
Particularly on this hot summer evening in Jacksonville, when you were out checking the perimeter for raiders or infected, and you used every excuse imaginable to establish physical contact with Joel: a light grip on his arm when you faked a potential fall, soft giggles at his dry jokes that no one else seemed to get, and being face to face with him with every single opportunity you got. Five, in total. You gazed at him, searching his face for confirmation that he understood why you were doing all that, why you were craving his touch so dearly, and still you failed to see that. Joel remained as hardened as ever, and it only grew your frustration more.
So when you got back into town, throwing your gun on the rocking chair in the corner of your living room, you were surprised to see Joel behind you, footsteps heavy, as if he was angry about something.
“What’s wrong with you?” his thick voice asks.
You turn to him, utterly dumbfounded, almost insulted at the question he just posed. Maybe you misinterpret it, too, but hell if you give a shit right now.
It’s been months since Joel’s caught your eye, months of sneaky glances and wishful thinking, and closing onto three years without the intimate touch of another human being.
It’s too much. In this moment, all feels overwhelming.
“What is wrong with me?” you emphasize the pronoun. “What is wrong with you?! Have you not noticed me around you for the past, I don’t know, two hours?”
“Sure I have, how can I not?”
You scoff, hands on your hips and licking your lips in frustration. Gesture which does not go unnoticed by Joel, who licks his own in return, awfully tempted in this moment.
“I don’t know, Joel,” you reply sarcastically. “For someone with such great hunting and surviving skills, you sure lack some basic observation skills.”
He frowns, approaching you. “What are you talking about?”
You grow even more dumbfounded, curious whether he’s playing the fool intentionally or if he’s simply playing with you.
“How long have we known each other?” you ask.
“Six, seven months.”
“Seven months. Seven months since you’ve known me, and you still don’t know a fucking thing about me.”
“What don’t I know?”
You approach him too, your lips parted to make room for words that refuse to come out. Instead, you breathe through your mouth, your body nearly quivering at the simple, yet overpowering sensation of being so close to him, yet so far.
“What I like and don’t like,” you say in a near-whisper manner. “I don’t like being fooled. I don’t like being played or led astray, and I don’t like guessing. I hate guessing games. I was never any good at them.”
“Yeah, me neither.”
You nod several times, puckering your lips. “Clearly.”
“And what do you like?”
The way he says it, so rich with gruffness and tempting, it’s causing your knees to buckle and your heart to race faster. It’s the first time tonight you think he’s actually teasing you, and you feel heat spreading throughout your body, settling in your nether area.
“A lot of things, actually,” you reply, unable to look away from his full lips.
“Mhm. Like what? Tell me. Use your words.”
Yeah, he’s definitely fucking with you. But it’s all the more enticing.
You don’t tell him, though; you simply reach to press your lips onto his, only for a split second, and then you pull away. You watch his face closely, checking if you have his approval. When he wraps a faintly hesitant hand around your waist and pulls you in to kiss you properly, you melt into his arms, and realize that you do have all the approval in the goddamn world.
It doesn’t take long for the kiss to deepen. In a matter of seconds, you find yourself writhing beneath him on the bed, splayed shamelessly by his calloused hands. Under normal circumstances, he’d be a perfect gentleman and ask you out, spend as much time with you as possible, but for the past two decades, Joel lived on the edge, strictly in survival mode. Which means that some relief is all he can allow himself to have.
Your hands hastily undress him, messy just like the kiss you are sharing with him, and your breaths get ragged, as fast and irregular as your heart.
“You don’t know—how many goddamn times I’ve—wanted this…”
Joel’s voice is trembling despite its huskiness, and it causes you to shiver with excitement. The thought of him wanting you this much, this desperately, is getting you wetter with each passing second.
“Never allowed myself to—to want you” he confesses, peppering wet kisses along your jaw while you worked against his belt and zipper.
“Why not?”
“Tommy might kill me.”
“Or Maria.”
He chuckles briefly, prompting the same reaction out of you. You help him out of his jeans and his boxers, your mouth watering upon seeing how hard he is already. It’s beyond flattering, and you’re not sure how much longer you can stay apart from him.
“Thought about you too,” you confess, spreading your legs further so that you are on full display for him.
Joel stares at you in a delirious haze. In the sunset’s gold and red light, he can see the glistening of your pussy, and he swallows harshly. He doubts he’s ever felt this parched in his whole life, the waiting tearing him apart.
“You did?” he asks cheekily, cupping your sex while you gasp in surprise.
“Yes. Oh yes…”
He’s palming you gently, eyes locked on your face and nowhere else. He’s practically working on muscle memory, but it serves him correctly it seems.
“What did you think about?” he demands, drawing circles around your clit.
“Just you… touching me.”
“Like I’m doing now?”
“Yes—I thought about you… while I was touching myself.”
Joel can’t help the grunt that escapes his lips. That sole confession awakens something primal inside of him, something big, roaring in his chest. He pushes with two fingers past your folds now that he feels you wet enough to grant him easy access, and starts pumping in and out while you whine.
“Shh,” he coos you gently. “Easy, baby girl.”
“F-Fuck—“
“From this moment forward, you’re being silent. Not quiet. Silent. Is that clear?”
You bite on your lower lip and frantically nod your head while you palm your own breasts. It feels so good just to feel his fingers inside you, you can’t even imagine more. It’s definitely been a long time for you—presumably for him too—so you are awfully sensitive and needy, but just knowing that this is Joel Miller doing this to you, causing your body to react this way, to arch under his touch and whine from his words, it’s making you hotter and wetter than anything you could’ve ever imagined.
“Be a good girl for me and shut up, will you?”
He asks too softly for you not to obey, and again you nod frantically, unable to utter any words.
Joel’s fingers keep pumping in and out of you, faster and faster, and you do everything in your willpower to not scream. You barely let out a few whimpers, but it seems they get Joel going: you catch a glimpse of him stroking his cock in the process, the sight lewd as fuck. You focus on that while you reach in between your legs to furiously rub your clit while Joel’s fingers fuck into you, and his own hand is curled around his cock. Breaths ragged and in tandem, you work on each other to climb the ladder of ecstasy.
“Fuuuuuck—“you mutter, mouth in the perfect O shape as you feel your orgasm fast approaching.
“Keep your mouth shut, baby girl,” Joel reminds you, abruptly pulling out his fingers, now sticky as he takes them to your mouth, and you instantly suck on them, having a taste of yourself.
You don’t hide the disappointment on your face upon feeling empty, especially when you see that he’s not even jerking off anymore.
“There could be clickers around,” he seemingly justifies his command.
“We checked the area. There are none.”
“There are plenty of reasons for you to keep your mouth shut, darlin’. Or do you need me to find another use for it?”
You smirk. “If you want to.”
He doesn’t, though. That’s not for tonight, he thinks. Not when you’re both so worked up and needy. He wraps his hand around his weeping cock, almost ready to explode at how hard he is, and guides himself to your entrance. Muttered cuss words fill the room from both of you, said like a chant on repeat with the first roll of his hips against yours. Your pussy swallows him whole, and he watches mesmerized as you take all of his cock in, coating the hair at the base with your juices. He doesn’t waver with the pace: it’s fast and hard from the second thrust. He slams his hips into you, your wanton cries musically pleasing to his ears.
It’s only then that he wraps his hand around your throat, putting an end to any words you might’ve wanted to say. You only moan at him as he’s fucking you speedily, needy, with a fury you’ve only seen him use in combat.
“Do you fuckin’ know—what you do to me?” he grunts, the impending sensation of his release overcoming him. “Do you, hm? Look how full you are… stuffed with my cock… good girl, just like that…”
With a bit more pressure applied to the grip over your throat, you moan as you come, coating his cock with your arousal. The sensation of your walls trapping him inside you is the final click for Joel when he comes too, pulling out and painting the filthiest painting over your swollen pussy and thighs. His warm seed is all over your lower area, and there’s so much of it, you wonder how long exactly it has been for him since he’s last felt relief.
Breathless, you reach for him, cupping his cheeks and kissing him tenderly, a stark comparison to the rough way you were being handled just a few seconds before.
“Do you know what you are doing to me, Joel Miller?” you cheekily ask after a while.
“Think I’ve got a pretty good idea.”
You both chuckle, the sound shared only between the two of you, in your bed.
It’s the first time in months Joel gets a good night’s sleep. And the first time in months since he’s laughed. All because of you.
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violetrainbow412-blog · 5 months
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Tango in the Sky [W. W]
Willy Wonka x fem!reader
word count: 1.6k
[Timothée masterlist]
note: LISTEN, first of all I want to say a huge apology because I was literally stuck on this. I had like two weeks with the document started and I just didn't know how to do it, so I'm sorry if this is horrible. I think the problem was that I wanted to make everything the same as the movie and aaagh, I don't know. I know you wanted a kiss but I also had a hard time writing that because they barely know each other haha 😫
I will catch up more these days with everything on my inbox (which is quite a few, thank you for that beautiful people) and I appreciate the nice reception, I love you!
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Special thanks to @fivesumbrella5 for leaving their name, it makes me happy to know who requests it :)
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“Have you done this before?” you asked, gently petting the snout of the giraffe in front of you. Willy was downstairs, milking her so he could get the milk needed for her chocolates.
Noodle was supposed to have helped him that day, but the poor thing had caught a cold and you had been the lucky one (not really) to be driving the delivery cart. Although it had been a drastic change of plans, you had to adjust to it.
"Once. In Africa. Magnificent beast”
“Was she wild?”
“Wild? She was absolutely furious! But once my hands warmed up, I think she kind of liked it” Willy responded and then you giggled.
It was nice to have his company, that most eccentric guy who had come to rock everyone's world at the laundry.
“The way you left your coat makes it look like a person,” you pointed out, looking down at the coat rack on which he had left the red piece.
“Huh? It's true,” said the boy, smiling. Willy got up from his seat, humming a song, and then approached the structure taking a few steps and turns that ended in a mocking bow. “May I have this piece?”
You were watching his occurrence from above and when he started dancing you couldn't contain your laughter. He even started singing, showing you that he had a really beautiful voice.
"You like dancing?"
“I love it, actually,” he confessed. He had already put his coat and hat back on. “Especially when my partner is human.”
How curious, you were a human. And now that you had seen him dance, you were sure that you could become that dance partner he needed.
You started to go down the stairs, trying to ignore the vertigo that doing so gave you, and when you were two steps from the floor one of your feet slipped. You screamed as you fell, but you were lucky that he reacted quickly, managing to stop the impact by holding you by the back.
"My God…"
“It was close, right?” he laughed, still sounding agitated. “You have to be careful.”
You only managed to nod your head, slightly embarrassed, and then he helped you to step completely onto the floor. He was smiling, he always did, as if his cheeks were made to handle that.
“Do we have what we need?”
“We have it, my dear lady,” he replied, showing you the metal can that was filled with milk. At least something positive had come out of it all. “So it's time to go.”
“Thank you, Abigail!” You exclaimed towards the giraffe. She shook her head as if she really understood and the two of you got out of there.
It was cold outside and you felt strange seeing the zoo so desolate, although at the same time you were happy. Before the arrival of the chocolatier you could barely leave the laundry and now in a single day you had done wonderful things.
"No way…"
"What?"
“Have you ever flown?” He said with enthusiasm reflected in his bright eyes. You, as was logical, immediately denied, “Do you want to do it?”
"What?" you repeated, this time more acute and convinced it was a joke.
"It will be fun! Come on, trust me” he murmured and without giving you time to respond he took your hand to start running on the snowy road.
You were learning that you had to be careful with these occurrences and you had a feeling that this would not be the exception. You understood what his idea was the moment the bunch of balloons entered your field of vision and when you tried to react, he had already taken them with his free hand.
“It's not what… no, no, Willy…” you tried to stop him, but he wouldn't let you.
You ran out of pure inertia, knowing that if you slowed down you would probably trip and everything would turn out horribly. You were heading towards the lake and you closed your eyes as you imagined your destination, but it was nothing like you expected because the tips of your light feet barely touched the edge of the water. A second later you were already lifted into the air and then you clung to him with all the strength that existed in your body. You didn't even want to breathe for fear of falling and he noticed it.
"Open your eyes! You miss the show” the boy laughed, as if flying at night was the most normal thing in the world.
You ignored him and continued hugging him while the wind hit your face and ruffled your hair. You thanked God when your feet finally touched a firm surface, thinking it was the floor, but when you opened your eyes you noticed a glass floor illuminated from below: the panic returned when you realized that it was not a floor, but a ceiling.
“Willy, we're going to fall and die…” you half-screamed, launching yourself into his arms again. He was still holding his bunch of balloons and looked as cheerful as at the beginning.
“Nothing is going to happen to us. It's like walking on a tightrope."
“I have never walked a tightrope!” you replied fearfully. He let go of you and started to walk you away from him, slowly, and then he saw the terror in your eyes.
“If you've never walked a tightrope then it'll just be like dancing, okay?” he smiled, while he took your hand without getting rid of your means of transportation yet. “Do you know how to dance?”
Of course you knew how to do it, but this wasn't exactly what you were expecting when you wanted him to ask you.
“Look, just take one step forward,” he continued, pulling you towards him and moving in the opposite direction. “One back, one forward, two back…”
The boy hummed the instructions kindly and you tried to look him in the eyes just to avoid noticing how many meters high you were. After a couple of sequences you had begun to relax, but when he suddenly placed the balloons in your hand and let you go, you let out a little scream again.
Thanks to his help you did a couple of turns in the air and then he held you again, by his waist, until you were right in front of him.
“Don't let go of me” you asked in a whisper and Willy promised that he wouldn't.
Under that commitment you continued dancing to the rhythm that your friend set and little by little you were feeling more excited about what was happening. You had literally flown through the air and now you were on the damn roof of the gourmet galleries dancing with the most handsome chocolatier you knew; How likely was it at the beginning of the day? None, in short, so it was a pleasant surprise.
Willy guided you to the top of the dome that adorned the galleries, using the balloons to fly again, and suddenly you two stopped to hold onto the metal rod at the top of it. You were smiling from ear to ear and his hand had ended up on yours, while he also had a happy face.
“Didn't I tell you you'd be fun?”
“You are completely crazy, Mr. Wonka. I mean it in the best way” you sighed sincerely, managing to get a giggle out of him.
The man seemed to love heights, unlike you, and he wasn't about to let the moment between you last so short. So, careful not to let go, he began to bend over himself, taking you with him, until you were left sitting on the glass ceiling.
“Just breathe and take a second to appreciate the view,” he asked you, still holding your hand in an attempt to keep you calm.
If you looked down you could see the interior full of shoppers and if you looked forward you could see the entire city. However, the best view was to the side, right where Willy could be seen closely. Until that moment you noticed that the flamingos seemed to have followed you through the air and were now flying freely.
It was actually nice to be in that position once you had put your absolute terror of heights aside and as if you were suddenly aware of everything, the hand holding yours made you blush. Like this you were silent for a minute, with only the sound of the wind filling your ears.
“You know, Willy?” you started to say, not really looking at him. You were focused on the bright lights of one of the mansions “I haven't felt like this in a long time. It's nice to go out into the world."
Were you happy perhaps? If so, then he had achieved his goal. The truth was that one of the reasons he had done everything he had done was in the hope of making you smile and even with the difficulties that had arisen along the way, he had achieved it.
He was about to respond when the feeling of your lips placing a kiss on his cheek stopped his breathing and stirred his thoughts.
“I only worry about one thing though,” you exclaimed again. He looked at you carefully to listen to what you were going to say to him. “How are we going to get down from here?”
The boy laughed and the hand with which he was still holding the balloons waved in the air. You let out a whimper.
“Did you expect anything else?”
“An emergency staircase or something,” you joked. “But I guess it will be flying.”
If you had thought that going up into the air had been a nightmare, going down to the ground again turned out to be much worse.
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taglist: @dyieying @reallysparklychaos @silverchainbee @amethyistheart @shadowygladiatorlight @lavendarhearts @lou-multifandoms
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Jealous Jason Todd Headcanon
~loooong requested hope you enjoy some brotherly competition~
- jason had no idea he wanted you until dick called "dibs" the first night he met jason's mysterious "friend" and newest bat-recruit
- at first, jason didn't care. like at all. but that never stopped him from being an asshole
- "my brother y/n really? what's there to like? i didn't see you as a musical theatre and dad-joke enjoyer" he'd scoff anytime dick tried to make a move
- that didn't stop richard fucking grayson.
- "hey! y/n! fancy seeing you here!" .. "it's the batcave dick i work here" .. "oh, well are you working all night? maybe we can grab some big belly burger after?" .. "we have patrol together you dork"
- honestly, it was endearing being adored, worshipped even. from handwritten poems, to a little mini batarang necklace, and all the weapons your heart could desire
- and for all his dork-tendencies, dick knew a thing or too about hand placement...
- "put me down richard" .. "you literally fell into my arms" .. "i would've landed on my feet" .. "sure princess, but aren't my arms a little better?" he'd tease, sweeping you bridal style out the back door of the gala you two had just rescued
- it was somewhere in between the gift giving, rooftop dates, and stolen glances that jason realized he might want -slightly, just a tiny bit- more.
- okay; he wanted you all to himself.
- but he's always been shit at explaining it
- where dick was obvious and flirtatious, jason started subtle: always inching closer to you, keeping a longing gaze set on your every move-even if it meant tripping himself up in battles- you noticed he would sooner get shot than let you catch a scrape
- and just like dick's coddling, it got annoying
- "jace i've been on the team for months, i think i can watch out for myself" .. "i know, i protect the people i care about" his response was almost a whisper, and before you could pry further, he disappeared, replaced with a familiar cheesy grin "hi y/n! wanna catch a movie tonight?" .. "uh, one sec dick! i need to check on jace"
- but jason was never anywhere to be found. every time he let you in, he disappeared just as quick.
- when you started toying with new weaponry jason was there, you still got butterflies remembering the way he pressed himself against you while fixing your form, his calloused fingertips lighting fires as he subtly adjusted your grip on your gun
- "jay is this right?" .. "mhm your grip is perfect, but the recoil will get you, slide your leg backwards to brace for the impact of firing" .. the minute his hand touched your thigh a shiver ran across your body, against your shaking will .. "oh, sorry i didn't mean to-" .. you cut him off "no it's good, you're good" but before you could turn around to unpack the cloud of tension in the room, jason cleared his throat and gruffly said "fire" ruining any chance of an emotional conversation. three perfect shots to the targets, and with a satisfying nod he was gone once again
- so when dick asked you out on a real date, to a restaurant whose menu alone gave you anxiety at the thought of ordering, you realized you had to give jason the ultimatum
- but for once in his (second) life, jason was way ahead of you.
- "you said yes to dick?" jason was sitting at your desk when you entered your own room, overly dramatic but it was jason todd after all.
- "do i have a reason to say no?"
- "you hate fancy restaurants. you need like a week to plan what you'll order otherwise you'll just be stressed the whole time"
- you rolled your eyes, but jason wasn't finished: "and you hate movies, sitting in one place watching a film you probably haven't heard of, pretending to enjoy the nuance"
- he wasn't wrong. "whatever jace, that doesn't-" .. "i can tell you what's gonna happen. he'll order a wine too sweet for your taste, and talk to the waiter enough to make you want to crawl under the table. then after a perfectly lovely dinner he'll take you to a rooftop to 'show you the sights' and you'll have your first kiss. but you hate the city skyline, it reminds you you're far from home. you like the sound of the ocean and the rusting of the forest. you like something real."
- your heart was in your throat. but you needed something more: "say it jason. don't tell me the future with dick. fucking say it."
- jason stood up, closing the distance between you, eyes now desperate and wild: "say what? that i've loved you since the minute i lost you? that i feel like ive known you forever? that i don't need to learn to love you like he does, i was built for it? that i feel like i was made for you? how do i put it in a few useless words"
- "you just did jay." you whispered, letting him lock his lips in yours with a smile.
- "please go break richard's fucking heart and come home to me." he grumbled, to which you agreed, letting dick down softly and promising to set him up with one of your friends in return for his kindness- a deal which he wouldn't let you forget
- years later, it was more of a household joke, dick claiming he was the catalyst to your and jason's lovestory. to which jason wholly despised, but you never minded giving dick a little credit
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obaex · 9 months
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pinch me - jj maybank
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summary: when you turn 17, your body begins to mirror anything that happens to your soulmate, but with so many marks and bruises, why is yours so hard to find?
word count: 2.9k
a/n: happy obx writing week! this is for day 1: au with jj! thank you to the lovely @surftrips for planning this event. this fic's a little different, but i am simply a sucker for a soulmate au. italics are jj's perspective. ♡
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The flowers bloomed on your skin like a tattoo, delicate but dark. Large roses, orchids, lilies and daffodils tangled with leaves to form a winding pattern that started on your hand before appearing on your arm. You lifted your shirt to see them swirl on your ribs, near your stomach. It was mesmerizing to watch, beautiful, hypnotizing even, the sensation felt like a pleasant tingle beneath your skin that now danced on your cheek, around your eye. You lay down on your bed, closed your eyes, and willed the patterns to disappear by morning.
You knew when you turned 17 that this could happen, that your body would begin to mirror any impact on your soulmate’s skin, so you weren’t necessarily surprised. What did surprise you was the frequency with which the marks appeared, their breadth, their size. Your chest ached with the knowledge that whoever your heart was tethered to underwent physical pain on a regular basis.
You searched for your other half eagerly, knowing they wouldn’t be hard to find: a split lip, a black eye, bruised knuckles, but of course there was no one that looked like that on Figure 8. Your friends sought out their matches based on the occasional skinned knee, maybe a broken finger playing lacrosse; when they asked you about it, you lied and said you hadn’t felt anything yet, too heartbroken to share the truth and the fact that your person was nowhere to be found.
When your best friend Sarah Cameron found her match, you couldn’t help but be happy for her, even though she had found him on the wrong side of the island. She and John B began spending every day together; you were lucky if you could steal her away for an afternoon at the beach, and even then, she spent every moment gushing about him. Before long she was begging you to come hang out with him and his friends. You were undeniably skeptical, but by now your own flowered marks had stopped appearing and even though you knew that was a good thing for your other half, in a way you missed them, missed the connection, the reminder that someone out there was meant for you. You needed something to distract you, and John B and his friends proved to be the perfect distraction, especially JJ Maybank.
You and JJ fell into an immediate friendship that was unlike any you’d had before. Frankly, it shocked the other pogues – what could a marina rat and a kook princess possibly have in common? On the surface, the answer was nothing, but it’s like you just clicked right from the first day you met. You were always laughing at each other’s jokes, tears brimming your eyes, unable to catch your breath no matter how stupid they seemed to everyone else. You would finish each other’s sentences, you could read into each other’s emotions, able to understand one another when words fell short, ready with a hug or a smile when they needed it most. You had a casual intimacy, your head resting on his shoulder when you watched a movie, him always needing to have the seat next to you whether in the twinkie or in the back yard at the chateau, you permanently wearing at least one article of his clothing at any given time. You were having fun, your time with JJ distracting you from the loneliness you had felt before.
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Everyone had become so obsessed with this soulmate thing - JJ didn’t think it was even real. He had never felt a thing, grateful at least that that meant his soulmate had a life very different from his own. But, why did people care so much? He had seen and heard John B go on and on about it, but all he wanted to do was ignore it, convinced that that kind of thing just wasn’t meant for someone like him.
He never knew if his parents had had it, and even if they did, what good had it done them? His mom left and his dad was gone now too, having finally taken off for the Yucatan months ago. Good riddance.   
No, JJ preferred to focus on what he could control, to believe what was right in from of him, and for now that was Y/N. He wasn’t sure what a girl like that was doing hanging around with a pogue like him, but he wasn’t going to question it, grateful for every day he got to spend with her. He loved the way she made him feel, like he was always the center of her attention no matter what was going on around them - he’d never had that before, had never been someone’s first priority. He loved the way she would laugh uncontrollably with him, how big her smile got, how her nose would crinkle. He loved the way she curled into his arms when she had a bad day, seeking him out for comfort and reassurance; he loved knowing he could be that for somebody. He loved when she leaned on him when they watched movies, how sometimes her eyelids fluttered closed and she’d breath heavily against him, wrapping her arms around him in her sleepy state – that was his favorite.
The funny thing was, she didn’t seem to believe in this soulmate thing either, never chiming in when the inevitable conversation came up. And that made him feel like maybe he had a chance. He tried every day to muster the courage, to find the right words to say to ask her out, which is where his mind wandered while he spent the afternoon at work at the marina, pissed that he was missing a day on the boat with her.
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The HMS Pogue bobbed gently to the rhythm of the waves as John B and Pope cast their rods into the water. You, Sarah and Kie were lying on the bow, soaking in the scorching rays of the sun as sweat dripped down your body.
“OK, I’m getting in the water, it’s too damn hot” Kie said resolutely, standing up.
“Yes please” you said, jumping up, pulling off your sunglasses and diving in, beating her to the punch.
The salt water cooled your skin immediately, bringing instant relief. You let out a sigh as your head breached the surface and you began to float on your back. It was only a moment before you felt something slimy and looked around you to see you had jumped right into a school of jellyfish. You tried to swim away, shrieking, before they began to sting you, their barbed tentacles attaching to your side as you tried to knock them away and scrambled back to the boat. You pulled yourself shakily out of the water, tenderly feeling the burns on your skin as tears overflowed in your eyes.
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JJ was spraying down the latest kook yacht to pull into the marina, washing and rinsing mindlessly, his thoughts drifting to you and back again when he felt an itch on his side. He scratched it absentmindedly, attempting to ignore it when it persisted in a tingling feeling. He rubbed it harder before finally lifting his shirt to see a tattooed pattern of vines winding up his side. He shoved his shirt down and looked around, hoping nobody had seen. He dropped the hose in his hand and stumbled inside before he pulled his shirt off to inspect his skin more closely. He was mesmerized by the sensation and the pattern on his skin, his heart racing with excitement until he realized what this meant, his joy waning as his sympathy grew for this person he didn’t even know. He pressed his hand against the vines, like he could make them stop, but they persisted. He could hear his boss yelling for him, so he quickly pulled his shirt back on, his head spinning as he went back to work.
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The rest of the afternoon and evening you walked around gingerly, icing your side, putting ointment on it, but nothing seemed to quell the burning sensation of the barbs in your skin. You pulled on one of JJ’s soft, oversized sweatshirts and a pair of shorts and joined your friends in John B’s backyard, trying to focus on anything else to forget the pain you were in.
Thankfully, JJ showed up right after his shift. You had missed him all day, wishing he had been out on the boat with you; he would have known just what to say, how to make you laugh, exactly how to make you feel better, and that’s all you wanted right now.
He settled into his chair beside you, but didn’t meet your gaze, didn’t acknowledge you at all; he looked a thousand miles away.
“Hey, you okay?” you asked, picking up on his demeanor immediately.
“Hmm?” he said, glancing at you quickly before looking away. In truth, he couldn’t stop thinking about the tingling on his side, which had started to fade, but that he could still feel. He looked back at you, examining you. You were perfectly fine. No one had hurt you, you weren’t in pain, and he was overwhelmingly grateful for that, but at the same time, selfishly, he knew that that meant that you weren’t his, weren’t the one for him and it crushed him.
He looked at you with sad eyes, his ocean blues scanning yours, opened his mouth like he wanted to say something before shutting it, shaking his head and ignoring you, choosing to focus on the beer in his hand instead.
You scrunched your face in response, hurt by his dismissal, especially after the day you'd had. You had been so sure he would make you feel better, that he would pull you into his arms and tell you everything was going to be okay, and now he wouldn’t even talk to you.
“Okay then” you said, standing up quickly, wanting to put some distance between you before your emotions got the best of you. “Anyone need another drink?” you asked as you made your way inside. John B shook his near-empty can in the air and you nodded, turning quickly so no one would see the tears in your eyes as you slammed the door behind you.
“What was that about?” John B said as he looked over at JJ.
JJ just shook his head and shrugged, trying to shake off your reaction, his feelings, and failing miserably.
“She seemed upset” Kie pushed, not used to seeing the two of you at odds with each other, ever. “You could at least try to be nice to her, Jayj, she had a shitty day.”
“Pfft understatement of the year” Pope agreed as he took a swig of his beer, “she put up a tough front but I’ve never seen stings that bad before, had to be the man-o-wars, she jumped right into them.”
JJ’s ears perked up. “What?” he asked, trying to catch up.
“She got stung, asshole, like fifteen times” Kie replied, gesturing to her side.
The same side where JJ’s skin still tingled.
JJ’s mouth ran dry and he could feel his heart start to hammer in his chest. It couldn’t be… could it?
He stood up, dropped his beer at his feet and ran after you.
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“Y/N!!” he called as soon as he was inside, nearly tripping over the furniture on his way to reach you in the kitchen.
You were leaning with your back against the counter, your eyes meeting his as you wiped at your tears, not wanting him to know how upset he’d made you.
“You’re – Pope said – you – today –“ he stumbled over his words as he gestured outside and then to you.
You looked at him, utterly confused.
He shook his head, trying to clear it as he ran his hands through his hair, willing his heart to slow down just enough for him to get his words out.
“Today. You got stung. A-Are you okay?” he said through labored breath.
You shrugged, still angry with him. “I’m fine” you said.
“Nah, don’t do that, don’t play it off, Pope said it was bad, worst that he’s seen in a long time. C-Can I see?” he asked.
You didn’t know what good it would do at this point but you set your drink down and tenderly reached for the bottom of your sweatshirt, lifting it up to expose the angry red skin on your side, wincing slightly as your fingers grazed it.
JJ stepped closer to you, one hand on your stomach, the other on your hip, careful to avoid touching your wounds as he looked closely at it, then at you. He felt his breath hitch as his emotions overwhelmed him at the thought of this happening to you. You immediately registered the sympathy in his eyes and the fact that he seemed completely distraught, his own eyes nearly brimming with tears.
“Hey, I’m alright, it’s alright, J” you said, not fully grasping the look in his eyes.
He took his hands away, but didn’t step back from you as he lifted his own shirt. You could make out the faint remains of a twisted pattern of vines that ran up his side. Your hands flew to your mouth in shock.
“JJ…” you cautioned. Despite how much you desperately wanted this to be true, you both knew that this could be a coincidence, that that happened all the time. Your eyes met his and you could see the longing shining in them as they met yours, unwavering.
“Pinch me” he said, holding out his arm.
“What?” you asked.
“Pinch me, hard, do it,” he said again, pushing his arm closer to you.
Part of you wanted to know the truth, needed to know the truth, but a larger part of you was scared, horrified for this be a coincidence, and what that would mean for both of you. The idea that JJ might not be yours had your chin wobbling as you looked at him.
“Please, gorgeous, I need to know” he said, his voice a hoarse whisper.
You reached out tentatively and pinched the skin on his forearm hard enough to leave a pink mark where your fingers had squeezed. Within seconds you could feel the tingle on your own skin, your emotions bubbling up as you laughed and then cried, JJ grabbing you by the shoulders, desperately trying to read your emotions as you pulled up your sleeve to reveal the rose that had bloomed on your own arm, matching his own. He looked down as tears welled in his own eyes.
“D-Do it again” he said, now that he could see it, holding out his arm.
“JJ” you said through your tears, urging him to accept what was in front of him.
“Do it again” he said, and as you pinched him a daisy bloomed next to the rose, leaves tangling together. He watched the pattern, willing himself to accept that this was much more than a coincidence, to accept that he could have this, have you, that you were made for him.
He pulled you into his arms, burying his head in your shoulder as you shook, your arms circling him and hands grasping the back of his shirt like a lifeline, unwilling to let him go.
“My God, oh my God” he muttered next to you as he rocked you back and forth.
“W-wait” you said, pulling back reluctantly to look at him. His eyes were blown wide, totally focused on you.
“What is it, beautiful?” he asked and your heart skipped a beat at the nickname.
Your hand came up to cup his face. “Last year” you whispered, tracing your finger under his eye, across his cheek, running it over his lips, tracing all the places you seen flowers on your own skin. He hung his head, pressing his forehead to yours.
“My dad” he said simply in reply as he realized, reluctantly, that you now knew better than anyone what he had been through.
“I’m so sorry” you whispered.
“It’s okay. I’m okay now” he reassured you as his hands reached up to cup your face. “You have nothing to apologize for.”
You nodded as your eyes met his, your mind still reeling, trying to piece together what was in front of you: this boy, with his long hair, his tender eyes, his perfect smile, his infectious laugh, his warm hugs was it, was yours, forever. You smiled at him and he smiled at you as his mind pieced together the same thing.
“How did I get so lucky?” he asked and you laughed in response. “I wanted it to be you. From the moment I met you, I wanted this” he said. You nodded vigorously in agreement, your instant connection so many months ago making so much sense now.
“Can I kiss you?” he asked quietly.
You nodded more vigorously as he brought your lips to his.
He wanted nothing more than to lose himself in you, but was reassured by the fact that he’d have eternity to do so as he pressed his lips softly to yours, savoring the feeling, and the way you pressed into him, opening up to him almost immediately, grasping his shirt and pulling him against you, against the counter as you hummed in response, your pain long forgotten as the pleasure of his body, his heart beating against your own took over. He ran his fingers into your hair as his tongue tangled with yours and he swore nothing in the world would ever compare to this.
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taglist: @ietss, @gillybear17, @palmwinemami, @sweetestdesire, @softcoremaybank, @one-sweet-gubler, @m-indkiller
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walks-the-ages · 8 months
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"telling people not to sexualize life saving CPR is just being a bully to gay people, you should be fighting against homophobia not oppressing gay people"
okay , sure, be deliberately obtuse, pretend that men are the only ones impacted by the american culture of sexualizing mouth to mouth resuscitation 🙄 (sarcasm)
Newsflash, asshole.
1) do not sexualize mouth to mouth cpr is a really basic statement that should be really easy to understand.
2) telling dumbasses to stop sexualizing an image of someone literally saving another human being's life while reducing it to a "love wins!" Joke is not me "oppressing gay people"
3) men being unwilling to give men mouth to mouth resuscitation for fear of kissing another man are not the only groups impacted by the american culture of sexualizing CPR.
Men are literally afraid to give women CPR because they don't want to touch a strange woman's chest and feel like they're being predatory while trying to save that woman's life.
Woman are afraid to give men CPR because movies, books, and media have pushed the message over and over again its the same thing as making out and being romantically interested in someone.
Sexualizing CPR is literally harmful to the point that many places that tell you how to do emergency CPR (aka instructing a random bystander how to do it in an emergency, not an institute where you're specifically teaching people how to do it to be certified) don't even include the mouth-to-mouth resuscitation because they've had too many people hesitate to ""kiss"" someone and would prefer the unconscious person is at least getting chest compressions until medical personal arrive instead of wasting precious time having to try to convince a random, panicking bystander over the phone that CPR is not the same thing as kissing someone.
Do not sexualize CPR.
CPR is a life-saving procedure, and sexualizing it is not only directly endangering people's lives when someone hesitates or refuses to perform the procedure because of their perceived hangups, but is also incredibly disrespectful to the real, living human beings who just saved a life and had their life saved.
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am i the asshole for yelling at my friend when i found out he had sex in my car?
i (26f) lived with my friend John (26m) when we were in college. John didnt have a car, but i did so i did most of the driving when we needed groceries/whatever we needed to go out for (it was a college town so it was mostly walkable, so we didnt need to drive every day). i have issues with other people using my car, especially when im not there (if anything goes wrong id rather it be my fault than have to deal with someone else totaling my car). but John had a girlfriend (Sarah) who also didnt have a car, so he would sometimes borrow my car (with my permission ofc, he never took it without me knowing) to take her on dates. when they were gone, i would constantly be nervous that something went wrong. there would be times they would go to a movie, then they would be gone for longer than the movie's runtime and i would get so anxious that something happened, then find out that they had just gone shopping/to dinner/etc after the movie ended. i never bothered saying anything because i didnt want to seem like a control freak saying "you can only borrow my car if you tell me exactly what you're doing and when you'll be back"
anyways, fast forward to now. i got a new car a couple years ago, John and i no longer live together (not because of any problems, we just got our own places after we graduated), and he is still with Sarah. one day John, Sarah, a few of our other friends, and i were all hanging out.
then at one point, Sarah made a joke about having sex in the car after Yesterday (the beatles movie from a few years ago). then i said "hold on, didnt you guys borrow my car to see that movie?" and everyone got really quiet. i turned to John and said "you had sex in my car???" and he tried to laugh it off but didnt deny it. and i got MAD. i was yelling at him and admittedly was pretty harsh (like calling him insensitive for violating my trust & property)
he said something along the lines of "i'm sorry, but it was a long time ago and theres nothing i can do to change it, and you dont even have the car anymore" and i realized he was right, and that screaming at him wasnt going to accomplish anything, but i was still mad so i left and went home
i asked some of my friends that were there if i was being crazy, and they basically said that it was understandable that i was mad, but yelling at him in front of everyone just made them uncomfortable and killed the vibe for the rest of the night, and there was nothing any of us could do about it now. no one told me how Sarah reacted, but she has really bad anxiety so knowing her, im guessing she didnt take it well that i got mad about something she said, and i do feel bad about that (though, in fairness, i assume she knows common decency and would know that having sex in someone else's car is wrong)
anyways, i dont think im the asshole because i think i have a right to be upset about that, and even though it was a long time ago i JUST found out about it so it wasnt that long ago for me. but i know i might be the asshole just because i yelled at John in front of our friends and made everyone uncomfortable over something that he can't do anything about anymore, and since i dont even have that car anymore, it has no impact on my life
tldr: my friend had sex in my car years ago and i found out about it and tried to fight with him about it in front of a bunch of our other friends, and it made everyone uncomfortable. so, am i the asshole for getting angry years after my friend had sex in my car? 🚗
What are these acronyms?
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inquebrar · 4 months
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late night thoughts in the midst of 60 days without spiderbit, q!Cellbit talking about not being interested in having sex right after getting married to q!Roier (since what usually is expected to happen is the "honeymoon") and how this situation was handled in such a light and tender way it's something that lives in my mind rent free and it impacted me so deeply that every time i rewatch it i feel like biting my own arm crying and screaming with happiness.
like, the wedding had just ended, they went to the castle together, to their home, and then when q!Cellbit says "i don't know if that's a problem with you" i immediately held my breath without even realizing and waited to see what q!Roier's reaction would be and there was no joke, no mockery or uncomfortable comment, in fact it was the most incredible response possible this whole scene is absolutely wonderful. q!Cellbit says "it's ok, right? i thought it would be okay but i mean, i thought we should talk" and then "but like, we can still sleep together i'm just not gonna make sex" and this part makes me want to explode because while q!Cellbit is saying that q!Roier lets out an aww and then he says "yes, you know, it's not only sex it's not only mwah mwah mwah (kissing), it's to have time with each other and maybe we can play enigma do medo together!" he not only reaffirmed that a relationship is not just based on making out but he also suggested what they can do during their honeymoon, they can spend time together and play games and then sleep together to rest.
and to me it's so important that this is something constant and meaningful in q!Cellbit and not just something that is used superficially in the character, like when he met q!Philza and he talked about his platonic relationship with q!Missa, q!Cellbit's reaction was "ah, in an asexual way?" and then how after starting his relationship with q!Roier when people made sexual insinuations he always said "nah, i don't like doing that" and once in a fun talk with q!Pol who said that q!Roier is very "libidinous" and "promiscuous" q!Roier replied like "wait do you only think about these things? life isn't always like that, you know? it's about love, coexistence and tenderness"
and then several other little moments, like when q!Roier was showing off his spider-man outfit in a sensual and flirting way, lying on the floor like "so... what do you think?" and q!Cellbit replied "oh i liked it, do you like spider-man a lot? have you seen the new animation movie or not yet?" or when q!Roier was making the joke that he was hungry (horny XD) and q!Cellbit was like "i can't believe this, here i am thinking about making something for us to have dinner together, a romantic dinner and you thinking about that..." and q!Roier was like "give me d*ck" 🗣️HAUSHSKSHDJSK or when they started making sex jokes like "yeah we were having sex, a lot of sex" meanwhile they were just construting together and spending time with each other AARRGH idk man i just love them so much and them having a relationship based on trust and love above all else is so significant
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one of the things that really bothers me about modern franchises, and in particular over the last 5 years or so, is their refusal to commit. what i mean here when i say this is that it's not uncommon for a major franchise to make a decision, whether about the plot or the characters, that should have had huge, world-changing consequences... and then just never address that again or worse, immediately go back and undo it. and i'm gonna pick on star wars and the mcu here because those are the two big franchises i'm into at the moment (and i think they're kind of the worst at this), but i don't want you to walk away from this thinking that this is solely a disney thing. i've seen this happen with game of thrones and supernatural and plenty of other non-disney franchises. spoilers ahead, you've been warned:
in ant-man & the wasp quantumania, scott and hope make the life-altering decision to stay behind in the quantum realm and defeat kang instead of going through the portal to return to their world. this should have been a huge meta decision for the mcu, and when i first saw it in theaters, my immediate thought was wow, what is this going to mean for the mcu going forward? are we going to get a movie/miniseries about scott and hope helping to rebuild the quantum realm? how are cassie, janet, and hank going to react to the losses of their loved ones (in some cases, for the second time)? is cassie going to become the "first" young avenger because she has to take her father's place among the team lineup (and i only say first because as of this moment, none of the other young avengers introduced to the franchise are official avengers yet)? except nope, because less than 2 minutes later, cassie had fixed the portal that had broken way back at the beginning of the movie and brought scott and hope back.
and it felt like such a cheat. i was so disappointed in that theater, not as someone who was invested in these characters on a personal level (because yay, cassie gets her dad back!), but as someone who has spent years investing themselves in the story of the mcu. what was the point of wasting screentime on scott and hope accepting their new lives in the quantum realm if it was just going to immediately be undone? the entire scene could have been cut to scott and hope making it back bare seconds before the portal closed and it would have had the same emotional impact. there was nothing added by making scott and hope (and us) think that there was no way back only to rip the rug out from under us and go "gotcha! you really thought we were gonna give this movie a sad ending? haha! you're so dumb!"
and this isn't the first time the mcu has done this. one of the biggest complaints about endgame was the decision to set it five years in the future with no consideration for how that would actually change the setting of the mcu. characters were brought back to the exact place they disappeared from with no consideration for how things might have changed in the interim five years (like planes that weren't in the air anymore, buildings no longer standing, even just something as simple as a chair being unoccupied). and then the mcu didn't even really have the courage to address how this would have shaped the world other than a few jokes and making the bad guys in the falcon and the winter soldier people who cared about how the world had screwed them over during the blip.
and things like this happen over and over and over again. the accords are put into place in civil war, but by the time we get to she-hulk, they're gone with no explanation because, as best as i can tell, the writers didn't want to have to deal with the worldbuilding that went into the accords. gamora is killed in infinity war, but heaven forbid quill not have an emotional investment in a film he appears for maybe 10 minutes in so now she's back in endgame. steve got to go live in the past with his ex-girlfriend (which is in itself a refusal to commit after the mcu both gave her a different husband and had the woman herself tell him to move on) but we need to establish that messing with timelines is bad because that's what the entire next phase hinges on so actually his ending was predestined and it's only everyone else who can't change time. whoever took this entire town and also wanda hostage and forced them to live out a sitcom fantasy is bad and needs to be stopped but wait, it's actually wanda and she can't be the bad guy yet, we need her for doctor strange 2, so actually everyone's going to defend her now and say that no one else could ever possibly understand her grief. thor has decided to accept responsibility as king of asgard, but we can't use him for any more movies if he's stuck in asgard, so actually he's decided to pass it on to someone whose entire leadership capability is developed offscreen. i could list more examples but this is making me angry, so let's move on to star wars instead.
with star wars, i look at first the oft-quoted meme, "somehow palpatine has returned." yeah, i shouldn't really need to go into detail on how that counts as a refusal to commit but. the last jedi was a study in how johnson refused to commit to anything that abrams had laid down in the force awakens, but rise of skywalker was almost like abrams had looked at the franchise and said "screw you for taking it away from me, i'm going to come up with the most bullshit stuff just to spite you for doing that in the first place. and i'm going to start by undoing the most important plot point of the first trilogy: the emperor dies." and yeah, disney's kind of tried to salvage this by dropping hints into the bad batch and the mandalorian about cloning, but that only really works if you're watching the franchise chronologically and not considering that both of those series came out after rise of skywalker.
and then there's the mandalorian, my sweet summer child, who is, in my opinion, the worst at backtracking their plot points. i'm not entirely convinced that any of the higher ups for this show really knew what they were doing when they started working on it and i'm not convinced that they know what they're doing now. yeah, there's the tie-in to the last season of clone wars, but the mandalorian has managed to walk back pretty much every single major plot point it's had. din is this legendary warrior who can't be beat, but no one will watch this show if he defeats everyone too early, so he's constantly getting beat up (tbf, sometimes some of the fights he loses makes sense like the krayt dragon and the mudhorn, but a lot of them don't. at all). moff gideon is dead, no wait no he's not, now he's imprisoned, no wait no he's not, now he's definitely dead, you can totally believe us this time guys. grogu can use the force and must be placed with the jedi, but wait, the only person still actively teaching the way of the jedi is luke and all of his students will be brutally murdered ten years from now, and we can't have that, everyone will be mad at us for killing off such a cute character and no one will buy baby yoda dolls (and also we have to set up luke's character degradation from hopeful, believes-in-love cinnamon roll to "i'm going to kill my nephew") so in between seasons let's have grogu decide to go back to din (and don't even get me started on how frustrating it is that a casual mandalorian watcher also had to watch book of boba fett to understand why grogu is back). din has the darksaber now which makes him king of mandalore, that's totally going to be important and what the entire series has been building up to, right? wrong! he might have spent the first two seasons making connections, learning about the world outside his sheltered upbringing, and demonstrating the various qualities that would make for a good leader, but the entire third season will be about din realizing that actually he's super unworthy and the darksaber should actually go to someone who... saw an animal in the water.
and it's really, really frustrating as a viewer! because how am i supposed to get invested in any of these plot decisions when they almost always get reversed? why should i care that mj and ned have forgotten peter when ant-man 3 has shown me that they'll remember him the next time they're all on screen together? why should i care that tech is dead when half of the last season of clone wars was about how echo was actually alive? if none of these decisions have any permanence, then where are the emotional stakes? why should i watch your movie if all you're going to tell me is that nothing matters?
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hotvintagepoll · 2 months
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Propaganda
Madhubala (Mughal-e-Azam, Barsaat Ki Raat, Mr. & Mrs. '55)—The Venus of India; heart-throb of all who saw her; responsible for the sexual awakening of every single desi lesbian I know (including me!) And my god, she is breathtakingly beautiful. Look at the subtle grace with which she moves, and that smile - the kind of radiant smile that can make you laugh with sheer delight, or cry because of its hidden pain. Those wild curls! That Cupid's bow! The way she tilts back her head and smiles at you with mischief dancing in her eyes! She has a way of looking at the camera that makes you feel she's sharing a private joke just with you; it's something about that quizzical twist of the lips and eyebrows. As an actress, she is inimitable; she seems to effortlessly inhabit roles ranging from a heart-broken courtesan to a laughter-loving socialite. Fun fact : she's had quite the fan following in Greece! Stelios Kazantidis even wrote a song as a tribute to her.
Olivia de Havilland (Adventures of Robin Hood, Gone With the Wind, The Heiress)— The woman who took on the Studio System at the height of their power and Won! A double Oscar winner! Is magnetic and beautiful in everything she's in and gave us all the juicy scandal with her sibling rivalry with Joan Fontaine! Before the Oscar Slap was the Oscar sister snub! Also everything she wears in Robin Hood she makes beautiful even a purple green and orange monstrosity how does she do it! Anyway this scene is one of my old Hollywood favourites
This is round 3 of the tournament. All other polls in this bracket can be found here. Please reblog with further support of your beloved hot sexy vintage woman.
[additional propaganda submitted under the cut.]
Madhubala:
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An icon of Bollywood, who was well known for her beauty and has continued to inspire performances and songs into the 21st century. She was at times described as "the number one beauty of the Indian screen" and "the biggest star in the world".
SHE IS EVERYTHING AHHH. JUST LOOK AT HER SMILE-
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She's been nicknamed the Marilyn Monroe of India and was one of the highest paid actresses in the Hindi film industry (the term Bollywood did not exist yet) during the 1950s. Also an extremely talented dancer and singer
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SHE'S JUST SO STUNNING, like seeing her eyes IMMEDIATELY CAPTIVATES YOU, THE DANCING, THE BEAUTY!!!!!!!!! She worked in Bollywood for over 20 years and passed away at a sad early age of 36, BUT THE IMPACT SHE HAD WAS UNMATCHED!!!!!
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That sassy sideways glance she does always has me WEAK AT THE KNEES. And when she's making silly faces at the camera to mimic someone ahhhh my gay little heart <3
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Olivia de Havilland:
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She is just perfection. She has a smile that is looks like it is barely holding back, and yet so reserved as well.
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Broke the contract system and won freedoms for actors (the de Havilland Law is still in effect I believe). 2 time Oscar winner. Beautiful and smart
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She legally challenged the movie studios' unfair contracts and won, setting a precedent for other actors to be treated more fairly. This was at great cost to her financially and essentially getting her blacklisted for years but the resulting judicial opinion is still known as the De Havilland Law and has won her a great deal of praise and admiration.
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Her performance in The Heiress is one of my all-time favorites, she’s so good at making melodrama feel real and grounded without sacrificing any of the passion/drama.
Serenely beautiful, she struck a balance between crowd-pleasing fluff and prestigious drama. Famously at odds with her equally successful sister Joan Fontaine, she was too much of a lady to ever say anything public. Successfully sued Ryan Murphy for portraying her as a saucy gossip in Feud.
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the period costume + eye patch combo in That Lady is just an absolute serve
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She has the most adorable and cherubic face and voice
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nattikay · 1 year
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Jake is a Good Dad and I will Die On That Hill
Howdy Avatar fandom. Over the past six months or so I’ve seen a lot of criticism directed toward Jake Sully as a father, ranging from him simply being a little too strict at best, to outright neglectful and even abusive at worst. This, my friends, is some grade-A nonsense, and today we’re gonna talk about why. Strap in, lads, this is gonna be a long one. Let’s roll.
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So before we get into breaking down the events of the main storyline, let’s address the idea that Jake was always the super-strict “military dad” throughout the kids’ lives: put simply, bullcrap.
Out of the film’s over-three-hour runtime, we get to see very little of the Sullies’ lives before the RDA’s return—only about six minutes’ worth. If Jake was meant to be this strict militaristic dictator during this time period, especially in a way that would significantly impact the kids’ character development and their relationships with him, this would be the time to show it, or at least hint at it. But instead of any of that, we really get quite the opposite. Jake laughs and plays with the kids:
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Jokes around and cuddles:
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Teaches Neteyam to fish:
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He even says in his narration:
“Happiness is simple…whoever thought that a jarhead like me could’ve cracked the code?”
Guys, this is quite literally the best time of his life. This man absolutely adores his family with every fiber of his being, they are his whole world. Like, look at him! He has stars in his eyes!!
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We have zero reason to suspect that Jake was overly harsh or strict in a way that would impede his relationship with his kids during this time. The Sullies appear to be a normal, healthy, close-knit family. 
It’s only when the RDA returns and reignites war that things change. 
I’ve seen some people claim that Jake’s personality changed it the second movie. I disagree—it was not his personality that changed, but rather his priorities. 
A1 Jake was a disabled marine vet who was offered his brother’s contract after said brother was unexpectedly murdered by some thug on the street…and part of the reason he agreed to take that contract was that there really wasn’t much else left for him back on Earth, so why not go? A1 Jake had just about nothing left to lose, and therefore could afford to be more reckless.
A2 Jake, however, is another story altogether. A2 Jake can’t just run around poking and prodding and taking risks like A1 Jake did because now he has a wife and four children who rely on him and who he loves more than anything else in the world. It’s not just himself he has to look out for anymore, it’s them. He now has everything to lose. He says as much himself:
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Not to mention that he’s older now. Did you really expect the 37-year-old father of four who’s been leading the clan for 15 years and is suddenly thrust back into a brutal war to behave exactly the same as the 22-year-old fish-out-of-water ex-marine sent to fill in for his scientist brother out of the sheer convenience of sharing a genome? A2 Jake’s behavior is not a sudden 180 from his personality in A1, it’s a natural progression and reaction for his character given the changed circumstances. 
“A father protects. It’s what gives him meaning.”
This is essentially Jake’s thesis for the movie. This is his #1 priority, his purpose, the lens through which all his actions must be viewed in order to understand them, and it’s important to establish it upfront because it sets up everything else.
With that in mind, let’s take a look at the train raid sequence as its aftermath. Jake begrudgingly allows his now-teenage sons to participate in the war party—from a distance, as spotters. Neteyam seems content to fill this role, but Lo’ak, against orders, eagerly insists that they “have to get in there”, even goading his brother: 
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Tailed by an exasperated Neteyam, Lo’ak grabs a weapon from Tarsem and lets out a half-hearted warcry:
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...let’s be honest here, Lo’ak doesn’t really seem to be taking this raid anywhere near as seriously as he should be; he’s treating it more like a game—on which point, y’know what, let’s pause to talk about Lo’ak for a moment.
Because the primary purpose of this post is defending Jake, it may at times appear that I am being overly critical towards Lo’ak. This is not my intention—I love Lo’ak as much as I love the rest of the Sully family (which is a lot lol). I think the things he struggles with are reasonable and valid struggles to have considering his circumstances. However, that does not always mean that he is in the “right”. Jake and Lo’ak’s conflict through the movie is not as simple as “son right dad wrong” or vice-versa; rather, it stems from a generational/age gap in experience and priorities. 
In this case, for example, Lo’ak is treating the raid more like a cool action game than a real battle with real stakes. Which may not be much of a surprise—he’s 14! He’s young, he’s naive, he’s never experienced anything close to real war until the past year or so—he probably genuinely does not fully grasp the stakes of this situation just yet. And why should we expect him to, really? He’s never had to before.
Jake, on the other hand, knows the stakes all too well. This ain’t his first rodeo. He was a solider both on Earth (where he was injured severely enough to become paralyzed from the waist down) and then again on Pandora driving out the RDA in a battle that killed several of his friends and allies, including almost completely wiping out the entire Olangi clan. 
Jake understands the risks of war and doesn’t want his kids anywhere near it. We see this not only in the film where he only allows Neteyam and Lo’ak to participate in the raid “from a distance” and ultimately fleeing his own clan altogether once his kids are directly threatened, but also in the comics in which he consistently turns down Neteyam’s pleadings to participate in the war efforts. Unfortunately for him, his sons do happen to be coming of age at around this time and there’s only so much he can do to keep them out of it, so he tries to let them participate in relatively safe ways, like as spotters.
Lo’ak…doesn’t understand this. Not really. And that leads to him recklessly taking unnecessary risks—be it out of curiosity, to get in on the action, or even simply to prove himself. Which understandably scares the crap out of Jake.
When the raid is over, Jake desperately searches the rubble for his sons. He finds Lo’ak quickly and makes sure he’s alright:
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…before taking off to search for Neteyam, who he also promptly checks over for injuries. 
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which is something I’d like to point out here: although Jake sometimes gets gruff with his sons, he never leads with that. He always always always makes sure they’re ok first. That’s important. We’ll come back to it throughout the post.
Anyways, it’s only after making sure that Neteyam is ok that Jake’s initial bout of fear subsides and morphs into frustration and anger: what were you thinking?! And it’s a fair question. If the boys had followed orders, they wouldn’t have been at such risk in the first place. Once the party returns to High Camp, Jake addresses this point with them, reminding them that by disobeying direct orders they put themselves in very serious danger, and reiterating to Lo’ak in particular that his recklessness nearly got his brother killed and grounding him.
In other words, Jake’s response to his sons going against his orders was…a lecture and a grounding. That’s…a pretty reasonable parental reaction, actually. Sure, you could nitpick and say his tone was too harsh, but given the situation, I struggle to blame him…
…which leads into the next relevant scene: while Mo’at and Kiri tend to Neteyam’s scratches, Neytiri gently chides Jake for being too hard on the boys, concluding with the infamous line: “This is not a squad. It is a family.”
Now, what I find interesting about this scene is that neither party is really in the wrong here. Jake is doing his best to fill his role as a father by watching out for his kids’ physical safety—even if it means being a little strict. Likewise, Neytiri is filling her role as a mother by looking out for her kids’ emotional well-being. As she should!
That said, I think people who use this line as proof of Jake’s supposed parental failure are forgetting the context. While Neytiri’s line is true in general, when the boys sign up to participate in a war party, they kinda do become a “squad”. In that moment, in that context, they are a squad, they have to behave like one lest someone gets hurt if not killed. 
I also think they forget Jake’s reaction to Neytiri’s line:
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Look closely. There are tears in his eyes. This dude was terrified of the possibility that he may have just lost one of his sons in the raid, and all his strictness stems from that. And Neytiri seems to recognize this as well, as she can’t seem to decide how to respond. She probably worries about the same thing, after all, even if she handles it differently. 
On that note, let’s look at the next time Lo’ak disobeys instructions: going to the old shack with Spider, Kiri, and Tuk, where they first encounter the recom unit. 
Something interesting about the aftermath of the recom rescue is that no one gets lectured this time actually. Remember what I said about how, no matter how upset he is, Jake always checks to make sure the kids are ok first and foremost? Sure enough, that’s what he does here:
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Not only for his daughters, mind you, but also both his sons (we’ll address the daughter-favoritism claims later):
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With the recoms now targeting the Sully family specifically, Jake, feeling out of other options, makes the difficult decision to flee and find refuge among the Metkayina clan. 
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whoops, there’s that “protection” theme again
When their request for sanctuary is somewhat reluctantly accepted, Jake calls a family meeting and tells the kids this:
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Remember how earlier we established how “a father protects” is essentially Jake’s thesis for this movie? Well, this is an offshoot of that: Jake believes that hiding amongst the Metkayina is currently the best was to keep his family safe; therefore, throughout the Sullies’ time with the clan, Jake’s primary goal is to lay low and get along with the clan so as not to tread on their hospitality and get kicked out (even if and when that means setting aside one’s own pride). This, then, is the lens through which Jake’s actions must be analyzed while his family is staying with the Metkayina.
The first time this becomes relevant is after Neteyam and Lo’ak’s little scrap defending Kiri from Aonung and his posse. Jake is clearly not thrilled about Kiri being bullied, but again, his top priority is keeping his family safe and right now this entails maintaining a good standing with the chief, which in turns means that his sons getting into brawls with Tonowari’s son is a very bad look. Which is why, after a moment of internal conflict, he asks Lo’ak to apologize to Aonung (he even tries to explain when Lo’ak protests:)
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On that note, while remaining on good terms with the clan has to take precedence at this moment, Jake is clearly quietly proud of his boys for kicking butt, as we see from his exchange with Neteyam (though yes, it is unfortunate that Lo’ak didn’t get to see this bit).
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…which brings us to one of the bigger moments that people point to when accusing Jake of being a bad father: the “you bring shame to this family” line. Now, I can understand why this line doesn’t sit right with viewers initially, especially since we have just seen firsthand the truth about what Lo’ak experienced over the past few hours. However, when you consider what’s going on from Jake’s perspective, the line is not quite as unreasonable as it first seems.
Let’s back up a bit to when Lo’ak first returns to the village after meeting Payakan. At first Jake is just relieved that his son is ok (remember: he always checks first)
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In fact, once it’s clear that Lo’ak is ok, it seems Jake just wanted to let it go and head home…the real conflict didn’t begin until after Lo’ak lied to take the blame for Aonung.
Up until this moment, Jake only knew Aonung’s side of the story, that he’d taken Lo’ak outside the reef and he got stranded there (it’s unclear whether Aonung specifies that he abandoned him out there on purpose, the little punk, but I digress). But when Tonowari (rightfully) declares Aonung’s responsibility for the incident, Lo’ak speaks up to take the fall, claiming that the whole ordeal was all his idea, which Aonung had tried to talk him out of.
Lo’ak does not have a reputation for lying…but he does have a reputation for pulling reckless stunts that put himself and others in danger, so for better or for worse, Jake has literally zero reason not to believe this claim. 
In other words, for Jake, the situation has just gone from “my son got taken advantage of by the local bullies and put into a precarious situation but he’s home safe now” to “my son dragged a bunch of other kids to a dangerous location where he knows he’s not supposed to go despite the chef’s son trying to talk him out of it, endangering both his life and theirs, getting lost in the process, and thereby worrying and inconveniencing the entire clan on whose hospitality we rely by making them go out of their way to arrange a whole search party in the dead of night just to find him.”
…yeah, no wonder he was flippin’ ticked. No wonder he “didn’t want to hear it” when Lo’ak tries to explain that he was “only trying to make friends”. We as the audience know that’s true, of course, but as far as Jake knows in that moment, based on what Lo’ak himself claimed just moments ago, he was trying to “make friends” by…dragging them out to a dangerous location despite their protests thus jeopardizing both his and their lives as well as his family’s standing in the clan who can kick them out at any time. Yeah, I wouldn’t want to “hear it” either.
When you look at it from that perspective, “you brought shame to this family” doesn’t really seem quite as extreme, does it?
And yes, I feel for Lo’ak here, really, I do; he’s just been through a lot and yes based on the actual events that just occurred his father’s anger is the last thing the poor kid needs and I totally get why it would upset him…but at the same time, I can’t help feeling that he kinda brought this particular lecture on himself by voluntarily taking the blame for Aonung. Not really sure what he was expecting: that Jake would somehow read his mind and understand the way things actually went? That he would see through his lie and praise him for being so amiable towards Aonung by taking the fall perhaps similar to how Neteyam so often claims the blame for Lo’ak’s own reckless shenanigans despite how rude Aonung had been to him thus far? Or perhaps he just blurted out the blame claim as an olive branch of sorts to Aonung (genuinely trying to “make friends” in a way) without really thinking about the consequences of doing so. Who knows. But regardless of how Lo’ak did or didn’t think things would go, I think it’s a little unfair to blame Jake for his reaction. Based on his knowledge of the circumstances, which in turn were based on Lo’ak’s own account given only moments before (remember, Jake had zero reason to suspect he was lying), his reaction is actually pretty understandable.
Speaking of Lo’ak’s adventures with Payakan, the next time we see him clash with his father is when Tonowari lectures him for bonding with the outcast, and Lo’ak defends his new friend. Remember: Jake’s top priority is keeping his family safe which currently means not getting kicked out of the Metkayina. Lo’ak, regardless of whether or not he was in the right, was clearly upsetting Ronal and Tonowari in this exchange—Neytiri is actually the first to step in and warn her son:
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…and when Lo’ak persists anyways, Jake has to step in in hopes of smoothing things over with the chief. 
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It sucks that this upset Lo’ak, especially because we the audience know that Lo’ak is right about Payakan, but again, Jake is currently more concerned with not getting kicked out of the clan than with his son winning an argument about the validity of a tulkun’s outcast status.
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...aaaand here comes the hardest part of this essay to write. Admittedly I wasn’t aware of this argument until recently, but now that I know it’s out there I feel obligated to address it here. Apparently some folks are out there claim that Jake did not display a sufficient amount of emotion at Neteyam’s death, and this somehow proves that he wasn’t as attached to his sons as he should have been. And all I have to say to that is: did we watch the same movie?? 
That man broke upon his son’s death. Did he wail and cry like Neytiri, no, but that doesn’t mean he wasn’t heartbroken—wailing and crying simply aren’t how his character responds to trauma. He’s a solider, he’s probably trained to delay any external breakdown at least until a given battle is over.
But you can still see it in his face. You can hear it in his voice which breaks and shudders when he realizes that Neteyam is dying and tries to give him a few last words of comfort, wanting so desperately to ease his pain to the best of his abilities. 
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...yeah. This man is broken in this moment.
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…but his job isn’t over yet. The battle is still raging. He still has three more kids who still need him. As much as he may want to, he cannot take the time to fully grieve in this moment.
…which brings us to the big one, the main line people point to when arguing that Jake is a bad father:
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Now, let’s be honest: was this an awful thing to say? Yes, absolutely. Should Jake apologize to Lo’ak for it after the fact, if he hasn’t already? Definitely, one-hundred-percent. I’m not disputing that in the least.
however…
In this moment, Jake has just spent the past however-long locked in a vicious battle, and hardly minutes before watched his firstborn son bleed out in his arms. And now he learns that his daughters—one of whom is a pre-pubescent child with no chance of defending herself—are still caught on the “demon ship” with the recoms, who have just very clearly proven that they have absolutely no qualms with killing these kids. Quaritch taunting in his ear certainly is not helping. 
The only thing Jake could properly focus on in that moment was getting Kiri and Tuk off that boat. Repeat: he wants to get his kids OFF the demon ship, not risk bringing any of them back ON. On top of that, Lo’ak, as established very early on in the film (see: train raid), has a reputation for struggling to follow orders…even when not emotionally devastated by the death of his brother. 
All these things considered, is it really any wonder that Jake did not want Lo’ak coming along on this mission? He’s already lost one son, why in the ever-loving flip flap would he want to risk losing the other by intentionally bringing him back to the danger zone with no guarantee he’ll come out again, especially given his apparent propensity to ignore orders and throw himself into danger? 
Heck, the only reason he lets Spider come is that Spider knows where the girls are and, unlike Lo’ak, Spider doesn’t have that same reckless reputation. Spider, in that moment, appears to be able to compartmentalize the fresh trauma well enough to focus on the task at hand, and can be trusted to do as Jake asks. Lo’ak…can’t. So, Jake wants him to stay behind.
Did he express it horribly? Absolutely. But saying one stupid insensitive thing in a moment of numbness underlaid by grief, pain, and fear does not make him a horrible dad overall, and I think it’s a little unfair to say that it does.
On that note, I do not believe for one moment that Jake genuinely blames Lo’ak for Neteyam’s death. Now, Lo’ak may well view it that way and I’m sure it’ll come into play for his character arc in future movies, which can be a topic for another day, but as for Jake’s perspective, no. I don’t think he truly blames Lo’ak. Even if he couldn’t necessarily process it all right away, I think he knows that Lo’ak is going through as much heartbreak as the rest of the family…especially given that Jake himself has firsthand experience losing a brother. He just said something dumb in a moment of pain.
(On the topic of Lo’ak being unable to follow orders, less than five minutes after Jake, Neytiri, and Spider leave for the ship, Lo’ak…immediately disobeys the order to stay safe on the island and heads back out to the ship anyways. Obviously in the grand scheme of things it’s good that he was there to save Jake from drowning after the scuffle with Quaritch, but still, good gracious son. Way to spectacularly prove your dad’s point.) 
So now we come to the point where Lo’ak saves Jake’s life. After a mutual choke-out with Quaritch, Jake is left to drown until Lo’ak finds him and pulls him to the surface, at which point he gasps for air and chokes out Neteyam’s name. 
This can be interpreted in a few ways. It could be that Jake is so accustomed to Neteyam being the “responsible” one that he irrationally thought it was him coming to the rescue, momentarily forgetting he had died or somehow thinking maybe by some stroke of fate he pulled through after all—this seems to be Lo’ak’s assumption, given that he promptly corrects him.
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Now, some may take Jake’s “oh, Lo’ak…” as a show of favoritism, or proof that Jake values his first son above his second. I don’t think this is the case though—I don’t think Jake’s apparent disappointment is about Lo’ak being there so much it’s about Neteyam not being there. In other words, it’s not a personal slight against or disappointment in Lo’ak, but rather a form of still-very-raw grief for Neteyam who, remember, only just died, like, an hour ago.
It could also be that Jake is still so distraught following Neteyam’s death that it’s consuming his thoughts…he was able to shove it down and compartmentalize long enough to fight the recoms and get Tuk and Kiri off the boat, but that compartmentalization broke down while he was literally drowning and it took him a minute to focus and put things back together (which he manages to do a moment later when Lo’ak tries to apologize for his brother’s death):
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The most excruciating interpretation I’ve seen is Jake thinking he had drowned and is rejoining Neteyam in the afterlife. ouch. Though that is, of course, just speculation.
Regardless, at this point Jake has just about given up. He’s exhausted, he’s in agony, both physically and emotionally. He’s completely drained. He wants Lo’ak to live but is ready to give up on himself (“I can’t make it. You can.”). It’s only when Lo’ak insists: 
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 ...that Jake realizes he still needs to press forward. Because his other kids still need him. His other son still needs him and he’s not willing to give up on him. So he takes a deep breath (literally), puts his trust in Lo’ak, and lets his son lead him through the flooded passageways out of the wreck. When they finally break the surface, we have this lovely moment:
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This moment is a resolution to one of Lo’ak’s primary emotional conflicts throughout the movie: living in the shadow of his legendary war hero father and prodigious older brother, finally getting the recognition and affirmation he so craved from that father. Some might argue that in terms of “ideal” parenting that this kind of moment should have come sooner, or that Jake’s recognition of his son should never have been in doubt in the first place, and while there may be some truth to that, I struggle to really blame Jake for it for reasons I just spent the past 4000 words discussing. I think the fact that this moment happened at all shows that despite their clashes and struggles and miscommunications, Jake does and always has cared very deeply about Lo’ak; his lectures and frustrations come not out of malice or some personal distaste, but out of fear for his well-being.
We see Jake comforting Lo’ak again after the family returns to Neteyam’s body on the rocks.
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 As I said before, I don’t think for even the briefest moment Jake genuinely blames Lo’ak for Neteyam’s death. I don’t think he would be comforting him like this if he did.
…which, I suppose, brings us to Neteyam’s funeral, and Jake and Neytiri visiting his spirit within Eywa. No parent should ever have to bury their child and good golly gracious this scene ripped my heart out but I digress. I don’t even really have a lot of commentary to add to these scenes…just…just this. It speaks for itself.
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look me in the eye and tell me this man “doesn’t care about his sons”. I flipping DARE you.
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Well, that concludes the debunking of scenes that supposedly make Jake a bad father. But before we go, let’s look just briefly at this scene of him being a good dad with Kiri. I didn’t mention this earlier because while I’ve seen a lot of complaints about Jake’s interactions with Neteyam and especially Lo’ak, few people have qualms with the way Jake treats Kiri and Tuk—in fact, many people claim that he shows favoritism to his daughters, going out of his way “baby” them and treat them more gently and lovingly than his sons. I disagree and hope the above has done a thorough job dispelling that notion: Kiri and Tuk don’t go around throwing themselves headlong into the same kind of danger that Neteyam and Lo’ak do. They aren’t begging to participate in battle, they aren’t disobeying orders that land them in mortal peril. 
In other words: Jake lectures his sons more than his daughters out of necessity, not nepotism. Remember: Jake’s #1 priority is protecting his family, keeping them all safe and alive. That means that when one of his kids pulls a stupid stunt that puts them in danger he feels the need to crack down on that in hopes of preventing it from happening again. Lo’ak is, quite frankly, prone to pulling those kind of stunts, so he gets lectured a lot. Kiri and Tuk do not typically pull such stunts, so they don’t get lectured. It’s as simple as that, really.
Buuuuuut now that we’ve cleared that up, let’s talk just briefly about Jake comforting Kiri.
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Like with the scene of visiting Neteyam’s spirit, I don’t have much commentary to add to this scene—it’s a very sweet scene and it speaks for itself really. Jake is very gentle and doing his best to listen to Kiri, even if he is a little unsure about her claims. He doesn’t criticize or invalidate, he just tries to be there for her. What can I say, that’s a good dad right there ¯\_(ツ)_/¯  
One last little point before we wrap up for real: the fact that Lo’ak and Neteyam occasionally refer to Jake as “sir”. I was originally planning to address this earlier but it didn’t quite fit in with the flow of the discussion and I consider it such a minor point anyways, I figured I could save it for a side note—but seriously, it baffles me what a big deal people make of this. 
It would be one thing if “sir” was something that Jake strictly enforced, if it was the only thing he allowed the kids to address him as, if one of them called him “Dad” and he barked back, “no! it is sir!” But…literally none of that is the case. He never explicitly asks them to call him “sir”, and they call him “Dad” just as often if not more.
The kids referring to Jake as “sir” in tense moments is a simple show of respect, nothing more. I recall my own dad also wanting to be called “sir” when we were in trouble and it was never really an issue. And I suppose your milage may vary depending on where you live, but growing up in the southern US, “sir” and “ma’am” are just very common basic courtesy in many situations (not just familial). 
Sooooo….yeah, the idea that Neteyam and Lo’ak occasionally calling Jake sir is somehow proof of Jake being too strict or cold or whatever else is really making a mountain out of a molehill. It’s not that deep y’all.
…aaaand I suppose that’s it for this post. 
In conclusion: 
Look guys, Jake does not have to be your favorite character. You don’t even have to like him, or agree with everything that he says or does. He isn’t perfect (which, by the way, literally no one is). But if nothing else, I hope this behemoth of a post has at least helped you understand his character and why he acts and reacts the way that he does.
Jake Sully may not be a shining beacon of parental perfection from a psychological development perspective (and all things considered, expecting him to be such is, quite frankly, a little silly), but good golly gracious he is trying his absolute darnedest in incredibly difficult and precarious circumstances beyond his control i.e. the RDA coming back to quite literally take over. This man’s family means absolutely everything to him and I’m done sitting back and watching y’all slander him just because he didn’t react to x situation the way you think he should have.
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thank you and good night
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mvltisstuff · 11 months
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Evan Buckley & female reader - a fic where instead of the firetruck crushing buck’s leg, it crushes the reader’s leg instead and the reader is in the firetruck when it explodes and Buck & reader have been engaged for 2 years. Buck is worried and scared and panics when he sees the reader underneath the truck. He helps her through the physical therapy of getting back her leg strength and helps her through how she is told she may not be able to be a firefighter again.
lots of angst, heartbreak, sadness, anger, fluff too 💙
love ur 911 fics so much ❤️‍🩹
are you with me - e.b
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summary: request
evan buckley x reader
a/n: i’m so happy you guys like my fics, i have plenty coming your way soon 🩶 btw this started off pretty strong and idk what happened toward the end w the quality
it’s never realized how much calamity one person can cause in such a large city. people get in their cars to go to work, they order a package, they stop at the store, and the last thing they expect is an explosion right at their feet.
over three million people in los angeles, and one forced 30 tons of weight onto y/n’s leg. it was just work. something she does every single day. of course, nothing in life ever remains the same, but this is really something you can never expect. you watch it in movies, or you hear about it in the news, only until it happens to you.
she knew the bones in her leg were crushed upon the impact, the engine thrown on its side. buck watched from a distance, being held back by the police. he would do anything for her. he wanted to tear this kid to shreds. he saw y/n’s broken leg under the truck and her head weakly lifting up. he could almost hear the pained gasps and whimpers from her lips. y/n, on the other hand, felt like she was in the center of the ring, the joke of this kid.
all the bystanders watched the scene unfold, the boy trying to summon the captain of the 118. it felt unreal. the noise and the truck shaking the ground they walked on.
buck thought he hallucinated the sparkling ring on y/n’s hand, somehow managing to remind him of the fight he was about to do. he vividly remembers the day he got down on his knee, bargaining the rest of his life to her and crying when she said yes. the whole team had been there, watching from a distance as her hand covered her mouth and lifted him from the floor. their wedding was being planned, every last detail needing to be perfect for the couple.
most people’s instinct would be to run away, but buck wanted to run toward the chaos. if y/n was there, so was he. his life mission has been to keep her safe, and knowing someone went out of his way to hurt her makes him go crazy. the exact moment that freddie was taken down with his overcomplicated vest, buck found himself running to her. he instantly fell onto his knees, seeing the ash and tears on her face close up.
she wished she couldn’t feel it, but she felt every part of it. she didn’t know anything. was her leg even connected to her anymore? buck moved himself closer to her so she could hear him over the murmuring of watchers.
“hey! hey, y/n,” he starts.
“it h-hurts so bad,” she whines, making him grimace himself.
“son of a bitch, ok. we’re gonna get you out of there, yeah?”
“please,” she begs, almost inaudible. buck stands up, calling for anyone he can to lift the truck off her, which was almost impossible with a few people around. hen was on the ground, connecting machines to y/n’s harmed figure.
“hang in there, y/n/n,” she says softly. “we’ve got you.”
despite his entire body weight being used to lift the ladder engine, it didn’t budge once. the only thing it did was echo the raw screams from y/n, poisoning bucks ears making his heart speed up. the adrenaline pumping through his system was making him think he could do it.
“do you have anything on the truck we can use for leverage?” eddie asks to a panicked bobby, trying to save one of his workers and best friends.
“it’s too heavy, it wouldn’t work,” bobby says as a light goes off in bucks head.
“more people,” he mumbles. “we need more people! hey! all of you, get over here and lift this!” he shouts at the mob of people observing the accident. not hesitating, the civilians sprint over and grab onto any part of the truck that they can.
y/n was in grievous pain, dreading the agony that would come when they finally lifted it. she was right, it was tormenting, releasing shrieks she didn’t know she had. before she could rethink everything, she was tugged from under and flipped onto her back. buck couldn’t peel his gaze away from the blood that has completely stained her pant leg and the parts of her leg that should be inside of it. complete shock and fear took over his body, but not enough to stand there with her the whole time. he watched chimney and hen bandage up her leg and move her into the ambulance, where buck sat next to her. hen was in the back with him, chim being the designated driver. unfortunately, y/n had been awake for the entire experience. from the second the engine flipped, to the second she was lifted into the ambulance. as much buck was grateful that she was awake, he almost wanted her to pass out. she wouldn’t have to endure this much pain, despite the morphine kicking in.
y/n’s hand twitched in bucks, “buck?” she grumbles out.
“y/n,” he makes note of her panicked state. “i’m here, you’re ok. i’m not going anywhere, honey.”
“someone should tell the city that we need a n-new truck,” buck laughs at her mind and how it works before running a hand through her hair.
“you don’t have to worry about that,” says buck. “you have no idea how relieved i am that you’re ok.”
“we’re getting married soon,” she realizes. “shit, we were supposed to get married soon-“
“shh, it’s all gonna work out, ok?” buck reassures. “i’d marry you no matter what, broken leg or not.”
“promise?”
“i promise.”
the hours sitting in the waiting room were grueling. maddie had left to be with buck, watching the entire scene go down on the news. even her heart ached, watching someone she already considers family have to face something like this. the whole team was anxiously waiting for the surgeon to come out and say she’d be ok. she held them together like a true family, being the most stable relationship they had. she was the part of the station that made their bond unbreakable. watching her vulnerable condition under that truck was almost intolerable. the time that she wasn’t in work felt like a missing puzzle piece.
weeks had passed since the bombings of LA, and buck had been there every single day. in sickness and in health, he hasn’t said the words out loud, but he swore to that since the day he met her. he knows that she would do the same exact thing for him, and he would spend every single day helping her.
y/n felt completely isolated in their small apartment, barely being able to leave the first floor. she craved work, she desperately awaited the day that she could return, but the injury in her leg hadn’t resolved. no matter how many times she tried to convince herself, she didn’t know if she’d ever be a firefighter again. at some point, she almost envied her fiancé for being able to go to work. he felt so bad for her, just wanting to give her her life back. the weekly doctors appointments were draining her of almost everything she had, every single one proving nothing. nothing that meant anything. the situation was completely out of anyone’s control, and she had consumed so much anger about it. anger at the doctors, the therapists, the kid, the 118, everyone around her.
buck was forced to sit back and watch, to act as a shoulder to cry on. he was the third crutch, the person she leaned on when she couldn’t stand on her own. there was no way in hell she could’ve done it alone. buck was the one to drive her to every appointment and helped carry some of the burden.
at the end of the day, there were two things that scared y/n the most. losing buck and losing her job. the two things that got her out of bed and the two things that gave her a true meaning. as time passed and every request to be back at work was denied, she swore her heart hurt more than her leg.
“y/n?” buck called out after arriving back home. she had been on the couch, watching another drama series about firefighters. “hi, how are you doing?” he asked when spotting her in the living room. she didn’t respond, just looked at the television with the volume low. he went and sat next to her.
“what’s wrong? did something happen?”
her eyes had already been bothered from tears of anger and frustration, and he could clearly see that with his own. “they called again.”
“wasn’t the answer you wanted?”
“i have been pushing myself every day for approval, and i have not gotten anything for it,” she says, dryly. “i have been killing myself to go back to what i love and why am i not getting anything?” her voice cracks.
“listen,” he tries to distract her from her own negativity and forces her to look at him. “i know you’ve heard this a million times, but you have to let yourself take the time to heal. if you go back too soon, you’re going to make it worse.”
her nose scrunches at bucks words, causing her to sniffle as he continues. “i know, it sucks, and i am so, so sorry. it’s just that none of us want to see you do more harm than good. we need you back as a firefighter, but i need you back to normal first. you’re worth so much more than this, and this injury is not going to take you out, we all know it.”
y/n opens her mouth to speak, but nothing comes out besides the small beginning of a word. she knows he’s right, but having to come to terms with that is the hardest part of it all. she begins to cry lightly again, her face in her hands as she leans forward. buck slides over, wrapping his arms around his distressed fiancé.
y/n took bucks advice, and now, she stands in the entrance of the firehouse. she walks in to see her uniform waiting for her in her cabinet, her gear untouched, and it feels like she was here yesterday. she feels at home here. buck follows her in, grabbing her hand and they restart the rest of their lives.
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ot3 · 11 months
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okay, here's my thoughts on nimona: honestly not bad. visually it's much more striking and impactful than the trailers were, and narratively most of the changes they made to the characters and story make sense to keep it more coherent and tighter for the sake a film adaptation even if a lot of them don't personally appeal to me. the biggest problem it had by a significant margin was spending a HUGE chunk of it's runtime kneecapping itself by sticking to a super generic Animated Movie Feel to it's tone and humor. it just wasn't funny by my standards, all of the jokes were very predictable because it felt like it was going through the motions of being an animated adventure-comedy and this is where the pacing dictated certain types of jokes go in a movie like that. probably will go over very well with, like. elementary schoolers.
definitely give it a watch if you have the time! the movie has been through so much development hell that it'd be a shame for it to slip under the radar. indie IP getting animated adaptions is so rare in the west I think we should celebrate it whenever it happens, and they did make a very well animated movie here.
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