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#soviet cinderella
resideanevil · 10 months
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Cinderella | Zolushka (1947)
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finally figured out my roman empire: drei haselnüsse für aschenbrödel
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burningpinkcandle · 2 years
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Мультфильм: золушка, 1979
Cartoon: Cinderella
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intramir · 1 year
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omgespinas13 · 1 year
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Кто родился со мной в один день — 13 декабря:
Taylor Swift (Тейлор Свифт)
https://youtu.be/s85bQas4Vmk
Людмила Сенчина
https://youtu.be/KzJgTb2sRxQ
(видимо, не зря я писала про принца на скейте, лол).
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nhozemphtekh · 3 months
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I have a thing for drawing my watchdog ocs in Russian culture inspired attire. 💀
Mainly because it all started when I had a dream about WOY characters one night, and I also LOVE watching cartoons from the Soviet Union. So I often draw culture-based watchdogs like Velvera.
It was a strange dream but I remember it being about Peepers meeting a female watchdog who looked similar to the one I drew here. Man- I have odd dreams lmAo.
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I also wanna share some of the Soviet cartoons I like; Rusalocha, The Snow Queen, Cinderella, etc
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𝘤𝘶𝘳𝘳𝘦𝘯𝘵 𝘮𝘰𝘰𝘥𝘴 & 𝘪𝘯𝘵𝘦𝘳𝘦𝘴𝘵𝘴
💠 𝑨𝒄𝒂𝒅𝒆𝒎𝒊𝒂-𝒊𝒔𝒉
-inspired by Saltburn (2023) and the art it references (or reminded me of) 🏰🍾 ▪ Brideshead Revisited by Evelyn Waugh [a fav book of mine] ▪ Brideshead Revisited (1981) miniseries ▪ The Talented Mr. Ripley by Patricia Highsmith ▪ and I have to mention Purple Noon (1960), my favorite film, just because it is the first adaptation of the first Ripley book ▪ The Secret History by Donna Tartt [another fav book] -rolledover from autumnal mood -books on my tbr 📚 ▪ Ticky by Stella Gibbons ▪ Brat Farrar by Josephine Tey ▪ Possession by A.S. Byatt, which can also connect to The Romantics below
💠 ℂ𝕒𝕡𝕠𝕥𝕖'𝕤 𝕊𝕨𝕒𝕟𝕤 & 𝕞𝕚𝕕-𝕔𝕖𝕟𝕥𝕦𝕣𝕪 𝕘𝕝𝕒𝕞𝕠𝕦𝕣
-currently reading Capote's Women: A True Story of Love, Betrayal, and a Swan Song for an Era by Laurence Leamer, which I've had for a while but am now reading because it is the basis for the new season of Feud: Capote vs. The Swans (series on FX) -Answered Prayers by Truman Capote is now one of the next books I want to buy -I read a couple articles pertaining to the book and surrounding figures, which then lead me to watching the documentary Always at the Carlyle (2018)
💠 ƑคเгץՇคɭєร
-I am in my fairytale era 🧚🏼‍♀️✨️🦢⛲️🪷❄️🏹🍎🪞🥀🫧🪺 -seedlings were planted back in December with reading E.T.A. Hoffmann's and Alexandre Dumas' Nutcracker stories, and watching Frozen for the first time and then reading "The Snow Queen" by Hans Christian Andersen -it was cemented with rewatching Donkey Skin (Peau d'ane) (1970) early in the month and then reading that fairytale 💍 -I've continued / am now I'm continuing to do that with other titles ▪ "The Red Shoes" 👠 ▪ "12 Dancing Princesses" 🩰 ▪ Up Next: "The Little Mermaid" 🧜🏼‍♀️ -specifically, watching (or rewatching) Czech and Soviet adaptations ▪ Снежная королева (The Snow Queen) (1957) ❄️ ▪ Three Wishes for Cinderella (1973) 🦉 ▪ Perinbaba (1985) 🌨 ▪ Up Next: Русалочка (1976) and Malá mořská víla (1976) (both are "The Little Mermaid") 🧜🏼‍♀️, and Двенадцать месяцев (The Twelve Months) (1973) -and on my immediate tbr is The Magic Toyshop by Angela Carter 📕
💠 𝔐𝔬𝔬𝔡𝔶 𝔞𝔫𝔡 𝔈𝔱𝔥𝔢𝔯𝔢𝔞𝔩 𝔉𝔢𝔪𝔪𝔢
-this is the only way I can think of describing this mood/interest and it's not even a complete phrase, just adjectives of the aesthetic -I'm just listing movies and books that illustrate this to me ▪ Currently Reading: Brutes by Dizz Tate ▪ Currently Watching: Jean Rollin's vampire films: The Shiver of the Vampires (1971), Fascination (1979), The Living Dead Girl (1982), Two Orphan Vampires (1997) ⚰ ▪ on my book wishlist is Mine-Haha: or On the Bodily Education of Young Girls by Frank Wedekind, which was adapted into the film Innocence (2004) 🌳 ▪ I swear I had other things to put here, but I can always do updates posts later -taken from one of my Letterboxd tags "ethereal femme horror" which I started/came up with when I first watched a couple Jean Rollin films late last summer
🏹 [Also, Fairytale + Moody and Ethereal Femme = my "growing up in a land far far away" list on LB]
💘 𝚃𝚑𝚎 𝚁𝚘𝚖𝚊𝚗𝚝𝚒𝚌𝚜
-in October I watched Haunted Summer (1988) and rewatched Gothic (1986) and in doing so I realized I haven't read much from Lord Byron. I then bought his Selected Poems and Don Juan 📜 -reading his work is also likely to lead to finding a biography about him, and works by and about the other Lake Geneva attendees: Mary Wollstonecraft (Shelley), Percy Bysshe Shelley, Claire Clairmont, John Polidori (I have previously read Frankenstein and The Vampyre)
💘 ᑘᘉᕼᓰᘉᘜᘿᕲ ᘺᓍᘻᘿᘉ / ᖴᘿᘻᗩᒪᘿ ᖇᗩᘜᘿ
-at the beginning of January I really wanted to start reading Boy Parts by Eliza Clark, but soon afterwards I found out an internet booktube friend died suddenly, so I was a little out of it last month. Boy Parts was actually on her 2024 tbr, so I definitely want to get to it soon when the spur strikes again. 📷 -honestly, since finding out about her death, though it has taken me some time, I'm even more determined to get to books and movies I've been wanting to read and to watch for years! things I've put off because of high expectations or whatever. things I think will be new all-time favs, 5/5 stars, etc. I'm going to read them! and one of those is A Certain Hunger by Chelsea G. Summers 🍖🍇 -I'm now realizing, when you think about it, certain Jean Rollin films could probably be categorized here 🧛🏼‍♀️
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adarkrainbow · 1 year
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Journey through the Woods (Y)
More concept art for the Big Bad Wolf, by @artmakerproductions
Among the numerous events happening to our heroes in the woods, one is the meeting of a young Soviet Pioneer boy, living with his grandfather in the forest: yes, it is Peter from “Peter and the Wolf”. Beth meets him hiding up a tree - he has just escaped the Big Bad Wolf, who devoured his animal friends - the cat, the duck, the bird... The inhabitants of this area of the woods actually do not speak, Peter and his grandfather are mute, but they express themselves through movements and a disembodied music that follows them everywhere they go.
Peter is out for revenge, and he enlists the help of Beth and her companions to create his iconic trap. The group actually manages to capture the monstrous beast - but it is a temporary victory, as the too-sweet Mouse makes a fatal mistake... 
You might be wondering about the chronology of the whole project. ArtMaker and I did produce a quick, brief chronology for the core events of the narrative (not including “side-quests” like the stop at Cinderella’s ball). Basically it would go as such:
Act 1: Beth gets lost through the forest/enters the fairytale woods. Beth meets Little Red Riding Hood, and the “grandmother incident” follows. As night falls the two try to get help at the Third Little Pig’s house, only to get trapped. They are rescued by the Mouse, and welcomed in the Pig’s house, who joins them on their journey. They then meet the Billy Goat Gruff, and Jack suddenly pops up. There is the “giant incident” and Jack is the final addition to the group. The group being formed and the fairytale world being introduced, the first act wraps up.
Act 2: The Wolf meets the Fox and asks him to spy the group, but Beth and co ditch the Fox. The Hansel and Gretel incident happens, followed by the “Peter an the Wolf” episode described above. The group encounters the Bridge Troll, the Wolf then asks the Fox to guard the axe in the stump. The group then discovers the woodman’s cottage (this will be explained in the next post) and there is a face-down between the Wolf and the group, where the Goat pushes the Wolf off a cliff - and everybody thinks the beast is dead. Act 2 is wrapped up.
Act 3: Fox gets bored and leaves the stump, that is discovered by the group - Beth gets the axe. The group discovers the exit to the woods, but the giant appears and kidnaps Beth’s companions, forcing her to go up the beanstalk to save them. She defeats the giant, Beth’s friend return to their homes, Beth prepares to leave the forest (and in parallel the Fox meets the Gingerbread House Witch). However the Wolf reappears for the final time - ensues the last battle, a duel between Beth and the beast. Beth then leaves the forest - and it all wraps up on the Fox’s “reverse Wolf and the Fox ending” (maybe as a “post-credit” scene, who knows?)
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fairytaleslive · 2 years
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I usually don't write posts like this but seeing so much racist shit making rounds again after The Little Mermaid (2023) trailer premiere, I just want to state that this blog (however neglected it may currently be) firmly supports diversity in fairytale adaptations and I personally can't wait to see Halle Bailey star as Ariel.
"Historical accuracy"? Give me a break, it's a fairytale, it's set in a fairytale world and Disney’s take is not even faithful to Andersen anyway. And shit like "little white girls won't see themselves in Ariel anymore"? I have no words for how stupid this sounds. I am a white European girl, I was about seven when Cinderella with Brandy came out and I didn't even think twice about the casting and I loved her in it and wanted to be like her. And that was in the 90's.
Do you really need a mermaid movie with a white actress so much? Ok, there are plenty of OTHER adaptations that will fill your needs, including, surprise surprise, the original animated one. (And clips and bootlegs of the Broadway adaptations are honestly not that hard to find. And there is the German one from 2013. And the Czech one from 1976. Or the Soviet one from the same year....)
Even IF (and that is a big theoretical IF) Disney casted Halle only because of tokenization (which doesn't even apply for main roles, but ok), how does it matter in the long run? I don't care about the reasons why she was cast, I just hope that this movie will allow for her beauty and talent to shine through and that she'll be inspiration for countless black girls around the world who will finally feel seen and represented in a Disney live action fairytale film. Judging by the teaser alone, Halle is a good fit for Ariel and her voice is beautiful. I can't wait to see the whole film!
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kathogelia · 1 year
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⬇️ Tag drop ⬇️
Actors & Actresses
al st john
alan tudyk
aleksandr demyanenko
aleksandr trofimov
aleksei kuznetsov
alexandra yakovleva
alice lake
alice mann
alisa freindlich
alla demidova
anastasiya vertinskaya
anita page
andy whitfield
anne cornwall
barbara brylska
bartine burkett
ben barns
beulah booker
brown eyes
bruno ganz
buster keaton
conrad veidt
dmitri zolotukhin
dorothy christy
dorothy sebastian
edward norton
ekaterina savinova
eleanor keaton
evgeniy leonov
heath ledger
igor starygin
inna churikova
innokenty smoktunovsky
irene purcell
irina alfyorova
ivan pyryev
jack black
jason isaacs
joe keaton
joe roberts
karin boyd
kate beckinsale
kate price
kathleen myers
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klara luchko
klaus maria brandauer
larisa guzeeva
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liv tyler
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luke the dog
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thelma todd
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tom hiddleston
valentin smirnitsky
veniamin smekhov
virginia fox
whitney houston
yanina zheymo
yelena ukrashchyonok
yuriy yakovlev
Characters
anne of austria
aramis
assol
athos
bagheera
baloo
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cardinal richelieu
constance bonacieux
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daryl dixon
edward rochester
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grigori rasputin
king louis xiii
laura lyons
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mowgli
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porthos
raksha
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shere khan
van helsing
Origin
american cinema
american tv show
austrian cinema
barbie movies
behind the scenes
czech cinema
french cinema
german cinema
hungarian cinema
other peoplez edits
russian animation
russian cinema
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Directors
adolf trotz
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aleksandr sery
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alla surikova
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don bluth
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eldar ryazanov
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georgi yungvald-khilkevich
gleb panfilov
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istván szabó
james cameron
jim jarmusch
kirill mikhanovsky
leonid gaidai
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mikhail tsekhanovsky
nadezhda kosheverova
owen hurley
peter jackson
robert stevenson
sergey gerasimov
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vera tsekhanovskaya
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Time Periods
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Films & Shows
a cruel romance
a knight's tale
a man from boulevard des capucines
adventures of mowgli
anastasia
at the beginning of glorious days
back stage
barbie as rapunzel
barbie as the princess & the pauper
barbie in the 12 dancing princesses
barbie in the nutcracker
barbie of swan lake
battling butler
carnival night
cinderella 1947
clever dog sonya
college
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convict 13
cops
d'artagnan and the three musketeers
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der himmel über berlin
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give me liberty
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good night nurse!
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ivan vasilievich changes occupation
jane eyre 1943
le roi des champs-élysées
look for a woman
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mirror
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morozko
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neigbors
oh doctor!
one week
only lovers left alive
operation y and shurik's other adventures
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parlor bedroom and bath
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prisoner of the caucasus or shurik's new adventures
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the beginning
the bell boy
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the irony of fate or enjoy your bath!
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the words
this is your life
three ages
van helsing
watch out for the automobile
what - no beer?
wings of desire
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starwarmth · 2 years
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A room with a view and 12 dancing princesses?
A Room with a View, yes! and the second one—you’re close!
Castle in the Sky, 1986
The Last Unicorn, 1982
A Room with a View, 1985
Breakfast At Tiffany’s, 1961
Foreign film, 2015 (Japanese)
Classic/art film, 1948 color (title is color and object)
2007 art/music film 
Iron Giant, 1999
It’s A Wonderful Life, 1946
Pride & Prejudice, 2005
Moonrise Kingdom, 2012
Cinderella, 2015
Don Bluth (you could guess anything of his and I would love it tbh, but this one is tricky)
Over The Garden Wall, 2014
Pure class and taste, fairytale adaption, 2002 (also animated)
Animated, 1970s (adapted from two famous toys)
Foreign film, animated, 1952 (Soviet Union)
Notting Hill, 1999
The Godfather, 1972
Amelie, 2001
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Teenage Romance in postwar America
Grace Doyle
  Rebel Without a Cause
  Rebel Without a Cause (1955) is a perfect collision: a product of its time that could not be done before, nor replicated after. The romantic drama was one of the first productions filmed in the recently introduced CinemaScope, and the film offers social critique of middle-class suburbia in the 1950s. The story follows Jim Stark, a troubled teenager who relocates after many run-ins with the law. He meets other people his age, also struggling with similar issues. The main conflict of the film is not Jim’s issue with law enforcement: rather, it is the dissonance between generations within the time period. 
Each of the main characters struggles in regards to their relationships with their parents. Jim acts out in response to his parents’ constant bickering, and resents his father for submitting to his mother’s aggressive demands. He expresses his anger and disappointment to an officer when he is arrested. Similarly, Judy, Jim’s love interest, dresses provocatively and breaks curfew because she feels rejected and ignored by her father as she transitions into adolescence. She does not understand this sudden change in his behavior, as he does not explain it due to his own discomfort. Later, Jim befriends Plato, another teenager who was taken into custody at the same time as Jim and Judy. Plato, who was interrogated after killing a litter of puppies, has an absentee father, and his mother frequently leaves him by himself. Unlike troubled youth in prior films, these teenagers are privileged and well-off, and they act in retaliation due to their emotional turmoil. The shocking presentation of violence and death within the film also highlights its melodrama, as the more gruesome scenes are equally as dramatic as the conversational scenes between characters. Although extreme at times, it is an accurate representation of the growing pains which post-war suburban youth were facing.
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Sabrina
  Sabrina (1954) is another take on the teenage romance in film. Although this film, unlike Rebel, has been remade, the original piece offers fascinating commentary on postwar international relations. 
The film itself follows Audrey Hepburn in the titular role, as she transforms from an awkward wallflower to a sophisticated bachelorette after a study in France. I was originally dazzled by Sabrina’s style and beautiful production design, as well as the film's romanticization of European culture: however, on rewatch, the film serves a much greater purpose. Hepburn’s Sabrina represents postwar Europe, specifically France. Similarly, Sabrina’s goal is to wed a wealthy and strong man, representative of American capitalism and its values. After the war, America sent its economic and military support to Western Europe in hopes of securing European markets. While rebuilding Europe’s economy, “...the French chose the U.S. (47 percent) over the Soviet Union (23 percent) as the preferred leader of wartime reconversion and reconstruction…” (Smith, 28). The symbiotic relationship resulted in an American influence over the European military and economy, as well as access to Western markets in the United States. Director Billy Wilder, always the cynic, portrayed the fantastical views which international relations cast on American citizens through the use of glamor and dramatization in Sabrina’s directorial style.
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Works Cited
Ebert, R. (2005). Rebel without a cause movie review (1955): Roger Ebert. Rebel Without a Cause movie review (1955) | Roger Ebert. https://www.rogerebert.com/reviews/great-movie-rebel-without-a-cause-1955 
Smith, D. M. (2002). Global Cinderella: Sabrina (1954), Hollywood, and Postwar Internationalism. Cinema Journal, 41(4). https://www.public.asu.edu/~srbeatty/464/Smith_re_Sabrina.pdf 
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songsandremembrances · 6 months
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Episode 2
I loved the song Zolushka (Cinderella) when I was young, and still do. https://www.youtube.com/watch?v=3ToJwWgbHGc The first verse goes something like this:
Believe it or not, last night I dreamed that a prince came for me, riding a silver stallion. And we were greeted by dancers, a drummer, and a trumpeter, forty-eight conductors, and one grey-haired violinist.
While this vision of the king's ball doesn't exactly mesh with the Disney version, it enchanted to me as a young girl. My memories of it are all tied up with the period leading up to New Year's Eve. The Soviet Union, having outlawed all religion and religious practices, gleefully transferred all Christmas traditions to New Year's Eve. The tree, the presents, and Father Frost (Santa) were part of my childhood every December.
As Soviet citizens, our being Jewish notwithstanding, my parents bought a live tree, which we decorated with beautiful, fragile, glass ornaments
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and topped with an equally lovely and fragile glass topper.
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I loved, loved, loved Leningrad in December. It was magic, the way the city transformed from autumn's grey, cold, rainy dreariness to winter's frosted, glittering, jewel box! Leningrad was alive to me in December. Lights everywhere! Store windows displaying things in pretty packaging (never mind that the stores were mostly empty inside)! Oranges wrapped in shiny foil and candy in gorgeous boxes!
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Leningrad's elegant bridges and buildings sparkled under the star-filled sky! Magic, I tell you.
I had no difficulty, as a child, believing in Grandfather Frost, Russia's version of Santa. He always appeared sometime during night of December 31, with his bag of gifts. No chimney climbing for Grandfather Frost, either. Leningrad's residents didn't have chimneys anyway, living as we all did, in apartments. Grandfather Frost simply appeared, though you could never see him, delivered a present for each person in the house, and disappeared. If you slept through it, you'd find your gift the morning of January 1, but if you were very lucky and allowed to stay up late, you might just hear him, and you might just get your gift earlier!
This actually happened to me one year. My parents were hosting a small gathering for friends, when suddenly there was a loud "thump" and the lights went out. When the lights came back on a few minutes later, there were presents under the tree! Of course, everyone knew exactly what had happened. Grandfather Frost had been there! I was beside myself at the idea that I had actually been awake to "witness" his visit. I have absolutely no recollection of the actual gift bestowed on my by Grandfather Frost that New Year's Eve. That wasn't the point at all.
Grandfather Frost must have really liked me. Not only did he show up the night of that party, but he actually walked right up to our apartment building one year with his daughter, the Snow Maiden. I was playing outside with a friend and saw him knocking on the door. I didn't know why he was there, and I didn't think to ask. Many years later, I found a photo of that incident. Grandfather Frost looked suspiciously like my dad in a fur-trimmed suit and a white beard, but that doesn't spoil the magic of that memory for me.
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abwwia · 8 months
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Hanka Ordonówna or Ordonka (born Maria Anna Pietruszyńska; 4 August 1902 in Warsaw – 8 September 1950 in Beirut) was a Polish singer, dancer and actress. Via Wikipedia
Read also: HANKA ORDONÓWNA - FROM THE STAGE TO A SOVIET LABOR CAMP
THE BUMPY ROAD OF A STAR OF THE POLISH STAGE
“Love will forgive you everything” – sang Hanka Ordonówna yet this love would turn out to be disastrous for her.
One of the greatest pre-war stars of the stage would experience the hell of the sovkhoz.
She died shortly after the end of the Second World War at the age of 48. Her life reads like the story of “Cinderella.” by Magdalena Mikrut-Majeranek https://polishhistory.pl/hanka-ordonowna-from-the-stage-to-a-soviet-labor-camp/
"The artist wrote down her memories in the book “Wandering Children”, which she published under the pseudonym Weronika Hort in 1948 in Beirut. In her book, she described her travels from the time of her stay in the USSR until she reached India. Due to concern for the fate of her family, she was afraid to publish under her own name."
#HankaOrdonówna #Ordonka #herstory #polishherstory #retrofilm #filmstar #PolishWomenArtists #womensart #polishart #sztukakobiet #palianshow
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tuntematon-marsalkka · 8 months
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Russian Woodstock: Amazing Photographs From the Two Day Moscow Music Peace Festival in 1989
August 13, 2023     1980s, celebrity & famous people, event & history, Moscow, music, Russia & Soviet Union If any single event encapsulated the massiveness of hard rock and heavy metal at the end of the 1980s, it was the Moscow Music Peace Festival, which put six megawatt bands – Skid Row, Cinderella, Mötley Crüe, Ozzy Osbourne, Scorpions and Bon Jovi (along with Russian rockers like Gorky Park…
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markfishersphotos · 8 months
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Popular Chances Phase • American Photographer Mark Fisher • Magazine Cover Cinderella
Popular Chances Phase • American Photographer Mark Fisher • Magazine Cover Cinderella A Fun Exercise Pulling Assets Together And Build An Essay For Production. Comparing A Soviet SU 27 Aircraft To A Ranchero. They Get You There, Final Destination. With No Problem. A Figurative Thought… Over And Out. ∆ Captured Under Existing Day Time Light.  Modified For Web Presentation. Changing…
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