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obaewankenobis · 5 months

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born to die ; finnick odair

pairing: finnick odair/reader (afab but i don't think i use pronouns? also no use of y/n)

word count: 6.8k

part 2: find here!

summary: having just finished your victory tour, you, the winner from district 4, are forced to confront the reality of winning the games. luckily, you know someone who's done this before — finnick odair.

warnings: mentions of violence, death, nightmares, blood, sex trafficking, i mean... it is the hunger games so read at your own risk! mutual pining, slowish burn, unprotected sex ( wrap it before u tap it ), p in v sex, oral (f receiving), fingering, idk it's not that bad. minors dni!

a/n: sorry to everyone who followed me for my star wars content... anyways here is my first finnick fic cause my friend made me watch the hunger games a month ago so here i am. i was super interested in the cashmere/glimmer theory so i kinda used it here. i have a prequel and a part 2 planned so lmk if you want that <3

There were things nobody ever told you about winning the games, things you wished you would’ve known before you tried so hard. Before you’d clawed your way up a cliff of desperate survival and emerged on top. Before you’d killed people — other children — to be able to stand here now. Your father, a former Victor himself, hadn’t told you about this side of things before he died. With a pang, you realized how badly you wanted him beside you, and how impossible that was. How you were now confined in shoes so tall you thought you might wobble over, in a dress so thin you were beginning to shiver, and a hairstyle that pulled uncomfortably at your roots. It all tied in for a look that was clearly meant to have all eyes on you. It was your victory party, you tried to reason as you slipped into the dress and noticed just how much of you would be on display. They wanted all eyes to be on you. It was okay.

You just wanted to feel beautiful again, to not be plagued with the feeling of revulsion when you looked at yourself in the mirror. The outfit wasn’t the problem, it was perhaps the most stunning thing you’d ever worn: a loose dress with billowing sleeves that fell off your shoulders and opened around the stomach, the silky material melting from transparency to a solid, pale purple around the parts that clung to your breasts and hips. The opalescent color, meant to mimic the expensive pearls commonly found in District 4, shimmered in the moonlight, threatening to turn even the solid parts translucent and expose every part of you to the Capitol.

Not that they’d mind, you thought, the words leaving a bitter taste in your mouth that threatened to rise to the surface, breaking through a perfectly painted smile and tugging your blush lips into a frown. You couldn’t help but feel that was the point, with all the oogling that no one was trying to hide. And that feeling… that is what kept you from feeling anything but beautiful. You felt used, and exposed, but not beautiful.

A hand on your arm startled you out of your bitter thoughts, your skin immediately crawling with disgust as your gaze traveled to the face connected to the hand still placed possessively on you. While not particularly ugly, the man in front of you was pushing fifty, and the lewdness dripping from his gaze as he leered at you, an eighteen year old girl…

“There you are,” his lips curled into an unpleasant smile; he was close enough you could smell the stench of alcohol on his breath, almost overpowered by the sheer amount of cologne that clung to him. “I must say, my sponsorship has paid off… handsomely. I mean, look at you! Such a stunning addition to the Capitol, I just cannot wait for you to become—”

“Excuse me,” a new voice — a familiar voice — cut through. “I think your wife is looking for you, Quillon.”

Of course he knew this man, he seemed to know everyone. And of course the man — Quillon — listened, his eyes widening as he immediately removed his hand from you, leaving an unpleasant dampness from his sweaty palms. He backed away until he had disappeared into the crowd and it was just you and him.

Him. Finnick Odair, Capitol Darling, youngest Victor of the 65th Hunger Games, the most insufferable and obnoxious boy you’d ever had the displeasure of encountering. You were sure he’d never liked you from the beginning; you’d tried to introduce yourself to him at fourteen when you accompanied your father to the Capitol to train the new tributes, only to be brushed off without a second glance.

That dislike had only seemed to grow when you had been Reaped the year your father had been killed (the rumors of the siblings and children of Victors being chosen so often finally making sense to you), and Finnick Odair, master of the Games, expert of the field, had all but ignored you.

“You!” All of the rage you’d pent up about his mentoring skills — or lackthereof — were coming out in full force, though even you were surprised by the venom in your words. With a jab of a finger in his chest, you finally began to let it all out. He seemed to have sensed that you would come at him swinging, grabbing your wrist and dragging you to a quieter corner of the party, beneath a small pergola weighted with vines that crept up the sides and wove inbetween the planks on top.

“Look, I know you must be upset — ” No. You wouldn’t let him talk, not before you had the chance to give him a piece of your mind. You took a step closer, until your nose was brushing against his, and tried to keep your voice as level as you could.

“Nice of you to finally fucking show up, Odair. Didn’t think you’d see me again, huh? Not after you all but fucking abandoned me during training week. I mean, I know we never really got along, but seriously? Is that why you left me with Mags and I never saw you past the first day? You hoped you’d train Kier—” the breath caught in your throat as you finally uttered the name of your fellow District tribute for the first time since… well, that wasn’t important. “—and then I would be out of your hair, is that it?”

Finnick, however, took this as an opportunity to spit his own words out, his jaw clenched and his eyes hard as he looked down at you. “I was trying to help you.” He was so close you could feel his breath fanning your lips, almost making you want to close your eyes.

“Help me?” A laugh escaped your lips, one that could’ve almost been seen as genuine because of the honest disbelief that coated it. “You think I’d be better off dead?”

He didn’t respond. Couldn’t even look you in the eyes, choosing instead to fixate on a tiny rose growing from within the depths of the ivy layers. That was basically a confirmation of what you’d just said, but for some reason he couldn’t even admit it to your face.

You weren’t sure why, but hot, angry tears were beginning to form in your eyes; you tried frantically to force them down. He couldn’t know how much he’d hurt you with his indifference. “You were supposed to be there for me, you were supposed to teach me how to survive, and you fucking left me to die!”

Had you done something? You replayed all of your interactions with him, coming up short with a conversation that would make him hate you so much he wanted you to die. Sure, you’d been a bit annoying when you’d trailed behind your father, and maybe you had been a little relentless to pursue his attention when he moved next door to you in Victor’s Village, but this? The way he couldn’t even answer you? The way he was just standing there, his gaze in some far off place? It made you angrier. How dare he be so indifferent, how dare he act as if he was doing you a favor?

There was a moment of hesitation before Finnick sighed. “It’s not like that. I was trying to protect you. Look— has Snow talked to you yet?”

This left you truly at a loss for words. “Snow?” You words were less harsh and more curious. “Why would Snow want to talk to me? You know what — don’t try to spin it on him, this is about us! About you—” You stabbed at his chest again, and this time he let you. “—about you abandoning me in that arena, when it was your job to fight for me! To keep me alive!”

“There’s a lot you don’t understand right now,” he began again, hesitantly reaching out to grasp the hand that had struck against his chest, and that was the final straw snapping; you were done.

With a scowl and a tug of your hand, you yanked it free of his grasp and whirled around, the flow of the dress whipping around from the sudden gust of wind. “Whatever, Odair. I’m done. If you can’t even admit what you did was wrong, then… then just leave me the fuck alone from now on.” You didn’t bother to look back, missing the way his jaw hung open and his entire face crumbled. If only you had any idea.

You found out soon enough.

“You’re quite popular now, if you didn’t know that already. Although you’re quite perceptive, I can’t imagine you don’t.” Though he sealed the compliment with a smile, it did little to soothe the unease stirring within your belly.

“Yes, Sir. I’ve noticed. Is that a bad thing?” You hated how weak you sounded, your voice faltering slightly at the end of your sentences, hanging uncomfortably in the air and weighed down with uncertainty.

“I knew you were a smart one,” he finally tucked the envelope in his hands into his pocket, his undivided attention now on you. “You see, with how desirable you are… there are certain expectations that come with that. We wouldn’t want the Capitol to be unsatisfied, now would we?”

When did attention turn into desire? When were there suddenly expectations, and why was it suddenly your responsibility to keep people satisfied?

“I’m not sure what you mean, sir.” A hollow, empty statement, but a genuine one.

“Well,” it seemed Snow was particularly delighted by your response, as if it allowed him to explain something that pleased him greatly. “Victors have their place in Panem, just as all the Districts do. What would Panem be without Eleven’s grain, or Five’s power?”

Realizing it was not a rhetorical question, that he really wanted you to answer, you stumbled through a response. “Well, I— I suppose it would topple the whole structure. We… we can’t survive without eachother.”

“You’d be correct. The same thing applies to the Capitol. Without everyone doing what’s required of them, the Games fail to run smoothly. With no… incentives, shall we say, people… sponsors… become uninterested. There are things you, as a Victor and a mentor, need to do to ensure that interest remains. Do you understand me now, my dear?”

You did, oh how you did. And that was the worst part.

That was how you got here on the rooftop of the Victor’s apartment complex, wrapping a thin robe around the once pretty, now torn chemise that did little to hide your body. You barely survived the first night, there was no way you could spend the rest of your life doing this. No amount of hot showers and scrubbing your skin raw until it bled could free you from feeling so dirty. Tears glistened on your cheeks, highlighting your face in the pale dawn light and exposing your true emotions to anyone who could see you. Luckily — or perhaps unluckily — you were all alone in the Capitol, your family safe and sound because of what you’d agreed to, but so far away.

With slow movements, you hoisted yourself onto the ledge of the roof, telling yourself you wanted to get a better glimpse of the city skyline as the sun crept higher into the sky, not wanting to admit the real reason why, even to yourself. The wind whipped all around you, tearing the robe from your body and splaying your hair in different directions, but you felt as close as you could to freedom. If you just— took another step, or stumbled forward and fell, maybe you would truly be free in the entire sense of the word.

“There’s a forcefield. They wouldn’t let you get away that easily,” the all too familiar voice of Finnick Odair startled you out of your thoughts.

“Did you know?” You had to ask, but couldn’t bring yourself to turn your head and look back at his features, because you would surely crumble if you saw the look on his face.

To his credit, Finnick didn’t bother to sugarcoat it. “Yeah, of course I knew. That’s why…”

“That’s why you wouldn’t train me. You wanted me to die, so I wouldn’t end up like this—” you whirled around sharply to stare straight into his eyes for confirmation as you guessed what you were going to say next. “—like you. Because he makes you do this too, doesn’t he?”

Finnick was never an easy person to read, always hiding behind dimples that indented in his cheeks when he flashed one of his dizzying smirks. But now? You felt like you were staring at a statue, his gaze unable to leave yours but also unable to say anything in return.

“I’m sorry,” you whispered, allowing the cold caress of the breeze to take hold of you. If only you could fall back, if only…

“I tried to protect you,” his voice cracked, finally pushing something past his lips and drawing you away from the dangerous thoughts fighting in your mind. “Don’t you see it now? It would’ve been better if you’d died in the arena, you wouldn’t have to do this,” he spat out the word like it was hot tea burning his tongue, but you noticed the crack of defeat in his voice. The way his shoulders slumped, the way his sea green eyes were fixed on his shoes. “And I… I wouldn’t have to see you like this.”

You did see it now; there was a fate worse than death. “I should’ve listened to you, Finnick.” His first name felt foreign on your tongue, as if you were speaking an intimate language only known to the both of you. “I— I’m sorry. I had no idea, I…”

He let your apology hang heavy in the air, flicking his eyes over your shoulder to the waking Captiol, evident by the honks of car horns and the chatter of thousands turning into a dull buzz.

You couldn’t stand silence, it reminded you too much of what followed your father’s execution, what followed when your name was called from the Reaping Bowl. So with a huff, you jumped down from the ledge and hoped he wouldn’t notice your disgruntled appearance.

Not that you cared what he thought of you. But one look from him and you were a goner; your lips began to quiver and you wrapped your arms around yourself.

“Finnick, I… I don’t know how to do this,” a choked sob escaped you, and then it was all over and you were crying, shaking violently as you tried and failed to regain your composure. That seemed to snap him out of the haze he’d been in, his eyes flickering over and fixating on your figure, deep frown lines etching themselves on his face in a worried expression. “I don’t know if I can—”

“Hey, hey, it’s okay,” he didn’t hesitate to surge forward as you began to sway, the lack of sleep from the night before becoming evident in the dark circles beneath your bleary eyes, cracks in your skin holding onto tears that had long since been shed. He placed a careful hand near the small of your back, hovering over your skin before you fell back into it, like he was uncertain if you would be okay with touch. It reminded you of two nights ago, where he’d been so close to you but still kept his distance, not wanting to invade your space. His reluctance to touch you without your explicit permission made sense now, it all did.

“I just— I don’t—” Your body convulsed with gutteral sobs that sliced his heart in two, his fingers threading through your hair as he pulled you into his chest, allowing fresh tears to stain in the wool of his white sweater. “I don’t…” you tried again, wanting to continue despite the hiccups, “I just don’t… don’t… know what to do.”

You could feel his lips moving against your hair from where they rested on top of your head as he answered. “You don’t have to do anything. Not right now, at least.”

Time passing was the last thing on your mind as you remained in his embrace, soaking up everything about him, relishing in the comfort his closeness brought to you. How when your mind began to wander, the rhythmic pattern of his heartbeat brought you back so you could listen with your ear against his chest. How when your body expelled the last of its shudders and gasps from your breakdown, you could feel his arms flexing, squeezing you a little tighter. How when you pulled back from his embrace, he traced the red indent on your cheek, left from one of the buttons on his sweater.

“When was the last time you slept, sweetheart?” Finnick asked in a tone so gentle it brought fresh tears to your eyes; perhaps it was the sleep deprivation this time.

“I— I can’t go to sleep,” you began to panic again, digging your fingernails into his clothed arms. “I just close my eyes and I keep reliving it over and over again, I can’t do it again, I can’t—”

“I get it,” he stopped your rambling with a simple sentence, and you finally felt like you didn’t have to explain, he just understood. “Just… come with me, okay? You can trust me.”

Wordlessly you nodded, allowing him to guide you gently through the long corridors of the various penthouses until you arrived to one that had been occupied by none other than yourself. No, I can’t sleep, you wanted to shout at him, but remained silent. Trust him.

You allowed him to go through the motions of a bedtime routine, paying no attention to the fact that it was probably breakfast time. Pulling back one side of the blanket, he patted the uncovered space, motioning you to come lay down beside where he sat.

“Finnick, I can’t…” I can’t sleep.

He shook his head, a ghost of a smile tugging at the corner of his lips. “Just trust me, okay? Come and lay down, you don’t even have to sleep.”

Reluctantly, you threw the robe off of you and on to a chair, trying very hard to ignore the fact that the nightgown underneath did little to hide your body, reaching just past the tops of your thighs and exposing most of your legs. But Finnick didn’t even seem to notice, watching just your face as you settled into bed beside him, laying stiffly on your back until he motioned for you to roll over on your side, facing away from him.

“What are you—” you were shushed yet again and tried to comply, feeling a bit odd facing away from him when he was supposed to be distracting you.

You suppressed a shiver as his finger came into contact with your back, the thin silk of the nightgown doing little as a barrier and feeling more of a second skin. He began to trace a pattern— wait, were those letters?

“Finnick, what are you doing?” You forced back the beginnings of a smile, the first time you’d genuinely wanted to in what seemed like forever.

“Just relax, okay? Sometimes it’s okay to just… let yourself be distracted,” his voice trailed off, differing from the confidence you were used to, replaced by something much more vulnerable. “What am I drawing now?”

“I…” you frowned in concentration, trying to piece together the light strokes of his finger just barely gliding over you. “The sea, no! Waves?”

“Woah, that was fast. Didn’t know I was such an amazing artist, but it doesn’t surprise me—” The teasing tone had returned to his voice, no doubt an effort to continue to distract her

“Can you just continue drawing?” You rolled your eyes knowing he couldn’t see, but there was a slight humor to your voice that let him know it was working, that he was distracting you. His fingers continued their roaming, dancing so delicately and so dangerously close to your bare shoulder.

Finnick traced a moon, a star, and even a fish before he switched over to words, indenting each letter in your back with featherlight strokes of his fingers.

At first it was people, places. Your name. His name. District 4. District 1. Then it transitioned to phrases, which proved to be much more difficult. ‘You should sleep’—

“—Hey! I thought this was supposed to just be a distraction,” your words were finished with a heavy yawn that caused a chuckle to vibrate within his chest, and a feeling of warmth spread through you like wildfire. You couldn’t help it, in a moment you had flipped over onto your other side, wanting to see him. You could hear him, small chuckles passing from his lips and the slight rustle of the sheets beneath his body; you could smell him, a comforting, clean scent that instantly relaxed you, but nothing compared to actually being able to see him in all his glory.

You studied the high of his cheekbones, the straight edge of his nose, the golden glow of his skin that matched his bronzy hair dishevled from its place against your headboard. You studied the way his hair curled around his ears, the way you could faintly see the indents in his cheeks from where his dimples would appear if he were to smile, how the white of his two front teeth would poke out from his lips if he flashed you a smirk. They were full and pink, and, with a pang of jealousy that rocked your entire body, you wondered how many Capitol women had been blessed with feeling his lips on theirs — then swallowed that thought down with a shudder of disgust. He hadn’t wanted them, any of them, it was all a facade made up from by the Capitol, and you needed to realize that.

And while hearing him, and smelling him, and even seeing him was great, all you wanted to do was touch him. Not like that; no, you just wanted his arms around you again like they had been on the rooftop, shielding you from the cruelty of the world and finally allowing your body to feel safe enough to sleep. You wanted to reach out and trace the sharpness of his jawline, trail your fingers down to explore the planes of his chest, draw letters and shapes and meaningless patterns over his shirt like he’d just done to you. He watched you through sea green eyes that were glassy with sleep or emotion, which one you couldn’t say. His breaths came out short and shallow, hitting your face as you stared right back. You wondered if he could feel your breath fanning his face, or the warmth radiating from your body as you could from his.

He was close, so, so close, like that night you’d first seen him in the Captiol. You were wanting, just about begging for him to say something, something that would snap you out of whatever trance you were in.

It wasn’t fair that he could be so close, mere inches away on the bed, but be so unreachable.

But, as Snow had so graciously reminded you, fairness was a luxury you were not blessed with. So with great effort you tucked one arm under your pillow, using the other to pull the covers over you. Much to your relief, Finnick made no attempt to leave, saving you the embarassment of asking him to stay.

“Finnick?” You asked after several moments in a hushed whisper, not wanting to wake him. You felt guilty enough to have kept him up until mid morning.

“Mmmm?” Was the response, thick with sleep.

“Thanks for staying with me.” You fell asleep before you could hear his response.

Blood. Red and warm and sticky.

Heat. Blistering your skin and parching your throat.

A knife. Glinting in the sun, slicing straight through skin and muscle and bone.

A scream. Bloodcurdling and drawn out and all too familiar.

A scream escaped your lips, mimicking the one in your dream to an uncanny degree until you realized it was your scream. The sheets were tangled around your limbs, suffocating you and rendering you paralyzed as you fought with them, sweat drenching your forehead and leaving your hairline damp as you struggled for what felt like hours, though it was probably only a moment or two before your disorientation faded and you realized you weren’t back in the arena. Two hands were on your shoulders, strong and grounding, and you realized someone had been calling your name.

“You’re okay. You’re safe, it’s just— it’s just me,” Finnick’s voice was soothing to your ears, a calming melody against the screams and sounds of sliced flesh that were assaulting your mind.

“I’m sorry,” you choked out, chest heaving as you sucked in as much air as possible, needing desperately to occupy your mind with something else, anything else. “I’m sorry, I didn’t mean to wake you up—”

“It’s okay,” he cut you off; his hands moved up from your shoulders to cup your face, his thumbs brushing over your cheeks and you realized you’d been crying. “I get it, you don’t… you don’t have anything to be sorry about.”

His arms wrapped around your body until you had been tucked into his side, your head resting in the crook where his neck met his shoulder, and allowed steadying inhales and exhales to relax you as he resumed tracing patterns on your back. You cried, for everything you’d lost in those games, mourning the person you were before, and he just stayed there, cradling you against him, wanting nothing more than to take your pain on as his own.

“I— I— I just— I can’t—” you hiccuped, fresh tears spilling from your eyes as memories from your Games kept crashing down, how your District partner had protected you and you’d killed him—

“Please, what do you need?” Finnick squeezed his hands a bit tighter around you, trying desperately to bring you back to today. “Just tell me, and I can get it for you— liquor, morphling, anything, just—”

“Finnick,” you croaked out, hating how your voice sounded so weak, so broken. “Can you just…” your eyes flickered down to his lips, and despite every cell in your body screaming at you not to ask: “Kiss me.”

His eyes widened like it was the last thing he expected you to say, “I— okay— are you sure?”

You answered his question by surging forward and capturing his lips with your own, telling yourself it wasn’t his lips that you craved, but that you just needed something to get you through the night. He reciprocated immediately, matching your desperation with his own, like the two of you were trading blows as he pulled you fully under him, settling himself between your legs. You felt the hardness in his pants and couldn’t help but roll your hips up to meet it, pressing your own desire up against his. That — the feeling of his cock straining through the material of his sweatpants — made everything a little too real, and you suddenly found yourself needing to justify your actions. Why you felt this way was a mystery, perhaps you were protecting yourself, scared he wouldn’t feel the same if you were honest, but you truly had no idea, it just slipped out.

“I just… can’t think about it anymore,” you panted out. He didn’t have to know that you’d been pining after him since you were sixteen, didn’t need to know you hid your wanting behind sharp jabs and petty slights. “I don’t want you to think— this doesn’t have to mean anything, okay?”

Maybe you were imagining it, but Finnick’s eyes flickered with something you’d never seen before, clenching his jaw for a moment. “Okay.” He didn’t sound okay. “This means… whatever you want it to mean,” his voice was husky with a mix of something that sounded a little like… well you weren’t really sure, and you soon forgot to ask him as he stole your lips in another kiss.

You swore you would never get used to the feeling of Finnick’s lips on your own, even if you kissed him every day for a thousand lifetimes. Because each time his lips met yours, the world as you knew it was set ablaze with the same fuel that set your whole body on fire. You could never get enough of him, the way his lips were so soft and gentle, the way his breath mingled with and matched your own until it was like you were breathing as one. The way his tongue slid into your mouth but didn’t invade it while his hands roamed your body, squeezing the flesh around your hips, your sides, not being able to keep them contained to one place.

They finally settled on the sides of your thighs, squeezing around the area where your nightgown stopped, fading into a lacy trim and then disappearing completely. With tentative hands, he gripped the bottom of your nightgown and slowly began to hike it up your body. You helped him slide it up your legs, your stomach, your head, until it was completely discarded and you were left in nothing but underwear, having not worn a bra to sleep and leaving your chest completely exposed. Before you even had the chance to cover yourself, he was pressed up against you and his lips were on your neck, nipping at the sensitive spots under your ear and near the base of your throat, soothing the sting of his teeth with the swirl of his tongue.

This continued for a bit without any talking or shifting around, until you decided you weren’t content with being the only one practically naked, and reached for the hem of his shirt. He got the hint pretty quickly, leaning back and sitting on the backs of his thighs before tugging the shirt over his head. His biceps flexed in the process as he revealed a body sculpted and shaped into what you could only describe as perfect, not a single flaw to be seen.

Sitting above you, your legs spread around him and almost completely bare before him, this was the first time he was truly able to take in all of you, his green eyes nearly black with how wide his pupils had been blown out. His cheeks were so flushed they nearly matched the red of his lips, swollen from the constant attack of your own.

“You’re so beautiful,” Finnick whispered, so quietly you thought you imagined it. He didn’t leave much time for the compliment to settle in before he was back on you again.

His lips trailed down your neck, sucking and licking a path of hot, open mouthed kisses down past the valley of your breasts, down your stomach and not leaving an inch of skin untouched. You let out a little whine at the loss of contact when he suddenly pulled away, stopping his kisses just by your hip bone. You opened your eyes to see him searching them for any trace of unwillingness, finding none.

You nodded, desperate to have his mouth on you, and involuntarily shivered as a finger hooked around your panties and rolled them down your legs. You couldn’t help but feel a bit embarrassed as he was met with how eager you were for him, evident by the growing wetness between your thighs, and instinctively pressed your legs together to shield yourself from his prying gaze, despite being completely bare before him.

“You don’t have to hide, it’s just me,” he said as gently as possible, gripping your thighs and slowly spreading them apart, “Are you really sure about all of this? I don’t want you to think that’s why I stayed.”

God he was so good, you realized with an ache that rocked your body, shooting straight to your heart as you stared at him, met with only sincerity that made you want to cry again, because you could never truly have all of him.

He was doing this as a favor, as a distraction, not because he had any real feelings. But you were so desperate for him you’d take what you could get, which was why you nodded fervently and said, “Please, Finnick, I’m sure, I need you, just… touch me.” And as soon as the last words slipped past your lips, his mouth was on you, and you knew in that moment you were utterly fucked.

Finnick, on the other hand, knew he there was no coming back the moment he came into contact with your clit and tasted you with his tongue. He wanted you, all of you, and chanelled that into the expert motions of his tongue as he dove it deeper in you, continuing at an agonizing pace until you were trembling, practically begging for release. Your fingers raked through his hair, tugging him closer to you, his groans vibrating against your folds whenever you pulled a little hard.

And then, he stopped altogether, and you let out a frustrated groan at the loss of contact, but he was quick to make his way up your body again, peppering kisses along the way before swallowing your whine with another kiss, your mouth opening to let his tongue inside and tasting yourself on him. He broke away for a moment, just in time for you to cry out his name.

“Finn—” you barely had time to whimper again before he suddenly sunk a finger in and kissed you at the same time. His mouth never left yours as he continued, his tongue sliding along the seam of your lips as you parted them with a gasp. And he swallowed that with the kiss, too, like he was hungry for every part of you that he could get.

Desire ignited every part of his body, reflected in the way he began to pump his finger in and out before adding another, wanting you to be ready enough for his cock that he so desperately wanted to sink into you.

But Finnick had waited so long for this moment, he didn’t want to ruin it by moving too fast. No, he needed to relish in every moan elicited from your lips, every clench of you around his fingers. He needed to memorize every dip and valley of your body, kiss every square inch, memorize the taste and feel of you, in case he never got the chance to again.

He broke away his lips from yours and reattached them to your neck as his thumb began to trace a pattern against your clit. His pace quickened as your moans grew louder and more frequent. Your walls squeezed his fingers tighter, until you were practically undone, as he reveled in the sting in his roots and on his back as as you pulled his hair even tighter and your fingernails dug little crescent moons into his otherwise perfect skin.

“I’m gonna—” You were cut off as he sent you over the edge with the slight curl of his finger, pure bliss blinding every other sense until all you could think of was Finnick. It took you a moment to come down from your high, realizing it did little to satiate you because you still wanted him, all of him.

You reached for his bare torso, feeling each of his abs flex individually as you trailed your hands down his stomach. You stopped just above the waistband of his pants, not only wanting to feel him, but wanting to hear him say he wanted it just as badly as you did; but it seemed he was thinking the same thing and beat you to it, shucking off his sweats and boxers until he was also bare before you.

“Tell me you want me,” his chest heaved with each word, demanding you say just what you wanted to hear from him, tearing your attention away from everything else. “Need to hear you say it.”

“Want you so bad,” your voice was barely above a whisper. “Please, I need you inside me. Right now, just… please.” If you could get drunk off of the word please leaving your mouth you’d be wasted by now, almost wanting to laugh with how often you’d said the word.

“Whatever you want,” the way he said that made your spine tingle, the purr in his voice causing you to border on ferality.

This caused you to laugh and hook your arms around his neck, pulling him closer with the intention of kissing the smirk right off his mouth until you felt the tip of his cock brush against your entrance, making this feel a little to real once again.

“You sure?” He halted your movements, both hands resting on either side of your head as he remained hovering above you, repeating his question from earlier.

The vigor in your nod caused him to throw his head back with laughter, though not before you asked for confirmation of his own.

Mimicking your move from earlier he answered with a kiss, this one so sweet and quick it was more of a peck. Before he had time to overthink, he was inside you in a swift motion, a moan tearing from your throat as he paused, waiting for you to adjust to the sheer size of him. Your fingernails dug into his arms as he held still, waiting for you to give him the go ahead before he started moving.

“Just— move, please—” that was all it took before his hips snapped against yours and he was inside you fully, biting back a groan to match yours as you clenched around him.

After a while of slow strokes, you were starting to grow inpatient with how gentle he was being. Not because you didn’t like it, but because then you had the chance to slow down and remember it was actually Finnick, and not some nameless man you wouldn’t remember in the morning. He seemed to pick up on your growing disinterest quickly enough, and began quickening his pace until you were crying out. His thrusts soon became wild and erratic, signaling he was just as close to finishing as you were.

“It’s okay,” he crooned, his lips brushing your ear as his hand reached down to circle your clit once again. “Come for me, sweetheart.”

You weren’t sure whether it was his command, or the pet name, way his lips felt against your ear, or even his thumb pressing against your clit, but you came hard and fast, your body spasming and clenching around his cock until he followed soon after. He collapsed on top of you, his chest shining with sweat as he continued to press kisses on you shoulder, up your neck, behind your ear. The weight of Finnick pinning you to the mattress was oddly comforting, grounding you and effectively keeping you from wandering back to thoughts of your Games. The distraction had worked, you realized as he eventually rolled off of you and up into a sitting position.

You wondered tiredly where he was going, but he had left and returned before you could even ask where. A damp towel in one hand, he cleaned you up with gentle movements, slowing when you gasped from sensitivity and pressing a tender kiss to your forehead while whispering sweet words of encouragement in your ear. The whole interaction was so domestic you actually felt nauseous as you remembered this was just a one time thing, and you’d never experience any of this again. This was just a favor done by someone who wasn’t even really your friend — a familiar stranger who knew more about you than most.

Finnick oh so desperately wanted to know what you were thinking. He would ask, but the look in your eyes kept his mouth shut as he fell on the mattress beside you. He itched to pull you close to him, to be able to fall asleep with the security of you in his arms, but couldn’t bring himself to make any first moves. Had he not slept here before you two had just fucked, he’d be questioning whether or not he should remain or go back to his room.

If only he knew you were craving his touch just as much as he was craving yours. So the two of you fell asleep shoulder to shoulder, with so many words left unspoken.

And when you woke up the next morning, you tried not to let your heart sink completely into your chest as you reached over and felt nothing. He was gone.

#finnick odair #finnick odair x reader #finnick odair x you #finnick odair smut #the hunger games #thg #finnick imagine #the hunger games smut #the hunger games fanfiction #finnick odair angst #finnick x reader #finnick odair fluff

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mutfruit-salad · 14 days

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read your criticism and have a genuine question about your thoughts on the branding scene. i completely understand how max's branding is inherently tied to a racist history, and it always will be, but i dont feel like the scene itself was written with that bias/intent. thaddeus also gets branded in later episodes and it's implied to happen to every aspirant upon their promotion. at what point in writing are black characters morally barred from specific story points because of their similarities to a history that's not directly related? sort of similar with barb, at what point can black characters not do bad things at all, especially in a story where there are near a dozen non-black characters who do worse things? also considering it's implied (at least, i understood it as) she's sticking to vault-tec to protect her family?

I am not in the best position to comment on this, because I am not black. I will do my best to add what I can, but this is a space for others to chime in.

Barb is interesting because she's essentially become the person who did the most heinous crime in the entire setting- by far and away worse than anything anyone has ever done. There really aren't white characters who did worse things- because all the crimes of Caesar or the Enclave or whoever else pale in comparison to being the one who literally set into motion the total annihilation of all nations on Earth. (This is setting aside her willing participation in the inception of the vault experiments- which is an entirely separate also horrific crime.)

The issue is they've created a setting that is, as presented, colorblind. Race is invisible to the writers, who did not consider it meaningfully while producing the show- as is often the case with white creatives putting characters of color into their stories. Colorblindness does not always produce entirely racist results- and when done with tact and intentionality it can even be revolutionary. Look at the relative inclusivity of star trek as an example, and the radical depiction of Uhura in the original series.

The thing that makes Fallout different from Star Trek however is that it is not depicting its colorblind future with tact and intentionality. This is a show that is intensely concerned with depicting the specific brand of nationalistic American politics of the 1950s and the Cold War- and they've reproduced that system for the show but with a black woman at the head. That's where the issue comes up.

This was a system that had racism baked into it by design. It still does. American Nationalism and corporate violence are built on racism against black people and other minorities. And this show desperately wants to depict these things, but they've decided to put a black woman at the head of them. They're depicting systems that are, by their nature, violently racist- but they've decided to portray them as being run by a black housewife.

Fallout 3 does a similar thing with how it depicts every major slaver as a black person. Eulogy Jones, the slave buyer at Paradise Falls, the head slaver in the Abe Lincoln memorial, Ashur in The Pitt. Hell Mothership Zeta adds in a black woman from the wasteland and even SHE'S revealed to have been a slaver. This is something Bethesda consistently does- depicting ideologies and practices with a deep history of racialized violence- and then showing black people at the head of them, seemingly to try to avoid actually addressing any aspect of racism in their stories outside of hamfisted metaphors like synths and ghouls. (I use Fallout 3 as an example but Fallout 4 does many of these same things.)

Thaddeus does also get branded, and he does also get treated to the same demeaning servanthood as Maximus. The difference, quite frankly, is that Thaddeus is white. There are just some things that are straight up inappropriate to depict happening to black characters without appropriate thoughtfulness and context. Never before this series has the Brotherhood ever done brandings- and yet this show opens with it in the first episode and introduces this brand new jarring concept with the visceral image of a black man being branded by faceless fascist cultists.

It's also important to note that even if they didn't intend the scene as racist, it still is. Like I don't think the scriptwriter sat down and said "oh I'm gonna do a racism" cuz intent just doesn't matter here. The scene was intended as a way of showing the severity of the brotherhood- but it also thoughtlessly reproduces images of historic black violence.

@orange-coloredsky I know you've been talking about this stuff all day, and your initial posts about the antiblack racism in the series were what prompted me to write my thoughts today- which is what this ask is in response to. I was curious if you have any other input with all this.

I'd also be more than happy to have any additional input from people better suited to answer these questions.

#fallout #fallout show #fallout 3

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sampsonstorm-critical · 3 months

Text

So. I DID watch Hazbin Hotel. And oh boy. So I'm going to give my critique on the show.

"antagonists and supporting" Characters- A bit better than Helluva. Studio oversight curbed some stuff. The characters somewhat had their own personalities in their dialogue. Some characters I thought could be cut out. I'm sorry but Sir Pentious is one of them. He's too cartoony even for this universe. He's annoying on the level jar jar binx was in star wars. Same with Mimzy. I think they could've done much better with Adam, but they just made him a dude bro? I did like the Seraphim sisters. Lute was just a bitchy, cynical, anime antagonist. Nifty was a bit aggravating too on the same level as Sir Pentious. I liked Husk as a character. Lucifer being a crushed dreamer fallen angel was actually interesting however his take on his people that he rules? Now if he was actively choosing to punish them himself using hells tools, it would be one thing? But he just has depression??? I guess? After thousands of years? Instead of trying to reconnect with his daughter, he just Mopes??? Like a sad boy??? No. Sorry. You lost me. Cherry Bomb? Meh. She's pretty shallowly written.

Now!

Main Characters -

Charlie- I hate her. I hate how fucking useless she is. She's the main protagonist for fucks sake. Now if she started like this and actually got better as the story went along in season 1, then alright. But she just gets her ass kicked and daddy has to save her skin. Way to take away her independence as a character.

Vaggie- I like Vaggies premise, but I hate the way her arc is executed. And the fact that she lets Lute live??? I'm sorry? WHAT THE FUCK WAS THAT?! No way. No how. Someone like her from a military background, or hells backdrop would let someone as callous as Lute live.

Alastor - he's my favorite character but, it's not his show. And it feels like it is. I love Alastor, he's the only entertainment I get from this show for the most part.

Angel - he's a characature. He is a walking stereotype. I know many people like him including the hypersexuality. Angel dust unless written for plot specific purposes only, is a very selfish unredeemable person. I'm sorry. He's being raped, and he still sexually harasses other people, knowing how it makes him feel? Now this would be great if we weren't supposed to feel bad for him right away, because it would show how abused can become abusers even if they don't mean too. And that could've been part of his arc to becoming a better person. But no.

The Vs - I like Vox. He's written to be genuinely manipulative, charismatic, and intimidating. I like Velvet too. I wish we knew anything about her. Valentino is written to be a villain, but some of his more childish moments are a bit of a movie mood killer.

On to the show as a whole.

So the most hated part of HH. Episode 4s infamous sexual assault scene. - I actually think it was very raw. It was done in an artistic taste. And I DEFINITELY think that if it wasn't taken from a SA fetishizer, it would've sat with me better. I understand what they were portraying and as someone who's had friends, gay men from the aids crisis era who have been SA, I see it but it's not done well. The only instance it's done well is when Angel is shown in the studio with Valentino especially when he tells Charlie to leave.

The build up and pay off issue - the music for the most part was good. OUT OF CONTEXT. I. Context it pays off without building up the conflict. It just resolves immediately. And these aren't Saturday morning cartoon conflicts. These are deep seeded emotional traumas between people. They don't resolve within one episode. These types of conflicts should resolve in 3 part episodes to 1 season. Yet again the Helluva problem shows up. Setting up too many character arcs and plotlines that cannot be properly resolved in the time span.

The finally- it was. Hot. Garbage. What the fuck was Charlie wearing to fight???? What the fuck???? Seriously???? And Angel???? In his booty shorts??? And we're supposed to take the extermination seriously??? HA! No. I do like in the episodes leading up to the finally, where Charlie and Emily rise against Heaven. I think they should have kept going with that moment in the song "If hell is forever, then Heaven must be a lie". It was very powerful and undermined immediately with "the big reveal!" Yuck. And don't even get me started on how NIFTY is the one who killed ADAM! SERIOUSLY? I think it was actually cool to see Alastor get HIS shit kicked in and see him crack under the pressure for once. I DO NOT like how Charlie's daddy had to come and fight her battles especially seeling as how he could do it the whole fucking time for thousands of years????!

#helluva critical #helluva criticism #helluva critique #helluva rewrite #hazbin hotel critical #hazbin hotel criticism #anti hazbin hotel #hazbin hotel critique #anti spindlehorse #anti helluva boss #anti vivziepop

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thedrunkenreadersreviews · 3 months

Text

Regarding Alastor's Hallway Scene in Episode 5 of "Hazbin Hotel"

Good day, folks! As sweet Mimzy said, "...pour a few fingers of rye and he turns into a kitten" so let's do that. Let me set up my Redemption, and let's get into this.

*Sip, sip*

Now, this is quite an interesting thing; the phenomenon of the reactions I have been seeing particularly regarding Alastor in episode 5 of Hazbin Hotel has been ... curiouser and curiouser.

*Sip, sip*

The big question that I think we should be asking after this episode is who Alastor is leashed to---but there seems to be something else on people's minds and that is the interaction Alastor had with Husk in the hallway of the hotel. I mean, every great character needs an epic hallway scene. For Star Wars it was Vader and Luke. For Hazbin, it is Alastor. Let's explore this.

*Sip, sip*

As a society, feasting on entertainment, whether it be through books or films or a series, fans often say that they enjoy the "villain" or "morally grey" character as opposed to those who are set on their compass of goodness. I find this to be a lie that we often tell ourselves and believe completely.

Sure, we find them more entertaining and thus we favor them, but then we try to find excuses for their behavior, make it a despicable act that is done for righteous reasons. Or because we desire to see someone who is tremendously struggling or has a rather horrid reputation overcome this and prove to be a fantastic character underneath all the layers of darkness. We don't like them because they are bad. We may pity them for they often have the most tragic backstories, or we see the potential of their goodness. But we like them because we believe that everyone in their universe has the wrong perspective of their wickedness while we, outsiders looking in, see the potential of their heroics. What they can do despite everything.

That is not liking a character because they are the villain. That is liking a character because of why they are the villain and how they can overcome it.

A few examples:

Rhysand dressing Feyre up like a whore and tattooing her without her consent: well, he was doing that to protect her and help her.

Darth Vader: Mass murderer and second in command of an empire built on absolute control; but he fulfilled the prophecy of the Chosen One and had originally fallen because he wanted to save the love of his life and his unborn children.

Loki: Yeah, he slaughtered 80 people in 2 days, attacked NYC with an alien army killing hundreds if not thousands in the process, and committed genocide prior to that, BUT that's because he was severely broken and now he sits all alone at the end of time, saving an infinite amount of people.

Granted, I love 2/3 of those characters because of the reasons provided. But also because in their prime they were WICKED!

*Sip, sip*

Now let's look at Alastor.

Alastor, the Radio Demon, and one of the most feared overlords of Hell ... threatened one of the souls he owns. And now, I see people comparing him to Val or saying they hated him at that moment or now have a poor taste for him in their mouths. But ... this is exactly what you asked for from him.

*Sip, sip*

Val, who ACTIVELY tortures Angel Dust, is being used as the comparison for Alastor because he THREATENED and scared Husk after Husk stepped over the line.

*Sip, sip*

Alastor, when alive, was a serial killer. Alastor in Hell captured overlords, tortured them, broadcasted the torture throughout Hell, and became one of the most feared overlords.

He didn't do that by being "nice" or "charming." He did that by being vile and not for a greater good. He did it because, as far as we know, he wanted power. And, damn, he got it.

Demons KNOW to be afraid of Alastor. Granted, his reputation may have faltered because he has been away for 7 years but before his departure and even upon his return, for the most part, demons avoid Alastor as though he were death incarnate.

*Sip, sip*

Now, let's examine him in episode 5. Only the scene that is getting the most traction; I'll talk about Alastor and Lucifer in another post. But let's look at this scene:

Alastor and Husk in the hallway.

*Sip, sip*

Let me put some quotes here real quick:

From the Pilot:

Husk to Alastor: "Don't you [Alastor, the owner of my soul] 'Husker' me, you son of a bitch!"

Husk to Alastor: "Are you [Alastor, the owner of my soul] shitting me?"

Husk to Alastor: "You [Alastor, owner of my soul whom I have just shoved off of me] think it must be some big fucking riot just to pull me out of nowhere? You think I'm some kind of fucking clown? [even though I am contractually obligated to obey your summons]"

Husk to Alastor: "I [the one contracted to serve you and obey your commands] ain't doing no fucking charity job [even though you told me by your order that I have to]."

Alastor to Husk: "Don't worry my friend [you, who sold your soul to me so that you could keep your power because you almost gambled it all away], I can make this more welcoming [providing you with something that you enjoy even though you are contractually obligated to obey my commands without payment/reward], if you wish."

From episode 5:

Alastor to Husk: "It's nothing I can't handle, don't worry, Husker. [Proceeds to walk away, leaving the conversation] Who in their right mind would cross me? [Continues to walk away, posing the question as rhetorical and not requiring an answer]."

Husk to Alastor: "... You've been gone a while. And it's not like anybody knows why---"

Alastor to Husk: "They don't need to know. [And it does not need to be discussed further, so leave it alone.] And don't you worry your fuzzy head about it. [Drop it. Drop it now. Don't pick it up]"

Husk to Alastor: "You may own my soul, but I ain't your fucking pet!"

[Personally, I think Val would have instantly backhanded AD for that alone.]

Alastor to Husk: "Hmhm. But you are [So stop talking, just let it go, I'm letting a lot slide here]."

Husk to Alastor [the owner of his soul, who has slaughtered overlords of Hell]: "Big talk for someone who is also on a leash."

Alastor to Husk: "Aha. What did you say? [Now you have tested my patience too much!]"

*Sip, sip*

In the pilot, Husk openly and without fear insults and cusses at Alastor. And what does Alastor, the owner of his soul, do? He lets it slide.

In the one scene between them in the hallway, Alastor essentially still does nothing even though it is evident that Husk struck a nerve. At least twice over in this scene alone, Alastor gives subtle hints to Husk that it is best he just stops. And it is not like he even dismisses Husk's worries about Mimzy or even his absence. It's more along the lines of, "Oh, I know she is in trouble and came here for me to clean up her mess, but I am a bit occupied at the moment dealing with the actual King of Hell, so I'll get to it when I get to it. Just keep her busy for now." And in regards to his absence, he makes it abundantly clear that Husk is better off just not mentioning anything about it. He cuts Husk off, and essentially says, "Look, just keep quiet about it. It's no one's business but mine and I'm fine, I can handle it, so let's just leave it alone."

All the talk people say of Alastor having a big ego, oh undoubtedly, but it makes sense why Husk is in pride in this one scene alone. Alastor tells him "let it go," and moves to walk away from the conversation.

But Husk pushes. And pushes. And on that final shove, I think Husk even knows before Alastor got mad that he went TOO far.

*Sip, sip*

And Alastor still, for the most part, does nothing.

He reminds Husker that he owns his soul, pulls on the chain just to knock Husker off-kilter, and then, rather demonically, tells Husk to not EVER mention the fact that he is leashed again. Honestly, with what Alastor COULD do to Husk ... that was letting him off SUPER easy. Like, Husk should be kissing his feet that that threat was the only punishment he received for that comment.

Val? Forget it. AD would probably be filming for 3 days straight. Alastor doesn't even touch Husk.

This move is also a sense of security for Alastor, I think. Husk probably thought this was just another comment that would result in Alastor just ignoring it. But it takes Alastor by surprise and destroys his comfort. He loses himself in a fit of fury and pulls on Husk's leash to remind both Husk and himself, "Yeah, I might be leashed but I still own YOUR soul, Husk! So do not test me!"

*sip, sip*

So, yeah, Husk gets scared, as he should. Alastor is terrifying.

Should this lessen our opinion of Alastor as it seems to have done with so many fans?

No. Absolutely not. If anything, this scene provides balance to that paradox I supplied earlier; how we like the evil characters because of the good they could do but we should also like them because they are evil and should be expected to do evil things.

Alastor IS evil. He owns Husk's soul.

And yet, this evil overlord allows Husk to get away with soooo much. And when Husk oversteps, as he absolutely did, to not even be smacked by Alastor speaks volumes of Alastor's opinion of Husk.

*Sip, sip*

Here is my speculation:

Husk obviously knows more about Alastor than most. But Alastor owns hundreds if not thousands of souls. Husk is someone he calls on often, obviously. Husk knows Alastor is leashed. Faustisse, a former employee of Spindle Horse, and one of the original teammates beside Viv for the Hazbin project said that Alastor regards Husk as one of his closest friends. Perhaps not friend, but maybe one of his closest confidants. Why else would Husk know that Alastor is leashed? Granted, we cannot tell from the dialogue if Husk knows where Alastor was for 7 years or even if he knows who Alastor is leashed to. To some extent, though, Alastor must trust Husk.

In this scene, Husk violates that trust. He deserved to be threatened, reminded, and terrified. I adore Husk. He is one of my favorite characters and when I saw the hallway scene, I thought Husk deserved way worse than what he got.

And Alastor still takes what Husk had to say about Mimzy into consideration. He still tells Mimzy, a friend he has had since he was alive, that she needs to leave.

*sip, sip*

Yes, Alastor is evil. And it is soooooo good to see him BE evil. And not for a good cause but just because someone got under his skin. He owns Husk and he lets Husk off very easy. So to see him lose his temper and not even physically hurt Husk allows the nugget of possible, minuscule glimmer of somewhat kindness to linger.

I loved the hallway scene. It did a fantastic job of showing us what Alastor COULD be if he really wanted to, why you shouldn't mess with him, and how he elicits fear.

Val lords over his souls through physical abuse. Alastor does it mentally when called for. They are two totally different overlords with really no comparison to be made between them save for this: they are both evil.

*Sip, sip*

Alastor ate in episode 5 and left no crumbs. He remains, quite possibly, the most interesting character in the show. I cannot wait to discover more of him and watch him be absolutely wicked towards others.

Cheers to you, Radio Demon. If I were in Hell and had to be leashed to anyone, I would want to be leashed to you.

*Sip, sip*

#hazbin hotel #hazbin hotel spoilers #hazbin alastor #hazbin husk #hazbin hotel alastor #hazbin hotel husk #hazbin valentino #hazbin hotel valentino #hazbin hotel episode 5 #hazbin hotel pilot

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asocial-skye · 1 year

Text

This is probably elaborated on a lot more in detailed meta, but for all of the shit that Lucas has pulled and all of his questionable decisions, Palpatine is probably his greatest triumph as a villain within narrative. Yes, he is absolutely a cartoon with no redeeming qualities, and Anakin definitely has a more dynamic character arc, but it's still incredible.

Star Wars as a franchise is associated with war and wartime: laser sword battles, epic forbidden romance, last stand trench runs against powerful enemies. It's all action, stylized violence and "rule of cool." There is good character writing and plot of course, but the public perception of Star Wars as a whole is about the cool space wizards and laser guns.

So it's absolutely curious that Lucas, in a trilogy that he said was geared towards children, had his villain do none of the things that made Star Wars so famous. Palpatine never fought ever. Except in Revenge of the Sith, Palpatine's horrible crimes all stemmed from his politics, and his cunning. Part of the Jedi's blindness to Sidious was that he was playing them on a field that they didn't expect: politics.

The Jedi are not politicians, nor have any interest in politics; the movies make this painfully clear. (The fact that the Council just goes and attempts to execute Palpatine, a popular leader who was "democratically" elected-I will give the Jedi credit; Palpatine is a monster, and killing him then and there was probably necessary- shows that there aren't the most politically minded) Palpatine literally does more damage to the entire galaxy that has repercussions for a generation- seriously, people like Biggs probably lived and died within the Empire- than Anakin could ever do during Operation: Knightfall or even as his tenure as Vader. And the Jedi can't do anything to stop it because they refused to play the game. In fact, one could make the argument that refusing to play only meant that Palpatine could carry out his agenda even faster.

It's almost like the bad guy won because any damage wreaked by an army of space wizards can be done a thousandfold by one politician. And it's like the lesson is that if you turn a blind eye to the injustices in your government, the corruption festers until it turns into something unspeakably horrid, and by then it'll be too late.

That's something to think about.

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captainkirkk · 8 months

Text

✩ WEEKLY FIC ROUND-UP ✩

All the fics I’ve read and really enjoyed in the past week-ish. Reminder: This list features any and all ratings and themes. Please look at tags and warnings on ao3 before reading.

fill in the blanks by mindshelter

"You?” Tim blurts. Holy shit. “You’re Kon?”

A nod. “Are you in any pain?” he asks again.

Kon’s skin is sun-kissed, cheekbones dusted with a fine smattering of freckles; he is, without exaggeration, the prettiest person Tim has ever seen. “No, I’m—great,” he says, fidgeting. “Do you, uh, come here often?”

Kon raises a brow. “To the medbay?” he intones. “Definitely more often than I’d prefer."

Fault Line by sElkieNight60 (+ podfic)

Part 1 of Tectonics

"You’re invulnerable…” he whispers, but it’s clear that fact falters in his mind.

Confusion writes its way into the lines on Conner’s face and Clark takes a step back as though physically pushed.

“You’re not invulnerable.”

It is a statement, dull like stone.

“N-no, sir.”

— 🦸 —

OR: Conner's not as invincible as Clark thought. Suddenly, he's a lot more human.

Danny Phantom x DC

The Business of Family by Spaced_Ace

Jazz remembered the way their parents loomed in the living room as they’d laid out that verdict. Ever-present weapons gleaming, standing in such a way that they blocked access to both the front and back entrances. Their eyes had been what struck her the most of that horrible tableau. What made her stomach fill with jagged stones and drenched her back in a frigid sweat. The way they looked at her little brother, their gazes cold and hollow and -

Hungry.

(Things are not well in Amity Park.

With the GIW getting more and more aggressive and their parents becoming ever more suspicious of Danny each day that passes, Jazz knows that they're running out of time. It's not safe, and their options are painfully limited. Out of sheer dumb luck or a little intervention from Clockwork, she manages to discover a distant relative that just might be their salvation.

If asked Oswald Cobblepot would say that it's just good business. Adopting a few kids had done wonders for Bruce Wayne's reputation, why not his? It's not like he can't afford to put them somewhere out of the way if they get to be a problem. It's just business. Nothing more.

(His soft heart says otherwise))

The Witcher

Words of Love by ForestWren

"I should warn you,” Jaskier said between kisses in the soft darkness of the shed, “That I know some… very interesting people. You may want to avoid meeting them.”

“I’ve dealt with the Redenian court for decades. Your friends can’t be worse than that.”

Five times Radovid meets Jaskier's friends and family, plus one time they are alone.

Star Wars x The Mandalorian

Master Skywalker: The Absolute Worst by PrinceJakeFireCake

"Din got to his feet. He patted Boba on the shoulder affectionately.

“You should watch the recording of Skywalker fighting the death troopers,” he said, then pressed a kiss to Boba’s cheek and told Grogu to stop eating his blocks.

Boba watched the recording. He was pretty sure he would never be the same again. He was positive that he never wanted to meet Skywalker ever again.”

Boba Fett falls for Luke Skywalker. It isn’t the funnest thing he’s ever done.

Original Works

Call Me Menace by wingedcat13

You, Synovus, are a respectably terrifying supervillain. Your main rivals, a pair of superheroes named Legionnaire and Athena, are actually respectable as heroes. You hate having to stoop to kidnapping their child - but you hate more what the kid's behavior implies.

if it don't hurt now (just wait a while) by quandaries_and_contradictions

Part 27 of mage in a wolf pack

When the hunters first take him, Jaime knows everything will be okay.

He’s scared, of course. He wants his mom and dad and little sister. But he knows it’s going to be okay — because the wolves who protect his town will come for him. Lada’s mother and father and papa won’t let the hunters get away with this. All he has to do is hold on until they get here.

Months later, he's not so sure.

Stranger Things

No One Rides For Free by weird_witchcraft

"Are you okay Harrington?” Eddie asks gently, “Need me to get anyone?”

“No one to get,” replies Steve, so soft Eddie barely catches it. “You think I want anyone seeing me like this?”

Eddie Munson stumbles across Steve Harrington crying next to a bush at Tina's party and makes it his mission to cheer him up.

Clone Wars

mirci't be uja by ihathbenobiwankenobied for whitchry9

Obi-Wan is usually good at keeping track of his blood sugar levels–because he has to be–but this time, it’s out of his control.

(Or, a diabetic Obi-Wan is thrown for a loop after crashing on an unknown planet. Stim does his best to keep his General alive)

#hopefully this makes your monday a bit better #weekly fic round up #my posts #sw recs #original works recs #stranger things recs #dc recs #dp recs #witcher recs #fic recs

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infriga · 8 months

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I convinced my mom to try the live action One Piece, because she's the type to like this style of show even though she isn't into animation and would never read manga, but I didn't think I'd be able to convince my dad because he's usually a stickler for more grounded and realistic stories (his favourite genre is war movies, his favourite movie is Saving Private Ryan, for reference). But, when I brought up with him how I figured it probably wouldn't be his thing because it was fantasy, he mentioned to me that he does enjoy some fantastical stuff if it has like an internal universe logic, like Star Wars, and the more I thought about it, the more I remembered that he also enjoys campy fun action adventure stuff that doesn't take itself too seriously like Indiana Jones or Pirates of the Carribean.

And One Piece has both that internal logic for why people can perform crazy feats (even if it isn't explained right away) which I mentioned to him (just that there is a reason why people can do crazy things in this world), as well as the campy fun action adventure thing going for it, especially in the Live Action (the fight against Morgan's base even has a major Indiana Jones vibes ngl). So I explained that to him and asked if he wanted to try it, and he agreed to watching the first episode with me to decide if he'd watch it with my mom and me.

AND HE ACTUALLY SAID IT WAS INTERESTING SO FAR!! Like, he is NOT the kinda guy to enjoy anime or manga or even western cartoons, always refuses to watch anything anime and doesn't show any interest when I talk about it (I've managed to convince him to watch a few movies like Sword of the Stranger but it's obvious that even when he's not bored or doesn't hate it, it still doesn't catch or keep his interest), and he's really picky about anything fantasy or SciFi, if it like sets off his bullshit meter too much he starts nitpicking the logic behind certain abilities, or decisions, or explanations, etc. I once tried to get him to try Gravity Falls and he wanted to stop after the first episode. He's THAT picky.

So the fact that he actually laughed several times while watching the first episode of OPLA with me, commented about Luffy's character positively several times (he seems to think Luffy is really funny which surprised me cause I thought he'd be the most entertained by Zoro but I mean I can't blame him it is Luffy after all), never cringed or criticised or said anything about how ridiculous it was, means a lot coming from him cause he's always really blunt and honest about his opinion on this sort of stuff (which is fine I don't want him to pretend to enjoy stuff when he doesn't). He actually watched the whole first episode without it losing his attention, and seemed to have fun! And he agreed to watch the rest with my mom and me!

This sort of thing is one of the reasons why I dislike when people just dismiss the idea of live action adaptations entirely. I get that people are jaded with past failures, and don't like when live action is treated like a replacement for or improvement from animation when it isn't. But it is a valid medium just as much as animation or comics or writing are, and can be used to produce some amazing things. And the fact is, there are people who have a hard time connecting with other mediums who will otherwise never engage with this media in its original forms. Live Action, when done well and done right, can reach new audiences and welcome them into the fold in ways the original formats never can.

One Piece didn't need the live action to be popular, obviously, and the live action cannot and will not replace the original, nor should it. But I love that we get to have it alongside the manga and anime. It's just more of what we love, it's the cherry on top of an already stellar multi-layered cake. It complements the original rather than taking anything away from it. And for the first time in over a decade I might be able to share One Piece with my parents, who would only ever have a chance of experiencing it and enjoying it in live action. There's just something so awesome about that for me personally. I just wish more live action adaptations would understand what the One Piece live action understood about the adaptation process, and that's how to keep the heart of the story in-tact, so more people from more fandoms could have a chance to share something they love with more people who it would otherwise not reach.

Anyway, thank you Oda and the OPLA cast and crew for doing live action right for once!

#one piece #one piece live action #OPLA #When Luffy was talking about breaking into the marine base my dad was like #'he seems like he's got a lot of confidence going for him' with a grinnand a chuckle #And then when Luffy was talking to Nami in the base my dad said something like 'other people seem to have a hard time saying no to him'#Also with a grin and a laugh #And bro if my dad becomes a Luffy fan too I will explode #Like he did laugh at Zoro and Nami a few times but he had the most to say about Luffy and none were complains #He didn't even seem to blink an eye at Luffy calling out attack names lmao #Long post #Just your regularly scheduled post where I gush about OPLA for too long #Tv show thoughts #It's not even that my parents have anything against animation they just for some reason have a really hard time getting immersed in it #Or connecting to what's happening #Even when they try something for my sake they just can't really get enthusiastic about it the way they can for live action stuff #Which I mean some people just don't vibe with certain mediums and that's okay

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sirfrogsworth · 3 months

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Today in, "Conservatives keep making me side with Disney"...

So, Gina Carano is suing Disney. And Elon Musk is paying for her lawyers. And they released the complaint document.

It's... a doozy.

I can't decide if her lawyers are not taking this seriously at all or if they are taking it super duper extra seriously.

Like, that's a real thing that a lawyer wrote.

As you know, judges are famous for enjoying levity in official court documents. I think in law school you are encouraged to add comedy bits. True facts.

Gina wants money for emotional damages. But she also wants to be rehired, which sounds like another funny comedy bit. They scrapped an entire show because of her nonsense.

Most are saying this will get thrown out with haste due to the fact that Gina wasn't actually fired. She had already done her contracted work. Disney decided not to hire her for any *new* work. So I guess she wants them to honor an imaginary contract that was in her head.

The entire document is just as ridiculous as the opening crawl. It starts out by listing Gina's show biz bona fides. Her myriad accomplishments in Hollywood were listed one by one in a section titled...

Well, I'm intrigued.

Let's take a look at this illustrious career, according to this document.

"Carano is the first-ever female star in mixed martial arts cage fighting to successfully transition to a career in movies, breaking down substantial barriers for women in the sport."

Off to an interesting start.

All the cage fighting gals can act in movies now and they all have Gina to thank for barrier busting.

"Carano received roles in Hollywood and independent film productions such as Haywire, Fast & Furious 6, Heist, Deadpool, Almost Human, Extraction, Daughter of the Wolf, and Madness in the Method."

I've heard of several of those things! And I think I almost remember her in Deadpool! Very impressive.

Oh wait, they're not done...

"On May 13, 2008, “Gina Carano” was the fastest rising search on Google and third most searched person on Yahoo! while being ranked no. 5 on Yahoo!’s “Top Ten Influential Women of 2008” list."

In 2008 she was popular on Yahoo for a bit. Got it.

Has she won any awards?

"In 2012, Carano was the first recipient of the ActionFest Film Festival’s Chuck Norris Award for Best Female Action Star.

In 2017, Carano received the Artemis Action Warrior Award.

In 2019, Carano received The Rising Star award at Ischia Film Festival."

Very prestigious. I'm sure Chuck Norris has a lovely basement where that ceremony was almost certainly held.

You know what, why don't we just skip to The Mandalorian?

"Although her character instantly became one of the most recognized and popular characters in the series..."

Gina, no... that was the little green puppet.

You were the one who couldn't act very well but you made up for it by punching things good.

"Carano was again instrumental in the success of Season 2 of The Mandalorian."

Nope, still the puppet.

End of "accomplishments."

The next section is titled

For some reason they left out "bigoted" before speech. Weird.

In most of it, it legit sounds like they are making a case *against* her. They show that everyone at Disney and Lucasfilm tried very hard to give her chance after chance. They did everything but point blank tell her, "Either learn and relieve yourself of this ignorance or stop posting shit online."

She totally had the option to keep her shitty views to herself and shut the heck up for the duration and enjoy the money and success a Star Wars show can bring. It's like swatting away a lottery ticket.

I'm all for free speech. And if the government tried to arrest her for saying dumb shit, I'd be against that. But that freedom to speak does not mean there are never consequences. People are also free to not like what you have to say.

The entire last section of the document is just tweets that Gina screencapped. Like, her lawyers didn't even redo them so they had consistent formatting or pixel dimensions. They were literally just off Gina's phone.

She thought she was collecting receipts but it was mostly just her co-stars standing up for marginalized groups.

Based Pedro Pascal posted this...

And the document commented...

"Pascal was not disciplined, required to review documentaries on any of these topics or speak to individuals with contrary points of view, or pressured to apologize for any of his posts. His employment was not terminated, and Defendants made no public statements about his social media posts, much less refer to them as “abhorrent.”"

Yes, why wasn't Pedro forced to listen to MAGA dipshits tell him why they hate his sister? Why wasn't he told to watch a Dinesh D'Souza documentary? Why wasn't he told to apologize for posting cool ass muppet memes?

The most telling part of the document for me... the part that really showed her ignorance... was when she compared one of her tweets to one of Carl Weathers'.

First, her infamous tweet comparing the holocaust to conservatives being moderated on social media for spreading misinformation...

And then Carl posted this in response to conservatives banning books...

And the document says...

"Even Carano’s male co-star, the late Carl Weathers posted the exact same message, but no action was taken against him. Nor was Weathers accused by Defendants of denigrating people based on their cultural and religious identity."

THE EXACT SAME MESSAGE

THE. EXACT. SAME. MESSAGE.

#gina carano #holocaust mention #antisemitism #long post

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the-fiction-witch · 26 days

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The Dark & The Dawn P2

Media House of The Dragon

Character Daemon Targaryen

Couple Daemon Targaryen X Celestia Dayne [OC] (Reader Dayne with dark hair and purple eyes)

Rating Sweet

Part One

Reader - Celestia Dayne (Dark hair, Violet eyes)

They walked the gardens with arms liked, they passed the tall hedges, and dragon statues that litter the impressive gardens of the red keep. Daemon was the first to break the silence between them both.

"Celestia of House Dayne," He chuckled,

"Prince Daemon of House Targaryen," she snapped back at him,

"I never imagined myself being married to a Dornish girl,"

"Stranger things have happened in this dynasty of yours,"

"... I suppose," He chuckled, "You and your family seem to really lean into the aesthetic,"

"Excuse me?"

"Forgive me, I mean no offence. But... Celestia? The star-embroidered dress? your castle is even called Starfall,"

She raised an eyebrow at his words and once again snapped back at him, "Daemon? Dragonstone? The scales on your doublet and the silver dragon clips on your bliaut? One could say you too lean into the aesthetic?"

He chuckled, "I suppose you're right, perhaps once we are married we can combine them?"

She laughed, "Perhaps we shall make a new sigil? A dragon on a star-filled sky, a dragon made of stars,"

"Quiet a sight I should think," he laughed leading them both to sit on a stone bench,

"It would, So... it is true we are to be married?"

"It is, politicking but we are to marry," he nodded,

"I see, may I ask about the blade you carry?" She asked glancing at his sheath,

He smirked and raised an eyebrow, "That interests you?"

"It does," she nodded,

He smiled smugly and pulled out his sword,

The Sword Dark Sister lays in his hands the long thin blade of dark Valyrian steel almost sucks light away with its darkness,

He held the sword in his hands showing it to her almost ceremoniously as he was admittedly giddy to have a lady be interested in such a thing, "This is Dark Sister, Valyrian steel longsword ancestral to house Targaryen,"

"May I?" She asked offering her hands,

He smirked more but gently passed it to her allowing her to hold it, she held the sword with two hands one under the blade and one under the pummel Celestia felt the weight of it in her hands and looked over the intricate details of the blade of dark steel, this caused Daemon a wider smile to see her so interested and to see she knew the correct ways and didn't immediately do something foolish,

"Would you tell me about it?" She looked up at him her purple eyes glimmering,

"Of course," He nodded, "Dark sister has been a relic of house Targaryen since even before Aegon's conquest of Westeros," He explained, "It was favoured greatly by Queen Visenya, during the Dornish war she slew assassins in defence of Aegon and herself, it was even with Dark Sister in hand Queen Visenya cut the cheek of King Aegon to prove the ineffectiveness of his protectors thus establishing the Kingsguard,"

"Impressive," she smiled tossing the sword in her hands,

"Visenya bestowed the sword to her son Maegor but he merely hung it upon the wall of Dragonstone,"

"A shame for such a blade to be a mere decoration,"

"It is indeed, but it wasn't for too long once Visenya died Queen Alyssa Velaryon fled with her children and her son Jaehaerys took Dark sister with him and he carried the sword as he announced his claim and even onto the throne with him." he explained, "Baelon the brave my father, took Dark Sister and wield the sword in vengeance for his brother but when he passed Jaehaerys passed the sword to me." He explained,

"You must hold great love for the blade then?"

"I do," he nodded, "I have held Dark sister in hand most of my life, I have won countless tourneys, took part in countless hunts, and even used it to end the war for the stepstones. though I know not nearly enough has been done as of yet to live up to this blade history,"

"But you are still young," she said, "Still time to give the sword time with you matching of its grand life prior to your hand," she smiled offering it back,

He nodded and took the sword back returning it to his hip, "May I ask? What is the blade you carry?"

Celestia smiled widely and pulled out her own sword,

The Sword Dawn lays in her hand, with a blade as pale as milk glass seeming to glimmer and sparkle, almost as if it created light from it as if a radiant star.

"This is Dawn, the ancestral greatsword of House Dayne,"

"May I?"

"You may," she nodded handing it to him,

He took it and checked it over much as she did to dark sister, Daemon was surprised at how light the sword was for a greatsword but found it as sharp as Valyrian steel, "Would you tell me about it?"

"I'd be delighted," she smiled, "As per Legend Dawn was forged from the heart of the star that fell to the earth on Starfall, made from the star's very soul by blacksmiths with magic lost to time. It had passed through many great hands but I admit it doesn't hold a history like Dark Sister, Dawn does not pass from heir to heir only a knight of house Dayne who is deemed worthy may have the honour to wield Dawn until his death."

"And you carry it today? in ceremony for our wedding?"

"No," Celestia smiled, "I am Dawn's first female holder in our history,"

"I thought you had to be a knight?"

"You do, my brother knighted me as a joke when we were young but when my grandfather died and the sword became free I challenged my right as a Knighted Dayne for my chance to Weild the sword," she explained, "As I need not explain. I was successful."

"You beat out all other knights to be worthy enough to hold Dawn?"

"I did, I beat sixteen other knights and I believe my prize was worth it a thousand times over,"

"I tend to agree," Daemon nodded returning the sword to her, "I rather look forward to my duties,"

"Do you?" She smirked at him as she returned the sword to its sheath,

"I do, to think Our child could one day hold claim to both Dark Sister and Dawn, Now that would be a man to fear."

"Or Woman." she snapped back,

"Or woman," he nodded taking her hand and kissing it,

#matt smith x reader #mattsmith #matt smith #daemon targeryen #hotd daemon #daemon x reader #daemon #daemon targaryen #daemon targeryan #daemon x y/n #daemon targeryen x reader #hotd x reader #hotd fanfic #hotd #house targaryen #house of the dragon #houseofthedragon

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vaguely-concerned · 5 months

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Thoughts upon finishing Master and Apprentice! A good double read with Padawan; the ending of that leaving Obi-Wan slightly hopeful about his relationship to Qui-Gon makes for a very sad yet hilarious ‘Local Padawan loses last little bit of hope he didn’t even know he still had’ sort of vibe to the beginning of this one, which is set one (1) year later and Obi-Wan is So Done with Qui-Gon’s whole deal by this point (correctly btw). Also if you can’t tell already I will not be objective or free from bias in this because I love Obi-Wan so much and some of the stuff Qui-Gon pulled made me incandescent with rage on his behalf <3 let’s go

- 'oh obi-wan, you're so mature for your age, I keep forgetting you're only seventeen years old,' qui-gon says, word for word, repeatedly, in master and apprentice, apparently willfully deaf to the industrial-sized warning bells about their relationship dynamic that should probably be setting off in his head. qui-gon believes in vibing with the living force and being in the moment right up until the moment requires him to pay attention to the kid he's raising for more than oh, one and a half minutes of self-effacing inner monologue and then he's like 'well unfortunately there is simply no time for that right now there are prophecies to be pondered'. (the fact that the admission that obi-wan has essentially been left to raise himself emotionally and the resigned reframing of that as 'and maybe that is a good thing!' is part of the olive branch they extend to each other towards the end... will my sadness never end)

- most of all it's so heartbreaking to me that qui-gon seemingly never understands just how much obi-wan as a person is rooted deeply in shame. I don't think that's a feeling that's particularly prevalent in qui-gon's own inner world so he doesn't recognize how central it is in obi-wan's psychology and completely misunderstands and misaligns with him again and again and again and then gets annoyed with obi-wan for that, thus making the shame even deeper. doubly painful because he does see the way rael lives so much of his life out of shame now and feels sad about it, but can't see the way he's contributing to obi-wan doing so. this is what fucks me up so bad about the generational trauma in star wars -- no one here meant to be cruel. for all his faults I do think qui-gon does love obi-wan and doesn't mean to hurt him. but the original sin of the prequels as far as I'm concerned is qui-gon tenderly drying away obi-wan's tears as he's dying even while completely failing to see him, his eyes too fixed on anakin's future to actually be with obi-wan, who's there right now and needs him.

these are simply very different people trying and failing to understand each other, and the harm that can still happen in that… 'if you love me, you don't love me in a way I understand', all the way through the disaster line, even when the love is there, it is there, that’s what hurts the most, it just doesn’t reach where it’s needed, there’s a connection that doesn’t happen. (ironically I think ahsoka doesn't doubt that anakin loves her, it's just uh everything else that went down. so y'know family curse broken! new even more fucked up curse achieved now with more child murder. I mean there already was some child murder in this family but anakin upped the game exponentially)

- a lil guy who's basically tarzan except the gorillas are replaced with protocol droids and then he becomes a jewel thief is one of the funniest star wars concepts I've ever heard and I hope pax and rahara get to pop up in more star wars media, they’re great fun. (also an idea I think would be super fun to make a character/campaign around in Edge of the Empire or something, everyone playing different droids and then one person being robo-parented lol)

- was not prepared to have rael posit a theory of what essentially seems to be the jedi version of predestination in his despair, but I do love to see it haha. especially interesting since he, qui-gon and dooku must be among the people alive who've studied the prophecies in most depth, and they've all reached different conclusions -- dooku decides to join the war of light and dark on the side of dark for some reason, qui-gon (possibly the stubbornest fucker the jedi order ever produced) 'turns towards the light not to win some great cosmic game, but because it is the light', and rael in the middle falls into the depressed apathy of 'it doesn't matter what we do here, the outcome is already decided; for there to be true balance there has to be as much dark as light in the world so we're fucked'. but in the end he does take qui-gon's words to heart and turns towards the light rather than accepting dooku's offer, even if he might not believe it makes a difference in the long run. man I love rael. hobo-looking sonofabitch living in a castle for eight years will just suddenly fling out some deep jedi theology huh

- master rael 'I'm gonna make up for the big terrible mistake I made on accident by making an even bigger more premeditated mistake on purpose' averross (affectionate)

- the added layer to dooku’s fascination with prophecy after reading dooku: jedi lost — that his best friend in the world was a seer who couldn’t turn it off and it destroyed him……….. dooku you’re not getting him back if you just understand what he saw you know that right

- the more I read of master and apprentice the more I realize that the reason yoda and qui-gon don't get along is that they're two of the judgiest bitches the jedi order ever produced. They’re like two cats scowling judgmentally at each other from opposite sides of the room pretending to live and let live while going ‘you’re wrong tho’ internally.

- I dunk on him constantly (not entirely without affection, however grudging), but Qui-Gon is genuinely a really interesting character. He’s so… he’s so. He’s infuriating but he’s infuriating in an equidistant sort of way. You feel me. He’s pissing everyone off equally and he just doesn’t care because again, he’s the stubbornest judgiest bitch around and thinks he’s right all the time. I would be free to just enjoy his ornery ‘no actually I’m right about this’ ass and the chaos he wreaks so much more if Obi-Wan didn’t have to live with the emotional consequences of it lol.

- poor rael closing in on fifty with his puriteen middle-aged little brother clutching pearls about his getting laid once in a blue moon fhdskjahfas. again a really interesting insight into different ways of interpreting the jedi code, though, I love seeing the jedi not be an ideological monolith. to be fair to rael, having sex sometimes does seem to be the indulgence he has that causes the least conflict with his principles or loyalties so you know what honestly force speed you my friend why not. (and then there's qui-gon 'noooo sex is only okay if you're In Love (implied: like I was)!!!' jinn lmao. I wonder what he'd think of anakin and padme's relationship, would that pass the 'being sufficiently purely in love' test for him) I do like how consistently it’s shown that rael doesn’t mean to be cruel or unkind in anything he says, he always notices something landing too close to home and then pulls carefully back from it instead of pushing on. He seems to be the emotional intelligence powerhouse in this lineage (as long as he doesn’t have his feelings too tangled up in something, at least).

Dooku: jedi lost also shows us that dooku absolutely knows rael is out there in the galaxy laying pipe and is, at worst, softly amused by it. So in this little family unit it’s only qui-gon losing his mind over it fjsdkafa I’m so used to having qui-gon be the wild card maverick compared to obi-wan ‘*in tears* but what are the RULES master’ kenobi, it’s so fucking funny that within the context that raised him he’s the stick in the mud

I guess. the book also had a plot and it was not bad! some interesting insights about how the republic interacted with the big corporations and just how fucked everything already was by this point. I'm a pretty character-driven reader so that's what sticks with me for the most part

- obi-wan’s big teenage rebellion here being that sometimes. Occasionally. When he really loses his temper and gets hot under the collar. He’ll say something slightly passive aggressive out loud instead of keeping it contained inside his head. And qui-gon still can’t handle that gracefully AT ALL he snaps right back fdjskfhas. (I guess he also snitches on qui-gon to the council but well, you know, qui-gon was breaking republic law pretty brazenly at that point I think that moves beyond teenage angst and into ‘...master that’s a wholeass felony’ territory). Obi-Wan does go for a couple of low blows, but like. Nothing that’s not actually true, is the thing. And mostly he blames himself for not being good enough, because surely if he were qui gon wouldn’t treat him like this. Augh. hngh. Pain. suffering.

- I am not one of the people who think everything would have automatically been just hunky-dory if only qui-gon lived and could have been anakin's master (in fact I would have given it a 50/50 chance of going exponentially worse way faster; being more similar as people is not always a guarantee that a relationship will go smoother and qui-gon is an incredibly difficult man to be close to for any length of time), but the way this book basically presents how the dynamic between dooku, rael and qui-gon could have gone on in the next generation too... it would have been incredibly unfair to obi-wan (as always I think that's just an universal constant lmao) but I think the odds of it turning out okay would have been better if you had him in the mix to run crisis control for both qui-gon and anakin, as he does for each of them individually as best he can anyway. at least he could have been free to be anakin's brother and friend purely in that scenario, without all the added mess of grief and having to take on a parental role there so young. he does basically fill that role in ahsoka's apprenticeship, after all.

- qui-gon finally hugging rael before he leaves the planet (and especially since when they were younger he wanted to, but held himself back from it)... that's still his big brother even with all the shit that's happened since ;_____; when someone teaches you how to swim (literally and symbolically) that shit stays with you I suppose

Relatedly: DOOKU getting hugged, and gladly. What the fuck. Are you all seeing this shit. I’m gonna cry or laugh I’m not sure which one why am I emotionally invested in the galaxy's most problematic grandpa now this sucks

#and that's the power of star wars baybey #star wars #master and apprentice #obi wan kenobi #qui gon jin #rael averross #count dooku #star wars meta

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dramavixen · 2 months

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Love and Redemption: A Fantasy Epic About How Prejudice Destroys Worlds, and How Love Pieces Them Back Together

**major spoilers for: Love and Redemption

After wrapping up a watch-through of Mysterious Lotus Casebook, my mom had the brilliant idea that we should rewatch the work that launched Cheng Yi to fame (or at the very least solidified him as the man to hire if you need someone to spit blood): Love and Redemption.

I’m certain she only found this idea appealing because she doesn’t remember a TV show after it’s over. Credits rolling? Aight, time for the woman to clear up space on her brain’s memory drive. Meanwhile, my life flashed before my eyes as I recalled the anguish that’s synonymous with the show’s plot. But you know how things go when your mom wants something. If she says you're sitting through 44 hours of emotional torture with her, then you plant yourself on that couch until it’s over.

Ironically, Love and Redemption fares even better on rewatch. Though other xianxias have come close to its place in my heart, I’m now concerned that my palette won’t be so easily satiated again. It’s got your conventional reincarnation, warring realms, and a star-crossed romance while throwing curveball after curveball to shatter your expectations. Complex characters, too? An endgame villain who will haunt you in your sleep? You can’t ask for more.

Just because you didn’t ask, doesn’t mean that the show won’t deliver something extra. I like to think that nothing reflects a society’s unsightly reality like a well-done fantasy, and this one hits closer to home the more time that passes. A thinly veiled commentary on human flaws and how difficult it is to be a good person, Love and Redemption is a drama for the ages.

This is going to get lengthy, so to prepare you, here’s how I’m divvying up this piece:

Part I: All of Them Are Classist

Part II: All of Them Are Sexist

Part III: All of Them Are Racist

Part IV: Love Wins All

---

Part I: All of Them Are Classist

It’s not my intention to disgust anyone right out of the gate, but we need to talk about Wu Tong. Do you hear what I hear? Yes, it’s the distant echo of Wu Tong’s nefarious laughter, resounding between the walls of my skull.

Quite simply, Wu Tong is the worst. (Or at least he would be, if it weren’t for that other fellow named Bai Lin. That dude will get a glaring spotlight later in this essay, trust me.) But it’s not for no reason.

Coming from a background of poverty, Wu Tong spends most of his young life trying to prove himself to upper class cultivators who don’t have any interest in who he is, only in what he has to offer them. He earns his place in his sect through relentless hard work. He utilizes unsportsmanlike methods in his attempts to win the battle tournament in opening episodes. It's not just a competition to him—he's directly told that if he gets anything other than first place, he can forget about keeping his place in his sect.

When he and the protagonists first meet, his prideful personality results from his inferiority complex. There’s no doubt that he’s a powerful cultivator, but the issue is how he finds that to be his only real value. He doesn't bother to be likable, because what's the point in doing that? Being likable doesn't fill an empty stomach. But the more he disrespects others in an effort to make himself appear important, the more others look down on him, and the more he overcompensates by fighting back even more. It’s a vicious cycle—one that never ends because no one involved wants to take the first step back.

Knowing what type of person he becomes, it’s hard to pity him in any capacity. However, it would still be unfair to ignore how others mistreat him before he even turns into a true enemy.

One scene that sticks out to me happens early on, where Wu Tong nearly injures Xuanji during a 1v1 battle against Minyan. The protagonist crew insists on getting payback. Okay, I’m with it. You can’t let such reckless violence slide. I guess they’ll get their revenge in a later stage of the tournament by beating him into the ground?

Nah. That would be too reasonable. What they actually opt for is tricking him to fall into a trap by putting up a “have you seen my lost snake?” poster with a financial reward, knowing that he’ll be fooled because…he’s poor.

Sifeng: I asked around. Wu Tong was born to a family of lower status. He lives frugally. The reason he trains so hard is because he hopes to become someone powerful one day. […] Now he needs the money urgently to buy medicine and recuperate his inner strength before his next battle. Minyan: When you put it that way, doesn’t that mean he has no choice but to come for the ten night pearls?

Sifeng…oh no. Not you too.

The way Wu Tong behaves doesn’t warrant anyone being amicable toward him. I, too, have a nonexistent tolerance for obnoxious, violent egoists. But if later episodes are any evidence, this scene foreshadows that two wrongs won’t make a right. If they want to teach him a lesson, they shouldn’t stoop so low as to take advantage of his poverty. His family background is the one thing about him that isn’t his fault, yet it’s the one thing they choose to use against him. That’s what I call “going too far.”

Now that he's been hit where it hurts, Wu Tong feels justified in going too far himself. In a fit of desperation and contempt prompted by his master abandoning him, he stabs Xuanji. Not great. Things get extremely not great when you remember that Xuanji is the daughter of a sect leader. That quickly transforms Wu Tong’s attempted murder/almost manslaughter into the evilest act known to mankind. All five sects turn against him to hunt him down and kill him. I’m no law or philosophy expert, but I’m pretty sure the punishment for almost manslaughter is not the death penalty.

The five sects can treat him as their prey because he doesn’t have a support system to counter them. If he were the son of another sect leader, the thought of killing him would never even have entered their minds. Targeting him so relentlessly has less to do with justice and more to do with exerting power over a lower-class young man who hurt someone infinitely more “important” than him.

That imbalance between crime and punishment is what pushes Wu Tong over the edge. He goes on the run for several years before officially succumbing to the call of evil, after which he becomes truly irredeemable. Still, you’re occasionally reminded of his struggle—is he destined to be a villain? Or is throwing aside his remaining morality just his best chance at survival?

Do you have any idea how I survived these past several years, when you were all trying to kill me? What did I do back then that was so unforgivable? Did your sister die? Was it warranted for all five sects to team up against me, an average disciple? Was it warranted to back me into a corner over and over again, to force me to claw out of hell? Open your eyes and look at me! These past four years, I’ve already died countless times. Every time, I clawed my way back out of hell. Five hundred taels? You want to take my life with a measly five hundred taels? Don’t look down on me. Touch here. I have a fake leg. That’s what your five sects have left me with. What’s that look of yours? Guilt? Pity? I’m not telling you this for you to pity me. I, Wu Tong, survived this far because I must have my revenge.

Something my mom likes to say is if you find yourself going against someone—but especially a dangerous person—you must leave a path for their survival. It’s less for their sake than it is for yours. Should you eliminate all their options, they’ll have no choice but to bite. And they’ll make sure it hurts like hell.

As an impetuous teenager, Wu Tong is in the wrong. He needs to be taught that his actions are unacceptable. But that can’t be accomplished by putting a bounty on his head and demanding that he be murdered. That’s how you turn a scoundrel into a monster.

Minyan, Wu Tong’s foil, similarly doesn’t come from an optimal background. An orphan, he was taken in by the Shaoyang Sect without the obvious pressure that Wu Tong suffers. Even so, he can’t escape the innate inequality that seems to exist between him and his fellow disciples. It especially affects him because he’s in love with Linglong, Xuanji’s sister but more importantly…also the daughter of the sect leader! Poor guy.

When I was little, kids in the village would surround me every day and call me a bastard child with no parents. I could only pretend that I didn’t hear them. Because if I took it to heart, they would only ridicule me more. We can’t shut the mouths of people who want to slander us. But we can choose not to listen.

He may think that he’s past it, but later episodes see Minyan being manipulated using that exact insecurity. It’s easy to impersonate his master and nudge him to become a “spy” in the enemy base because he’s compelled to prove himself worthy of the sect and worthy of Linglong. Fake Sect Leader Chu Lei tells him:

When I first met you, you were only eight years old. You were homeless on the streets, starving and shivering. Still, you clung to your family dagger and refused to pawn it. In that moment, I knew that you were a child with an iron will. That’s why I’m here to find you today.

I can agree that Minyan is really stupid to immediately believe that his master, a guy well-known for pretending to do important things more than he actually does them, would tell him to do something as reckless as invade enemy territory. However, he also heeds the impostor’s instructions because realistically, his master asking him to prove himself is something that could happen. Any good disciple would naturally want to repay their masters for their favor, let alone a disciple who would otherwise have nowhere else to go.

The contrast between Minyan and Wu Tong shoves itself in your face as you watch, primarily through their respective relationships with Linglong (well, one of them has a relationship. The other is a creep. Can you guess who’s who?). Without family backing, the two men both struggle to find their place in the world, but they’re complete opposites purely because of their upbringing. Thankfully for Minyan, he found a family amongst people who don’t treat him as “another,” even if he may think of himself as such.

Wu Tong isn’t so fortunate. You can say it’s his own doing, a result of his terrible personality, but he certainly wasn’t born like that. And now someone will pay for it.

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Part II: All of Them Are Sexist

As a caveat, I’ll mention that the main cast really could have used a woman who isn’t some combination of foolish, lovestruck, and/or loud. But I’m willing to overlook it just this once because the writers excel in highlighting both the ladies' flaws and how we as an audience exaggerate those flaws through our own preconceptions.

Working backwards in terms of plot importance, we can start with Xiao Yinhua. Sifeng’s snake familiar in a human form, Xiao Yinhua is like most female leads from the turn of the millennium in that her only real strength is throwing temper tantrums. She’s also like most second female leads from the turn of the millennium in that she constantly prefers using underhanded tactics and harming others to achieve her goals—in other words, a snake. Oh. I guess that makes sense.

Her affections toward Sifeng cloud her already nonexistent judgment and prompt her to make some of the worst decisions made by anyone, ever. At first, I thought I was being unfair toward her because of my own internalized misogyny. But no. I can say with absolute confidence that I would abhor this character no matter what gender or creature or object she may be. She has no redeeming qualities aside from teaching us that someone foolish, lovestruck, and loud is doomed to self-sabotage. From that perspective, she’s still a valuable character to have because now we know that before we act, we should think: would Xiao Yinhua do that thing? If she would, do not do that thing.

If Xiao Yinhua were willing to grow up, she could become more similar to Zi Hu. Zi Hu almost acts as a parallel to Sifeng—hopelessly in love with someone who doesn’t return the affection for a literal thousand years. Also, both are very pretty. Ahem.

Zi Hu’s thousand years’ worth of experience gives her the skills to back up her unrelenting feelings for Wu Zhiqi. She’s a rarity in that her driving force is a man—a motivation that's typically a reputation ruiner for female characters—but you find her lovable instead of thinking that she lacks self-respect. The key is that her love isn’t blind and rash like Xiao Yinhua’s. Zi Hu has a plan to save Wu Zhiqi from his prison and she carries it out with intention. In other words, it’s okay to focus on love, but only if you can take responsibility for your feelings.

Ting Nu: Why go so far? When did Wu Zhiqi ever tell you that he loved you? Your affections are merely one-sided. Zi Hu: When did he tell me he didn’t love me? Look, once I rescue him, he’ll have to be with me to thank me.

Because Zi Hu is a literal fox, people suspect her both for being a demon and for being the demon notorious for seducing men to consume their souls. The latter is quickly debunked and becomes less of an issue than her just being a plain demon. I nonetheless find it hilarious how everyone balks when she shows them her harem of men gleefully living in her backyard. Yep, she’s a cunning vixen. You can just keep wishing you could join that harem.

Zi Hu: You're trying to shoo me away. You think I’ll storm out because of your petty tricks? You’re underestimating me. I’ve already decided, starting today, I’m going to follow you everywhere. Even if you don’t want me to, I’m going to cling to you. This old spirit isn’t going to let those thousand years of waiting be in vain. Wherever you go, I’m going with. If you dare sneak peeks at other pretty women, I’ll dig out your monkey eyes. All in all, if I’m around, no pretty woman can enter your vision. As if you could bear to leave me behind if I hang around for another thousand years!

Xiao Yinhua and Zi Hu aren’t overly victimized based on their gender within the show itself. For the better too, because whoever dares to do so would probably end up dead by a fox's claws and a snake's teeth. These two characters' existences test your innate view of female characters instead. What is it that matters to you in a female character? What standards do you hold against them?

(**Content warning for the below segment until the next purple break: brief mentions of sexual assault and suicide.)

And that's where we come to Linglong. Linglong is a loudmouthed spoiled brat. She's overbearing, and while she wants to protect Xuanji, her method of doing it is by crying crocodile tears and throwing temper tantrums in front of their father. No wonder she and Xiao Yinhua clash—two childish people who both have a compulsion to win arguments? Forget it.

A bulk of the drama sees Linglong’s primordial spirit being taken and held captive by Wu Tong. Wu Tong puts half of her primordial spirit into the body of a flower demon, whom he also forces to take on Linglong’s physical appearance. No other reason, he just wants to have his way with someone who looks and acts like Linglong, the person who jeered at him all those years ago. By the time the real Linglong recovers her primordial spirit, Wu Tong has done enough damage that she’s haunted by nightmares and memories of someone who assaulted her when she couldn't even fight back.

The lead-up to this arc is incredibly disturbing and takes root in the very first episode. On my first watch-through, I thought their relationship would take a classic enemies-to-lovers path. The directors and writers pull you in this direction with no subtlety, showing a smitten Wu Tong when he first lays eyes on Linglong. They then keep the scam going by having him act out in awful ways as he attempts to gain her attention. That’s right, it’s the brainwashing girls receive when they’re on the playground: “he pulls your hair because he likes you."

During their first meeting, Linglong is surrounded by a halo filter from Wu Tong’s perspective. Knowing what he’ll later do to her makes the seeming innocuousness of this scene revolting, but it's necessary. It's the first of many steps to prove that someone’s “affections” can’t be used as an excuse for harming whomever’s on the receiving end of them.

Linglong can be an extremely annoying person. Her outspokenness and difficult temper shape her into an unlikable character, which then ensures that by the time Wu Tong captures her, the audience almost instinctively wants to say that it’s her fault. We all know the talk track: “he liked her, so why couldn’t she just have been nicer to him? She asked for it by being mean to him.”

When Linglong first offends Wu Tong, it isn’t for no reason: she’s angry because he endangers her sister’s life over and over again. Admittedly, she goes overboard in her retaliation against him. So what? Linglong being mean to Wu Tong and Wu Tong later targeting her are indeed connected events, but the former doesn't justify the latter. If we say that the five sects hunting Wu Tong down isn’t a fair punishment, then isn’t it also unfair for him to turn the tables on her in such a way?

Essentially, Linglong isn’t the “ideal” victim. That’s what makes her arc all the more heartbreaking. To this day, society wants to find any excuses for the assailant. Any mistake, any flaw of the victim's will be used against her. As humans, maybe it’s instinct for us to hope that bad things only happen to bad people, and victim-blaming is our twisted way of making that an impossible reality.

Overcome with depression and trauma, Linglong is unable to come to terms with what Wu Tong did to her. Men gossip about her and her “relationship” with the enemy, sometimes harassing her straight to her face. Wu Tong himself finds great delight in taunting her about her “sharing his bed,” not only relishing the memories but also enjoying how much it torments her.

Linglong: It was my fault that I was captured by Wu Tong, wasn’t it? [...] Everyone thinks so. I didn’t want to be captured by Wu Tong. But after Wu Tong said all those things, everyone thinks so. Minyan: Linglong, why care about what everyone else thinks? Just pretend that you didn’t hear any of it. Linglong: But I did hear them. Why do I need to pretend I didn’t? It’s something that actually happened, so why do I need to play dumb and trick myself into thinking it didn’t? Are you going to be like them too, and mock me?

All the accusations brainwash her into thinking everything is her fault. To Wu Tong and all the people judging her, she’s nothing but a pawn to be used for their own entertainment. And once she and Minyan leave the protection of the sect, everyone finds her an easy target to push around. Hoping that her death will mean freedom for both herself and her loved ones, she attempts to drown herself before being yanked back to life and reality by Minyan.

Linglong’s struggle is many women’s worst nightmare. It’s also a diligent representation of PTSD, something that I normally wouldn’t expect from a xianxia drama. Even after she's rescued and everyone tells her that her suffering is over, it never feels over for her. At night, Lingling is awoken by harrowing dreams of Wu Tong returning to kidnap her once again:

Nightmare!Wu Tong: You’ll always belong to me. You can’t escape.

The conclusion to her arc being Wu Tong’s death and his literal letting go of her may be quite idealistic. But I prefer to think that giving Linglong her happy ending is the writers’ way of trying to assuage our fears, of showing us that there will always be another sunrise regardless of what happens.

(**Content warning end.)

Linglong becomes the drama’s strongest woman-centric plot, and I really love that the writers did it with a character whose personality isn't the most appealing. She's the imperfect woman we can find in every corner of the world, a representation of women overall instead of the minority who are considered "deserving" of justice.

Next to her, Xuanji also gets a short end of the stick. She's constantly being pushed to marry Hao Chen. Every excuse in the book is used against her: they're a fated couple, he's the only one that can take care of her, doesn't she agree that this is a part of her duty? No matter how logically she objects to it, no one really cares what she thinks. If she objects, she’s being headstrong, and that’s the end of it. (More on Xuanji to come in Part IV of this essay.)

And aside from Bai Lin’s more obvious transgressions (we're getting to those), what really irked me is just how twisted he makes the God of War’s rebellion appear in others’ eyes. The logic turns quickly from “Bai Lin must have done something wrong” into “the God of War must have been in love with Bai Lin and grew resentful that he rejected her.” I guess it’s very believable that the God of War would want to destroy the entire universe because some guy wouldn’t date her? That’s right, you can be the most accomplished woman in your field and someone will still want to attribute everything you do to being motivated by romance.

Naturally, the next question is—why is Bai Lin such a weirdo? Why does he insist on turning his friend Luohou Jidu, a man, into a woman when creating the God of War? Hmm. I smell a waft of homophobia...

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Part III: All of Them Are Racist

And except for a small minority, I really mean "all of them" this time. Humans and celestial beings are racist toward demons. Demons are racist back toward humans and celestial beings. If you asked both sides who started it, they'd point at the other without hesitation. "They started it. By existing."

I don’t even know where to start with this topic. Part of me believes this entire section of analysis could be extraneous—do I really need to do a deep dive when you could just click a random timestamp of a random episode and have a 50% chance of finding a character saying something incredibly racist? No case studies necessary. The drama is the case study.

Obviously, while I may say that all the different races are racist toward one another, some are notably more egregious in their discrimination than others. The five sects, being in power, are the worst offenders. Every other second, someone is reminding another that they need to wipe out demons. Just the utterance of the word “demon” makes them froth at the mouth. In their possession, they have treasure troves of weapons and magical devices whose collective main purpose is to identify and kill demons. Perhaps you know someone in real life who thinks that hating something is a personality trait—that’s the five sects in a nutshell.

Zi Hu and Ting Nu are continuously snubbed for not being human even after they’ve long proven that they’re more help than harm. Ting Nu is a doctor, but even saving Hao Chen doesn’t make them think of him as anything but a demon who is evil in his very bones. Demons can do everything right, but the high and mighty humans are too pure and innocent to associate with them…aside from killing and torturing them, of course.

Highlighted Exhibit A: Sifeng almost being tortured and whipped to death based on the mere suspicion that he’s a demon. The fact that he is one doesn’t matter. His assailants operate on the doctrine that they’d rather kill an innocent person than let a demon roam free. Every action to rid the world of a demon is a virtuous one. It's a reenactment of the Monty Python witch trial but they're being completely serious.

Highlighted Exhibit B: the other sects band together to wipe out Lize Palace without solid confirmation as to whether they’re all demons. They’re operating on the same principle as in Exhibit A, so at least you can praise them for being consistent.

Highlighted Exhibit C: before Sifeng is revealed to be a pretty bird, Xuanji’s repeated defense of him consists of "Sifeng isn’t a demon." The main purpose of these lines is to instill further fear into Sifeng and give him more reason to keep lying to her, all while Xuanji's trust in him deepens. But is it also some of her lingering innate judgment seeping through? A subconscious understanding that her family and sect will never accept a demon as her boyfriend? Well, joke’s on them because he’s one hot bird.

So how are you supposed to survive as a demon? Lize Palace results from the humans’ desire to eradicate an entire race of demons. Just as Wu Tong is driven only by revenge, the demons of Lize Palace just need to survive for long enough to one day remove their masks and live as themselves. Humans’ endless thirst for blood does nothing but fuel demons’ fire of rebellion and keep the wheel of tragedy turning.

As for the “bad guys” of Tianxu Hall? At least when they commit the same acts of evil as the other five sects, they’re willing to admit that being evil isn’t beyond them.

Yuan Lang is an extremely successful villain for this very reason. All of us love Yuan Lang, so much that we start grinning whenever he comes on-screen with his fan and sarcastic mouth. So much that when it's revealed he's been consuming people's souls, all my mom had to say about it was: “Oh. That's mean of him.”

He plots and he lies and he murders, but he doesn’t put up a facade of holding himself to a lofty moral standard. It’s also quite telling that while Yuan Lang machinates behind the scenes, 90% of his time is spent standing by and calling others out on their bullshit. Everyone around him creates their own downfall. He just happens to benefit from their stupidity.

Man with a fan and a plan. I like.

Even so, Yuan Lang isn’t invulnerable to emotion. One of my absolute favorite scenes is where Di Lang sacrifices himself so Yuan Lang can make a getaway. It’s the only instance of Yuan Lang being subject to the pain of caring about someone else. Those short moments contrast so starkly against the sects’ inhumanity that suddenly, a revolution doesn’t seem all that bad.

Behind the bulky mask, his despair is apparent. Man. This actor’s come a long way since his F4—I mean, H4 days. If you've never watched Let's Go Watch Meteor Shower Together, don't.

Finally, we arrive on the topic of Bai Lin. Oh, boy. I still haven’t watched Blood of Youth because seeing the actor’s face triggers my fight-or-flight response. And it’s been years.

Bai Lin, the one racist to rule them all. The guy must have a handbook on “How to Be Racist” or something—how else could the contempt that spews from his mouth, the spark of repugnance in his eyes, and the brazen obstinacy in his opinions be so immaculate?

The entire drama consists of setting the stage for the full reveal of Bai Lin turning Luohou Jidu into a weapon of war to be used against his own people. By the time all the pieces fall into place, you’ve already witnessed the tragedy created by discriminatory practices between mortals. You've seen how Sifeng is targeted and Xuanji forced to move her hand against him. You've seen how the sects use their power to harm instead of help. You've seen how demons plot their revenge for centuries. Once Bai Lin is confirmed to be the genesis of all that, there’s nothing left for you to feel but utter revulsion.

Bai Lin: Celestial beings and demons cannot coexist. How could my Heavenly Realm possibly hold a marriage with the Devil Tribe? Luohou Jidu: Celestial beings and demons cannot coexist...Then why do you drink with me today? Why are you friends with me? Bai Lin: Naturally, Brother Jidu, you’re different from other demons and devils. Out of all the demons and devils in this world, Brother Jidu is my only friend.

Can’t believe he even pulls the "you’re one of the good ones" card.

Bai Lin, practitioner of unethical tactics: his ultimate decision to trick and use Luohou Jidu results from racism-induced paranoia. He simply can’t believe that his friend will remain his friend, not unless he becomes "one of us." He thinks the God of War should appreciate that he's given her power and invested his time and energy in her tenth reincarnation, going so far as fool her into thinking that they loved each other once upon a time. Once Xuanji shows herself capable of independent thought, he doesn’t hesitate in turning against her and manipulating her to destroy her own self. He eventually sacrifices the entire world for the Heavenly Realm's survival. After all, what's the value of an entire planet's human and demon population in the face of his power?

He's the representation of what happens when those in power, those who have the best chance of righting wrongs and preventing more from happening, decide to perpetuate the problem. At the same time, he presents the predicament that those we rely on to give us justice are also victims of their own emotions and fears.

I venture to say that Bai Lin is the best-written antagonist in modern xianxia. He’s ruthless but has a moral compass, albeit one that only points in one direction—toward himself. His hubris aside, you have to admit that he genuinely believes he's acting for the greater good. The ends justify the means because he thinks he’s bettering the world.

Bai Lin makes awful decisions that involve genocide and cruelty because he operates on a strict utilitarian philosophy. "I do what I think will bring the best results, even if it means sacrificing something huge in the process." He’s the most dangerous character and the person we should also fear in real life because he’ll stop at nothing to create his definition of a paradise.

It would be easy to dismiss him as simply being a bad person. However, this show draws from reality in that every person exists in a gray area between good and bad. You can lean one way or the other, but you don’t fall completely into either. And that’s the foundation of the show's conflicts. Everyone's so busy trying to define what’s right and wrong that they’ve lost sight of basic compassion.

When he’s finally faced with the consequences of his actions, Bai Lin is driven to despair. He feels true remorse over what he’s done, but only because he’s fortunate enough to actually witness how the thousand-year conflict wouldn't have existed without him. We as people aren’t so lucky—those “what if”s will forever remain in the shrouded realm of impossibility.

Heavenly Emperor: You always thought that evil had sparked in the hearts of the God of War and Luohou Jidu. But the one in whom evil truly sparked was you. All things and happenings in this world are originally empty. From emptiness comes meaning. Yin and yang reverse; they support and restrain one another. The Heavenly Realm was originally empty. The Asura, too, was empty. If all is empty, then how could the Heavenly Realm be superior; and the Mortal Realm, Demon Realm, and Devil Realm be inferior? Your excessive concern for the safety of the Heavenly Realm prompted evil to take root in your heart, unable to be undone.

Seeing him in such despair almost makes me feel bad for him. Maybe I do have too much sympathy.

At this point, it's already too late to repair the damage he's caused, a realization that causes him further anguish. He rids himself of his divinity to show his remorse and accepts death. But he's already caused so much pain to everyone else. Who can put back together the world that he's destroyed?

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Part IV: Love Wins All

(We love IU for her perfect song that also gave me the best possible final section title.)

As I seek to be conscious of my own biases, I once wondered: why is it that shaking my head at a female character for being dedicated to a man comes so naturally to me, but I can’t be more gleeful to see Sifeng put his heart out on a platter for Xuanji? Perhaps I’m also sexist. Perhaps I have double standards.

Then I thought about it some more and realized everyone loves Sifeng because he’s so blatantly unrealistic that you’re immediately able to sink yourself into his fictional beauty. He transcends gender norms because there is no person of any gender who would go to the extent that he does for Xuanji, nor is there anyone who could remain as levelheaded when faced with some of the most shameless people known to mankind. Forget all the people flying on swords and uttering magic spells. The biggest absurdity in Love and Redemption is its male lead. Yes, I'm a skeptic. But we're so lucky to have him.

Sifeng grew up in a bizarrely backwards environment where—instead of girls needing to cover up to not attract men’s attention—all men need to protect themselves by wearing masks and not associating with the opposite sex. Brainwashed for years to believe that Lize Palace is the only safe space for golden fire birds like himself, he keeps cautious around people while still harboring a subconscious longing for their warmth.

In my entire life, I never knew what a "friend" is. I finally understand now, the meaning of "fervent friendship."

Sifeng is established as the loyal lover extremely quickly. He's whipped—figuratively and literally—for Xuanji, his sheltered childhood leaving him defenseless against her unintentionally flirtatious mannerisms. He teaches her about her lost senses without judgment, nurtures limitless patience with her and others by proxy, and isn't afraid to question the status quo.

We love Sifeng for his wisdom and levelheadedness. He sees things for what they are and is commonly the voice of empathy and reason within a world of selfishness. The entire show is Sifeng going, "I might as well do it myself" in every situation because no one else cares, is capable enough, or both. He's the guy in group projects who quietly does everything and doesn't even get mad that you're the most useless team member ever. What a saint.

In the xianxia universe, he's distinct husband material (which isn’t saying much since the bar there is so low that you'd need to dig yourself a grave to reach it—which is also great because then you already have a place to go once your xianxia spouse gets you killed. I digress). His loyalty to not only others, but also who he is and what he wants, leaves him able to counter the complacency with hatred and evil permeating the world around him.

With his endless empathy, he's able to understand Luohou Jidu. While Sifeng's earliest motivation in facing the greatest devil is only to save Xuanji, he later views Luohou Jidu as an individual with his own sufferings. He's the only one to truly view Luohou Jidu as himself, not someone to eliminate, not just an extension of Xuanji. To Sifeng, everyone deserves a chance to be heard before a verdict is passed over them.

Not to mention, these two’s interactions are absolutely hilarious. I wish I could've seen the extensive conversations that must’ve went on in the censorship agency over them.

Fellas, is it gay to clasp a guy’s hands within your own and stare deeply into his eyes while reminiscing about your loving relationship if he’s technically got a woman captive in his brain?

But perhaps what shines the brightest about Sifeng is how he suffers. He's so pretty when he suffers. Wait. That's not my point.

When his Lovers’ Curse triggers for the first time, Xiao Yinhua speaks the gospel that a lot of the audience probably has in mind: "you did so much for her, you were so good to her, but she doesn’t love you back." And it sounds kind of right? But also kind of not? Then Sifeng opens his mouth and you think, "oh, crap, I've been brainwashed by misogyny yet again."

She never asked me to like her. If someone wants to kill another just because she doesn’t reciprocate their feelings, then that person will never be loved. They also don’t deserve to love another.

Again and again, Sifeng puts himself in harm's way to keep loving Xuanji. Sure, he wants her to love him back, but that's secondary to his desire to be honest with his own feelings.

With the bright beacon of light that is Sifeng’s blinding love, I feel most viewers overlook Xuanji’s capabilities as a female lead. Her comparative passiveness in the relationship makes it seem as if she doesn’t love him enough. I attribute this to the same reason as our previous conclusions, that female characters in romance dramas have a harder time garnering the audience’s approval than their male counterparts. Are we innately more judgmental toward women, or is the standard for men still so low that we’re already impressed when a guy surpasses the bare minimum? Probably both.

It's easy to forget that Xuanji is the one who's nice to Sifeng first. When they first meet, Xuanji literally falls into his arms. Then he just…drops her. (And they say chivalry is dead.) But Xuanji doesn’t care.

The rules of his sect push Sifeng into being a bit of a porcupine in his demeanor. He puts up a wall against everyone, but especially Xuanji. After all, as an innocent boy, Sifeng needs to protect himself from evil women. Or something.

Xuanji is the one who can't take the hint tries to befriend him and tears down his wall with the gentle, graceful nature of a sledgehammer. She insists that she'll retrieve his lost mask because she knows it's important to him. When she discovers that Sifeng is punished over it, Xuanji is the one to point out how unfair it is. Her straightforwardness and sense of principle are the reason Sifeng begins to open up at all.

Xuanji: I’m the one who took off his mask. If you want to hit someone, hit me. [...] Not to mention, he almost died trying to get his mask back. So I'd like to ask you, Palace Leader, is Sifeng's life more important, or is that mask more important?

She knows no fear, so she doesn't consider emotionless rules to be worth anything if they cause pain for the people she cares about. In many ways, Xuanji is the one who teaches Sifeng to stand up for what he believes in.

That Xuanji lacks her six senses makes her the least susceptible to the prejudicial habits of her surroundings. She accepts what they believe, that demons are bad, but only because that's all she knows. Whereas most of her peers are content remaining in their ignorance, this supposedly heartless gal is curious about the world. She can easily abandon her preconceptions in favor of what she witnesses the world to be.

It takes constant practice and tests for Xuanji to completely shed her old beliefs. The introduction of Zi Hu marks the beginning of her growth. Xuanji, concerned and angry that Zi Hu is holding her friends captive, fully intends on killing the fox until Ting Nu reasons with her:

Ting Nu: Zi Hu isn’t a malicious demon. You shouldn’t threaten her life. Xuanji: But she kidnapped my friends. How can I spare her? [...] No. She did bad things, so I have to kill her. Ting Nu: [...] Zi Hu has never actually harmed anybody. She’s simply misguided by her anxieties. You should spare her life. […] If you discover that she’s actually committing malicious acts, you could kill her then, no?

If it were Minyan or Linglong in her position, you could bet that they'd ignore Ting Nu. For one, he's a merman, so of course he'd protect another demon. To Xuanji's credit, she really does give Zi Hu—and Ting Nu—the benefit of the doubt. Does she have to? No. But she does anyway.

If Sifeng’s love comes naturally, then Xuanji’s comes through determination. Who's to say that one is inherently better than the other? It takes ten lifetimes for her to understand a semblance of love. She wants dearly to understand what it means to "like" someone, even though she's already the least unafraid to show how much she cares about others.

After she successfully grows the heart light for Sifeng, I don't think anyone is more excited than Xuanji herself. Look how proud she is. Obviously, she's happy she can use it to protect him, but I imagine that she also views it as the clearest proof that she’s as human as anybody else and as capable of loving as anyone else. Sifeng may be stunned when the heart light disappears, but Xuanji falls despondent—she really wants Sifeng to be someone important to her.

People sometimes struggle to see past Xuanji’s initial naivety. They're especially harsh toward her for not seeing what Sifeng has sacrificed for her until it’s almost too late. It's true, the drama primarily favors Sifeng's perspective, so it's easy to only see what he’s done and ignore Xuanji’s efforts.

In spite of warnings from Sifeng himself to not do so, Xuanji emerges to save him from the third lash of the demon whip. You go, girl.

Love isn’t a competition. But for the sake of the discussion, let's say proof is needed that Xuanji’s effort in the relationship matches Sifeng’s. In that case, the important part is looking at what they sacrifice in a relative scope instead of an absolute one.

The things that Sifeng sacrifices are astronomical. He climbs a tower blustering with an eternal blizzard and puts on the Lovers' Curse mask. He stands right in the middle of the conflict between humans and demons even though there’s no way humans will spare him. He gets stabbed…a lot. But everything he does is a result of his own will and careful calculations—they’re all things he knows he can take responsibility for.

Sifeng's major flaw is that he's a massive liar. He's not right to lie, but he's also right to be scared about what would happen if he doesn't. As a demon, he knows what happens to anyone who isn't distinctly human. That's why he conceals his identity from Xuanji.

Then, once he discovers that Xuanji is also the reincarnation of the Star of Mosha, his fear is ignited again for her sake. Xuanji has almost always been defined by what she is, not who. She's berated for being useless when she doesn’t have her six senses. The moment she’s revealed to have the God of War's power, suddenly everyone finds her more than useful. If she's publicly revealed to be the Star of Mosha, then she'd be killed without question, and the person that is “Xuanji” will also cease to exist. Just as he doesn’t want Xuanji to view him and as anything other than himself, Sifeng doesn't want anyone else to view Xuanji as anyone other than herself. That's also why out of everyone, the one person he must keep the Star of Mosha secret from is Xuanji herself.

When Sifeng's lies begin to unfold, Xuanji is left to handle the mess he's inadvertently created. Suddenly discovering that he's a demon and also protective of the demon that possibly murdered her mother, Xuanji is torn. Her wavering faith in him isn't because of his identity, but because he lied to her.

Zi Hu: Do you dislike it that much, that [Sifeng] is a demon? Xuanji: Should I not? Zi Hu: Well, you healed my wounds. And you’re friends with me and Ting Nu, a merman. As for little Sifeng, he’s not a malicious demon who harms people. I don’t think he was aware of what went on with Tianxu Hall and Lize Palace. Xuanji: That’s different! He shouldn’t have lied to me. He’s the person I trust the most. But he even kept from me who he is. Then, all the things he told me and did with me in the past…what part of it all was real and what was fake? Zi Hu: What’s real and what’s fake? Can’t you just drag him over here and ask him? If he’s a scumbag, just kill him. But if there’s any misunderstandings, the two of you should clear them up. Resolve them and see what solutions there are. When two people are together, the scariest thing is misunderstanding one another for no reason. If you lose each other, that might be the end, forever. You’d regret that.

And then she eventually does try to kill him. Good going, Zi Hu.

Xuanji's main conflict in the latter half of the drama is that she wants to find a solution that satisfies everyone, an impossible dilemma. Everyone starts pressuring her to lead the charge against the demons. It's her duty as the God of War, isn't it? Oh, but if she doesn't want to, it's because she's in love with the enemy. But she can't be in love with the enemy. She's the God of War, after all.

That’s the duplicitous world that Xuanji lives in. Yet, without knowing why he's been dishonest or what else he could be lying about, she still chooses to believe in Sifeng—even if it means being treated as a traitor herself and being further guilt-tripped. She's bound to her duty, family, and the expectations that come along with that. Going against them in any capacity is a challenge to her entire livelihood and the moral standards imposed on her. If you take that into account, suddenly the things that she risks don’t pale in comparison what Sifeng does for her.

As an omniscient audience, it's easy for us to say that she doesn't do enough, that she should know better. It's an interesting thought experiment to wonder what else she could do in such a situation. Her boyfriend lies to her. She believes he has a reason, believes in him when he tells her to trust him. She defends him repeatedly to people who don't even care to listen unless it's to interrupt and call her crazy. She lies to her father that she'll devote herself to killing demons like Sifeng so they'll stop calling her crazy and threatening her. Then, when she goes to rescue Sifeng from Mingxia Cave, he's suddenly getting passive-aggressive with her: “oh, what does the mighty God of War need from a lowly demon like me that she deigns to talk to me?” Bro…if I were her, I might just ditch him in a fit of rage. That's how you want to play? Have fun turning into frozen poultry in this cave, then.

Obviously, more is going on behind the scenes that Xuanji is completely unaware of. Sifeng almost dies from her fire magic that Hao Chen stole. The broken hairpin. And okay, I'll admit that her saying that she'll kill him while he's eavesdropping outside is not a great look. But come on, Sifeng. Where have your critical thinking skills gone? If you can lie, don’t you think Xuanji can too? And after all that, she still instinctively shields him from her father’s sword.

Sifeng. In this case, I do have to criticize you in a serious manner. Do you have any idea how hard it was for Xuanji to finally try to get herself stabbed for you, only for you to go “no, me” and get stabbed again? Do you have a sword-magnet in your chest?

Then Sifeng tells her that he’s never loved her and was only using her because he’s Luohou Jidu, the world's biggest villain. And she still can't bear to hurt him. When Xuanji discovers that Hao Chen has tricked her into using a so-called “Purifying Vase” to doom Sifeng to a painful death, she's furious:

Xuanji: For my own good? You want me to practice the Method of Love, but you also want me to be heartless. I can’t be so contradictory. Hao Chen: I told you to practice the Method of Love through feelings between you and me, not for you to continuously absorb yourself in your fixation on Sifeng! Xuanji, don’t forget. Our marriage is one determined by the heavens. It’s destiny. Xuanji: The heavens determine nothing. If they do, then why did they make Sifeng and I meet in our past nine lives? What a joke of the heavens. Hao Chen: So, you’d rather resign yourself to your doomed fate with that demon than stay properly by my side? Xuanji: Fate isn’t split into a virtuous or doomed one. I hate myself for loving Sifeng before, and we won’t ever be together again. But since I already gave him my love, I won’t take it back.

But of course, Hao Chen has more tricks up his Mary Poppins sleeves. He pulls out all the stops and uses his last breath to manipulate her into stabbing Sifeng. Oh my god. Look at all these trust issues, just making themselves readily available.

Her stabbing him is, how do you say, very bad. But let’s be honest, she’s seen him survive worse. I don't have a nifty conclusion is here, but basically, she subconsciously knows he'll get over it (physically, at least).

Of course, Sifeng is heartbroken. It's intensified by the tragic fate of his father. His father’s goal was always to protect Sifeng from the dangers posed by the racist five sects, led primarily by fabricated memories that his lover Hao Feng was driven to suicide by her own family. When Yuan Lang reveals the truth, that Hao Feng's fear of demons trumped her love for her husband, it’s intense foreshadowing of Sifeng and Xuanji’s relationship. Maybe Xuanji isn't like Hao Feng and she can cross the rift between humans and demons, meeting Sifeng in the middle. But finally, she still retreats, away from him. Her betrayal, now the tenth in all their lifetimes, leads Sifeng to leave behind some of the most truthful but hurtful words for Xuanji to deal with:

I finally understand why my fate turned out as it did in all my past nine lives. From beginning to end, you have always been a heartless person.

It’s not fair to ask Sifeng to keep considering Xuanji’s feelings under the brunt of her violent wrath. But just as she has no idea what he’s been doing to protect her, he has no idea what she’s been doing to protect him. Zi Hu is right again: nothing poses a greater danger to a couple than misunderstandings. And racism.

The ultimate resolution only occurs once Xuanji recovers the memories of their past lives. Congratulations, Sifeng. After a millennium of pining, your love has finally touched the heart of your beloved. Indeed, it might take a long time getting there, but love will find a way.

I love the short scenes that show the God of War and Xi Xuan's quiet but gentle relationship. Xi Xuan is the only one who cares that the God of War wants her own identity, then gives her a moment in which she doesn't have to wear her armor, just as Sifeng does everything in his power to let Xuanji be "Xuanji." Through all their lives, Sifeng is the one who recognizes her for who she is and wants to make her happy, even if she doesn't have a heart.

Activate: Xuanji, shameless mode. After Xuanji tracks down Sifeng in his solitude, they return to their days as teenagers. Xuanji acts like a fool in front of him, demanding his attention, and Sifeng only wants to get her the hell out of his house. It's not only a reminder of the times when things were a lot simpler, but also of how far they've come.

She intends on marrying Sifeng. Even if her father doesn't approve, she no longer cares. There's not enough time left in the world to hesitate about the people you love to satiate someone who can't be satisfied. Just as Sifeng upends his whole life for her, she's willing to do the same.

And as Sifeng is dying, Xuanji makes the ultimate decision to become the Star of Mosha. This isn't a reckless move done just to save him. Rather, her faith in Sifeng has strengthened into steel after all they've been through. Even if the world ends, she knows that a little bird with unshakable resolve will come get her. For two people who have spent most of their time as a pair of parallel lines, never to coincide, this is their point of intersection—a challenge that they'll face together, even if they're apart.

Sifeng: Xuanji, stop! I'd rather die than watch you become a devil for me! Xuanji: Sifeng, I can't consider all that now. I have to save you! Whether I be the Star of Mosha or the God of War, I don't care. I just need you to be okay. Sifeng. If I become Luohou Jidu, you absolutely can't forget me. Remember to bring me back! I cry during this scene. Then I immediately start laughing at Sifeng's gobsmacked expression once Luohou Jidu shows up. It just reads "but...my girlfriend..."

And Xuanji's right. Sifeng is the solution. No one else can save Luohou Jidu, the God of War, and the world by extension. Luohou Jidu's pain results from being betrayed purely because of his identity as a devil, but Sifeng becomes the confidante that Bai Lin pretended to be. The God of War's pain comes from having no self-identity, but Xi Xuan gives her the ability to seek one and accompanies her for a thousand years to help her find it. The suffering that Bai Lin set into motion would lead to a ceaseless cycle of revenge and a destruction of the world’s good due to its sins, but Sifeng alone convinces Luohou Jidu and the God of War that there's something in life worth keeping. But you have to fight for it, and persistently, because good things only come to those who are willing to chase after them.

Xuanji to Bai Lin: I won’t mess with someone else’s life so simply due to my own matters, even if that person is someone as despicable as you. Sifeng once said that using hate to obtain vengeance is an endless cycle. In this life, I already have something that matters more to me than that. I have no space to keep my hatred.

I know it can sound cheesy to say that the best revenge is living a happy life. But Love and Redemption can convert even the most insistent of cynics—me, for example. People will practice evil whether or not there’s a reason for it and whether or not those consequences will ripple out into a tsunami that will engulf the world. Only true, honest love can hope to settle the uneasy sea. It’s why Zi Hu gives Wu Zhiqi something to live for other than war. It’s why Linglong and Minyan have a reason to persist alongside one another. It's why Luohou Jidu gives his heart and life to Sifeng. It’s why Sifeng is able to save Xuanji. It's why the three realms are blessed with the chance to keep finding a reason to persist.

Sifeng and Xuanji’s story is a journey of overcoming all odds; of learning to love someone unconditionally not because it’s easy, but because you want to; of letting that love grow into a ray of hope in the world. Yes, if we let it, love wins all.

Sifeng: Your heart has become one of flesh and blood. It couldn’t bear to destroy the three realms. Because…it’s a heart that I held and warmed in my hands, bit by bit.

#love and redemption #琉璃 #scribbles*#originally this was only going to be about the racism #then the further i got the more i thought “well you can't just talk about the racism and not everything else”#and after adding “everything else” i figured i might as well do a sifeng/xuanji relationship analysis while i was at it #so here we are #it's below 10k words though :D so still bite-sized? ...lol

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