Mizu, femininity, and fallen sparrows
In my last post about Mizu and Akemi, I feel like I came across as overly critical of Mizu given that Mizu is a woman who - in her own words - has to live as a man in order to go down the path of revenge.
If she is ever discovered to be female by the wrong person, she will not only be unable to complete her quest, but there's a good chance that she'll be arrested or killed.
So it makes complete sense for Mizu to distance herself as much as possible from any behavior that she feels like would make someone question her sex.
I felt so indignant toward Mizu on my first couple watchthroughs for this moment. Why couldn't Mizu bribe the woman and her child's way into the city too? If Mizu is presenting as a man, couldn't she claim to be the woman's escort?
However, this moment makes things pretty clear. Mizu knows all too well the plight of women in her society. She knows it so well that she cannot risk ever finding herself back in their position again. She helps in what little way she can - without drawing attention to herself.
Mizu is not a hero and she is not one to make of herself a martyr - she will not set herself on fire to keep others warm. There's room to argue that Mizu shouldn't prioritize her quest over people's lives, but given the collateral damage Mizu can live with in almost every episode of season 1, Mizu is simply not operating under that kind of morality at this point. ("You don't know what I've done to reach you," Mizu tells Fowler.)
And while I still feel like Mizu has an obvious and established blind spot when it comes to Akemi because of their differences in station, such that Mizu's judgment of Akemi and actions in episode 5 are the result of prejudice rather than the result of Mizu's caution, I also want to establish that Mizu is just as caged as Akemi is, despite her technically having more freedom while living as a man.
Mizu can hide her mixed race identity some of the time, and she can hide her sex almost all of the time, but being able to operate outside of her society's strict rules for women does not mean she cannot see their plight.
It does not mean she doesn't hurt for them.
Back to Mizu and collateral damage, remember that sparrow?
While Mizu is breaking into Boss Hamata's manse, she gets startled by a bird and kills it on reflex. She then cradles it in her hands - much more tenderly than we've seen Mizu treat almost anything up to this point in the season:
She then puts it in its nest, with its unhatched eggs. Almost like she's trying to make the death look natural. Or like an accident.
You see where I'm going with this.
When Mizu kills Kinuyo, Mizu lingers in the moment, holding the body tenderly:
And btw a lot of stuff about this show hit me hard, but this remains the biggest gut punch of them all for me, Mizu holding that poor girl's body close, GOD
When Mizu arranges the "scene of the crime," Kinuyo's body is delicate, birdlike. And Mizu is so shaken afterward that she gets sloppy. She's horrified at this kill to the point that she can't bring herself to take another innocent life - the boy who rats her out.
MIZU'S ONE MOMENT OF SOFTNESS AND MERCY, COMING ON THE HEELS OF HER NEEDING TO KILL A GIRL TO SPARE HER THE WORST FATE THAT THIS RIGID SOCIETY HAS TO OFFER WOMEN, AND TO SPARE A BROTHEL FULL OF INNOCENT WOMEN WHO ARE THE CASTOFFS OF SOCIETY, NEARLY RESULTS IN ALL OF THEIR DEATHS
No wonder Mizu is as stoic and cold as she is.
And no wonder Mizu has no patience for Akemi whatsoever right before the terrible reveal and the fight breaks out:
Speaking of Akemi - guess who else is compared to a bird!
The plumage is more colorful, a bit flashier. But a bird is a bird.
And, uh
Yeah.
I like to think that Mizu killing the sparrow is not only foreshadowing for what she must do to Kinuyo, but is also a representation of the choice she makes on Akemi's behalf. She decides to cage the bird because she believes the bird is "better off." Better off caged than... dead.
But because Mizu doesn't know Akemi or her situation, she of course doesn't realize that the bird is fated to die if it is caged and sent back home.
Mizu is clearly not happy, or pleased, or satisfied by allowing Akemi to be dragged back to her father:
But softness and mercy haven't gotten Mizu anywhere good, recently.
There is so much tragedy layered into Mizu's character, and it includes the things she has to witness and the choices she makes - or believes she has to make - involving women, when she herself can skirt around a lot of what her society throws at women. Although, I do believe that it comes at the cost of a part of Mizu's soul.
After all, I'm gonna be haunted for the rest of this show by Mizu's very first prayer in episode 1:
"LET" her die. Because as Ringo points out, she doesn't "know how" to die.
Kind of like another bird in this show:
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Man, I really love the Wind Waker Ganondorf fight. It feels different from other fights in the series in the sense that you aren't fighting to save a kingdom or the princess. Sure, Link went in that tower to get Tetra back and stop Ganondorf, but when the fight happens, that isn't why they are fighting anymore.
Tetra is already there with Link, and Ganondorf had already lost; Daphnes stole his wish. Ganondorf has lost everything, and now the only thing he desires is to take Link and Tetra down with him as the hope for the future he wanted was given to them.
A fight you go into expecting to be one to save a friend and stop the villain became nothing more than a battle of survival. The waters of the great sea are crashing down as it is to kill or be killed.
Throughout the whole journey, Link and Tetra both struggled against Ganondorf. The first visit to the forsaken fortress he throws Link into the sea to drown. The second time, he knocks Link down and is about to strike him down with his blade, Tetra just barely coming in to save Link on time, and even then, they're both not strong enough. Finally, in Ganon's tower, after going through Ganondorf's trials without even getting a chance to fight him, this man straight up beats this small child and steals his triforce. Every confrontation with this man has gone wrong, and yet it's now or ever because if they lose, they will die, and no one is there to save them this time.
The battle theme is intense. It really is two very small children fighting this huge man, but just as they're the hope of the future every once in a while, the great seas theme will play as if there is a gleam of hope. That they can make it out alive.
However, even then when they do win, it isn't a triumphant one. Anytime Link has beaten a boss in the game, he is overjoyed and ecstatic. He is jumping up and down as he slayed the monster. He won.
Yet for Ganondorf, this is his reaction for killing a man.
He looks to be in disbelief, frightened even. Whatever he is feeling, it sure isn't a good one. How could he feel good about this? One thing is for sure is that he is exhausted, and he almost passes out then and there, with Tetra needing to catch him.
I just love everything about this fight. From the music and setting to the aftermath and why you're fighting him. You're not fighting to win or save the day. You're simply fighting to live.
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