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#rant over now >:3
fallenleafofmaple · 1 year
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Fanart for @wutheringmights ao3 fic Call Them Brothers! This is the one I was dreading and excited about the most. I really enjoyed doing the alt version for this one. Anyways, this is the last one of the set but I definitely will still be around >:). 3/3
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mugwot · 3 months
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funnyjokespunperson
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uncanny-tranny · 1 year
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I remember people cringing about trans people getting tattoos of the chemical makeup of testosterone/estrogen or their hormone start dates, and I was looking at some of those tattoos, and honestly, they are so incredibly cool and unique and frankly beautiful. It's cool to get tattoos of important or life-changing moments in your life. It's cool to make your body a canvas to paint, a temple to decorate, a place to live.
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marionette-j2x · 1 year
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✋ HALT! SPOILER DISTRACTION! ✋ Have a Willow- ❤️
(Also, avoid AND STOP POSTING SPOILERS!!!. I know it was prematurely showned on iTunes on another country but for God's sake! If u wanna go see it immediately then go. But don't post ANYTHING about them around soc med so carelessly without a second thought. Get ahold of yourselves and RESPECT Dana and her crew. Be responsible! Geez some people don't listen anymore when others say to stop posting them anyways- hayst... 🙄)
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icantdothistodaybruh · 3 months
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yea sooooo I may have or may have not watched and instantly rewatched all kuro musicals in existence in a spawn of one week and now have roughly 40 screenshots to redraw from
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I think I might be insane or something
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clingyduofan · 5 months
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it was well conceived in theory, but it doesn't work in life
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charcubed · 8 months
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I NEEEED people—especially those with unfathomably large platforms???—to start doing just a tiny bit of internal evaluation before they log onto a blue website and say “I don’t want these queer characters to fuck in canon” or “I’d be fine if these characters never kissed again” or whatever.
This is a post about Good Omens and the prospect of Aziraphale and Crowley potentially having sex in season 3. It's a response to a tweet that I'm crossposting, but let it be known the above statement and this topic applies broadly across multiple fandoms too.
But anyway, in regards to Good Omens specifically:
I am seeing this take that essentially boils down to "Canon has now made it clear that these characters want to have sex with each other through subtext (i.e. Aziraphale and the ox), but I don’t want that to reach narrative completion because the idea of them having sex makes me uncomfortable or isn’t my personal preference” and it is, to put it mildly and delicately, A Very Bad Take.
This is rhetorical (and I do not expect or particularly want an answer), but: explain to me how and why queer characters who are unavoidably visibly queer (aka 2 "man-shaped beings") fucking on screen wouldn’t be a net positive, especially when you can indicate how canon has set it up.
Presumably, some people say things like this because ~they want to see them as visibly ace.~ Okay. But by some of these people’s own admission, there IS more evidence in canon now to indicate these characters crave sex with each other (vs arguing otherwise)... yet people would rather that be ignored/erased all for the sake of them feeling comfortable or feeling better about what canon shows or doesn’t show explicitly??
I’m sorry, but—speaking as an ace person, to be clear—your personal preferences for the story shouldn’t / don’t affect anything here. There’s too much in this.
Yeah, I understand on a personal level not having “representation.” I almost never see myself or my unique experiences and identity reflected in stories. And yet, I also understand that that doesn’t change any story or the world in which we live. Things like this are not said in a vacuum.
Any queer characters having sex on screen IS a net positive. It is rare and impactful, and openly calling for or hoping for otherwise when canon points to its potential is a detrimental alliance with purity culture, whether intentionally or accidentally. Because we live in a Goddamn society!
Who knows (other than Neil Gaiman) whether Aziraphale and Crowley ARE going to fuck on international TV. None of us do! But the subtext right now blatantly says they’re starving for it. And you don’t have to like the prospect of that, but honestly? We SHOULD get to see it play out. There’s no truly legitimate reason we shouldn’t ¯\_(ツ)_/¯ Whether you "prefer" it or not.
And my ultimate hot take is… if someone balks at the idea of that or doesn’t understand the importance of it, despite even seeing the subtext… then they should perhaps unpack that? Just a thought.
Truly the way fandoms are managing to hit either “subtext doesn’t count :/ ” or “let’s keep it to subtext so it’s ‘open to interpretation’ :) ” nowadays depending on what corner one visits is MADDENING. Whiplash-inducing. Surreal. And so much nonsense you can’t pick where to start.
So! I do genuinely hope I'm not kicking off discourse but I felt this Needed To Be Said (and on more than one site). Because posts like “even if they never kiss again, we’ve won <3 “ make me want to be like…
These characters are YEARNING. Do not doom them and us to it. For once, we can reach for the stars and maybe–against all odds–pull them down. Embrace it!
---
[Update: after more discourse has occurred, I have somewhat elaborated on this further, from the POV of the significance of the queer themes in Good Omens and more specifically how they center illicit pleasure/desire]
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dustykneed · 3 months
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you are my sunshine, my only sunshine
you make me happy when skies are gray
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(prompt fill for @mcspirkevents' mcspirk bingo prompt "gone with the wind".)
static frames below:
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ouch! neck deep in aos bones feels rn... lmk if i should make a fix-it or somethin
#yeah so yesterday i said id try not to get distracted.. Guess how well that went LMAO#SORRY BONES hes going thru it in this one but literally this is all aos canon. aos is so mean to him and for what#not a single drop of closure... tos bones would flip shit if he found out. Thats the real reason why bones prime never shows up in aos#YEAH BTW PLEASE LOOK AT THE STATIC FRAMES PROCREATE HAS A ASTRONOMIC GRUDGE AGAINST THE 3RD SLIDE FOR SOME REASON#it would NOT stop crunching that one single GODDAMN FRAME in the gif. like full on colour blowout. like WHAT DID IT EVER DO TO YOU#YEAH SO I HAD TO SCREENSHOT IT AND PUT THAT IN THE GIF. EXCEPT MY IPAD SCREENSHOTS THINGS WEIRD. so its CONSPICUOUSLY BRIGHT#the 3rd and 4th frames are meant to have the same background color. every time i watch the gif i am filled with unimaginable rage#WHAT DID THAT FRAME EVER DO TO MY IPAD. what unforgivable crimes did it ever commit to be disrespected like this#ok rant over tags now :))#star trek#star trek aos#star trek fanart#mcspirk bingo#mcspirk#mcspirk fanart#spones#mckirk#spirk#star trek alternate original series#aos#spones fanart#leonard mccoy#bones mccoy#spock#jim kirk#did not use a single ref so the fact that the uniforms are reasonably legible as aos is a win (not like i use refs for anything else lol)#spirk is holding hands in that last frame!! gay people moment#OH AND I DID THIS IN LIKE. AROUND 3 HOURS? ive been meaning to draw that first frame for ages now so YIPPEEEEE#i did have a different caption in mind tho. Guess ill redraw it in the future LMAO#dust medibang paints
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lunar-years · 2 months
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S1 Keeley with a boyfriend she genuinely likes and has fun with (the first one in ages) and is maybe even starting to love, even though she hadn’t ever planned on falling in love with him, and this was only supposed to be PR, right (probably), and he isn’t even the right material for a longterm thing anyway (unless he could be?) only for him to go and break their carefully woven trust and demonstrate that he really is more the arsehole everyone else keeps telling her he is, rather than the person he's been to her (the one who, sure, has an ego through the roof, but who's also funny and kind and ambitious and brave) in one fell swoop. To have to wonder if she’s been blind this whole time to who he really is, and to be made to feel like a total idiot because of how he treated her, and then to decide firmly that no, he is good and he is trying, and then to make the choice to continue to be there for him and help him when he asks...
Late S1/S2 Keeley with a different boyfriend, and this one she's certain she loves, and he could most definitely be longterm material with only a little polishing, in fact she's pretty sure this is it, and she's going to see this man through to his shine, because he's worth it. Even as he spirals in retirement and even as they hurt each other in small ways that eventually start to add up into something bigger, she keeps believing things will get better and they both will do better, because the little life they've been building is worth it. Or it has been, up until he goes and breaks up with her and doesn't even give her the courtesy of presenting something passable as a reason, even as he's turned into a stranger before he's fully out the door. And then they're barely talking and she's heartbroken and she knows she probably went wrong somewhere in there, too, but he never told her how and she's too tired to pick apart all the whys, and she's mad at him but it's difficult to even hold space for that anger because she misses him....
S3 Keeley Jones who stumbles into another new thing, and it's not going to be anything serious (unless it could be), and she's still grieving the last one (maybe the last two?) (but this will be different, really) and Rebecca's telling her she isn't certain this is a good thing (but Rebecca never liked Jamie, either, and Jamie's turned out all right, hasn't he). Her new girlfriend flying her on extravagant dates and flooding her with extravagant gifts and making Keeley feel appreciated, like all the time she's put in is finally being recognized, makes her feel worthy of love (she only wants to be loved. she wants people to stop leaving.) Even as her new girlfriend announces their relationship to the entire office (and sure, it's a little sticky, being that her girlfriend is also her boss, and it makes Keeley feel a little uncomfortable, actually, having all those eyes on her, her employees, but she pushes it aside because Jack isn't afraid to acknowledge her, to make it known that she likes her, to stick with her, and that's something). It's something until it isn't, anyway. Until she only acknowledges Keeley where she wants to, to the people she wants to. Until she leaves, too, and takes Keeley's funding with her. And then Keeley is left to feel like the clueless one again, the idiot for not spotting it coming all along.
And she's making stupid decisions again (sleeping with exes just to get the chance to feel someone), and Jamie and Roy are weirdly close now, and isn't that just flipping great. somehow she missed that, too. And she's the one who made them both better!! they never would have turned out like this if she hadn't been pushing them towards it all along, and now they're there without her, which really doesn't seem fucking fair and definitely sucks. And she's maybe still a little (a lot) in love with both of them, but then they're demanding she choose between them like quarreling stupid schoolboys, and she doesn't even want to choose and she wants both of them at the same time she wants neither of them and then there's still the sticky business of rebuilding her firm with what Jack did still sitting so raw in her chest (and it was never that serious anyway, so why does it bother her so much? why does everything bother her so much?)
(im gnawing at my enclosure)
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shima-draws · 2 months
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I haven't watched more than like, 8 episodes of once piece, but i just want to say that i'm loving your live(?) blogging of the episodes as you go. especially all the sanji x luffy, it's all very cute in general but also how excited you get about it is fantastic.
that's all! i just love seeing people passionately enjoy things.
AAGFGHGHF THANK YOU OMG........I feel like I've been REALLY annoying talking about Sanlu nonstop but I'm glad at least somebody is enjoying it lmao. But if there's one place where I SHOULD have no filter and feel free to talk about my ships constantly, it should be my own blog right. LOL
Essentially,
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the-valiant-valkyrie · 8 months
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okay well. one thing that i absolutely adore abt ieytd3 specifically is their dedication to The Bit. The Bit, in this instance, being the telekinesis.
i first heard of ieytd pretty much the year it came out- although i wavered in and out of the community until a few months before the sequel was announced. within that time, there was this trend in what few ieytd fics were published that they would reject the telekinesis mechanic entirely. they would pretend it didn't exist. they brushed it off as a mandatory game mechanic for a VR title, but obviously it doesn't actually matter in canon. it's unnecessary.
but seeing schell games literally go "nuh uh". and take what's a pretty significant step in a unique direction from their source material. and say "actually, not only is telekinesis canon, but we are going to make it's existence critical to the plot of our entire third installation" was so much fun. i respect them so much for that.
a lot of times i find the best sort of games are those that take their silliness seriously. they don't feel ashamed of doing their own thing- breaking the mold a little bit, if it means developing a deeper sense of identity. they took this mandatory mechanic- essentially the only obstacle between them and an untarnished james bond-esque experience- and said "we can roll with this". and just did.
i love a game that's not ashamed to be what it is.
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autisticredhood · 2 years
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OHHHHHH. okay. ok. hm. (<- saw the webtoon trailer) 
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THE BEST OF PRIORITY: MARS (PART 1)
Featuring: Cmdr. Sophie Shepard, Maj. Kaidan Alenko, Lt. James Vega, and Dr. Liara T'Soni Sophie, I don't know what you are- or who. Not since Cerberus rebuilt you. For all I know, you could be their puppet- controlled by The Illusive Man himself. Mass Effect 3: Legendary Edition (2021)
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gay-jesus-probably · 11 months
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(Feel free to ignore this-! I’m just happy to hear someone’s deep takes on Zelda)
I really love your deep dives and interpretations/discussions on the Gerudo people and their history, influence and life in BOTW/TOTK (I totally agree with all you’ve said)
I just want to ask/Point out (after reading your imperialism post about TOTK) didn’t the Zora for many years like- not want to serve or be a part of the Hylian families army either? Like, even before Mipha’s death, weren’t the Zora very much against conforming to the Hylian’s rules and such? (In every game?) I’m a bit confused on how Hyrule is split up, the Zora’s having their own kingdom(s), the Rito and Goron’s having elder’s/their own leaders but still serving the royal family??
It’s always bothered me how these separate races all still have statues to the Goddess Hylia (Started in BOTW) and not their own deity’s to pray to or follow (Like the Zora praying to Nayru makes sense, or even something like Jabu Jabu to bring back- or the Rito could’ve prayed to Valoo, a great dragon or something.)
It just feels like Nintendo COULD’VE put so much care into all their races stories and histories! But oops no this game will be for Kids(TM) and we can’t put anything too deep or serious. Makes me sad :( I wanted to see them in a deeper context.
Oh yeah, it's very weird that they just put zero effort into explaining some of the worldbuilding. I mean, in BOTW it makes perfect sense to have the races be off doing their own things! It's post apocalypse, Hyrule does not exist anymore, these different communities have no real reason to interact with each other! And I really liked that BOTW outright showed that there was no particular effort for diplomacy, but people still got along as individuals - I liked that we saw different races hanging around each other. I loved that there were Gerudo in Goron Town to trade for their gems, I loved that Goron were allowed into Gerudo Town because they're a race of rock people that legitimately don't have any real need for gender and just use masculine terms by their own choice, and the Gerudo understood that. And I loved the whole Tarrey Town sidequest, because it actually felt really satisfying to build up a new town that had inhabitants from all the races, not for any particular reason, but just because they were people that wanted to live there and work together. They didn't need a big central government to make it a whole Thing; they were just getting by.
And we also saw the less good side of these things, like that one guy in Hateno that greeted you at the gate, and decided Link was trustworthy specifically because he was Hylian, making it clear that xenophobia still existed. I like that Kass was kind of thrown by Link asking if he was a giant bird, and the implication that Link was being kinda insensitive there and Kass was choosing not to be offended. I liked that there was a Hylian couple on their honeymoon in Rito village because the guy genuinely loved the town and its culture, while his new wife looked down on the Rito and hated being around them. And I liked that the older Zora still held a grudge against Hyrule for many things, up to and including the fact that Mipha died defending it, and the older generation would rather risk everyone's wellbeing than accept help from a Hylian that had been involved. And I like that you can run into other Hylian's near Zora's domain that outright tell you Zora have been trying to recruit them to do something important, but they all refused to get involved because they don't think that those weird fish people could have anything serious going on and it all seemed really sketchy.
My point is, BOTW really did feel like it'd been a hundred years since the end of the world, and everyone was just trying to get by and live their lives. You saw people being open minded and accepting other races for no other reason than the fact that they were all people, and you saw people being petty and bigoted just because they didn't trust people that looked and acted differently from them, but for the most part people were all just getting by and doing their own thing. BOTW gave the impression that Hyrule had been an equal alliance between the Hylian's, Zora, Goron, Rito and Gerudo (and with the Sheikah having a considerably less equal role, specifically built on the Sheikah having been forced to submit to cultural genocide to save their own lives, and the Yiga clan being the survivors that fought back instead), with Hyrule acting as sort of the core of the alliance, if only due to literally being in the geographic middle.
I mean fuck, the existence of the Divine Beasts suggests that things are equal! Yeah, Hyrule has a royal family with holy powers due to literally being the descendants of a Goddess, and they're the ones that always get the reincarnation of the Hero that's the only one who can wield the bullshit OP magic sword... but they don't get a Divine Beast (Link's dinky little DLC motorcycle doesn't count). The Divine Beasts were specifically made to be weapons of mass destruction, and they were specifically made for the non-Hylian races. That really does suggest an active effort being taken to balance the scales, that the ancient people saw that only Hylian's were granted divine favour, and so if the gods wouldn't give that power to other races, they'd fucking make it themselves. The existence of the Divine Beasts feels like a promise to keep everyone on equal footing, and say what you will about pre-Calamity Hyrule, but they didn't even question keeping that promise.
...And then in TOTK, all of that's just gone. The Sheikah aren't their own people with a complicated relationship to the throne, now they're just Hylian's with a different aesthetic. The 'alliance' between the races turns out to be built on Hyrule's first King and Queen pointing their stockpile of magical nukes at everyone and asking them politely to become their subjects, and pretending not to notice the implied threat that they'd magically nuke anyone who refused. In BOTW the Sheikah race being sworn servants of the Hylian royal family was acknowledged as a fucked up situation, and that power imbalance being horribly abused in the past was what created the Yiga clan. In TOTK, we're outright told that Rito, Goron, Zora and Gerudo all exist for the sole purpose of serving the Hylian royal family, and that is framed as a good thing and the proper way of the world; the first sign of Ganondorf being evil is that he refuses to submit.
And even putting all that super gross ancient past stuff aside, the present day is equally fucked. Hyrule has been gone for a century. In BOTW, few people even remembered that Zelda had ever existed, and of those people not many of them cared. Nobody was really interested in having a central government, they were all getting by just fine on their own. And again, it was made pretty clear that the pre-calamity situation had been an actively maintained collective alliance between independent nations. There was a reason that people were predicting that Hyrule's monarchy would be abolished in TOTK, and that's because we all saw that there was literally no reason for anyone other than the Sheikah to respect Zelda's authority as a ruler - the Zora were the only other people to still remember her, and they were completely done with the Hylian royal family anyways. If Zelda rolled up declaring herself the Queen of Hyrule anywhere else, she'd be laughed out of town, because that's the standard response to a random teenager showing up and informing you she was actually the highest authority in the land. Zelda had no inherent authority left at the end of BOTW, if she wanted to be in charge, she'd need to earn it. That's the state of the world that we were shown.
Except nope, nevermind, Zelda's the almighty God Princess of the world and literally everyone mindlessly accepts her ultimate authority. She can order people to strip naked and walk into a monster den to die for her amusement, and they would immediately do it without asking any questions (yes I know the underwear thing was a misunderstanding, but the fact that everyone jumped to follow the misheard order without a single question is horrifying). And the imposter Zelda arc just hammers home the point that Zelda is in a completely unearned, lifelong position as dictator of the world, and literally nobody cares if she abuses that power. Zelda brainwashed Yunobo and forced him to ruin his own business and nearly destroy his own people? He's just worried she'll be angry that the mask keeping him brainwashed was destroyed. Zelda summons a giant monster to attack Yunobo and Link then walks away? Oh my god, the giant monster Zelda just summoned to kill us might hurt her, we have to save Zelda from it! Zelda literally openly attacks King Dorephan and tries to murder him? He'd rather go missing in the middle of a crisis and suffer alone in hiding than let anyone know that Zelda just tried to kill him. I don't understand why they bothered with the fake Zelda arc, because literally nothing the fake Zelda does is allowed to have consequences.
It just doesn't make any goddamn sense. Nobody feels real anymore, there's no politics between the races, there's no reason for anything being the way it is now. The entire world of Hyrule has been reduced to just Zelda's Fanclub, and nobody would ever consider doubting her for a second. I don't understand why the fake Zelda arc is in the game, because it's never actually allowed to be part of the story. Nobody actually cares about 'Zelda' tormenting people, and so we're told that there is literally nothing that can possibly happen to make Zelda lose her authority. There's no stakes. We're not supposed to care about anyone who isn't Zelda, we're not given any real reason to care about Zelda herself, and so why the fuck are we still here?
...I've distracted myself a lot here lmaoo, I'm not really sure where I was going with all of this beyond just rambling about shitty writing and bad continuity. The point is, BOTW had some really good writing and worldbuilding. That Hyrule felt like a real place inhabited by actual people, and the different races were their own, independent people. When they worked together, it was a sign of them putting time and effort into reaching out to each other and meet on the same level. Meanwhile TOTK feels like it's made of fucking cardboard most of the time.
(Also for the record I agree that the Goddess statues being Literally Everywhere was kinda fucked, BUT I'm willing to let it slide as a matter of just game design; that's where you go to trade spirit orbs for upgrades, so you want a spot to do that in every major town for player convenience. And using different deities in different areas wouldn't work, because the players are introduced to the mechanic with a goddess statue; they're not gonna naturally assume that the statue of a giant fish can do that too, so most of them would assume the statue is scenery and just ignore it. I thought it was at least a nice touch that the goddess statues had different decorations in some towns, and that some towns put the statues away from the main areas; it gave the impression that while everyone while worshipping Hylia was widespread, everyone was doing it differently, and in some places it wasn't very popular - just look at the Kakariko statue being in the middle of town with a well maintained pond surrounding it and torches to draw more attention to it, then compare that to the Gerudo Town statue being down a side street on the edge of town, away from the main gate, with nothing of any real importance nearby, and nothing to get people's attention. It really works with the Sheikah's culture being built on their devotion to the Goddess, while the Gerudo's history with Hylia and her followers is a lot more complicated, and so their statue's location implies that worship of Hylia is pretty unpopular among the Gerudo.)
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deer-with-a-stick · 9 months
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Literally screaming into a void right now but jesus christ why the hell do so many people hate Gale?? Is this because of Dragon Age??? He's my boy leave him alone
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fictionadventurer · 3 months
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I thought that it was stupid that Brandon Sanderson had the narrator of Tress of the Emerald Sea call all the unnamed sailors "Dougs" when he could have just called them, you know, sailors. But then I started using the term. Turns out having a word for "yes, we know that realistically all these individuals have unique identities and personalities, but they're not the focus of this story so we're going to treat them as faceless background characters" is surprisingly useful.
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