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shikai-the-storyteller · 3 months

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I've been thinking a lot about Leonarda's not-death ever since it happened back in April.

("What death?" you might ask, to which I say: "EXACTLY!")

Back in mid-April, Vegetta and Leonarda were mining together in a one-block wide tunnel. A mob (a Petriman) got between the two of them, and Vegetta told Leonarda to step back while he took care of it. At this point, they'd spent enough time together that he trusted Leo to listen to him.

Instead, she was killed by the same sweeping edge bug that killed her siblings.

Vegetta's reaction here is what's really interesting to me. Unlike most other parents on the Island, there are no shouts or tears – only a very brief "Hmm" and then silence. He very quietly takes stock of the situation, saying "Vegetta, no" and wondering aloud why Leo didn't defend herself. In chat, Foolish says "It was a bug, right? LAG" to which Vegetta slowly responds "Yes, lag. Bug." (Despite this, Foolish still asks "WHAT HAPPENED" in chat, though Vegetta doesn't reply).

Instead, he creates a slightly wider space in the tunnel where Leo's body is. He continues quietly taking stock of the situation, wondering why Leo didn't defend herself (which is what necessitated his intervention). She'd been lagging a lot that day, and he figures that must be the cause, and eventually when Leo re-appears out of thin air in the middle of the cave and collects her stuff, she confirms that the lag got to her and that's why she didn't fight the mob.

Now here's where things get interesting:

Vegetta checks the tab list. Online, it's just him, Leonarda, Roier, and Foolish. He quietly tells Leonarda "The body has already disappeared, and without a body, there is no crime. Nothing is happening. Did you die?" Leo shakes her head, and Vegetta shakes his head too, and in the kind voice he uses sometimes with Leo, he says: "I believe you have not died. Where is the body? It isn't anywhere, no mija. If it was a mistake, it was a mistake."

Leo says: "I saw Diosito (God) pa, and I was scared. God, what am I doing here?" and Vegetta laughs, telling her it's alright. Leo says "No pasa nada (don't worry / nothing happened)" and Vegetta says: "And the people who are watching us have not seen it either." To Foolish and Roier, he messages: "Secreto."

And the funniest thing about this is it worked.

Not a single person spoke about it. I saw this entire event go down live and I didn't see a WHISPER of what transpired among fans. I can't even remember if the QSMP official accounts talked about it (they sure didn't mention it in Vegetta's recap of the day). We could discuss this in meta terms of course– Leo was having known lag issues that day, Vegetta's beloved by the admins so of course they're willing to turn a blind eye rather than slap a "?" over Leonarda's life on the Eggstatistics, but meta talk isn't what I'm interested in here.

I'm interested in q!Vegetta, the weird "god-adjacent" aura he's got, and the way the universe bends to his will.

Before he took a break from the server, Rubius seemed to be a caretaker for the Eggs who died (for example, he was present when Maxo, Quackity, and Mariana & Slime said their final goodbyes to Trumpet, Tilin, and JuanaFlippa). Because of his role as an "angel" and some of his dialogue during the early days of the server, it's not a stretch to say he probably came to collect any Egg who lost a life. I can imagine he did the same when he saw Leonarda die – that is, until Vegetta said "And the people who are watching us have not seen it either." Realistically, we know Vegetta was saying this to Chat (and possibly the admins as well), but again, we're looking at this from an "in-universe" perspective.

I wonder if Vegetta was aware of Rubius' role, and this was his way of telling Rubius "No. I won't allow that to happen." We know Rubius has a soft-spot for Vegetta (and we also know that Rubius was cast out of heaven several months later) so it makes me wonder if these two instances are connected.

Either way, this isn't the first time the laws of the QSMP universe have bent for Vegetta, and I certainly don't think it'll be the last.

Rubius or no, Leo didn't die that day.

Vegetta made sure of it.

#i talk #QSMP talk #AAAAAAAAAAAAAAA #I FOUND IT #I wrote this post TWO MONTHS AGO #MAYBE LONGER!!!#I had clips and links prepared but I have no idea where those went #I'm not gonna bother saving this as a draft and risk losing it again #I have nearly 70000 drafts on my main blog but by some miracle this got saved in my art blogs' drafts instead #than the stars #Anyways. Leo was killed by a whale a few days later because Foolish was in the bathroom lmao #''powerful god-adjacent man who bends the laws of the universe'' vs. ''man whose entire life is a series of sitcom episodes''#I still really want to write out that ''QSMP genre'' thought I had ages ago. It's still relevant and always will be relevant #but anyways #I wrote this months ago on very little sleep but DANG. It's a banger.#I miss writing analysis stuff I wish I was in a headspace where I could do this more like I used to #QSMP analysis

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quartergremlin · 30 days

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i didnt really have a reason for drawing this but its kind of cute so.

transcript:

Leo: Soooooooo?

Yuichi: Hm?

L: Your folks? they're out, right?

Y: Yeah, why?

L: I'm asking if you want to make out.

Y: Oh! Yeah!! Can we?

#quarterdraws #rise of the teenage mutant ninja turtles #teenage mutant ninja turtles #comic #yuichi usagi #leoichi #rise leo #still dont really know where on the yuichi to Miyamoto scale im putting his personality #vut hes not exactly relevant rn so I guess I can have fun with it...

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project-sekai-facts · 4 months

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How are we feeling about ensekai’s emu3 translation!!! (I’m mad)

(if you remember the 3 whole posts i made when asahi got de-gayed on EN you'll know i am mad too and that this is probably going to get long)

i don't like to be too cynical but it was so obvious that they were going to change that line, i had a feeling since the event first released on JP and after the incident with Asahi where I went through and tracked down multiple other examples of EN removing queer subtext it became clear to me that in no way shape or form was "emu-chan really loves nene-chan" making it to EN without getting changed. what i didn't expect was them changing Nene's line after Luka's comment, which actually makes this whole situation far worse than many of their other instances of toning down queer subtext.

for anyone who isn't aware of what happened, in chapter 5 of the current Emu event, there's a scene where Nene, Rui and the Virtual Singers are talking about what would cheer Emu up. The vsingers all talk about how much Emu loves spending time with Nene, leading to the following exchange

If you look for them, any fan TL of this scene will be something similar to this:

Luka: ...Fufu. Emu-chan really loves Nene-chan, doesn't she? Nene: Th-that's nothing special...

EN's official translation is this:

So what's the issue? I'll start with Luka's part. In the original text, she uses the word daisuki, which can mean to "like a lot" or "love". It's a word you will see frequently in the idol/idol-adjacent genre of games, due to its ambiguity in that it can be read as either platonic or romantic when used towards a person, and often will be used in ambiguous situations so that it's harder to confirm the writers' intentions either way. so here, fans of the emu/nene ship could view the fact that emu loves spending her time with nene as more on the romantic side, but people who don't like the ship could view it as platonic and move on.

while they didn't translate daisuki directly, Luka's line still works, and still contains the ambiguity that works as ship tease in the original text. it's a perfectly fine localisation that still conveys the original intent. despite that, there is something to be said about EN's consistent refusal to translate daisuki as love in most instances when it's not used on An/Kohane (but then again, EN has literally teased An/Kohane on their twitter account so is it all that surprising?).

Here's some examples:

Aibou no koto ga daisuki de / he loves his partner -> he cares about his partner very much (The Power of Unity chapter 7 when Kaito is comparing Arata to Akito and Toya)

HARUKA-CHAN, DAISUKI DAYOOOO!!! / HARUKA-CHAN, I LOOOOOVEEE YOU!!! -> You're the best!!! (Dear Me, As I Was Back Then chapter 4 when minori is at an ASRUN concert. this one isn't actually that great of a localisation)

Honachan no koto daisuki dakara. Kore de iinda yo. / I love Honachan, so this is fine. -> I want what's best for her. And this is it. (Leo/need main story chapter 14 after Saki tells Honami she won't bother her anymore)

Minna daisuki de - taisetsuna tomodachi na no / I love them all - they're my dearest friends -> They're all amazing, and very dear to me. (Leo/need main story chapter 17. this isn't good either)

What's particularly amusing about that last one is that there's a second official translation for it that I assume was done by JP staff (since EN never promoted doing the Journey to Bloom subs like they did back when they provided subs for Petit SEKAI) that actually keeps the word daisuki as love.

Yeah. I love all my friends - and they mean the world to me.

It's a better localisation than the official EN team one.

Questionable localisation choices aside, Luka's line is fine and is actually in line with the original. The issue with this localisation very much lies with Nene's part, because that is an entirely new line.

In the original text, Nene's "that's just normal" or "that's nothing special" or however you choose to TL it, is meant to be her questioning Luka's statement, since all the things that the other vsingers said that Emu liked were pretty normal things like going shopping and playing video games with nene. To Nene, these things are normal activities for them to do together, so she gets embarrassed by the fact that Luka concludes from that information that Emu loves Nene. When I dissect it like that I think you can really tell what the writers were going for here lol.

"That's just us being friends" does still convey the idea that Nene thinks these activities aren't anything out of the ordinary and she isn't sure why the vsingers are picking these out as some of Emu's favorite things to do, but it's very different from the original line. "But those are just normal things we do together" is something I just came up with on the spot, but it's a lot closer to the original text and still conveys the same meaning. The fact they changed the line to "that's just us being friends" is, honestly, not even subtle that they're covering up queer subtext. The original scene was very clearly written in as ship tease, and EN mentioning "friends" for no reason, especially since the word nor anything close to it was not used in the original, is instantly a red flag because it's like the go-to for queerbaiting and censorship. This was intentional. There was no need for them to specify that the relationship is platonic, Luka's part is ambiguous for a reason so that fans can view it how they like.

Just to top all this off, here's Rin's original line just before that Luka+Nene interaction:

Oh, and! And! She said that playing games with Nene-chan is also super fun!

And here's Rin's line from the official EN translation:

That's not the same thing, but even more weirdly, the incorrect part (super fun->really loves) is a correct translation for the part changed in Luka's line. So, they can do it, they are willing to say "really loves", just not in the right places. Maybe because Rin's part is less personal than Luka's part? It's strange actually, this isn't the first time they've done this either. Off the top of my head I can think of an example from Shiho's Varied Kindness 2* story where they translated the word "suki" as really loves, despite that being much stronger than the original word used (and the fact that daisuki is used a lot in the Leo/need stories and it's incredibly rare if not entirely unknown for them to translate it correctly).

It's not subtle that they're trying to remove implications of the characters possibly being queer, they did it in curtain call and they did it in walk on and on, and multiple times before then too. And considering some of the content in this year's events and the amount of times they say daisuki alone, it's gonna keep happening. honestly i hate the fact that i keep trying to justify the translations in these posts. these translations are intentional. what happened in the curtain call translation back in october says enough. when a character who uses explicitly romantic language towards another guy passes as a straight character in the translation you know they're doing it on purpose.

oh and once again, it's only the EN server that has this issue. The scene in question was translated almost word-for-word on the TW and KR servers.

read fan translations. they're better than what EN gives us and people put a lot of effort into them.

#since the EN translation qualifies as a leak i am scheduling this to post when the event drops #asks #mod talks #i'm going to leave this in the tags because i don't want to make the post any longer #but something that's been really annoying to see recently on twt has been the gradual uptick of players saying that there's no queer #characters/subtext/etc in the game outside mizuki being trans. and i do wonder if EN's consistent habit of toning down #or outright removing moments of heavy subtext and other more ambiguous shiptease moments has anything to do with it.#that or people live under a rock because even EN keeps most of An and Kohane's relationship intact and there's still plenty of #moments that were impossible to edit or tone down due to being plot relevant or being part of longer interactions that wouldn't make sense #if part of it was changed. like the An wedding event.#eh maybe people are just ignorant.#but anyway it does bug me immensely that EN-only players are getting a censored version of the game. it's 2024. staff can do better.#also like i mentioned in the part about rin. they /add in/ things occasionally. so why the hell are they removing so much?

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grmpgm · 9 months

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come on, danny, let’s go party! 💗

#danny sexbang #ninja brian #ninja sex party #honeyart #+ like. might as well spam the notes on this one #TLDR! this was An Ordeal #started this when the barbie meme was still relevant- and then my computer died! got a new one bc i thought it came with a stylus! it didn’t #this was finished on my phone and um. you can tell #there is SO MUCH i wish i could change or go back + fix but also like. i kind of want to stop thinking about this for the rest of my life #i appreciate it for what it is though? i learned a LOT and tbh that’s all you can really ask for #dan avidan #brian wecht

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caeslxys · 7 days

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Zephrah actively postpones ruidusborn births. It is believed that the actual number of ruidusborn in exandrian history is much larger than has been officially recorded because the stigma of it was so intense that people lied about it. Alyxian, one of the few recorded ruidusborn heroes of the calamity who received direct blessings from three different prime deities (our very own Changebringer, the Archheart, and the Moonweaver) , has been all but forgotten (read: likely erased) by history.

The Archive of knowledge that revealed the truth of Predathos and Ruidus was never some forgotten thing—it was intentionally hidden by the elites in Vasselheim. And we have no idea how long they have been operating with that knowledge. We have no idea what they have been doing with that knowledge, what silent wars have been waging for years or decades or centuries. But we saw what they were willing to do, in Hearthdell. We saw the violence and suppression they were willing to commit. We saw the pettiness of the exandrian pantheon in the Dawnfather’s response to Deanna’s: “Are you worth saving?”. In the Changebringer’s manipulative change of course in her pleas to FCG. In the Wildmother’s rejection of Opal. In the knowledge we have that Imogen spent so much of her miserable time in Gelvaan begging the gods to aid her to no avail—just for Kord to reach out only to demand that she not let them down.

Liliana’s point that Vasselheim and the other faithful elite of the world will hunt ruidusborn down to negate even the potential of this happening again isn’t new, it isn’t something this solstice and the machinations surrounding it caused, and it isn’t some unsubstantiated, fearful claim—it has been happening.

The vanguard—and Liliana—are unequivocally wrong in their means. But can you really fault them in their desire? Can you really fault the conclusions they have drawn from the experiences they have lived? If you spend your entire life being rejected by the people and the pantheon of your world for means you could not possibly control, would you not seek out someone and somewhere that would accept you? And if you found it, if some being that has been connected with you your whole life welcomed you home and wrapped you in an embrace that felt like your mother’s and says that it is starving; well, aren’t you, too?

There is likely a holy war brewing. At the end of it all, is it truly the sole fault of the people and not the organizations and society that expelled them?

#critical role #liliana temult #cr spoilers #bells hells #critical role meta #i understand that tumblr isn’t the place for god or vanguard nuance but I wanted to extend my thoughts here For Posterity #it just baffles me that some people still think Ludinus doesn’t very clearly have motivations of his own #and that the vanguard and liliana and very likely even the weave mind are all pawns in a greater scheme #which just kind of renders all the attempts to claim that empathizing with the vanguard means agreeing with Ludinus completely moot #and also just. doesn’t allow room for far more interesting questions about exandrian society and faith #and to be more clear. CLEARLY there are bad people in the vangaurd i am not saying they are good please be normal #in general i think people get really caught up in certain characters’ perspectives and not the wider ones we as the audience have #which. to me. is a loss. these are interesting and extremely relevant and poignant questions to ask

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atthebell-moved · 7 months

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that whole early era of cellbit streams was crazy bc he was so paranoid post-chainsawing and so fixated on the arg that you weren't quite sure if stuff was real or not so every time cucurucho showed up (or cellbit thought he heard something) it was like well is he actually in the walls or is cellbit running off fourteen cups of coffee and no sleep

#bell.txt #qsmp #cellbit #ask to tag #jic #like he ended up playing it pretty much that cucurucho was fucking with him #which i really really like and prefer actually #but he couldve gone a slightly different route wherein it wasnt clear if he was being too paranoid or cucurucho was really there #its also interesting to see bc like. this stuff is still relevant to his character obviously #like hes still super paranoid and freaked out by cucurucho and chainsaws and really nervous about a lot of things #also again this was his first WEEK of being there #the may 7 vod was his FIFTH DAY ON THE SERVER (at least while live)#queersmp

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5-pounds-of-carrots · 15 days

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i came out of breaking dawn prt 2 w wayyyy more questions than I started with tbh

#twilight #Bella #Bella swan #breaking dawn part 2 #personal #this is really old but also sometimes the questions still pop into my head #so it’s still personally relevant #vampire

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whomst-the-hell · 7 months

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we are not the same

#steddie #andreil #timkon #codywan #sterek #i dont really ship sterek but still relevant #i think every bnha ship with deku #caitvi #fandom #fanfiction #shipping culture

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lucalicatteart · 6 months

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sculpted a strange shimmery two headed snail, speckled with wild flowers on it's shell~

#sculpture #snail #fantasy art #I have never sculpted or even drawn a snail before #so hopefully the anatomy is not incredibly off #(though if so.. I guess it could also just pass as further Strange Magical Mutations lol)#It doesn't show up as well in the photo but the shell has some irridescent eyeshadow on it so it kind of alternates a little warm #red and teal as you move it.#Made for an art contest on a game that I play lol (I wouldnt normally think to sculpt a snail on my own if it werent part of a #prompt) but I do kind of like the way it came out.. sort of..#Perhaps a real creature that exists in Nanyevimi (my worldbuilding setting) in some capacity then.. hrmm #also in relevance to this blog i DO STILL WANT TO finish the story with the little adventurer... goursh I have just had so much going on..#all of my little side projects like that have fallen away for so long. I really want his advneture to reach a tiny conclusion though #And shout out to that one person that always reblogged them and left nice comments in the tags also.. :'3 #Poll Adventures.... not over... simply was on temporary evil hiatus due to Me Feeling Sick Constantly All Summer and so on and so forth #aughhh.. woe and agonyyy *dramatically drops to my knees in the middle of a rain storm like some tragic movie scene #kneeling into the cold earth as i cradle the half-living bodies of all of my half-finished creative projects in my arms*#ANYWAY... lol..... erm.. snail time

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rosekasa · 1 month

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something that absolutely changed the way i approach goals was realising that it's never the thing that you want, but rather the feelings that you believe it will give you. without striving for those feelings, the thing is not going to make you happy.

for example, until i was eighteen i would daydream about having a Real Best Friend. like i wanted my disney channel bff you know?? and getting older felt a lot like 'okay it'll happen when i get to secondary school' 'okay it'll happen when i get to sixth form' 'okay it'll happen in fandom' and it just. never did. i kept getting sucked into friendships that made me feel shit about myself while all the people that seemed to want to be close to me would, for some reason, make me feel uncomfortable. but it was at the point where i was like, okay. what do i really want from a friend? is it the actual object of A Friend or is it what i feel like A Friend would allow me to do? so instead of looking for that Real Best Friend, i started allowing myself to feel like i deserved a Real Best Friend. i stopped deleting my messages even if i thought they were embarrassing, and i stopped worrying that people would think im annoying if i messaged them first, and i stopped being scared of being 'too much' whenever i shared my interests.

and you know what? within two months i GOT that Real Best Friend. within a few more i had Multiple of those Real Best Friends. it's been three years since that shift in my life and it's like All my friends are like my disney channel bff friends -- they genuinely care about me, they genuinely like me as a person, they invite me to their houses, they cook for me, they buy me random things when they think of me, and most of all they make me love myself more, when for my entire life the trade off for a friendship always felt like i had to hate myself a little.

idk. i just think it's worth remembering that the feeling of something is the most important thing to strive for. a thing without feeling is nothing

#this is... also VERY relevant to weight loss/diets #not gonna get into it too deeply but just like. if youre trying to lose weight #id really suggest you focus mostly on all the emotional/mental benefits you think being at your gw will give you #(e.g. confidence in a certain dress or not having to over think your snacks)#because trust me when i say if you hate yourself into getting to your goal weight you're still going to hate yourself at that weight #your mental state and your thought processes are like stained glass and they will colour whatever reality is in front of you #♡alizeh talks♡

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cantagirldrawinpeace · 2 months

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More art of my girlfriend Eustass Kid (I hate him 💖)

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hephaestuscrew · 10 months

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"With a goddamn harpoon": The significance of Minkowski's weapon of choice within the narrative and characterisation of Wolf 359

TL;DR: Despite its initial comic role, the harpoon becomes a important symbol of Minkowski as a character; it is particularly associated with her desperate need for control, her desire to keep her crew safe, her stubborn determination, and her occasional unpredictability. These associations add to the narrative significance when Minkowski kills Cutter with the harpoon.

[Tagging people who said they wanted to be tagged: @browncoatparadox @captain-lovelace @goblincaveofvibes ]

~~~

Ep21 Minkowski Commanding

First appearance

We first encounter the harpoon in Minkowski Commanding, which is a significant episode for Minkowski's characterisation because it's the first big departure from Eiffel's point-of-view into Minkowski's. It's arguably the most Minkowski-centred episode in the whole show, so it stands out when we think about her as a character.

EIFFEL (over comm) Um, Minkowski? Why is the armory wide open, and also, apparently, robbed? Where's the tactical knives kit? MINKOWSKI Don't worry. I've got that. EIFFEL Oh. And the M4 carbine? The, like, really-dangerous-in-space, select-fire M4 carbine? MINKOWSKI Yeah, I've got that too. EIFFEL And this empty rack I'm looking at right now with a label that says "harpoon" suggests that... MINKOWSKI Yes. I have it, Eiffel.

The harpoon is introduced as part of a list of over-the-top weapons that Minkowski takes on her plant-monster-hunting mission. It's initially just a funny moment to emphasise how seriously she's taking this mission. The weapons arguably increase in unlikeliness as Eiffel lists them, and it's a comic image to think of Eiffel deducing the situation from the empty rack labeled 'harpoon'. It could have been an entirely throw-away joke that was never brought up again. The M4 carbine never comes up again. The tactical knives kit is mentioned in Knock, Knock, but not in a plot-significant or symbolic way.

'Goddamn harpoon' speech

So why does the harpoon become such an iconic part of Minkowski's brand (and I'm pretty certain it was seen as significant by fans long before the finale)? It's got to be because of the next time it's mentioned, when Minkowski talks to the plant monster in the same episode:

MINKOWSKI (getting psyched up) You wanna play with me, huh? You wanna run rings around me? The joyless, boring, predictable old Minkowski? She can't stop you, right? Not someone as smart and powerful as you. You've got her pegged. Good. Get complacent. Get smug. That's right when you'll find me waiting for you. With a goddamn harpoon.

There's so much to say about this speech and what it reveals her character. For one thing, it's all projection - we have no real indication of what (if anything) the plant monster thinks of Minkowski. We don't even really know how much understanding it has when listening to her talk. She imagines that this silent adversary would call her "joyless, boring, predictable". I suspect that these are all things that she's been called a fair bit in the past. (To be honest, I wouldn't be surprised if they are all things that Eiffel called her at one point.)

But the harpoon is proof against - if not the accusation of joylessness - the idea that Minkowski is boring and predictable. Boring and predictable people don't opt for a harpoon for fighting on a spaceship when plenty of more conventional weapons available. A harpoon is unexpected, and there's a kind of power in that.

Another interesting thing about that speech is that the whole thing would make at least as much sense - if not more - if it was directed at Cutter. In Sarah Shachat's episode commentary on Minkowski Commanding (part of the bonus material available to buy here), she says that Minkowski "is really speaking to Cutter in this moment". It's made clear that Minkowski's behaviour in Minkowski Commanding is not just about the plant monster itself. She tells Eiffel, "I have to take it seriously! If I can eliminate one threat, just one, then we are that much closer to going home!"

The specifics of the plant monster's location, abilities, and origin are mysterious, but - unlike many of the other forces threatening the safety of Minkowski's crew - it is at least tangible and harpoon-able and not light years away. Hunting the plant monster is a way for Minkowski to assert control when so much is outside of her control. It's an attempt to demonstrate that she is - as she puts it - "in charge of this disaster". Minkowski treats the plant monster as a physical symbol of all the threats her crew are facing, and so the harpoon becomes a physical symbol of her fierce (if sometimes misguided) determination to take control of the situation and fight back against those threats to protect her crew.

The line "you'll find me waiting for you. With a goddamn harpoon" is one that sticks in the mind, especially since - with one notable exception - 'goddamn' is about as potent as swearwords get on this show. And it's the harpoon that she uses to give specificity to the threat.

Absurdity

A harpoon is powerful and threatening, which is exactly what Minkowski is trying to convey to the plant monster, but in this context - not only on dry land but on a spaceship - it's also kind of absurd. From the way we hear it fire in the finale, we can tell that it's more like a speargun than a hand-thrown harpoon spear, but it's still an out-of-place weapon for space-based combat. Minkowski's already been shown to have a penchant for archaic weaponry, after her drunken enthusiasm over the cannon during the talent show incident, which is largely played for laughs. Similarly, in the episode commentary for Minkowski Commanding, Sarah Shachat says that the harpoon was introduced mostly just because it was funny; "[including a harpoon] was me sort of embracing the Moby Dick of it all. And I had no idea at the time how much importance that silly harpoon would take on."

Eiffel makes a Moby Dick reference himself ("10 days of Captain Ahab's Space Walkabout"). I haven't read Moby Dick so I can't properly analyse the significance of this reference, but the initial prominence of the harpoon (traditionally a whaling tool) enables that connection. It feels like a good example of the classic Wolf 359 thing where something comedic has the potential to take on a deeper significance. It conjures an image of Minkowski as a Captain with the potential to be consumed by a single-minded mission to destroy... A potential that she resists in the conclusion to Minkowski Commanding when she chooses to leave the plant monster alone. The harpoon also fits with the sprinkling of nautical imagery and language in Wolf 359 (e.g. the repeated use of the word 'boat'), as well as the retro-futuristic feel of the Hephaestus.

We never learn why there's a harpoon on the Hephaestus. It seems like yet another of those bizarre unexplained quirks of the station, like the items in the storage room where Eiffel finds Box 953. Even when the weird mysterious features of the Hephaestus are depicted in a comedic way, these features are still a demonstration of the fact that the characters are in an environment that they don't understand and that their surroundings have been shaped according to the whims of Command.

I think we can assume none of the members of the Hephaestus crew brought a harpoon up with them. For whatever reason, someone at Goddard Futuristics must have decided to put a harpoon in that armory. Like most things in the crew's lives, the harpoon is owned by Goddard Futuristics. So the way Minkowski uses the harpoon could be seen as an instance of reclaiming something from Goddard and their control over her surroundings (in a similar way to how her crew are able to utilise the maze-like structure of the Hephaestus to their advantage when hiding first from the SI-5 and later from Cutter and the crew of the Sol).

Other mentions of the harpoon

The harpoon doesn't actually make another physical appearance until the finale, when it truly comes into its own. But there are a couple of little hints before then that it has become a part of Minkowski's brand amongst the other characters as well as to the listeners. These mentions remind the listener about the harpoon, so we don't forget about it before its big comeback in the finale.

Ep27 Knock, Knock

EIFFEL [to Minkowski] Like getting rid of all the weapons, for a start. We should gather up all the guns, the tactical knives, your harpoon. Put it all in the arms locker, seal that sucker up, and put the key in one of Hera's service canisters.

In this quote, Eiffel refers to it as "your harpoon" - the only weapon he ascribes ownership to here. He sees it as something she's laid claim to. He also thinks the harpoon is worth mentioning specifically, which suggests that he thinks that Minkowski would reach for it first if she was feeling particularly violent. This reinforces the idea that the harpoon has become a symbol of Minkowski's character. This connection is also strengthened by the fact that the harpoon is also never mentioned in relation to anyone other than Minkowski using it.

Ep45 Desperate Measures

LOVELACE [to Kepler] Yeah, right. Nobody knows this station like Alexander Hilbert. He knows every nook, cranny, hidden room - everything. And as back up he's got the only woman's who's ever turned outer space monster hunting into a recreational sport. You'll never see them coming... until all of a sudden there's a harpoon in your face, and you end up on the operating table of the finest medical sadist that Goddard Futuristics ever produced.

Lovelace mentions the harpoon and specifically refers to Minkowski's plant-hunting exploits, even though she didn't witness them. So we know that someone has told her that story. And what she's taken away from hearing the story is an emphasis on Minkowski's harpoon and an admiration for her determination. I don't think Minkowski was the one to tell Lovelace about her plant-monster-hunting mission, because I don't think she's necessarily proud of it. I suspect it was Eiffel who told her - he's the most natural storyteller of the group. In Mutually Assured Destruction, soon after meeting Lovelace for the first time, he says "Nobody's told you about the Plant Monster yet? So, funny story..." And I believe Eiffel would have told the story of Minkowski's plant monster hunt in a way that conveyed both the ridiculousness of her behaviour but also a kind of awe at her boldness and persistence.

The tone of "all of a sudden there's a harpoon in your face" is pretty similar to "That's right when you'll find me waiting for you. With a goddamn harpoon". Once again, the harpoon is portrayed as something that the Hephaestus crew's adversary won't expect, something that will play a key role in that adversary's defeat. You might almost think something was being foreshadowed here…

Characterisation through Weaponry

When we think of the harpoon as a symbol of Minkowski as a character, it seems worth drawing a comparison with the only other Wolf 359 character who I think has a form of weaponry as a big part of their brand: Jacobi and his explosives. While a harpoon certainly has a lot of potential for violence (a potential which Minkowski utilises), it is targeted and intentional in a way that bombs don't tend to be. It's harder to have collateral damage with a harpoon, and I think that reflects a difference between Minkowski and Jacobi's approach to conflict.

A harpoon isn't really designed for combat - it's for hunting whales and other marine animals. It feels significant that Minkowski's key weapon of choice - the one she threatens the plant monster with and kills Cutter with - isn't the weapon of a soldier. She took an assault rifle with her to hunt the plant monster, but that wasn't the weapon she held onto. She's not a natural soldier, even if she'd sometimes like to think she is.

Maxwell's Death

When Minkowski kills Maxwell, it's with a gun, not a harpoon. She's trying to be a soldier there. She's trying to do what she has to. I don't know much about how a harpoon is fired, but I've a feeling that there's less uncertainty about whether a harpoon was fired deliberately than a gun; the ambiguity around Minkowski's agency in Maxwell's death is a key part of the story that wouldn't work with a harpoon. But perhaps more importantly, I don't think there's meant to be a sense of victory or relief in Maxwell's death, unlike Cutter's. The harpoon - as a weapon that has become strongly identified with Minkowski as a character - is saved for moments when Minkowski is asserting her power in an active way that she isn't conflicted about.

Ep61 Brave New World

About a third of the way into the finale, there's another indirect mention of the harpoon:

RACHEL Y-yes, sir… Umm, we also picked up some chatter on their weaponry supplies… Firearms, explosives, something about a harpoon…

This is a nice little reference which reminds the listener of the harpoon in anticipation of its big moment later on in this episode, while once again playing with its incongruity in a list of more typical combat weapons. Given that Minkowski and co. have guessed that they are being listened in on here, their choice to talk about the harpoon might be seen as their way of having a bit of fun, or it might be seen as their way to imply the same threat that Minkowski made to the plant monster. Cutter had warning, but he didn't heed it.

Which brings us, of course, to the harpoon's most significant moment:

Cutter frowns. Then he hears it: CLA-CLUNK! His eyes widen. MINKOWSKI Let's see you catch this. FWUUUMP! An ENORMOUS THING IS SHOT. A moment later, Cutter COLLIDES AGAINST THE WALL, IMPALED. MR. CUTTER ... a... harpoon? That's not... how this is... supposed... to... He struggles for a few more moments...and then he stops.

This scene is a classic instance of Wolf 359 utilizing the audio medium to leave a significant element of the situation unknown to the listener until the right moment. We don't know that Minkowski is carrying the harpoon. We don't know that she's readying it as Lovelace talks. When we hear something fire, there's a moment where a listener might or might not have realised exactly what just fired. It's Cutter who delivers the glorious revelation. It gives the moment an additional burst of triumph that Cutter's final words are an expression of shock, not just that he has been defeated but at the weapon with which the killing blow was struck.

Human unpredictability

It's not just that Minkowski kills Cutter with a harpoon; it's also that she wouldn't have been able to kill him without it. He can catch bullets after all, so Minkowski and Lovelace's guns are basically useless. Cutter thinks he's therefore invincible, but he hasn't accounted for the possibility that Minkowski might have a less conventional weapon on hand, one which fires larger projectiles that he can't catch so easily. The fact that she's carrying an unexpected weapon - a weapon that might have seemed ridiculous - is what allows her to defeat Cutter and therefore to survive.

It's a repeated theme in Wolf 359 that the protagonists' strength is not that they are the most powerful or they behave in the most logical ways, but that they are complicated and human and unpredictable and very much themselves - all of the things that Cutter and Pryce don't want in their 'ideal humanity'. When Minkowski kills Cutter with the harpoon, it's a victory for human unpredictability and individual idiosyncrasies.

Making good on her promise

Thinking back to Minkowski Commanding, we can see that the threat Minkowski made to the plant monster absolutely came true with Cutter. He got complacent. He got smug. (I'd argue that smugness has always been one of his key attributes.) And he found her waiting for him, with a goddamn harpoon. The return of the harpoon for this moment suggests the defeat of Cutter is a culmination of some of the motivations and traits that Minkowski showed when hunting the plant monster, now channeled in a more suitable direction. She continued trying to get them "that much closer to going home". Her - sometimes absurd - determination provides a throughline from an episode that was mostly comedic (Minkowski Commanding) to a dramatic emotionally powerful finale. As Sarah Shachat put it in her audio commentary, Minkowski "makes good on her promise [that she makes in her harpoon speech in Minkowski Commanding]. That's why she's a hero."

It's significant that Cutter dies from an unlikely weapon that is so strongly identified with Minkowski. It makes that moment feel like truly hers (although she is of course right that she couldn't have done it without Lovelace - that's called being part of a crew).

As the Commander, it feels apt that Minkowski is the one to kill the long-standing 'big bad'. Pryce is arguably the same level of antagonist as Cutter, but he's the one that we've been aware of since we became aware of larger sinister forces at work in this narrative.

And if Minkowski has a personal nemesis, it's Cutter. He's the one who recruited her into the hellscape that is the Hephaestus. He played on her ambitions to get her where he wanted her. She trusted him the way she trusted the official chain of authority at the start of the mission. And that trust was extremely misplaced.

The significance of Minkowski being the one to kill Cutter is highlighted by the fact that she kills him with a weapon that only she uses, a weapon that links us back to her behaviour 40 episodes earlier. The sense of control that she was desperately seeking in Minkowski Commanding might not be completely within her grasp by the end of the finale, but she's reclaimed a piece of it by defeating the man who has been exerting control over her life for so long. And she did it with that goddamn harpoon.

#It's harpoon time!!#Honestly I think there's probably still lots more to say #but this is plenty to be getting on with #Feel free to share your own thoughts #Wolf 359 #w359 #Renée Minkowski #The stuff about human unpredictability was inspired a lot by conversations with my friend @commsroom #so she'd be in my bibliography if I had one #Something that didn't really fit in here but feels relevant is the way that fans #(particularly podcast fans who don't have canon appearances to go off)#will use certain characteristics/ objects/ clothing choices to make a character identifiable in art #Like if I see art of a Wolf 359 character with some combination of cigarette/ headphones/ Star Wars t-shirt #I know it's Eiffel even if it doesn't look like my mental idea of him #And the harpoon is definitely part of that shorthand for Minkowski #because no one else would have it #so lots of Minkowski art features the harpoon #which strengthens the associations that I'm talking about in this post #And that's interesting to me #because it's an unintended way in which fandom has the potential to influence how people perceive a character #but I think in this case it just adds further value to things that are already implied in canon #Renee Minkowski #Commander Minkowski #w359 spoilers #wolf 359 spoilers #the empty man posteth

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