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#now sPEAKING OF MERITS
coconut530 · 10 months
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unguidedhand · 1 year
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ive been seeing a lot of posts about how martyn isnt and never was loyal or trust worthy and (while i cant speak for other seasons) i have to say, in my opinion:
i dont think martyn betrayed scott in limited life. at all.
more than once this season, scott made it very clear that he didnt mind dying or being killed-- on his own terms. and thats the important part! he asked martyn to kill him once because he was tired of running from the inevitable and he wanted the time to at least go to his closest ally.
it wasnt being killed for time that he had a problem with, it was having the time taken against his will.
he literally said "my own mean gill- and i wouldnt have had it any other way" because you know what the other option was? winning. dying to the narrative. to the watchers. whether by their timer or by a /kill command.
do you really think thats what he wanted? no. winning once was an act of spite and defiance, but winning again would just be playing along with their games.
martyn took scott out on their own terms. he wasnt betraying scott as much as he was just ending the game.
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aeide-thea · 8 months
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so i went to reblog some fanart earlier and started to tag it #oh this is. incredible actually, and then paused and thought, @‍self why the 'actually.' what is that adverb conveying. and i contemplated it for a bit, and finally concluded: well, shit. it's reflexive deprecation.
the thing is, deprecation is my starting position pretty much always, and that's a problem in itself, but mostly my problem; but when you're talking abt somebody else's work, and you start backing defensively away from imagined negativity before anyone's even actually voiced any? you may think you're playing bodyguard, but in reality you're the vanguard of the assault, opening a wedge for enemy forces to strike.
i was talking a couple of weeks ago abt seeing ppl tag that kristin sue lucas name-multiplied-by-one post with tags like 'this is art To Me' vel sim., and honestly i think it's a similar sort of reflex—i think exposure to the tumblr vernacular often leads people (very much including me!) to produce turns of phrase like this, that ultimately serve to convey roughly
'i, a clever girlblogger,¹ am, yeah, engaging with this frivolous hai pollai²-coded material; but my relationship to it, unlike that of most she-ple, is Intellectual and Analytical and Examined! and to make that clear, i'll be dropping in these little verbal particles from time to time, in order to distinguish my own, elevated examination of the subject from the state of risible naivete³ i'm implicitly ascribing to the other, more ordinary audience members i'm conjuring up only to instantly put down—but like, it's fine, i'm a free-and-easy girlblogger(TM), so you can't think i'd ever deliberately propagate establishmentarian prejudices! never mind the effect my rhetoric might subconsciously be having, on me or on anyone else…'
and i think this framing is worth squinting at, and worth attempting to excise from one's speech and from one's mindset, because when you get right down to it? it's just yet another insidious manifestation of respectability politics, that's gotten people to adopt it via the cuckoo-chick strategy of positioning itself as cutesy tumblr idiolect.
and like, circling back around to that fanart i mentioned at the outset: yeah, the tag did feel weirdly prosodically truncated to me without that 'actually'! but this way, if the artist ends up seeing my discussion of their work in their notes, they won't be getting slapped in the face with a wet dead fish first, so like. what's more important, you know?
⸻ ¹ ""(gender neutral)"" ² https://en.wikipedia.org/wiki/Hoi_polloi in the feminine, if i haven't totally fumbled my declensions… ³ phrasing nicked from a comment of @‍proudheron's.
#anyway like. this for sure isn't the definitive post abt this#and really what i'm getting at is just another facet of 'self-deprecation isn't usually actually separable from disparaging others'#but i do think there's a particular subtle flavor of it here that's worth sticking under the microscope in its own right#for those of us who may have breathed it in without noticing‚ and now be spreading it‚ again without noticing‚ in our turn#i mean. obvs also extremely possible i just *think* i've put my finger on something important bc it's late!#but like. imagine tagging‚ idk‚ the winged victory or sth with 'this is art. to me'#it would be SUCH a weird rhetorical move! but consider: it's *always* a weird rhetorical move‚ actually.#bc fundamentally it's a speech pattern that's seeking affirmation of yr own taste/authority/status as Critic#at the expense of the thing you've evaluated—#like‚ you're going 'i think this is neat!! (but that might just be me 😔)'#and then other girlbloggers are supposed to be like 'yeah no i totally see what you mean!!!' and affirm you! but the thing is—#the '(but that might just be me 😔)' part doesn't just undercut yr discernment‚ it undercuts the praise *predicated* on yr discernment#so it's like. you're dissing yourself in a way that's supposed to earn you affirmation‚ which. is fucked up actually‚ lol :)#but—it's one thing when you do it to yourself; when you incorporate it into the foundations of yr compliment#you've actually totally undermined that compliment and rendered it an insult#(not to mention undermined the idea that the thing might have merit in itself‚ beyond yr authority to bestow or withhold—#like. if you're speaking in terms of what's good/deep/Art/&c To You? you've effectively already ceded the main field of universality#and retreated to defend only yr own walled garden—and implied you'll cede even that small ground if it's disputed)#so like. in the context of yr social relationship with yr followers‚ those sorts of qualifiers are affirmation-seeking moves—#though like. also ones that reinforce yr rhetorical passive-victim positionality‚ in a way you shd perhaps consider *not* reinforcing—#but in the context of yr interaction with an OP? they're negging.#and i just think like. i get it and i'm @-ing myself here as much as anyone else! but it's not‚ like‚ a healed-world way to behave. lol.#so like. consider: tagging things 'art' without the cutesy little qualifiers. praising things without the hedging.#i'm not at all good at that but. i'm going to try.#metatumbling#language#the psyche#'close readings no one needed for 300‚ alex'#(extremely tempted to just scrap this writeup tbh but like. the thinking was worth doing‚ so a record of it is worth keeping)
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unproduciblesmackdown · 10 months
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mused on some thesis about how billions uses Indignity to illustrate that something someone does has failed / gone wrong in one way or another, and how the way this punishment is an Emotional one means that it can't land if the character just doesn't Feel that punished by it, or at least doesn't like attribute the supposed failure to something inherent enough to them to particularly stew on it, see for example people heightening/escalating their efforts to embarass someone if even that person doesn't Seem to sufficiently externally react in embarassment. winston able to truck along while (a) consciously crafting or maintaining some persona, of eternal and irrefutable dignity or whatever else is associated with "merit"/status, isn't much of a priority, when to him his skills speak for themself even though to others this is about their own merit in recognizing independently if winston's skills Happen to have use, and putting him down if he tries to speak to that anyways, and (b) he's also just able to move along from L's handed to him, whether he thinks it was warranted (like that he'll accept it doesn't count if he only thought it but didn't say it) or not (why can't you count to loyalty), when even if this resilience To How Others Treat Him isn't exactly peak realistic, that he thinks of himself in such a way that he doesn't need to be striving for some paramount official status, or think he's defined by never failing or indeed never possibly able to be seen within a "wow undignified / embarassing" framework so long as this winningness is recognized, or so long as anything is anything, is sure feasible enough.
but anyways thought about it like this thesis is just "i am cringe but i am free" like yeah that works
#winston billions#just lifelong recognition that like the [the way they are means they generate comedy] type like peripheral characters are the ones like#yeah of course That's who's relatable; never the like supposedly aspirational and/or peak relatable central/main characters#and that can extend easily enough to the [basically just a running joke] Outlier Single Weirdo Always Just Doing Their Own Thing#like boy we all know people like that huh eyesrollingemoji like yeah. we sure do lol#but also like I Love You any time smthing using comedy is like; look: Everyone is funny & ''weird'' & ''uncool'' & ''doing things wrong''#like yeah they and we are lol#billions is creating what we Get to see or hear of in the first place / what info we get; how a character is shown to us....#and boy it just so happens that the characters who aren't epic enough to be brought further into the center of things#also just so happen to inadvertently or advertently Spontaneously share more info abt themselves for ppl to have negative reactions to#while we may be ''surprised'' that axe sucks b/c huh wasn't he so externally epic seeming???? like on what planet; first of all....#meanwhile winston is not here to be like as ambitious as possible & is more like. sometimes he'll play around; since he's here....#but this joie de vivre spontaneity is never Cool(tm) of him & maybe he'd be Cooler if he was like (scrolling) ''beneath me; beneath me...''#(he would not be lol. he's not allowed; fundamentally! it's not Merit in there or out here. nobody has a Deserved greater Air of Dignity)#(but he's getting to have a bit more fun now and then; he'd be punished for his inherent inferiority anyways. and even if like#basically his continuing to be present; continuing to choose to do shit; unacceptably flies in the face of the theory that someone's#inherent superiority will just Make It So that inferior ppl are shunted out of their way or w/e; means that ppl lash out about that by at#least trying to momentarily take Whatever away from him: positive emotional motivation; space to speak unpunished much less be listened to;#space to guaranteed have a Presence unpunished &/or unignored....like well that's the tradeoff to that versus if he tried going for the#tradeoff of much lower highs on average and maybe slightly higher lows on average. not up to You The Individual to simply ''correctly''#strategize your way out of anyways. e.g. rian has to Choose to treat him with basic respect for his being a person. or someone else has to#Choose to intervene in such a way that lends enough support to winston / thwarts the means with which rian can torment him.)#and in the meantime he apparently can only be peripheral & [funny; little] b/c his Dignity is low stakes. no Arc to ''restore'' it in eithe#anyone else's eyes or much more usually the character's own perception of themself. winston will just be like eh yeah i suck then lol#(when like basically the way He Sucks that ppl give him shit for = his being autistic like ofc he can only roll with / ''accept'' that)#and then he can go whee yippee wahoo & have a blood orange flavored doughnut & ppl can go my god if i were him i'd die#mafee i guess exemplifying this too. Generally able to scuff his foot on the ground like aw gee :( yeah i effed up cringefail style huh#and then move on without it really being much of a whole damn thing. even though it's also Often abt taylor likewise being the one like#[head in hands over mafee fucking up having the collateral or direct damage for them] but they're not here to be fueled by grudges#& ofc this all being Perspective; everyone in billions Is cringefailing lol; but not everyone gets continual [joke at their expense] for it
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beeapocalypse · 2 years
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every single person who blazes a post trying to pitch their work here goes about it in such a goddamn annoying way. stop comparing it to other pieces of media and tell me what it is actually about
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cryolyst · 5 months
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~
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lastoneout · 4 months
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Saw a post talking about this and didn't want to derail it, but like, honestly, at this point, I'm becoming less and less tolerant of people acting like straight/cis passing privilege is a real, very serious thing that needs to be taken into consideration every time someone speaks on queer issues bcs I swear to god the only time I ever see it actually brought up is when someone is trying to deny someone else a seat at the table. Like first it was used against bi+ people to explain why we're not queer unless we're in a same gender relationship, and then it was used to shit all over ace and aro people for not being "visibly queer", then they turned on nonbinary people who "look cis", and now I see people throwing it at trans men for some reason like???? This is legit becoming an exclusionist dogwhistle to me. Any merit to this concept is completely obliterated by assholes who are so addicted to playing oppression olympics they're meticulously crafting pokemon type advantage charts to categorize all the gays based on who actually has "real" problems and who doesn't, it's agonizing.
Like putting "straight/cis passing privilege" up on the shelf next to "comphet" until people can learn how to use it in a way that doesn't invalidate someone else's queerness.
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iwanthermidnightz · 10 months
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When I think back on the Speak Now album, I get a lump in my throat. I have a feeling it will always be that way, because this period of time was so vibrantly aglow with the last light of the setting sun of my childhood. I made this album, completely self-written, between the ages of 18 and 20. I've spoken about how I feel like those ages are the most emotionally turbulent ones in a persons life. Maybe when I say that, I'm really just talking about myself.
I think they might just be the most idealistic, hopeful years too. At this point in my life, I had released my second album, Fearless. It became the breakthrough moment I'd always dreamt of, one that catapulted my career to new realms of success. It had brought with it a tidal wave of pressures and pitfalls and growing pains. All the while, I was encountering the milestones and checkpoints of normal teenage growth. I had cataclysmic crushes and brushes with heartache. I moved out of my parents' house and set my bags down in a new apartment. I hung photos on my own walls and decorated the space where I would sob and cackle and shatter and dream. Sometimes I felt like a grown up, but a lot of the time I just wanted to time travel back to my childhood bed, where my mom would read stories to me until I fell asleep.
In my darker moments, I was tormented by the doubt that swirled loudly around my ascent and my merits as an artist. I was trying to create a follow up to the most awarded country album in history, while staring directly into the face of intense criticism. I had been widely and publicly slammed for my singing voice and was first encountering the infuriating question that is unfortunately still lobbed at me to this day: does she really write her songs? Spoiler alert: I really, really do.
In the years since, I've developed a thicker skin about public criticism and the cynicism with which some people approach the music I make. At that time, it leveled me. I had these voices in my head telling me that I had the perfect chance and I blew it. I hadn’t been good enough. I had given it all I had and been found wanting.
I wanted to get better, to challenge myself, and to build on my skills as a writer, an artist, and a performer. I didn't want to just be handed respect and acceptance in my field. I wanted to earn it. To try and confront these demons, I underwent extensive vocal training and made a decision that would completely define this album: I decided I would write it entirely on my own. I figured, they couldn't give all the credit to my cowriters if there weren't any. But that posed a new challenge: It really had to be good. If it wasn't, I would be proving my critics right.
I had no idea how much this pain would shape me. That this was the beginning of my series of creative choices made by reacting to setbacks with defiance. That my stubbornness in the face of doubters and dissenters would become my coping mechanism through my entire career from that point forward. This exact pattern of enacting my own form of rebellion when I feel broken is exactly why you're reading these very words, and I'm re-releasing this album now.
I went through my first worldwide scandal (the mic grab seen around the world). I experienced the weirdness of trying to get to know a boy while a swarm of paparazzi surrounds the car. Media contacting my publicist for an official statement on why two teenagers broke up. These are weird experiences to have at any age, but even more surreal when you're 19.
I had the nagging sense that in the most intense moments of my life, I had frozen. I had said nothing publicly. I still don't know if it was out of instinct, not wanting to seem impolite, or just overwhelming fear. But I made sure to say it all in these songs. I decided to call the album Speak Now. It was a play on the speak now or forever hold your peace' moment in weddings, but for me it symbolized a chance to respond to the chatter and commentary around my own life.
Some of these emotional revelations were surprising to people. Some expected anger and instead got compassion and empathy with 'Innocent'. Some expected a kiss-off breakup song but instead got a hand-on-heart apology, 'Back to December. It was an album that was the most precious to me because of its vast extremes. It was unfiltered and potent. In my mind, the saddest song I've ever written is 'Last Kiss'. My most scathing is 'Dear John' and my most wistfully romantic is 'Enchanted'.
I'll be forever proud of setting a goal and seeing it through. I'lI always feel shivers all over when I remember singing 'Long Live' to close the show every night on tour. The outstretched hands of those bright and beautiful faces of the fans. Their support was like an open palm that reached out and helped me up off the ground when others were, frankly, mean.
These days I make my choices for those people, the ones who thought I had been good enough all along. I try to speak my mind when I feel strongly, in the moment I feel it. I'm still idealistic and earnest about the music I make, but I'm less crushed when people mock me for it. I know now that one of the bravest things a person can do is create something with unblinking sincerity, to put it all on the line. I still sometimes wish I was a little kid again in a tiny bed, before I ever grew up.
I always looked at this album as my album, and the lump in my throat expands to a quivering voice as I say this. Thanks to you, dear reader, it finally will be.
I consider this music to be, along with your faith in me, the best thing that's ever been mine.
Yours,
Taylor
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hvly · 2 years
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to the anons that sent me dream asks, i don’t mean to be rude but i have no interest in continuing this conversation. i said my piece and there’s really nothing else i could contribute so 🫡
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end-fall · 2 years
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I'm tired of bitter people! I'm tired of popular humor just people being mean and making fun of things! I'm tired of everything being about horrible people doing horrible things and then expecting me to care about their shitty characters!
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pjotvshownews · 2 years
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Rick Riordan’s response to the racism and hatred directed at Leah after she was cast as Annabeth:
“Leah Jeffries is Annabeth Chase”
“This post is specifically for those who have a problem with the casting of Leah Jeffries as Annabeth Chase. It’s a shame such posts need to be written, but they do. First, let me be clear I am speaking here only for myself. These thoughts are mine alone. They do not necessarily reflect or represent the opinions of any part of Disney, the TV show, the production team, or the Jeffries family.
The response to the casting of Leah has been overwhelmingly positive and joyous, as it should be. Leah brings so much energy and enthusiasm to this role, so much of Annabeth’s strength. She will be a role model for new generations of girls who will see in her the kind hero they want to be.
If you have a problem with this casting, however, take it up with me. You have no one else to blame. Whatever else you take from this post, we should be able to agree that bullying and harassing a child online is inexcusably wrong. As strong as Leah is, as much as we have discussed the potential for this kind of reaction and the intense pressure this role will bring, the negative comments she has received online are out of line. They need to stop. Now.
I was quite clear a year ago, when we announced our first open casting, that we would be following Disney’s company policy on nondiscrimination: We are committed to diverse, inclusive casting. For every role, please submit qualified performers, without regard to disability, gender, race and ethnicity, age, color, national origin, sexual orientation, gender identity or any other basis prohibited by law. We did that. The casting process was long, intense, massive and exhaustive.
I have been clear, as the author, that I was looking for the best actors to inhabit and bring to life the personalities of these characters, and that physical appearance was secondary for me. We did that.  We took a year to do this process thoroughly and find the best of the best. This trio is the best. Leah Jeffries is Annabeth Chase.
Some of you have apparently felt offended or exasperated when your objections are called out online as racist. “But I am not racist,” you say. “It is not racist to want an actor who is accurate to the book’s description of the character!”
Let’s examine that statement.
You are upset/disappointed/frustrated/angry because a Black actor has been cast to play a character who was described as white in the books. “She doesn’t look the way I always imagined.”
You either are not aware, or have dismissed, Leah’s years of hard work honing her craft, her talent, her tenacity, her focus, her screen presence. You refuse to believe her selection could have been based on merit. Without having seen her play the part, you have pre-judged her (pre + judge = prejudice) and decided she must have been hired simply to fill a quota or tick a diversity box. And by the way, these criticisms have come from across the political spectrum, right and left.
You have decided that I couldn’t possibly mean what I have always said: That the true nature of the character lies in their personality. You feel I must have been coerced, brainwashed, bribed, threatened, whatever, or I as a white male author never would have chosen a Black actor for the part of this canonically white girl.
You refuse to believe me, the guy who wrote the books and created these characters, when I say that these actors are perfect for the roles because of the talent they bring and the way they used their auditions to expand, improve and electrify the lines they were given. Once you see Leah as Annabeth, she will become exactly the way you imagine Annabeth, assuming you give her that chance, but you refuse to credit that this may be true.
You are judging her appropriateness for this role solely and exclusively on how she looks. She is a Black girl playing someone who was described in the books as white.
Friends, that is racism.
And before you resort to the old kneejerk reaction — “I am not racist!” — let’s examine that statement too.
If I may quote from an excellent recent article in the Boston Globe about Dr. Khama Ennis, who created a program on implicit bias for the Massachusetts Board of Registration for Medicine in Boston: “To say a person doesn’t have bias is to say that person isn’t human. It’s how we navigate the world … based on what we’re taught and our own personal histories.”
Racism/colorism isn’t something we have or don’t have. I have it. You have it. We all do. And not just white people like me. All people. It’s either something we recognize and try to work on, or it’s something we deny. Saying “I am not racist!” is simply declaring that you deny your own biases and refuse to work on them.
The core message of Percy Jackson has always been that difference is strength. There is power in plurality. The things that distinguish us from one another are often our marks of individual greatness. You should never judge someone by how well they fit your preconceived notions. That neurodivergent kid who has failed out of six schools, for instance, may well be the son of Poseidon. Anyone can be a hero.
If you don’t get that, if you’re still upset about the casting of this marvelous trio, then it doesn’t matter how many times you have read the books. You didn’t learn anything from them.
Watch the show or don’t. That’s your call. But this will be an adaptation that I am proud of, and which fully honors the spirit of Percy Jackson and the Olympians, taking the bedtime story I told my son twenty years ago to make him feel better about being neurodivergent, and improving on it so that kids all over the world can continue to see themselves as heroes at Camp Half-Blood.”
(x)
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inkskinned · 1 year
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oh you know it's all latestage capitalism but the thing is. how are you supposed to be a person inside of this. a person trying to be a better version of yourself.
oh, you started working young, which was kind of hard, but it's just the way stuff works sometimes. and it was 2008 and your family couldn't afford heat. but it's fine, you grow a spine and get used to the professional world and besides it was the suburbs we're talking about here, like, your life could have been actually hard, so what if your father lost his job and you can't afford to move or turn the lights back on. and once you start making money, it's good. you keep doing that. because now they're relying on you. so you have to do that.
oh you were in thousands of dollars of debt at 17 years old so that you could go to school, because you have to go to school if you want to get a "real" job. you even did it "right", you worked parttime and attended community college before you transferred to a public school. you were under so many merit scholarships.
which is fine. you pick yourself up and you say like, okay. i graduated college. i'm holding down a job. i'm doing the Adult Thing, which looks and acts like this, according to all the books i've read. you start with the shitty job and then you climb that corporate ladder.
but the shitty job doesn't cover rent and you stretch yourself too-thin so you get sick. good luck with that. the shitty job no longer pays for your meals. everyone asks why you don't just move, but there's nowhere to move to. and with what money are you going to be moving? and then the loans come back, because they were never going to forgive them, because you were 17 and trying to do the right thing, which was stupid. people are now saying you shouldn't have even gone to school.
which is fine. but because you have no other option, so you do the shitty job, and you apply every day for like 5 new ones, and despite the fact everyone says "there's no one who wants to work!" it's actually just that nobody is fucking hiring so you can either work for 13 dollars an hour in the shitty place you know (where at least you have a passingly friendly relationship with the manager) or you can start from scratch again with a different 13 dollars an hour without knowing how much abuse from the new job you'll be taking.
and if you quit you lose your insurance. if you quit you lose your housing. if you quit, you'll be another burnout kid. the lazy ones. these assholes, look at them!
and you come home to a family dinner and you hear from your father the same old thing. how he worked hard at his job and yes it sucked for a while but he was able to provide for the family and then the house and the dog and the rest of barbie's dream vacation. how the insurance did cover some of it. how you just really need to start speaking up more in manager conversations so they know you're a go-getter. you want to tell him - did you know we're actually doing more now hourly than any previous generation? - but you can't remember where you heard that statistic, and you're far too tired for the fucking argument. and then he starts in on his usual bit. where's the house? where's your kids? where's your ambition.
the same job the same money the same hours doesn't do it anymore. the same nose-to-the-grindstone now just shreds your face off. there's no such thing as upwards mobility, not really. and as far as you're aware, the money certainly is not trickling. you do the soulless stupid shit you signed up for because you fucking have to or else you literally risk your life (food, the apartment, the insurance), but it's not getting you anything. you download the stupid "save more" app and you budget and you do every right thing and then the price of eggs is 7 dollars and you say - oh great! another thing i have to fucking worry about now!
and you go to your stupid job and everyone in your father's generation just tells you to be better about being an adult. they have their homes and their savings account and their bailout and they say. well have you tried not drinking starbucks. well your generation just spends too much on clothing. well you might just be too addicted to travelling. and you - because you need the job - you bite your tongue and don't say i am being held prisoner and you're suggesting i stop pacing my cell if i don't like the scenery and you don't say what the fuck do you think i've been doing with my money and you don't say i haven't spent a cent on something nice in literally forever much less coffee you arrogant asshole. you open and close your bank app and check your loans and check your credit score and check fucking zillow and ziprecruiter and apartments.com just one time more. and still they give you that demeaning little grin and say - see, what you need is -
what you need is for your meds to stop being so fucking expensive. what you need is for the housing bubble to explode into dust. what you need is for billionaires to choke on their wealth. what you need is actual help. what you will get is more economic advice from people who are older-and-wiser.
and above you, almost in a glimmer, you can see the wedged smile of your debt getting toothier, wider.
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zedecksiew · 3 months
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DECOLONISING D&D
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In 2019, after seeing yet another round of alarmist discourse in Xwitter about how Dungeons & Dragons is FULL of COLONIALIST tropes and patterns, and needs to be revised, SCRUBBED of its PROBLEMATIC FILTH---I rage-tweeted this brainfart:
"Decolonising D&D"
I've seen this thread round the community, since. Humza K quotes it in Productive Scab-picking: On Oppressive Themes in Gaming. Prismatic Wasteland quotes it in Apolitical RPGs Don't Exist. Most recently, it was referenced in a 1999AD post about Western TTRPGs (an interesting discussion on its own merit; one that already has a counterpoint from Sandro / Fail Forward.)
If folks are still referring to it five years later, maybe I should give the thread a little more credit? Perhaps the fart miasma has crystalised into something concrete.
In the interest of record / saving this thought from the ephemerality of Xwitter, here is the text in full, properly paragraphed, and somewhat more cleanly expressed:
+++
"DECOLONISING D&D"
Firstly: saying "D&D is colonialist" is similar to saying: "the English language is colonialist".
If your method of decolonising RPGs is to abandon D&D---well, some folks abandon English; they don't want to work in the language of the coloniser. More power to them!
For those who want to continue using the "language" of D&D---
Going forth into the "wild hinterland" (as if this weren't somebody's homeland);
to "seek treasure" (as if this didn't belong to anybody);
and "slay monsters" (monsters to whom?)
Yeah. There's some problematic stuff here, and definitely these aspects should make more people uncomfortable.
But! I think it is an error to "decolonise D&D" by scrubbing such content from the game.
That feels like erasure; like an unwillingness to face history / context; like a way to appease one's own settler guilt.
Do you live in the West? Do you live in any Asian urban metropole? White or Person of Colour(tm)---you are already complicit in colonialist / capitalist (yes, of course they are inextricably linked) behaviour. (I can't speak for urban metropoles elsewhere, but I bet they are similar centres of extraction.)
Removing such patterns from the TTRPGs you play might let you feel better, at your game table. But won't change what you are.
I think it is more truthful and more useful NOT to avert one's eyes from D&D's colonialism.
The fact that going forth into the hinterland to seek treasure and slay monsters is a thing, and fucking fun, tells us valuable things about the shape and psychology of colonialism. Why conquistadors in the past did it; why liberal foreign policy, corporations, and post-colonial societies do it today.
Speaking personally:
I write stuff that evokes / deals with the context I'm in---Southeast Asia. An intrinsic part of that is looking at the ways colonial violence has happened to us---as well as the ways / reasons we now, supposedly free, perpetrate it on others.
A long chain of suffering. Heavy stuff.
I also write for people who want to have fun / kill monsters / pretend to be elves, of course. But for those people who want to consider serious stuff like colonialism: I offer no FIGHT THE POWER righteousness, no good feeling, no answers.
Only discomfort. Because the truth is uncomfortable.
Here's a screenshot of the Author's Note for Lorn Song of the Bachelor:
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"Any text inspired by Southeast Asia has to reckon with colonialism ... This text presents a difficult situation; there are no easy solutions. "... If I offered a mechanical incentive for you to fight colonial invaders, you wouldn’t be making a moral decision, but a mercenary one. "The choice you face should echo ... the kind of calculus my grandparents faced."
I stand by that.
Also: might we be more precise and more careful about using the term "decolonising", please?
Here I quote Tuck and Yang's landmark and (sadly) still trenchant "Decolonization is not a metaphor":
"Decolonization brings about the repatriation of Indigenous land and life; it is not a metaphor for other things we want to do to improve our societies ..."
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Further Reading
So this post isn't just me reheating a hot take, here are some touchstone writings from around the TTRPG community about colonialism as a subject and mode of play in games:
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"Jim Corbett was called upon to hunt down another fifty maneaters over the course of the next 35 years. Together, those tigers had killed over 2000 people, for much the same reasons as the Champawat Tiger - injury, desperation, starvation, and habitat loss. Would you look at that. The root cause was British colonialism."
D&D Doesn't Understand What Monsters Are from Throne of Salt
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"Another effect of having colonizers in my setting would be giving players the opportunity to drive them away from the islands, their home. This maybe just be for the catharsis. After all, isn’t catharsis a big part of why we play roleplaying games?"
I’m Adding Colonizers To My Setting from Goobernut's Blog
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"When you have a slime boy and the other characters are a really fat lizard and one's playing Humpty Dumpty, it completely shatters the straight-faced serious authoritarian illusion of race, and replaces it with complete fucking nonsense. I love the idea of proliferating the number and types of "races" into absurdity, to the point where the entire logical structure of it collapses in on itself and race as a category ceases to become coherent or meaningful in any sense."
Interview with Ava Islam - Designer of the RPG Errant from Ava Islam / The Lost Bay
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"Perhaps most critically, the fundamental basis of power is not land or even money but manpower. That’s what local rulers fight over, and what Chinese commercial networks export, in return for unique island products. It’s what the European colonists really need (even if it’s not what they most desire). There is rich loot to be grabbed in the form of spices, Spanish silver, Indian gold, sea cucumbers (the Chinese love ’em), perfumes, dyes, cloth etc. so there’s ample opportunity for piracy, trade and smuggling, but the key to long-term success – the key to independent survival – is nakedly and unquestionably uniting people."
Counter-colonial Heistcrawl: previous high scores from Richard's Dystopian Pokeverse
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"They worked their own land—which they dispossessed from American Indians—or became small shop owners or opportunistic gold diggers or bounty hunters or itinerant ranchers. To me, substituting these situations for one ruled by industrial monopoly ignores that the Wild West is a perfect example of how capitalism operates outside of (or prior to) mass industry, instead being composed of self-employers and self-sustainers."
Fantastic Detours - Frontier Scum from Traverse Fantasy / Bones of Contention
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"... using the Western framing and D&D's baked-in imperialist and capitalist structure to get people earnestly participating in the experience of forming imperial power structures and the early roots of regional capitalism ... The PCs aren't the drifters on the train or the townsfolk watching with apprehension - they're the railroad itself."
An Arrow for the General: Confronting D&D-as-Western in the Kalahari from A Most Majestic Fly Whisk
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tealgoat · 2 months
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Writing from @felikatze !!!
The Favor Tree. Not something uniquely Vaugardian, mind you. Plenty of powerful trees are strewn about Ka Bue as well, but this one *is* Vaugardian, and so you'd like to wish on one at least once, for completion's sake.
What to wish for, though? You can wish for Vaugarde to be saved, of course. But, in all likelihood, everyone in Dormont already has, so what will your wish even accomplish, then? The logical part of you wants to make it a test. Something simple to see whether these wishes have any merit to them.
If they don't, you'll save Vaugarde by your own strength. If they do, a little help goes a long way.
Right, something simple it shall be. A coin flip. You'll wish to win your next coin flip.
You clasp your hands together like Mirabelle does, close your eyes, and
"That's not how you wish, Madam!"
"...Siffrin?"
With quick strides, Siffrin catches up to her. Hadn't they meant to go later? Oh, in her dwadling, Isabeau already left.
Siffrin smiles with curiosity next to you, and you untangle your hands. "What'd you wish for?" they ask.
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"Nothing yet. After someone so rudely interrupted me." You say it with a sarcastic tilt.
Siffrin mirrors you after a beat. He looks around. "So rude! We gotta find the culprit! Oh, maybe they're hiding up in the tree. It's pretty..."
You know what's coming.
"TREE-mendous, after all!"
Despite yourself, you snort.
"So, my brave hero, if that's not how you wish, how do you do it then?"
"Uh!" Siffrin startles. "Uh!" He bends to the ground and picks up... a leaf?
"Here!" They hold the leaf out to you. You try to grab it, but they snatch it back. "No! First, pick the leaf you like best. That best represents you."
You don't know anything about Siffrin's past. Or where they're from, at all. So if he's sharing this piece of tradition... it won't hurt to humor him.
Your knees seriously don't like bending down like that. Instead of grabbing the first leaf you see, you ponder them for a little bit. Eventually, you decide on one that's a little longer than the others, with an odd bend in its tip.
"This one." You push yourself off the ground. It is. A struggle. Siffrin offers you a hand. You take it without aknowledgement. "What next?"
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Siffrin puts a hand on his chin and squints, as he does when forgetting something. What, did they forget in the middle of showing her?
No, Siffrin proceeds by instinct. They bring the leaf up to their mouth and whisper far too softly for Odile's aging ears. Then, he folds the leaf and lets it go.
It drifts on the wind, higher and higher, until it disappears into the trees.
"There. Whisper your wish into it three times, fold it, and let it go."
"I've never seen a Vaugardian do that."
Siffrin seems lost. "It's not... It's..."
You drop the subject. "Why thrice?"
"That's just... the way to do it? You can also do six and nine, I think, and seven and thirteen."
"Multiples of three and prime numbers?"
"Prime numbers?"
"Forget it. Alright."
You hold the leaf to your face, curling it to speak into. A simple, logical wish, to test the Favor Tree. That'd seems rude now, after Siffrin shared part of his culture with you.
Something better. Something... genuine. And that's the hard part, isn't it? You have a reputation to uphold. It's easier that way. Like... like you don't care how much Siffrin's eye sparkles right now, waiting with bated breath.
It'll be easier to leave them again. Bonnie will go to their sister, Isabeau to the Defenders, Mirabelle to the House, and Siffrin...
Siffrin is a traveler too, is he not? Maybe the others won't go with you, but you could show them Ka Bue. Teach them how to pray at shrines, about all the different foods you ache for, all the culture you left to find something new. Despite it all, Ka Bue was your home, and... you'd like to share it with them, if you can.
Ah, you just want to stay with them.
You fold the leaf, and it leaves on the breeze.
"Hah."
"Madame?"
"You're rubbing off on me, Siffrin."
You pat them on the shoulder. Siffrin freezes. Until your hand leaves them again.
"My apologies, Siffrin."
It's quite silly to think they'd go with you after all.
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etheries1015 · 10 months
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I'm not sure if requests are open or not but can I have more content on Twisted Wonderland x Obey Me. No preferences really, it can be anything like the demon boys reactions or even the reactions of our Twisted Wonderland acquaintances.
Maybe the reader could successfully summon one of the boys?
If requests are not open please ignore this.
Requests are always open, because I kinda pick and choose what I like to write and what I don't...so no worries! Thank you for submitting this request! I had a lot of people ask me to write another part about twst x obey me so...
click here for: Pt 1
Twisted wonderland X Obey me crossover where MC goes to twisted wonderland from obey me but has their full range of magical powers.
Only problem is, you finally figured out how to use it to summon the brothers, but now you had a whole other issue upon your hands.
TW: None
General warnings: Gender neutral reader, probably a lot of OOC moments, but I tried!
The day you managed to get in contact with Lucifer was well deserved. You had read and practiced all sorts of magic in your free time, Endless sleepless nights studying, and practicing. And it all has to do with...that mirror. You had managed to contact Micky through the mirror who lived in another world, so why not try contacting the brothers the same way? With a few sigils and a couple other magic tools given to you over time at NRC, you chanted your summoning ritual and the mirror glowed brightly. Next thing you knew, Lucifer was standing in the mirror in front of you.
"Lucif-"
"(Y/NNNNN)!!!" A bunch of voices cried out. Your magic worked a little...too well, because the next thing you knew you were being tackled by a hug. Err...many hugs. They had actually stepped out of the mirror, Asmodeus chocking you in a hug and twirling you around with tears streaming down his face.
"Asmo- Asmo stop! You guys can't-" you tried to warn them to go back through the mirror, however it was too late. The mirror returned to its normal state, and you now stood in your dorm room with 7 demons all in tow. Stuck there.
This can't possibly be good.
But luckily, with you somehow managing to break the laws of magic in Twisted Wonderland, all of the brothers were able to use their full range of magic. Including you.
Their reactions:
Lucifer
"Let me talk to the manager." After he finally sees that you are safe and sound feeling a wave of relief, he is immediately on the mission. He wants to speak to Crowley, which you tried to explain was...difficult. But this is Lucifer we are talking about, anything is possible with him around.
The moment he sees Crowley, he internally groans. The things you had said about him were indeed true, he was avoidant of your issues and was trying his best to downplay the problem at hand.
"How were they able to summon such magical beings...According to the dark mirror, (y/n) should be absolutely powerless, an average human with no merits." Crowley had said.
Lucifer was startled at this accusation, so what you had said about them not taking you seriously due to your lack of magical aptitude in this world...was correct as well. This made his blood boil, however he didn't feel the need to defend you. He knew you would have shown your worth regardless of this hiccup, he had full faith in your abilities in personality, despite what they believed to be "useless" or not.
Easily threatens Crowley. He demands you be given a proper living space with accommodations without treating you as some sort of slave to his issues, despite being under the impression that you had no way of using magic to assist you in your endeavors. You had dealt with him and his brothers enough, why must you be burdened with NRC students issues?
Crowley almost shit his pants bro. When lucifer went into his demon form, Crowley shrunk down in his shoes. The other teachers were the same honestly, they were also present during this meeting. They couldn't bring themselves to fight against the large wingged and horned man that emmited such power before them.
"You dare allow my little sheep to live with such horrible conditions and treated them with such avoidance... I suggest figure out a way to make up for what you have done. I also highly suggest you find a way for all of us to return, it is indeed your fault or whatever "magic mirror" that called upon (Y/N) that had made this mistake. I presume you will work with us to fix this issue?"
"Of course!" Crowley exasperated with a laugh of nervousness, "I promise! However, it is no small expense to-" No. Lucifer was not playing around. He was easily able to keep any big emotions in check, however when it comes to you...
"you WILL assist us. Or you can say goodbye to this school you call 'Night Raven College'- " A ball of light of immense magic began to swirl around his hand and his eyes glowed with deadly intent.
He left the building with a smile of success, leaving behind the teachers almost shitting themselves.
after settling business with Crowley, he ran to you. He had to make up for the lost time of course! You wouldn't be able to leave his grasp for a long while afterwards.
When you tried to ask what he spoke to Crowley about, he simply smiled and told you not to worry, he had it all handled. For now, he wanted to hold you in his arms, it's been a while since he had seen you after all, he needed to recharge.
Mammon
"Mannn, is there anything to do in this run down place?" He put up his feet on the table of the ramshackle dorm lounge, you were caught in his grasp. He had been holding onto you ever since he went through the mirror.
"Please don't cause me trouble here, too." You groaned, bags underneath your eyes, "This situation is bad as is, it's probably best you-"
There was a knock on the door. You sighed and got up, opening the door before revealing Azul. Your eyes widened, you totally forgot you offered to help at the Monstro lounge today!
"Hah? Who's this?" Mammon stood behind you looking down at Azul, who was equally as shocked to see him. But he quickly got over it, shaking his head before returning his gaze towards you.
"I believe we had a deal (y/n)..." Azul said with a glint in his glasses, "You had promised to help out today. Our prefect wouldn't flake out on their duties, would they?" Azul went to grab your hand to drag you out, however Mammon quickly grasped his wrists roughly with eyes slitted in annoyance.
"Who are ya and what do ya think you're doing putting your hands on what's mine?" He growled. You rolled your eyes and slapped your face. Here he goes. You can already tell where this is going.
"yours?" Azul shook his head in shock, "Huh? And you don't look like a student here," Azul pointed out, pulling his hand back from mammon, "Anyhow. Are you saying you will take the Prefects place instead? What would you have to offer me? Prefect is rather popular here despite their lack of magical abilities, and having them would really boost our sales for the week-"
"lack of magical abilities? what are ya on about? My (y/n) is super powerful!" Azul stared blankly before looking at you with doubt in his eyes. You turned your gaze away and sighed in defeat, you knew there was no way he would believe what Mammon had said.
"Well. Magic or no magic, I need somebody to take the job (y/n) had promised. I have a business to run, after all-"
"Oh so you're a business man, huh? Well look no further! I'm the Great Mammon, I have a lot of experience in these things. I'm a total cash grab, a model-"
Mammon went on about his accomplishments and proudly declared he was willing to make a deal with Azul, something you tried to talk him out of, but it was too late. He was already signing the scroll.
"Mammon!" You growled, "You are not listening to a single thing i'm- you know what, whatever. You do what you wanna do. Good luck."
Que Mammon being dragged off to do his manual labor...he will learn the hard way like he always does. Oh well. Leave it to Mammon to run off as soon as he arrived to try and make a deal with the worst person possible!
Leviathan
Hugging you so tightly. He missed you so much! But boredom soon took over. He had no idea what to do, you have no video games, not even a T.V In the lounge! How could you have possibly lived this way?!
"Here, I can call up Idia. He's probably the best person who-"
"You found a gaming replacement?!" Levi whined, "I thought you were my player two! But now you're staying up all night playing games and watching anime with someone else..."
You lightly punched the top of his head. "I didn't, you idiot!" You laughed, "We play games, sure, but you'll always be my player 1. I just don't want you to get bored while you're here."
You called Idia and he was so so so so so reluctant to do it. But it's you, of course. How could he say no? Ortho also did some convincing, saying it's good to find another recluse like Idia. But the trade off was you had to be there too.
Dude. They played games for HOURS in the Ignyhide dorm lounge, and you probably forgot something pretty important...
Idia was a gamer unmatched. Not even Levi could beat him at a lot of these pvp games, and began to become unnerved.
"Bro lol you're such a noob, hey (y/n) I thought you said this guy was good at games, why'd you send this guy? He's practically a normie-"
No way he just said that. THAT was Levis breaking point.
He summoned Lotan
He flooded the entire lounge
You had forced him to submit, and Idia was just staring....wide eyed...what the hell just happened...?
"You can use magic this entire time?!" Idia called out in shock after witnessing you submitting Lotan and Leviathan to your call. Levi did make note of this, however was far too upset and preoccupied by cleaning up his mess before he could mention anything about it.
He was banned very quickly, but now thanks to the giant sea monster, he really piqued the Leech twins curiosity (who happened to be in the mirror chamber at the time, when Lotan escaped Ignyhide and also flooded the chamber of mirrors.) Jade asked Levi to study Lotan and Floyd started admiring Levis Demon form. He's never seen such a cool tail from any creature before!
Levi was on house arrest. You wouldn't permit him to leave ramshackle, but he surprisingly made good and quick friends with the brothers. They were all quickly learning how to sew little outfits, which jade really enjoyed. Floyd was occupied by asking Levi all sorts of questions about Lotan and begging to touch Levis tail, before falling asleep out of boredom on the couch.
They managed to stay entertained with each others company somehow, but it worked out.
Satan
You knew he would be best occupied in the Library, where there was an entire pile of books he had never seen before. He was in heaven. How you managed to get him into the building without him being an authorized student? Crowley gave them temporary access, thanks to Lucifers (threats) negotiations.
He began going through each shelf and picking a bunch of books that looked interesting. He was mainly interested in the magic of this world
He emptied an entire book shelf and huddled into a corner surrounded by a mess of books.
Riddle came in to witness this, and was NOT happy.
"What do you think you are doing?" He confronted Satan. Satan glanced up and was at first upset he was interrupted, however seeing riddle...
"Cat..." Satans mouth dropped open
"Cat? excuse me? What is that supposed to mean?" Riddle folded his arms, "No matter. You are supposed to check out these books before utilizing them, and you do not look like a student here. As house warden of Heartslabyul I demand you put these back, or it's off with your head!"
Satan TRIED to explain to him in a civilized way that he was a special guest of the prefect and was given access to as many books as he desired, but Riddle did not believe him. and demanded some form of proof. Satan did not take well to this.
"I'm not going to take demands from a small cat such as yourself. I suggest you find someone else to bother," Satan returned to his book now ignoring Riddle.
"W-wha...EXCUSE ME?!" Riddle yelled, his face turned a bright red and pulled out his wand, "OFF WITH YOUR HEAD!" Next thing Satan knew he had a heart shaped lock around his neck.
He REALLYYY did not like that. The green aura that surrounded him startled Riddle as Satan stood up towering over him, demon form and all.
"I swear I-" He bared his teeth and raised his hand, before someone yelling "SATAN, SIT!" Caused him to gasp in shock and fall to the ground with a heavy 'thud', something that surprised Riddle.
You ran over and sighed shaking your head. You apologized to Riddle and explained the situation, to which Riddle took off the collar he had given Satan.
"Don't worry, Riddle. I will make sure I check out every one of these books and return them accordingly, I will take them to ramshackle for now as to not cause another...scene and disturb the other students."
Riddle was mildly satisfied with this answer and allowed you to do so, not without mumbling about being called a small cat...but no matter.
"how were you able to do that, Prefect? You made him submit," Riddle pointed out, "Without any magical power," He began to say. Satan quickly interrupted with a tilt of his head and a "Huhh??"
"(y/n) Is one of the most powerful human sorcerers," He pointed out, "Solomon is teaching them himself. They have plenty of magical aptitude," He told Riddle, much to his dismay.
You sighed and ignored the topic and Riddles confusion, dragging the pile of books to check out and leaving the library as fast as possible.
Satan spent the rest of the time in ramshackle sitting in a dorm room he found himself, and read to his hearts content. Not without asking you many questions about this world and the contents of some of these books
Asmodeus
The first one to hug you and twirl you around, and had a very hard time letting go.
When he finally did let go, he was nitpicking about everything.
"Oh my dear just look at those bags underneath your eyes! And that uniform...you just look horrible,"
"Yeah. not the first I've heard that," You sighed. When Asmodeus asked you to elaborate, you explained to him about Vil, the super star of NRC, and the person who liked to remind you how to care for your appearance.
Asmo was upset at first, until he met Vil. Annnddd fell in love. Until Vil pointed out Asmos "strange" choice of outfit, being his school uniform from devildom.
Asmo scowled at this and gave Vil a run down of every flaw Vil had, in the end, Vil actually began to see he was similar to Rook in a way, very observant in a persons design and look. Although Asmo did not have much tact about it.
"(y/n), how did you manage to become friends with such a magical person? He's practically oozing with magical charm," Vil pointed out. Not without Asmos confusion.
"What do you mean?" Asmo asked, "We have a pact! They are rather powerful, one of the many things I absolute love about our (y/n)~" Before you could explain further to Vil what Asmo meant, Rook had walked into the room.
ROOK. FELL. IN. LOVE. WITH. ASMO. Bro was enamored, he was shocked, jaw dropping, and eyes widening. He made it almost his life's mission to discover EVERYTHING about Asmodeus.
"Monsieur! I beg of you, let me study you!" he cried out, "I've never seen someone as mangnifique as you!"
Bruh. Right in front of Vil? Vil was kind of offended to be honest, but Asmo... he was loving this. Finally, somebody here that could appreciate true beauty!
Rook started listing everything he loved about Asmo, and when he asked Asmo where he was from and Asmo mentioned he was a demon, Rook lost. His. Mind.
Asmo went into his demon form, ironically this is when Epel walked in.
"What in tarnation is THAT?!" He cried out in his thick southern accent. Asmo did not like that.
"What do you mean THAT?" He scoffed, going up to Epel.
"Who's this sparkly lookin' guy with the horns? ya don't look like a fae to me..." vil scolded him for using such words, but Epel couldn't help it! He was beyond surprised at this being standing before him in his dorms lounge!
Asmodeus was pretty close to using his charm upon Epel, probably to convince Epel that he was as amazing as Rook pointed him out to be, but you quickly got involved and forced Asmo to stop.
"It's not that big of a deal," You sighed, "We all know how amazing our Asmo is..."
Anyway a little bit of back and forth, and all of the sudden Vil Rook and Asmo were all sitting in a circle like a bunch of little girls at a sleepover talking about Musical theatre, Beauty, and everything else that involved Asmo talking about himself. you and Epel were quickly used as their own little dress up dolls, they managed to find a way to occupy the time by having competitions on which party could make you and Epel look the best with what techniques.
Beelzebub
Coming through that Mirror on an empty stomach was such a bad idea. But not to fear! You knew the perfect person to help!
Trey. you had to beg Trey to make as many desserts as he could and that Beel would be probably the best person to taste test all sorts of things he baked. Trey honestly took you up on this, and whipped up a bunch of things he had been itching to try.
"They are really good, but Lukes treats are the best," Beel said with his mouth full of tart. He began to pick apart what was good and what was bad about every dessert he tried, however that did not satiate his hunger. He was so excited to try every single new thing that this world had to offer.
You guys ended up going to Scarabia, where Kalim was more than happy to share his culture and their food. Jamil ended up cooking a meal fit for a king as asked by Kalim. Kalim and Beel got along so well it was kind of sweet to watch....but eventually the food was all out in a matter of minutes, and Jamil had to talk some sense into Kalim.
"He has a healthy appetite! It's amazing, isn't it Jamil? Haha!"
Jamil was not very amused. It was obvious he was exhausted, so you all parted and said your goodbyes.
Ace Deuce Grim and you ended up going into town and stopping at the most popular restaurants.
"this guy is real beefed up, how did you manage to get so much muscle with an appetite like that?" Ace pointed out. Deuce agreed enthusiastically.
They spent probably two hours asking about all sorts of sports in Devildom and exercises, until Jack walked in and walked over.
"Jack!" You smiled. He walked over and greeted everyone with a gentle "hello," Before introducing him to Beel.
"I wonder who would win in an athletic battle between you guys," Grim pointed out. Their bets were on Jack, but of course you knew better than that. You knew Beel would win by a landslide.
they headed to Savanawclaw, and even Leona ended up getting involved after seeing Beel standing next to you.
"Whos this guy?" He pointed at Beel. You guys introduced each other, and Jack explained that they were about to have an athletic competition. They were going to do runs, hurdles, push ups, pull ups...honestly everything.
"What about a Spell drive competition?" Jack suggested. Leona pointed out that it would not be evenly matched, as you were magicless and Beel wasn't even from here.
"Huh? (Y/N) isn't magicless," Beel defended you, "They are actually really powerful. I mean, enough to have pacts with all of my brothers, even Lucifer" He smiled at you and patted your head. Leona began to laugh at you two, not truly understanding what Beel meant by that. Beels friendly demeanor faltered and he frowned.
He was confident in your abilities, so Leona finally agreed to a spell drive contest. They explained the rules, and began. Leona started out so confident, but was quickly humbled the second Beel turned into his demon form and went all out.
You two walked out victorious, leaving an absolutely shell shocked Leona and Jack behind. You and Beel had perfect teamwork, and won by a landslide. You were even able to showcase some of your magical abilities, something else that was unprecedented by the two NRC students.
"Thank you for sticking up for me," You smiled at Beel, "It's been a while since somebody did that to me.. Even though I had to make you sit because you were using too much of your power. You were gonna destroy the disk!." Beel gave you a warm wide smile before picking you up and holding you into a up into a tight hug.
"I missed you, (y/n). And Nobody should talk bad about you like that!
Belphie
Joined you, Ace, Deuce, Grim, and Beel on your outing to eat. Although when you guys ended up splitting ways at the point when you guys left with Jack. Belphie quickly departed to find a good place to sleep at ramshackle. He found a perfect tree for this!
He ran into Malleus. Tall guy, big horns...
'Who're you?" Belphie asked, looking down at the tall Fae from the tree he found to sleep in. Malleus looked up in shock, his green eyes staring at Belphie.
"Are you a new student here?" Malleus inquired, "I wasn't aware that child of man was taking in new students at Ramshackle," He pointed out, folding his arms. Belphie had an unnerved feeling about this guy.
"What do you mean 'child of man'?" Belphie yawned, "Are you talking about (y/n)?"
"Yes, I am," Malleus said, "And you might be?"
"Belphegor, Avatar of Sloth. Why'd you call (y/n) that?" he frowned.
"Well (y/n) is a human," Malleus pointed out, "I suppose I grew up in a more traditional Fae household, so many of the humans we tend to call "child of man"..." Belphie had no clue what this guy was going on about, but decided it wasn't worth his time. He started to doze off again until Malleus pestered him with another question.
"I came here looking for (y/n), He called up to Belphie, "Might you know where they are?" Belphie began to become slightly irritated at this point. He jumped down from the tree and looked at Malleus in annoyance.
"Why do you wanna know where they are? they'll be back soon," he pointed out.
A little bit of back and forth and passive aggressiveness not gonna lie...it escalated to the point where Belphie became so agitated at this guy and his "fancy" way of talking and the fact malleus kept calling you "child of man" or whatever, he turned into his demon form.
"Oh? A duel?" Malleus chuckled, levitating slightly with his arm lifting up and magic swirling around his hand, "Shall I take it you-"
"Belphie, sit!" Belphie gasped and was suddenly dropped down to the ground, you and Beel walking up to them.
"Oh, hey Malleus. I'm sorry if he was bothering you...what was-"
"ugh. This is so annoying," Belphie growled, "this guy here was calling you weird nicknames, and said you were a magicless human," He pointed out. Malleus looked at you with slight surprise at witnessing you drop Belphie to his knees.
"you...can use magic?" He asked, "How come I was not aware of this?"
"Of course they can use magic, idiot!" Belphie hissed, standing back up and protectively moving to hug you from behind. His head lay upon the crook of your neck, glancing up at Malleus with a light smirk upon his features. He was trying to test him.
With his lips forming into a thin line of frustration, Malleus took a step forward, not without Belphie using his tail protectively in front of you as if warning him to stay back.
"I don't like this guy," He pouted to you. Your tired eyes rolled to the back of your head, giving another apology to Malleus.
~
The commotion soon got the attention of the other demons, who then gathered in the courtyard and demanding to know why everyone around them was trying to say you were magicless. After a little explaining, each of the brothers were less than forgiving. This entire time you were powerless, and the students had treated you differently for it? Malleus was kind enough to recount a lot of the things the headmaster had put on your shoulders, while you were trying your best to downplay it. A bunch of the other students had ended up gathering around ramshackle as well, witnessing Each and every one of the brothers now in their demon forms, the immense amount of magic traces had caused quite a stir among the students. Even the housewardens had shown up, hearing down the grapevine of the events that were unfolding. If you hadn't done something and done something fast, things could easily go south. So, you did what you thought was all you could do.
"SIT!" You yelled as loud as possible, each of the brothers dropping to the ground with a yelp. The magic power that was gathering around was now coming from...you. Murmurs were heard between the students, eyes of shock filling their eyes and unbelievable amount of students actually had pulled out their wands, obviously feeling threatened by your sudden showcase of strange magic they had never seen before.
"I'm afraid, my dear students, this has gone too far!" A voice cried out in the middle of the chaos. Crowley had walked between his students until he made it to you, staring down upon your figure with a look of annoyance and sigh.
Crowley declared there was a way for you to return home, and summoned the mirror in which you used to get them back in the first place. Lucifer couldn't help but scoff and sneer at the headmaster.
"Now, please explain, why have you suddenly found a way for us to return when you haven't been able to sort a way out in the year our (y/n) has been in this dreadful place?" He roared in anger. Crowley shrunk down and tried to laugh it off, playing it to be nothing short of a coincidence.
"Enough..." you sighed, annoyed, "Let's just get this over with and go back home."
"Indeed! what our prefect said! Although, you will be strongly missed, (y/n). You were incredibly helpful in dealing with- I mean- supporting our students! With you gone, I'm not sure what we will do! Oh Woe is me!"
Ignoring his obvious attempts to keep you there to handle his students, you said your final goodbyes to everyone you had made friendships with. However attached you may have gotten with these students, it was inevitable that you had to return to the Devildom, where you truly belong.
Thus ends your journey with Twisted Wonderland!
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I'm sorry that ending was a little bit rushed, I was having a hard time figuring out how exactly to go about it! But, despite this, I hope you all enjoyed this despite it's length. If you have any more suggestions or ideas for a crossover, please let me know! I'd love to hear your thoughts and opinions.
i'm also so bad at writing belphie lol he's my least favorite brother ngl so i'm not that good at embodying his personality. L.
Check out my masterlist for more of my works!
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