#number 1 more than once? Was incredibly impressive. And not just that but the viewer demand and count were through the roof! Huge in general

[lorelaiislatte]

Do you think there's a chance a streaming service will pick ncis:h? I've signed the petition but do we dare to hope? I'm tired of this happening all the time. I just dont understand. It was doing fine in ratings and it's a part of a franchise that keeps getting more spin offs? How that makes sense? Do you know the ratings compared with the others ncis shows? Sorry im asking you but im not from usa and i have no idea how american netwoks work. So sad rn.

okay SO i am also not from the us but have done this dance before sooooo:

1) from what i’ve heard, they were planning to move either another ncis show (i think sydney?) or another cbs show to paramount plus - which they now are no longer doing. in theory yes, this opens up the possibility for ncishi to move over there; in practice, i’m not holding my breath, as typically that negotiation would happen before a cancellation announcement

2) how does it make sense? the honest answer is that it doesn’t. like, it really doesn’t. it’s been holding steady at sixth of 14 cbs shows in the ratings (which is a brilliant number, ensures it’s profitable, and is also impressive for a procedural that’s still relatively new). it’s been beating a LOT of other crime procedurals in viewership and viewer retention, and reviewers have been singing its praises. i think this is why it feels so much as if it’s because they just view this show as less valuable (socially and economically) than their usual white guy cop shows; it’s very difficult to argue that your profitable, successful show is too expensive when you’re flying cast and crews across - or, potentially, internationally to - australia, to continue a less-highly-rated show with no issue.

3) as far as ratings go - ncis hawai’i episodes were pulling in as many as 10 million viewers last year (s2 e10 came in with 10.5 mil, as per variety telecast viewership reports) which has it going toe to toe with the core ncis (seems to pull approx. 8-10mil per episode, via hollywood reporter). for the 18-49 demographic across us series, ncis hawaii is ranking at #13 of #21 as per tvseriesfinale.com - this is significantly above ncis sydney (renewed, #15), and elsbeth (#19, renewed), two other cbs shows, one of which in particular is incredibly expensive. crucially, ncishi has actually increased its viewership, which is VERY difficult to do on a year to year basis. its up by 4.18% among 18 to 49 year olds - for comparison the core NCIS is down 0.83% and fbi international - a competing show - is down by 3.73%. bear in mind that even a single percentage point represents hundreds of thousands of viewers.

i also want to point out that ranking at #13 isn’t strictly representative of viewer numbers, it’s about percentage of viewers that are within that core age bracket. the neighbourhood is ranking at #6, but only pulling in 4.8 million viewers - ncishi is at #13, and pulling in 5.2 million. ncishi pulls in over half a million more viewers than four shows ranked above it in that chart.

so essentially - it doesn’t make sense. from any perspective. it doesn’t make sense from a business perspective (ncis sydney is more expensive to produce and brings in approx. 200k less viewers than ncishi, and ncishi crew had already agreed to a shortened, budget-restrained final season), it doesn’t make sense for a ratings perspective (it continues to outperform many of cbs’ own shows, including ones that have been renewed), it doesn’t make sense from a social perspective (people are loving it, even outside of our fandom spaces).

objectively, it’s a really, really bad move by cbs. i also thought being part of a franchise would be a kind of safety net - fool me once, i guess. all the evidence suggests that they just don’t care enough about ncishi, especially when they’ve got their bullshit white guy ncis origins show, a young sheldon spinoff (?? who asked?) and a plethora of other cookie-cutter shows they can just keep going with. and we can make a pretty educated guess as to why, when the main things that set ncishi apart from the other ncis shows are its diversity and character dynamics

(edit: it was pointed out that people aren’t being flown to sydney from the us, which is true, and bad phrasing on my part - but many are flown across australia at seemingly similar costs to mainland us/hawai’i flights, and i believe not all of the leads are based in australia either, so i’ve updated that bit for clarity. apologies!)

#ncis hawaii #i hope this helps ppl understand a little more! #it’s bullshit. like it’s such unbelievable blatant bullshit #ncis hawai’i

[thebuttsmcgee]

Man. I just get so actually legitimately sad each time I remember that toh ended and that we live in the post-toh world. Like it really is over.

Ms Dana Terrace has said that she'd like to do more given the chance (and after some quality time off of bigger projects, just to chill), but as far as we know, it's the end.

Heck, we barely got anything after the final episode, no books, no special merch, no dedicated little chibi shorts, nothing really, aside from the, thankfully fun, get-togethers of the cast and crew!

Idk. Ah well actually nah, I do know, that this show just meant an enormous lot to me. Incredibly huge, the kind that you can't break away from and wouldn't want to anyway. The kind that feels like, man, where would I be without it.

Happy 1 Year, to the end of The Owl House. Thank you, The Owl House.

I hope the future is bright, for all of us.

#The Owl House #TOH #Owl House #and tbh. its also why I havent exactly been posting as much! #I just. really miss it man. #and thinking so hard of how great it all was. gets me choked up for real lol. #I do hope theres more for us in the future. I really cant say for certain. #Cause to be less sentimental and more analytical for a moment #TOH was d1sney's biggest original ip hit that wasnt a movie for both such a long time and in a good long time! #Yes yes the internet doesn't always entirely mean the reality of things (which is why financially bcg is their biggest hit technically) #but to actually think back upon it all #TOH always had news articles and video essays and huge followings on tons of communities #especially on youtube! which isn't that easy! Youtube will always be dominated by bigger named things so the fact that toh DID get trending #number 1 more than once? Was incredibly impressive. And not just that but the viewer demand and count were through the roof! Huge in general #television numbers. All to say that is is that toh was an enormous hit. both financially and to people. so. yeah. It's. kind of in the air? #I guess? that no one really knows what could happen. I mean hell amph1bia is still getting books. #Granted....lets not forget ofc that disknee really. really. reaaaally doesnt. like. toh. ×^| but who knows! #personally? still hoping for a save the light styled game someday. or just some game that I can play on my switch someday. #but yep! Enough of my rambling. Thank you for everything The Owl House. really. Truly.

[animehouse-moe]

Mr. Villain's Day Off Episode 1: Even We Need Some Healing Too

The first episode of Mr. Villain's Day Off has arrived finally, and honestly? I have quite a bit more praise to sing for this episode than I thought I would have. It's a simple, straightforward manga with a direct appeal to innocent enjoyment, and the staff behind this episode translated that feeling impressively well with quite a few interesting tricks!

The first thing you'll notice is the color design (and also the environment art and art direction by consequence). It's all very light and cool pastel colors that are very similar hues. It creates a very soothing and relaxing feel thanks to the lack of complementary colors or reasonable contrast and saturation.

Just look at how blue dominated the background art is here. Blue skies, some bluish gray in the clouds, blue buildings, and bamboo that's been heavily shaded in blue. It creates what you might argue is somewhat of a monochromatic color palette, but the additions of things like the greens and other lighter colors helps balance it and provide a great feeling of depth.

And you can see it in frames like this one as well, though it's an example with far more colors but inversely less shading and detailing. The balance of the number of shades on screen really does a lot for the feel of each frame.

Also what this frame shows is the really incredible awareness of layouts within the episode. The environments are very simple and... well, flat. There's no two ways about describing it. However, almost all the layouts in the episode are very pleasing, and it's because of the really impressive thoughtfulness placed in them.

Rule of thirds is ever apparently, obviously, but balancing the frame and depth of it with blocking works wonders. Go back and look at the first image I shared with Mr. Villain there. He occupies the foreground towards the right third of the screen. Rather than leaving the left third empty though, they place two buildings in view to fill the frame and provide some balance.

Similarly, in the second image, Mr. Villain is used to break the symmetry of the room by blocking out a window (and also occupying more of the right third of the screen). Similarly, the details in the environment art evoke a similar asymmetry. The chest/drawers on the right edge of the screen, and the ladder on the left.

It's really really great work for two reasons (in regards to that last point). The drawer exits the frame which helps imply the existence of space beyond what the viewer can see. Similarly, the ladder does the same but in terms of vertical space, and all the while fills the emptiness of the left end of the frame.

It's great, great work that's arisen from really great communication at all levels. And once you notice it, you realize it throughout the entirety of the episode.

Mr. Villain's head occupying the top third, and even being cut off (that point about implying the existence of space outside of the viewer's frame), while his hand reaches out from the right. It creates an (intended) imposing feeling of his character while providing a sense of depth to his pose.

Or this really fun spilt. Thirds once again, of course, but I really like how they use the countertop to separate the twins from the ice cream shop worker. Similarly, the little window to the tubs of ice cream does great in filling the remaining space.

Anyways, the point is that the storyboards, art direction, and consequently environment art do an incredible job of filling space and providing plenty of feeling despite how simple they appear to the viewer. It's the kind of thing that you can take for granted ridiculously easily.

Let me move onto something different finally: character acting. A good layout is nothing without good expression. Characters standing still mean nothing, and though Mr. Villain's Day Off may be a little stiff, it's sparingly used budget is made very good use of in expressing characters, largely through hand movements rather than facial expression. Interesting, but makes complete sense considering how stoic Mr. Villain is.

And then there's the humor and endearment of the episode. Mr. Villain's Day Off is built around the coupling of the innocence of children and enjoying the little things in life, and it remains expressed very well. Things like the little kids pestering Mr. Villain, or being afraid of him when he nearly blows a fuse in public are all very fun and little supplemental aspects that add very nicely to the feel and flow of the episode.

It's funny, fun, fresh, and an enjoyable watch to unwind with on a Sunday afternoon. I was hoping for something good considering the really great character and color designs, but I'm comfortably surprised and impressed with this opening episode.

Despite the simplicity of the content it'll be covering, I have high expectations for its execution, and really hope that this team will deliver on what they've promises with this first episode.

#mr villain's day off #mr. villain's day off #kyuujitsu no warumono san #休日のわるものさん #anime review #anime reccs #anime recommendation #anime #anime and manga

[adultswim2021]

Tim And Eric Awesome Show, Great Job! #26: “Jim and Derrick” | September 1, 2008 - 12:30AM | S03E06

One of the all-time greatest. It’s somewhat of an in-joke; in that a literal first-time viewer might not pick up exactly on what’s going on (you’d hope the more observant would at least be able to infer it’s satiric nature). This episode of Awesome Show presents, without fanfare or even any preamble, an alternate-universe version of Tim and Eric named Jim and Derrick. Jim and Derrick are basically the versions of Tim & Eric whose post-internet career paths had them so desperate to get on television that they became willing to bend to every network note ever given to them. It's as if Tim & Eric’s artistic vision was easily compromised by MTV money.

What we get is a frenetic nightmare of rapid-cutting, sweaty, shallow signifiers of easily digestible coolness, fad-chasing, and lowest-common denominator humor that sells itself with attitude rather than anything inspired. Jim Heckler and Derek Whipple host the show from an MTV-style faux-industrial studio with a DJ and a corporate sponsor in Turbo Fuel. Turbo Fuel is an energy drink that is immediately shown to have negative effects even in the cold open spot (a man vomits with ‘tude towards the camera, and we see blood trickling out of his nose post-chug).

Jim & Derrick are coarse and lazy; so much so that they come off as heroin addicts or something like that. They speak in all manner of embarrassing/trendy vernacular. It screams early 2000s in a way that their show usually doesn’t. They do segments about buying bongs (with Tim’s quotable line “plus, I like frogs”), skateboarding, tattoos, and they frequently cut away to other things that have little to do with scripted sketch comedy.

The only thing that actually qualifies as an in-universe bonafide comedy sketch in the whole thing is cheap and dashed-off, and co-stars a guy who just screams “dude on the writing staff”.* The “sketch”, ends with Jim saying “that’s wack”, then a back-patty musical interlude with a bunch of comedy-related buzz-words rolls out (including Tim & Eric’s favorite: “RANDOM”). They both declare “You’ve been sketched!” into the camera. The entire sketch is encased in a metal border. It gives the impression that the Jim & Derrick Show was at one time way more focused on scripted comedy, but then that aspect shrunk so much that sketches became once per episode, and they eventually started shrinking the screen to diminish the sketches even further. It's a physical manifestation of the comedy being "contained."

*”dude on the writing staff”: It’s LA comedy stalwart Joe Wagner, who did indeed hold similar jobs on a lot of shows, some good, even! I remember he posted on a message board I was on and he hosted a podcast that I remembered being good, even though I don’t remember the name of it. 

Other touches include an announcer who is the same guy from the then-current Carl’s Jr. ads, which were very bro-ey and usually featured Playboy models eating large drippy hamburgers. There’s also transitions that look like they came directly from VH1’s I Love the 90s, featuring internetty imagery like folder icons and whatnot. There’s also frenetic cutaways to a “creepy” old man who makes googly faces at the camera with fake old-timey film effects covering it, to telegraph nasty jokes like when Derrick says he wishes Elisha Cuthbert was his daughter in a gross, suggestive way. 

She’s in this, by the way. Jim and Derrick interview her and it does not go particularly well, with Jim and Derrick rudely cutting her off when she’s about to actually get to say anything of substance. She rolls her eyes and says “great” seeming genuinely annoyed. This is an incredible bit of acting, because a significant number of people believed that her annoyance was genuine, and that the wool was pulled over her eyes. I vaguely recall (but unfortunately don’t have) a video commentary for this episode that aired on Adult Swim’s website. They assured the audience that she was in on the joke, and indeed, if you seek out the blooper reel for this season you’ll see the first time Tim cuts her off in the same manner, she bursts out laughing. 

Speaking of guest stars, John Mayer is in this episode during the fake commercial. I remember Tim & Eric discussing this almost as if they put him in here via process of elimination. Mayer wanted to be on the show and they had a little trouble finding a place for him. He also filmed a “you’re watching Jim and Derrick” bumper that didn’t wind up getting used. 

The commercial is for a GF Spooner, which is basically like a baby bjorn that you strap your girlfriend into. It comes with fake arms that she can cuddle with, keeping your arms free. It’s purpose is to wear at concerts so you can double-fist Turbo Fuels, and hold hands with your male friends. The woman in the commercial was vaguely familiar to me: She plays one of Howard’s girlfriends in the criminally underrated program Austin Stories. I remember Tim trying to make Doug Lussenhop squirm during the video commentary, suggesting that he tried and failed to hit on her during production. When Doug doesn’t take the bait, an exasperated Tim suggests that he’s just looking for ANYTHING to talk about that’s even a little bit interesting. AGAIN: I wish I had it!

Another segment of note is Bradley Needlehead, in the Viral Clip of the week. This is an alternate version of David Liebe-Hart, singing a song about being a crazy guy that believes in aliens. It seems to satirize the lack of respect an MTV-style network would have for a guy like DLH. Though Tim & Eric’s “respect” for DLH is a little questionable, I do agree that they are kinder to him than most would be. In that video commentary, they said DLH directed that segment himself, dashing any expectations of him being blindsided by it. To be a fly on the wall during that session. There’s no footage of this shoot on the DVD. 

Holly Brown makes another appearance on the show; her bit is sorta slight, and I’d wager that it was a gift they were giving her so she could put it on a reel to try and get on-camera announcer work. Her presence fits with the whole vibe; many of these shows will have hot women as correspondents or hosts. The main comedic takeaway from this one is the concept of Tordos Flavor Dust, which has little to do with the actual scene.

The show ends with Jim & Derrick doing a Turbo Boost chug contest, where a hot, but uh, artificial-looking woman, smiles and sprays a keg tap of Turbo Boost into both Jim & Derrick’s mouths. We eventually see blood coming out of their eyes and ears, and they succumb to the toxic beverage and collapse dead on the floor. The woman never stops smiling and spraying Turbo Boost. DJ Drez doesn't stop the beats, either. Then we get a slideshow of fake production logos, including, most memorably, Gregg Turkington saying “Egg Zackly” as a parody of their own “Abso-Lutely” 

This one’s not just in the pantheon of great episodes, but it also joins the ranks of episodes that I’ve watched over-and-over again, so much so that they sorta lost most of their power, so I have to go off memories of how good it was. I recall telling somebody that I laughed so hard at this episode that it caused me to punch stuff that I own while watching it. It’s only with that kind of hindsight that I can recognize that some of the sketches are a little more potent in their satire than others. But the whole thing works incredibly well, and even the weakest bits have inspired jokes and ideas.

A welcome respite from an otherwise lackluster season. Say what you want about season three, but one will forever be able to point to this episode and say "at least that season had Jim and Derrick".

EPHEMERA CORNER:

Jim and Derrick at Spring Break

I forget exactly when and why these were produced, but Tim & Eric did additional Jim & Derrick "spring break" sketches. It would make more sense for them to have been produced for Spring Break 2009, but I'm putting them here for relevance. I don't think they repeated Jim & Derrick on Awesome Show itself.

#adult swim #adultswim2021 #tim and eric awesome show great job #Youtube

[barbarewjohnson]

How to Create an Engaging Promo Video on a Budget

As a small business owner, you may be wondering how to create an engaging promo video on a budget. Promo videos are a great way to reach new customers and promote your products or services. With a little creativity and some careful planning, you can produce a high-quality promo video without breaking the bank.

1. Keep it short and sweet. Customers have short attention spans, so make sure your promo video is under two minutes long. Get to the point quickly and include only the most important information about your product or service.

2. Use visuals wisely. In addition to traditional footage, consider using infographics or animation in your promo video to break up the monotony and keep viewers engaged. Just be sure not to overdo it – too many visuals can be distracting.

3 . Use customer testimonials . If you have happy customers, ask them if they’d be willing to appear in your promo video and provide a testimonial about their experience with your product or service . This is one of the most effective ways to sell potential customers on what you have to offer .

Promo Video Creation Services

1. Creating a promo video is one of the most effective ways to market your business.

2. A promo video can be used to promote your products or services, highlight customer testimonials, or even introduce yourself and your team.

3. At Video Creation Services, we specialize in creating high-quality promo videos that will grab attention and get results. We have a team of experienced professionals who will work with you to create a custom video that meets your specific needs and goals. Contact us today to learn more about our promo video creation services!

Best Practices for Creating Promo Videos

When creating promo videos, there are a few best practices to keep in mind. First, make sure the video is high quality and well-produced. This will help it stand out and grab attention. Second, keep the video short and sweet – around 30 seconds is ideal. You want to be able to deliver your message quickly and efficiently. Finally, use catchy music and visuals to further engage viewers and leave a lasting impression. By following these tips, you can create an incredible promo video that will help boost your business or product.

Tips for Creating Effective Promo Videos

When creating a promo video, the most important thing to keep in mind is your audience. Who are you trying to reach with this video? What are their needs and wants? Once you know who you’re targeting, you can start thinking about the best way to reach them. And that’s where creativity comes in.

You need to create a promo video that will stand out from all the other noise on the internet. To do that, you need to be creative and think outside the box. Promo videos are all about making a connection with your audience, so don’t be afraid to experiment until you find what works best for them.

Finally, remember that effective promo videos don’t just happen overnight. They take planning, hard work, and dedication. But if you put in the time and effort upfront, you’ll be sure to create something special that your audience will love.

The Benefits of Using Promo Videos

1. Creating a promo video for your business can be an extremely effective way to promote your products or services. By creating a short, attention-grabbing video, you can reach a wide audience and increase brand awareness. Promo videos can also be used to drive traffic to your website or social media channels.

2. Videos are an incredibly powerful marketing tool and have been shown to improve click-through rates and conversion rates. In addition, people are more likely to share videos than other types of content. This means that your promo video has the potential to reach a large number of people, promoting your business to a wider audience.

3. Promo videos are also great for SEO (Search Engine Optimization). By including relevant keywords in your video title and description, you can increase your chances of appearing in search results and reaching potential customers who are looking for what you offer. Creating a promotional video is an excellent way to boost your online visibility and grow your business

How to Create a Great Promo Video

Assuming you want a blog titled “How to Create a Great Promo Video”:

Creating a great promo video can feel like a daunting task, but it doesn’t have to be! By following these simple tips, you’ll be on your way to creating a stunning promo video that will leave your audience wanting more.

First, determine the purpose of your promo video. What are you trying to promote? Once you know this, you can begin brainstorming ideas for your video. Keep in mind who your target audience is and what would appeal to them.

Next, start planning out your video. Write down a rough script or storyboard so you have an idea of what each scene will entail. This will help keep your video focused and on-topic. Then, start gathering footage or arranging for someone to film new footage specifically for your promo video. If using existing footage, be sure to choose clips that are high quality and visually appealing.

Finally, edit everything together into a cohesive whole. Add music or sound effects if desired (just be sure they’re properly licensed!) and make any final tweaks until you’re happy with the result. Then sit back and enjoy knowing you’ve created an awesome promo video!

Case Studies: What Works in Promo Videos

1. A promo video is a great way to show off your company’s products or services. But what makes a good promo video? Here are three case studies of businesses that created successful promo videos.

2. First, consider the story you want to tell. A compelling narrative will engage viewers and make them remember your brand long after they’ve finished watching the video.

3. Second, think about the production value of your promo video. High-quality visuals and audio will give your video an professional edge that will set it apart from amateurish videos produced by your competitors.

Finally, don’t forget to include a call to action at the end of your promo video. Encourage viewers to visit your website or sign up for your mailing list so they can learn more about your company and what you have to offer.

Conclusion

Assuming you have a limited budget for your promo video, there are a few key things you can do to make sure it is engaging. First, focus on creating a strong script. This will be the foundation of your video and help keep things focused and on track. Secondly, invest in some good quality production values – even if it means hiring professional help. Good audio and visuals will go a long way in making your promo video stand out. Finally, don’t forget to promote your video once it’s finished! A little bit of extra effort in getting the word out there can make all the difference in whether or not people actually watch it.

With these tips in mind, you should be able to create an engaging promo video without breaking the bank. Just remember to focus on quality over quantity, and promoting your final product effectively.

The post “How to Create an Engaging Promo Video on a Budget” appeared first on SwiftCreator.com.

https://ifttt.com/images/no_image_card.png https://swiftcreator.com/video-creation/how-to-create-an-engaging-promo-video-on-a-budget/

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#experience supplying #administrative support #complex schedules #budgeting #multiple projects #Excel

[christophermraerdon]

“How to Create an Engaging Promo Video on a Budget”

As a small business owner, you may be wondering how to create an engaging promo video on a budget. Promo videos are a great way to reach new customers and promote your products or services. With a little creativity and some careful planning, you can produce a high-quality promo video without breaking the bank.

1. Keep it short and sweet. Customers have short attention spans, so make sure your promo video is under two minutes long. Get to the point quickly and include only the most important information about your product or service.

2. Use visuals wisely. In addition to traditional footage, consider using infographics or animation in your promo video to break up the monotony and keep viewers engaged. Just be sure not to overdo it – too many visuals can be distracting.

3 . Use customer testimonials . If you have happy customers, ask them if they’d be willing to appear in your promo video and provide a testimonial about their experience with your product or service . This is one of the most effective ways to sell potential customers on what you have to offer .

Promo Video Creation Services

1. Creating a promo video is one of the most effective ways to market your business.

2. A promo video can be used to promote your products or services, highlight customer testimonials, or even introduce yourself and your team.

3. At Video Creation Services, we specialize in creating high-quality promo videos that will grab attention and get results. We have a team of experienced professionals who will work with you to create a custom video that meets your specific needs and goals. Contact us today to learn more about our promo video creation services!

Best Practices for Creating Promo Videos

When creating promo videos, there are a few best practices to keep in mind. First, make sure the video is high quality and well-produced. This will help it stand out and grab attention. Second, keep the video short and sweet – around 30 seconds is ideal. You want to be able to deliver your message quickly and efficiently. Finally, use catchy music and visuals to further engage viewers and leave a lasting impression. By following these tips, you can create an incredible promo video that will help boost your business or product.

Tips for Creating Effective Promo Videos

When creating a promo video, the most important thing to keep in mind is your audience. Who are you trying to reach with this video? What are their needs and wants? Once you know who you’re targeting, you can start thinking about the best way to reach them. And that’s where creativity comes in.

You need to create a promo video that will stand out from all the other noise on the internet. To do that, you need to be creative and think outside the box. Promo videos are all about making a connection with your audience, so don’t be afraid to experiment until you find what works best for them.

Finally, remember that effective promo videos don’t just happen overnight. They take planning, hard work, and dedication. But if you put in the time and effort upfront, you’ll be sure to create something special that your audience will love.

The Benefits of Using Promo Videos

1. Creating a promo video for your business can be an extremely effective way to promote your products or services. By creating a short, attention-grabbing video, you can reach a wide audience and increase brand awareness. Promo videos can also be used to drive traffic to your website or social media channels.

2. Videos are an incredibly powerful marketing tool and have been shown to improve click-through rates and conversion rates. In addition, people are more likely to share videos than other types of content. This means that your promo video has the potential to reach a large number of people, promoting your business to a wider audience.

3. Promo videos are also great for SEO (Search Engine Optimization). By including relevant keywords in your video title and description, you can increase your chances of appearing in search results and reaching potential customers who are looking for what you offer. Creating a promotional video is an excellent way to boost your online visibility and grow your business

How to Create a Great Promo Video

Assuming you want a blog titled “How to Create a Great Promo Video”:

Creating a great promo video can feel like a daunting task, but it doesn’t have to be! By following these simple tips, you’ll be on your way to creating a stunning promo video that will leave your audience wanting more.

First, determine the purpose of your promo video. What are you trying to promote? Once you know this, you can begin brainstorming ideas for your video. Keep in mind who your target audience is and what would appeal to them.

Next, start planning out your video. Write down a rough script or storyboard so you have an idea of what each scene will entail. This will help keep your video focused and on-topic. Then, start gathering footage or arranging for someone to film new footage specifically for your promo video. If using existing footage, be sure to choose clips that are high quality and visually appealing.

Finally, edit everything together into a cohesive whole. Add music or sound effects if desired (just be sure they’re properly licensed!) and make any final tweaks until you’re happy with the result. Then sit back and enjoy knowing you’ve created an awesome promo video!

Case Studies: What Works in Promo Videos

1. A promo video is a great way to show off your company’s products or services. But what makes a good promo video? Here are three case studies of businesses that created successful promo videos.

2. First, consider the story you want to tell. A compelling narrative will engage viewers and make them remember your brand long after they’ve finished watching the video.

3. Second, think about the production value of your promo video. High-quality visuals and audio will give your video an professional edge that will set it apart from amateurish videos produced by your competitors.

Finally, don’t forget to include a call to action at the end of your promo video. Encourage viewers to visit your website or sign up for your mailing list so they can learn more about your company and what you have to offer.

Conclusion

Assuming you have a limited budget for your promo video, there are a few key things you can do to make sure it is engaging. First, focus on creating a strong script. This will be the foundation of your video and help keep things focused and on track. Secondly, invest in some good quality production values – even if it means hiring professional help. Good audio and visuals will go a long way in making your promo video stand out. Finally, don’t forget to promote your video once it’s finished! A little bit of extra effort in getting the word out there can make all the difference in whether or not people actually watch it.

With these tips in mind, you should be able to create an engaging promo video without breaking the bank. Just remember to focus on quality over quantity, and promoting your final product effectively.

The post “How to Create an Engaging Promo Video on a Budget” appeared first on SwiftCreator.com.

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#computer scientist #experimental roboticist #university of denver #assistant professor #computer sci

[iamnmbr3]

Hi. I've been reading threw a number of your posts related to Loki 2021 and the general impression your post give is that you don't like how Loki 2021 has been written and present (which I understand because while Loki is not a favourite character of mine, I want to see his character done justices). And I guess I was just wondering how you would have tackled Loki 2021, using the plot elements that have been established in the show, but with your own spin. Thank you :)

That's a great question! I think the premise actually had a ton of potential. @nikkoliferous and I often talk about all the really cool things that could've been done and why it's so particularly tragic that they wasted all that good story setup. I think there are 3 main types of directions the story could've gone in with this premise (and then a lot of variations within each type).

Direction 1 - A buddy comedy with a heart

So I think this is what they were trying to go for with Loki and Mobius's dynamic based on the narrative framing and how all the interviews have presented Mobius in a positive light. (Though that's not what they actually wrote at all).

The way to do this would be to set Mobius up in a more sympathetic way and put him and Loki on more even footing. They could've had Mobius be almost as much a prisoner as Loki. They could have started out with him being pretty indoctrinated into the TVA worldview, but also being considered expendable. We could've seen his superiors threaten him with deletion if he can't make things work with the Loki Variant. Maybe he even feels some compassion for Loki and convinces his superiors that Loki can be useful and shouldn't be deleted since he's powerless to do anything else and he figures being enslaved is probably better than dying. Loki could actually be in-character and question Mobius's world view etc. And Mobius could to the best of his ability treat him decently instead of smugly mocking and tormenting him.

We could have Loki escape early on and end up bringing Mobius along with him, either by accident or because he realizes Mobius will be killed for losing him and he feels bad about it. Then we have them thrown together by circumstances and they could slowly grow to trust each other over the course of the show. The series could dig into the parallels between them. Loki could point out to Mobius that he repeats the propaganda he's been taught but he's hardly less of a prisoner than Loki and his masters are hypocritical. This could also lead to Loki realizing that while maybe he wanted to tell himself that he was an ally of Thanos's the truth was anything but.

While they're on the run both could start to realize they're experiencing freedom from the first time. Mobius could learn to question the TVA and Loki could realize that maybe he can be himself and doesn't have to be a tool of Odin or Thanos. Loki could could grapple with how much control he had while attacking NYC (thus allowing Disney to leave that a bit open to interpretation without totally sweeping the torture and mind control under the rug) and Mobius could grapple with how complicit he has been in the TVA's horrific actions.

Rather than Loki "learning to be trustworthy" (smh) Loki could learn to trust someone else and that not everyone will betray him. Mobius could also be a stand-in for more casual viewers and slowly realize that Loki isn't just the uncomplicated villain he at first took him for. There could be a nice mix of substantive character drama and entertaining hijinks. And of course in the end they could burn the TVA to the ground and liberate all realities. There's so many variations on this and @nikkoliferous and I often chat about them. Because the show could've been so good! And yet. </3

Direction 2 - The TVA & Mobius are acknowledged as the great villains they are

This is kind of what they're making by accident without acknowledging it which leads to a lot of emotional dissonance in the narrative. In canon the TVA is a horrific organization and Mobius seems happily complicit. He doesn't seem to have any compunctions about supporting their agenda of using murder, genocide, forced labor, enslavement, torture, police brutality, sham trials without due process, and privacy violation to eliminate free will. He happily forced Loki to toil under threat of death, mocks and humiliates him, manipulates him, and participates in acts of torture. He is INCREDIBLY creepy and a great embodiment of the "banality of evil" concept. The TVA is also absolutely terrifying.

If the show actually leaned into that it would create a great sense of narrative tension. Loki has escaped Thanos only to once again fall into the hands of a horrifically evil and powerful enemy. And it's up to him to figure out a way out of this situation and a way to liberate all of reality from their grip. In this scenario it might be useful to introduce some other prisoner characters so that he has some friendlyish faces to interact with...and potentially an army to lead against the TVA after he's won them over and figured out a plan.

Mobius's parallels to Odin and Thanos would work really well here because having Loki eventually defeat him and tell him he doesn't get to tell Loki who he is or make him into a tool of evil would be hugely cathartic. We'd get to see Loki stand up to and defeat someone who parallels the two individuals who have most hurt and manipulated him and decide to make his own way from now on rather than trying to be what others make of him. It would be awesome.

Direction 3 - TVA are twist villains

Some people think this might be the direction the show is going. The problem is that if that's true it'll just fall flat because the TVA is already clearly villainous so there's no twist. In the first episode already we see them commit acts of murder, genocide (wiping out a whole timeline because they believe the beings in that timeline belong to a class - variants - that are unworthy of life), police brutality, trial without due process, privacy violation, torture, and illegitimate imposition of rule (they are not elected in any sense and yet they have appointed themselves the arbiters of reality) all in the service of eliminating free will. That is...not what heroes do.

However they COULD have been good twist villains with just a few tweaks. Maybe they approach Loki and play on his deep yearning to be viewed as good and worthy as well as his self-hatred and poor self image to convince him that an "evil" version of him is wreaking havoc and they need his help. Maybe they also sweeten the deal by offering him protection from Thanos and the Black Order since he has no idea they are dead in this timeline. (If you wanted to keep audiences more in the dark you could have them just talk about the Black Order so that audiences at first assume they are still hunting Loki even tho Thanos is dead and don't realize the TVA is manipulating Loki).

At first they don't do anything overtly evil. The authoritarian aesthetic would seem like a humorous parody of office culture. It would then take on a new, much more sinister meaning when the TVA get's revealed as evil later and we learn that they obliterate entire timelines, murder people for the slightest infractions, don't view variants as people, and want to eliminate free will. Mobius could either appear first as a friend and then get revealed as a villain or have a redemption arc where he ends up siding with Loki.

Also for all of these scenarios the script and characterization should be good. I should see Loki, not Larry his dumb lookalike cousin. The script should have Loki doing and saying things that are in-character. (Which certainly doesn't preclude humor since Loki's wit is one of his most iconic features!)

#asks #loki tv series #Marvel #MCU #loki series #loki show #loki 2021 #loki tv show #my post

[the-hot-zone]

ATLA Meta: The Components of the Blue Spirit’s Theme

This is the Blue Spirit’s theme. It’s about a minute and ten seconds long, and an incredible amount of stuff goes into that time. I want to look at what we hear and when--and what that means. First, I am going to discuss two major moments of the theme and what they mean for Zuko; then, I will interpret other aspects of the theme and the tone they are meant to convey.

Firstly, from around 0:07-0:13, you hear three distinct, impactful bell sounds. They are loud; they are resounding; they are strong--almost like the stamping of feet. The theme begins with a statement. But what is that statement?

Well, listen to this. These are kagura suzu--a set of twelve bells used during kagura (which I will explain further down). These bells are small and higher in pitch, but if you listen to the lingering bell sound in between “impacts,” the bells in the Blue Spirit’s theme sound remarkably similar to kagura suzu. 

Kagura is a ceremonial dance in the Shinto tradition. It is performed in order to please/pacify kami, which is best translated as “spirits.” Folklore surrounds the origin of kagura:

The epics Kojiki and Nihon Shoki describe a folktale origin for the dances. In these texts, there is a famous legendary tale about the sun goddess Amaterasu, who retreated into a cave, bringing darkness and cold to the world. Ame-no-Uzume, goddess of the dawn and of revelry, led the other gods in a wild dance, and persuaded Amaterasu to emerge to see what the ruckus was all about. Kagura is one of a number of rituals and arts said to derive from this event. Originally called kamukura or kamikura (神座), kagura began as sacred dances performed at the Imperial court by shrine maidens (miko) who were supposedly descendants of Ame-no-Uzume. Kagura, in particular those forms that involve storytelling or reenactment of fables, is also one of the primary influences on the Noh theatre.

There’s a lot going on here--but folklore places kagura’s roots in the goddess of the dawn--which brings a new light and a new day. Additionally, the sound of bells was also thought to get the attention of gods so they would offer protection/wish fulfillment. Also, it's believed that the sound of bells will ward off evil; bells are a symbol of protection--and are associated with luck. 

So, what does this all mean? Why are these bells used in the beginning of the Blue Spirit’s theme? 

They make a statement about how Zuko views his actions during The Blue Spirit: as fate. It is his fate to capture the Avatar; it is his fate to return to the Fire Nation; it is his fate for him to reclaim his role as the Crown Prince and reserve his right to rule. This is his singular obsession that drove him for the past two-ish years because, once again, that is his fate. Thus, when Zhao captures Aang, this is a real obstruction to his spirits-willed path, and Zuko is willing to steal and sneak in order to capture Aang--he is willing to do dishonorable things for a chance to restore his honor. 

This is why the bells are used in the beginning of the theme. Zuko was born unlucky; the bells at the beginning of his theme call upon luck for his task. He is also calling on the spirits for protection--against Zhao. He wishes to capture the Avatar; this is his fate; therefore, the spirits will assist him. This doesn’t mean Zuko is literally invoking spirits in this episode, but the connection of the bells to spirits tell the listener about how Zuko views his actions: as fate, as willed by spirits.

But there’s a contradiction in the bells, too. They’re meant to ward off evil, but the Blue Spirit mask references an antagonistic force. A type of mask in Noh theatre was the Onryō mask, which often portrayed vengeful ghosts. The designs of these masks remind me of the Blue Spirit mask:

[ID: a photo of an Onryō mask used in Japanese theatre. The mask is humanoid, with two eyes, two ears, a nose, and a mouth. It is colored white. Two golden-colored horns sprout from the masks’s forehead, surrounded by wisps of painted-on black hair. The eyes are a dull gold, and the pupils are two circles cut out for the wearer’s eyes. The mask’s brows are drawn together. Its nose is wide, and its mouth is open in a snarl, revealing two rows of dull gold teeth. There are two fangs on the mask’s upper row of teeth, and two fangs on the bottom row. Its expression can be described as an anguished sneer. End ID.]

The Onryō is believed to be capable of causing great harm in the physical world by injuring or killing its enemies. There’s also the connection of kagura to Ame-no-Uzume, the goddess of the dawn. Dawn is associated with new beginnings and new light; The Blue Spirit is one of the first episodes in which the viewer realizes there is more to Zuko than meets the eye. Aang knows this, too: Do you think we could’ve been friends? 

Therefore, the first few seconds of the Blue Spirit’s theme are a contradiction: a representation of treason against the Fire Nation by cheating Zhao (dishonorable), and Zuko’s own desire to be lucky, to succeed in capturing Aang and thus fulfill his fate as the spirits will it (honorable). They make a powerful statement in regards to Zuko’s intentions and thought process. 

That’s the first 13 seconds. I’m not done yet. 

The bells from the beginning blend seamlessly into the sound of a tsungi horn. It decrescendos to almost nothing--then there is another pound of the bell, and another crescendo of the horn, as if they are at war. This is intentional because it’s not just a tsungi horn in this theme--it’s Iroh’s song. Listen here and compare--the melodies are the same. Thus, at the beginning of the theme, the bells and the tsungi horn are at war: Zuko’s belief in his fate is musically pitted against Iroh’s influence. The bells are loud, a clashing statement! but they fade into the tsungi horn. This does not mean, however, that Iroh’s influence has won. Far from it. The notes the horn plays are long, low, and sonorous. They stretch, as though reaching for something. They are a plea, evocative of mourning, perhaps for the son Iroh has already lost, and for the son he fears losing. 

Thus, this part of the theme is blatant foreshadowing. By making Iroh’s theme a part of the Blue Spirit’s theme, it seems as though the writers were wanting to make a statement about the role of the Blue Spirit in Zuko’s journey. 

Those are the two large moments I wanted to talk about meaning-wise. Next, I just want to talk about the sounds and what I think they’re meant to make the listener feel.

As stated above, the notes of the tsungi horn decrescendo and crescendo, giving the listener a feeling of suspense. Around 0:36, a slow, rhythmic strumming of a strings begins, adding to said suspense. Then, the string and tsungi break off at 0:43, and what starts at 0:47 is a light tapping of a chime or bell. These urge the listener to imagine quick, light footsteps, representing the agility of the Blue Spirit--like tiptoeing. This tapping chime ebbs and flows with the tsungi horn, adding more suspense and once again adding to the aesthetic of the Blue Spirit. It’s a fantastic bit of sound that perfectly captures the imagery of blue-tinged shadows, of carefully-placed footsteps. 

Around 1:05, a drum sounds, cutting off all sound. Then, the theme ends with the pounding of a drum that disappears just as quickly as it had appeared. It sounds like a heartbeat, they way it picks up and settles, as though a person has just made a choice. With that drum, the theme tapers away, just as the sound had done so many times throughout the song, leaving the listener with the impression that the Blue Spirit has more work to do: the theme, and thus all of its components, is not done yet.

All in all, I love the Blue Spirit theme. On a surface level, it invokes the perfect tone for the aesthetic of the Blue Spirit. Imo, on a deeper level, it represents Zuko’s view towards his fate and foreshadows his struggle. 

#am I doing meta right? #meta #atla #Avatar The Last Airbender #zuko #The Blue Spirit #I'm not saying the writers 100% decided to use kagura suzu but that's just what the theme reminded me of #this is kind of incomplete bc there's a lil bit I missed #but #here it is #Thank you for reading!

[immaturityofthomasastruc]

(Accidental 150 Follower Special) IOTA's Top 10 Worst Episodes of Miraculous Ladybug (Part 1)

If you saw one of my earlier posts, an anon asked what my favorite and least favorite episodes of Miraculous Ladybug were. So, I decided to make a little list explaining the best and worst this show has to offer.

A few quick ground rules here. I'm not going to list any episodes I had previously talked about in some of my other posts. This includes “Kung Food”, “Animaestro”, “Syren”, “Reflekdoll”, “Chameleon”, and most of the episodes relating to Chloe's “damnation arc” that Astruc planned since he first created the character (“Despair Bear”, “Queen Wasp”, “Malediktator” and “Battle of the Miraculous”). Also, I'm not counting the specials, mainly because aren't listed as episodes, and because I don't want to talk about them.

Other than that, anything goes, so let's get things started with the worst list.

These are the Top 10 Worst Episodes of Miraculous Ladybug (in my personal opinion because your opinion is also valid)

#10: Stormy Weather 2

“Stormy Weather” was the very first episode of the show, and it really made a good impression on new viewers. So naturally, when it was announced that Stormy Weather would return, fans were excited. Then when the episode aired, Hawkmoth gave her even more powers, including the power to create a volcano big enough to potentially knock the planet out of orbit when it erupts. So Ladybug and Cat Noir have no choice but to stop the villain once again.

What does this plot lead to?

Yep, this episode is nothing more than a clip show. I understand that clip shows and bottle episodes are a necessary evil, but why would you set up something this awesome with a fan-favorite Akuma like Stormy Weather, and then not even bother to show it?

This episode is yet another attempt at showing that the show totally has character development. The whole reason Aurore is Akumatized into Stormy Weather again is because Chloe says that people can't change because Astruc (who was one of the four people writing this episode) is determined to make you hate this teenage girl more than the main villain of the show.

So of course, everyone spends most of the episode talking about how much they've changed, which is represented through clips of past episodes that do a horrible job at actually conveying any development.

According to Marinette, Adrien has “become a friend she can talk to about anything, except when it comes to her feelings for him”. Ah yes, you can tell they're friends by the fact that they barely hang out together, much less share a conversation because the writers are going to drag out the whole “Marinette stammering in front of Adrien” until they get tired of it. So basically, never.

All Alya and Nino talk about is how Ladybug helped them become a couple, and become superheroes, even though neither of those are actually related to character development. Though that is a fitting metaphor for the way both of their personalities have basically devolved to “the couple”.

Chloe talks about how nicer she's gotten, while footage of her doing awful things is played. I wonder who wrote that part in...

Even Ladybug and Cat Noir talk about how much they've grown and how stronger they've gotten, as opposed to focusing on STOPPING ANOTHER ICE AGE FROM HAPPENING. How can Hawkmoth even think this will get him the Miraculous? Yeah, sure I guess he can get them from the frozen corpses of our heroes, but what then? He still doomed humanity, and I don't think he can reverse the damage like Ladybug.

Towards the end, the clip show becomes slightly interesting, as Adrien mentions an unsigned card he got for Valentine's Day in “Dark Cupid”, and how similar the handwriting looks to Marinette's.

Does this lead to Adrien figuring out Marinette has feelings for him? Is the sky bright red? Both of these questions have the same answer.

Yeah, out of nowhere, Adrien just mentions Luka, who wasn't mentioned at all in this episode, and immediately thinks Marinette is in love with him. And that's how the episode ends.

I put this at the bottom of the list because I don't think it's completely fair to judge clip shows, but even some clip shows at least try to put in some effort and justify the clips, like what The Legend of Korra and some seasons of Power Rangers did. And the fact that the whole point of the episode is a poor excuse to claim that there's character development in the show only makes it even more infuriating.

Oh my God, this is only Number 10...

#9: Oblivio

While I already talked about “Cat Blanc”, this episode shares a similar theme as that episode: Giving viewers what they've wanted for three seasons, Marinette and Adrien finally learning each other's identity and starting a romantic relationship... only for the reset button to be once again slammed, making the entire episode pointless.

The only difference is that unlike in “Cat Blanc”, where there was an actual love confession that made sense, here, Marinette and Adrien find out the other's identity when they get their memories wiped by the Akuma of the week, Oblivio.

From then on, it's just fanservice. Instead of actually developing the relationship between Marinette and Adrien, the writers just decide to cram an entire episode worth of Adrienette content into a single episode just to tide fans over. Marinette and Adrien seriously fall in love despite only knowing each other for like, an hour at most. And the fact that the writers undo all the romantic progress of the episode makes it come across as pointless.

But the ending is what really cements this episode's spot on the list. As soon as Oblivio is defeated, Alya takes a picture of Ladybug and Cat Noir kissing without their consent and then rubs it in Ladybug's face.

Even though Ladybug doesn't know the circumstances (she has no memory of the events of the episode), this was still an invasion of her privacy, and she looks horrified by the picture that Alya is obviously going to post on her blog.

And of course, Cat Noir is more than happy to see it, ignoring how Ladybug feels and claims that they'd make a great couple. Because everyone knows good couples are formed by someone gaslighting the other into going out with them.

But wait, it gets better! In the next scene, we learn that Alya and Nino were akumatized into Oblivio... because they were caught in an embarrassing situation by their peers.

Alya: Remember when we visited Montparnasse Tower? Well, we went and hid to play Super Penguino, but Ms. Bustier caught us, and...

Nino: And you guys made fun of us for playing that game, saying it wasn't our age and all.

Alya: We were totally embarrassed at getting caught.

This was my thought process when I first heard Alya and Nino's explanation.

How can Alya claim to take a compromising picture of Ladybug, ignore how she feels, and not realize the similarity from when she and Nino were akumatized? This is what completely killed Alya for me in canon. This was the point where I couldn't care less if Marinette was friends with her or not. Sure, there are still fanfics, but those actually portray her with some kind of conscious. So to summarize, Fanon Alya is awesome, but I hope Canon Alya's 4G plan runs out.

This episode is just forgettable, but the ending made things worse. Apart from, I guess the action scenes and some funny jokes, this episode has no redeeming qualities. Like, literally the best thing to come from this episode was @miraculouscontent​‘s LadyBugOut AU, as it actually addressed the hypocrisy of Alya's character, among other problematic aspects of the show.

#8: Oni-Chan

Just a heads up, most of the episodes on this list are from Season 3. Just want to give you an idea of what to expect.

This episode is about Lila tricking Adrien into helping with her homework, when she is only doing it to get closer to Adrien. Marinette tries to spy on the two and stop Lila from hurting Adrien... even though she knows Adrien is aware that Lila is a liar, and is visibly uncomfortable around her.

And because the episode spends so much time on Marinette following Adrien and Lila, the buildup to Kagami getting akumatized is incredibly rushed. Seriously, she gets a single line of dialogue before she gets akumatized, and the motive is ridiculous too. Lila sends a picture of her forcing a kiss on Adrien, and Kagami immediately bursts into tears at the sight of it.

But wait, it gets better! When Kagami is akumatized into Oni-Chan (the writers know that's a term used for males in Japan, right?), she turns into a psycho hellbent on killing Lila because “Adrien doesn't deserve her”. Most of her dialogue is her saying how much she loves Adrien, making her come across as, for lack of a better word, a yandere.

This episode just destroys Kagami's character, making her as unlikable as Katie Killjoy in the process. If it wasn't for “Ikari Gozen” actually treating her like a human being (obviously Astruc's planned character development from the beginning), I'd completely hate her.

It also shows how much of an evil genius Lila is, as she has the brilliant idea to convince Oni-Chan to kill the only person capable of saving her from the Akuma's wrath. And this somehow gives Hawkmoth the idea to forge an alliance with Lila. It's also another reason why I believe in Darwinism.

This episode is low on the list because it does have a few redeeming qualities, like Lila facing consequences for lying, however brief they may be, and it has a great character moment with Adrien realizing on his own how terrible Lila really is, a far cry from what he was like in “Chameleon”.

Other than that, it's pretty bad, and still deserves a spot on this list.

#7: Antibug

HA! I said MOST of the episodes involving Chloe's “Damnation Arc” wouldn't be on this list, but not ALL OF THEM, so this one counts! Take that, convoluted rules I made up for some reason!

What was I talking about again? Oh right, “Antibug”. Oh crap, “Antibug”...

This is one of of several episodes in Miraculous Ladybug that really should have been a two-parter. It tries to be daring and includes two Akumas in one episode, but both of them are poorly executed.

An invisibly entity starts harassing Chloe, so Ladybug and Cat Noir start an investigation. It turns out to be Chloe's lackey Sabrina, who was akumatized after a falling out between the two. Well, I say “falling out” lightly, because what actually happened was that Chloe and Sabrina were cosplaying as Ladybug and Cat Noir, Chloe pretended to be the real deal while crashing an interview with Jagged Stone before Sabrina accidentally blew her cover, causing Chloe to be humiliated on TV and end her “friendship” with Sabrina.

Ladybug learns this from Chloe's butler, while Chloe never mentions the incident. So when Ladybug and Cat Noir engage the Akuma, Ladybug ignores Chloe's advice on where the corrupted object, naturally not trusting her judgment. And this is portrayed as a bad thing.

This episode is the start of a long-running trend in Miraculous Ladybug: Marinette needing to learn a lesson, while Adrien/Cat Noir is the one to help teach that lesson.

Chloe did nothing to help, only made things worse, and lied about why Sabrina got akumatized. It's kind of obvious why Ladybug wouldn't trust her word. The whole point of The Boy Who Cried Wolf wasn't to trust the liar after all.

But if that was all the episode did, it wouldn't be on the list, because now, the narrative wants to make the audience feel bad for Chloe before she gets akumatized into Antibug... who is just a lazy palette swap because new character models are expensive.

This part of the episode isn't nearly as bad as the first half, but like “Oni-Chan”, Chloe's akumatization is incredibly rushed, and we don't really get a chance to sympathize with her before she goes full Antibug.

Even Antibug herself isn't that interesting of a villain. The whole idea of an evil doppelganger is that they're a perfect match for the hero, but we only see Ladybug and Antibug fight for a few seconds, while Cat Noir does most of the fighting with her while Marinette's Kwami recharges. I like that Ladybug and Cat Noir show their teamwork to defeat Antibug, but I feel it would have been more interesting to see Ladybug and Antibug duke it out before Cat Noir helps turn the tide.

Again, this episode really needed to be a two-parter to better expand on the story presented here, because it had a really interesting premise. I'd personally read the version of “Antibug” in @justanotherpersonsuniverse​‘s “The Adventures of Panthera Noire” (an AU fanfic where shy girl Juleka gets the Cat Miraculous instead of Adrien). Not only does it have two separate chapters for Vanisher and Antibug, it also does a good job of setting Chloe on an actual redemption arc, unlike Astruc's “damnation arc”.

#6: The Puppeteer 2

As much as I've ragged on Adrien/Cat Noir in some of my other posts (and will continue to do so in this list), that doesn't mean I think Marinette has problems too, and this episode is a prime example.

Marinette and Adrien go to a wax statue museum with their friends (and Manon), but because of a poor choice of words by Nino, Adrien thinks that Marinette hates him. So he does something that everyone loves, practical jokes.

Adrien seriously thinks that pranking Marinette will improve her opinion of him. Even the prank is ridiculous, pretending to be a wax statue to make her laugh. And it leads to... Oh God... This is easily the contender for one of the worst moments in the entire show. Marinette goes up to the statue and... gets close to it. Yes, we, the audience know that this isn't a statue, but putting that aside, just look at what Marinette does to the “statue” (AUTHOR’S NOTE: I made a gif from the episode, but it wouldn’t go through, so I recommend you check out the episode and watch the statue scene for yourself if you don’t value your sanity). Even Adrien, as dense as he can be, is a little unsettled by what Marinette does.

If the scene was about Marinette talking about her feelings for Adrien, I'd be more lenient on it, but this? This is just uncomfortable to watch.

Even the dialogue makes Marinette sound incredibly creepy.

Marinette: Wow... it looks so... real. The wax is nearly as hot as skin. It even smells exactly like him...! Oh, beautiful statue of Adrien, your wax is so soft! Your yak hair is silky. Your eyes are so green. Oh, shall I be a statue, too! Everything would be so much easier. Why haven't we been molded together in the plaster of destiny? Marble to marble, wax lips against wax lips, entwined for eternity...

I think Gilbert Gottfried said it best.

This scene alone put this episode on the list, and the Akuma doesn't make it better. I really liked “The Puppeteer”, and I thought her ability to control past Akuma victims was incredibly fun to watch. And when she returns to take control of the wax statues of past Akumas they... don't use their powers (with the exception), and serve as cannon fodder for Ladybug and Cat Noir to plow through, making the return of the villain very underwhelming.

Even the end where Adrien tells Marinette that he is in love with someone and only sees her as a friend. This should devastate Marinette, but in the next scene, thanks to some fortune cookie nonsense from Tikki, she's still unsure about her relationship with Adrien, and that's how the episode ends. Seriously. Because just need to keep the status quo consistent, right? It's not like Marinette doubting her crush on Adrien and worrying that she's just wasted her time would have been interesting to see, right? Play that happy ending theme already!

Of all the episodes on this list, this is the one I was dreading talking about the most because of some of the moments here. And yet, there are still episodes that are worse than this one...

Here’s Part 2

#immaturity of thomas astruc #thomas astruc #thomas astruc salt #miraculous ladybug #miraculous ladybug salt #marinette dupain cheng #ladybug #adrien agreste #cat noir #alya cesaire #nino lahiffe #chloe bourgeois #aurore beauréal #kagami tsuguri #sabrina raincomprix #lila rossi #gabriel agreste #hawkmoth #hawk moth #nathalie sancoeur #mayura

[scoutception]

Yet again ranking the 5 animes I’ve watched most recently

After losing the will to just sit down and watch it for quite a while, I’ve finally gotten through 5 anime series yet again, and, as is tradition for me by now, I’ve decided to just type out my thoughts and rankings of them, with my first two posts of this nature being here and here. As usual, this is just my personal thoughts, and the only other thing worth noting before I start is that, unlike last time, I do think everything listed here is at least decent on its own. With that, I’ll just get to it. 5. Robotics;Notes

Number of episodes: 22. Language options: dub and subs available. Streaming availability: Funimation. Robotics;Notes is an adaptation of a visual novel, which I actually just wrote a review on, which can be found here. Long story short, it’s the third entry in the Science Adventure series, the same series Steins;Gate is part of, unknown to most people, with Robotics;Notes technically being the sequel to it. Originally aired in 2012, the same year as the visual novel was released, and made by Production I.G, Robotics;Notes is in an interesting middle ground between the acclaimed and popular Steins;Gate animes and the downright awful and obscure Chaos;Head and Chaos;Child animes, and until 2020 was the only option those who didn’t speak Japanese had to experience it at all. Since I went into so much detail in said visual novel review, I’m mostly going to focus on how the anime holds up both by itself and as an adaptation. Ever since its creation nearly ten years ago, the dream of the Chuo Tanegashima High Robotics Research Club has been to finish Gunbuild-1, a lifesize recreation of Gunvarrel, the titular mecha of an insanely popular anime that’s credited with starting a “robot boom” within Japan, and the club’s current president, Akiho Senomiya, the little sister of the club’s founder, Misaki Senomiya, is extremely determined to see this dream achieved. Unfortunately for her, the club has fallen on hard times, with its funding being cut, its advisor being completely unreliable, and the few other members it has, namely Kaito Yashio, Subaru Hidaka, Junna Daitoku, and Kona Furugoori, aka Frau Koujiro, being quite difficult in their own ways, and often more than Akiho can handle. While Akiho puts her all into finally bringing the club to greatness, the otherwise apathetic Kaito finds himself involved with a mysterious AI called Airi, who exists within the augmented reality app IRUO. Airi’s creator, the deceased Kou Kimijima, turns out to have also created several AR annotations scattered throughout Tanegashima, titled the Kimijima Reports, which warn of a grand conspiracy that will utterly devastate humanity if unopposed. I’m not the most unbiased viewer, since I had played, and enjoyed, the visual novel months before watching this anime, but generally, it’s actually an enjoyable time. Some of Robotics;Notes’ biggest strengths were always its cast of characters and lighter tone, and for the most part, the anime preserves both well, keeping it mostly silly, but endearing early on. The artstyle actually matches up fairly well with the VN’s CGs, and the dub, which I watched just to spice things up, since I already knew the Japanese voice cast was quite good, is overall solid, with Clifford Chapin as Kaito, Lindsay Seidel as Akiho, and Monica Rial as Junna especially sticking out to me. As an adaptation, on the other hand, it falls short in quite a few places, namely when it comes to characterization. While obviously, no adaptation could feasibly fit in every detail from its source material, the Steins;Gate anime managed to preserve almost all of its cast’s characterization, whereas in Robotics;Notes, several characters lose prominent details to their backstories or personal conflicts, or act differently in scenes unrelated to that, making quite a few of them come off different. While instances of the latter case, such as Junna coming off as less shy and hesitant, don’t necessarily worsen anything for the most part, the former definitely does, as it makes the affected characters much less developed and interesting. Nobody suffers from this worse than Kaito himself, who loses most of his backstory, motivations, and arc, to the point of one of his best moments being changed from something intentional to completely accidental, with the end result making him come off as a completely different character, and an inferior one, at that. Additionally, around episode 16, the anime starts diverging pretty significantly from the VN, and not in ways that are improvements, to the point it even leaves a few otherwise preserved scenes in earlier episodes without context. Overall, I can imagine the Robotics;Notes anime still being a decent, if unremarkable watch on its own, and was certainly an interesting and fun way to reexperience the story, and definitely fares better than many visual novel adaptations, but I can’t quite say I’d recommend it. If Robotics;Notes interests you, the visual novel is very much preferred. 4. Nichijou

Number of episodes: 26. Language options: dub and subs available. Streaming options: Funimation. Here we have one of the most acclaimed anime comedies out there, an adaptation of Keiichi Arawi’s surreal sketch comedy manga series, produced by Kyoto Animation, a name that’ll be showing up here again later. Nichijou mainly focuses on two different trios of characters. There’s the ordinary high school girls Yuuko Aioi, a rather dim and reckless girl with terrible luck, Mio Naganohara, the most relatively normal one of the cast, whenever she’s not having explosive freak outs that involve beating people up, and Mai Minakami, a stoic girl who enjoys messing with people just for their reactions. On the other hand, there’s the far less ordinary Shinonome Laboratories trio of Professor Shinonome, an 8 year old girl who happens to be capable of building incredibly advanced machines, Nano Shinonome, a robot built by the Professor who desperately desires a normal girl more than anything, and Sakamoto, their pet cat who, thanks to a special scarf also made by the Professor, is capable of talking. The series focuses on their would-be ordinary lives, were it not for the seemingly daily chaos they get involved in, from witnessing the school principal wrestle a wild deer, to being trapped in an elevator for hours, to the school science teacher attempting to capture Nano for study. It also follows the antics of several other side characters, such Koujiro Sasahara, the seemingly upper class student who is actually just the son of a family of farmers, to Misato Tachibana, a very typical tsundere towards Sasahara, whose tsun side manifests as assaulting him with military-grade weapons, to little effect, to the equally quirky teachers of their school. Needless to say, it’s a very silly and chaotic series, and that’s exactly what makes it so memorable. The humor is pretty hit and miss in the first half of the series, but from episode 14 onwards, they thoroughly master it, with every episode having at least a few scenes that got me laughing. Beyond the silliness, though, the series actually has a lot of heart to it. There’s a few moments that change up the status quo, or even develop the characters just a bit, and some scenes are surprisingly sweet, if still played for laughs more often than not. There’s also a lot of continuity, which in later episodes often provide the punchlines to some of the best gags, which definitely encourages watching the whole series. The Japanese voice acting is fittingly crazy for each character, and the animation fits perfectly, as while the character designs are quite simple, there’s many would be mundane moments that have contrasting overly impressive and exaggerated animation that makes them very memorable. All in all, Nichijou is a very enjoyable series once it finds its groove, and about the only reason its not higher on my rankings is just because pure comedies aren’t really one of my favorite genres. Still, if you ever want a good laugh, you can’t go wrong with this. 3. Soul Eater

Number of episodes: 51. Language options: dub and subs available. Streaming availability: Netflix, Funimation. Soul Eater is yet another adaptation, this time of a manga by Atsushi Ōkubo, produced by Studio Bones, who also did the Fullmetal Alchemist animes, and is quite similar to the original FMA series in that it outpaced the manga and, rather than simply overloading itself with filler, decided to go in an entirely different direction by the end. The Death Weapon Meister Academy is a school founded by Death himself, dedicated to the training of Meisters, who wield Weapons, humans with the ability to shapeshift into weapons, for the purpose of destroying Kishin Eggs, evil beings who have consumed the souls of others, and pose the risk of transforming into extremely dangerous demons. Any Meister who can collect the souls of these corrupted beings, as well as the soul of a Witch, can transform their Weapon into a Death Scythe, the personal arms of Death. Among the students of the DWMA are seven Meisters and Weapons who stand out in particular: the teams of Maka Albarn, a kind hearted and responsible, though temperamental, girl, her Weapon, Soul “Eater” Evans, a laidback and snarky wannabe “cool” guy, Black Star, a prideful and loudmouthed ninja who’s seemingly always out to make a spectacle of himself, regardless of how it hampers him, his Weapon, Tsubaki, a humble and levelheaded woman, Death the Kid, the son of Death and one of the top students in the cool, held back only by a crippling obsession with symmetry, and his Weapons, Liz and Patty Thompson. While these seven gradually come together as a team, a Witch named Medusa begins to put an ambitious and destructive plan into motion, one involving her “child”, Crona, and the strange, insanity inducing black blood that courses through their veins. Soul Eater has a lot going for it. A likeable and crazy cast of characters, even the side ones, like the maniacal Doctor Stein, or the surprisingly goofy and casual Death, or the tragic Crona, or the hilariously egotistical Excalibur, to a lot of fun action scenes, to its great animation and overall unique visual design, including the sun and moon having giant, creepy laughing faces. It has a lighthearted, comedic tone that doesn’t detract from the serious moments, and the main characters get some pretty good development as the series goes on. The dub is also great, with Laura Bailey as Maka, Micah Solusod as Soul, Brittney Karbowski as Black Star, and Todd Haberkorn as Death the Kid especially sticking out to me. In general, I don’t have a lot of significant criticisms, besides how the story is handled once the villainous organization Arachnophobia is introduced, which is also about where it begins to deviate from the manga. Most of the villains part of it never really feel like a threat, and the story becomes much more simple and typical compared to how the manga went, and when the ending arrives, it just kinda, happens, with several notable subplots just kinda left unfinished. It definitely feels like an underwhelming ending, and is a big reason why I place this lower on the list, but Soul Eater is still a pretty entertaining watch that’s worth a try if you want a decently lengthy, but not horribly long shonen. 2. The Melancholy of Haruhi Suzumiya

Number of episodes: 28. Language options: dub and subs available. Streaming availability: Funimation. Here we have the big one, an extremely memetic and famous series by Kyoto Animation, based on a series of light novels by Nagaru Tanigawa, a series that was finally completed back in November 2020 after its start in 2003. Kyon is a lazy and down to earth high school student who wishes for little more for himself than an uneventful, normal high school life- a hope that’s abruptly shattered when, on a whim, he becomes involved with Haruhi Suzumiya, an eccentric, hyperactive, and thoroughly self centered girl, who claims to have no interest in ordinary humans, and instead wishes to discover things thoroughly unusual, such as aliens, time travelers, or espers, and forces Kyon to form a club, the SOS Brigade, with her to achieve this. Haruhi quickly pulls three other students into the brigade, those being Yuki Nagato, a stoic and quiet bookworm, Mikuru Asahina, a shy and passive girl often subjected to humiliation and abuse by Haruhi, and Itsuki Koizumi, a calm transfer student who acts extremely subservient to Haruhi. While Kyon initially writes off the club as an unreasonable use of his time, his fellow members reveal an unexpected truth to him: the subjects of Haruhi’s fascinations actually do exist. Yuki is an alien, of a sort, created and controlled by an entity known as the Data Overmind, Mikuru is a time traveler from some point in the future, and Itsuki is an esper, and member of an organization of similar people. All three of them have been sent to observe the oblivious Haruhi, who appears to have the unconscious ability to change reality itself according to her desires, and is at threat of remaking the entire world if not placated. With Haruhi apparently having taken a unique interest in Kyon, he finds himself taken along for all sorts of supernatural adventures spawned from Haruhi’s whims. There’s a lot I could go on about regarding Haruhi, but in the interest of not turning this into a full on rant, I’ll keep shortish. It’s more or less an insane mishmash of several different genres, from slice of life, to science fiction, to fantasy, just depending on what each individual story feels like being. The episodes are mostly adapted from the early light novels, mostly the multiple stories from the third and fifth novels, The Boredom and The Rampage of Haruhi Suzumiya, respectively. It’s not often you’ll have any idea just what to expect from each individual episode, which makes the series very chaotic, but interesting. The characters are likeable and memorable, including the side characters, and the sheer ridiculousness of what goes on makes for many amusing moments. At the same time, the series is surprisingly complex, with many possible interpretations of its characters and the events they go through, furthered by the antics Kyoto Animation pulled when it was originally airing, such as airing the episodes out of chronological order, meaning the plot would often jump from the middle of an arc to something else. The end result is a very unique and enjoyable product, helped by the fantastic dub, with the actors capturing each character perfectly, from Crispin Freeman as the grounded and snarky Kyon, to Wendee Lee as the aggressively energetic Haruhi, to Stephanie Sheh as the gentle, yet secretive Mikuru. That said, there is one pretty disappointing part of it all, and that’s the second season, mostly thanks to the infamous Endless Eight arc, an eight part arc that’s more or less the same things happening over and over, with only the first and last episodes having anything noticeably different. Regardless of its own uniqueness, more than half the season is taken over by this, and something that may have worked if cut down to three or four episodes instead singlehandedly killed off the series’ goodwill. About the only redeeming factor of the second season is the five part adaptation of The Sigh of Haruhi Suzumiya, which has some of the funniest moments in the whole series. Overall, Haruhi is still a very fun series, and I’m really gonna have to watch its movie, The Disappearance of Haruhi Suzumiya, one of these days. 1. Trigun

Number of episodes: 26. Language options: dub and subs available. Streaming availability: Funimation, Hulu. Finishing off this list is an adaptation of a manga series by Yasuhiro Nightow, produced by Madhouse and another adaptation that overtook its source material. Compared to how Soul Eater handled it, however, Trigun went down much, much better, to the point Nightow himself had nothing but praise for how the anime turned out, and the series is generally considered one of the best animes of the late 90′s. On the harsh desert planet of Gunsmoke lives a wandering gunslinger known as Vash the Stampede, the “Humanoid Typhoon” with a large handgun known to leave tremendous destruction in his wake, who amassed a bounty of $$60,000,000,000 after destroying the city of July, leading to an endless trail of bounty hunters out to collect the price on his head. In the middle of all this, Meryl Stryfe and Milly Thompson, two representatives of an insurance society which is often forced to pay for damages caused by Vash, track him down for the purposes of minimizing the chaos he causes. Upon catching up with him, however, the duo discovers that, contrary to his reputation, Vash is a kindhearted goof, and self proclaimed hunter of love and peace, who absolutely refuses to ever take another person’s life, even at great personal risk to himself. Vash continues his travels carefree, helping out whoever he can, with the occasional assistance of Meryl and Milly, as well as a traveling priest known as Nicholas D. Wolfwood, only to one day have an encounter with a mysterious and cruel man known as Legato Bluesummers. Vash soon learns that Legato has hired a group of assassins known as the Gung-Ho Guns to kill Vash, and leave a trail of bodies wherever they go, seemingly for the sole purpose of tormenting Vash. As Vash hunts down Legato, he is gradually forced to face his past, and consider whether he can truly stay committed to his pacifist ideals. In general, Trigun is just a very, very well made series. It has a likeable and developed cast of characters, with special mention going to Vash, who is a very compelling and sympathetic character, and Wolfwood, who makes a great foil to Vash with very interesting development of his own, with characters outside of the main cast being memorable as well, from Legato himself, to even some of the more minor villains, such as the varied members of the Gung-Ho Guns, or Brilliant Dynamites Neon, who makes an inexplicably strong impression for a one off villain not even important to the overall plot. The space western setting is quite good, and the designs are great, with many villains having distinctive looks that further help them make an impression. The action is great, and the animation is also quite good, and has that 90′s anime charm. The dub, while a bit rough around the edges, is generally solid too. From Lia Sargent as the ditzy but kind Milly, to Dorothy Elias Fahn as the hotheaded Meryl, to Jeff Nimoy as the weary Wolfwood, to Richard Cansino as the calculating and disturbing Legato, with special mention needing to go to Johnny Yong Bosch as Vash. Despite it actually being his first voice acting role ever, he does a great job in portraying the many sides to Vash, and absolutely sells many of the biggest moments in the story. Speaking of which, the series started quite lighthearted and wacky, with the first four episodes actually being filler, but gets gradually darker as it goes on. The earlier episodes are still quite enjoyable on their own, though, and manage to slowly reveal new aspects to Vash in each one, before finally setting his nature in stone in episode 5. What really sells the series and makes it so memorable, however, are the themes it explores, of the practicality of unwavering pacifism, and whether taking a life, whether for heinous crimes committed without remorse, or with the purpose of protecting others, is ever justifiable. While quite a few series have touched dilemmas like this before, what makes Trigun stand out with it is the emphasis placed upon it throughout the whole series, with many episodes touching upon it in some regard. It genuinely fairly looks at the different sides of it all, and the consequences of each, with many emotional moments coming from it as a result. While the manga did ultimately take a very different turn from the anime, the anime actually preserves several of the most important plot moments, and manages to come to a satisfactory conclusion of its own regarding the themes. Ultimately, Trigun makes for a very fun and interesting watch that I highly recommend. And with that, my ranking is complete. With the exception of Robotics;Notes, I can pretty confidently recommend every show on this list. Got some more shows I plan to get through soon, so another ranking like this may be soon in the making. Either way, till next time. -Scout

#anime #trigun #nichijou #haruhi suzumiya #the melancholy of haruhi suzumiya #soul eater #robotics;notes #long post

[silverducks]

Game of Thrones - Jaime Lannister

A rambling character study of Jaime Lannister from Game of Thrones.

Part 1a – Jaime’s Character Arc

This post is going to look at my thoughts on exactly how I see Jaime’s character arc in Game of Thrones, based on just the show. But it’s also to set up my future posts where I explain why I find it so darn hard to understand why he had the ending they gave him. At least beside the obvious - because the writers wanted to.

Yeah I know; I’m late to the GoT train wreck of a final series. But I have a lot of thoughts and hence why I’m here typing away.

(And this is where I start to really go all English Lit exam analysis on you, so a warning for anyone who actually might be reading this post, LOL!)

My Intro to this series of posts btw, is here.

So, spoilers be below.

Ok, so to help explain why Jaime’s ending makes no sense, I firstly need to explain what exactly his character arc is in the show, or at least how I perceive it. As mentioned in a previous post on honour vs loyalty, for Jaime I see his character arc being about two, interconnected things – redemption and identity.

In series 1 and 2, he’s not a nice character – he’s a self-righteous, proud, full of himself, snob. He’s arrogant and cocky and says pretty cruel, snide things to characters we do like. And as we see him through the PoV of characters like *Mr Honourable Eddard Stark, Jaime is pretty despicable to say the least. And that is before we even get started on the whole pushing a boy out of a window because he caught Jaime having sex with his own twin sister. Oh and just as an FYI, Jaime is also called the Kingslayer because he killed the King he was sworn to protect. So yeah, most people watching the show don’t like him at the start, and neither do most of the other show characters we do like.

And from a story telling perspective, Jaime’s character can either get worse, better or stay the same as the show goes on. And in this story, he gets better, with a few slip ups along the way, and it’s fascinating and glorious!!

Like, I can think of nothing that even comes close to the amazing way Jaime Lannister’s character develops in Game of Thrones and how we as a viewer change in our perception of him.

But that only makes his ending so much more frustrating and disappointing…

Before I start rambling away though, just as a point to note; I’m using terms like good and better person and right and wrong quite loosely here. Obviously the world, even in a fictional world, isn’t all that simple. As that would be a whole other massive thematic and philosophical thesis, and it’s not really that relevant, just take the “general” meaning of the ideas, but with the understanding I know it’s a bit more complicated. Where I think it does become more relevant, I’ll expand on the ideas in that particular context. If I sound a bit flippant at times, it’s because of the whole black vs white vs grey, and how there are “rules” in storytelling that wouldn’t necessary apply to our own, real life reality. There are things that we need to take into account when we analyse characters in stories vs actual, real people. And on a side note, this is one of my favourite things about Game of Thrones, the complexity and moral ambiguity of both its characters and its story themes. But yeah, that’s a whole thesis in its own right.)

Redemption Arc

So, redemption. In order for us to start to like this character, and see him as a good guy, he has to go through a redemption arc. Like pretty much rule number 1 of storytelling. That means we have to watch him and believe in him becoming a better person. Conversations like the whole oath vs oath issue, or his chat with his father about his nicknames in series 1 makes us take notice of a character, maybe even be more invested in a character and their shades of grey, but it’s not really redemption. And considering how far in debt he is in the good vs bad guy department, he has a lot of work to do.

And my goodness, he does it. Like, I mean, this guys’ redemption arc is astonishing! He goes through so much, rethinks and challenges everything he once thought/knew about himself and his world, faces all his past wrongs and bad character traits and becomes not even a better person, but a hero! He goes from a bad villain who kills kings and pushes kids from windows, to becoming one of the main heroes we’re rooting for by the end of the story.

(A quick disclaimer here, like I’m not saying Jaime is ever, or ever will be perfect, heck, he’s human and this is Game of Thrones and Jaime’s more messed up than most. But when you think back from where he started and where he’s been, it sure is impressive – if we ignore his actual ending that is, LOL!)

And his glorious redemption arc all pretty much starts around the time he starts his fun road trip with Brienne in series 3.

So, just to give a few of his finer redemption points (and just remember his series 1 and 2 actions and our opinion of him in contrast):

He stops Brienne from being raped and gets his hand cut off for the trouble (Ouch! But suffering, especially from doing something good, gives lots of redemption points.)

He risks his life to save Brienne from being mauled to death by a bear. Like, he’s recently lost his sword fighting hand and has no weapon, but he jumps in the bear pit anyway and puts himself between the bear and Brienne. He then helps Brienne out of the bear pit first and then only just makes it out alive himself. Oh and if that wasn’t enough, he basically tells the bad guys that he’s leaving with Brienne, or they will have to kill him. Like he says this to the guy who not so long ago chopped his hand off. (Just think on that one a minute ok.)

He keeps to his promise/oath to Catelyn Stark and continues to help her daughters by giving Brienne a priceless sword and some stunning armour so she can find and help them. (This also helps Brienne, because he knows she’s not safe in Kings Landing, and gives her a purpose, because he knows that’s what she needs.)

Firstly offers to sacrifice his own life needs and goals and those vows he’s now starting to hold more dear to save his brother. When said brother then screws up that opportunity, Jaime then also helps said brother escape from being killed, going against his sister and father, who want his brother dead. (Yeah, the Lannisters are an interesting family… And you wonder why Jaime is a little messed up?)

Takes RiverRun without any bloodshed. (Like pulls off the perfect bluff in GoT siege history so that he can make sure his army succeeds, but no one is killed. (I don’t count the Blackfish, who chose to fight to the death rather than escape/get taken prisoner.)

Joins the fight for the battle against the dead, even if it also means renouncing his entire house and lineage and putting himself at the mercy and judgement of pretty much all his enemies and all he has wronged. (One of which has a habit of roasting her enemies alive with Dragon fire)

Oh and also risks his life in above mentioned battle against the dead.

A pretty impressive list imho, lots of redemption points there and that’s not even including everything else he does. Following the general storytelling themes of forgiveness and redemption, Jaime basically ticks all the boxes by all the good deeds he’s now done. And that’s one of the major reasons why we as viewers now love him so much as a character.

But that’s not all, of course. As we discover also in series 3 (a pretty important series for our Jaime), it’s not even just about him doing good things, but we realise as an audience we’ve (intentionally by the show) completely misunderstood him! Yes, he did kill the King he was sworn to protect, but only because said King was mad and was about to blow up the entire capital city where hundreds of thousands of innocent people live. And not only did he do this incredible honourable thing, but because it did go against his vow as a Kings Guard, he’s ever since been derided as the Kingslayer, Oathbreaker, Man without honour. A horrible set of nicknames that he’s borne, because he doesn’t think people would care or understand anyway. (Of course, I want to add in here that it’s partly the negative trait of pride too, thinking himself as the Lannister Lion, above having to explain himself to the sheep.)

Anyway, all this has worn him down a lot over the years and it’s messed him up good and proper. It kinda makes your own initial dislike of Jaime through *Mr Honourable Eddard Stark’s eyes seem a little unfair. Especially when the guy was barely more than a kid at the time (16 or 17 I think). And his defence mechanism to deal with this is one of the reason’s he is so cocky and arrogant – he uses his dry, often cruel humour, to mask that he does actually still care. In fact, it’s worked so well, I think at the start of the show, Jaime believes it himself; that he is a horrible, hateful person. But he did have that honour inside of him once; he did care and try to do what was right. And when you think back to his scenes in series 1 and 2, they take on new meaning now. He’s no longer such an evil arrogant, cocky knight we all pretty much immediately hated.

And as this revelation happens around the same time as he starts doing all those good deeds, it all helps work together to make us re-evaluate Jaime and grow to love him and become invested in his redemption arc even more.

(*I feel the need to add a disclaimer here, I do like Ned Stark a lot as a character. But it is interesting that as the show goes on, he almost does the opposite to Jaime – we see he actually isn’t always as good as we thought, that perhaps honour tripped into bitterness and prejudice a few times. That perhaps Ned, as much as we like him, is less full white and more speckled in shades of grey after all...(which makes him a more interesting and nuanced character imho, so rather than undermine him, it makes him more human.))

And when I rethink Jaime’s scene with Robb Stark when he’s captured, where he gives Robb the choice of ending the war if Robb can beat him in single combat, well, it adds even more depth to his character. Of course, Jaime knew he would likely win, as did Robb, so Robb refused. And as a viewer who was all Stark=Good, Lannister=Evil (except Tyrion) at the time, I was glad Robb wasn’t stupid or arrogant enough, like the Kingslayer Mr Jaime Lannister, to fall for that.

But then I remember the parallel in series 6, when Jon Snow (Stark=Good) gives exactly the same choice to Ramsay Bolton (Bolton=Spawn of Satan). Ramsay can either fight Jon in single combat, or they can all send their troops to die in their war. And as a viewer now, NOW! I think Ramsay is weak and awful for not agreeing (because he knows he can’t win too) and so sending all these soldiers to an early grave. Which is like 100% opposite for pretty much the same scenario of its series 2 counterpart. Of course, we HATE Ramsay and he has no, I mean literary NO! redeeming qualities, unlike Jaime, who we never, ever hated in the same way. But it does make you think about the whole idea of perception as well as actual deeds here. And that actually Jaime, you could argue, was doing the honourable thing by asking Robb for single combat, to spare the lives of both of their armies… I mean, obviously he wants to win the war, but maybe, he also wanted to spare as many lives as he could, too – like Jon in the series 6 equivalent. Maybe not so arrogant a request from our Jaime after all…

And another point to add in here, which further adds up to Jaime’s redemption arc, is Lady Brienne of Tarth. Yes, I’ve saved her to last for a reason, as she is, imho, THE catalyst for this amazing change we see in Jaime. If you’ll notice, a lot of Jaime’s good deeds involve Brienne and start happening around the time the two characters meet. And that very fact further proves that Jaime was and can be a better person.

He does not like her at first and she’s not quite your typical maiden. Not only is she a “beast” (to quote Jaime), but she’s a fighter, full of honour, self-sacrifice and steadfast in her purpose, and more than a match for him. Oh and she’s also his captor, dragging him to Kings Landing with a rope around his hands so they can trade him for the Stark girls.

So yeah, not the most cordial of first meetings. He pokes fun at her, trying to get her to snap, to prove she’s not as good as she seems. But she doesn’t, because she is that person, she is true to herself and not pretending. Unlike so many people Jaime knows, she is genuine.  

And he’s impressed by her skill and courage as a fighter as well. She is able to best him in the sword fight (granted when his hands are tied and he’s been sat in a cage for over a year, but he is like renowned for being one of the best sword fighters in the entire realm). Also when she fought the men who had murdered the women they found hung along the road – both as justice and to give the murdered woman a proper burial. She isn’t all talk, she can, and does fight. I bet Jaime wasn’t expecting that! And as sword fights are his thing, what he pretty much defines himself by and is most proud of, that’s a pretty big for tick from Jaime for Brienne right there.

Basically, she is a) an honourable person b) sticks to her oaths c) also able to fight (and therefore protect people) and d) refuses to let him get the better of her. The perfect, chivalrous embodiment of a brave, honourable Knight. A true Knight in all but name, whilst Jaime is now a Knight in nothing but name.

Now, I’ll discuss this more in the identity arc bit, but basically all this challenges Jaime, makes him rethink his own bitter images of himself and his world. She reminds him of his younger self, when he wanted to be that honourable Knight. And seeing this reflection of his younger, naïve and less world weary version of himself in Brienne, it helps to trigger this change in Jaime. It makes him remember who he once was, what he once stood for and believed in; that ideal that Jaime once believed is actually possible - of the brave, worthy Knight people sing songs about. And it started to make him want to be that person again. And this in turn, makes him want to start to do the right thing, to start to put honour first, which paves the way for his redemption arc very nicely.

I won’t talk too much more about Brienne here, because I think her relationship with and influence on Jaime deserves its own post. But I do think it is the specific personality of Brienne, together with the very fact that she is an ugly, “beast” of a woman, that triggers Jaime’s arc in just the right way and enables it to be so profound.

One last note on his redemption – I’ve said before it was partly his Lannister Lion pride that caused some of his suffering in relation to his nicknames. And indeed part of his arrogance is because he does think he’s better than everyone else (although not to the extent we first thought). He is the Lannister’s golden son after all and the Lannisters are basically the most powerful and wealthiest House in Westeros. It is a bad trait, yeah. But even this, even this! gets sorted out in series 8. From my list of redemption points, see the second to last point above – he faces judgement. Like a guy who had too much pride to admit he actually killed a King to help save hundreds of thousands of lives, actually, of his own volition, faces his enemies to be judged and to atone for what he has done wrong. Yeah, he also offers excuses at said trail, but if I’m honest, they do sound quite genuine to me. Is it any worse than what your typical soldier would do in a time of war? Fight in a battle and kill people? Try to capture the person (Ned) who’s wife captured your brother to avert a war? And we already know now he was justified in his killing of the mad King.

So, all in all, with this new insight into Jaime’s character, especially also seeing him through the increasingly positive eyes of Brienne (more on that later), who we know really is good and honourable, we have both a better understanding of his past actions, see his ongoing internal struggles and conflicts as he strives to do what is right and along with all his good deeds as the show goes on, we see him slowly (with lots of unfortunate set backs as well) become a better person. So come series 8, his redemption arc up to THAT scene, is glorious and basically complete.

And then there’s his identity arc. The other side of his character development, which is just as important for me and very much interconnected with his redemption.

(Like, seriously, there’s so much going on with this character that I could write essays, no a whole thesis I bet! I seriously can’t wait until I get to read him and Brienne’s chapters in the books and discover even more sides and shades to this character.)

But I’ve rambled on for far longer than I intended on his redemption arc, so I’ll save his identity arc for another day. (And hopefully it won’t be as long). Then we can get into the fun stuff like that hand he lost, that famous bath scene and his, how to put this, interesting relationship with his sister…

#If you were brave enough to get this far #Thanks for reading #And hope this made sense #Just my rambling thoughts #Yeah, I have a lot

#Game of Thrones #Jaime Lannister #Brienne x Jaime

[glass-scientists]

*Theoretically*, if TGS was ever adapted into a show, how much of an effect would the stuff you’ve done with the characters out of context (i.e., rp, discussion, cliffs of insanity, merch, etc) have on the adaptation process? Asking bc it would be a dream to have my prospective comic one day made into a show, but I’m worried I’ve ruined my chances by blabbing publicly about my ocs so much already

This is an interesting set of questions! 1) If a show gets adapted, there is actually little to no obligation to stick to anything from the original property. The ultimate example of this is How To Train Your Dragon, which scrapped the entire original book save for the title and some of the character names. In the case of the Glass Scientists, I would probably use most of the ‘canon’ comic and a decent amount of the stuff I’ve written about the characters and world. There’s not much story content in the merch, unless you count Bleeding Heart, which is canon. And while there are aspects of Cliffs of Insanity that still work for the characters, most of the confrontation between Jekyll and Frankenstein now happens in a different way than it did when I originally wrote it (back in like.....2011?). I would reference it more in spirit than in word.I would absolutely not use any fan RPs, which I would consider more the property of the fans themselves than the creator. There’s a little bit of gray area when it comes to fan discussion. It is true that creators will sometimes change storylines in response to The Discourse, but that probably isn’t the healthiest practice, as it can lead to awkward ret-conning or obsessively writing in plot twists in the hope that no fan ever will guess the ending to your story. At the same time, it’s really hard to avoid altogether!! Because you want to know what your readers think of your story!! I don’t often make changes to the story in response to fan discussion, but when I do it’s usually to clarify a story point that caused confusion or to explore a character more deeply when I saw that my idea of them in my head wasn’t translating to the page. 2) You have definitely not ruined your chances of making your story into a show by talking about it publicly! Honestly, if you get to pitch a show, executives will have no idea that you’ve posted about your story previously unless you tell them. They just don’t have the time to scroll through your social media history and piece together all the bits and pieces you’ve posted over the years. It IS true that recruiters and other hiring people will look at your social media, but they’re usually looking for A) a really quick impression of your overall work/artistic voice and B) any personality red flags (i.e. are you an obvious racist, sexist, etc.) Beyond that, people just don’t have the time. Every once in a while, an exec will notice an extremely popular webcomic or other online story, but . . . it really needs to be popular. And at that point, you’ve got to be the kind of person who can casually rattle off the number of eyeballs on your comic, and that number had better be in the millions. (I think. I only have a little experience in this area.) And even then, if you yourself do not have enough name recognition in Hollywood, there’s a decent chance that whoever is buying your show will just want to buy the show itself and attach someone more famous to actually make the thing (who could do whatever they want to your story). I realize that probably sounds super demoralizing! But that millions-of-viewers thing only really applies if you expect studios to come to YOU with an offer, which rarely happens. You can absolutely make your comic and then pitch it to a studio yourself, which I prefer to do anyway because it gives YOU control over how you want to present your story. You get to decide whether you want to keep, say, all five years worth of development work you did on the project or just keep the big rehaul you did over the summer. You control the studio’s first impression of your story, and that’s all that any exec has time to care about.BONUS: With that said--and this was not part of the original question--but you should never make a comic if the ONLY goal is to pitch it to a studio some day.  Pitching is always a weird and risky business which relies so much on luck and timing. It can be incredibly demoralizing if you rely on studio interest as your only metric for success. Make sure you enjoy making the comic for its own sake!

#faq #Anonymous

[hallaevak]

skam thoughts

hi ok i’m bored n sick so i’m here to give my (maybe unpopular? idk) thoughts on skam + remakes. i have seen most* remakes, but i’ll mention if i have not seen a particular season or not

first off: basic opinions (favorite remakes, favorite characters, etc)

fav jonas/eva remake:

- skam nl (kes/isa) - isa is, in my opinion, the most relatable eva remake. she’s so sassy and lovable! in general i’m not the biggest fan of the season 1 plot, but i think all jonas/eva pairings, chemistry wise, have been phenomenal. isa/kes are just a little bit more impressive in my opinion.

fav noorhelm remake

- this will be of no shock, as this is quite a popular opinion, but wtfock (senne and zoë). most william remakes kind of suck, and the general character dynamic between noora and william is not something i like. i enjoy the plot but a lot of williams are just...ew. i’m interesting in skam españa interpretation (nora and alejandro) but i can’t fully judge their season until it’s over. zoë is such a wonderful character and senne is actually not a dick! i sobbed when they broke up in s3.

fav evak remake

- i’m tied. either skam france/wtfock. i love the (for some reason controversial) dynamic between sander and robbe. i also love elu, like the basic bitch i am. elliott demaury OWNS me.

fav youssana remake

- honestly, i kind of didn’t like any of them (that are released). there’s only two out there, druck and skam france, and i didn’t like any. i’m sorrryyyy i just love sana bakkoush and no one could ever be better than her. oof! disclaimer i have not watched all of amira’s season/druck s4. i wasn’t personally interested but the acting was phenomenal.

alright now to remake-specific comments.

SKAM, the original, the og, love of my life, scandi legend that started this obsession

- honestly one of the best teen shows i’ve ever seen. the development of characters is so prominent. the acting, for mostly amateur teenagers, is mind blowing. maybe american shows just suck? but i’m absolutely in love with every character. they show such realistic stories and i applaud the skam team + actors for portraying their stories so well.

- the one comment i have is the noorhelm relationship. i just? i don’t like it. when i first watched skam i loved it. noora was hilarious (still think that) and the perfect independent woman model. i also liked william. i just wished they showed more of his vulnerability because his kind of static character is not doing it for me. he doesn’t show any evolution or change. idk, he’s still a wet fish in my eyes. obv this has no shade to the actors, thomas hayes is lovely. his character? not so much. i could write a whole essay on how flawed and dislikable william is.

now, the first remake: skam france

skam france, oui oui baguettes this remake really tickles my fancy

- as someone who kind of understands french, i really do like this remake. i have some issues with s1 and s2 but overall it is a solid remake. being the first, it makes sense for the seasons to seems little unoriginal. i still love emma and manon but their characters aren’t very authentic.

- s3 is where they really nailed it. elu’s immense popularity is only a testament to how truly wonderful the season is. the acting, the characters, slight changes in plot. i loved it. a lot.

- i wasnt impressed by s4 but it might just be my extreme love for iman meskini. no one could ever replace her.

- BUT S5. OH BOY. ROBIN. MY BABY. he is such a good actor and i love arthur he MUST be protected! i love that his shame is not romantically related. also as someone who is interested in deaf culture wow! i’m impressed by the research done by skam france. not only is his the first original season but it is excellently executed. noee is my mother i love her.

druck, likely the most liked remake to which i do not disagree with that statement

- druck is legendary. i really appreciate the small changes in plot and character dynamics that create an identity for each remake and druck is so so good at doing that. mia’s season is lovely and so is matteo’s, as well as the other two. i did not finish amira’s season as wtfock s3 started and i was a little too invested in that haha but i liked what i saw. the mia/noora drama annoyed me but it was okay. i saw it in the way how we all beg for evak/elu/nicotino/etc content in later seasons but then complain when noorhelm/jonas and eva content occur in later seasons, which is weird at best or just fetishization of gay couples at worst. take ur pick. i like it when previous plot lines kind of intertwine into the current ones as it shows that people’s shakes are not temporary and have immense effects on others (which is the point of skam, right?

skam italia, the controversial remake that said bye and then uno-reversed itself (thanks netflix)

- a lot of people don’t like skam italia. it’s understandable, as the actress for sana is not a woc or muslim. however, it is slightly understandable (but not defendable, i was way too disappointed when i found this out) given italy and it’s cultural background. it astonished me that they could even produce an isak remake due to their pretty strong religious beliefs. italy is very much roman catholic, and gay marriage isn’t even legal there (this is the only skam where gay marriage is not legalized). so i give them major props to facing potential backlash in producing s2/marti’s season. it makes sense for there to not be a muslim/woc actress because of the demographics in italy. ww1 and ww2 really spun a number on italy’s race, as many jews and romas as well as pretty much any non-italian ethnicity were kicked out. this creates barriers especially when it comes to hiring a woc actress. skam italia is already breaking barriers when it came to controversial topics (literally all of skam would be controversial in italy’s alt-right view, it seems). tl;dr: kudos for being able to produce a pro-gay show but shame for not being able to hire a woc actess.

- i loved marti’s season as was a fan of the other two seasons. they’re well produced and beautiful and more dramatic than the other skams imo! the soundtrack is absolutely gorgeous.

skam austin, the american cousin no one seems to like that really lives up to the american stereotype

- ok. when i first saw austin/the fact that they made an american remake, i hated it. disgusting. i hâte america as it is. it was cringey, the acting was bad (i’m sorry i’m sorry), and it got rid of the charm that skam had.

- when i watched it a second time around, i changed my mind. i think grace’s season redeemed it a lil bit. it’s living proof that skam remakes must be watched twice or more to fully formulate an opinion. it’s still cringey but i mean, it’s very accurate to american culture. i’m ashamed to say that i, an american, have said many phrases that austin has used.

- skam austin isn’t THAT bad as people make it out to be. i think americans esp are uncomfortable with a skam from their own culture, myself included. and it’s fine to not vibe with it and prefer other skam remakes. i think the actors are okay, better when i saw it the second time, and the editing/music/videography is beautiful (ofc julie andem is a part of it). people give it crap for being american.

skam nl, may she rest in peace or pull an italia and 180 us

- man i was so depressed when i heard that lucas vdh was not getting his season. lucas is downright one of my favorite isak remakes and his story would’ve been so interesting.

- besides that, skam italia has one of the best eva seasons. it is my favorite and is usually a lot of others favorites as well. isa is just so relatable. liv’s season is also incredibly well produced. i didn’t hate noah! it was a miracle come true. he redeemed the william character if only for one remake.

- my one comment/critic isn’t even that serious. it’s just? dutch? it sounds so...weird. i’m a stupid american but i cracked up at things that were definitely NOT jokes because of the language. i’m sorry netherlands/holland i do not mean to laugh.

skam españa, also controversial for good reasons but also conflictingly good

- alright folks. i am confused with skam españa. i don’t know if i love it or like it.

- hear me out. we all know of the controversy with the panphobic comment that nora made. it was stupid and uncalled for and really disrespected the whole pan community of viewers. now, not many people are pan but for a show where an original character (even bech næsheim, love of my life) is canonically pan? it was kind of a slap to the face.

- besides the comment i loved cris’ season. it was refreshing to get an isak season where it was a she, one, and where isak was not living with his eskild but instead had a family. it was also beautifully shot and i love irene with my entire heart.

- that said, i liked eva’s season. nora’s season is interesting. maybe it’s because it’s the first i’ve watched multiple seasons live (españa and france) and have no attention span and is more interested in skam france s5? idk. the clips aren’t really doing it for me. i love the viri clips but the nora clips are eh. she just seems very...in genuine? idk. i also hate miquel get his ugly ass out of here. i can’t fully analyze the season until it’s over but i’m not really interested in it. i also don’t like the noorhelm plot or dynamic at all so that may be it.

wtfock, or another controversial remake that imo shouldn’t be controversial

- wow. i love wtfock. s1 was rocky and i wasn’t sure of how it would be. s2 SLAPPED ME THRU THE ROOF. god i love senne de smet so much. zoë is actually redeemable??? and oh my god milan is my favorite eskild like please adopt me.

- season 3 was the first one i watched live. i arrived to the skam scene late so i didn’t get to experience march madness aka 5 live skams at once and i wish i did. but wow. willem ds and willem h really are one of the main reasons why wtfock s3 did so well. they’re amazing actors with incredibly chemistry.

- the controversy that imo should be controversy: the gay bashing scene. i was surprised at the backlash. people were upset over the fact that they showed such...intense events without immediate remediation. it’s understandable to be mad but? they were criticizing things that had no correlation with the scene, like the willems’ acting or the music picked. it was very wild. they also did a lot of bitching about how lgbt people should see gay bashing because it’ll bring back bad memories and that skam was for the gays only and should cater for only lgbt people. which i heavily disagree with. 1) gay bashing in media is so prevalent and downright important. things can’t be fluffy gay all the time. this happens in real life and does such a great complement to noor’s comment about how no one cares that robbe is gay because it’s 2019. THAT. IS. SO. IMPORTANT. it’s so so important to realize that despite the strides made for lgbt people, gay bashing and violent homophobia. still. exist. also. i would like to direct you to these examples of gay bashing where no one blinked an eye : queer as folk, where s1 justin gets bashed in at his prom and has difficulties drawing; s2 (i think? may be s1) skam españa where lucas rubio gets bashed; skam s4 where even and isak encounter a homophobic dick; these examples are endless. the one thing that miffed me the most was that many critics acted as if they were forced to watch wtfock and therefore criticize its every move. like no? you have a choice? no one is forcing you. quite the opposite! wtfock is geoblocked! you’re actually forcing yourself because you’re taking the time to find illicit resources in order to watch it! alright man i’m done with this rant. many also criticized the writing of the show. it was shaky but watching it a 2nd time, where all clips were released, was so much better when it came to clarity. many ‘poor writing choices’ made sense in the larger picture. again another example that you should watch skam remakes twice to understand the big picture.

- tl;dr wtfock is lovely and should not be criticized for one wrong move.

thank u for hearing me out. i have strong opinions but a frail heart. pls be nice!

#skam #skam france #druck #skam italia #skam espana #wtfock #skam nl #skam austin #evak #elu #sobbe #skam is my love

[some-lists]

Ranking all the Mighty Morphin’ Power Rangers

Go Go Power Rangers! I felt it was time for another 90’s throwback. Today I’m ranking all the Power Rangers from Mighty Morphin’ Power Rangers. Just about every 90’s kid was obsessed with this show. It was a phenomenon. It started out with the original five in its first season. As the show went on, we saw a number of replacements added to the cast.

As a child, I had my definite favorites based on my childhood memories. I later rewatched the series as an adult and my perspective on the characters really changed. This is my ranking based on what I observed as an adult looking back.

10. Kat Hillard (Pink Ranger)

Kat had the unfortunate task of filling Kimberly’s shoes as the new Pink Ranger. She was doomed from the start. The writers introduced the character as a villain -- a fellow student under an evil spell to undo the Pink Ranger. It made us not like her from the very beginning. Kat eventually grew into her role, especially in the following seasons of Zeo and Turbo. But initially, she felt like an imposter who literally did not fit the suit.

9. Aisha Campbell (Yellow Ranger)

I liked Aisha as a kid. I liked her sassy attitude and that she was girly and short. After watching the show again as an adult, I realized how completely useless she was as a ranger. She had no fighting ability whatsoever, couldn’t do any flips, and didn’t offer any brain power either. I actually felt embarrassed watching her fight scenes.

8. Rocky DeSantos (Red Ranger)

I think Rocky got a raw deal as the new Red Ranger. Many viewers were used to seeing the Red Ranger as a leader. However, when Rocky was introduced, he was just another ranger on the side. I don’t think this was his fault as Jason had already been demoted as leader after Tommy became the White Ranger. As a kid, I liked Rocky. I didn’t mind him as an adult either. His taekwondo skills were actually better than Jason’s. He was faster, more agile, could kick higher, and do more flips. Unfortunately, as one of the replacement rangers, he was always in the background.

7. Jason Lee Scott (Red Ranger)

Ranking Jason this low is gonna shock some die hard fans. As a kid, I absolutely loved Jason. He was one of my favorite rangers. I thought he was a great leader and strong fighter. He was the glue who got his team to work together. I especially preferred him as a leader over Tommy. But when I rewatched the show as an adult, I realized he really didn’t do anything! He had maybe two episodes about him. One was about him bench pressing a world record where he lifted weights the entire episode. That’s pretty much all he ever did. He lifted weights, punched bags, and occasionally taught a karate class or two. Essentially, he was there to flex his muscles and not much else. Even his sword, which I remembered being so cool, was pretty much useless. That was a big eye opener for me. I was also disappointed to see that his taekwondo skills weren’t as great as I remembered them. He was really slow, kinda clunky. Overall, Jason deserved better than what we was given.

6. Billy Cranston (Blue Ranger)

As the resident brain, Billy managed to invent the team’s communicators, which were also teleportation devices, and a flying car. He often operated the computers at the Command Center along with Alpha-5. It’s fair to say he contributed significantly to the team. He was a weak fighter in the beginning, but somehow became a super ripped expert gymnast by the end of his run. The show never explained that, but it was never a realistic show anyway.

5. Adam Park (Black Ranger)

I remember not liking Adam very much as a child. He was so quiet, shy, and often in the back as one of the replacement rangers. In my child mind that meant he was boring. However, as an adult, I realized how awesome he really was. First of all, he was way cute and I didn’t even see it before. He was smart and often operated the Command Center along with Billy (good ole Asian stereotyping). But mostly, he was an incredible fighter. His Shaolin kung fu style was a beauty to behold. His kicks, spins, and flips were so quick, effortless, and graceful. He had the best line in the movie: “I’m a frog,” which turned out to be the best zord as well. As the seasons went on (especially into Zeo and Turbo), he became much stronger, more confident, and a lot funnier too.

4. Zack Taylor (Black Ranger)

Zack is seriously underrated. He had a great personality. He was the life of the party, a great dancer, and funny. He even created his own martial arts style called Hip Hop Kido. He especially shined in the second season as he incorporated his karate with dance moves and incredible acrobatics. In my opinion, he was a way better fighter than Jason. If he had been given the proper treatment, Zack would’ve been on the same level as Tommy. After Zack left the show, the cast wasn’t nearly as fun.

3. Trini Kwan (Yellow Ranger)

Original Yellow Ranger Trini was the best. She was strong, brave, and intelligent. She had a spiritual side to her that was cool, calm, mature, and classy. She had natural leadership skills that were completely overlooked. I’d even say that when unmorphed, she was the true leader. She often stepped up and encouraged the other members no matter what situation they were in. She could understand Billy’s nerd talk and translated for the team. She also kicked serious butt. She became a big role model for many Asian American girls, as she was one of the first Asian American actresses with a visible role on television.

2. Tommy Oliver (Green & White Ranger)

I loved Tommy as the Green Ranger. His karate took the show to the next level. He was super bad ass and totally convincing as a villain. That evil laugh was perfect. Even after becoming good, the writers found a way to keep him around. His weakening powers and ultimately losing his powers gave him a tragic appeal. His relationship with Kimberly was also super cute. He was an exciting fighter and a compelling character. But, I didn’t really like him as the White Ranger. Once he became the White Ranger and the new team leader, he became a lot less interesting. He no longer had a real story. His martial arts was always top notch, but compared to the Green Ranger, White Ranger Tommy was too perfect and a lot more boring. Separately, I would’ve ranked White Ranger Tommy after Adam, but Green Ranger Tommy was awesome. Like I said, he elevated the show.

1. Kimberly Hart (Pink Ranger)

Kimberly was such a popular character. She was loved by girls who wanted to be like her, and by boys who had a crush on her. As an adult, I could easily see why and I was actually really surprised. She was hands down the star of the show. She had the most episodes dedicated to her out of all the rangers. Even when the episode wasn’t about her, she often saved the day with her bow and arrow. Seriously. She saves the team in almost every episode. Even though she wasn’t the strongest fighter unmorphed, her gymnastics skills were crazy impressive. Overall, she was the most valuable and consistent ranger on the team. Without her, they would’ve been toast.

Overall Thoughts

First of all, I couldn’t believe how poor quality the show was. They obviously reused the same footage over and over again. Even more unbelievable is how we all believed it as kids! But that cheesiness is now one of the best aspects of the show.

I was also surprised by how much the show favored certain characters over others. Kimberly had the most spotlight, followed by Billy. When Tommy showed up, it became all about him. Zack and Trini were tied for second to last place for air time. Jason was dead last. He was barely even in the show. It’s no wonder the three were unhappy and left the show when they did.

Rewatching the series also made me realize how much the movies glorified Tommy at the expense of the Pink Ranger. In the first film that meant Kimberly, who I mentioned in this list was an incredibly strong character. In the Turbo movie, they weakened Kat for Tommy to rescue her as well. That’s super disappointing as the show offered some really cool role models for young girls.

One thing I appreciated about the female rangers was how feminine they were. Kimberly was a fashion crazy mall rat, but she was never diminished for it. It just happened to be her personality. It was never a weakness. None of the girls were expected to act like boys in order to be strong. Later in Zeo and Turbo, Tanya was more tomboyish. She naturally excelled at sports and that was really cool too.

Overall, I was impressed by how much stunts these young actors did. The putty scenes were my favorite. We got to see the real actors (not costumed stunt doubles) do all their own stunts. They were all talented martial artists of various styles and masterful gymnasts. As the show progressed, so did the choreography. I can understand why the actors complained about not being paid enough.

Today, most of the newer Power Rangers shows don’t do their own stunts like the originals did. They’re a lot more flashier as well with explosions going off in every episode. Even though the budget is higher and the actors have more rights now, it doesn’t beat the nit and grit or the talent of the original Mighty Morphin’ Power Rangers.

#90s nostalgia #90s #90s throwback #power rangers #mighty morphin power rangers #red ranger #blue ranger #yellow ranger #black ranger #pink ranger #green ranger

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[villainever]

Killing Eve + making worlds and workplaces for women

killing eve very frequently – and obviously quite rightly – gets discussed as a feminist screen text, but i feel like we often talk about the individual characters, how fantastic they clearly are, and how flawed/developed/multifacted/interesting they’ve grown to be. but another thing killing eve does phenomenally well is subvert power structures and institutions, and populate them with women in a way we rarely see. for example, in season 1, eve’s MI5 office is unusually gender-balanced for television (it’s her, elena, bill and frank), and when carolyn is introduced, she’s immediately painted as almost an urban legend – elena raves about how incredible she is and how much she’d love to work with her, and we’re positioned to view her with intrigue and awe. this “mysterious, unreadable, probably damaged but definitely utterly competent and slightly amoral” character would typically go to a man – probably a slightly misogynistic one who’d gradually form a “grudging respect” for the women on his new team, as the women act as a device to coax him into the New Modern World and soothe his trauma. but carolyn gives this archetype an internal makeover and new vitality, and neatly sidesteps stereotyping: she’s not a “bitchy boss”; she never yells, or insults; she’s at times eerily calm, and methodically works her way through problems. this is especially poignant when we think of male characters who rail against female leaders for being “too emotional”, and proceed to spend half the movie throwing tamper-tantrums. at the same time, though, she doesn’t feel emotionless to prove a point, or simply to be the stoic; we get a very real sense of her pragmatism and cold war-conditioning, and the interlocking mechanisms of her many layers. carolyn’s character (both her writing and shaw’s acting) are totally genius, but the main point im trying to raise here is that the parts of Mentor and Career Aspiration are inhabited by a woman, and 60yo woman going full-speed at that – not someone who’s barely 39 but treated as basically a retiree.

next, we’ve got carolyn’s boss, played by zoe wanamaker in 2x04. yes, she’s not in the show for long – although she may make a reappearance? not sure – but her value is more symbolic than anything. in her scene, we get the impression of her power (she gets to make carolyn wait :o), and while she’s also a severe older woman, she’s very much distinct from carolyn in personality, which is pretty unique; often, writers will prescribe bulk-identities to all their minor characters who fall into certain groups, out of a mix of laziness and ignorance. anyway, wanamaker’s helen is shown eating (another rant-worthy point is how the frequency and ease with which killing eve’s women are portrayed as actually eating food is tragically radical), and she lashes out at carolyn before soothing herself easily once again – she’s capricious and less reserved and measured than carolyn, but equally potent. we also get a strong vibe of a long and complex working relationship between these two, effortlessly implied by the writing and performance and even if we never double-back to it, it colours how we view carolyn and the system that i’ll (eventually) get around to making my argument about.

lastly, there’s julie, who plays the medical examiner in 2x01, and conducts the exhumation autopsy on allistair peel. she comes across as professional, capable, no-nonsense, but also warm and gallows-funny, hugging carolyn and sympathetic to eve’s slightly strange reaction to the corpse. like helen, she’s not in the show long, but it’s more her relevance as a symbol i want to discuss.

so what am i getting to by going on about carolyn and these relatively minor characters? well, i want to talk about how killing eve establishes for itself something of an ‘old girls’ club’. an ‘old boys’ club’ is the network of connections that form between (generally upperclass) men who went to the same schools or worked in the same companies, who get each other opportunities in a pay-it-forward kind of way throughout life; it’s one of the many ways that sites of privilege are maintained as sites of privilege. but with these older female characters, who all know and support each other, give each other second chances or off-the-books help, killing eve constructs its own version. through these interactions, we have the sense that carolyn is a part of a group of women across the government who ensure certain things happen at certain times for certain people.

even outside this senior boss ladies network, we have elena, eve and jess,  who support and challenge and contradict each other – all successful women with different skillsets, trajectories, relationships, etc., and none of whom are white. not only does this show pass the bechdel test in under three minutes, but that conversation is between two women of colour. one of the many things i love about killing eve is that while it acknowledges (and even leverages) the disadvantages that marginalised groups face – e.g. villanelle is able to exploit conforming to the western ideals of femininity to lure men into a false sense of security; the ghost is able to pass through places unnoticed, etc. – it never makes that the core of the narrative. it isn’t focused on reinforcing these systemic barriers over and over, which is something a lot of shows do when they’re trying to be progressive, and all they end up doing is reminding us of the setbacks we face and how it’ll be a long, arduous struggle to improve things. instead, killing eve gives a nod to this sexist, racist, homophobic reality, but sidelines it, the way minorities are so often sidelined. rather than make all eve’s bosses and colleagues men “for the realism”, it throws a few male characters in there and then focuses on the women (look how much screentime kenny and hugo get compared to jess, another first-tier secondary character). it reimagines the chain of command as belonging to women, it takes power and allocates it how it sees fit. i adore this, because if someone said to the writers, “umm… i feel like there should be more men in charge… that’s just how it is…”, their response would probably be, “so what?” it wants to spend time with complex women in complex situations, so it just puts them there; there’s no spinning of the wheels to justify how so many women got to these high-ranking jobs in an institution designed to keep them in the lobby. it certainly never pretends women don’t have to cater to men and their sensibilities (take carolyn comforting frank in season 1), but it doesn’t get caught in ‘liberal’-dude-writer “look at these (skinny/pretty/fantasy-fulfillment) women push through the system and affect change from behind the scenes by showing their cleavage to *trick* men into doing what they want ;) girlpower, ladies”. it lets women BE the scene, unapologetically, without feeling pressed to explain or defend or negotiate by stuffing an equal number of male characters in. we get konstantin and aaron peel and various ambassadors or clerks who are men, but these are all characters on the outside looking in. killing eve isn’t arranging women as spaced out and in competition with each other; aside from villanelle, they’re all on the same side (and villanelle’s temporarily teamed up with them anyway), and they work together, while still being allowed internal tensions and clear relationships. i originally just intended to talk about how killing eve built us an old girls’ club, but i had More Thoughts, so that’s why this essay doesn’t stay totally on-thesis from here on, even though it is all about women and their positions in the narrative/workplace. another note – these women, for the most part, aren’t there to be love interests. we obviously have eve/villanelle, but they both have their own fully-developed characters, plus, their love interests are each other, not men. we have carolyn, but her affairs don’t control her storyline; they flit in and out, and are of far more signifiance to the men than to her – she’s an older woman who controls her sexuality, but doesn’t have any interest in letting it overtake her work (and we don’t have that ridiculous “uptight bitch learns to put relationship with basic bro above her lifelong career dream”). we have gemma, but while her narrative function is to give niko a final straw to leave, and to push eve further, she has agency in her arc; SHE is the one who pursues niko, and she does this in a respectable and understandable way. she’s not the “sexy temptress” who “lures” him away, and nor is she an “innocent” that he actively chases. 

also, NONE of the women have their qualifications questioned. there is no “is carolyn experienced enough to have so much free reign?”, no “how did eve get to MI5?”. the way we’re always told to with male characters, the show expects us to accept that they’re fit for their roles. this is highlighted when eve kind of stumbles into being an authority on female assassins. she doesn’t have a phd in psych or anything, but she clearly has an affinity in her area, and she VERY quickly learns to own that. the first time carolyn calls her their resident expert, eve is a bit surprised, but then she’s just like, “huh, guess i am”, and runs with that confidence. these women are all tough, but they don’t have to dig out their own spaces. theyve got them, and the audience isn’t gently directed into wondering whether they actually should. we KNOW they should. unsurprisingly, considering much of killing eve is written/overseen by women, but this isn’t done for Woke Points. there’s no constant self-conscious grandstanding about how many women are in the series. the actors and writers talk about it in press, because theyre EXCITED, theyre THRILLED to finally have this, but that comes from a genuine place of joy to be involved in such a project, rather than a hapless grab for viewers. the female characters aren’t half-baked stocking-stuffers to net the 18-35W. theyre Actual Characters. bottom line is, isn’t it so nice? isn’t it so lovely to be watching something, and have women be in the foreground AND the background? to not have to smurfette effect, the “one of the main characters is a girl, can’t you just shut up now? smh so greedy”? to have minor female characters not as sexy set-dressing or rivals or “ew she’s ugly here’s what we don’t want our protagonist to be hahah amirite lads”? we get to see ourselves over and over, in so many different iterations. killing eve’s women aren’t just “empowered”, they HAVE POWER. they are in positions where they can use that power for good or bad or both, but they have sway and influence and we don’t have to watch a 22yo ingenue assimilate to a 98% male workplace. female characters in killing eve are REAL and PRESENT and we have an entire textured world that isn’t just modern, it’s extra-modern. we have our cake and eat it too: there are women throughout the workplace hierarchy but we still get a critique of how men manipulate the game, and both are managed expertly to ensure we get the social commentary AND get to enjoy the experience of watching women be intelligent and morally grey and sophisticated and manipulative and and AND. in conclusion, i will no longer be accepting applications from media that doesn’t have women in their cast because it “isnt realistic”. killing eve is tearing it up out there, and it’s almost overwhelmingly relieving to get to experience media like this.

*btw, im not trying to imply there are no women actually working at MI5. im sure there are many, but this is more a commentary on media interpretations (james bond, etc.), and the male dominated government landscape in general. 

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